#Manual Adjustable Seats

[vmantras]

Citroen eC3 Shine DT Review: Affordable Electric Hatchback

₹13.35 Lakh Design and Build Quality Exterior:The Citroen eC3 Shine DT boasts a contemporary design with dual-tone color schemes and chrome accents, giving it a premium urban vibe. The bold matte black front grille and LED daytime running lights (DRLs) enhance its road presence. Wheel arch cladding and skid plates add a touch of ruggedness, while the body-colored bumpers and ORVMs (Outside Rear…

[moonstruckme]

Different person— but is it overdoing it if I request a bad car accident but with an established relationship EMT marauders 👀

Yes definitely absolutely but I'll allow it (I did have to try and make it a little different though) <3

cw: scary car wreck aftermath, blood, concussion, angst

emt!marauders x fem!reader ♡ 1.2k words

By the time the ambulance arrives, you’re already in hysterics. They only get worse when you see who steps out. 

“I’m sorry.” The words come out on a guttural sob, snot and tears and blood all mixed together on your face. “He was—I distracted him, and—” 

“Shh, shh.” Remus comes to you while Sirius rounds the car. He puts his hands on your jaw. “You’re alright. Don’t move.” 

“I made him look away—” 

“Stop moving, love.” His hands are still, grip firm, eyes moving quickly to scan you over. “I need you to focus.” 

“Is he okay?” 

“What hurts?” 

“But James—” 

“Sweetheart, please. Please.” Remus’ voice scrapes a little, and through your panic you register the wetness of his eyes. He’s terrified. “Sirius is with him, okay? We’re doing all we can, but I need to be sure you’re okay. Please let me do this.” 

Another sob collapses through your ribcage, but you choke out, “Okay.” 

“Okay.” Remus takes a breath. His fingers shift slightly on your cheek; perhaps only adjusting his grip, but it feels like a caress. To your right, you can hear Sirius’ voice but not James’. “Focus on me. What hurts?” 

“Um…my shoulder.” You haven’t given it much notice, honestly, all your worry since the crash only for your boyfriend unconscious at the wheel, but when you take a moment to think it’s obvious. Your arm is screaming. “And my head, but less.” 

Remus nods, all business as he uses one set of fingers to feel the back of your neck, moving down your spine. “Any pain here?” 

“No?” 

“Are you sure?” 

“Yeah.” You sniffle. “Sorry, I’m sure.” 

“Good. That’s good, sweetheart.” He spares you a brief kiss. The stiff upper lip you’d been attempting to form quivers underneath his gentle touch. “Do you feel sick at all?” 

“Yeah,” you admit, though you think that’s more from anxiety than anything else. 

Remus seems to understand. He pulls a pen light from his pocket, clicking it on. “Look here for me.” 

You have every intention of doing as he says, truly, but it’s at that moment that you hear Sirius say thickly, “There he is. Hi, baby.” 

Later, you might think it’s sort of funny—baby. It’s unlike Sirius to call James that, and unlike James to be called it. But perhaps Sirius is only feeling very overwhelmed by tenderness and relief; that, you could certainly understand. 

You turn in your seat, the pain in your left side temporarily vanishing. You only want to see James with his eyes open, but if you have your choice he’ll be awake and talking, normal, totally unhurt, a miracle. “James?” 

“Y/n,” Remus chides, but there’s relief in his voice, too, his gaze looking past you. 

“Sorry, I—Jamie.” Your voice breaks. You’re sobbing again all at once, reaching for your boyfriend as he blinks slowly, his lovely face all pinched in discomfort. “James.” 

You’re arrested from both ends, Remus catching your wrist and Sirius halting you with a stern look. It softens after a moment, that instinctive protectiveness giving way to something gentler. He almost looks sorry.

“Don’t touch him,” he tells you, firm though not unkind. “We can’t move him until we rule out spinal injury. Listen to Remus, angel, let us do our job.” 

You lower your hand, chastened, but are unable to tear your gaze away from James. He looks confused. There’s the smallest bit of blood collected under his nostrils. 

He seems to find words slowly. “Pads?” 

“Hello, gorgeous boy.” Sirius smiles at him, holding his neck and jaw as Remus had done for you. “Funny seeing you here.” 

Remus says your name again. Only when he cups your cheek, manually turning you towards him, do you finally look away. Your boyfriend is watching you with a tender expression. 

“He’s okay.” He thumbs underneath your eye, collecting blood and tears on the latex of his glove. “We’re okay, yeah?” 

“I distracted him,” you whisper, throat tight. “He swerved too late because he was looking at me.” 

“Well,” Sirius, who has evidently overheard, chimes in with a suave tone, “who among us could be faulted for that, eh?” 

A laugh, soft and half broken, stutters out of Remus. “Very true,” he says. “Can you look here for me now, please?” 

You let him go through his tests, which eventually find you well enough to be moved from the car. Your boyfriends work as a pair to get first James and then you onto stretchers. By then another ambulance has arrived and, neither Sirius nor Remus wanting to leave you or James and each seemingly having grown slightly jealous of the other, they swap off; Remus hops into the ambulance with James and another paramedic, and Sirius goes with you. 

You see this as your chance to get some real, unfiltered intel. Sirius can always be relied upon to tell things as they are. 

“Is Remus—are we going to the same place?” you ask as he locks your gurney into place inside the ambulance, knocking on the window to let the paramedic driving know once it’s secure. 

“Oh, yeah. Of course, you thought we’d let you end up in different hospitals?” Sirius turns your head gently with his hand, wiping with something cool above your eyebrow. It stings. “We want you both where we can keep an eye on you.” 

Your fear worsens. “Why?”

Sirius glances at your eyes, his expression softening. He brushes a gloved forefinger over your forehead consolingly. “Not because we think anything bad is going to happen to either of you, sweetness. Just for the same reasons as always; because we like to.”  

“How bad is it, though?” 

“Could certainly be worse,” he says. “You have a relatively mild concussion, and your shoulder—”

“With James,” you clarify quickly. 

“Oh.” Sirius blinks. His brows draw together, not condemning but sympathetic. “His concussion is a bit worse than yours,” he says, as frank as you’d been counting on from him. “He’s in and out, rather confused, but mostly unhurt besides that. Honestly, that first blow to his head might have saved him a lot of damage. Sometimes, when people go limp during a crash, they…hey. Hey, baby.” 

You shut your eyes, powerless to stop the silent sobs that shake your middle. Sirius wipes gently underneath your eyes. 

“That’s enough of that,” he murmurs. “We’re fine. We’re all fine.” 

“He’s hurt because I—because he turned—” 

“I heard you before,” Sirius quiets you. “You couldn’t control that, lovely.” 

You can feel your hairline growing damp with tears. Your voice is a scratchy, shamed thing. “I’m just so sorry.” 

“I know.” Your boyfriend presses a piece of gauze to the cut on your forehead, his gaze unflinching. “You don’t have anything to be sorry about, though. You really don’t. Anyone can blame themselves, but the truth is you might’ve gotten hit no matter what. There’s no sense in thinking like that.” 

Sirius pauses, looking for understanding in your face. You press your lips together in attempt to stop crying. 

“I need you to focus on getting better,” he says. “Can you do that for me? I can’t hug you properly so long as your shoulder’s dislocated, and I think we could both use a hug right now, yeah?” 

“Yeah,” you whimper. 

Sirius offers you a small smile, taping the gauze over your cut. “Good. So you’ve got your job, then, yeah?”

“I’ll try.” 

“You’re going to be so great at it, sweetness. I have absolute faith in you.” 

[forsakeofabetterusername]

I made a zine about adjusting cheaper wheelchairs, after adjusting my NHS wheelchair.

Notes: Your wheelchair ‘service manual’ is a good resource for adjustments! You can often google them. Also, with the wheel adjustments, be prepared to move the breaks. Google how to measure for a wheelchair to find your seat width, and if you want to get extra, look at seat depth. Leg length is usually done by adjusting the footplate height.

Image description and printable version under the ‘read more’ .

Image Description:

An 8 page zine. Both images have the same content but the first one is arranged to be read on a computer. I am going to describe each page.

First page reads “A cripple’s guide to.. making a cheap(er) wheelchair work for you” and in smaller writing “by Sock - who uses an Invacare Action 2NG”. There is a drawing of a wheelchair in the centre.

Page 2 reads “Choosing a wheelchair. Look for adjustability (can you change wheel height? COG?), seat width (as close to your size as possible), and arm rests that can be lowered/removed.” Each item has a small drawing illustrating the point.

Page 3 reads “Adjusting a wheelchair. You will need… Allen key set (bike ones are good!), Pliers (for holding bolts) and Phone (for access to manuals, taking photos at each step.” Each item has a small drawing of it.

Page 4 reads “1. Adjust Wheel height. This can be done where the wheel “plugs in”. Your fingers should touch the wheel hub centre. If you can, move the wheel forward too (centre of gravity adjustment).” There is a small drawing of the wheel base, an arm reaching down to touch the centre of the wheel and a wheel base with an arrow pointing to the right showing it being moved.

Page 5 reads “2. Arm rest adjustments. Get your armrests as far down and as far back as they go. I keep mine on because of muddy weather/to protect clothes from spokes but you can also just remove them!” There is 2 drawings of a rounded and straight arm rest.

Page 6 reads “3. Modding castor wheels. Adjusting the height will change the seat angle. Smaller castor = easier turning, but makes rough pavements harder.” There is a drawing of a tilted chair with big castors and a straight chair with small castors, with a double pointed arrow between, with the caption “Play around!”

Page 7 reads “4. Footplates. You can take the footplates off and toe propel. You can make a foot sling out of a belt/luggage strap/paracord.” Both have an accompanying illustration. Then there is a note saying “if you have poor circulation, weakness, etc. oh might just want to keep the footplates on”.

Page 8 reads “5. Cushion. You need a cushion for your chair. Depending on how long you sit/how bony you are, you might need to spend a little more” then “£: Foam. ££: pressure relief cushion. £££: EBay/second hand for jay, invacare, low zone etc.”

End.

Printable version:

[tgcg]

happy day of egbert

CG: DON'T YOU JUST HAVE THE MANUAL SOMEWHERE?

TG: dude its the most overwhelmingly basic thing on the planet trust me i literally did all the other settings for you

TG: all you gotta do is point the thing at egbert

TG: half press to focus subject

TG: press down fully and bam done the shit is shot

CG: BUT --

TG: i know youre desperate for this to be rocket science but its genuinely like first grade biz i promise whatever pic you take is gonna be fine

===

EB: yeah, come on karkat!

EB: i am only going to be the birthday bad ass for like, 24 hours total you know.

EB: longest birthday of my LIIIIIIIIFE. haha.

EB: oh hey, from one birthday-dooms day guy to another…

EB: i am pretty sure you understand the magnitude of what i just said!

===

CG: OH HEY. FUCK YOU.

CG: I'M JUST ACCOUNTING FOR THE LITERAL FUCKING INEVITABILITY THAT WHEN I TAKE THIS PHOTO, SOME INSIDIOUS LITTLE KARMA GNOME WILL FROLIC ONTO THE SCENE IN AN UNBELIEVABLE STROKE OF LOATHSOME SERENDIPITY TO BURY ME IN 12 CUBIC METERS OF FOOL-GRADE FUCKING IDIOT POWDER.

CG: AT WHICH POINT ANOTHER HEFTY BOULDER WILL BE ADDED TO THE BULGING MACRO-BINDLE OF SHAME YOU PEOPLE HAVE FORCED ME INTO CARRYING MY WHOLE LIFE.

CG: SHIT, SOMEONE HAS GOTTA LOOK OUT FOR MY ASS.

TG: alright give us a sec

TG: huddle formation

EB: psssshhh, alright.

===

TG: youre not gonna fuck this up

TG: your ass is completely secure dude

TG: i got the double foam padded booster seat and you know that shit is strapped on this 5mph drive through quaint ol piss-easyville

EB: you know if it really is so bad you can just re-take it, right?

EB: it is really not worth aggravationing your sponge over.

TG: 'xactly

TG: knights honor that shit isnt hooked up to my ishades and will not instantly forward me a copy in crisp HD of whatever blunder youre cooking in your beautiful nugbone

===

CG: IT'S NOT JUST THAT.

CG: HAVEN'T I SHADOWED YOUR PHOTOGRAPHY SHENANIGANS LONG ENOUGH FOR YOU TO TOSS ME A GODDAM BONE?

CG: I MEAN. I FEEL LIKE I'M READY FOR THIS. I'VE BEEN PRIMED FOR THIS BULLSHIT FOR EQUINOXES AT THIS POINT, WATCHING YOU PRANCE AROUND WITH THIS FUCKING THING.

TG: woah wait youre legit into it?

CG: YES, I AM LEGIT FUCKING INTO IT.

CG: AND I KNOW IT HAS SETTINGS YOU'RE HIDING FROM ME. WHAT IF I WANT TO TAKE A BLACK AND WHITE SHOT, HUH? WHAT IF I WANT TO ADJUST THE "APERTURE" OR THE "EXPOSURE" OR SOMETHING.

TG: alright i dig the enthusiasm but maybe we can unwrap that shit when we dont have someone waiting for us

TG: i didnt know you were scoping photography man you shoulda said something!

CG: I WAS PLANNING TO! I DIDN'T ENVISION IT COMING UP SO FRIGGIN SUDDENLY MAN.

TG: i promise ill open the pandoras fuckin box of snap addicts anonymous afterwards alright

===

CG: OK, FINE. BUT I AM HOLDING YOU TO THA --

===

CG: HA HA EGBERT. VERY FUCKING FUNNY.

CG: FOR YOUR SAKE I SERIOUSLY HOPE THIS IS JUST AN EMBARRASSING NOSTALGIA-DRIVEN LAPSE IN HUMOR AND NOT A GENUINE ATTEMPT TO "PRANK" ME. I REALLY DO!

EB: huh? who is this "egbert" you speak of? i have never heard of such a character.

CG: OH, JUST THIS BULGECRUD-HUFFING IMBECILE THAT FALLS BACK ON SHITTY PRACTICAL JOKES SO PLAYED-OUT THAT THEY PHYSICALLY HURT TO BEAR WITNESS TO.

CG: MY LOWER JAW IS THREATENING TO REVERSE-DROP WITH ENOUGH VELOCITY TO BURROW DIRECTLY INTO MY THOUGHT SPONGE, KILLING ME INSTANTLY.

CG: SO EITHER GET SOME NEW MATERIAL OR GET ME TO THE EMERGENCY ROOM, YOUR PICK.

EB: damn, ok. that does sound like some pretty serious bullshit, but…

===

EB: whoever that weirdo next to you is kind of seems like he needs medical resistance more than you do!

CG: WHAT

[sexilene]

thinking about rafe, topper, and kelce, helping to teach you how to drive….

you were about to be gifted a pretty new car for your birthday but you still didn’t know how to drive so the boys said they’d help teach you! you stood in the shade picking at your nails as the boys planned an easy enough route for you to practice on without hitting anything or anyone. 

“can we get going pleaseee, you guys can trust me- i read a car manual once, i know how things work….”

“fine, we should be alright i guess…” rafe mumbles as he opens the drivers side car door for you to hop in, he sticks out his hand for you to grab to help you climb into his truck. with rafe in the passenger seat next you, top and kelce in the back you put on the seat belt and place your hands onto the steering wheel to wait for instructions. 

“i can’t believe you are lettin' her use your car man.” kelce shakes his head with wide eyes 

“it’s better than lettin’er practice in one of yours, mine the safest one if anything were to happen.” rafe turns his head back to you “j’us don’t crash…kay?”

“mmhm…how do i start?”

rafe, with his tendency to stress easily, guiding you through the basics of starting the car and adjusting the mirrors. his hands grip on the steering wheel as he instructs you like a child to put your foot on the brake pedal.

"kay, slow and steady now babydoll" rafe says, his voice stern yet soft, letting go of the wheel so you could try keeping it straight. "we don't want to accelerate too quickly, jus' easeee onto the gas...not too much!" you press down on the pedal with your foot as the car moves forward a few inches then breaks suddenly causing everyone in the car to jolt forward. 

“jesus!!…” topper breathes out, both him and kelce then grip onto the handles on the inside roof of the car.

"oh god, i'm sorry!" you wince

“s’alright s’fine just try- try again…” topper encourages as you place your foot back on the gas pedal again

slowly you start to get the hang of it, cruising slowly down the street at a decent pace, everyone seems to be relaxed as you are gaining confidence behind the wheel. then your phone starts to ring, you look down to were you set it down near the cup-holders which causes you to lose a little control of where you are going and makes the car swerve slightly and speed up. 

“EYES ON THE ROAD!” they all shout boyishly, panicked and clearly stressed. rafe’s hand flies out in front of you to emphasize its importance.

“that might be kie, can i get it?” 

“NO!!!” they all shout again

“jeez, ohkay!”

kelce mutters little prayers under his breath "please, let us survive this.” you let out a nervous yelp when up ahead you see a squirrel just chilling in the middle of the road.

“what do i do!”

“JUST SLOW DOWN!” “EYES ON THE ROAD!” the boys shout overlapping their panicked voices, you scream and squeeze your eyes shut and turn your head away.

“NO HEY! DON’T CLOSE YOUR EYES WHAT ARE YOU CRAZY!?” rafe shouts all rambly

“ohkay!” you hit the breaks just before the squirrel scampers off up a tree.

“ALRIGHT OUT.” rafe commands, pushing his hair back out of his face, then unbuckling you. “I’m driving the way back, switch.”

as rafe gets out of the passenger seat and rounds the hood of the car to get into the driver seat as you climb over the armrests to get to your new seat. 

“jesus kid…you know what?...you wanna go somewhere in your new car? call me and i’ll take you wherever you wanna go….s’dangerous havin' you out on the roads like this.” rafe huffs as he starts the car again.

“we almost died!” topper lets scoff almost in disbelief at how things took a turn.

“I got slightly distracted! wasn’my fault.”

i luvvvv the kook trio

[put-me-through-the-wall]

𝜗𝜚 Down the Rabbit Hole 𝜗𝜚

━━━━⊱♡⊰━━━━

Captain John Price x Fem!Reader

Work Count: 4.9k (I don't know what happened...)

Summary: Reader wanders a little too far off the path. Good thing such a nice older man came to help.

A/N: It's halloween y'all!! I freaking love halloween and all things spooky and scary. So I thought maybe I should write something really scary to fit the occasion. Okay so technically yesterday was halloween but better late than never. Let me know what you guys think. I don't think I have any smut out yet?? So please let me know any feedback or thoughts you have. I love you all so much!! 𝜗𝜚

Warnings: This story contain dark themes. Not to spoil but this one does contain DUBCON/NONCON elements, intoxicated reader, drugging, light bondage, kidnapping, forced impregnation. If you are not in the headspace the read this please scroll on. I will write some nicer things in the future.

━━━━⊱♡⊰━━━━

With a sigh you pull out your phone, the blue light illuminating your face in the dark night. Just to find you have no cell signal this far out, of course. You try calling a few people but not a single call would go through. A simple dial tone rang out much to your dismay. Leaning back against the bumper of your car, you can feel the heat radiating off your exposed engine. You look towards the propped open hood of your tired vehicle. 

The hissing machinery creates a pillar of steam when mixing with the chilled October air. Your leg bounces nervously while your eyes scan the surrounding forest. There are no street lights, no houses, not even the sound of cars whizzing by on a nearby roadway. Just dark woods and the crickets chirping. You mentally curse yourself and your friends for convincing you to drive so far out on your own. 

You spend a long twenty minutes going back and forth between trying to find service along the road way and seeking warmth in the shelter of your car. Your costume doesn't provide much cover against the autumn cold. Clad only in a restricting corset top, tiny ruffled shorts, fishnet stocking, and shiny white heels. Topped off with a pair of fuzzy bunny ears fixed to a headband and a little white tail attached right above your butt. It looked better in your mirror at home when you were imagining sitting in a hot crowded house party surrounded by familiar faces. 

Your focus breaks from the car's owner manual when you hear a distant rumbling. You hop out of the driver's side seat and look to see a blinding set of headlights coming your way. As the lights come closer at a rapid speed you wave and step closer to the asphalt to catch the driver's attention. 

Thankfully it begins to slow and rumbles to a stop a few feet short of your car. The driver kills the engine along with the annoyingly bright LEDs. Thet turn their hazard lights on, bathing the area in a blinking orange glow. You are stunned for a moment while your sight adjusts back to the dim night. You make out the shape of a large pickup truck through spotted vision. Its boxy silhouette shows a vehicle past its prime and out of style. You take that as a good sign thinking the owner must know something about taking care of cars. 

The driver's side door creaks open and out comes a pair of boots dropping onto the roadside. When they slam the door you see a large shadow saunter towards you. Heavy steps crunch on the earth below. 

"Thanks for stopping" You cross your exposed arms over your chest hoping they don't see the way you're shaking. You pretend like this isn't a total horror movie scene right now. Telling yourself the shivers are from the frigid air, not fear.

"You alright?" A thickly accented english voice asks. The figure finally reaches you. You have to crane your neck up to look him in the face, his broadness could swallow your quivering frame. 

"Yeah, I'm fine. My car not so much" you gesture back to the front of your lifeless automobile. He looks over you and hums in understanding.

"I can take a look for you," He steps past and takes in the sight under your hood. “What happened?” He takes a moment to unbutton the cuffs of his shirt and scrunch up the sleeves. 

“I don't know. I was just driving and then I heard some weird sounds then it started driving funny.” you attempt to explain.

“What kind of sounds?” he asks.

“I don’t know,” you shrug.

“Like a rattling, a pop, what?” 

“If I am being completely honest I had the radio up kinda loud so I can’t really remember. I just know I heard something then it started to shake and slow down.”

You watch as he leans forward, large hands braced against the low bumper. "Do you have a flashlight?" his tone is flat, is he mad at you?

"Yeah," you pull your phone and click on the flashlight. You stand on the side of the car and try to hold it steady with both of your shaking hands. 

"You can come a little closer," he looks up and smiles. "I don't bite"

You give a nervous chuckle and step around to the front of the car. Still careful to keep a good amount of distance from the stranger. 

"Can you- here let me just," his large hand wraps around your wrist and gently draws your hand further out until you're almost bent over reaching across the space. "That's better." 

He checks different areas, twisting and tapping on a few parts. Checking the levels of the various fluids. Occasionally repositioning the angle of your flashlight with a firm yet polite adjustment of your arm. 

"Have you called anyone yet?" His gentle eyes look up from underneath his thick brow. 

You hesitate for a moment considering the implication of your answer. He holds your stare as you try not to appear nervous. "Yes, I called roadside assistance but they won't be here for a while. They know I'm here though." You rush out a lie. 

"Hm, yeah we're pretty out" he looks back at the machinery. He stands up straight, brushes his hands off on the thighs of his jeans. "Looks like you're not going anywhere."

Your stomach tightens and you pull back your flashlight leaving you both in the darkness. 

"I can fix it but I'm going to need to go back to my place and grab some tools" He pulls the hood of your car down and slams it shut. "Or you can wait for the guy to get here. You'll be waiting for a while though"

You hold your phone tight in your palm feeling torn between trusting this stranger or going back to being stranded. "Um," it's hard to think with the constant waves of shivers going through you.

"Or you can stay here in the middle of the woods by yourself. Up to you," He pulls his keys from his pocket with a jingle and walks around you, back in the direction of his truck. 

You look between your own car, the dark tree line, and the tall man getting further away. 

"Okay!" You call to him. He turns and watches as you reach into your open car door to grab your purse and keys. You lock the door behind you and walk towards him. 

You hear his door squeak open then his truck rev to life you. You quicken your pace to reach the passenger side, not wanting to be left alone here for another second. Before you can grab the handle he is reached over the long bench seat pushing to open from the inside. 

"Glad you could make it," his cheeky smile causes his eyes to crinkle in the corners.

"Better than getting mauled by a bear" You haul yourself up and into the seat. The interior is still warm which allows you to relax a bit while your shiver subside. You take in the roomy cab of his truck. Nice leather seat, very clean, smells good. Surely he is just a kind older man wanting ti help out a stranded, clueless woman. 

"You'd be alright. Bears normally hunt in the mornings. Bobcats on the other hand, that's what you've got to watch out for." He places his hand on the gear shifter, "Seatbelt," and nods down towards the unclipped buckle.

"Okay but first, can you promise you're not going to kidnap or kill me?" You stare him down as he holds a faint smile.

"I'm not going to kill you," he chuckles

"You see, that's exactly what a murderer would say," you are only half joking with that statement but buckle yourself in anyways.

"I guess you're going to have to trust me then" He focuses his eyes forward and pulls onto the road. 

"I don't even know your name." 

"I don't know yours either" he counters

"Fair enough," you consider it for a moment before telling him your name, and he tells you his. 

"I don’t mean to be rude but, what's with the outfit?" he glanced your way for a moment. You don't miss the way his eyes trace down your figure. 

"I'm a bunny, duh." You point to the fluffy ears fixed to your headband. His brows remains drawn in confusion. "It's halloween," you continue stating the obvious. 

"Is it?" he finally puts it together. "My work has been hectic. It's easy to lose track of time. Heading to a party, then?" he asks.

"Was. I think I took a wrong turn a few miles back but I lost my cell signal so, I couldn’t get the map to load. Then my car died."

"That's some bad luck. Maybe you should look into getting a lucky rabbit's foot." He raises his eyebrows and chuckles.

"Ha ha," you respond humorlessly. "Look, the costume would've been a lot better with my friend. She's supposed to be a magician. Y'know like a magician pulls the white rabbit out of the hat."

"Right," he nods.

"Yeah, but it looks like I won't be making it tonight. I'm not too upset though. I'm not much of a party person."

"No?"

"No way, I'm a homebody. I hardly ever leave my house if I'm being honest. I work from home too so that keeps me pretty busy. Wow, sorry I didn’t mean to tell you my whole life story," you chuckle nervously.

"���S alright, I don’t mind. Your boyfriend doesn't take you out?" he asks.

"Boyfriend? No, I don't have a boyfriend." 

"Sorry, I just assumed. I mean, you're a pretty girl. Hard to believe you don't have someone to look after you." 

"Oh, thanks" a bashful blush rises up your cheeks. "Like I said, I don't get out much. Not many opportunities to meet people. Which is part of the reason my friend gets so mad at me. I've canceled on her the past three times she has asked me to hang out. She had to beg me to come tonight. I kind of feel bad though. She's probably going to think I bailed again."

"When we get back to my place you can use my phone to give her a call if you'd like," he offered. 

"Yeah, I probably should."

Looking out the windshield you can make out speckles of light ahead, breaking up the dense forest. John makes a final turn and you find yourself pulling up to a very nice cabin. Wood paneling lined the exterior framing several expansive windows which emit a warm yellow light behind the closed curtains. The glass panels stretch high to the sloped asymmetrical ceiling. The architecture looks straight out of the seventies. 

"Wow, this is your place?" you ask in amazement. "What do you do for work?"

"I work for the government," he states simply before turning off the truck and exiting. He walks around to your side and opens your door. He offers his hand to you which you shyly take as you hop down from the elevated cab. "Your hands are cold," he gives your hand a small squeeze fully enveloping it in his palm. "Let's get you warmed up inside."

He ushers you up the driveway, his hand now transitioned to your lower back. You can't deny the way his touch makes your stomach flip. He opens the door and you step into the cozy home. 

You are greeted by a vast living room. A long espresso colored leather sofa sits among matching chairs all facing towards a large stone fireplace. The space is washed in varying shades of warm browns and oranges. A beautiful thick rug lays across the glossy hardwood. 

"Sit, let me get you a drink. Would you like some tea, coffee, a beer?" 

"I'll have a coffee," with your confirmation he stepped through the living room to the connecting kitchen. Your eyes follow him as he disappears through the doorway. "Government job, huh? You must be very important." You step to one of the bookshelves that sit on either side of the fireplace. Scanning the many titles there. 

"I guess you could say that." He laughs. "Do you take cream and sugar?" 

"Yes, please." Your finger grazes the spines of the books. Many biographies and historical nonfiction among his collection sprinkled in with survival guides and warfare tactics.

"How about some Bailey's?"

"Sure,” you shrug. Maybe a little spiked coffee and make you relax a little.  

He reappears with two steaming mugs in each hand. He offers one to you which you happily accept. Wrapping both hands around the cup, allowing the hot drink to unfreeze your fingers. He holds his gaze while he takes a sip and then releases a gravelly groan in satisfaction. You follow suit taking a sip, feeling the warmth descend in your throat and radiate in your chest. 

"Not bad?" 

"No, not at all, thank you,” you smile sweetly. 

"How about a fire? Get you warmed up and then I'll go grab those tools, ay?" He doesn't allow you to answer before he sets his mug on the coffee table and kneels in front of the fireplace. 

You sit on the couch and watch while he makes quick work of getting the fire started. It's not long until he nurses the little flame into a roaring fire. He grabs a few fresh logs to throw on top before getting up and taking a seat next to you. 

"Feeling better?" He asks as grabs his drink once more and settles into the cushions, arm slung across the back of the couch behind you. 

"Much" With your cup now half empty you begin to feel the alcohol go straight to your head. You aren't surprised though. You haven't eaten all day in order to fit into this strangling outfit. 

"I like your costume, by the way. I don't think I said that earlier. Not sure if I would've stopped if you didn't look so cute" His hand reaches from behind you and flicks your artificial ears.

"Hey" You adjust the head piece back in place. "This was a lot of work to put together, I'll have you know." You attempt to convey your seriousness but can't help the giggle that escapes. 

"Oh, I can tell." His hand slips down from the back cushion to brush across your bare shoulder. The light touch makes your skin erupt in a flurry of goosebumps. "You're still pretty cold, bunny. Let me get you something warmer to put on." 

"I'm okay, really. I'll warm up." You take another long sip on your hot beverage. "I feel fine."

"I insist" He rises from the couch and politely holds a hand out for you. 

You are hesitant for a moment but seeing the persistence settled on his face you accept. "Alright," you relent.

He leads you down a dim corridor to the last room on the right. He pushes open the cracked door to reveal his neat bedroom. Very much resembling the rest of the house. A giant perfectly made bed sits in the center of the clean area. Makes sense considering the large man that sleeps in it. A lone lamp illuminates the room giving it a hazy appearance. Or maybe that's just your clouded mind. 

He steps past you towards his dresser and pulls open one of the drawers. He pulls out a large shirt then a pair of pajama pants and hands them to you. "Not sure how well these will fit but it'll be more comfortable, I'm sure"

"Too bad" You look down at the folded clothes in your hand. "Feels like a total waste of a costume."

His eyes scan down your body once more. "I don't think so" He walks past you towards the door. "I sure got a kick out of it" He smiles and turns to close the door on his way out. 

"John," you rush out before he goes. 

"Hm?"

"Can you, um-" You look over your shoulder at him. Still facing away from him. "Can you untie me?" gesturing to the lace up back to your corset.

"Yeah, uh,” he clears his throat. “I can do that" he takes measured steps towards you. As though a hunter may quietly stalk up to its prey. 

You look forward again and stand up a little straighter when his warm hands rest on your shoulders. They slowly slide down your back and onto the dense fabric. Fingers trailing over the layer of ribbon and boning. Finally he reaches the large bow at the base of your back. You feel the ribbon unwind to hang limply. Edges skimming the back of your thighs.

His strong fingers wedge themselves in the gaps between the laces. Tugging each intersection with meticulous movements so as not to throw you off balance. Your hands rush to press the front of your corset to your chest when you feel it begin to slip. At last you can take a full breath. 

Feeling his touch retreat after finishing the task you turn back towards him. Neck craning up to meet his eyes. The height difference was much more apparent from this close proximity. 

"Thank you,” your voice coming out just over a whisper.

"It's no trouble" He matches your hushed tone.

Your heart is beating out of your chest. Maybe it was the drink, or the fact that you were touch starved, perhaps even the fact that it was halloween but you felt bold. Bold enough to release your hands and allow the undone corset to fall to the ground below. 

Without a moment's hesitation John harshly grabs the back of your neck and smashes his mouth into yours as if thats the sign he’s been waiting for. Lips collide in a hot rush. His stong arms pull you flush against his broad frame. Deep groans rumble from his chest. 

Your sluggish movements make you struggle to keep up with his hectic pace. Your hands sliding up his neck to tug at his cropped hair. One particular harsh tug draws a growl from him. 

He walks you backwards across the room until the back of your tight clad legs meet the soft comforter. He releases his hold and you fall backwards onto the mattress. 

He towers over you. His chest heaves with each breath as he stares you down. Your stomach flutters, unsure if it is due to excitement or fear. You begin scoot backwards up the bed but as you make your way towards the pillows his hand encircles one of your ankles.

"Not so fast little, bunny," he tugs your leg harshly and pulls you back towards him. He doesn't waste time as he dips his fingers into your tiny ruffled shorts yanking them down in one swift motion. 

He climbs over you, wedging his thigh between your legs. His hand maneuvers around your lower back and behind your neck. He pulls you back into a heated kiss. 

You feel the pressure from his muscular thigh press against you. You unconsciously grind your hips into his leg while he swipes his tongue across your bottom lip. He assists in your movements as he grips your hips, rocking you back and forth.

"That's it, pretty," he leans down to mumble in your ear. "I can feel you soaking through those little panties," then giving your earlobe a nip.

Moans slip from you with each movement. Rutting pathetically, unable to stop yourself as you near closer to your edge. He dips down to your neck expertly finding your sensitive points. Biting your pulse then soothing it with his tongue. The friction from his jeans rubs against your little cotton underwear and fishnets. 

"John, please," you whine, unsure of what you're asking. 

"Go ahead sweet girl, cum for me." His powerful grip digging into your waist. 

With his words of approval paired with his hot mouth moving along your throat, you begin to unwind. Tipping over the edge, your legs tightening around his own. The knot in your stomach finally snaps. Back arching into him and loud moans pouring from you. A rush of heat fills you and until you finally slump back into the bedding. 

John loosened his hold around you. A hand coming up to move hair away from your face. "You're a dirty little girl, aren't you? Humping my leg to get off. Nasty thing, you are." 

A blush of embarrassment rising across your already flushed face. The shame morphs back into lust as you feel a tightness reform in your stomach. 

John sits back on his knees and begins to unbutton his shirt. Your eyes can't help but to land on the massive bulge formed in his pants. A thick outline straining against the restricting denim. He finishes stripping off his shirt revealing his burly chest. You sit up to run your hands down his bare skin. Leaving kisses along the line of hair leading from his chest into his happy trail. 

Your hands skim lower to find the buckle of his belt. You make quick work unbuckling and unfastening of his jeans. Hurriedly yanking down the offending material just enough to give way to his tight boxers. Your mouth salivates at the sight of his hard cock straining through the thin material.

Before you can rip away the final layer he grabs your wrists. “Not so fast,” he chuckled. Gathering both your wrist into one of his hands easily he uses the other to swiftly pull his belt from it loops. He takes the belt and wraps it around your wrists, securing them tightly together. 

“Needy girl,” he mumbles. His rough palms traced down your arms then along your waist. “Taking whatever you want,” his fingers skim along the pattern of your fishnets. “It’s my turn now, bunny,” once he reaches your still clothed center. Finger grip the threads of your tights and rip them open. Completely tearing the flimsy strands to fully expose your panties. 

He slides his fingers across your sensitive clothed cunt making your hips thrust into him. “Oh, bunny. You’re soaked,” his eyes flick back up to meet yours. The black of his pupil now blown out almost completely consuming the previously blue iris. 

He takes your bound wrists and pulls them over his head. Your arms now wrapped around his neck, your bare chest flush against his. He pulls you into his lap, your legs straddling his hips. Not bothered enough to fully undress he jerks down the waistband of his boxers. Allowing his thick cock to spring out. Fingers frantically pulling aside the drenched material of your panties, exposing your throbbing heat. 

He grinds his hips up to meet yours. Sliding his cock easily through your wet folds.

“Oh god,” you whimpered as his head rubs against your sensitive clit. “Please, fuck me” 

Needing no more prompting he pulls your hips back and lines himself up with your needy hole but not yet entering. “You want this?” He dips just the tip of his head in, teasing your dripping entrance. 

“Yes, please,” you beg, looking at him through your lashes. You desperately try to grind your hips down but he holds you in place. 

“What good manners you have,” he continues to tease and thrusts the tiniest movements, never fully entering. 

“John, I can’t wait anymore, please, just- please. I need it. I-” Your string of pitiful begging is interrupted when he finally yanks your hips down. His length fills you completely in one smooth thrust. Your eyes roll back at the sensation as he fills you to the hilt. 

He lets out a guttural moan once he is fully inside of you. “You’re so fucking tight,” he groans. His head dropped in the crook of your neck, biting the soft skin there. Mustache and stubble scratching along your collarbone. You yelp at the pain of his bite but he doesn't relent. Your pussy tightens around him as his teeth sink into the tender flesh. 

His arms move from their grip on your hips and fully wrap around your back. He begins to thrust up into you. Not easing into the movement as he immediately drives his hips up at a brutal pace. As if he were unable to wait another second. 

Unable to grip into anything with your bound hands, you find purchase digging your nails into the leather of the belt. Your head tipping back limply as you can only take his cruel ministrations. 

“Is this what you wanted?” He grits out through his teeth, each word punctuated by his hips driving up into you. His cock pounds into your cervix making a flurry or stars burst behind your eyelids at every hit. “Is this what you’ve been needing? A good fucking?”

You mumble out a pathetic, “Mhm,” unable to fully process his words. His fingers dig into your shoulder and back. You are fully engulfed by this giant brute of a man. 

“I know you do. I knew from the moment I saw you. Looking so sweet on the side of the road.” He chuckles darkly. Continuing to hold you tight against him he leans forward until your back hits the comforter. Your legs lock around his back while he holds your hips in place. The new angle has him pounding into your sweet spot over and over. The friction of his hair rubbing onto your clit creates the building of renewed heat in your stomach.

“You gonna cum again, pretty? Let me see you do it,” his thrusts slow from the frantic pace to a slower harder stroke. His arms lay on either side of your head while he studies your features. Hard length easing out of you slow enough for you to feel each ridge and vein. Then jerking his hip harshly back in. 

Your head was feeling fuzzy. A drop of salvia trailed out of your lips and down your cheek. Your high was getting closer with each thrust. Eyelids fluttering shut as you feel the knot tighten in your stomach. So close to release. Your walls contract around him causing your legs to tighten, toes curling. 

“Hey,” John snaps harshly. When he receives no response he gives you a light smack on the cheek. Hard enough to make your eyes pop open in shock. “Look at me, pretty girl. I need to see those eyes,” his words sound warm but he grips your jaw in place with a stern hold.

Your eyes flutter while you struggle to keep them focused on him. Coming closer to the edge. “Come on, you can do it. Don’t make you give you another smack. I don’t want to hit you, pretty girl. Don’t make me” his tone dripping in condensation. “That’s it, give it to me. I wanna see you come undone, bunny.”

Then you snap. A series of shockwaves ravages your tired body. Shooting sparks of electricity race through your limbs. Your unfocused eyes stayed fixed on him throughout your climax. Your back arches high into his chest. Fingers ball up tight, desperate for something to grip. Your mouth drop open agape in a silent cry. Tear form in the corners of your eyes threatening to spill from the over stimulation. His harsh movements not granting you mercy in your fraile state.  

“God, I can feel you squeezing me. Oh, pretty girl, I'm gonna fill your sweet cunt,” he moans. Hips increase in pace as your tense muscle loosen in exhaustion. 

“Wait-” You murmur, hardly able to get your words out. Only a string of incoherent mumblings follow. Your brain is completely clouded. You know you can’t let him finish inside. “Please, no,” you whimper. “Can’t”  

“It’s gonna be okay, sweet girl. I’ve got you. I’m gonna fill you up and maybe I’ll get you pregnant.” He says with a wicked smile. “You want to be my little house bunny? Fuck you until you get big and round. Walk around pregnant barefoot,”

Alarm bells ring in your ears but you aren’t able to fight against his strong hold. Your limbs remain weak. Useless to pull away from his embrace “Please” you whine, “I can’t”

“You can, bunny.” His thrusts grow erratic, losing their rhythm. “Gonna be such a pretty mommy,” His hand slipped underneath your head allowing thick fingers to tangle into your hair. His hands closing into a fist giving the strands a sharp tug. The other hand wanders down to your hips. Holding you firmly in place with a bruising grip. 

With one final thrust he releases a loud, guttural groan. Teeth bared in exertion as he reaches his own climax. Cock pulsing inside of you, draining his seed into your weeping womb. All you can do is tighten your jaw as you attempt to push, kick, scream, anything but you just lie there. The faintest gasp leaves you when you feel his warm load pool inside of you.  

“You made it so easy for me,” he laughs. “You just got in my truck. Walked into my house. Silly girl, you don’t even know me. Didn’t anyone ever teach you not to talk to strangers.” 

He gives a few more gentle pumps before pulling out completely. Leaving your aching cunt feeling empty. He leans back and stares down, watching him cum drip out of your still quivering cunt. 

“You know, I put something in your drink. Took a little while to take, though. Got to you just in time I think. I was going to wait but you wanted it, didn’t you? I like seeing that dumb look in your eyes.” He grabs your jaw and moves your head back and forth while you stare blankly back at him. 

“Couldn’t let a little bunny like you get away, could I?

━━━━⊱♡⊰━━━━

Masterlist

Taglist:

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ﾒ𝟶

[kxsagi]

Hello girlie🩷 I hope you doin well,

I saw u open u request today :).

I wanted to ask if you could a headcannon or smth like which kind of car drivers are the blue lock boys and would they drive gearshift or automatic, which car would they drive?

I personally think Kaiser can drive both and he is a cocky driver. He is german so I guess he is a good driver and would absolutley use the no speed limitation on german highways. Isagi probably swears and curses a lot. Could you pls write it for Kaiser,Isagi,Sae,Rin,Bachira,Barou and whoever you like🩷

“𝐩𝐚𝐬𝐬𝐞𝐧𝐠𝐞𝐫 𝐩𝐫𝐢𝐧𝐜𝐞𝐬𝐬? 𝐧𝐨”

a/n: i'm doing well and i hope are you too! i absolutely love this request ❤️

ft. kaiser michael, isagi yoichi, itoshi sae, itoshi rin, bachira meguru, barou shoei

kaiser michael

drives: both. obviously. he could drive a tank if you asked him to. 

car: obnoxiously loud BMW M8 Competition with blacked-out rims and illegal neon lights that scream “main character.” 

driving style: spawn of satan meets fast & furious audition reel. 

he drives like every road is a racetrack and he’s got a sponsorship deal on the line. 

one hand on the wheel, other on your thigh, doing 210km/h with zero fear of god or death. 

“buckle up, liebling. we’re gonna pass 12 cars and a soul today.” 

listens to eurobeat and EDM (like 700 main street that song is so good idc). subwoofers so strong your bones vibrate. 

randomly revs the engine when another guy looks at you. 

brake checks people for fun. 

will lean out the window to yell “move it, snail boy” at slow drivers. 

the police? fans. they ask for selfies. 

isagi yoichi

drives: automatic only. thinks stick is a myth invented by the show top gear. 

car: toyota corolla, the 2023 “sport” trim that he swears has more horsepower (it doesn’t). 

driving style: unhinged, but law-abiding. 

he’s the type to hit the brakes 0.002 seconds after the light turns yellow, clutching the steering wheel like it personally betrayed him. 

screams internally every time someone merges without signaling. road rage is most definitely present. 

“HELLO?? it’s not a personality test, it’s a damn traffic light. MOVE.” 

accidentally floors it when you're just trying to chill. 

swears under his breath with the windows up but immediately apologizes after: “sorry love, that was not very respectful of me. i’m just… really passionate about traffic etiquette.” 

gps volume at full blast. still misses the turn. 

itoshi sae

drives: automatic. doesn’t need stick – that’s what other people are for. 

car: mercedes-benz S-class, silver, polished like a mirror, smells like “wealthy indifference.” 

driving style: smooth, silent, emotionally detached. 

never makes sharp turns. it’s all glides and glances. 

has never parked crooked in his life. 

listens to ambient lofi or complete silence. 

“why would i honk? that’s embarrassing.” 

lets pedestrians walk even when they shouldn’t. 

will drive an extra 15 mins to avoid traffic but act like it was his plan all along. 

always looks like he’s in a commercial. he could run someone over and still look cool. 

itoshi rin

drives: manual. said “automatic is a metaphor for mediocrity” and meant it. 

car: black mazda RX-7, pristine, waxed weekly, emotionally significant. 

driving style: laser-focused, but not chill about it. 

adjusts his mirrors exactly three times. won’t move the car until the seat feels “symmetrical.” 

“don’t talk. i’m merging.” 

refuses to use drive-thrus. too inefficient. 

slams the brakes at yellow lights like it’s a moral stand. 

speed limit? 1km/h over. rebellious. 

gets irrationally mad when you fiddle with the radio. 

doesn't let you eat in his car. you once dropped a fry and he nearly pulled over to exorcise it. 

uses apple maps even though he memorized every street. 

bachira meguru

drives: automatic (but makes it look manual somehow). 

car: bright yellow jeep wrangler with anime decals and at least 12 hanging plushies. 

driving style: feral and fearless. 

rolls the windows down no matter the season. yells compliments at strangers. 

parks diagonally like it’s an art piece. 

will drive into the forest just because “the trees were calling him.” 

doesn’t use turn signals. he “lets the vibes decide.” 

GPS? nah. he just follows the sun and the stars. 

keeps snacks, glitter, and possibly feral raccoons in the back. 

“do you want to hear my car playlist or my car chase playlist?” 

there is no peace when he’s driving. only laughter, speed bumps, and spontaneous detours. 

barou shoei

drives: manual. automatic is for weaklings and children. 

car: dodge challenger hellcat, blacked out like his soul. 

driving style: aggressive. like "fasten your seatbelt or meet god" aggressive. 

merges like it’s a battle for survival. 

absolutely has a custom license plate that says KING23. 

revs his engine at red lights because “the car needs to BREATHE.” 

“i don’t slow down. they get out of the way.” 

will stare into other drivers' souls at stop signs like it’s a standoff. 

has rock blasting as he parallel parks. 

glove compartment has protein bars and nothing else. 

© 𝐤𝐱𝐬𝐚𝐠𝐢

[osakanone]

Crew attire cosplay?

Lately I've been thinking a lot about "what would separate mecha crew equipment from that of a tank crew, or a fighter crew": A lot of military surplus stuff is already really close to what we're going for, and I realized "Motorcycle boots look a lot more like mech pilot stuff than military boots do", which got me thinking what other odd equivalences exist.

The one which really surprised me was how famous mecha live action SF Gunhed used a wetsuit as a stand-in for "generic scifi bodysuit", and that it worked weirdly well, actually?

"Why not latex?"

Latex rips too easily in contact with straps and hard elements, overheats far, far too easily despite having the looks. Thin neoprene works. really well.

So I kept exploring.

One thing I did seriously debate is other than rappelling equipment, would a pilot need something like a rigid knee-brace for hard landings to protect the ACL when they disembark from the robot which is common with high impact parachute equipment.

Some varieties also include counter-weighted springs which make it harder for you to close your knee, but make lifting heavy things on your back and climb much much easier during the ascent phase.

That led me towards Deck Crew helmets, which meet the hood requirement, and of all things, chin wraps which are really unobstructive and you can eat and drink while wearing one pretty comfortably (I say this as someone currently stuck wearing one)

So what we're looking at here is the HGU-24 and HGU-25, often worn by deck crews because it gets along just fine with the famous MCU-2/P AKA "Millenium" mask famous with drone communities as they're designed to be worn together.

Its literally the exact same mask with a minor paint adjustment.

"What's the difference between a drone and a pilot?" "One wears AXENT and latex, the other wears HGU-25 and neoprene." "Anything else?" "Drones have less sex and do as they're told"

Its got the bash-plates you want for an ejector-seat, but it also has the padded foam you want for an impact element, and if it latches properly and the jaw mechanism is well made enough, you could probably include a hans mechanism attached to the jacket which locks into a socket in the pilot's seat to stop a pilot from breaking their neck in a collision.

What do you guys think?

Any suggestions? What I'm really curious about is what you think pilots would remove, customize or alter for practical or decorative purposes.

This is basically the result of roughly a year of casual research into pilot attire, outfits and looks.

The helm and the hood seem to be where the most manual cosplay stitching and 3D printing work is likely going to be required, with the wrap and helmhood.

Addendum:

I've not gone into waste management systems (UCL/FCL human-factors engineering stuff with internal and external recovery systems), since I'm looking at this mainly as an attainable costume or ensemble.

Edit:

I am learning some of you use aquatic mecha and find this unsatisfactory.

And you won't shut up about how the coolant mass flow rate lets you do really wild shit with your weapons my "land-loving" platform even can't dream of

While I am jealous by your sheer tonnage and the output of your reactors, I've got you covered.

Behold: Immersion suits.

They also make surprisingly good sleeping bags, even if you're on water.

They're literally designed to keep you alive if you're forced to abandon an oil platform, and are known to include a radio and even rations and a water filter.

[toxicanonymity]

Midnight Snack.

3.4k slasher!Joel x f!reader

slasher Joel masterlist | spotify SUMMARY: Joel has dinner with his Mom, then visits you. A/N: Shoutout to @iamasaddie for the master list mood board magnets, @gasolinerainbowpuddles for the edit and divider, fridge magnet anon ask, @thesummerpetrichor , anyone I'm forgetting?  WARNINGS: I8+ dubcon unsafe p in v, creampie, light somnophilia, choking, lewd degradation, home intrusion, manual restraint, spitting, toxic parental issues, angst/insecurity, changes POV, NO Y/N.  

“I said I’m good, Ma,” Joel grumbles as his mom puts another heaping spatula of casserole on his plate anyway. He sighs and pushes it around with his fork. 

“What’s got ya down, hun?”  

“Nothin’.”

“It’s a girl, ain’t it?” She smiles. “Knew it. Last time ya were here, ya had that glow," she nods, then registers his sullen face again.  "It's okay, hun. Whatever it is, you'll work it out.". 

He hasn't stopped thinking about you since he was there. When he drives, when he showers, when he goes to bed, when he jacks off—he sees the desire in your eyes when you’re pinned against the counter. He sees your dripping hole stretched around his fist. He thinks about you every time he uses his wrench. Still smells like your filthy cunt. 

"Tell me 'bout her,” his mom urges. 

“Can't,” Joel mumbles. “Don’t got a girl.” 

His mom looks at him knowingly. She always sees right through him. He doesn’t like how close they are, but in a way, she’s his only friend.  He fails to suppress a little smile, then looks down shyly at his plate and finally takes a bite.  

She asks,  “How’d ya meet?” 

Joel gives her a half-serious cautionary look and keeps chewing. 

“Work?” his mom prods. 

Joel swallows, nods, and takes a sip of milk. “Gave'r a ride.”

Two rides, really. Although you took the second one all on your own. And damn, it was good. He shifts in his seat. 

“Well, great,” his mom lights up. “When ya gonna see her again?” She dabs her mouth with a cloth napkin and stands up. 

“I dunno, Ma. . .She’s too good for me.”

She huffs, adjusts her glasses, then walks over. She playfully whips him on the shoulder with the fabric napkin, then puts her finger in his face. “Don’t you ever say that. No one’s too good for my boy.” She takes his glass to the kitchen and pours him some more milk, then sits back down at the table. 

“already left me once,” Joel grumbles.

His Mom’s face falls, then sours.  

“Then she’s not worth your time." She scoffs. Or anyone else’s." 

“She’s different, Ma," he mutters deadpan, then quieter, he adds, "Sometimes I think she likes me," with the slightest lift of his brow.  

Mrs. Miller's eyebrows shoot all the way up. "Well, she should!"

"'mixed signals." He’s saying too much, but he can’t stop. It’s not like he has anyone else to talk to.

"Bring'er for dinner," she suggests.

"Ain't like that," he sulks. "We don't-" He cuts himself off and sighs, sitting back in his chair. He puts his napkin on his plate. "Shouldn't'a mentioned it," he mumbles. 

His mom reaches across the table for his hand, and he gives it to her.  He looks at the delicate, paper-thin skin covering the veins on her hand. It makes him sad. He wants to bring a girl home. He wants to make his Mom happy. He doesn't come by enough.  She must be so lonely.  And he's the one who. . .no, his father deserved it, he reminds himself for the millionth time in his life. He didn’t love them, his mom said. Resentment begins to overtake his guilt. He doesn’t want to feel sorry for her. He steels himself and decides to feel nothing. 

"Look at me, Joel."  She looks him in the eye. "You're not gonna get a wife like this, honey." Joel swallows and looks down. She continues, "Don't be a quitter. She's yours if you want her." Don’t be a quitter. 

The buzzer for the laundry goes off. Mrs. Miller starts to head to the laundry room, but Joel stops her. "Feel like a loser when ya do my laundry." 

She shakes her head in disapproval and starts clearing the table instead. "My son. . .” she picks up both their plates. ". . .Is not a loser." 

Joel finishes his laundry, watches some tv with her while she knits, then pulls himself away.  His Mom sends him on his way with an old tupperware of casserole. "Go get her," she tells him with a wink.

—-

He wants to make a move.  He wants to fuck you again, but he isn’t sure how.  How do people do it? He doesn't know how to ask you out, or what you'd do together. Every time he thinks about it, he feels stupid, but he does wanna see you.  He wants to be inside you. He wants to make you purr, little sex kitten. 

At this hour, you’re probably out whoring, but he might as well drive by while he’s close.  All your lights are off, but your car is there. Hmm. He can't bring himself to go home. Don’t be a quitter.  He sits in his car at the end of your street. Last time he came over, it went pretty well. You wanted him to fuck you, and he did.  You wanted more, and he gave you more. Then he left before you could leave him. 

He feels like you’re special, but he really only knows a few things about you. Most importantly, you like the danger, you want the thrill, you want his dick, and you sure can take a cock. 

The only thing he can think to do is give you more of what he knows you want. Even if you're asleep, you'll be purring for it as soon as he drags you out of bed and pins you on the floor.  He pictures a knife at your throat. Not a big one, just his switchblade. 

He gets out of his car and adjusts his balls, spreading his feet for a moment. Then he starts walking to your house.  After a few seconds, he goes back to his car for the casserole. Maybe you'll have a midnight snack after he stuffs you full of his cock. He rolls his eyes at himself. That’s stupid. 

—-

There's a lamp with a dying bulb barely flickering on your back patio with a couple of moths fluttering wildly around it. Joel looks into your dark kitchen and scowls at his reflection in the glass. He holds the Tupperware under his elbow and picks the lock with ease. After stepping into your kitchen, he quietly slides the door shut behind him. His boots thud stickily as he takes his first steps on the linoleum. Do you ever mop? He holds his switchblade open in the air.  He’s headed toward the hall where he expects your bedroom is.  He inches through the kitchen--between the counter on his left and the stove on his right, until he gets to your fridge.  

The surface of the fridge is peppered with magnets--souvenirs, letters of the alphabet, bottle openers. It's silly. But a piece of paper catches his eye and he stops dead in his tracks.  It's pinned to the fridge by a "J," and an "X" and an "O." He blinks and squints, but his eyes don't deceive him. It's his drawing of you, legs spread wide open. His chest flutters looking at his sketch of your cunt hung proudly on your fridge. His dick twitches, and he inhales sharply. His mouth is watering.  He dips the tip of his thick pinky between his lips and dribbles a string of saliva on the paper, right between your legs. He tilts his head and admires the way your graphite cunt glistens.

You want him. You really want him. His body relaxes. He closes and pockets his switchblade.  He opens the fridge as quietly as possible and puts the casserole on the top shelf, pausing to survey the scant contents. Mostly condiments. Takeout containers. Beer. Expired orange juice. He closes the fridge. 

The microwave is hanging down from a cabinet to his left. He steps in front of it and bends his knees enough to push back his hair in the reflection. He stands up again, squares his shoulders, then prowls in silence to your bedroom. 

---

The door is open. Of course it is. You want him.  His boots are quieter on your carpet.  He approaches the foot of your bed but doesn't get closer. You're occupying less than half the bed.  You're just as pretty in your sleep. All bundled up. He knew that already. He gets harder, recalling the time he woke you up with his cock inside you. God, you're sexy. How'd he get so lucky that a hot little slut like you wants him so bad?

He goes to the other side of your bed. His side. There’s a chair full of dirty clothes. He sits down on them and takes off his boots.  He stands up again and lowers the zipper of his jumpsuit, pressing down on his bulge to get the zipper over it without snagging. Then he peels the sleeves off and brings it down over his ass and meaty thighs. He lets it pool at his feet and steps out of it. 

He's left wearing a blue soft wash t-shirt, lighter blue striped boxers, and white socks with holes. He takes those socks off too. He approaches your bed, lifts the covers with care, and sees what you're wearing.  You're wearing the shirt–he recognizes its condition.  God damn, you really do want him.  

Joel gradually lets his weight onto your mattress as he slips under the covers. His heart races and his forehead is damp.  His cock is so hard just from being close to you. He lies there perfectly still on his side for a moment, watching your back as you breathe. Then he scoots forward, inch by inch, until his leg hair brushes your bare legs and you jerk in your sleep. 

"Shhh. It's just me," he whispers as he wraps his hulking arm over you.  He spoons you and lightly presses his hard cock against your ass. You moan in your sleep and push back, then he moans. 

You jerk in your sleep again, but this time you don't relax. You startle awake.  You gasp and whimper. Your limbs thrash, and his arm tightens around you. You squeal, and his massive hand covers your mouth.   He wasn't expecting your feisty side, kitten. He came to give you what you want. 

Why don’t you want him anymore?

-----you-----

Pure instinct kicks in when you wake up with someone in your bed. Your heart is pounding, you thrash and  kick with all your might trying to get away. He covers your mouth and repeats “It’s me, sweetheart. God damn.” He sounds confused and irritated at your reaction. His voice is familiar, but it takes you a moment to place it, despite thinking about him all the time in waking life.  It's like your subconscious hasn't caught up with reality, and can you blame it? 

"Would you stop? Damn," he pants, getting more irritated as you continue to struggle and his arm tightens more, compressing your chest.  What did he expect breaking into your house and getting into your bed?

You feel his hard dick press against your loose sleep shorts and get butterflies in your core, even as you continue struggling. He backs up for a moment and the pull of his arm forces you onto your back.  He pins you with his left forearm on your chest and aggressively yanks down your shorts then kicks them all the way off before getting between your legs. His hard cock lays against your clit, separated only by his boxers, and you're throbbing. Your efforts to free yourself get weaker and weaker until you’re just lying there, staring up at him, your chest getting sore under his arm. 

“What are you doing here?” you ask. He doesn’t answer, just breathes heavily. 

He’s scowling down at you with a fine mist of perspiration along his hairline. He presses his cock against your mound again. Over a long moment of silence, an electric charge passes between your eyes and his.  He slightly tilts his head and looks at your mouth. You reach for the back of his neck and feel the cold sweat under your palm as you pull him down, drawing his face to yours. 

Your mouths meet but don't seal, and you find your lips reaching for his, wanting something to hold, something to suck–but he devours you without granting you any bit of control. You whimper as he kisses you hungrily, hard cock throbbing against your aching clit. He kisses you sloppily, biting your lower lip, dragging his tongue across it to the corner where he pauses and presses his teeth into your cheek and grunts with a slow thrust against you. Then he drags his lips and tongue down your jaw as you tilt your chin up.

He latches onto your neck with an "mm" and his hips begin to grind his thick erection against you at a slow rhythm. He grunts and his breath is humid with a moan against your neck before he latches onto it again. You feel the delicate skin bruising under his mouth while your pussy is gushing wet. You tilt your hips and wrap a leg around him. He groans at your slick, throbbing cunt against his cock. 

He murmurs into your neck, “God damn, you’re a slut for my cock,” then chuckles. “Aren’t ya, kitten?”

He lifts his pelvis off you to massage your cunt aggressively with his hand. You whine and he gives a low whistle.  Then he urgently takes his boxers down and you help him, curling a toe into the waistband once his boxers get down to his thighs.  You drag your foot down between his legs to his feet, taking his boxers with you. . He kicks them off the rest of the way. Before he lays his hips back into you, you reach for his balls, longing to feel the heft of them. It sends a bolt of desire through you. Fuck. 

"What's wrong with you?" You ask, but you're really asking yourself.  You’re asking yourself why you've got this sicko in your bed, someone unhinged enough to break into your house not once but twice and all you want is his cock. 

"Me?" He asks. "the fuck is wrong with you?" He wraps a hand around your throat. “Playin’ games with me,” he growls bitterly. “Ya want it, ya don't, ya want it–” you cough under his grip as he reads your eyes, then he whispers, "want it" with a small nod, and takes his hand away.

He notches his tip at your entrance then breathes, "don't ya?--uggghh" As he shoves into you. “Want it, you’ll get it,” he pants as his cock parts your walls. His cock spreads you wide open as he gives you his full length, and you gasp as he bottoms out. He withdraws a few inches and hangs his head to watch you swallow him back up.  

"God damn," he murmurs.  "Forgot how tight ya were before."  Your clit twitches at the thought of the wrench. 

Then his eyes come to your chest and the ripped shirt he gave you. He moans at the sight of your nipple poking through one of the slashes and he covers it with his mouth as he fucks you.  His wide tongue drags under your nipple and wets the curled edges of the slash in the shirt before his lips seal around your nipple.  He brings his hips back and pushes into you again, sucking and moaning into your tit. Your eyes fixate on his triceps nearly bursting out of his sleeves and that’s the first time it hits you that he was already in sleepwear. He undressed and got in bed with you. God, he’s weird. And you. You're. . . You don't know, but your hands are gliding on their own over his muscular back, feeling him flex as he pounds you. 

You find your fingers curling under the bottom hem of his shirt and he reaches one hand behind his back to help you remove it. You can't see much, but when the angle shifts, the moonlight catches enough to tell you his body has really been through it. When his head dips to your neck again you watch his hulking back muscles and see lines whiter than his skin. At least a dozen, overlapping lashes. You run your hand over it and the slight change in texture makes you wince with the confirmation. No telling how old they are. 

On his front, there’s a short straight line near his shoulder and a longer, thinner one on his side, curving around near his v muscle. Your thumb drifts to that one. Joel shivers at the touch, then slams his hips into you harder. You quickly abandon it, sliding your hand up his side, then to his pec. A wicked smile spreads across half his face as your hand runs across his chest. "Y'ain't scared, are ya?" He asks, breathing heavily with his cock dragging heavily in your dripping wet cunt. 

“No.” You thumb his nipple. 

He lowers himself and lets the weight of his middle onto you with a sigh, still railing his length into you. You wrap both legs around him, and he breathes "yeah, mmmgg baby, yeah" as he fucks you deeper. 

Your nipples go fully erect. "Fuck," he breathes when he feels them.  He grinds against your clit as he fucks you, and you feel a climax looming. The thought crosses your mind whether he's going to kill you one of these days and your chest erupts in goosebumps. Your face feels cold. 

As though reading your mind, he says, “don’t whore around on me” He reads your eyes then adds, "n' you'll be fine," with a small nod, a brief smile, and harsh thrust. 

You can't help but crack a smile at the absurdity of it.  The implied monogamy–on your side, at least. When he registers your amusement, his smile fades into a scowl and his eyes turn black. He grabs your jaw, squeezes it open, and spits in your mouth.  He grabs your hand off his chest and pins both your wrists harshly above you, holding them there with one massive hand as he fucks you harder, angrier. He looks down where your bodies meet, and he watches you take his cock again, breathing heavily, sighing and moaning.

Eventually his sour mood subsides, replaced by renewed marvel at your body. "Sure can take a dick." Your hips lift into him, seeking more pressure for your clit, near the edge.  "Didn't bring my wrench." He glances around your bedroom.  You moan at the thought of him shoving something inside you. Your walls twitch, and the deep groan that leaves his mouth is too much.  You grab his ass and pull him deeper using your hands and your legs.

"Fuck, Joel," you breathe, and a new softness spreads across his face. 

His mouth falls open and he whispers, "yeah, sweetheart." You bite your lip and groan as a huge orgasm seizes you. "Yeah," he whispers and his eyes map your face as your walls clench around him. "oh fuck," he pants as you cum on his cock.  "Fuck," he breathes again, "fuckin love this cunt," he looks you in the eye.  "Ohhhh," he groans and begins to pulse inside you. He lowers his face to your neck again and you keep cumming, your body jerking into his. "Yeah, fuck," he manages into your neck as his balls empty into you. "Mmmmm" he thrusts slowly one more time like he can hardly stand the pleasure. 

He pushes himself back up to look at you and shudders as you squeeze him with an aftershock.

"'s'okay," he whispers and brushes your temple with his thumb. “ruin ya in the mornin'” In the morning? He wants to stay over? "God you're hot," he chuckles, cock still inside you. After a long moment of silence, he slides his cock out of you and you wince at the void. He lays on his stomach and drapes his arm over you. Your heart races and you can only hope he doesn’t feel it. You don’t want him in your bed right now. He's a novelty and he has to stay that way. Yeah it was fun, it’s been fun. It’s fun. You have his stupid drawing on your fridge, like a wild memory, a souvenir. But this. . . this is unsettling.  

You can't get attached to this sicko. But you know better than to try to make him leave.  He gets that look in his eye sometimes, and you just don’t know.  You take deep breaths and try to plot how you’ll get out of this in the morning. You can say you have to work. Yeah, you’ll say you have to work.  Eventually, you drift off under the weight of his arm. 

------

Thank you so much for reading and engaging! Love you guys.

@toxicfics for notifications.

[sourpeachsayshi]

Praise kink with Nanami, please😭

·˚ ༘₊· ͟͟͞͞꒰➳ minors / ageless blogs / blank blogs - do not interact.

ˏˋ°•*⁀➷ tags: therapist!nanami; client!reader; guided; forbidden; doctor-patient relationship; size kink(?)

ˏˋ°•*⁀➷ notes: I went overboard with this one.

nanami's eyes darken, his glasses resting just below the bridge of his nose, irises blurring like the haze between night and day. he uncrosses then crosses his legs, desperately trying to adjust the bulge in his pants. his notebook is still resting comfortably on his lap, one of his hands fidgeting with the pen that he lightly taps against the paper, while the other traces the outline of his lip.

your legs are spread apart, your skirt flipped up, underwear pulled to the side. your shirt unbuttoned, exposing the lace fabric of your pretty, pretty bra. the sight of your cunt forms a knot in his throat, which he swallows while trying to forget the many nights he's jacked off picturing himself fucking you.

the one who came to him after leaving her horrible husband. who has struggled to find any sexual pleasure ever since, and who timidly admitted that she finds her underwear soaked after every session with dr. kento.

"I don't think," you sigh, your bottom lip trapped between your teeth. "I don't think this will work..."

"but you look good," he reassures, noticing your lashes flutter at his words. "Wet. I can see it from here..."

your face burns with embarrassment, and you part your lips to say something though no words come out.

"just keep listening, okay? you're doing really well for me, I promise this will help," he lies through his teeth, his cheeks tinting a shade of crimson of him abusing his role. "your middle and index finger, use it to rub your clit, not too fast...nice and easy..."

you oblige, and that doesn't take him by surprise. you listen to his guidance, start massaging the nub of your clit gently. a few minutes pass, but he's busy paying attention to your reactions. the way your breath hitches and your chest hiccupping as you try to stifle a moan.

"don't hold it in," he coos, "give in to your natural reactions. it's okay, I'm right here. I'm watching you, helping you. you trust me, right?"

"yes, doctor," you whimper and he hums in response.

"feels good?"

"uh-huh"

"you sound lovely, like you're enjoying it..."

"mmph~"

"faster. add a little more pressure, that's right..." he continues, "how do you feel?"

"warm-" you add, breathless and needy which only fuels his desire. "I l-like it, I like how it feels..."

"This is excellent progress, I'm proud of you," he praises, a hint of a devious smile ticking the corner of his lip. "try putting a finger in, there you go..."

his eyes narrow as you sink your middle finger into your hole. you gasp in slight shock, taken aback that you actually enjoyed the tiny stretch. nanami nearly snaps the pen his half. knowing full well that the length and thickness of his fingers would do far, far better.

you pump in and out, so slowly like you're trying to figure out what pacing you prefer. "doctor kento," you moan, though you are not addressing him with anything specific except to simply call out his name.

his cock twitches.

he takes his glasses off, and folds it neatly between his pressed shirt. he closes his notebook, the page filled with mindless scribbles that he put together to distract himself from being aroused by you.

"when we discussed your sex life prior to your marriage, you mentioned you enjoyed receiving oral," he states.

you gaze up at him with doe eyes from underneath your lashes, finger fucking yourself tenderly as you shake your head in confirmation.

he gets up from his seat, takes a few steps closer as he carefully rolls up his sleeve. he kneels before you, the afternoon light sparkling against his golden hair. his face far too close to your cunt.

"a more manual approach might do you some good," he mumbles, his large palms reaching for your plush thighs.

the heat burns behind your ears and down your neck, your muscles in your lower belly start quivering with delight and anticipation.

"you're gorgeous, by the way," he admits, dropping his professional mask and allowing his inner thoughts to speak on his behalf. "it's a shame your ex couldn't appreciate that..."

he moves on hand to circle around your wrist and draws it away from your soaking cunt. he brings your shaking fingers to his lips to taste your essence before releasing you with a pop.

"so sweet," he purrs. he drops your wrist, his hands smoothing over your inner thigh and over the curve of your pelvis. when he looks up at you, you almost don't recognize the devilish expression on the face of such a gentleman. "you deserve to feel this good. may I?"

you melt into the pillow behind you, your heart pounding so hard against your chest it makes the room around you spin.

"we'll go for as long as you can handle. alright, sweetheart?"

"yes, doctor kento"

"good girl," he murmurs, the depth of his voice making you tremble in your seat. "such a good girl..."

your eyes roll to the back of your head, a cry leaving your lips that sounds like an ache when he brings his tongue to your sex and drags upward along the glittering slit.

no more secrets x

[alexanderwales]

Recommendations for societies with mixed halfling/human races follow. The average halfling is assumed, from demographic estimates, to weigh 30 pounds (14 kg) and stand approximately 3 feet (1 meter) tall.

All public places where people are expected to be seated need a mix of regular/small seating. Ideally, all chairs and tables will be adjustable, but this comes with cost considerations.

All doors must be accessible for people of all sizes. This presents a challenge for doorknobs and door handles, and the recommendation is a long vertical bar accessible for both, along with low "minimum force" levels for opening and closing. Problems with locking mechanisms remain, and while floor bolts are height-neutral, they're more suited to secondary locking mechanisms.

All restaurants, cafeterias, and vending machines should stock two differently sized portions. The average halfling consumes roughly a third the amount of food as a human. Because of various frictions (packaging, labor), prices are expected to be more than one third for a halfling portion. Because of this, it's best to have systems in place that allow splitting human-sized dishes, or bringing home leftovers, or making packages resealable.

Housing presents a serious problem. A single-family dwelling for a halfling family requires roughly one fifth the volume as for a single-family human dwelling, though costs do not scale down at the same rate. However, if built to halfling scale, the interior of the dwelling will only be accessible to halflings, which presents serious problems for e.g. police, firefighters, social workers, repairmen, or anyone else who might have cause to go into the interior of the home, to say nothing of friends and coworkers. Building for halfling scale is attractive for a variety of reasons, with cost being one of the biggest, but this might result in de facto segregation, and puts considerable strain on civic infrastructure and city markets due to duplication. Another social concern is that all interactions might, by default, take place inside human homes which have worse accommodations for halflings. Special note should also be made of mixed-species couples, who suffer extra burdens within the household. These problems are intractable, as some trade-off must always be made.

Tools, household goods, and clothing are naturally split into two markets. For clothing, near-complete segregation is expected. For everything else, partial segregation is expected: a halfling cannot effectively use many human tools due to differences in grip strength and grip circumference, to say nothing of brute strength. However, many consumables can suit both species, and it's expected that cost reduction efforts will inevitably result in a single offering for both in cases where that makes remotely makes sense. Purchases using refillable containers from bulk are encouraged, as each person can determine what's best to fulfill their own needs.

Due to lower costs (housing, food, clothing), halflings can in theory work for lower wages. For certain jobs, particularly those requiring physical strength, humans are more capable on average, and for others, particularly those requiring manual dexterity, halflings are more capable on average. For jobs which do not have significant differences, wage discrimination is recommended by contentious, and is an ongoing conversation.

There are a number of "segregationist forces" in society, driven by convenience, culture, and market forces. Once segregation has become, there is every expectation that it will snowball: a neighborhood which is inaccessible to humans will have businesses that cater only to halflings, and once halfling business is concentrated, any "mixed" business has less incentive to cater to halflings. Legislation can counterbalance these forces by requiring that all businesses be able to service both humans and halflings, and accommodate both human and halfling services, but this admittedly comes at enormous cost.

Overall, there are certain recommendations that are nearly costless and can be implemented as best practices immediately, and more complicated, costly reforms that will take significant political will and budgetary consideration. Beyond that, there are questions of social engineering and the level to which it is important or preferable that these things be done.

[studioeisa]

just a little too soon 🃏 wonwoo x reader.

was it hidden in the cards that i'd lose you?

★ part of buzz (seventeen's version). ★ word count: 4k ★ genre/warnings: angst, romance. alternate universe: non-idol, established/long-term relationship, pet name ('babe'), alcohol consumption, tarot card references courtesy of labyrinthos.co.

There was a time where Wonwoo used to greet you at the front door.

He used to be so particular about it, too. lt had been a little routine that lasted for a good couple of months. You'd text once you were heading home and he'd respond with anything from take care to missed you today.

He made sure you never had to pull out your key. All you had to do was knock thrice. He'd then swing open the door— his glasses slightly askew, his mop of dark hair bearing the indent of his headphones— before softly saying, "Welcome home, babe."

But that had been years ago. The homecoming has since faded into something less ceremonious; his responses to your texts, if any at all, now more of can you get some soda on your way home and don't forget to pick up the laundry.

As your key unlocks the front door, you feel that small flicker of nostalgia— and something else entirely. That feeling you can't quite name. Because how can you miss someone who's still there?

As you step in to your shared apartment, you can hear the distant sounds of a game being played. It takes you only half a minute to figure out what your boyfriend's poison is tonight: League of Legends, based on the muffled commands that he's barking out.

You feel an ounce of pride when you pad in to his game room and realize that you're right. Wonwoo's gaze briefly flickers away from his computer screen.

You wave at him. He gives you a grin in return.

He mumbles something in to his microphone before hitting something on his keyboard, seemingly muting himself. When he looks up at you, his smile has become a touch more sheepish. You already know what he's going to ask before the question comes.

"Just one more match," you warn, like you always have.

He adjusts in his swivel chair. "Three more?"

Both of you know where this is heading. "Two," you say in unison.

Your strict gaze softens; Wonwoo's smile becomes a little more genuine. He beckons for you to come closer and you make a show out of it— faking a sigh, dragging your feet.

He rolls his eyes but reaches out for your hand all the same. Once your fingers are intertwined, he raises your clasped hands to his lips and presses a chaste kiss to the back of your knuckle.

"Thank you," he mumbles against your skin, peering up at you from behind his glasses.

You feel like a bit of a fool, to still find the action heart-fluttering after all this time. You bite back the pleased smile that threatens to fill your face as you disentangle your hand to briefly press your palm against Wonwoo's cheek.

"I'll order takeout," you tell him. "Be done before it comes."

"I'm not really in charge of the game being done by a certain—"

"Wonu."

"Fine, fine."

As you make your way out of his room, he calls after your retreating back. "No Chinese, please!"

You order Chinese anyway. Partly out of spite; partly because it's what you want.

When Wonwoo emerges from his room after the vouchsafed two matches, he lets out a displeased sound at the sight of paper pails resting on the dining table. "I said no Chinese," he grumbles.

You don't even look up from the manual in your hands. "I got you the mapo tofu you like," you say with a dismissive wave of your hand. "And some spring rolls."

"The mapo tofu you like." Wonwoo takes a seat across from you. Despite his complaints, he's already digging through the takeout to find the meal you've chosen for him. He's too used to these little stunts of yours to be fazed.

The two of you have been dating for four years, after all— living together for a little over half that time. It's a quaint, two-bedroom apartment. More often than not, you share the same bed, but the other room is there for when the other needs their privacy.

The domesticity that you two have cultivated came with its own set of growing pains. But— for the most part— you've both learned how to make it work. Respective chores around the household. Shared meals and moments like these, where neither feel a need to fill the silence.

Except, tonight, there's the introduction of something novelty, something worth talking about.

"Hm?" Wonwoo cranes his neck over at the cards spread in front of you. There's half a spring roll hanging out of his mouth as he tries to catch a glimpse of what has your attention. "Are those— tarot cards?"

You give him a small nod of acknowledgment. "Soonyoung gave them to me as a gag gift," you note. "He says that I need to get a hobby."

Wonwoo finishes off the spring roll in his mouth as he lets out a derisive scoff. "And he suggested tarot reading?"

"Hey," you say defensively. "I think it's interesting."

"I think it's bullshit."

"You think a lot of things are bullshit."

"This one especially," Wonwoo insists. "It's just a bunch of scam work."

You press the bridge of your nose with your thumb and your index finger. Wonwoo catches the action and immediately backs down, placated by the telltale sign of your growing annoyance.

"I'm not about to start charging people to have their fortune read," you say exasperatedly. "I just wanted to try something new."

Wonwoo doesn't push it. He only lets out a low hum as he picks at another roll. A pregnant silence stretches between the two of you for a couple of minutes before Wonwoo says, "Try it on me, then."

You look up from shuffling the deck. An eyebrow of yours arches upward when you notice the lack of any outwardly hostile expression on your boyfriend's face.

"You're just going to make fun of me," you grumble.

"I swear that I won't." Wonwoo pauses and meets your skeptical gaze. "I swear that I'll try not to," he amends.

It's as good as you're going to get, you decide. With a defeated sigh, you hold out the deck. Wonwoo gingerly plucks a card out, placing it face-up on to the table between you.

Amid your takeout lies a card depicting a man suspended upside-down, hanging by his foot from a tree. "The Hanged Man," you read aloud, needing to slope across the table because it's facing Wonwoo.

"Very original."

"You said you'd try to be nice!"

"I was just saying!"

For a moment, the two of you just stare at the card. "Well?" Wonwoo prompts. "What does it mean?"

"Er..." You scramble for the manual that came with the box of cards. As you skim over the descriptions, you feel your eyebrows knitting together with slight confusion. "Oh, it matters if it's upright or reversed."

"Facing who? Me or you?"

"I— it doesn't say."

Wonwoo lets out an exhale. His expression seems caught between exasperation and fondness.

"You could just tell me anything and I'd believe it," he says dryly.

"That's not the point."

Wonwoo shakes his head at your whining and pushes back against the table, his chair scratching against the floor. You pore over the definitions as Wonwoo gathers up the dishes; it seems that, for him, this conversation is already as good as done.

He has some sense to lean down to leave a quick peck on the top of your head.

"Whatever it is," he mutters against your hair, indulging you for only one more moment. "I'm sure it's a hundred percent right."

You glare at his back as he walks over to the kitchen sink.

🃏 The Hanged Man understands that his position is a sacrifice that he needed to make in order to progress forward — whether as repentance for past wrongdoings, or a calculated step backward to recalculate his path onward. This time he spends here will not be wasted, he does this as part of his progression forward.

When you date someone for long enough, their friends tend to become your friends.

That's how you've ended up here on a Thursday evening— even though you'd much rather spend the weeknight recuperating from your day at work. Admittedly, all you had wanted was some time with Wonwoo.

But Mingyu was broken-hearted, he had reasoned, and he couldn't say 'no' to his best friend. In hindsight, you probably could have opted to have the apartment all to yourself, could have had your quiet night to yourself.

Neither of you were willing to give way for what you each wanted, and so this is the compromise: You, tagging along to the speakeasy where Mingyu is drinking himself silly over some girl who didn't give him the time of day.

Wonwoo and you are seated on either side of Mingyu, while Soonyoung sits across from you three. Jihoon had passed on the whole thing— to be expected— and Junhui is running late.

That leaves you three to pick up the broken pieces of a distraught Mingyu.

"You'll find someone else, Gyu," you offer.

Wonwoo pats the younger man on the back. "It's not the end of the world," your boyfriend adds.

"Easy for you two to say!" Mingyu takes a long swig of his fourth, maybe fifth bottle of beer. "You two are, like, solved."

"Solved?" you and Wonwoo echo. You, with a half-smile; Wonwoo, with an arched eyebrow.

"Solved," Soonyoung pitches in, hiccupping as he speaks. "You've got it figured out. Aish, couples shouldn't be giving advice to heartbroken people."

That draws a chuckle out of you and Wonwoo. Neither of you make an effort to push back on Soonyoung, instead opting to mumble plattidues to a Mingyu that is getting progressively drunker.

As the night wears on, the conversation veers in to more common territories. Mingyu's apartment-hunting endeavor. Soonyoung's shitty boss.

At one point, Soonyoung chirps to you, "How are you liking the tarot set?"

Wonwoo lets out a derisive snort mid-sip of his beer. You reach behind the back of Mingyu's chair to playfully smack your boyfriend on the shoulder.

"I've been having fun with it," you say with a sniffle. Wonwoo raises his hands in a show of surrender.

"Think you're ready to do readings?" Soonyoung asks, and there's no teasing in tone. Just a genuine sort of excitement. It's in such contrast to Wonwoo that you're momentarily thrown off-kilter.

When you realize that Soonyoung is waiting, that he's expectant, you brighten up just a bit. "Actually—" You begin to dig through your purse.

Wonwoo shoots you an incredulous look. "You did not bring it," he says, sounding mildly horrified. You ignore him in favor of fishing out the tarot set that Soonyoung had gifted you.

Immediately, Soonyoung is moving aside the bottles and glasses on the table so you have space to shuffle the cards. The three boys have varying expressions on their faces: Soonyoung is enthusiastic, Mingyu is curious, and Wonwoo is resigned.

"Me," Mingyu croaks, putting down his bottle. "Can you read for me?"

"It helps if you ask a question," you say.

Mingyu looks like he's thinking long and hard about his query, though the thoughtful expression is frayed by the way he's already fairly tipsy. Soonyoung and Wonwoo share a laugh as they wait for Mingyu, who eventually blurts out—

"What will my love life look like for the rest of the year?"

It's to be expected, considering the whole reason you're out tonight is because of Mingyu's failed romantics. Soonyoung goads him and Wonwoo snickers, but you take the question in stride. "Tell me when to stop," you say as you shuffle the deck.

Mingyu watches your hands with laser focus. After what feels like an eternity, he solemnly calls, "Stop."

A card peeks out of the spaces between your fingers. You place it face-down on the table before flipping it for everyone to see. Soonyoung leans over. Even Wonwoo can't hide his mild interest as he eyes the suit.

An upright Wheel of Fortune.

"A wheel always turns," you note to Mingyu, pointing out the imagery on the card. "It can mean that— despite being in a bad situation right now, that can easily change. Nothing, bad or good, is permanent."

There's not really much more that you can say. You weren't really in the business of taking card-reading seriously; if anything, you're treating it more like a party trick.

And it works, based on the way a smile breaks out on Mingyu's face, and the low whistle that Soonyoung lets out. Wonwoo, as you had anticipated, looks far from impressed.

"Me next, me next," Soonyoung chants, only to seemingly change his mind last minute as you go to reshuffle the deck.

Soonyoung turns to Wonwoo. "You next!"

Wonwoo takes another sip of his drink. His arms are casually crossed over his chest and there's an almost piercing glare behind his spectacles. All of you are a little too accustomed to his sharp eyes and his dry humor to be unnerved.

"I already had my fortune read," your boyfriend says.

"You can always have it read again," Mingyu whines. The whine is a telltale sign that he's heading to 'far gone' territory; your friend group knows better than to try and reel in a drunk Mingyu.

Soonyoung sing-songs, "We should ask about when the two of you are going to get marriiied."

The jabs about marriage aren't anything new. Having dated as long as you two have, you and Wonwoo are often subject to such questions from everyone around you— concerned family, impatient friends, nosy co-workers. You've both talked about it, of course, but in no certain terms.

With a laborious sigh, Wonwoo leans over Mingyu to pluck a card from your deck.

"Yah!" you complain mid-shuffle, swatting at his hand, but Wonwoo is already unceremoniously throwing the card face-up on to the table.

"Our marriage fortune," he announces, his tone edged with sarcasm.

The card features a woman sitting between two pillars— but, this time, it's reversed. You sift through your brain for what it means upside down.

"Upright, it means listening to your intuition," you offer.

None of the boys are any wiser about the fact that you're supposed to be spewing the reading for a reversed version.

"Wonwoo!" Soonyoung says excitedly. "Isn't your intuition saying that you should propose right now?"

A panicked Mingyu laments, "Wait, I'm not ready to be best man yet!"

Soonyoung seems to take serious offense at that. "Who said you're going to be Wonwoo's best man?" the boy demands. "I've known him longer!"

The two go on to bicker about the hypothetical ceremony and the groomsman line-up as you and Wonwoo stare on incredulously. After a moment, Wonwoo huffs out a laugh that only you catch. "Idiots," he grumbles fondly.

He finishes off the last of his drink. You're not sure if you've been lumped in to the half-insult, but you don't have the time to dwell on it.

Instead, you absentmindedly play with a corner of the reversed card as you contemplate calling it a night.

🃏 When it comes to the High Priestess reversed, it can mean that you are finding it difficult to listen to your intuition… Something has been telling you to follow your gut, but you may be ignoring the call. There is a lot of confusion around you, and your actions may feel contrary to what you know is right.

Here's how it gets you, weeks down the line.

On the surface, it looks like something small being blown out of the water. A date night postponed because of yet another friends who 'needs' him.

"We live together," Wonwoo sighs, running a hand through his hair. The argument takes place in your bedroom, where there's a chasm of space between you. You, sitting on the edge of your bed. Him, already standing by the door.

"We literally live together," he repeats. "We see each other every day."

"You barely even look at me nowadays," you snap, and despite the haze of your anger, you're lucid enough to wonder— where the hell did that come from?

Wonwoo's visible confusion mirrors your internal one.

"What—" he starts. What does that mean?, he probably planned to ask.

Instead, he grits out, "I'm looking at you right now."

And he is. Of course he is. It's a familiar expression; the set of his jaw, the spark in his eyes. He is trying and failing to keep his tone level, to not give in to the punches that you're throwing.

But when you love someone, you can be so cruel to them. Perhaps crueler than anyone else.

It goes both ways. Your mutual refusal to budge. Your tendency to let all the resentment build. And Wonwoo—

"You care more about being good than being good to me," you accuse him.

The frustration on Wonwoo's face only deepens. "Isn't that the same thing?" he asks.

"No, it isn't." Your voice is softer, now. More genuine in its ache. "There's a difference."

As if on cue, the muffled sound of his phone ringtone begins to blare from the living room.

You and Wonwoo regard each other in the low lighting of your bedroom. You, dry-eyed and hurt. Wonwoo, tightly wound and prideful.

The ringing of the phone ceases, only to start up again. Wonwoo makes his choice.

"I won't be coming home tonight," he says, his voice wretched. "Don't go looking for me."

With that, he takes his leave, slamming the bedroom door behind him. The force knocks over some of the things atop a nearby dresser— your set of cards, a stray lip gloss tube, the picture frame holding a photo from your first anniversary.

You don't pick them up just yet. You stay at the edge of your breath, holding your breath for so long that you feel your chest begin to burn, as you strain your ears for the sound of Wonwoo moving across your shared apartment.

His heavy footsteps get more distant. The lock on the front door clicks.

The chasm grows, and grows, and grows.

Only then do you go to assess the damage. The lip gloss tube has rolled too far under the bed; you resolve to figure that out in the morning. The picture frame remains miraculously intact.

(You don't notice this until much later, but there's the tiniest crack on an edge of the glass. A cobweb-like fracture that you will only see once you hold it up to the light.)

You go to gather up your deck of cards, and your eyes stray to the only one that has fallen face-up.

A lightning bolt striking a tower that's on fire.

🃏 The Tower represents change in the most radical and momentous sense… The old ways are no longer useful, and you must find another set of beliefs, values and processes to take their place.

WONU 🐈❤️ 1:43 AM You really didn't come find me

YOU 2:06 AM u told me not to.

WONU 🐈❤️ 2:19 AM Right

WONU 🐈❤️ 3:03 AM I think we need to talk.

YOU 3:33 AM yeah. we do.

It's quiet as you two pack up.

You're not ignoring each other, no. There are still a couple of amicable exchanges, like do you want to keep the blankets and I don't have space for any more of the succulents. Occasionally, you'll reminisce over some small thing.

The stubborn bathroom grout that had given you both grief. The burn mark in the kitchen from when Wonwoo had first attempted to cook.

"It's like we're looking through a museum," you say as you shove the last of your clothes in to your suitcase.

"A museum of our failed relationship," he muses thoughtlessly.

You wince and his expression softens imperceptibly, but he doesn't apologize. The silence stretches on for a little more.

A mutual decision, both of you had told all your friends. For the better.

You, moving back home for a bit. Wonwoo, opting to room with Mingyu again.

As you tape up the last of your cardboard boxes, you speak up. You're not looking at Wonwoo as you say, "It wasn't a failure. It just—"

Your words fail you. You only really want to communicate to him that your four-year relationship wasn't something that you had wanted to regret, that it's not, by any means, a dead loss.

It's a small grace that Wonwoo understands you, still. That, even now, he can hear what you don't, what you can't say.

"Yeah," he mumbles. He's already doing final checks to see if either of you had forgotten anything. "I know."

Some years ago, that might have been enough. To be known and to be loved.

But as you hoist a box up in to your arms, as you face Wonwoo who is looking at everything else but you, you realize that there is only so much that knowing can do. For you. For him. For anyone.

"I'm going to start loading things in to my car," you inform him.

"Right."

"You'll stay behind?"

He nods. "Going to give the keys back to the owner."

"Okay." Your voice is low, again. Like you're scared you'll drive Wonwoo away if you speak any louder. "Alright."

A beat.

And then Wonwoo finally looks straight at you.

There's nothing on his expression that gives away what he's feeling or thinking. He's always been the harder to figure out between the two of you. You spent years and years trying— trying to read him, trying to decipher every little thing.

You no longer feel that urge. It's a bit freeing, really.

"Take care," he says after a long pause.

"You, too."

Wonwoo doesn't call out your name as you walk away. That's not his style. In all the time you've known him, he's never been the type to beg, to grovel.

Wonwoo always knew when it was time to call something quits, when it was time to head home. You try to embody that as you walk past the front door, as you head down the hallway.

Before you round the corner, though, you glance over your shoulder.

Faintly, you can make out Wonwoo crouched over one of your boxes. The ghost of a smile tugs at your lips when you see him hold up and squint at a card.

A part of you wants to head back in, just to see what he's looking at. Just to see the last trick that the fates have up their sleeve.

Instead, you head for the elevators.

🃏 The Fool card is numbered 0, which is considered to be a number of infinite potential. Consider him a blank slate, for The Fool has yet to develop a clear personality. He is the symbol of innocence — his journey to come will shape his character yet.

Here's how it gets you, years and years later.

It starts with the hotel key card. When you press it to your designated room's door lock, the machinery lights up red and lets out a low beep. You try one, two more times, only to get the same results.

It starts with your free hand reaching for your cellphone. Your first thought is to call Soonyoung. He had made the arrangements, after all, being the pedantic groom-to-be that he was.

It starts with the door swinging open right before the call can go through.

Soonyoung picks up on the other line. "Have you met your roommate?" the bastard says in lieu of a greeting.

"I'm going to kill you," you say in to the receiver before promptly ending the call.

Wonwoo leans against the door frame, a half-smile on his face. His hair is shorter, now, but his glasses are still just a touch lopsided.

It starts there— the way he looks older and yet still very much like the last time you saw him. The way his expression is a lot less guarded and a lot more open. How you can tell there's a fondness that lingers; how your own heart, like a traitor, skips a beat at the sight of it.

It starts with Wonwoo half-jokingly saying, "Welcome home, babe."

[cc--2224]

Asking For Help

Pairing: Platonic Tech & F!Reader

Summary: You decide to stay in bed to deal with the pain you're experiencing. The Batch notices and sends Tech to check on you.

Warnings: Reader kind of described as AFAB as fic deals with period pain. But other than that, pure fluff! It can 100% be platonic.

Word Count: 918

Notes: Does the Bad Batch understand anatomy? Probably. Was it more fun to make them panic? Absolutely. I mostly wrote this for me as I took the day off work for this exact reason 😂 no real proofreading.

Taglist: None, let me know if you'd like to be added!

Masterlist

The Marauder's cockpit seemed weirdly empty without you, and everyone noticed your absence. You hadn't been with Clone Force 99 for very long, but when you spend all your time with the same people for four months, they start to worry when you're not being as social as you normally would.

"Where is she?" Hunter finally asked, looking at the empty seat you normally occupied.

Wrecker shrugged, "I tried calling her this morning for breakfast but she didn't leave her room."

"Is it not obvious?" Tech asked, eyes not leaving his datapad. "She exhibits this behaviour roughly around the same time each month."

He thought he was giving everyone the answer, but their confused faces told him that he wasn't.

"She is mostly likely menstruating."

"In Common, Tech." Wrecker said.

Crosshair rolled his eyes, "She's on her period. It's not the end of the world."

Eyes turned back to Tech for an explanation, and he sighed.

"Do none of you pay attention to the anatomy manuals? People who are biologically female go through this process nearly every month. Their body prepares itself for an egg to be fertilized, but when it is not, it begins to shed the excess in the form of blood and uterine lining. Typically resulting in side effects such as; mood swings, pelvic cramps, lower back pain, and headaches to name a few."

Wrecker looked shocked, "And they do this every month? That sounds painful."

Tech shrugged, "I couldn't say, from my understanding, each person reacts differently."

"Shouldn't we check on her? Make sure she's okay?" Hunter asked.

"She does it every month with or without us, I don't see how now is any different." Crosshair pointed out.

"Yeah but, we're her friends, we should help if we can."

Wrecker looked back to Tech, "You know the most about it, you go see if she's okay."

Expectant looks all pointed in Tech's direction and he shook his head. "Fine, I suppose I could inquire after her."

Truthfully, Tech was also concerned for you, even though he had a vague understanding of what was going on. He found your presence soothing, and the Marauder seemed more cheerful with you around. And it was his nature to want to solve any problems that arose, so he wanted the chance to do that now.

He got up from his seat and walked toward the refresher to look for a hot compress and some painkillers so that he might actually be of assistance before cautiously walking toward your room.

He knocked quietly.

"...Yeah?" You croaked from inside the room.

"It's Tech, may I come in?"

You didn't answer immediately but then after a few seconds you spoke, "Door's unlocked."

He pressed the button to open the door before stepping in and letting it close behind him. He frowned slightly when he was you curled up on your bunk with your arms around your stomach.

"I take it I was correct then, you are menstruating."

"Yeah." You replied a little too harshly. "Did you need something?"

"It appears your absence went quite noticed this morning and the others are worried about you."

"So they sent you to check on me?"

He adjusted his goggles, "Well, even though I had suspected what the issue was, I suppose I was also worried."

You didn't say anything, but you moved slowly, creating room for him to sit down on your bunk, he sat on the edge.

"I have brought you a compress and painkillers, if you are interested. I have heard they help to alleviate any cramping and pain associated with it." He handed both to you.

You smiled at his gesture and took the painkillers first. "Thank you," you swallowed two of them down with water from the canteen beside your bunk, then you took the heat compress and hugged it to your stomach.

"Is there anything else I can do for you?" He asked, looking down at you.

You looked at him then looked at your pillow and shook your head.

"Very well, I will check up on you later then." He announced before standing up and walking toward the door.

"Wait.." You called out. He turned to look at you. "Can you stay.. with me?"

His expression went from surprised to a gentle smile, and he nodded. "Of course."

He walked back over to your bunk and returned to his seat on the edge.

"Can we- er... Can you hold me?" You asked, so quietly that he thought he might have misheard you.

"You'd like me to hold you?" He repeated.

His need for clarification caused blood to rise to your face in embarrassment.

"If-if that's okay, actually, nevermind I-"

But before you could finish your rambling, Tech crawled into the bunk next to you, holding you so your back was firm against his chest.

You sighed into him and closed your eyes as he began drawing idle shapes on the skin of your shoulder.

"Thank you, Tech." You repeated.

"You are welcome, but your gratitude is unwarranted. We are your friends, we want to help you. Anytime you need us, you do not need to be afraid to ask for help, no matter what ails you.”

You smiled once more. With the heat both from the compress and Tech pressed against you and the painkillers beginning to kick in, you felt yourself finally begin to drift off to sleep. Despite his protests, you were truly grateful to have friends who cared about you, no matter what was going on.

[literaryvein-reblogs]

tips on writing physically disabled (wheelchair bound) characters?

Writing Notes: Characters Using a Wheelchair

"Wheelchair/wheelchair-bound/confined to a wheelchair"

People who use mobility equipment such as a wheelchair, scooter or cane consider the equipment part of their personal space, according to the United Spinal Association.

People who use wheelchairs have widely different disabilities and varying abilities.

National Center on Disability and Journalism Recommendation: It is acceptable to describe a person as “someone who uses a wheelchair,” followed by an explanation of why the equipment is required. Avoid “confined to a wheelchair” or “wheelchair-bound” as these terms describe a person only in relationship to a piece of equipment. The terms also are misleading, as wheelchairs can liberate people, allowing them to move about, and they are inaccurate, as people who use wheelchairs are not permanently confined to them but are transferred to sleep, sit in chairs, drive cars, etc.

Other terms to use: “wheelchair user” or “person who uses a wheelchair.”

Wheelchair

A chair with wheels to help people move around.

Used by individuals who have impairments that limit their ability to walk.

Typically consists of a seat supported on two large wheels attached towards the back of the seat and two small wheels (castors) in front near the feet, a good braking system, footrests and a cushion. There are often small additional features to prevent toppling or to assist in mounting curbs.

The user moves by pushing with his/her hands circular bars on the outside of the large wheels, known as the hand-rim or push rings.

Types of Wheelchairs

Based on variations in the basic design, there are many types of wheelchairs, with being highly customized to suit individual needs.

Manual wheelchairs are mostly propelled by the user. Other features such as foot/leg rests, front caster outriggers, adjustable backrests and controls can be added to the basic model. The seat size (width and depth), seat-to-floor height, seat angle (also called seat dump or squeeze) relative to the horizontal plane can be modified. Users who have specialized needs may opt for a custom-built wheelchair.

Attendant-propelled chairs are designed to be propelled by an attendant using the handles, and thus the back wheels are often rimless and smaller. These chairs are often used as ‘transfer chairs’ possibly within a hospital or airport to move a mobility-impaired person when a better alternative or a user’s standard chair is unavailable.

A rigid frame wheelchair is usually a non-folding type with a base of support on which the person sits. In some models, the backrest of the chair can be folded down, and the wheels have a quick release mechanism to enable easy transportation and storage.

A folding frame wheelchair is one whose frame is collapsible sideways by the use of an “X” mechanism in the frame. This mechanism is lockable, and the wheelchair folds on release of two locking levers on the chair.

A motorized wheelchair, power chair, electric wheelchair or electric-powered wheelchair is propelled by means of an electric motor rather than manual power. Motorized wheelchairs are useful for those unable to propel a manual wheelchair or who may need to use a wheelchair for distances or over terrain which would be fatiguing in a manual wheelchair. They may also be used by people with cardiovascular and fatigue-based conditions.

Interacting with People with Mobility Disabilities

Do not push or touch a person’s wheelchair/scooter without their permission – a wheelchair is part of the personal body space of the person.

Try to ensure there is space in your waiting room and your office for someone in a wheelchair or scooter to comfortably wait in their chair.

If you are speaking with a person who uses a wheelchair or a person who uses a mobility device for more than a few minutes, place yourself at eye level in front of the person to facilitate the conversation.

Writing about People with Disabilities

Words are powerful. The words we use and the way we portray individuals with disabilities matters. Below is a guide for portraying individuals with disabilities in a respectful and balanced way by using language that is accurate, neutral and objective.

Emphasize abilities, not limitations. Choosing language that emphasizes what people can do instead of what they can’t do is empowering.

Use language that emphasizes the need for accessibility rather than the presence of a disability. Examples: "Accessible" not "handicapped" parking; "Accessible" not "disabled" restroom

Portray successful people with disabilities in a balanced way, not as heroic or superhuman. Do not make assumptions by saying a person with a disability is heroic or inspiring because they are simply living their lives. Stereotypes may raise false expectations that everyone with a disability is or should be an inspiration. People may be inspired by them just as they may be inspired by anyone else. Everyone faces challenges in life.

Do not mention someone’s disability unless it is essential to the story It is okay to identify a person’s disability when it is necessary for clarity or provides important information. For instance, “Virali, who uses a wheelchair, spoke about her experience with using accessible transportation” is totally fine, since it adds a new layer to the story. In other instances, the disability may be irrelevant. For example, do not say, “Charles, who has a congenital disability, wants more sugar in his caramel espresso.”

Create balanced human-interest stories instead of tear-jerking stories. Tearjerkers about incurable diseases, congenital disabilities or severe injury that are intended to elicit pity perpetuate negative stereotypes.

In the 1990s, some health care and disability activists introduced the term “differently abled” as a substitute for the term “disabled.” While well-meaning, this term is euphemistic and works to avoid talking about a person’s disability in honest and specific terms (critics point out that in a pure dictionary definition, everyone is “differently abled”). Use of the term waned in the mid-2000s, and now many individuals in the disability community consider this term condescending or offensive.

Best Practices around Terminology for Disabilities

A foundational part of disability rights is using the right language and terminology to be respectful to members of the disability community. Here are a few best practices:

Avoid outdated terms. There are a number of terms for people with disabilities that are outdated, ableist, and potentially offensive to members of the disability community—terms include “differently abled” (and “the differently abled”), “handicapped”, “special needs” or “special education”, “wheelchair-bound” (as opposed to “is a wheelchair user”), and “cripple.” All of these terms have negative connotations, either because they serve as euphemisms or because they suggest that people with disabilities have a worse quality of life than people without; avoid these terms and replace them with more appropriate terms.

Consider how you describe nondisabled people. In addition to appropriate terms for people with disabilities, there are appropriate terms to use when describing people without disabilities. Avoid words like “normal,” “able,” “abled people,” or “able-bodied,” since these inappropriately suggest that those with disabilities are abnormal or do not have able bodies; instead, use language like “people without disabilities,” “nondisabled,” or “enabled.”

Learn whether to use “people-first” or “identity-first” language. Just as with any other group, people with disabilities are not a monolith. When talking about people with disabilities, remember that they are multifaceted human beings rather than an easily categorized group. To reflect this, opt to use person-first language whenever possible—for example, “a person with epilepsy” rather than “an epileptic person,” or “a person with blindness” rather than “a blind person”—to emphasize the individual and avoid letting their disability serve as their only defining quality. However, some communities prefer identity-first language over people-first language—for example, many people in the deaf community who use sign language prefer the term “deaf person” to the term “person who is hard of hearing,” and many people with autism prefer the term “autistic person.” Always use the individual’s preferred terms.

Refer to a person’s specific disability. Where relevant, avoid referring to people with disabilities as a homogenous group—the range of disabilities varies wildly, and individuals with disabilities have very different experiences depending on their condition and other factors. In addition, avoid the phrase “the disabled” and be careful when using broad terms like “cognitive disability” or “learning disability” when it would be more specific and appropriate to mention their exact condition. Instead, when discussing a person’s disability, use words that refer to their specific condition—for instance, as a person with ADHD—to respect their unique experience and needs.

Respect individual preferences. Individuals have different preferences when it comes to discussing their disabilities, and some people prefer particular terms over others—for example, many people with dwarfism prefer the term “person of short stature” or “little person.” Learn the individual preferences of the people around you to use their preferred terms.

Sources: 1 2 3 4 5 6 7 8 9 10 11 ⚜ More: Writing Notes & References

Thanks for the question, learned some new things from these notes as well. Hope this helps with your writing!

EDIT 1:

Ambulatory wheelchair users

Individuals who, despite having the ability to walk short distances, rely on wheelchairs for mobility due to various health conditions.

Can walk but need wheelchairs for longer distances or when experiencing fatigue. Conditions like multiple sclerosis, arthritis, or other mobility-impairing diseases often necessitate this dual mobility approach.

Many ambulatory wheelchair users report being judged, stigmatised or accused of faking their disabilities to cheat their way into support.

EDIT 2:

"Helping me without permission is disrespectful. I understand how to stay safe, and I am not a pawn to advance the agenda of others."

"I’ve discovered that the greatest fear that keeps people from traveling is the thought of a damaged wheelchair"

"The earlier you inform airlines of your plans to travel with a power wheelchair, the more time they will have to prepare."

Wheelchair Assistance at the Airport and on the Aircraft

Building a Wheelchair Accessible Carriage

Thanks so much @anumberofhobbies for sharing additional information and your experiences on this topic. And please give the two orange helpers each a pet (and maybe a little treat) from me <3

[redocity]

Buck teaching his gf how to drive a car since she only has her motorcycle license bur he's scared she's gonna grind the gearbox too hard in his jeep so they borrow Eddie's car?

AUTOMATIC DRIVE — E.BUCKLEY

after half a decade of motorcycle driving, you want to actually learn to drive a car. buck thinks an automatic drive is your best option.

evan buckley x fem!reader | 1.1k | fluff | masterlist.

a/n— the default in the uk is a manual car (they call it a stick shift in the us right?) and let me tell you, i wish i learned in an automatic it would’ve saved me so much grief

It was a warm Saturday afternoon, the kind of day perfect for a drive around the city.

Except for the fact that you were about to learn how to drive a car for the first time.

Sure, you had your motorcycle license and had been riding for years, but cars? Whole different story. And Buck, bless him, was trying his best to be supportive.

"You'll do great," Buck said, offering you a reassuring smile as you both stood next to his beloved Jeep.

You gave him a look, raising an eyebrow. "You sure? You were just muttering about the gearbox under your breath like two minutes ago,"

Buck winced slightly, rubbing the back of his neck. "Okay, well, my Jeep is… special. It’s been through a lot, you know? The wildfires, rescues, that time it got stuck in the sand dunes—"

"I get it, Buck. Your Jeep’s your baby, I don't want to ruin it," you said, trying to keep from laughing at the anxiety creeping into his voice. “I don’t really need to be able to drive a car anyway—”

“No, no, you wanna learn to drive, you’re gonna learn to drive,” He sighed, looking between you and the Jeep, then pulled out his phone. "How about we call in a favour?"

—

Fifteen minutes later, Eddie rolled up, leaning out of the window of his family SUV with a raised eyebrow. “So, you’re trusting me with this? Or am I trusting you with my car?”

Buck laughed, walking over to greet him. “We’re trusting her with your car. I thought mine would be a little too, uh… temperamental for a first-time driver.”

Eddie glanced at you, a smirk playing at his lips. “Right. And you think my car’s gonna survive?”

You rolled your eyes, but there was a grin tugging at your lips. “I promise not to grind the gears off your car, Eddie. I’ve been riding motorcycles for years—I think I can handle a sedan.”

Eddie chuckled and tossed Buck the keys. “It’s automatic, so there’s no gears to be grinded. Plus, you’d have to try pretty hard to kill the engine on accident.”

Buck let out a visible sigh of relief. “Thanks, man. You’re saving me a lot of stress right now.”

“Yeah, well, you owe me one. If my car comes back with any dents, you’re on babysitting duty for a month,” Eddie called out, as he climbed out of the car. “Also, I’m borrowing your Jeep,”

“Yep— Shoulda seen that coming—”

—

You slid into the driver’s seat of Eddie’s car, feeling a little out of place compared to your usual motorcycle stance. Buck was in the passenger seat, hands already on his knees, clearly trying to keep calm.

"Okay," Buck said, his voice calm but a little tight. "First, adjust your seat and mirrors."

You grinned at him. "I know that much, Buck."

“Right, right. Just… making sure.” He took a deep breath, his hand hovering near the dashboard. “Okay, now foot on the brake and shift into drive. And, uh, easy on the gas, alright? It’s not like your bike.”

“Easy on the gas. Got it.” You followed his instructions, shifting into drive and slowly pressing on the pedal. The car began to roll forward, and you felt a little rush of excitement. “Look, I’m doing it!”

“Yup! Doing great,” Buck said, his voice pitched just a little too high. His hand was now gripping the side of his seat, knuckles white.

You turned the wheel gently to navigate the quiet streets around the neighborhood, keeping your speed at a comfortable pace. Everything was smooth for a few blocks, and Buck’s tension seemed to ease.

“This isn’t so bad,” you said confidently. “It’s actually kind of like riding, just with more—”

Suddenly, a squirrel darted across the road.

“Brake! Brake!” Buck yelled, his arm instinctively shooting out in front of you as if to shield you from some invisible impact and his foot pushed into the floor like he had a phantom brake pedal of his own.

You slammed on the brake, and the car jerked to a hard stop. Both of you lurched forward slightly in your seats, but the squirrel scampered off unharmed.

There was a moment of silence, both of you staring out at the now-empty road. Then, you burst out laughing, the adrenaline turning into a kind of giddy relief.

“Are you okay?” you asked between giggles, glancing over at Buck.

He had his head in his hands, but he was smiling, shaking his head. “Yeah, I’m fine. Just, uh… maybe a little traumatised.”

You grinned. “Come on, I didn’t even hit it! I’m doing great!”

Buck leaned back in his seat, taking a deep breath. “Okay, okay. You’re right. Just… maybe next time, we ease into the brake a little slower?”

You nodded, still grinning. “You got it. No more squirrel-slamming.”

—

A little while later, after a few more practice rounds of smooth turns and gentle braking, you pulled the car into Eddie’s drive, parking it with as much precision as you could manage. It wasn’t great.

Buck let out a long sigh of relief as he unbuckled his seatbelt. “See? That wasn’t so bad.”

“Yeah, you seemed totally calm,” you teased, nudging him as you stepped out of the car.

Eddie emerged from the house, taking his keys back with a grin. “No dents. I’m impressed.”

“Thanks for letting me borrow it,”

Eddie waved it off, though he shot Buck a knowing look. “No problem. Just remember, Buck, if I ever need backup with Christopher or you’re feeling brave enough to return the favour… you owe me.”

Buck groaned, but he was smiling. “Fine, fine. Babysitting in exchange for not destroying your car. Deal.”

As you walked back toward Buck’s Jeep, you slipped your arm through his. “So, what do you think? Did I pass your driving test?”

Buck grinned, pressing a kiss to the top of your head. “With flying colours. I just might need a drink after this to calm my nerves.”

You laughed, squeezing his arm. “Deal! I’ll drive us there.”

Buck froze, eyes wide in mock terror. “Uh, maybe I’ll handle that part…”

[thespnreferencedesk]

A Fic Writer's Guide to the 1967 Impala

Part 1 | Part 2: Interior

Click for the full-size, annotated versions of images! Unlabeled screenshots here; full user manual available here

Due to the number of different Impalas used for the show, Baby will have some minor differences between appearances. This guide points out a few of them. Luckily, these differences are minor and will likely never come up in any written works but fan-artists should still keep an eye out.

Now, buckle up. There's a lot to cover.

Baby’s interior color is SEM Color Coat #15093 “Lt Buckskin.” In real life, this color was not an option on the 1967 Impala and was achieved by spraying the existing interior vinyl with vinyl dye. However, 5.22 shows that this is the Impala’s original interior in the show’s universe, so Dean would have only had to use the vinyl dye to touch up during one of his rebuilds. In addition to the buckskin vinyl, Baby also has black bench seats, tan carpeting, chrome trim, and black accents on the wheel and dash.

Baby doesn’t have grab handles or a center dome light, though it does have two rectangular cabin lights over the backseat windows, each next to a hook. Whether or not these interior lights work depends in the episode. The headliner has horizontal stitching that breaks it up into six panels. Sam and Dean rarely use the sun visors, but we do see in 11.04 that they are mirrorless and can swivel up and down and pivot to shade the side windows.

Both the front and back seats are black vinyl (not leather) bench seats with no center consoles. The front bench is manually adjustable via a lever on the driver's side. The seat can slide forward and backward (seen in 10.12) and recline (seen in 1.01). Adjusting the front seat moves the entire bench, including the passenger.

Fun fact: One of the options available for the 1967 Impala was power operated front seats, something I didn't even have on my '07 Hyundai. Power windows were also available, but Baby has neither of these features.

Both the front and back benches are wide if not a bit short length-wise (note that Dean’s hips are basically the same width as the seat). A child could easily lay down completely, a small adult like Claire or Charlie would be a bit curled up, and Sam and Dean can lay out with their knees bent. It is also possible to crawl over the front seat into the backseat or pull someone from the front into the back as we see in 10.04. That said, the cabin roof is not very high (just barely clearing Sam’s head) so expect to hit your head on the roof while in someone’s lap or flailing around in a fight.

Despite seating up to six, there appear to only be four total seat belts. The Impala has adjustable lap belts in the front and back seat rather than modern three-point seatbelts, but Sam and Dean don’t wear them.

The lap belts consist of two parts, a belt with a buckle that sits in the middle of the front seat and a belt with an “eye” piece that retracts into a retractor on the side of the front seat bench. To fasten the seat belts, pull the eye belt all the way out of the retractor before clicking it into the buckle. Adjust the belt by pulling on the excess strap to tighten it, and lift on the buckle then pull the other section of the strap to loosen it. Unfasten the seat belt by pressing the button on top of the buckle.

Up front, Baby has a steering wheel, a black instrument cluster, chrome ignition and other switches, an ashtray, chrome mirror, aftermarket tape deck, Four Seasons factory air conditioner, glove box, adjustable air vents, and padded dashboard (to smack your head on since there are no airbags).

Two different types of door lock buttons are used in the cars on the show. The first are shaped like golf tees while the second are straight anti-theft locks. The anti-theft locks don't have a cap that allows the door to be unlocked with a coat hanger or something similar. Push down on the button to lock the doors and pull up to unlock.

All four doors have a vinyl armrest with a chrome door lever, but the front seat rests do not have ashtrays. There are two different window cranks. The smaller one on top controls the small triangular front window that swivels side to side while the larger one on bottom rolls the main window up and down. Clockwise is up, counter-clockwise is down. Sometimes the knobs on the cranks are buckskin and sometimes they are black which would have been the original color.

In the driver's footwell is a long rectangular gas pedal, short rectangular brake pedal, square parking brake pedal, and labeled parking release lever. The switch for the high beams is on the floor near the driver's right foot and is controlled by tapping. There are also tan rubber floor mats that vary in style but appear in 11.04 as two individual mats with diagonal grooves.

The glove box comes with a lock, and the key for this is separate from the key that opens the door and starts the ignition. When not locked, the glove box can be opened by pressing the button built into the lock cylinder.

Baby's steering wheel is stock with an aftermarket vinyl wrap cover. The correct center horn button for the Impala has a chrome outer ring, gold center ring, and silver inner circle with the Impala logo. Sometimes, such as in 11.04, it’s shown with a Caprice horn.

While the '67 Impala was available as a manual, Baby is an automatic (so no "shifting gears"). Its gear shift/PRNDL is mounted onto the right side of the steering column rather than in the center of the footwell. The indicator (reading "Park RNDL") is mounted at the base of the steering column, below the instrument cluster. To shift from Park to Drive, push down on the brakes then pull the shift lever towards you and pull it down three notches. Press down on the brakes then pull towards you and push up to go from Drive to Neutral (one notch), Reverse (two notches), and back to Park (three notches). To shift from Drive to Low, pull the lever towards you again and pull it down one notch.

For anyone who has not driven a car with a shift lever like this, I can only describe it as feeling alarmingly similar to an old-school lawn mower. Whenever Dean is made to drive another car, he might instinctively reach behind the wheel for the gearshift and find it's not there. Someone used to cars with a center console gear shift might do the same while driving Baby, just reaching for the space below the radio instead.

Also on the steering column are a hazard lights button below the gearshift and a turning signal lever on the left. To turn on the flashing hazard lights, push in the button and pull it back out to turn them off. Lift the turn signal lever to signal right and lower it for the left. Using light pressure causes the blinker to turn off and return to neutral when you release it. Pushing the lever all the way into one position or the other leaves the turn signal on until you turn the wheel back to neutral or manually move the lever.

On either side of the steering column, below the instrument cluster, are four knobs. From left to right, these are for the lights, wipers and washer fluid, the ignition, and a cigarette lighter.

All of the lights on the Impala are controlled by a single light switch knob (below, left). This knob has three different positions: pushed in, pulled out to the first click, and pulled all the way out to the third click. When the knob is pushed in, all lights in the car are off. Pulling the knob out to the first click turns on the parking lights. Pulling all the way out to the second click turns on the low beam (your "normal" brightness). While the knob is pulled out to either the first or second click, turn the knob to adjust the instrument and tail lights for driving in the dark.

The windshield wipers knob is to the right of the light switch. To turn on the wipers, twist the knob clockwise. The first notch is "low" and all the way to the right is "high." Press the knob once to dispense a measured amount of washer fluid or hold it down to keep dispensing until you let go. Pressing the washer button simultaneously turns the knob, so you'll need to turn the wipers back off after.

The ignition key switch is just to the right of the steering column. Once it's inserted, turn the key to the left while pushing in to turn on just the accessories like lights and the radio. To start the car, push down the brake pedal and turn it all the way to the right. As soon as the engine starts up, let go of the key. You don't need to have your foot on the brakes to start the engine. Once it's running, you can press the gas pedal to help prime the carburetor with an additional shot of fuel. Don't pump the gas pedal or you risk flooding the engine.

People born after 2000 might be unfamiliar with how to use a car's lighter. The knob is part of a removable piece, about two inches long. First, push the button in and hold it to heat it. After a few seconds, pull the whole piece out. Yes, it can easily get lost. Touch whatever you wish to burn to the glowing orange heating element inside the cylinder. The removable piece is what gets hot, not the plug. This is also where you plug in things like car chargers or Sam's iPod jack.

A recessed instrument cluster sits behind the wheel. The panel consists of three main displays with the left and right sides each having two smaller displays. From left to right, the three main displays are the fuel gauge, the speedometer, and an analog clock.

The fuel gauge does not default back to "E" when the engine is off and instead may land randomly somewhere on the dial. The speedometer has a listed top speed of 120 and also features the high beam indicator light as well as the mileage. The analog clock is set by pulling out the knob at the bottom of the clock, turning to set the correct time, and pushing the knob back in.

Of the smaller displays, the upper two are the left and right turn signal lights. The bottom left are the brake system warning light and the engine temperature light. The brake warning light lights up red when the parking brake is applied or while the brake pedal is pressed if there is low brake pressure. The engine temperature light comes on if the engine overheats. On the bottom right are the oil pressure light and the generator indicator light. The oil light comes on if the oil pressure is low, and the generator light comes on if there is an issue with the generating system. All four of these lights come on when starting the car, but should quickly go back out.

The air conditioning and vents are where a few more discrepancies between screen-used cars show up. The 1967 Impala came with several different heat and air options: nothing, a heater only, an optional AC unit mounted under the dash, a Four Seasons air conditioning system, or a fancy climate-controlled option.

Baby has the Four Seasons system, but many of the cars used for filming were not. Only the Impalas with the Four Seasons or the climate control came with the center dashboard vent and the circular air vents near the doors. For visual continuity on the show, production added fake vents to non-AC cars. What gives these cars away as being non-AC cars, however, is that these cars have kick panel air vents and two mounted silver knobs that control them. As a Four Seasons car, Baby should not have these vents or knobs but ultimately does on occasion.

The center dash vent is able to be adjusted up and down by the ridged wheels on the sides. The spherical vents are a ball style and can be turned to position them or spun like a globe to change the style of the vent opening (see below). Two leg vents are hidden underneath the dash and can be opened or closed by turning the outlet like a dial. So if Dean wanted cold air blown on his legs but not on his face while Sam wanted cold air on his legs but not his face, both brothers could open or close their own vents.

The vertical switch on the left of the AC control panel controls the fan. Up is low, the middle is medium, and down is high. There is no way to turn it off unless the entire system is off. To turn the entire system off, push the topmost horizontal lever all the way to the left. Turning this lever to "Vent" blows outside air without changing the temperature. Moving to "Cold" blows cold recirculated air, moving further right blows cooled outside air, warmer outside air, and then full heat.

The outlets lever controls airflow to the vents mentioned previously. Moving the lever to "Upper" sends air through the dash vents only, moving to "Lower" sends air to the hidden leg vents only, and setting it in between sends air through both.

To use the defrost to clear up foggy windows, make sure the outlets lever is set to "Lower" or somewhere in the middle then move the bottommost lever towards "De-Ice" until it's blowing as hard as you want. To really crank the defrost or for ice, set the outlets to "Lower" only then blast the fan and push the temperature all the way to "Hot."

Dean's tape deck is an Audiovox Rampage AV 2000 from the 1990s. The '67 Impala came standard with either an AM or AM/FM transistor radio. The AM had a rear adjustable antenna, but the fixed AM/FM antenna was on the front. Looking at Baby, we can gather that it originally had the AM/FM radio. To switch between AM and FM, you would slide the switch at the top of the radio. The push buttons could be used to set favorite stations. Note that Dean's tape deck does not have this feature, so he would have to memorize his favorite stations in certain regions or just search until he finds something.

The original radio was switched out at some point for the Audiovox, either by John or Dean. The knob on the left turns it on and controls the volume, and the knob on the left is tuning. The button on the top left switches between AM/FM, the button on the top right lets you switch between local and longer-distance stations, and the bottom button is both the eject and fast-forward Press in part-way to fast forward and all the way to eject. There is no rewind button. To rewind, flip the tape over, fast forward, then flip it back around.

Fun fact: The shot in 11.04 of Dean putting in the tape is re-used from 5.22, so both “Night Moves” and “Rock of Ages” are on Dean’s Kick It In The Ass mixtape.

Two aftermarket Hertz speakers are mounted in the rear package tray (though a different speaker can be seen in 4.06). Underneath the tray’s black carpet is where Sam and Dean carved their initials as children. The rear footwell is nearly flush with the rear bench, meaning there is no “underneath the backseat”. There is room, however, underneath the front bench for things to get lost. The rear footwell also has a tan rubber floor mat, and the one seen in 11.04 is one single piece rather than two.

Unlike the ones in the front seat, the rear door armrests each have a lidded ashtray. The rear doors each have a door lock button and a main window crank like the front seat doors. There are no air vents in the backseat, so the AC would need to be cranked to reach anyone back there, potentially freezing anyone up front in the process.

Some of the most important things inside of the Impala are the little personal touches it's accumulated over the years. There's the tape deck, of course, but also the initials carved into the package tray, the Lego bricks in the air vent, and Sam's plastic rifleman wedged in the ashtray. These elements are first seen in 5.22 where Chuck mentions that Dean puts them back every time he's had to rebuild the Impala. Seeing the army man through the window in 5.22 is also what allows Sam to take control of his body back from Lucifer, so both brothers are well aware that Baby's supposed "defects" actually make her even better.