#Marked the comic

[djdevistation]

Dustin’ off my bones, working on one of my projects

[civetcider]

so embarrassing to be drawing an OC and forget to add some part of their design...like yeah i made this guy...hand picked everything about them....yeah i forgot to add the things i like about them....

[astroeden]

✨ How I think the CMC’s cutie mark reveal to Twilight went…

[aria-greenhoodie]

He’s a paragon of mental health, guys.

Click for Quality!

[chloesimaginationthings]

This will be Markiplier’s cameo in the FNAF 2 movie

[blitzy-blitzwing]

What could Al be planning? 🤔

Next Page

1/?

[queerdraws]

it's zoro's birthday!! happy birthday big guy, may you say many more insane things to your enemies in the coming years

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

[fantastic-nonsense]

BABY BOY! BABY! TINY CUTE CHILD ALERT!!!!

[odinsblog]

[captainzigo]

[evasive-anon]

Tim is out here fighting to hold this family together and fix Bruce’s mental health. Gotta respect the hustle of trying to accomplish not one but two completely impossible tasks.

[extraordinary-heroes]

Laundry Day by Gabriel Picolo

[pastacrylic]

The CMC meet for Nightmare Night

[crystallakec]

\S2來了噢噢噢噢噢/

[curtvilescomic]

Wolverine and Deadpool by Mark Eastwood