#Music Careers

[heartbanter]

John Prine Encore: Day Is Done

“Day Is Done” is a simple song about a clandestine relationship. Since very little has been written about the song, it is difficult to pinpoint the exact subject matter. It could be about two married adults having an illicit affair. The lyrics and tone, however, indicate a relationship between two adolescents forbidden by parents or society. The drawings on the album cover of “Lost Dogs and…

[ciquery]

Luciano Pavarotti discusses singing for the Pope and other audiences (BROADCAST: Oct. 8, 1979)

Studs Terkel: But when did you, the idea of making it your life, singing? When when did that come to you?

Luciano Pavarotti: Come to me at the age of 19 when I become a teacher. And I went to my father to my mother and I say, now is time to decide if I go on and become a gymnastic professor, or mathematic professor or either I tried this beautiful but risky career who is singing. And of course my father says no. And my mother says yes then was yes.

Studs Terkel: Why did your father say he was worried about the security?

Luciano Pavarotti: My father was very worried because he did know then for 1000 people who [start?] one arrived. And I even make a very optimistic proportion. And this is the reason probably because he's say no, because himself he did not succeed by solo. He sang some little part in the [choir?] like solo, but not a real big career--

Studs Terkel: Yeah.

Source: https://studsterkel.wfmt.com/programs/luciano-pavarotti-discusses-singing-pope-and-other-audiences?

[hamletthedane]

Still laughing at Brian May offhandedly writing the greatest understatement in the history of academia in his astrophysics doctoral dissertation:

Ah, yes - “various pressures.” Like being one of the greatest guitarists ever and playing/writing/singing for the most legendary rock band of all time.

Those various pressures.

[brevemusicstudios]

Popular Music Industry Careers (2023)

Looking for an overview about roles in the music industry? Here it is!

IntroductionUnderstanding the Music IndustryThe Music Industry LandscapeThe Songwriters and ComposersThe PerformersMusic ProducersSound EngineersMusic Agents and ManagersMusic DistributorsRecording Industry Job ProfilesRecord Producers: The Musical Conductor Behind the ScenesAll About Sound EngineersMeet the Music MixersMusic Promotion and Management JobsJobs in Music Promotion and…

[find-the-path]

"average greek sea voyage takes eight months" factoid actually just statistical error. sea voyages around greece are very short. Bad-luck Odysseus, who tripped over a monster every five feet, had to sail in loop de loops around greece to avoid various annoyed deities, and took eleven years to sail 565 miles, is an outlier adn should not have been counted.

[flyingbunniesart]

Ummmm i was supposed to draw a klapollo thing but i saw an awesome fit while searching for refs and all thoughts left my brain 👍

[thyrell]

you know honestly i would respect taylor swift a lot more if she wrote about being a child star forced into a celebrity career instead of like, still making songs about high school breakups as a 30 year old woman

[journey-to-the-attic]

the rest of the cast got their new song covers, so i wanted to try putting the others in a band :>

i did want to make it look a bit like an album cover but i have no idea how those are designed so eh?? i also couldn't think of any band or album/song names so. if anyone has any ideas...

[sage-nebula]

"Suffer No Fools" - Shiver vs. Marina Analysis

It's been a few days since "Suffer No Fools" released, but I wanted to go ahead and release my analysis of Shiver's and Marina's verse since that's the one that has caused the most discussion within the fandom. I've seen a lot of debate over Marina's section in particular, with people unsure whether she was being sincere or sarcastic, and I think the actual answer is a little more complicated than one or the other, at least with regards to the first couplet of lines both she and Shiver sing. Of course, people are free to interpret this song however they wish, but after seeing numerous interpretations I personally didn't vibe with, I just wanted to put my own out there, breaking it down line by line.

So! Here we go.

Exchange 1:

Shiver: "Your haunting voice -- there's no escape. How nice it must be for your fans." Marina: "You're far too kind! I love your vibe. I can learn so much from your style."

Analyzing from dialogue only:

Shiver is insulting Marina's voice by calling it haunting and saying there is no escape, insinuating she wishes there was one. She says how nice it must be for Marina's fans, again implying that she isn't one.

Marina says that she loves Shiver's vibe, which on the surface could be a compliment, but given the context (a music battle) it could also be a Mean Girl "ooh I love your [thing] :)" passive-aggressive drawing-attention-to-something-ugly insult. More direct though, is the "I can learn so much from your style"; you can learn what not to do from someone just as much as you can learn what to do from someone. Marina's engaging in plausible deniability here.

HOWEVER. Lyrics are NOT the only thing that need to be analyzed from this first verse, which is arguably the MOST important exchange between these two. Instead, we need to look at how these lines are delivered.

Shiver is singing in a traditional Japanese folk singing style, specifically a style based on Shima-uta, which her voice actress has a background singing in. Unfortunately, I don't know the actual term for this style of singing, only that it's not kakegoe, something Shiver also does that is different from this. Anyway, in these lines specifically Shiver is singing in her Shima-uta style, a style that she has presumably been practicing since she was a small child, a style that is probably culturally significant to the Hohojiro clan. Singing in this style is not something that just anyone can do. It's completely different from singing in a (for lack of a better word) "western" style. The way you breathe is completely different. The way you incorporate your voice into your breathing is completely different. So by singing in this style, which Shiver has been doing practically her whole life and which, presumably, only she of the four there can do, Shiver is FLEXING on Marina regardless of what lyrics she chooses to sing.

But then Marina, who grew up under the domes in Inkadia, who presumably has never heard Shima-uta before she started listening to Deep Cut and heard Shiver sing, who presumably has had absolutely no training whatsoever on this style of song . . . mimics it perfectly and flexes on Shiver right back.

Could Marina's words to Shiver be interpreted as passive-aggressive in turn? Yes. But does it matter? No, not really. Because in this first verse, Marina's ACTUAL comeback is to take the style of singing that Shiver has been perfecting her entire life and throw it right back in her face despite having never (as far as we or Shiver know) practiced it herself. Shiver was flexing by presumably doing something Marina couldn't do, only for Marina to do it flawlessly, being every bit as divine with a voice so fine as Pearl said she was previously. Marina says "I love your vibe" so she takes it. Marina says "I have so much to learn from you" but does she really, when she can already do exactly what Shiver can, and has, just now, right in front of her?

And Shiver noticed, hence:

Exchange 2:

Shiver: "You remind me of my neighbor's little daughter . . . What's that saying? 'Octo see, octo do.'" Marina: "Glad you approve -- your praise has left me moved. Thanks to your notes, I'll find my groove!"

Shiver drops the Shima-uta singing, because now there's no point. Marina can also sing in that style, so it's no longer a flex. Shiver lost ground on that one, so instead we're back to the same (again, for lack of a better word) "regular" style of singing that everyone else is using. For that reason, we can go back to analyzing purely based on the words alone.

Shiver is calling Marina a copycat, essentially, because Marina copied her Shima-uta singing style in the previous verse (hence why Shiver had to drop it, as previously noted). Marina then gives her "glad you approve -- your praise has left me moved" . . . basically noting that by Shiver accusing her of copying, Shiver is saying that Marina -- someone who just tried the singing style off the cuff right there on the stage for the first time -- was just as good as Shiver, someone who has trained in that style her whole life. The audience saw for themselves that Marina was able to emulate the style, but Shiver saying, "you copied me!" is basically admitting that Marina was just as good as her in Shiver's own eyes, and Shiver is a pro. That's Shiver's aggravation handing Marina the win and Marina smiling wide as she accepts it.

Exchange 3:

Shiver: "Oh, look at the time. Isn't it getting late?" Marina: "Not at all! I could go on like this all night long."

This one doesn't even really need an analysis. For all that she prides herself on being "so cool even sharks call her cold-blooded," Shiver is known for being easily irritated and riled when she's losing due to her competitive nature. Marina successfully got under her skin, and this is her trying to end the battle fast because she didn't have any further comebacks. Marina, meanwhile, gives the classic "I could go on all night" because she's not riled at all, and is instead perfectly comfortable in this environment, knows what she's doing, and has had the upper hand from the start.

It goes back to another post I made about Experience vs. Inexperience. Shiver and Frye are still new idols, whereas Pearl and Marina have been at this for a long while. And while off the stage Marina is a sweet, kind, gentle person who will go out of her way to help others, and can sometimes be a little spacey or naive, she's also a 23-year-old literal genius who has been in the music industry for years now and knows full well what a rap / music battle is and knows her way around a stage. Personally, I found it to be a little infantilizing to insinuate that she "didn't realize Shiver was insulting her," when not only do I think she knew full well, but also she was the one with the upper hand not because of sick burns (that's Pearl's department), but because of sheer innate musical talent.

But those are just my thoughts! Everyone else is free to have their own.

[iwatcheditbegin]

Haters fail to grasp that Taylor’s massive success isn’t due to any trends , it’s largely based on her relationship with US. If you don’t understand the lore of pen genres she’s not for you

[one-time-i-dreamt]

I was at a party where I met Nicki Minaj’s evil twin brother Nicholas Minaj. He explained to me that he became evil because everyone liked his sister more than him, and that he knew his music career would never be as successful as Nicki’s but he was going to keep trying to surpass her anyway no matter how evil it made him.

[bougiebutchbitch]

how come izzy sounds like he's been vigorously throat-fucked whenever he talks, but sings like a fucking siren?????

[a-dauntless-daffodil]

Something about how Fire & Ice give up on going after Pearl directly, and instead both arrow in on dissing Marina-

Something about, Pearl having no shame at all, outright telling Frye right off that Off the Hook is here to “take control” and then literally talking over Frye’s turn. Frye’s snarking on how Pearl isn’t the boss here and no one’s cheering for her, ignored. How she goes after both Frye and Shiver asking where Frye’s big friend is to help her pass this test, moving right on to saying they’re both just goons making a mess anyway, little fish who should stay in they're bowl, but

that seems to give Frye the idea of hitting back with the “who’s backing you? Imaginary friends?” line… like Marina doesn’t even count as a music partner- or a friend?

Pearl literally yaps about Marina being divine, one of a kind, voice so fine, big mind- raps the lines off her cuff and the heart that's proudly pinned there

And Frye and Shiver go TARGET DETECTED. They lock onto Marina.

Shiver doesn’t bother trying to needle Marina about Pearl, the way their partners were each doing- if Pearl has no shame then at least she DOES still have a weakness, a soft spot, a thing she openly cares about- something they can try riling her up over

(problem: Pearl actually has all the confidence in Marina as a musician, partner, and performer. She's WATCHED Marina be all those things for YEARS now)

In the end Frye and Shiver just rile up the gay feels. Because Marina’s been living with a rapper who LOVES hyping her up even when they’re not on stage- Pearl who said she’d cut a fish for Marina. And if you don’t come to Inkopolis with a lot of self confidence, well then getting some from your girlfriend is fine too  

But it’s cute that Pearl’s still so obvious about being Marina's no. 1 fan that Fire & Ice thought they could use it against her XD

[blushweddinggowns]

Steddie Drunk Dialing Fluff

Steve Harrington-Munson was probably one of the happiest men to be alive in the modern era. He had the perfect life, against all odds. Because apparently having your late teens and early twenties ruined by demons equated to a fantastic adulthood.

He had it all. A loving family, the best friend/surrogate sister he could ever ask for, and he was married to the love of his life. And okay, yes. That had included some extremely embarrassing revelations and internal meltdowns and... a pretty brutal disownment. But he had figured it all out in the end. And here he was, a decade later with a ring on his finger and a nice hyphenated name. Not to mention how he was basically a trophy husband.

Eddie hadn't wasted a moment of the last decade. A symptom of almost dying it would seem. He went for the GED, gathered the band back up, moved across the country to chase his dreams and play in every shitty dive bar he could until they were discovered. All while dragging Steve along for the ride.

As much as Steve had believed in him, neither of them had been prepared for his music career actually taking off. Especially not to the level it did. It was undeniable that his husband was an A-Lister, despite how universally hated he was by half the country. You don't get many out and proud metal front man who loved parading around his high school sweetheart at every social event he could. But Europe loved him, as did the entirety of gay, rebellious youths world wide.

It was so stupid. There Eddie was, painted as an insane freak who was fake-married. With tabloids running story after story about his secret children, his drug addiction, a wife from another country, anything that they could think of. All while Eddie spent every free moment at Steve's side, always opting for a night in with his baby when given the choice. And when he wasn't doing that, he was busy playing surrogate fun uncle to the kids, who were definitly not kids anymore. But that didn't stop them from all getting together for Dungeons and Dragons once a month, hundreds and hundreds of campaign hours on everyone's belts. And that was his life. Spending time with his family, forcing them on hikes and runs, volunteering, working occasionally to help Robin with her translating work, all while coming home to the sweetest thing that ever existed.

God, did Steve love that man. Reminiscing about the love of his life while he was on tour was not helping his fretful sleep. He just... really had given him everything. He loved him so much in fact that he was only slightly pissed when he was woken up at three a.m. from the phone ringing off the hook.

Steve reached for it blindly, still half-asleep when he mumbled, "Mm-Eds?"

"Steeeeeeeeeevie," Eddie's voice slurred back at him, "Baby booooy. How's my baby boy? I miss my baby boy."

Steve smiled despite himself, yawning into the phone. Eddie was lucky he was so cute, considering how the love of his life who could not remember what time zones were, "He misses you too. And he's a little tired right now babe. What's up?"

"Day drunk," Eddie sighed, "Guys, morning show, mimosas, hotel room to sleep it off. Missing you."

"You won't be missing me for long," Steve softly laughed. Though... hearing his voice was quite the reminder of how cold the bed suddenly felt, "Just... one more week. That's not too long right?"

"Too long!" Eddie groaned, dramatic, "I miss you now. Why can't I see you now? Wait-Can I see you now? Cause planes and trains and-"

"And no," Steve interrupted with a chuckle, "You'd only get me for a few hours before you'd have to leave again."

"Worth it," Eddie mumbled out, his voice a little muffled as he tumbled around in his hotel bed, "Want my baby."

The pathetic tilt to his voice was enough to make Steve's heart clench. God he was too precious. Suddenly a red-eye in the middle of the night for a two hour make-out session didn't sound like such a bad idea. But he could be the strong one for tonight, "You have me sweetheart. Want me to stay on until you fall asleep."

"Yes please," Eddie sighed, "Love your voice. It's so... nice. Like... audible perfume. Like poetry or something."

"Oh baby you are wasted," Steve said as he laid back down, nestling the phone to his ear, "Please tell me you drank some water before laying down?"

"... maybe?"

"Babe."

"I knoooow. Keep nagging me though. I missed that too."

"Is my bitching your bed time story?"

He could hear Eddie nodding, rusting against the fabric, "And it's the best. Keep going?"

Steve rolled his eyes, but he did what he was asked. Saying every silly little grievance he could think of. He whined about how cold it was in bed without him, how Eddie had promised to take out the trash before he left and forgot. Again. How he hated how quiet it was without him, how much he missed hearing his voice trailing in and out of every room.

And Eddie listened, mumbling out a few sleepy m'sorrys and I love yous along the way. Until all Steve could hear was the slow, steady sound of his breathing. But he didn't hang up. Not when that was one of his favorite sounds in the world. And the perfect thing to fall asleep to.

Steve smiled to himself as he closed his eyes, a little amazed that Eddie could still make him feel so loved, from hundreds of miles away.

But one thing was for sure. He still had to be the happiest man on earth.

[tennessoui]

so i've been thinking about this premise for so long but it wasn't working for obikin (which of course i took as a challenge) and i think i finally got it where i want it so

au where 35 yo obi-wan is a music sensation across the world but he's recently divorced and going on tour again after releasing a very cutting, personal, and well-received album

and 19 yo anakin joins his tour with his very small band of two other people (ahsoka, padmé) to be his opening act - they have a small but loyal following, a pretty big social media presence, and there are even people who ship anakin and padmé which you know means these are die-hard fans

anakin has definitely looked up to obi-wan and his music for a good portion of his life and he's like. beyond excited that he's going to tour with The Obi-Wan Kenobi - this is big, not just for his music career but also for himself and the little boy he was listening to obi-wan's music for the first time!!

i'm just imagining like....obi-wan and anakin meeting after a few days of rehearsal for opening night, and it's not the most auspicious start because obi-wan's going through like 20 different emotions at any given moment (he's on tour, he's divorced, he's tired, he loves the music, he can't be the person he was in his twenties when he was first on tour but that's a whole different matter, he has all the media training and charismatic instinct to cover up these less than savory emotions with flirtatious empty words) and anakin is just like. sorta starstruck sorta shy sorta eager sorta awkward so:

"i'm uh, i'm a singer it's nice to meet you. hi yeah. hello. i'm on tour. as well. with you. actually." "ah no, are you one of my backing vocal artists? we can't have that - you're much too gorgeous and my ego is much too dependent on the audience focusing on me." "um 😳"

so it's a relationship that begins with a lot of flirting and being flustered and progresses through moments of vulnerability and honest emotion which turns into mutual affection which turns into anakin's celebrity crush becoming very real....meanwhile obi-wan googled anakin and the opening band after the first show/introduction and finds all the stuff about him and padmé being together and that's. that's fine. young love. how sweet. any sort of disappointment obi-wan feels is because he's recently divorced and bitter about it and he's going to have to spend at least half his tour watching the lovebirds snuggling up together.

and even when all the misunderstandings about relationship statuses have been addressed and the pretense has fallen away to leave just attraction, both have to think about their careers - it's all well and good for obi-wan to date someone sixteen years his junior, post divorce, but that's an image he's never wanted to deal with or be associated with. and this is the biggest shot of anakin's career - his best chance to make it in the music industry. in the words of his bandmate, is he really, honestly thinking about risking it for a chance to sleep with The Obi-Wan Kenobi?

but what his bandmate doesn't seem to really understand is that for anakin, obi-wan hasn't been The Obi-Wan Kenobi in a long time. he's just been obi-wan. and that makes a world of difference.

[yesterdayiwrote]

Look, I've made clear I'm not a fan before, but T***** S**** is just a self centered narcissist with a victim complex. Running to do a photo op after the fact means nothing, that Celine interaction was nasty and classless and I wish she'd just go away from the limelight for a few years again.

Fucking 'tortured'... You're a privileged billionaire who's addicted to attention 🙄