#Second Chance at Forever

[chloesimaginationthings]

FNAF Gregory is NEVER getting unbanned at this rate

[crismakesstuff]

happy memories , happy family

redraw of these two images from the show !

The first one is from s2 and the other is from s1 (I hope we get to see a better quality version of it one day)

[eternity-death]

Had the thought/realization that regardless of if the Dream Master approved or disapproved of Sunday pursuing you, Sunday would still choose not to.

There are just too many factors that prevent him from doing so. A lack of time, for one. Sunday’s duties keep him on his toes constantly; he can’t find a moment of rest even in his sleep. He foresees his negligence of your relationship, and though unintentional, it still wouldn’t be fair to you.

His status as Oak Family Head would be another problem. How would you fare under the overbearing pressures that come with being his lover? Penacony is a planet of lights, glamour, and gossip. All eyes will be on you as soon as your relationship is publicized. You will be held at standards far higher than ever before, and the other Family Heads will be expecting nothing less. Sunday couldn’t possibly bring himself to burden you with all of this.

And of course, there’s his grand plan for Penacony.

I think that he’s been anticipating his sacrifice for a loooong time. Sunday acknowledges that he’ll be hurting you by leaving, and if you were in a relationship, then he would be hurting you even more.

You will be furious with him, surely. You’ve always chastised him for his self-destructive work habits.

But the image of you eternally safe and sound within Ena’s dream is enough to lay any rueful feelings to rest. He hopes that one day you’ll find it within yourself to forgive him.

[princeoxca]

my gift for @thesupremequeen in the @namurigiftexchange. I hope you like it!

extra (poor namor lmao):

[blueskittlesart]

do you have any thoughts on zelda not staying as a dragon? me personally I like it and am very cool with it mostly because I think zelda should get to be happy forever (and because I'm smart enough to know she changed back because of recall and not some ambiguous power of love lmao) but a lot of people seem to dislike that it made the draconification inconsequential?

i think there's like. some valid concerns surrounding inconsequentiality/"curing" the physical problems characters have as a way of giving them a "happy ending" but I think those concerns don't necessarily apply to totk in the way people seem to be applying them, especially irt zelda's draconification and link's arm.

most of the time when the criticism of this "magic cure" trope is applied to media, it's because the trope is used as a cure-all to erase a character's suffering or trauma and make them "normal" again, and often ignores the character development or themes of the story in favor of giving the character a happy ending. I don't think that applies to totk, though, because the "curing" link and zelda experience is both within the realm of possibility given the worldbuilding present in the game (recall could easily have done it, as you mentioned) AND thematically consistent with the rest of the game. One of if not the most important central themes of totk is the idea of failure and second chances. we see a hyrule that has been given a second chance after link's initial failure with the calamity brought it to the brink of destruction. we see characters who were deeply unhappy and entrenched in the shame of their precalamity mistakes like purah and zelda become active, beloved members of their communities. we see the people of lurelin village take back and rebuild their destroyed home. we watch this kingdom and its people make an unprecedented comeback after a century of struggle and ruin.

Similarly, totk's gameplay is LINK's second chance, his comeback from the initial mistake of losing zelda, of specifically being unable to reach her with his injured hand when they fell. The consequences of that--the master sword's corruption, the loss of his arm, and zelda's draconification, are all supposed to SEEM irreversible, because that's how LINK initially sees them. he believes that he doomed both himself and zelda all because of that SINGLE moment in which he wasn't enough, a viewpoint which is obviously left over from the pressure he experienced to perform to an impossible standard of perfection pre-calamity. The story of totk is about deconstructing that belief and proving it wrong. the mistake he made caused harm, but it's never too late to repair things. he can fix the regional phenomena ganondorf causes and rebuild those communities. he can revitalize the master sword. he can GET ZELDA BACK, with his own arm, uninjured and able to reach her this time. no matter how impossible those things may initially seem, no matter the perceived finality of his mistakes and their consequences, there is always hope. there is always a second chance. no one person's single mistake can doom an entire kingdom for eternity. the fate of hyrule was NEVER resting on link's shoulders alone. he was never their final hope. there was always going to be an after. the whole POINT of the draconification and the loss of link's arm is that they AREN'T final. they ARE inconsequential, because they were born of one mistake and ONE MISTAKE IS NOT THE END ALL.

[codacheetah]

[canisalbus]

Have you seen black sails? I don't want to spoil it but I imagine the "they live" au being similar to a certain plot in that show. Bittersweet and you're not sure if it's really a *good* life but at least they're together.....

.

[probablygayattorneys]

Missile/Ray’s final farewell before he ceases to exist hits different when you know he was named and modeled and used the audio of and was entirely based off of Shu’s actual dog, who is also dead now.

[kuch1-k0pi]

Redrew some screenshots as my AU boys :)

(screenshots are from moots over on twt!!)

AU Masterpost

[grahamcarmen]

And we were killed upon waking, killed upon waking to the life We weren't prepared to live, but rebelled to realize We were killed upon the pavement, Bonnie we're immortalized

[tswwwit]

Quick question. What would happen if someone came up on one of dipper's old graves and decided to resurrect him during one of his reincarnations? Would his soul leave the current vessel and get sucked back into the old one, or would his corpse just be filled with a whole lotta nothing?

That's an excellent question!

My first impulse is to say that resurrecting Dipper's old body wouldn't have an effect. Whoever did it would end up with a zombie, or the shell of a body with nothing in it.

My second impulse is: What if Dipper did get sucked out of his current body, and popped right back into his old one? Now you've got one very confused Dipper, and one extremely distressed demon who just saw the love of his life get his soul sucked out, going limp and dead right in front of his eye!

Overall, I guess it depends on exactly what kind of resurrection was pulled off. A body alone type thing will get you no brain or soul to go with it, but if it specifically targeted the soul itself? Then you better have enough oomph behind it to yank it out of someone who's currently alive.

[laurelindebear]

Finally saw the Mummy 25th anniverary release in the cinema yesterday and AAAAAAAAHHHHH IT'S SO GOOD ON THE BIG SCREEN. I know it's not all accurate (either to the various parts of ancient Egypt or 1920s Egypt/North Africa) but it's just gorgeous, from the opening shot of 'Thebes' to the golden desert panoramas to giant 15-foot-tall Ardeth on a huge screen aaaaaaaaaaah I'm dead.

I had cuddly baby Horus and his handmade tagelmust with me the whole time, I wore my Key of Hamunaptra earrings, I wore my Medjai necklace, I wore my Ardeth t-shirt. I've never been to the movies alone but I loved every second.

I can't remember if I've even been to the cinema since Covid and I think I missed it more than I realised. I'm not a huge film buff, and we've got a big tv (my partner is an avid tv viewer). But when it comes to some shots, the panoramas, the detail in the close-ups, the shots that are there for unabashed visual aesthetic - like maybe my favorite shot of all time, Wall-E reaching out to touch the swirl of ice/rocks as he clings to the Axiom - the cinema screen gives an immersiveness the tv can't match.

I'd seen it last week again as well, with a friend who'd never seen it, and between the two I noticed some things I hadn't before, or had forgotten. So this is gonna be long and rambly and full of questions and observations.

The brownface and imperialism is bad. Some of it I guess is period-accurate, and partly to indicate that certain characters aren't great people/are earning their grisly deaths (Chamberlain and the Americans). But a lot of it is inexcusable. Omid Djalili's performance is pretty over-the-top (and he is afaik Iranian and not Arab), a lot of 'Egyptian' characters clearly aren't (even beyond the main cast, all of Imhotep's priests look like White guys in gold paint to me. Some of the Medjai eg the one with the hook are also in brownface.)

A lot of local diggers and Medjai are killed in the Medjai raids and the plagues and it's not really acknowledged much. You'd think Ardeth would still have some hard feelings about Rick/Evy/Jon having killed people he's known all his life but maybe you have to develop a different view of violence and death when your whole life is centred on stopping the end of the world.

When the heroes are fleeing from the museum, they crash the car and run a short distance away. Rick, Ardeth and Jonathan escape via a manhole to get to Winston at the airfield. When they arrive at the airfield, they seem to be in the same car. How?

Why does Evy seem to be waking up on the slab? When we last saw her she was wide awake and chastising Beni. Feels like something was cut here.

The Medjai with the hook also has the following tattoos on his cheek: Gardiner's sign U6 or U7 (mr) and 2x H6 or (I think) M17 (y or j). What is ymr or mry? 'Beloved'? Is Anck's name in there too? What do they all mean? I must know! Would it be weird if I tried to write to the designers and artists from the film about it?

Some of the Medjai (or other workers) performing the Hom Dai have no tattoos on their arms. Most of the Medjai have tattoos which include one of the eye symbols (Eye or Horus or Eye of Ra) on their shoulders. Sidenote, I think Ardeth should have worn the old-timey Medjai outfit just once, for science. (Good thing we have the amazing @minilev to imagine it for us.)

The Hamunaptra cat is really totally out of the bag by the end of it. Not only is there treasure and archaeological finds (sadly not the Book of Amun-Ra, dammit Jonathan 😜) but Cairo had about 5 simultaneous (super)natural disasters. Ain't no covering that up. They're gonna need to recruit a lot more Medjai. (I volunteer! It will not go well for me though. I would be the worst Medjai of all time.)

Did Patricia Velasquez play the mummified version of Anck as well?

Who was Imhotep going to sacrifice the first time? One of his priests?

Was already thinking about this before I rewatched it but...the law is distinctly that no other man may touch Anck-su-namun. Has anyone written an AU where Anck and Nefertiri fall in love and escape Seti together? 👀 (I know he treats Nefertiri ok but Anck is clearly not a happy and willing participant in their relationship.) I would read that. (No, me, you already have half a dozen stories you'll never finish. Don't even think about it.)

Where are the camels at the end from? Didn't they all get ridden back after the first time they left Hamunaptra? And I thought there were more horses than camels, anyway.

Ardeth really was supposed to die, it was so clear. He was fist-fighting mummies and then had dynamite thrown at him. I'm not even slightly sad he survived (it's my favorite plot hole of all time!) but...how. Thank you Stephen Sommers for your vision. 🙌

Jonathan's face-journey for his 'Iiiiimhooooteeeeep' line is even more amazing on the big screen. I remember why my sister and I loved it so much. John Hannah and Jonathan are very underrated IMO.

Kevin J O'Connor also underrated. Beni is a weasel through and through...but Kevin plays him so, so well.

What does Beni say in ?Hungarian when Rick confronts him in the egyptologist's office? And how does he understand Imhotep - magic? I can buy he'd learn protective prayers in 10 different languages, but translating Middle Egyptian is another thing entirely.

Evy and Rick doing the 'I love you' 'I know' thing with just their eyes when Evy goes with Imhotep to try to save them. SO GOOD.

Has Brendan Fraser ever been hotter than when Rick first catches sight of Evy after her Bedouin makeover? (Which, coincidentally, has been living rent-free in my head ever since...it's almost an anti-niqab since the sheerness and beading on the veil arguably draw more attention to her and her eyes but...damn girl. 😍

Evy's delight at getting to Hamunaptra on her camel and finally getting to do field work is delightful, it's infectious, it's a pure joy to watch. As a female lead who could so easily have been an ineffectual trophy, she holds her own and carries the film as an equal protagonist to Rick in her own right. And I love her for it.

Evy and Jon are one of the better portrayals of siblings I can think of offhand. They have just the right mix of ride-or-die familial bond and squabbling.

Ardeth Bay's cheekbones cut more deadly than his sword tbqfh. (oops. but it's true.)

I should stop talking because this is so long. But if anyone wants to talk about anything Mummy-related, my inbox is very open!

[shhhhimwatchingthis]

ok yeah, I'm willing to put Young Royals up as one of, if not the best teen drama ever written

and not just writing! cinematography, costumes, music, performances! this show truly is a masterpiece

[keikoayano]

Thinking about the yearning when Eurylochus says “let’s just cut our losses, you and I, and let’s run”

He’s not saying to forget those they’ve lost, he’s not saying to undo what has been done, he’s not blaming Odysseus (at this moment) for the consequences of his decisions. He reminds Odysseus of this all, sure, but not to be negative or force Odysseus to confront what they’ve lived through. He’s begging Odysseus to see things from his point-of-view.

He doesn’t want to lose Odysseus on top of everything else, even though he’s watching Odysseus change in front of him from the captain that he’s known, from the friend that he’s known for years. He doesn’t want to lose what few men are left. He doesn’t want to lose another self-proclaimed brother - they’ve both lost Polites already.

He just wants to grab Odysseus and get everyone remaining home, even if that means turning and running

[kiyoitiepie]

possible unpopular opinion? day and mhok needed to break up for a number of reasons.

that was not an equal emotional relationship. everything was focused on how day felt and what day wanted and what day needed and nobody ever really checked in on mhok at all. he even got a job outside of his comfort range, because he wanted to be perceived as someone who could support day. everything is about day!

don’t get me wrong day is in a situation where he needs support, but so is mhok! they should be able to uplift each other. (dont mind the cooking crush reference I couldn’t help myself.) the most care I have seen, day give to mhok is when he thought mhok didn’t get the job. It is important to take into account their dynamic and the fact that mhok does like to be in service. but there should still be a balance.

also once they have been broken up, day will be able to find agency. they went on a vacation and day spent the entire time in a room with bunkbeds. that’s not the life for anybody. this time that they spend separated will allow them to grow as individuals. I read somewhere that we consume a lot of media that treats love as the cure. “ look, day was sad and blind then he fell in love, and now his sight is back and he’s so happy all the time with his boyfriend taking care of him.” that is not the show we’re watching and that’s a great thing! because i think we’re also forgetting. that before day was blind, he was canonically an asshole. he needs this time apart to figure out who he is and how to be better. not to fall in love and have a completely unrealistic character change.

if the two of them stayed together, they would stunt each other. mhok would never grow in terms of his career. and day would still be sitting in a room until mhok decided to take him out for a walk. whatever his intentions may have been I’d like to think that day saw this and acted accordingly.

[qwuilty]

I think he deserves to go a little off the rails. As a treat because I love him.