#Still not 100% sure why

[coldercreation]

brb about to go down a research rabbit hole lol

Question of the day!

Why is showing ‘disinterest’ such prevalent thing when it comes to building friendships and relationships?

I have talked about this here before in my rants lol, but it just always frustrates me. Like, you know those arbitrary ‘rules’ in dating that you shouldn’t show too much interest or get in touch too soon, or be too ‘intense’ or interested? Like, obviously don’t be a stalker and read the room etc, but I mean if you're just a regular and safe 'well-adjusted' person, why is you showing genuine effort and interest seen as a bad thing (I don't mean love bombing, that's a whole different thing)? If you genuinely like each other, why is the social rule saying that you shouldn’t show that? Same goes with friendships, why is showing interest in the person you want to get to know sometimes, somehow, a bad thing? To a point that some people can get put off by that effort someone is showing to get to know them? Not saying everyone is like this, because I know there are so many people who aren’t. And plenty people also disregard these social rules because they aren’t actually concrete rules. 

This is just a social construct and I’m trying to figure out why it is, because it seems counter productive? By what logic does it work? How are you supposed to make friends/date, if them showing interest in you makes you exit the relationship/ghost/breadcrumb?

How long are we supposed to only talk in one line texts about surface level stuff, to avoid being too much/too intense, before it’s acceptable? How do you know you’re following the same social timelines with the people you’re trying to get close to, when there’s no actual set rules? Someone might think you have to wait three days after a date to get in touch, but someone else will get offended if you take longer than two. But the next day or the same day is too desperate to some folk? And I'm talking about this from the point of view of someone who doesn't have trouble reading social cues/expectations. Can't even imagine dealing with this mess if that wasn't the case. Like what's the point of having these 'rules' if it just makes things more difficult for everyone? :')

These rules, technically, don't need to exist at all. It's all made up, based on... Something? We can always dismiss them ourselves but I'd like to know why they came to be and why we keep upholding them. I want to know the social purpose y'know? Is it a safety thing? Protecting yourself and not wanting to be vulnerable? That'd be valid, of course. But it does seem self sabotaging as it blocks people from actually making the connections they say they want to have?

I’ve been trying to find any research on the social behaviour regarding this, but I’m not sure what to even look up lol. Especially because I think the way we interact and behave has changed so much just in the last five years even. 

I just find it so curious that there’s so many headlines about loneliness epidemic, but people also recoil away from others when someone does show them genuine interest and wants to talk to them.   

I’ve had this initial ‘disinterest’ stage happen in the friendship context more. Also sudden, out of nowhere, communication ending/ghosting disinterest when trying to make friends (like please hurt my heart some more I beg u lmao). I haven’t really dated in the last few years so I don’t personally know how that field is at the moment, but I know ghosting is really common and people actively try to hold back from showing interest at first, even if they are reallyreally interested.

Maybe I’ll try looking more into the effects on social media etc, there’s a lot about ghosting in that context. But I just feel like it’s not quite what I mean, because I feel this disinterest phenomenon thing is separate from ghosting. 

Anyway! Happy Sunday loll xx

[collophora]

Do yourself a favor and go read the entire fanfic work of @fanfoolishness

(In order: Under sun and shade, Blind Side, and Breathless (patching up is one of my fav too, I just had no cool sketch idea for it)

[sabertoothwalrus]

so I’ve been gaining a lot of insight into the animation industry recently, especially in regards to pitching & the creation of new shows. There’s a few ways to go about it.

First, there’s pitching to a studio. When you pitch, it has to be SHORT and CONCISE. You may write a lovingly detailed pitch bible that perfectly breaks down episodes and characterizations, and it might barely even get read. First impressions, first impressions, first impressions!

Most peoples’ first projects don’t get picked up. I’ve heard a few stories from directors that said they tried pitching a story they’d had for years, which got rejected, to then spend a week or even several hours in their car coming up with a new idea, only for that to get greenlit.

But that’s not the end of it. Just because a show gets greenlit, doesn’t mean it will ever get finished. There’s lots of things that can happen. Sometimes, unexpected major world events (like… a global pandemic) can cause projects to get chopped. Sometimes, a CEO change or studio merge means a single person can decide a project “no longer fits with the company’s brand.” Sometimes, the one producer that was rooting for your project gets laid off, and no one else cares enough, so it gets shelved. Sometimes, a streaming service decides to create an animation department, and then they decide they don’t want it anymore. Sometimes, the studio will be simultaneously be developing another project that was too similar to yours and they just didn’t think to tell you until they decide yours is the one with less potential.

On top of that, almost everyone in the industry is saying that “studios just don’t pick up original content anymore.” Studios want something they can franchise, something that will bring in money. New content is risky. Established fanbases are safer.

However! Studios can still be a very good thing. They can be unionized. They can provide better benefits and resources. They can have connections and infrastructure and a larger volume of workers. At a studio, you can divide the labor and produce more in less time. Longer episodes, longer seasons, more consistency in quality.

But this comes with all of the disadvantages of having more in the kitchen.

The alternative is indie animation.

With indie animation, you have total freedom. Full artistic control. It doesn’t even matter if your idea sucks ass, because there’s no one to tell you you can’t make it. You could make it anyway, and you can make it whatever you wanted.

The thing is, making animation is hard. In my production class last semester, the average maximum animation one person could make in that timeframe was 30-60 seconds, and that’s not even counting background design, sound design, or cleanup/color. To make a 5 minute animated short, you should probably have at least 5 people.

And it is CRUCIAL you have a production manager. Ideally someone who’s not already doing art for the project. Most projects without a production manager will fall apart pretty quickly. Once the adrenaline and impulse-fueled motivation wears off, you need someone to hold you accountable and enforce deadlines and proper time management.

Speaking of time, that’s also hard to get. The more people you have, the more likely schedules won’t line up. Most people will have school, or other jobs.

And it costs MONEY!!!!!! You either have everyone work for free and volunteer their time & energy, or you establish a business as a proper indie studio, with people who may or may not have experience on how to handle paying someone else’s salary. And the money has to come from somewhere, so you have to rely on crowdfunding like patreon or kickstarter. (This, by the way, is why I could never fault an indie animation for releasing merch with their pilot.)

And like, maybe you wanna do a series, and all your friends agree to volunteer their labor and time to make the first episode, but it was unanimously not sustainable. Deciding not to produce a second episode until you can raise enough money is not being suddenly greedy, it’s attempting to compensate people rather than expecting them to be continuously taken advantage of.

You have to consider your output as well. There are some outliers like Worthikids, who afaik does all his animation himself, and afaik can work on it full-time thanks to his patreon subscribers. And he still has only produced a total of 30 minutes of animation (for Big Top Burger specifically) in the past 4 years. This is an IMPRESSIVE feat and this is with using a lot of 3D as part of his pipeline!!

Indie animation also has the complication of being more accessible for fandoms. When you’re posting your Official Canon Content on youtube, it doesn’t look a lot different than the fandom-created video essay in the sidebar next to it. What’s canon vs what’s fanon becomes less distinguishable. The boundaries are blurrier. When the creator is just some guy you follow on twitter, it’s easier to prod them for info regarding ships and theories and word-of-god confirmation. They don’t have a PR team or entire international tv networks to appeal to. And this is when creators get frustrated that their fans snowball and turn their creation into something they don’t recognize (and no longer enjoy) anymore.

So it’s tricky.

Thankfully, the threshold to learn animation is fairly low nowadays!! There are TONS of resources online to learn it on your own without forking over a couple hundred thousand to a private art college. There are conventions and discord servers and events where you can network, if you know where to look.

I know it can seem discouraging in the face of capitalism, but I think that’s all the more reason why it’s so important to BE DETERMINED about animation!! We’re already starting to see the beginning of an indie animation boom, and I think it’s a testament to humanity’s desire to tell stories and create art. Even if there’s no financial gain, we do whatever it takes to tell our stories anyway.

[imonthatgayshit]

'he befriended lily to use her for x horrible thing' he was a child. he wanted a friend.

'he should've never been mean to james and sirius on the train' he was a child. defending his beliefs just as those two did

'he should have never enjoyed dark arts' he was a child. a curious child.

'he was friends and sided with the slytherins' he was a child. a lonely poor halfblood child in a house filled with snobs with everything he couldnt even wish for. obviously he was easily influenced/ overpowered/possibly groomed?

'how dare he obsessively stalk lily after swm? (he was begging for forgiveness) how could he join the death eaters?(it was his only choice) how could he hold a grudge against the marauders after that many years? ( the only escape he had from his home and they made it hell for him)'

he was a child he was a child he was a child. a stupid hopeful child who was always at the edge of escaping yet always being yanked back into those pits of hell again.

he was a child who could never fully be childlike because his life was literally from the pot to the kettle to the fucking fire.

just say you like victims nice and unresentful and get over with it.

[theywontletmebeprincipal]

[hopeswriting]

was thinking about takeshi and how he's my favorite brand of unconditional devotion btw. the utter and absolute and all-consuming kind that runs so deep to the very core and is so intrinsic and fundamental to it, it can only express itself in the most casual and natural and certain way. without second thoughts, without any room for doubts or for any moral dilemma to be had over it, because of course he ought to always be breathing and living for his chosen person first and foremost. of course he ought to hang on their every word and make them true no matter what, no matter what he has to do to make it happen, no matter what he has to do to other people to make it happen, and no matter what it might turn him into in the process. because it's obviously the way the world should be for his chosen person. at their feet, ready to bend over backwards and break and build itself again to better answer to all their needs even if they don't ask it for it. it's the only right way it should be for them, and of course takeshi's going to do his utmost at all times to make it a reality as much as possible.

and his devotion comes out as naturally as breathing, comes out lighthearted and nonchalant like he might as well be talking about the weather, but it's not unaware of itself. it's not that takeshi doesn't know it's unhealthy and wrong and that he's willing to go entirely too far in its name for anyone's good. it's not that he wouldn't hear you out if you were to sit him down and explain to him just why he needs to tone it down a little (a lot). logically, he'd agree with you and know you're right. and then he'd tell you he's still not going to do anything whatsoever about it. that he's not bothered by it and doesn't feel the need to change anything to his attitude. makes it a point to never let anyone or anything sway him even an inch in the stand he took when it comes to that, no matter how many thousand of times you might go over the subject with him.

because the morality of his devotion isn't the point at all. is entirely irrelevant to it and doesn't affect the way he expresses it all. it's not the metric with which he draws a line in the sand to hold it accountable to. because the thing is, takeshi's entire world revolves around tsuna--tsuna is his entire world altogether, and it's just a matter of fact, that simple. to him it's a truth as unchanging as the sky being blue, and so being the way he is according to that truth is the only way he can imagine being that'd feel right to him. and so the actual and only metric that matters here is "would tsuna be happier if i were to do this?" and/or "is this something tsuna needs me to do?"

and like. i don't think takeshi ever stops being a kind person capable of compassion and understanding and mercy and forgiveness even ten years later once they became mafia through and through. and i don't think either he grows up to be feared and called a monster per se despite the things they inevitably had to do during those ten years (and the things they'll inevitably keep having to do as long as they keep being mafia), at least not in the way, for example, they'll never stop fearing and calling mukuro one. but i do think that among the tenth gen, he ends up being the one with the most ruthless, merciless and horrific blood on his hands of that particular and distinct loving kind. you know the one i mean, right? he comes to be the one most expected and the one first expected to be willing and to take it upon himself to go through with it when the need arises. and to think little of it after, if anything at all. all in the name of making tsuna's reign as easy on him as possible.

and it's to the point where it's the kind of blood that makes even mukuro pause at times. or, when takeshi is the one coming up with solutions himself during meetings, makes even reborn blink. not because it's unjustified or wouldn't be safe or efficient or anything of the sort, but because it is unwarrantedly thorough in its retaliation. and sometimes, at times like this, he's the one tsuna needs to step in for the most, because he's the only one who can reason with him that "yes, this would work in getting rid of our problem" but "no, please, don't do that takeshi". because if tsuna is the only thing that infers on just how much and in what ways he'll let himself be devoted to him, then of course, he's also the only one takeshi's willing to reign himself in for without second thoughts. because he'd hate to ever do something tsuna would disapprove of or wouldn't want him to do. or do something that'd make tsuna see him differently or love him back less even in the slightest.

and it's also like. his devotion isn't an undisciplined one. it's not one he doesn't have control over, the very opposite. it's a very purposeful and conscious choice he chooses to keep making over and over again every step of the way, and he taught himself to have control over it, to know when it's needed and/or wanted, and how much and in which ways it is when it happens, and to keep it down otherwise. and, yes, to also reign it back in at tsuna's request at times when it still slips past his control. because it's all about making tsuna's happiness easier and secure and long-lasting, and never about burdening him with just how committed he is to do that.

so it comes down to this: takeshi willing to go above and beyond and more for tsuna unless tsuna explicitly asks him not to. and to tsuna needing to ask him not to every now and then. and to other people pointing out to him how too many times tsuna's already needed to stop him, and that maybe there's a hint for him to take there. and to takeshi seeing the hint, looking it straight in the eye and recognizing it for what it is and just. deciding it doesn't apply to him because it's all perfectly normal behavior to him. because it's the only kind of behavior that makes sense to him and feels right.

and so—to circle back to my first point—he can only express his devotion as naturally as breathing, so casually, almost like it's something inconsequential and not worth talking about despite how unmistakably it couldn't be further away from being the truth. it's the only way he could have always known how to express it, because, after all, who has ever taken time to ponder about the details and the hows of the way they breathe?

and i, for one, absolutely eat that shit up every time, thanks for coming to my ted talk <3

[mintypsii]

one piece x steven universe au where instead of being a crystal gem, luffy is sort of a rogue who flies around in a spaceship adventuring through space and making/recruiting friends on different planets and gem colonies, he was inspired by earthlings and now he wants to live freely without the constraints of gem roles and expectations (tagging this with #gem piece)

[endlessfuckup]

i think they put some random noise at the end just to keep everyone occupied for a little while lmao

[aliciax3]

Joe Liebgott's Neck: An Appreciation Series

(Part 3/?)

[transaltava]

i did line practise w emmy. 👍

[mayjunenov]

this is a wip of my mp100 fanart and im still debating which artstyle to use for it

this is option a! much sketchier and loose while still being detailed?

this is option b. not as much work but not sure how i feel about it?

[thatonepikminperson]

New headcannon idea I just thought up of when drawing Dingo for the first time, what if this guy uses and/or smells like axe body spray?

Just imagine for a second here, approaching Dingo and getting slapped with a wave of axe body spray the moment you are within like talking distance from the guy.

Is that how he beats night missions for you? Like he just whips out the axe body spray and is like, “Don’t worry, Rookie! I got this!” And proceed to kill several Bulborbs and at least one Smoky Progg with one can.

[ubejamjar]

[dialogue template link]

[icewindandboringhorror]

boy in silly sitting positions compilation

[australet789]

"When will we, as a fandom, understand that Alastor does not infact want the best for Charlie, nor does he want to be her dad"

What about you shut up and let people have some fun and enjoy the found family that's clearly shown in every episode

[yashley]

i literally live for the fact that anyone goes “he wasn’t that bad!!” and matt immediately pipes in with “he wasn’t GREAT”. the fact matt always is the first to be like no well he still SUCKED.