Idk if I'm just not on the right side of the fandom but i need more mike headcannons
Genuinely always loved the idea that after the events of the second movie, he becomes a full blown paranormal phenomenon researcher/investigator.
Traveling around the country investigating phenomenon's much like It, maybe even keeping a record or book of his findings.
And of course keeping up with the losers as much as he can, he's the glue that keeps them all together. Even if he's the only one writing letters, sending emails, texts, or even the occasional calls.
He's enthusiastic about these nightmarish horrors beyond our comprehension!!! Raving about aliens and ghosts and creatures that eat your skin alive!!!
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I hate Thoma from Tokyo debunker
Don't know why but I just hate him not as much as I hate leo but you get it and I needed to get it off my chest
That's it
Thank you for reading my bullshit
Unfortunately, I am in love with him TᴖT I want him so bad it is unfunny, pathetic even. He would laugh, degrade me, and I would fall further because I find that hot for reasons I might want to bring up with my therapist.
I have mentioned I think Tohma might have someone outside of Darkwick he is trying to work towards a better world for. I like to think it's a sibling, maybe a younger sister because I have been reading Tokyo Revengers again- idk I just know he's got some softness in there. He likes taking walks in nature and that's the one thing we know about him. I want to give him flowers-
I am so sorry anon please forgive me for simping
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Okay this new picture confused me enough to post about it.
It's lovely, love the cat. But I'm confused, what exactly are they're going for here? I'm supposing this:
But the problem is they didn't bring Saito's arm and the cat actually in front of Okita (btw Okita's referring to this). All three of them are depthwise on different level, though Okita's finger is too perfectly close to look like he's touching the kitten's nose. Yet being on different levels they're all staring at different things!
I mean this is the supposed side view of that picture.
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wouldn't it be so funny if like
eddie thinks buck has feelings for tommy / tommy has feelings for buck
and
buck thinks eddie has feelings for tommy / tommy has feelings for eddie
and so they are both just . Jealous . but not for the reasons they think
and one day, when they're all hanging out or something, tommy's just like "hang on sorry, my girlfriend's (hey or boyfriend!! im not picky!) calling me"
and buck and eddie are just like .... wait
and then cue realizations
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aurghhh ok still rewatching '97 and the way guts and casca only have the room to breathe and really come to understand and care for each other in griffith's absence because he has such a strong hold over them both.... and the way their mutual dedication to him is what causes them to bicker for years (casca thinks he's not serving him well enough, guts thinks she doesn't get that he cares/how much he cares, casca's jealousy over griffith's feelings for guts, how he won his heart without even trying or being aware of it or doing anything with it) and is also a big part of what brings them together (earlier when guts deviates from the plan to save griffith and she commends him, in the cave casca opening up about griffith and her's past, showing that vulnerability, while it's mostly confrontational, leads to guts kinda getting her better, and his efforts to save and protect her (falling off the cliff with her, taking on the 100 men so she can escape, encouraging her to return to griffith so she can help him because it's what she feels she's meant to do (her dream, the direction in life guts shares and yet is questioning because of griffith's speech at the fountain, whether or not it's enough to serve him if it means he'll never be a true friend in griffith's eyes because he's not an equal), supporting the idea of her being with griffith/being his most important person like he won't because he doesn't view it as a competition like she has been since day one) leading to her realizing that he's kind of not that bad a guy and they have a lot more in common that she thought. and how the bonfire of dreams conversation is guts opening up to her in kind, the answer to her talking about how griffith saved her, how she feels. how neither of them ever call it love but it's something they know they both have for griffith. how it's something they're beginning to have for each other, different in ways they couldn't put a word to. because they're equals this time. the way griffith kind of becomes less and less important as they find other reasons to live and fight, as they become less singularly obsessed with him. how griffith is unable to stand it, guts' personhood, that agency and peer-to-peer equality he claimed to want (and perhaps truly did) that disappeared guts from his life, his plans, his side. how it barely even matters to griffith how casca changes because he never wanted her like she wanted him. god i can't fucking stand their shakespearean nonsense drama (<- hopelessly in love with their interpersonal dynamics)
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Quahaug Concept Art
Quahaug's concept/reference art! Translation notes and image id under the cut.
Translation notes:
"OP sort of powerset" was literally translated as something like "cheat-like." I feel like OP is the more common English term for that sort of thing, so that's what I used, but some of the meaning was probably lost there.
"Older-tween-ish" was specifically a reference to a particular middle school year for children who are about 12-13 years old. Since grades and names of grades vary a lot from country to country, I just went with "older tween."
ID:
[Image id: Several images displaying different parts of 2 pages of the Triangle Strategy artbook, with both the original Japanese as well as versions with English translations. There are several disclaimers noting that the translator doesn't speak Japanese, and that there are likely many mistakes.
On one page, there is a large colored version of Quahaug's canon portrait, along with a smaller, uncolored version. There is an illustrator's note at the bottom that translates to read, "'Manipulating time' is an OP sort of powerset, so though he looks like a child, I aimed to create a look for him that conveyed a sense of unknowable power. (Tatsuaki Urushibara)".
On the second page, there are many drawings of Quahaug, including a closer bust-up portrait in which he's compared to Lyla, with an arrow and label reading, "Mother." There's also several notes that explain the construction of his costume. The costume is labeled as a Greek "phelonion" (a priest's outfit with no real sleeves, just draping fabric). There is a small drawing of this version, with an arrow leading to another drawing that does have sleeves, with the note, "If you can't
display this in pixels, use this one." There are several notes that explain how this draping cloth should be considered his everyday clothes, while the ceremonial decoration that goes around his neck is placed over it. There is a close up of the ceremonial dressing's fastenings underneath the metal decoration. Some more notes highlight details on his staff, emphasizing the hourglass on top and the small wheel to the side that can be turned to flip the hourglass. A larger piece of text underneath one fullbody drawing reads, "Character Who Manipulates Time."
On the second half of the second page, there are drawings of some beta designs for Quahaug. He looks much more punk-ish. On one bust-up portrait, there are the captions, "The burden of the time demon caused some of his hair to go gray…." and "All-natural highlighted tips." On the same portrait, he is snapping his fingers, and there's a note that reads, "Manipulating time is as easy as snapping your fingers. You just have to want it or whatever." A speech bubble near his head reads, "I don't think of Anna as a mother." A caption pointing to some green markings on his arm reads, "Demonic time seal on body." In a fullbody drawing of his beta design (which is made up mostly of chains that barely cover him as well as a long roughed-up cloak, there is the note, "Almost naked cloak."
At the bottom of the second page, there is another note that reads, "Initially when we hadn't quite figured out the setting, we had an idea for a more older-tween-ish character as displayed here, but after discussing it with the producers and Mr. Ikushima, we went with his current form. As a boy who manipulates time, I placed an hourglass at the tip of his staff, and his face resembles that of his mother, Lyla. (Tatsuaki Irushibara)". /end id]
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