#The real challenge of programming in my experience is figuring out how the programming language works from the vague documentation
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shwoo · 1 year ago
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I've been fighting Windows' API trying to make a simple program before tomorrow night because I volunteered to do a trivia thing for my family, and I thought it would help with organising the questions and scores. I already have the questions, so it's not a huge problem if it's not finished in time.
I just wanted some form controls, like buttons and stuff, but I'm not that familiar with doing that in Visual Studio with C++. And the information on Microsoft's site is extensive, but... convenient (missing a lot of important information). I learned Win32 programming about a year ago, so I might have also forgotten something important that wasn't mentioned in the documentation I'm using at the moment.
And I could not get a control defined in the code to show up. I didn't want to use the resources for a lot of reasons, even once I figured out how to bypass the kind of stripped down visual editor, but I also couldn't seem to program a button in directly and have it appear in the window when I ran the program. It seemed to be created fine, but I couldn't see it anywhere.
I finally found some example code on Stack Overflow or somewhere, and the reason the button wasn't showing up was because... I hadn't specified the WS_VISIBLE flag when I created it. (WS stands for Window Style. Win32 has a very broad definition of a window that includes buttons) Apparently it's programmed in a way that assumes that an object invisible until you tell it that it's not? I would've done it the other way around.
I had to sit there for a few seconds after I added it in and the button finally showed up. At least it's progress?
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iamred-iamyellow · 1 year ago
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⋆ ˚。⋆౨ৎ˚ Nueva Vida - [Part 2]
♥ prev | masterlist
♥ pairing: platonic f1 grid x latina!fem!engineer!reader x lando norris
♥ smau + written (reader is lewis' ferrari race engineer)
♥ none of the pictures are mine - face claim: wolifecindy on insta & girls on pinterest
♥ warnings: misogyny, swearing, mentions of alcohol, suggestive language !!!
♥ a/n: I'm so sorry if my Spanish is incorrect, I'm a no sabo kid.
♥ taglist; @the-holy-trinity-l, @formulaal, @jxnellat, @aldene-styles, @thecubanator2
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ʏ/ɴ ʟ/ɴ ᴛᴀʟᴋꜱ ᴡᴏᴍᴇɴ ɪɴ ᴍᴏᴛᴏʀꜱᴘᴏʀᴛꜱ, ᴡᴏʀᴋɪɴɢ ᴡɪᴛʜ ꜱᴜꜱɪᴇ ᴡᴏʟꜰꜰ, ᴀɴᴅ ʜᴇʀ ꜰᴜᴛᴜʀᴇ.
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-Vogue Article Snippet-
Though she has been not in the spotlight for long, Y/n L/n has certainly made an impact on Formula 1. Alongside other amazing female influences such as Hannah Schmitz and Bernie Collins, Y/n continues to be a role model for women in the sport.
-Vogue Interview-
"So, Y/n what were your experiences like coming up to F1? I can only imagine the difficulties that come with being a woman in motorsports."
"It definitely was a challenge. Hate really got to my heart when I was younger and fresh out of high school. With the amount of misogyny I've faced and the lack of representation, I've almost given up too many times." you said, thinking back to your early days in F3. "I had to push myself and remember why I was here. First and foremost my passion for the sport. I've been an F1 fan since I was a kid and I wasn't going to toss away my dream due to bigoted men around me. They wanted to see me fail and I wasn't going to let them succeed."
"Beautifully said. I know the fans have a nickname for you... "Susie Wolff's daughter" how do you feel about this?"
"It's definitely something," you laughed softly. "No, I love it. Susie was and continues to be a role model of mine. I'm definitely glad we have a program like F1 Academy being directed by her. I hope I can inspire girls the same way she does."
"I have one more question for you: What are your plans for the future? Was F1 the ultimate goal or is there still something you're chasing?"
"F1 was definitely the dream. It's absolutely unreal that I'm working with Ferrari and the one and only Lewis Hamilton. As far as my future, I don't have any current plans. I want to enjoy my time here before I start considering any sort of possible change."
The interviewer nodded and jotted down a few notes
"Thank you for your time Y/n." she smiled.
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liked by landonorris, roscoehamilton, and 562,856 more
yourusername prêts pour la belgique / bereit für Belgien <3
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yourbestfriend pick me. choose me. love me.
*liked by yourusername*
user4 so SO real for that
user7 that waffle looks so good wtf
user8 her speaking french and german 🥺
user14 polygot queen
user10 WHERES MYSTERY MAN
user3 ROSCOE!!!
user9 manifesting a Ferrari 1-2
user82 didn't think I could hate her more
user10 bruv what did she do 😭
user1 she had the audacity to exist as a women in sports
user60 she's still here?
user7 wdym by that?
user60 figured they would've fired her by now
user19 you're so pretty
user14 my home country <3
yourusername @/charles_leclerc so when were we getting a Leo roscoe crossover?
user2 its a crime that it hasn't happened yet
charles_leclerc they can meet in budapest
yourusername that better be a promise
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liked by yourusername, charles_leclerc, and 632,394 more
scuderiaferrari Ferrari 1-2 in Spa. Let's keep pushing ❤️
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yourusername congrats lew and charlie <3 you both drove an amazing race
user1 "lew" "charlie" 🥹
user8 shes the cutest :(
user14 "thank you y/n" we all say in unison
lewishamilton thank you y/n
charles_leclerc thank you y/n
landonorris thank you y/n
user7 Lando you're not even a ferrari driver 😭
user9 MANIFESTING WORKED
user15 and how come y/n's not in this post
user3 wheres y/n?
user8 they're trying to silence women
user9 confirmed women haters
user5 GET IN THERE LEWIS
user12 I'm crying they're 1-2 in the championship too hdjdjddj
user14 I need them to go pull Adrian Newey out of retirement now
user2 ❤️forza ferrari❤️
fredrikvesti WE MISS YOU AT MERCEDES
yourusername me or Lewis?
georgerussell63 neither
yourusername @/georgerussell63 and I thought we were friends
georgerussell63 you're traitors 🫵
user5 I love that this is a running joke
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-Time Skip: Mexico-
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liked by francisca.gomes, shecoperez, and 347,629 more
yourusername had to visit rosarito before I head to mexico city
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yourbestfriend we NEED a girls trip here
yourusername you, me, kika, lily mhe
lilymhe I’m so there
user12 welcome to mexico!!!
user14 how is she so pretty 😭
user18 those tacos look so good
user90 🤢
user3 bros so weird
user19 imagine going out of your way to comment that
user1 so aesthetic
user20 ❤️❤️❤️
user17 your so gorgeous
scuderiaferrari the mexico f1 parties go crazy
yourusername fuck yea !!!
user6 what’s admin doing here
user15 I have an undying love for f1 insta account admins
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liked by shecoperez, carlossainz55, and 693,240 more
yourusername oh we are SO back @/landonorris @/mexicogp
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yourusername @/shecoperez congrats on your home race win ❤️🇲🇽
shecoperez gracias
yourbestfriend CACKLING over that picture of Lando
user7 the sombrero is the cherry on top 😭
user1 I'm obsessed with the mexico gp
user10 her side profile >>>
user17 you're gorgeous
user6 lando's face 💀
user4 the race was amazzingg
user7 plus we got a Charles podium !
user67 maybe if she spent more time working instead of posting about her life they would have won
user9 dude...
user1 nah caus that's CRAZY 😭
user8 @/user67 hombre jodete
user12 SHES SO PRETTY
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liked by fernandoalonso, georgerussell63, 942,394 users
landonorris @/yourusername, @/fernandoalonso, @/georgerussell63
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user14 who's mouth is y/n pouring alcohol into? 😭
georgerussell63 no one knows
user6 PLEASEE 💀
user1 dj Lando 🫦
user8 SO REAL
user19 lando tho 🤭
user2 nando*
user19 honestly yea
user7 giggling, twirling my hair, kicking my feet
user5 dj lando save me...
user5 dj lando
user5 save me dj lando
user6 I WANNA BE SAAAVEEED
user6 carmen is so pretty
user8 I love them
user4 *me patiently waiting for a chaotic insta story*
user3 wheres max?
yourusername drunk, looking like a frat boy, with a group of men I've never met
user10 sounds like max
user9 dj Lando AND frat boy max?!?!?
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liked by lewishamilton, francisca.gomes, pierregasly, and 453,482 more
yourusername me and my favorite man in Brasil
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landonorris I thought I was your favorite man
yourusername that's awkward 😬
oscarpiastri that's so embarrassing for you
user7 sassy oscar >>>
francisca.gomes Ill see you in the paddock <3
yourusername ily pookems see you there
user8 obsessed with their friendship
user6 lewis looks so good
user17 SURFER LEWIS !!!
user4 NEED that brasil tank top
user9 begging for a closet tour
user5 anyone else sensing some romantic tension between y/n and lando?
user10 YES absolutley
user23 they're just friends
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liked by yourusername, oscarpiastri, and 539,349
landonorris puede que no sea el primero en tu corazón, pero al menos he llegado el primero en la carrera
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yourusername THATS SO SAD I was just joking earlier with lewis I swear you're absolutely first in my heart 🥺❤️
user13 AWWW
user17 *sobs*
user2 I can't be the only one who thinks they're in love
user8 LANDO 😭💔
user9 *clutches heart*
user7 shoulda said this in portugese :/
user1 not everyone can speak a thousand languages like y/n
user12 lando puts the bi in bilingual
user9 lmao the mood change
user10 lando nowins
user11 lando twowins
user4 LANDO WINS THE BRAZILIAN GRAND PRIX !!!
maxverstappen1 congrats on your win mate
*liked by original poster*
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-Abu Dhabi-
The Italian anthem was chanted by the Ferrari team as Lewis, Max, and Charles stood on the podium.
"Stringiamci a coorte! Siam pronti alla morte. Siam pronti alla morte, L'Italia chiamò..."
Champagne drenched your body causing confetti to stick to your hair and skin. It was certainly a battle between the three who were all tied in the points going into today's race. Lewis crossed the finish line first causing the entire atmosphere to change. The crowds and the Ferrari garage erupted in applause and gleeful cheers.
Everyone was still overjoyed as you looked down at the crowd below the podium you were standing on. You quickly pulled a few pieces of confetti off of yourself and the champagne bottle you were holding, stashing them in your pocket.
You hugged Lewis tightly as you congratulated him on his eighth world championship and he thanked you for all your hard work. It was an incredible piece of history you had the honor to be a part of.
-F1 Winter Break-
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liked by landonorris, carlossainz55, maxfewtrell and 693,482 more
yourusername took my (favorite) man to panama. te amo <3
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georgerussell63 took you long enough
carlossainz55 so this is why you denied my invitation to spain
user8 lando just casually cheating on carlos right in front of his eyes 😔
user10 the last picture hello ?!?!?
user15 they're so cute
lilymhe literally couple goals
yourusername no you and alex !!!
landonorris @/yourusername you don't think we're couple goals?
user2 stop breaking his heart like that y/n
maxfewtrell last picture creds?
yourusername 😐
user7 @/maxfewtrell why are you taking pictures of them like making out 😭
user6 why's max even on their romantic getaway anyway fhfjsks
user9 BABE WAKE UP NEW Y/N X LANDO CONTENT
lewishamilton nos vemos la próxima temporada
yourusername congrats on your championship - nos vemos la próxima temporada lewis <3
✧˖ °. ݁₊ ⊹ . ݁˖ . ݁‧₊˚ . ݁₊ ⊹ . ݁˖ . ݁˖°✧
end notes: I hope this was a good end to the mini series ! tysm for all the support on the first part and ty for reading ♥
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By: Zack K. De Piero
Published: Mar 12, 2024
At best, AI obscures foundational skills of reading, writing, and thinking. At worst, students develop a crippling dependency on technology.
Educators are grappling with how to approach ever-evolving generative artificial intelligence — the kind that can create language, images, and audio. Programs like ChatGPT, Gemini, and Copilot pose far different challenges from the AI of yesteryear that corrected spelling or grammar. Generative AI generates whatever content it’s asked to produce, whether it’s a lab report for a biology course, a cover letter for a particular job, or an op-ed for a newspaper.
This groundbreaking development leaves educators and parents asking: Should teachers teach with or against generative AI, and why? 
Technophiles may portray skeptics as Luddites — folks of the same ilk that resisted the emergence of the pen, the calculator, or the word processor — but this technology possesses the power to produce thought and language on someone’s behalf, so it’s drastically different. In the writing classroom, specifically, it’s especially problematic because the production of thought and language is the goal of the course, not to mention the top goals of any legitimate and comprehensive education. So count me among the educators who want to proceed with caution, and that’s coming from a writing professor who typically embraces educational technology. 
Learning to Write Is Learning to Think
At best, generative AI will obscure foundational literacy skills of reading, writing, and thinking. At worst, students will become increasingly reliant on the technology, thereby undermining their writing process and development. Whichever scenario unfolds, students’ independent thoughts and perceptions may also become increasingly constrained by biased algorithms that cloud their understanding of truth and their beliefs about human nature. 
To outsiders, teaching writing might seem like leading students through endless punctuation exercises. It’s not. In reality, a postsecondary writing classroom is a place where students develop higher-order skills like formulating (and continuously fine-tuning) a persuasive argument, finding relevant sources, and integrating compelling evidence. But they also extend to essential beneath-the-surface abilities like finding ideas worth writing about in the first place and then figuring out how to organize and structure those ideas.
Such prewriting steps embody the most consequential parts of how writing happens, and students must wrestle with the full writing process in its frustrating beauty to experience an authentic education. Instead of outsourcing crucial skills like brainstorming and outlining to AI, instructors should show students how they generate ideas, then share their own brainstorming or outlining techniques. In education-speak, this is called modeling, and it’s considered a best practice.  
Advocates of AI rightly argue that students can benefit from analyzing samples of the particular genre they’re writing, from literature reviews to legal briefs, so they may use similar “moves” in their own work. This technique is called “reading like a writer,” and it’s been a pedagogical strategy long before generative AI existed. In fact, it figured prominently in my 2017 dissertation that examined how writing instructors guided their students’ reading development in first-year writing courses.
But generative AI isn’t needed to find examples of existing texts. Published work written by real people is not just online but quite literally everywhere you look. Diligent writing instructors already guide their students through the ins and outs of sample texts, including drafts written by former students. That’s standard practice.
Deterring Student Work Ethic and Accuracy
Writing is hard work, and generative AI can undermine students’ work ethic. Last semester, after I failed a former student for using generative AI on a major paper, which I explicitly forbid, he thanked me, admitting that he’d taken “a shortcut” and “just did not put in the effort.” Now, though, he appears motivated to take ownership of his education. “When I have the opportunity in the future,” he said, “I will prove I am capable of good work on my own.” Believe it or not, some students want to know that hard work is expected, and they understand why they should be held accountable for subpar effort. 
Beyond pedagogical reasons for maintaining skepticism toward the wholesale adoption of generative AI in the classroom, there are also sociopolitical reasons. Recently, Google’s new artificial intelligence program, Gemini, produced some concerning “intelligence.” Its image generator depicted the Founding Fathers, Vikings, and Nazis as nonwhite. In another instance, a user asked the technology to evaluate “who negatively impacted society more,” Elon Musk’s tweeting of insensitive memes or Adolf Hitler’s genocide of 6 million Jews? Google’s Gemini program responded, “It is up to each individual to decide.”
Such historical inaccuracies and dubious ethics appear to tip the corporation’s partisan hand so much that even its CEO, Sundar Pichai, admitted that the algorithm “show[ed] bias” and the situation was “completely unacceptable.” Gemini’s chief rival, ChatGPT, hasn’t been immune from similar accusations of political correctness and censorious programming. One user recently queried whether it would be OK to misgender Caitlin Jenner if it could prevent a nuclear apocalypse. The generative AI responded, “Never.” 
It’s possible that these incidents reflect natural bumps in the road as the algorithm attempts to improve. More likely, they represent signs of corporate fealty to reckless DEI initiatives. 
The AI’s leftist bias seems clear. When I asked ChatGPT whether the New York Post and The New York Times were credible sources, it splintered its analysis considerably. It described the Post as a “tabloid newspaper” with a “reputation for sensationalism and a conservative editorial stance.” Fair enough, but meanwhile, in the AI’s eyes, the Times is a “credible and reputable news source” that boasts “numerous awards for journalism.” Absent from the AI’s description of the Times was “liberal” or even “left-leaning” (not even in its opinion section!), nor was there any mention of its misinformation, disinformation, or outright propaganda. 
Yet, despite these obvious concerns, some higher education institutions are embracing generative AI. Some are beginning to offer courses and grant certificates in “prompt engineering”: fine-tuning the art of feeding instructions to the technology. 
If teachers insist on bringing generative AI into their classrooms, students must be given full license to interrogate its rhetorical, stylistic, and sociopolitical limitations. Left unchecked, generative AI risks becoming politically correct technology masquerading as an objective program for language processing and data analysis.
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umichenginabroad · 1 year ago
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Welcome to the Basque Country!
Week 1 (first half)
The trek from Michigan to Spain was definitely an interesting series of planes, buses, and cars. I left DTW for a late night flight to Schiphol Airport in Amsterdam. I've never been on a super long flight before, so eating dinner and breakfast on the plane was a pretty cool experience. Would rate both meals a solid 8/10 (the chocolate-filled breakfast pastry was fire). AMS was a busy and BIG airport, but they're very efficient and have a lot of amenities for travelers. The bathroom situation is the only thing that I would say I didn't like, just because I spent so long trying to figure out how to flush the toilet and ended up clicking random buttons until it worked...a very classic new traveler moment. Besides that, I secured my stroopwaffles and was on my way to the Bilbao airport. On that flight, I ended up sitting next to a girl around my age who turned out to be from San Sebastian! She was returning to Spain after being in the United States for a study abroad type of program, which I thought was a funny coincidence since I'm just starting mine. From BIO I hopped on a bus to San Sebastian's city center, and along the way I was so amazed at how different the elevation is compared to what I see on a day-to-day basis in Michigan. At some points we would be so high up that my ears started to pop, and at other times I was looking out the window and barely even seeing the tops of the hills/mountains. Another thing I didn't really expect is the amount of forestry literally everywhere in the region. It makes for a really pretty landscape and is very interesting to see the houses and buildings interspersed through the mountainous areas in these thick groves of trees. By this point, I was already falling asleep but needed to make it through one more taxi ride until I could finally collapse!! I successfully called over a taxi, and immediately had to start using my Spanish with the driver. For a second I forgot that I was in a country where the primary language was something different than English, but once I knew he could understand what I was saying I became more comfortable talking with him. He was a super nice guy who pointed out different areas of the city that I should check out while driving me to the hotel (I never got his name but he's my hero for real!). After about 14 hours of travel, I bet you're wondering how it felt to hit the bed. Welllll, I dropped my things off in my room and then took off to take a walk around the city since I got a crazy energy rush and beat the jetlag (for now). On a normal Friday night at home, the streets and roads would be pretty dead and without much activity. That's the complete opposite of how it was in San Sebastian throughout the city. There were families with their kids, couples, groups of friends, performers, and just people everywhere out eating food and socializing. I loved it! In a way it makes you feel connected to everyone else because it's so lively and energetic. Overall, my first night in a new country was 100% a win.
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When in San Sebastian, you get used to seeing signs or buildings in either Spanish or Euskara. I learned from the peer mentors at the University how Euskara is commonly used by the locals, that it's taught at home by parents or at school along with Spanish, and even that to work in the Basque country, it's necessary to know how to speak the Basque language. I was wondering if I could learn it but, unfortunately, it's a very ancient language that's influenced others like Spanish or French, but hard to pick up because it's so complex. However! Learning words or phrases isn't out of the question, so a new challenge of mine is to see how much Euskara I can fill my brain with before leaving. When we were doing an activity with the PMs I was listening to them speak what I thought was Spanish, thinking to myself like how do I not understand them at all??? Did my brain just flip out and now all my years of Spanish were for nothing?? To my relief, they explained it was Euskara and I felt soooo much better that I wasn't tripping. Below are some pictures of the streets we've walked through that show a little bit of the Basque language, along with a very famous hotel (the Maria Cristina), and an ancient thermometer/barometer!
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It's very common here to relax and enjoy while eating, which hey, I'm not complaining and always down for some good foods. The first day of our program, we were taken out to this super amazing spot on a cable car called Monte Igueldo. The view overlooked the entirety of San Sebastian, which was nothing short of absolutely breathtaking. We had lunch at a restaurant near the top, and I had my first taste of highly anticipated...paella! Between the seafood and meat paella, I would have to say that the flavor was stronger in the meat one. It's definitely worth all that everyone says about it, along with the famous sidra (cider) of the basque region. Cider is so crazy popular here that sometimes locals will drink it in place of water for their meals. At first, I didn't get the hype, but after visiting the Cider House for another one of our events later in the week, I see it now. I'm gonna take a minute to talk about the Cider House because it was a really cool experience and I think there should be more places in the states like it. Basically, it's a big social event where different courses are served throughout the evening, such as cod, steaks, salads, chorizos, fish soups, etc. along with drinking cider that you get from these huge barrels and talking with other people who are there at the same time. It was a nice bonding moment with the peer mentors and also with the other students as well! Another type of social event is the pintxos, similar to tapas. There are a TON of combinations of these finger foods, ranging from something small like a ham croqueta to actual fried octopus. I know that there are so many food posts from a bunch of other bloggers, but I've gotta hop on that bandwagon and at least show a few pictures. SIDE NOTE! The coffee here is super strong and super fire. I don't want to hate too hard on Ann Arbor coffee, but the automatic coffee machines in the duderstadt do not compare to the ones they have here. First off, the prices are cheappp, and secondly the flavors and options are superior. I've featured several different foods here: the pintxos that I've tried so far, the paella, a chicken milanesa, and a café con leche XXL. Spain EATS with the food game.
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So far, I've had a great time exploring the city, talking with the locals, trying different things, and seeing how the culture in Spain compares to that of the United States. We've been doing so much everyday, but I can't fit all of it in just one post so I'll be doing a second half of week 1 coming soon! Thanks for sticking through this looong post (I like to ramble sometimes so you're a trooper for making it to the end). The pic below is of me and some of my friends at the top of Monte Igueldo!
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Agur! (Goodbye in Euskara)
Emily Dobao
Biomedical Engineering
IPE San Sebastian, Spain
May 26th, 2024
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health-care-products-24 · 1 year ago
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Cracking the Code: How Billionaire Brain Wave Unlocked My Entrepreneurial Potential
For years, I've dreamt of building a successful business. I had the drive and the ideas, but something felt missing. I lacked the strategic know-how and the mindset shift often associated with true entrepreneurial success. That's when I stumbled upon the Billionaire Brain Wave VSL, a program created by an 8-figure marketer. Intrigued, I decided to take the plunge.
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A VSL Unlike Any Other
The Billionaire Brain Wave VSL isn't your typical sales pitch. It's a meticulously crafted video experience designed to not just sell, but to educate and inspire. Here's what set it apart for me:
Data-Driven Insights: The VSL wasn't full of empty promises. It presented real-world data and market research, offering a glimpse into the strategies employed by successful entrepreneurs. This data-driven approach instilled confidence in the program's methods.
Multi-Sensory Engagement: The VSL went beyond just visuals and audio. Compelling storytelling, powerful language, and strategic use of visuals all worked together to create an immersive and impactful experience. It kept me engaged and eager to learn more.
Focus on Mindset: The program emphasized the importance of cultivating the right mindset for entrepreneurial success. It addressed limiting beliefs and provided strategies for building resilience and unwavering determination. This resonated with me, as I knew mindset was a key hurdle I needed to overcome.
Actionable Strategies and a Shift in Perspective
The Billionaire Brain Wave VSL wasn't just theoretical. It presented a clear roadmap to success, outlining actionable strategies I could implement in my own business ventures. Here's how it impacted my approach:
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theteainot · 2 years ago
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Nurturing Hope: Embracing Sustainable Development Goals in South Africa
South Africa, a land of breathtaking landscapes and cultures, has danced through history, overcoming adversity and embracing change. As we gather under the vibrant sun that warms this country, I want to share with you a personal journey – a journey that holds the promise of changing lives, enriching communities, and leaving a lasting mark on the world we live in. As an OT, my mission extends beyond the walls of a clinic or a therapy room; it consists of a vision of creating meaningful change and maintaining the holistic well-being of people in the community I offer services to. What is the vehicle for this transformative journey you may ask? The Sustainable Development Goals (SDGs). I invite you to join me on this mission where I explore five SDGs that require my input and contribution as an OT.
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Figure 1: SDG 1-17 (According to the United Nations (2015)
As I take strides in my final year of study I realize, more and more how much I have worked towards SDG 3, good health and well-being, and how it will underpin my practice as an OT throughout my career. OTs contribute to preventing illness, supporting rehabilitation, and addressing mental health issues. In the community, initially, it was quite difficult to adjust one’s thinking into a community therapist mindset as we were so used to working in hospitals with diagnosed conditions and thorough history reports. This module has forced me out of my comfort zone and changed my thinking to be more critical and this resulted in the thought that not all problems may be seen through a textbook condition because real people have real problems which are multi-dimensional and layered. Asking the right questions, asking enough questions, and being comprehensive are some of the characteristics needed to ensure one is considering the person as a whole and seeing to the health and well-being of a person.
In managing chronic conditions, and daily life plans, patient management becomes controlled and as a result, the trust develops between the therapist and client. Being an advocate for inclusive health is a necessity but not necessarily something that can be done alone. As an OT, joining forces with interdisciplinary teams, community organizations, and policymakers will assist in the journey to promote health equity. 
As an occupational therapist, SDG 5, gender equality, resonates deeply. Firstly, as a woman, I have a desire to dismantle barriers and foster a world where every woman is embraced with empowerment, respect, and opportunity. It may seem idealistic as we know from past experiences such as the legacy of apartheid, societal norms still prevail deeply where men are given the role of authoritarian within a household. The result of this is extreme gender inequality and physical and mental abuse.
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Figure 2: SDG 5 (Taken from Global Goals, 2015).
With August being ‘Women’s Month’ in South Africa, I’m shedding tears when I say August continues to be a distressing period with one woman being raped every 3 hours! I was horrified to learn that 10 818 women were raped in the first quarter of 2022 in this country (Govender, 2023).
So, what role do I play as an occupational therapist in addressing this conundrum?
I aim to challenge societal constructs that have confined women to pre-determined roles. Guided by SDG 5, I pledge to advocate for inclusivity and social justice for women. Working in the community has opened my eyes to the true nature of the unjust experiences of women and has had a massive impact on my personal growth. Workshops and awareness campaigns driven by OTs, conducted in multiple languages should be able to reach the rural outskirts and informal settlements to those who need to hear it. Women can be empowered to make informed choices about sexual relationships with the knowledge of reproductive health and family planning. Programs that enhance the economic power of women such as promoting skill development, vocational training, and entrepreneurship opportunities are some of the many things we as OTs can do.
In partnership with NGOs such as People Opposing Women Abuse (POWA, 2015), I aim to offer counseling and support to women facing gender-based violence, helping them rebuild their lives and gain independence. Talks on gender equality should start at a school level. As OTs, we must present on such platforms in suburban and rural schools equally. Through my work, I hope to provide not only physical healing, but also a safe space where self-worth flourishes.
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Figure 3: Women must speak about violence (Taken from POWA, 2015).
In grasping that education is the cornerstone of growth and empowerment, I want to place focus on SDG 4 (Quality Education). Unfortunately, in contemporary South Africa, three aspects of education remain prominent: low quality, high inequality, and deep segregation. This too has its roots in the horrors of apartheid and the Bantu Education Act of 1953 (Anderson, 2020). As an occupational therapist, I want to work towards the goal of quality education, by promoting inclusive and empowering learning environments. Through tailored interventions, I would collaborate with teachers, families, and the community to support these students that may fall under the radar due to classrooms brimmed to the top with students. By addressing barriers to learning, advocating for students, and enhancing fine and gross motor skills, these are small steps that may lead to big changes in the lives of these children.
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Figure 4: SDG 4 (Taken from Global Goals, 2018)
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Figure 5: SDG 17 (Taken from Global Goals, 2018).
It is clear that the best therapist provides holistic intervention and values the time and effort of their clients. As OTs, we play a big role in collaborations so as to function optimally and provide the best therapy. In line with this, I aim to work toward SDG 17, “Partnerships to achieve the goal”.  As I engage more and more in the community and in past experiences, it is apparent that the best form of intervention involves working with your client and not for your client. This means including them in the decision-making process in terms of goal setting personally and in terms of their therapy. On a broader level, the importance of collaboration and cooperation between different bodies of authority within the health sector is also necessary. In enhancing my work as an OT in training, collaborations with physiotherapists, audiologists, nurses, and social workers provide comprehensive treatment of a patient.
In a community filled with drug abuse, for instance, there is a huge role for us to play in rehabilitation medicine. OTs empower people with skills and strategies to promote independence and individuality, thus building the capacity of individuals to become active participants in society.
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Figure 6: SDG 16 (Taken from Global Goals, 2018)
While the direct impact of SDG 16 may not be as immediately apparent as in some other SDGs, my journey has created a shift in my thoughts. I can have a meaningful influence in promoting peaceful and inclusive societies for sustainable development (SDG16). My heart is determined in its pursuit of justice and peace. Guided by SDG 16, the people we see in the community who have endured trauma, strife, and conflict are those I stand by and hope to provide support emotionally and physically.
Through my therapeutic interventions, I endeavor to mend wounded souls and provide a safe haven for healing. By collaborating with legal systems, I hope to amplify the voices of the vulnerable, ensuring that justice is not just a concept but a tangible reality. OTs address mental health issues arising from conflict or trauma, supporting individuals to manage their stress, anxiety, and depression. This promotes psychological healing and contributes to a more stable and peaceful society.
The collaboration with legal institutions can allow OTs to be the voice of reason for their clients for the needs and rights of individuals with disabilities or those who have experienced violence....So, you thought I would have to be a lawyer to offer legal advice?! This is the magic of occupational therapy. The opportunities for OT are endless and ever expanding...and not limited by what its known for.
In the beginning, I told you that I hope to take you on a journey, to delve deeper into what we know of SDGs... and now, I hope I have created a shift in your thoughts to see how OT has more to offer with its endless opportunities to create change. These SDGs serve as a guideline and a reminder that there is still much work to do but we are saying that we are ready to step up and face it.
In seventeen goals, a pledge to mend,
 A world of challenges, we'll transcend.
 Hand in hand, with purpose anew,
 SDGs unite us, me as an OT, and forever you.
-Raeesa Modan, Occupational Therapist and Agent of Change.
Reference list
Anderson, R. B. (2020). “To Save a Soul”: Catholic Mission Schools, Apartheid, and the 1953 Bantu Education Act. Journal of Religious History, 44(2). https://doi.org/10.1111/1467-9809.12664
Global Goals. (2018). The Global Goals. The Global Goals; Project Everyone. Available on: https://www.globalgoals.org/ [Accessed on 8 August 2023].\
Govender I. Gender-based violence - An increasing epidemic in South Africa. S Afr Fam Pract (2004). 2023 Mar 31; 65(1):e1-e2. doi: 10.4102/safp.v65i1.5729. PMID: 37042525; PMCID: PMC10091185. (n.d.). Available at: https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10091185/ [Accessed on 7 August 2023].
POWA. (2019). Powa.co.za. Available on: https://www.powa.co.za/POWA/ [Accessed on 8 August 2023].
United Nations. (2015). The 17 sustainable development goals. United Nations. Available on: https://sdgs.un.org/goals [Accessed on 6 August 2023].
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new-sandrafilter · 4 years ago
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How Timothée Chalamet Channeled The Blockbuster Pressure of Leading Denis Villeneuve’s ‘Dune’ Back Into His Role – Venice Q&A
DEADLINE: In a few days Dune will premiere at the Venice Film Festival. You first met Denis Villeneuve about the role in May 2018 and started shooting in the early half of 2019. It was always going to be a long journey, but the pandemic stretched it even further. How does it feel to have finally arrived at this moment?
TIMOTHÉE CHALAMET: You know, I like to think that with every film I’ve done, whether it’s Call Me by Your Name or Beautiful Boy, The King, or Little Women, the character you play is almost a piece of your flesh. And that’s always true, but simply from the perspective of how long the shoot for Dune was, and also the arc that Paul Atreides is on, as well as the huge love and almost biblical connection that so many people have for the book and the original film, it really felt… tectonic, if that’s the right word for it. Just getting to this finish line feels like: phew.
And independent of what the film is now, and what it has become, the experience of making it was I was put in such a safe environment, which you can never take for granted as a human, as an actor, but especially when you’re just starting your career, and when this is the first film of this size you’ve ever done.
To get to work with Denis on it, to get to work with someone of his caliber, let alone on a book that he considers the book of his youth and one of the things he has connected to the most… When he would have it in his hands on set, his body language would become that of a fan; of a kid who had fallen in love with the book at home in Montreal. And when all the kids around him were wearing hockey jerseys with their favorite players’ names on the back, this was a kid wearing a jersey that said ‘Spielberg’ on the back.
For it all to come together, especially with the added challenge of the pandemic, it has all combined to make this moment feel especially spicy [laughs].
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DEADLINE: The entire ensemble will show up in Venice.
CHALAMET: Right. And I just can’t believe it; Jason Momoa has the number one film on Netflix right now with Sweet Girl, which I just watched. And since we shot, Zendaya has had all this success with Euphoria and Malcolm & Marie. Just to be part of this cast, period, let alone as one of the title characters, it’s really the shit you dream of.
And let me not forget, too—and I know I’ve told you this before—that The Dark Knight was the movie that made me want to act. That movie had a score by Hans Zimmer, and he has done the score for Dune. And it’s almost not what you’d think. It’s totally appropriate and excellent for the movie, but he has somehow managed to do something subversive, in my opinion. It’s a pinch-me moment all over.
DEADLINE: So, take me back to the start. Is it true you had a Google alert set up to track the latest news on this project before you were ever cast?
CHALAMET: Yeah, it’s true [laughs]. Not right away—Legendary had the rights and was developing it—but as soon as Denis got involved, I set up a Google alert and that’s when I got the book.
In total honesty, I think my understanding of Dune at that point was from a graphic novel I’d seen at Midtown Comics when I was shopping for Yu-Gi-Oh! cards when I was about 10. The year you and I first met, when I was there at Deadline Contenders with Call Me by Your Name, that would have been 2017 or early 2018, and Denis was there with Blade Runner. I remember I was trying to put myself in front of him as much as possible and set up a meeting with him. We had a night at the BAFTA where one of my good friends, Stéphane Bak—who’s also an actor—saw Denis across the room and was like, “Hey buddy, he’s right over there.” So, we went over to talk to him. I kept trying to put myself in front of him, but I didn’t really get a sense of the possibility [of working with him].
I was about halfway through the book when I got the call that he was going to be the president of the jury at the Cannes Film Festival, and I was in London prepping The King. He asked me if I could come out there, so I quickly busted through the second half of the book as best I could. So, like, the first half of my copy is properly annotated and full of my thoughts, and then the second half I just raced through. And then I had that meeting with him, and it was such a joy.
I’m struggling with this even now, as I’m working with Paul King [on Wonka], because he’s another guy I have huge respect and admiration for, and it’s hard to feel on a level. Not that you ever are, because as an actor you’re a cog in the machine, and you’ve got to be humble to the vision of the director. But with Denis, he was pacing around the room, throwing ideas around, in some fancy suite in Cannes, and all I could think was that a year before I was just sat on a stoop on 9th Street in the East Village or something.
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DEADLINE: Was that your first time in Cannes?
CHALAMET: Yeah. Well, bizarrely, my sister would do dance camps growing up. Ballet intensive programs in a town called Mougins, which is nearby Cannes, so I spent a lot of time there growing up, but never during the festival, and not on the Riviera. To get to be there for the festival was just nuts. I went to see the Romain Gavras movie, I think, and it was just a huge joy.
I got attached [to the role in Dune] a couple of months after that, and it was nerve-wracking from the announcement, because like I said before, the fans of the book, and the fans of David Lynch version, the computer game, and everything, there’s so much love and strength of feeling. And so much of our pop culture and films and books have been derived from Dune, and all the philosophy the book. I’ve been shocked to learn how many people have a next-level connection to the book. I compare it to how our generation grew up with Harry Potter, and that one makes sense to me. But it’s cool to see with Dune also, when you actually sit down and read it… It’s not that it’s a quote-unquote “hard read” or anything, but it’s not made to be consumed easily, I think that’s fair to say.
So, I was grateful to be working on something of this size not only with Denis Villeneuve leading it, who between Polytechnique, Incendies and Prisoners had nailed the smaller indie film across languages, and then had nailed Arrival and Blade Runner, but who, in his own words, he didn’t feel he’d made his greatest film yet. But also, to be working with this cast. I don’t know if there’s some nightmare version of a film where a young lead is not supported by the rest of his cast, where every one of them had been the leads in their own huge projects. But on this, everyone was there to support, and I think it’s because we all wanted to be foot soldiers for Denis, and I think we understood the potential, based on the script by Eric Roth, Jon Spaihts and Denis, that this could be something really special.
DEADLINE: I don’t have a connection to Dune; this movie is really my first experience of the story. What strikes me is this is clearly an enormous universe—a broad canvas being painted with various families and factions and politics and mythos—but that ultimately it comes down to very elemental, human themes, and we feel them through this character you play, Paul Atreides. Did those themes help ground the experience for you?
CHALAMET: Yes, and I would give the credit entirely to Denis. He would constantly say on set that he had some opposing drumbeat or something. In my diminished intellectual standing, I didn’t understand it, but it was like some vision for the movie based on how biblical the book is that tries to tackle so much that it doesn’t tackle anything. I think he felt the need to be close to a character in it, and Paul is that guy in the book. He’s a character that is still in formation, like a lump of clay, which makes him a great figure for the audience to mirror off.
It speaks, I think, to Denis’ premonition and his directing ability that there were times when we’d move on from a shot or move on from a scene, and I swear, literally, we’d go back because Denis wanted to get something over my shoulder, or push in on my reaction, just to make sure [it stayed on Paul].
And again, it’s something where I’m pinching myself. I had the best time on Interstellar, and that was one of my favorite films I’ve ever worked on, but it was very much something where I was aware of when I had the opportunity to do real acting. And on a movie like Dune, again, one could think it would get lost in the scale and scope. But I felt every day like my plate was full.
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DEADLINE: One of those themes is fear, and Paul must overcome his to become the person he needs to be. When you are number one on the call sheet on a project of this scale, and the cast list reads like an address book of Hollywood in the 21st century, and Legendary has injected hundreds of millions of dollars into this production, and it’s all falling on your shoulders, I have to imagine fear is a theme you can readily relate to.
CHALAMET: Oh yeah, and they can bleed into each other for sure—not to diminish the other work that goes in. It’s great when your life experience can inform the role. That’s not at all to say I’m on some crusade in the universe or anything, but definitely… And I had that same good fortune with The King I think. My life is not nearly as significant or as exciting as Paul or Prince Hal, but we all share an unwitting needle in the haystack feeling. On The King that feeling was because I was so new to having a career. On Dune it’s because of, as you say, just feeling the pressure of the hugeness of the project in all those different ways. Those things can absolutely inform each other.
And then there are the moments of glee that come, too, like seeing Jason Momoa running at you at a hundred miles an hour, or just getting to shoot the shit with Josh Brolin, or getting to do a scene with Oscar Isaac. I felt so supported, whether it was Rebecca Fergusson or Charlotte Rampling. When Zendaya came, it was a total breath of fresh air, and she’s one of my favorite parts of the movie. I just got really lucky, and I can’t wait to see them all in Venice.
Denis split the book in half, and the hope is a second movie will get a greenlight. That’d expand Zendaya’s role in the story.
CHALAMET: Definitely, Chani will play a huge role in the next film. I don’t know if there’s a script yet, but just based on the book, along with Lady Jessica [Rebecca Fergusson], they have a lot to do together, let’s put it like that. And Zendaya was incredible in this movie; the moment she pulls the mask down, it felt properly showstopping and powerful. I was hiding behind the camera, counting my lucky starts, because I was there in month two of the shoot and here was a total powerhouse just coming in for the first time.
And as I said before, this was before I’d seen Euphoria and Malcolm & Marie. She’s doing such incredible work and is just trailblazing her own path, and she’s so, so cool. She also happens to be in the most-watched trailer of the moment, too, for Spider-Man: No Way Home. I cannot wait for that movie, and I was there, by the way, with everybody else, clicking through the trailer frame by frame looking for clues [laughs].
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lagringalatinaincolombia · 4 years ago
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New Beginnings⛅️
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Hello and thank you to anyone and everyone who has come across my blog! 💙🧿
In case you aren’t up to speed I moved to Bogotá, Colombia 🇨🇴 a few weeks ago to start my Fulbright English Teaching Assistant fellowship. Many of you that personally know me are probably wondering why I didn’t share this sooner... but honestly I packed my bags the night before and hopped on my flight without much preparation. I knew the day was approaching but with all the uncertainty in my life this past year, I didn’t wanna get my hopes up in case for whatever reason my program was canceled. In addition, for those of you who may not already know, I lost my father very unexpectedly in March of this year, that has left me with this incredibly heavy feeling I carry along everyday. All this trauma has ultimately cost me some of my friendships, made me feel so BITTER and, quite frankly made me dread having to start each day all over again. However, I’m hoping to change this and not allow myself to remain in the mindset of being a victim to all the loss and tragedies I’ve experienced in the past year. Because I believe that if my dad could see me right now, he’d be so proud and brought to tears to know all the love,support, and hard work my mom and him showed me has paid off. And finally understanding that, I know that I will be okay. (I totally cried while typing that 😅)
Anyways- now that I’ve prefaced this with all my emotional baggage 😌 I’ll tell you a little more about me in general.  I’m originally from Houston,Texas and Mexican-American however, I never really spoke Spanish growing up because it was kinda seen taboo in the 90s to do so. So once I began high school I really started gaining more interest in learning more about my culture and the language. Then, I moved to Cedar Rapids,Iowa to begin college where I decided to minor in Spanish. Going to Coe was such a beautiful experience where I had the opportunity to meet some amazing people from all over the world. It also allowed me to go to Spain (my biggest dream at the time come true!), which made me realize “like wow.... I really need to improve my Spanish speaking skills” because 1. it’ll allow me to have a greater connection with my culture  2. it’s super vital if I want to return to the US and begin a career. and 3. I couldn’t communicate with my host brother who was 3 years old at the time (yikes 🙃)
After this experience in Spain, I knew I had to return to a Spanish-speaking country to fully learn the language. This is when I started the application process for Fulbright Colombia and in April of 2020 I got the news that I was a finalist! In May of 2020, I “graduated” from Coe College with my B.A. in Biology & Neuroscience however, my Fulbright was deferred for a full year.  Which now knowing what I know about how 2020/2021 played out was probably a blessing in disguise. 
I’ve now been living in Colombia for a few weeks now, and wow has it been so chaotic! The culture shock is very much a real thing and I can truly say moving here has been one of the most challenging decisions I’ve ever made considering the timing. I have my good days and bad days, especially when I’m less anxious and able to engage in conversations when doing things as simple as ordering food or an Uber. (which are both pretty essential when living here) We also have to remember we are in the middle of a pandemic so doing things like establishing cell phone service or getting a bus card is a huge headache because you need an appointment to do pretty much anything. In addition, safety here is on a decline due to the desperation of many Colombians and Venezuelans trying to figure out where their next meal is coming from amid the economic decline. Thankfully I am safe and living in a great neighborhood known as Chapinero Alto! Yet, there is still lots for me to learn when it comes to navigating life here in Bogotá. 
This is where I’ll end my blog today, thanks again for reading! Hopefully my next post will be more insightful of my day to day life.
Besitos, Leslie ❤️
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jocia92 · 4 years ago
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(Google translated)
Dan Stevens, who grew up in Wales and south-east England, spent his summer holidays at the National Youth Theater at the age of 15, and he was drawn to the stage while studying English in Cambridge. Since his big breakthrough as Matthew Crawley in the hit series “Downton Abbey”, he has also repeatedly appeared in films such as “Inside Wikileaks - The Fifth Force”, “At Night in the Museum: The Secret Tomb” or “Beauty and the Beast” . Most recently, Stevens played the Russian Schnösel singer Lemtov in the Oscar-nominated comedy “Eurovision Song Contest: The Story of Fire Saga” from Netflix. At the beginning of June, the German film “Ich bin dein Mensch” by Maria Schrader celebrated at the Summer Berlinale Premiere, which starts on 1.7. comes to German cinemas regularly. Stevens plays the role of a love robot in it. Unlike on the screen, however, the 38-year-old prefers to speak English in the zoom-conducted interview. He chose a brick wall with a lion motif as the digital background. No allusion to the song “Lion of Love” from “Eurovision Song Contest”, but a photo of the famous Ishtar Gate in Berlin’s Pergamon Museum, where “I am your human” was filmed last summer.
Mr. Stevens, in your new film “I am your human” you play a humanoid robot that is entirely geared towards fulfilling the romantic needs of a skeptical scientist. You yourself recently described the film as “delightfully German”. How did you mean that?
I wanted to say that here pretty big questions - such as what actually makes a person or how much perfection love can take - are negotiated in a very light-footed, elegant and sometimes humorous way. In my experience that is a very German quality. At least I have often seen with many of my German colleagues and friends that they are very good at not discussing difficult issues exclusively deadly serious and melancholy.
Where does your personal connection to Germany and the German language come from?
My parents had friends who lived in Bielefeld and we used to visit them in North Rhine-Westphalia during the school holidays. Traveled from England by car! That’s how I learned a little German as a child, and later I learned it as a subject at school. I even did a short internship there through our friends in Bielefeld. I really love the language. Funnily enough, I was later able to use my knowledge of German professionally, because my first film was “Hilde”, in which I was next to Heike Makatsch played the British actor and director David Cameron, who was married to Hildegard Knef. After that, I always hoped that there might be another chance to speak German in front of the camera, because playing in a foreign language is an exciting challenge. When the chance arose to shoot “I am your person”, I could hardly believe my luck.
Did you know the director Maria Schrader who gave you this chance?
Funnily enough, when the script for the film landed on my table, I had just watched the Netflix series “Unorthodox”, which she directed. I had also watched a few episodes of “Deutschland 89”. In general, I knew that she was a great German actress, not least because friends who knew their way around the German theater scene often raved about her. Working with her was a joy now. Her understanding of actors is quite instinctive and brilliant. I have seldom seen someone who can help an actor who is having difficulties with a scene with such simple means.
The fact that you had already seen “Unorthodox” shows, of course, how quickly “I am your person” must have been implemented in the past year …
Oh yes, that was really quick. In March I was still in New York and was about to premiere a new play on Broadway. But then the pandemic came, everything was canceled and I flew back to my family in Los Angeles. A few weeks later, Maria and I met each other via Zoom - and shortly afterwards I was sitting outside in a café in the Berlin June sun for the first time in months to discuss the upcoming shoot with her. That was pretty surreal because I hadn’t actually left the house since March.
Is it correct that you oriented yourself to Cary Grant and Jimmy Stewart to portray the romantically programmed robot Tom?
In any case, these were role models that Maria and I spoke about. When you think of the game between the two of them, you always see an enormous clarity and directness. Cary Grant, for example, was always quite funny, especially in his romantic roles, but also flawless in an almost artificial way from today’s perspective. I found that very suitable for a robot. Apart from the fact that the ideas that Tom and his algorithm have of romance and love are certainly also shaped by the classic romantic comedies from Hollywood. Oh, the woman is sad, so I’ll bring her flowers! Such automatisms from the stories from back then were very appropriate for Tom now.
Keyword role models: Who shaped you in your career as an actor?
There were of course many. Jimmy Stewart was certainly something of a role model. My mom and I watched a lot of his films when I was little and I was always impressed by the kind of sweet tragedy that went into all of his roles. But maybe Robin Williams’ work influenced me even more. I always found the incredible variety of his films remarkable. He could make his audience laugh hysterically like no other, but also move them to tears in other roles. I always wanted to emulate this range.
In fact, the range of your roles is enormous and ranges from the Disney blockbuster “Beauty and the Beast” to a comic adaptation in series format such as “Legion” to bulky independent films such as “Her Smell” or the horror thriller “The Rental “, Which we just released on DVD. Is there a method behind this diversity?
Not in principle. I like variety, but I’m not just looking for roles that are as different as possible from one another. Rather, there are always similar factors that I use to select my projects. Sometimes there is a certain director that I really want to work with. Or the role itself is irresistible because it presents me with acting challenges. And sometimes a script is just fantastically written and I am interested in the topics it is about. With “I am your person” it was definitely the latter, especially since the timing was just right. In 2020 there were so many societal questions that ultimately touched the core of human existence. Such a script, which deals with something very similar in a light-footed way, was just fitting.
A few years ago you said in a questionnaire from the British Guardians that your greatest weakness was not being able to make up your mind. So every time you are offered a role, do you ponder whether you should accept?
No, no, when a script appeals to me, it actually does it very quickly. It’s such a gut feeling. If I’m unsure and skeptical, that’s a good indicator that this is not the right thing for me. That with the difficulty in making decisions related rather to something else. For example, it takes me forever to order in a restaurant because I can never decide what on the menu appeals to me the most.
You became famous with the role of Matthew Crawley in the series "Downton Abbey”. Did you immediately suspect at the time that something big was going on?
At first we were all pretty clueless. There are really many British history series, and we were one of them. When the first season aired in the US and was a huge success there, it was pretty unexpected. I never expected the impact the series would have on my career.
Barely ten years later, are you still being asked about the role?
Oh yes, regularly. Probably nothing will change about that either. I got out after three seasons!
In the meantime, however, the flamboyant Russian singer Alexander Lemtov from “Eurovision Song Contest: The Story of Fire Saga” should also be a character with whom you will be immediately associated, right?
Right, it has been mentioned more and more recently when people recognize me on the street. This charming, silly film obviously had a nerve with the audience last year in the middle of the corona pandemic. Especially since the real Eurovision Song Contest had been canceled.
The film was the number one topic of conversation on the Internet for a while - and Lemtov GIFs and memes were everywhere. Did you follow that?
It was really hard to avoid it. I wasn’t looking specifically for what people were posting. But of course my friends passed a lot on to me, and there were already some very funny Lemtov things. But he’s also a figure made for GIFs.
Another question every British actor under 40 has to put up with these days: Would you like to become the next James Bond?
Oh, of course, everyone gets to hear this question again and again who meets certain criteria. But it is completely hypothetical. Although a few years ago I read in an audio book by Ian Fleming’s “Casino Royale”.
You mentioned earlier that you and your family have lived in the United States for a long time. How big is your homesickness?
I actually feel very comfortable in Los Angeles. But every now and then I miss the sidewalk culture of European cities. People on foot, street cafes, things like that. Last year the longing for it was particularly great, although it was of course clear to me that there was a state of emergency in Europe too. In any case, I found myself reading books that were set in Europe and made me homesick. Which is why the unexpected trip to Berlin was really a boon.
You are also an avid cricketer. That’s certainly difficult in Los Angeles, isn’t it?
There are quite a few cricket clubs here. The only problem is that the few people who do the sport here are so good at it that I have problems keeping up. That’s why I always lose sight of the matter here a little. Even as a pure TV viewer, it is not easy to stay on the ball, because of course there is no cricket broadcast here at prime time. But as soon as I’m home in England in the summer, I really want to play again!
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seimeiorigin · 4 years ago
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It’s time to forget Yuzuru Hanyu
(written on 27th Feb)
I think my obsession with Yuzu is not healthy. I need to do something to stop obsessing over Yuzu and get back to my normal life. I thought I should write down what I am feeling to see if it helps me let go of him. And where better to leave these thoughts than in the care of people who feel the same way?(If you are a translator, feel free to sub this for non-English speaking Yuzu fans  )
I am a 50 year old Australian woman and as a long time fan of the art of figure skating I was usually only interested in watching the women. The last time I watched was during the era of  Tonya Harding,  Tara Lipinsky and Sureya Bonnely. I was a fan of Kurt Browning back then as my only favourite male skater.   
15 days ago I saw a random you tube video of Parisienne Walkway and was immediately struck by the power, grace, beauty and effort of Yuzuru. I had never seen anyone like him and I thought  that his performance was the best skate I had ever seen. Little did I know....In the last 15 days I have felt the need to see more of what he does and so have spent every free hour of my life watching Yuzu's performances, sometimes over and over as in the case of Seimei, P walkways and Masquerade.
I am obsessed with Yuzu and I deeply regret that I was not along for the ride of the last 10 years. I google for the latest Yuzu news everyday and when I find something written in the last week it is like finding a gold nugget! I have read many of the blogs about Yuzu (thank you blog writers), read the news articles, watched interviews and never have I felt the lack of a second language more keenly. A massive thanks to everybody who English subs Yuzu content. 
I think about him when i should be working. I stay up late watching videos and am so tired in the morning. I am trying to find places I can buy Yuzu merchandise but alas, there are no places here to do so. I look at my phone lock screen (Seimei) a hundred times a day just to remember that this man exists. Yuzu has taken over my life. 
What is it about Yuzu's skating that makes me want to watch again and again and again?The crosswalk in Seimei. Oh mi god. Such attitude. I have never seen attitude like this on the rink before. A challenge to all watching: "Do not mess with me!"I have watched the videos about the making of Seimei and am enamoured of how much work went into this program, right down to Yuzu recording his own breath to help with the timing of his opening movement. The full program is breathtaking. I love every single moment of every single aspect. After having watched the making of Seimei video i understand so much more about what I see on the ice - the spells he is casting as the character and how that translates into artistry. The speed. The effort. The more videos I watch about Yuzu the more times I watch Seimei.  For example, Yuzu says in one interview that  at Pyeongchang he was supposed to stay in character but was so happy at the last part of the program that he could not help smiling and feeling so happy and we saw that. Such an uplifting moment that makes me laugh every time. I think i have watched all available performances of Seimei that the music runs through my mind in my sleep. I have downloaded it on my phone and listen to it on the bus. 
Yuzu's costumes: oh. mi. god. They are beautiful works of art. Such beauty of colour, decoration, design and form. I feel things when I see the costumes. I covet the heaven and earth jacket. I want one of my own to wear. The way they fit Yuzu perfectly, showing off the his perfect form in all its beauty and strength. The way they create the mood for the performance makes many other skater's costumes pale in comparison. The detail that the costume designer includes and the fact that Yuzu himself participates and tells her what he wants makes it all the more special. I watch the performances time and again just to look at the costume details. 
Yuzu's sexuality on the ice is something I am in two minds about. My own son is 22 so not that much younger than Yuzu so I feel uncomfortable thinking of Yuzu that way. But I cannot help it when I watch PW or Let's go crazy or Let me entertain you. There is something so attractive about the way Yuzu's movements invite the audience to partake in a little bit of sauciness. This is in direct opposition to the fun and innocence of everyday Yuzu that I see backstage or during downtimes. It feels like a total contrast and perhaps it is for that exact reason why those movements are attractive. 
Yuzuvier: I have friends but none of my friendships are like that. I wish I could experience the relationship between the two of them. I am so glad they had each other and it makes me feel happy when I see the videos of them together...and sad to see where Javi told Yuzu that it was their last time competing together. I really hope they stay in touch and catch up when they can. 
Yuzu's University study: Wow, what a legacy to leave to the sport. Using his own skills and experience to explore ways to become more proficient and keep climbing those hills. I truly hope that his study has led him to a way to perfect the 4A and I am holding hope in my heart that he is the first one to do it. I also hope that the thesis will allow the sporting world to progress. 
Sportsmanship: Wow Yuzu. Just WOW. A beautiful person who shares joy, encourages others, provides support and is never a complainer. This is what all sporting people should aspire to be. The depth of integrity that this man has shines out of every pore of his being. 
Yuzu's work philosophy and dedication is just exhilarating. Always wanting to be better, climb that hill, be number one, try and try and try. Learn from mistakes, learn and learn and learn. I find myself going about my day now and asking myself "WWYHD" in this situation? (What Would Yuzuru Hanyu Do). I am thinking that if i can take one thing from Yuzu everyday it would make interactions with my fellow humans more enjoyable and pleasant. I truly admire Yuzu so much that I hope I can continue learning from Yuzu even when he is not skating anymore.
 Yuzu's philosophy of supporting all people including his own is admirable. Truly a remarkable attitude and philosophy to have in one so young. When I see this it makes me want to do something to help my fellow man. Yuzu is a shining example for all of us on what life is really all about. The Japanese culture permeates everything this man does. Yuzu is so respectful as many Japanese people are and I admire this culture immensely for the grace, dignity and respect that abounds there. Such a contrast to what I see everyday and it makes me feel like I want to live there myself. 
I have never seen this man in real life. I really cannot say I know anything about him. I have not spoken to Yuzu or anyone who has met him so anything I know is second, third and fourth hand. But even though I feel like I know everything there is to know about him now, I know that what I have seen over the last 15 days does not mean I know him at all. But I wish I did. He seems like a pretty good bloke. 
I wish...no, I hope that I get the chance to see Yuzu perform live. He has just made it onto no. 1 spot on my bucket list. If I can see him live after Covid I will be yelling, cheering, screaming at the top of my lungs. And I will be crying because I have seen perfection. The Greatest Of All Time.
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letsmustafa · 5 years ago
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COMMUNICATION
I) Introduction :
“Communication is your ticket to success, if you pay attention and learn to do it effectively”  - Theo Gold (Author of Positive Thinking)
The very vital ingredient of life is to share feelings, expressions, to be get heard and add meanings. In fact, the key to life is means to communicate. In other word, we can say, only through communication can human life hold meaning. The process of understanding each other, express ideas, sharing opinion and passing of information or facts. And therefore, it’s imperative to be potent with effective communication skills and techniques in order to enrich the communication process more meaningful and efficient, eventually to be successful in any desired aim or task. We all are bind in relationship whether at home, workplace or in social affairs. Base of successful relationship is communication, and to do it effectively we have to be master in the art of effective communication. To communicate effectively, one must understand the emotion behind the information being said. Understanding communication skills such as; listening, verbal and non-verbal communication, and managing stress can help better the relationships one has with others.
“Your ability to communicate is an important tool in your pursuit of your goals, whether it is with your family, your co-workers or your clients and customers”  - Lee Brown (American politician, criminologist and businessman)
For many, communication seems like a gift. In reality, it is a skill that can be learned through education and practice. Thus, I strongly believe that, each and every individual can grow and become successful in their respective filed and achieve their desired goal if they are championed in effective communication and eager to learn and adopt it as their essential skill set.    
II) About Me :  
Born and brought up in defense area, a town in India, my upbringing has great influenced of military culture. Being retried naval personnel, my father has always given utmost important to disciplined life be it in education, sports or workplace. My mother, a housemaker, truly believe in freedom of open thinking and expression. She has been source of inspiration for us as siblings to pursue our dreams and has her immense support in every manner to achieve it. I, being the youngest, had more privilege to be with her and get nurtured under the shadow as the wife of warrior, a tough warrior in real life. 
As a defense ward, I was fortunate for having had my schooling in military school throughout and chance of meeting and interacting with colleagues coming from different part of the country. Spending my early life with friends, each one with special personality may it be their language, culture, living style, faith etc., was actually the great learning. I must say, defense kids are breed apart. They can adjust everywhere and has ability to manage life with everyone because of their wide exposure in their initial days. They are really blessed with skills to express themselves quite effectively and bond easily to create value network in life.     ��
Post completing my graduation, I moved to metro city New Delhi. City with full of scope and hope. Opportunity in every field and avenue to fulfill our dreams. I did my post-graduation (PG) here with an ambition of successful career in corporate world, and hence PG in an MBA with finance and marketing as specialization. Since then I’m a working professional in different sectors namely IT/ITES, HR Consulting and Real Estate respectively. My work domain largely involved; business development, marketing communication (MarCom), client relationship (CRM) and event management. My key result area (KRAs) also involved the part of database management (DBMS), management information (MIS) and team handling. 
With having experience of 12 years in different sectors and domain altogether, I always find a scope of learning, improvement and areas to challenge myself to upscale a level ahead from where I was last standing. Upgrading the communication tactics and strategy is organization demand to align with sophisticated corporate purpose and achieving core objectives. Sometime rejection and disapproval are obvious outcome. However, answer to all is keep on brushing and strengthening the communication strategies, keep it effective and nurture leadership quality with dynamic approach simultaneously.
“When you give yourself permission to communicate what matters to you in every situation you will have peace despite rejection or disapproval. Putting a voice to your soul helps you to let go of the negative energy of fear and regret”  - Shannon L. Alder (An inspirational author)
III) Communication strategy and leadership:
Taking role as senior executive level, it’s important to quickly establish or elevate communication skill sets or program. I understand that, the higher we go, more people within the organization would want to know about what we are going to do and how will we do it. We may have inherited hundreds of staff distributed across the world, to whom we may need to communicate regarding our renewed mission, strategy or brand objectives. Furthermore, there may be numerous other stakeholders outside the company that we have to communicate to, like investors, banks, customers etc. Disciplined communication strategy is essential to get across the critical message to key stakeholders without it being drowned by the noise or lost in translation.  
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It is crucial to implement excellent communication strategy for success in business world. To encourage members of a company to work together effectively. How team and team members within a company interact determines whether projects will run smoothly or be fraught with challenges. This is where leadership comes in. Good leadership and effective communication go hand in hand. Leaders interact with every team and a large number of employees, how a leader communicates sets the tone for the rest of the organization. Good leader should able to motivate, persuade and encourage others to work towards a common goal.
“When the conduct of men is designed to be influenced, persuasion, kind, unassuming persuasion, should ever be adopted. It is an old and a true maxim, that ‘a drop of honey catches more flies than a gallon of gall” - Abraham Lincoln (Statesman, lawyer and former US president)
It’s essential to identify the leadership style for better understanding on how we must interact with, and perceived by, employees across the organization. Irrespective of the position, we need to develop our individual leadership style and cultivate the essential habit of self-awareness. Even before entering the managerial position, leadership qualities are required depending upon the context and situation. It may be goal oriented, action based, people centric, behavioral etc. Excellent communication skills are required to manage a team at workplace or to manage organization efficiently. And communication gets affected by different leadership styles. To conclude, effective communication and leadership together gives an effective leadership communication. Communication makes a leader effective who develops better understanding in teams. These understanding bring a sense of trust in employees on the leader and on each other, work together, which further reinforce congenial relations with team members and creates an excellent work atmosphere. This enhance the dedication towards work and eventually helps to achieve the desired targets. Conceptual model of effective leadership communication can be explained as below –
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Strategic Narrative -
There has been a tangential shift in the way communication is being approached in organizations today. This tangential shift from a formal directive method of communication to a more engaging and inclusive conversational style. The distance between the sender and the receiver is getting shorter and the need for inclusivity and relationship building through communication is getting stronger. One of the major reasons for this shift is the evolution of the workforce and the relationships they hope to make in the workplace. Formality and hierarchy have made way for equality and a flatter organization structure. It’s a common refrain in executive suites these days: “We need a new narrative.” Therefore, story telling is very effective way to excite, attract customers, to engage and motivate. A story that is concise but comprehensive.
“Storytelling can be described as the art of communication using stories and narratives”
When a person needs to be motivated or action is desired out of him/her, communication in the form of stories will generate a stronger reaction when compared to passive data given to him/her.
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Active Listening, Receiving and Implementing Feedback –
“When people talk, listen completely. Most people never listen” - Ernest Hemingway (An American journalist, novelist, short-story writer, and sportsman)
Effective leaders know when they need to talk and, more importantly, when they need to listen. employees’ opinions, ideas, and feedback are valuable. And when they do share, actively engage in the conversation—pose questions, invite them to elaborate, and take notes. It’s important to stay in the moment and avoid interrupting. It’s critical, though, that you don’t just listen to the feedback. You also need to act on it, to build up the faith, trust and transparency. By letting your employees know they were heard and then apprising them of any progress you can, or do, make, they’ll feel as though you value their perspective and are serious about improving.
IV) Conclusion :
Communication is the core of effective leadership. To influence and inspire the team, we’ve to be championed in transparency and practicing empathy. Need to understand how other perceive one’s perspective basis on verbal and non-verbal cues. Figure out the scope of improvement and development process and align the plan to guide and track progress.
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adhdtoomanycommas · 5 years ago
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ADHD, Gifted Programs, and Accidental Accommodations
So one big thing has been on my mind pretty consistently since I got diagnosed last year at the age of 30—why did it take so long to figure this out?  At no point in my K-12 education or my 4 year bachelor’s degree schooling did any teacher or counselor question or suggest I may have ADHD, despite the fact that I check nearly every single box on every diagnostic criteria (both inattentive and hyperactive!)
One obvious reason is sexism.  Pretty early in my reading on the subject, I learned that ADHD is dramatically under-diagnosed in girls and women. Partly this is because of different presentations, but a lot of it is just that the stereotype people have in their heads of what an ADHD kid looks like is always a boy.  
But the other big reason, and the one I want to talk about today, is the fact that one of the few ADHD diagnostic boxes that I didn’t check was “bad grades.”  So really, the question is, why weren’t my grades bad?
That’s not to say I was especially good at school work. My backpacks, desks, and binders were always a complete mess, and I NEVER did the homework.  I would do the big projects (at the last possible second, of course) but daily homework just straight up didn’t happen.   If there was time left at the end of class I would sometimes quickly do the homework for the next day, and occasionally jot down some approximation of it in the minute or two before class started, but when I was actually at home, I never touched it.
But here’s the thing with ADHD brains:  We can focus on things with no problem, as long as we find them interesting.  And I’ve always read quickly enough that doing the reading for class was usually interesting. And for the most part, the class content itself usually seemed interesting enough.    But probably most importantly, I consider tests interesting. There’s always been enough of a challenge racing-the-clock game-like aspect to them to me that I would stay engaged on the tests, and even if didn’t completely know the material, I was good at using logic to get a pretty good guess (like using all those tricks they teach for standardized tests—narrowing down the options on a multiple choice question, looking for answers in the other questions, etc.)
So even in the classes where turning in the daily homework counted for part of the grade (math and language classes mostly) I was usually able to scrape a B with only the occasional C thrown in,  and everything else was A’s.  
But part of my saving grace was the “gifted” classes.  I was very lucky that, despite not knowing about her own (probable) ADHD,  my mom knew enough about how she worked as a student to know that me (and my brother) really needed to be engaged and challenged in order to thrive.  Because of this, she advocated for us hard—she insisted we be allowed in my elementary school’s “gifted” program in kindergarten (based on our test scores of course)  even though the “gifted” program officially wasn’t even available until first grade.  And when we moved to a different state, she advocated for us again and got us included even though the “gifted” class was “full.”   She knew that nothing would make us fail faster than being bored in class, so she made sure that there was at least one day a week when we would be challenged and actually get to engage with material we found interesting.  
Aside,  despite how essential they were for me to thrive in school,  the entire concept of “gifted” programs and “gifted” kids is problematic as hell.  Half of the screening is basically just looking for class signifiers and seeing whose parents had enough free time to give them a head start (or whose parents have the time to advocate for their kids the way my mom did for me).  Not to mention there’s likely a massive racial bias. So in all this discussion of why I did ok despite my ADHD, it’s important to note that there’s a lot of privilege at play here determining who gets access to these types of programs.  
This is also why I keep putting “gifted” in quotes--  I don’t think there is anything inherent about academic ability. Also, academic ability, reading ability, testing aptitude, etc. are definitely not indicative of intelligence. Plus the entire concept of the measurability of intelligence is based on eugenics ideas, so clearly one should take the whole thing with a huge grain of salt.
Nowadays the term all the parenting blogs like to use for kids like me, with ADHD (or dyslexia, or autism, or whatever else) who also test well enough to be flagged as “gifted,”  is “Twice Exceptional”  which is a term that makes me immediately want to punch whoever uses it. Seriously,  it makes me gag.  Like, it doubles down on the “special” euphemism and seems entirely designed to make parents feel better about their kid without any consideration to how the kid feels.  No kid wants to be singled out, especially one who’s already probably pretty socially isolated (which I could digress about but that’ll be another essay for another day), and being Twice singled out certainly doesn’t help anything.  
But ultimately the teaching in the “gifted” class itself wound up being really good accommodations for ADHD. I wouldn’t have been a bit surprised if they were better than the accommodations in the separate classes actually intended for kids with ADHD and other learning issues, though since I wasn’t diagnosed as I kid I can’t actually speak to that as I don’t have any experience there.  But in the gifted classes, firstly, we were given more specific subjects as opposed to the overviews we got in regular classes.  And it’s way easier to be engaged on specific subjects like ice age mammals, or the wreck of the Titanic, than it is to be engaged with a broad list of dates or categories.  We did logic problems that were presented as games, but that were indirectly teaching us the basics for higher level math. In 6th grade, we did research projects and got to pick our own subjects completely, so we could write about whatever we were hyperfixating on at the moment (mine was on medieval warfare as depicted in the Bayeux tapestry).   And if we happened to get excited and blurt out an interesting fact vaguely related to whatever was being discussed, that was likely encouraged instead of reprimanded like it would be in the normal classroom. This continued into high school, as honors and AP level classes tended to be a lot more discussion based rather than the top-down approach at other levels, as well as affording more opportunity to choose one’s own subjects.
The story you’ll hear from (or about) a lot of ADHD kids (especially undiagnosed) flagged as “gifted” is of hitting a wall at some point, academically speaking.  That did happen to me briefly, in middle school. We started being assigned a lot more long-term projects, and there was a bit of a learning curve while I figured out how to put things off Until the last minute and not Past the last minute.  But thanks to some patient teachers who believed in me (which I might not have had outside of honors classes), I managed to pull out of it and improve my grades (with the exception of the only report-card F of my entire academic career, from a sadistic gym teacher who seemed to think that enough berating would cure asthma).
Even more stories I’ve read and heard from people who were diagnosed with ADHD as an adult say they hit that wall academically when they started college—the first time they were really self-guided in their studies.  But again, there, I was saved by an honors program.  In this case,  it was the Honors Tutorial College,  a truly strange program at Ohio University.  I was tracked into HTC by one particular professor who very much wanted HTC to expand into the art program and decided that because I had both strong test scores and a strong art portfolio (and probably, lets be real, because I was the daughter of one of the other professors) that I was the perfect person to be the first student in the new program.
OU’s website describes HTC as “flexible curriculum and one-on-one tutorials with renowned faculty that allow your curiosity to take the lead in your education.” It’s rigorous, but comes with a lot of perks, like waiving certain gen-ed classes,  being able to take classes without first taking the required prerequisites,  and designing one’s own independent study classes individually with instructors.  And those perks are (as far as I know entirely accidentally) the perfect accommodations for an ADHD student (and probably pretty good for Autistic ones as well, based on some of my peers in the program).
A lot of the gen-ed classes I waived were ones I probably would have been bored in and thusly not done well.  Being able to skip pre-reqs meant that, for instance, for my English requirements I was able to take far more interesting classes like Shakespeare’s Comedies,  YA Lit,  and Playwriting instead of English 101, 102 etc.  If I wanted to learn about something in particular, I had help finding a professor willing to help me in an independent study/tutorial class.  Being the pilot of the program meant I was able to shape it so that I could get an art degree without ever having to choose one medium (which as far as I know is still an option for anyone pursuing an HTC Studio Art degree).  And at the end of the program, when we were required to complete a massive thesis project and paper (at basically graduate level), not only could I choose my subject to meet my hyperfixations, but I had individual help from a professor keeping me on task on the less-fun parts at every step of the way.  
HTC students are required to keep their GPAs above a high threshold. At one point one of my grades (in Latin class) was low enough to hurt my average, and I was called into HTC headquarters for a check-in meeting.  I was asked why my grade had fallen, and I explained that the class wasn’t that interesting (at that level it was mostly grammar) but that it was getting better as we were moving up into translating more actual historical material. That explanation was entirely accepted.  Imagine if “it’s not interesting enough” was considered a valid excuse for grades slipping for everyone, how much less stressful school would be for ADHD kids!
So ultimately it’s pretty much been having the luck and privilege to get myself flagged for “gifted” classes that kept my grades up throughout my school years.  Accidental accommodations have continued into my adult life as well. At my most recent office job, for instance (which I lost due to covid layoffs), I had a pretty hands-off boss who just didn’t care if I doodled, got up to stretch my legs every once in a while, and listened to audiobooks at my desk all day as long as the work got done.  
I didn’t need a diagnosis to get these accommodations, because they were given freely, which meant I was able to succeed even without knowing about my own ADHD.  If I had been diagnosed, and had had to ask for accommodations, I wonder if I would have done as well as bias against people with ADHD means people wouldn’t have expected as much from me.  
So if you’ve made it this far, I’ll ask for the same for others that I got for myself.  If you are a teacher (or a manager in an office setting),  I strongly encourage you to consider how to make your classroom, office, etc. more accessible in general, without someone having to disclose a diagnosis or be singled out for accommodations.  The biggest easiest one you can do is to allow (or even encourage) doodling in lecture settings. Even for neurotypicals,  there have been plenty of studies proving people retain information better when doodling, so everyone should know by now that someone doodling doesn’t mean they’re not listening.   If at all possible, encourage discussion and contribution.  Give everyone breaks to stretch and move around.  And give as much freedom as possible on what to learn about.  You might be surprised what people are capable of when these reasonable steps are taken to give everyone room to thrive.  
That’s all for now,  hopefully you got something out of this unwieldy ramble.   I’d be curious to hear if you’ve run into any accidental accommodations in your life and how they’ve helped.  Until next time!
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wanderingsofal · 5 years ago
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Can you tell me (in general, not asking for specifics) what you do for your job and how fulfilling it is other than current uncertainty? I've never had a career, only part time work but I'm 30 and I have no idea "what I want to be when I grow up". Plus the only jobs I can ever think of as possibilities are retail, which are ಠ︵ಠ. I'm just looking for some insight from people I admire to get some direction. (If this is too personal a question I understand, so please dont feel pressured to reply.)
Hi! Thanks for asking! I’ll try to answer, though I’m not sure how helpful I can be - my career has been a series of just sort of ‘falling into it’ situations that led me to a job I honestly love, even with all the uncertainty.
My current position is pretty new for my agency. Technically, I’m an analyst. There’s several thousands of these sorts of positions if you’re looking at the job title, however they aren’t all the same. Most will involve some sort of data analysis/data science, but that’s where the similarities end. 
For mine, I’m on a tech team for my agency, where we oversee the modernization of its programs and practices. As in, we upgraded the old MS DOS (a code language widely used in the 70s) systems into more modern languages with more capability. As someone who came from “the field” I oversee some of these projects as a subject matter expert, giving advice and guidance to the developers and making decisions on what features to add into the finished program. I also build reports on the data from our programs - anywhere from reports that go to our Fraud division to try and root out people who are taking advantage of new immigrants, to scheduling reports sent to upper management to show how well our field offices are doing in getting to all of our applicants in a timely manner. 
But the best part, the part I really really love, is that I also get to build some of these programs. From smaller local programs utilizing Microsoft Access, to large-scale web applications using more advanced coding languages. There’s just something about being able to sit down and sketch out what a program will look like, then see it taking shape under your fingers. I realize this will sound odd to a lot of people, but there’s a sort of high in building a button, then clicking on it, and watching your program do exactly what you told it to. 
I love working with code. It’s a different sort of ‘creation’ to writing or drawing, but it’s creation just the same. It’s taking a bunch of letters and symbols and lining them up exactly right so that something happens just when you want it to. It’s seeing something in your head, and then making that vision come to life. Code is logical. There is no grey area in code. There is just what works, and what doesn’t. And if your code doesn’t work, then you have to find out what’s wrong. There’s very little you can’t do with coding (inside of a computer at least). The only real limit is your imagination. 
Oh, I’ll complain (and have on here a few times) about losing commas or parenthesis, and spending hours looking for that one lost quotation mark. That’s an aspect of it too, yes. But even the mundane and sometimes tedious tasks are worth it when I can turn in a finished website that I made, and know it will be useful to someone. 
It’s worth it to note here that I do not have a Computer Sciences degree. I have a degree in Japanese. I taught myself nearly everything I know about coding, up until about a year ago when I started taking a class on a newer coding language so I could use it at work. Most code development uses an astonishing amount of google. I’ve heard a lot of senior developers say that to get good at coding, all you really need to do is know how to use google effectively.  
Before this job I had essentially the same job title, but I spent most of my time doing scheduling for interviews, and some minimal data analysis on what we needed to do to keep up quality service to our applicants. The job itself wasn’t fulfilling really - it was long hours, and pretty stressful due to the large workload and the fact that I was hired at a really bad time when the rest of the team had quit. But it was worth it because I was working to schedule asylum interviews, meaning I was helping people who desperately needed it. I likely wouldn’t have left that job if this exact position I’m now in hadn’t come up. 
And before that, my first “real job” outside of the Peace Corps, I was an office assistant. I answered email inquiries, did file management, and basic paperwork. It was boring. There was absolutely no mental challenge. But I found ways to do things I was more interested in. I modernized our spreadsheets and found better technical solutions to our case tracking issues. I was usually bored out of my mind, but there’s something to be said for an honest eight hour day with no threat of working late or being forced to come in early, and where you don’t take your work home with you. It wasn’t a good fit for me, but it was a great fit for some others I knew. 
I think the best advice I can give is just to start somewhere. Even if you have to take a less exciting job right off the bat. Everyone has to start in the less exciting jobs usually. But pick a company or an agency you want to work for, and get into an entry-level position. As you learn about the company, you’ll see more of the positions they offer, and figure out what you want to try to be. Then, if you have good supervisors, they’ll help you get there. That’s what the “boring” entry-level jobs are for - to take in new talent, and let them experience what life at the company is like while still doing necessary work. The good supervisors for those positions will be all about helping you grow your career and finding what path you want to take. 
From there, find the good people and follow them. That’s what truly makes a job good or bad, I’ve found. If the people you work with are good and honest and kind, then your job will be enjoyable. If the people you work with are mean or catty or closed-minded, it makes the job that much worse and even a dream job will become terrible in the long run. 
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bbreferencearchive · 5 years ago
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Viola Bonaldi interviews Bobby BeauSoleil
This is the raw interview Viola Bonaldi did with Bobby BeauSoleil in the summer of 2018. Viola Bonaldi wrote an article incorporating the raw material below for Salmuria.
You can read the English version here: https://salmuria.it/emailing-with-bobby-beausoleil/
… Or if your first language happens to be Italian, read it here: https://salmuria.it/corrispondenza-con-bobby-beausoleil/
How did your passion for art — first music and then visual art — come about? Do you remember a specific moment or an episode that enlightened you? Did the Sixties atmosphere play an important role?
As far as I can tell, I mean, to the best of my recollection, I already had a passion to express myself in creative ways when I was born. According to what my mother told me later, about the time I took my first steps I was playing her pots and pans and making drawings on the walls of the house.
Honestly, I can’t remember a time when I didn’t feel like I had something to say in the arts. I believe this is the case with most if not all artists. For some a passionate desire to express in the arts may lay dormant for a time, and then suddenly something happens that triggers the calling, awakening the latent artist within. In my case it seems that I was born turned on. I didn’t need the social explosion that happened in the 1960s to bring the creative urges out of me, but it did provide a playground for them, and sometimes I found inspiration in the passions of people I encountered during that period.
When you haunted the Sunset Strip in Los Angeles you were known as “Cupid”, the archaic Roman primordial god of love, because of the way girls liked to be around you, a young, vibrant, beautiful, multicolored artist. From that capricious god you eventually turned yourself into “Lucifer”, the “angel of light”, fallen from Paradise as a consequence of his pride. Your life is largely connected to archaic myths, and this is often reflected in your work as an artist, both musically and visually, which is full of esoteric symbolism. Now, more than four decades after your work on Lucifer Rising, who are you? Lucifer, Cupid, or some other “creature”? And how do you explain your interest in the arcane?
Wow! Big questions! Well, first of all, I have never pretended to actually be any “creature”, as you put it, that I’ve been associated with. I am just me, an innately nameless soul. As an artist, I have sometimes used my own physical being as a canvas, willingly adopting personas from mythology that others have seen in me. My parents gave me a name at birth and I have been happy to be that person most of the time. Occasionally I have taken on the personifications of archetypes from myth as a way of allowing them to live for a brief time, and in a limited way, in the world of the mundane. There are, by the way, some common traits between Cupid and Lucifer. Both of these mythological beings are imagined as angelic, both known to have a naughty streak, to be creatively rebellious, and both are associated with love. I can think of far worse things to be known for expressing in the world.
What attracts me to the myths is the wealth of story and allegory that can enrich our larger capacity for understanding. Myths are often used as a tool for deepening cultural identity, and to give a hand up by way of providing context and instruction to those who aspire to higher truths. And mythology is an artform that can inspire new art, and thus myths can be alive and continue to grow and influence. As for other arcane interests, I have found little of any real substance in the so-called “dark arts” or silly practices like devil worship. However, as a mystic seeker I have found that treasures are often hidden in dark places. Following a shadow to its source will invariably lead one to the light.
You write that your works are rarely borne out of direct observations of the natural world, from the perception of real things, but come instead from your own mental reinterpretations and from the world of dreams. Is this a consequence of your limited conditions in terms of the space you live it? What is your process for drawing subjects from your recurrent dreams?
Certainly, there are no beautiful vistas to be seen through the dirty windows of the place where I live. I can see moving images from nature in photographs and films, and sometimes these inspire me to produce a visual interpretation. For the most part, though, I tend to see the beauty of nature as paintings made by God, ever changing in the light of consciousness, awesomely inspired and breathtaking, far beyond the capabilities of any human artist to do them justice. Rather than producing poor imitations of the moving paintings created by God, my natural inclination is to make a few humble additions to God’s creation, as one of the forces of nature.
So, for the most part, I draw inspiration from my unfettered and fertile imagination. You can fly in your dreams, right? What can be seen, imagined or experienced is not limited to what is possible in the physical world in some states of mind. I cultivate some of these states of mind, such as lucid dreaming, as a source for concepts that may be made manifest in the physical world through my arts. This works for visual imagery and for music as well, and even sometimes for written words, like poetry. In the vast territories of dreams especially — both daydreams and the kind that happen during sleep — the mind plays freely, in safety, amorphously creating odd mash-ups, evolving patterns, astonishingly wonderous sounds. Much of my work is an attempt to bring these experiences into the physical realm, or at least to hint at them.
What does a young man think when he is sent to death row? You couldn’t play an instrument or have contact with other people, right?
When I arrived on San Quentin’s death row in 1970 I was a total wreck, broken and shattered, far more devastated than I ever let anyone know during that period. As difficult as it was, in some ways that 26 months I was on death row was a blessing. I needed that time alone to grapple with my conscience, to fully face what I had done head-on, to begin to learn how to think things through and begin the process of accepting responsibility for how I was going to deal with the consequences of my actions and eventually find a way to redeem myself. It was a tall order, one that seemed utterly insurmountable at the time. Think of a complicated picture-puzzle with about a million pieces.
Having a guitar was not allowed on death row, like you say, but I could get a little manual typewriter and a few pencils and sketch paper. Writing and drawing helped me to focus on my inner world and begin the process of putting the pieces of myself back together.          
Where did you learn to create musical instruments? How did you manage to do that in prison?
Finding ways of making new or different kinds of sounds has been a fascination for me since I was a small boy. The first time I built a musical instrument was when I was about 8 years old. It was a contraption I called a “jazz band” — basically a percussion instrument made out of a wooden crate, with a variety of found objects like tin cans, pie plates, glass jars, spoons and whatnot nailed or attached to the crate in some way. I made a lot of noise on that thing, beating on it with sticks. A couple of years later I made an electric guitar — or rather, something that looked like a guitar I had seen in the window of a music store — in the workshop class at my school. It didn’t work, but from that experience I learned a lot about what is needed to make one that would. I have customized, or “hot-rodded”, every guitar I’ve had since, and built a few guitars from scratch.
In the mid-1960s, when I was putting together a band that would become known as The Orkustra, I was faced with the challenge of figuring out how to go about electrically amplifying different kinds of woodwinds and stringed instruments. This was a necessary step in fulfilling my desire to assemble the first electric orchestra. This experience became invaluable ten years later when I took on the Lucifer Rising soundtrack project. After I was given a permission from the warden at the prison to produce recordings for the project I successfully sought an additional permission to build some of the instruments I would need in the prison handicraft shop. I was allowed to build several guitars and keyboard instruments, and to experiment with music electronics and synthesizer design. This led to the invention and development of some instrument innovations.
Things have changed in prisons since then, with most of the prison handicraft programs having been shut down. Though I’m not able to build instruments at present, I still manage to find ways to hot-rod guitars. Fortunately, the technical skills I acquired earlier opened doors to my being in prison jobs that have given me access to advanced tools for producing work in various media, including video and sound design. I have been blessed with some unusual opportunities to employ my abilities in ways that are helpful and beneficial to others. Despite the imprisonment, I count myself fortunate to have had these opportunities, and I am grateful.
How can a human being detained for decades in prison survive in such a place without becoming a “monster”, as you have reflected in some of your writings? Can we say that Lucifer Rising saved you?
Prisons are unnatural places. They are ill-conceived responses to social problems like crime and mental illness — and in the US, anyone who breaks a law, mentally ill or not, is subject to incarceration in the prison system. In practice, imprisonment worsens these types of problems, generally speaking. Imprisonment warps the mind, not only of prisoners but also of the people who are paid to supervise them and keep them locked in.
Fairly early in my incarceration I became aware of the effects being in prison was having on me, and on others around me. By that time, I had already begun to slip into involvement in violent situations. When I saw what was happening I began to take steps to mitigate those negative effects. I resolved that I would never allow the prison environment to define me. Making a personal vow of non-violence that I have maintained to this day was one of those steps. By pouring myself into creative expression as an artist, along with promoting and maintaining healthy relationships with people on the outside, I have been able to gird myself against the insanity around me. It takes continuous effort and resolve, and a lot of vigilance, but it is possible to empower oneself to rise above the snares and pitfalls of prison life and maintain one’s personal integrity.
Yes, you could say that the Lucifer Rising soundtrack project saved me, in a way. It took years to complete the soundtrack compositions and recordings. During that time the project consumed me utterly. And it did so in a positive way. My concept for the Lucifer Rising themes was to musically describe the fallen angel’s desire to redeem himself, tracing his path through the dark passages he would pass through in his journey toward reconciliation and the light. The story, as I decided to interpret it, has certain resonances in my own life, so working on the project was cathartic.
Did you like Charles Manson’s music?
Sometimes I did and sometimes I didn’t. Charlie was a uniquely talented musician, but he had a tendency to be inconsistent in the way he approached musical performance. Much of this had to do with context. Some of his songs were a lot like songs for children, and were obviously meant to be sing-along songs for the people in his commune. Those songs would not have had much appeal to a general audience, and I have seen them used in sensationalist media to ridicule his musical ability. There were songs of Charlie’s that would not stand the tests of time, like much of the music that was made during the sixties, but many of his songs were entirely relevant for that period and some of them had real depth of meaning. The ones I liked best were those that he sang and played spontaneously, in a stream-of-consciousness style, like some rappers of today. As an improvisational player, I particularly enjoyed playing with him on songs he created in this mode. My accompaniment seemed to inspire him and helped to bring out the best qualities in his performances. This type of collaboration formed the basis of my relationship with him, such as it was. Unfortunately, no good recordings have survived.
You appear to have a deeply spiritual conception about purpose in relation to destiny. You have written that every person is born with some special ability or message they are meant to express in the world, a unique hand of cards to play in life. If you had not done “a bad thing” as your Professor Proponderus character said in the animated film you made, and been sent to prison, what do you think your life would have been like? Who would Bobby Beausoleil have become outside of jail? How would he have played his cards?
Taking my cue from the cards metaphor seems like the best place to begin a response to your questions ... The thing is, most human beings are not dealt only one hand of cards in life. Each time one makes a major decision in life, or has a significant accident, Destiny deals the individual a new hand of cards to play. It is impossible to say what my life might have been like had I not made the dire decisions that caused me to be sent to prison.
Some imaginative writers have postulated that each major decision creates a new timestream in a parallel universe. Well, I don’t know if that’s true, and it’s doubtful any of us ever will in our lifetimes, but let’s play along for the sake of giving due respect to what you are asking. Had I played my hand of cards differently in 1969 it’s conceivable that the Bobby Beausoleil of that alternate universe would have become a famous rock star, as I once hoped to be. Just as conceivable, the Bobby Beausoleil of another parallel universe might have wound up in some dark alley, dead of a drug overdose, something I have never had any aspirations to be.
We don’t get to choose beyond playing the cards we are dealt as well as we can in the hope that our decisions will take us to where we want to go. It is when we play our cards willy-nilly, without care, that we may instigate disasters in our lives and the lives of others. That said, I have done my best to play my cards well in the intervening years, and to overcome, to the extent that may be possible, the failings of my past. We shall see what the cards I play now will bring in the future.
Reading the transcript from your last parole hearing one can note that your artistic activity, and publishing communications with people outside of prison via the internet, has sometimes been used against you and your release. But you still do it. Do you do this out of a philosophical sense of duty, or because you feel safer in prison and don’t really want to be released? I mean, it seems like you’re shooting yourself in the foot ...My idea is that it’s only an excuse. It doesn’t matter what you do. For some people you will always be condemned because you have the Manson stigma on you.
Excuses are made by people who shirk the responsibilities they have agreed to accept, and who fail to have the courage to do the right thing and uphold those responsibilities. After long and very careful consideration, I resolved years ago that I would not restrict or limit my life in accordance with the excuses made by other people.
This is not an act of defiance by any means. I carefully follow the rules I am given to follow; none of my art or publishing actually violates any of them. And I assure you, I have no desire to wrap myself up in the dubious security of prison life. I want to get out of prison as much as any imprisoned person ever has. In the end, what it comes down to is that my spiritual obligation to fulfill my purpose in life trumps any of the rationalizations or excuses that may be used to justify keeping me in prison, and all the nonsense related to them.
A soul comes into the world for only a brief time and for the purpose, however slight it may be, to contribute to bringing sentience to the physical universe through expression of a God-given ability. This is called dharma, the purpose in life. Failing to uphold this responsibility is a breach of the sacred covenant a soul makes when coming into the world.
As an artist, it is my role to express creatively and to share the work I produce in such efforts with the world. Perhaps this will serve to uplift another soul, or to inspire someone to make their own dharmic contribution to the human mission. Or maybe it’s of no real value at all. In any case, I feel very strongly that I must remain true to my calling, and to fulfill my sacred obligation as a sentient soul, come what may.
In the years past I fought long and hard to restore myself to integrity. Too great an investment has been made to retreat from what I know I’m here to do, or to otherwise compromise my integrity out of fear of some arbitrary, politically motivated resistance. Clearly, nothing in the work I create is indicative of any violent tendencies. Excuses aside, this is what should be the focus in a parole consideration hearing. At some point I may be fortunate enough to have my case in front of arbiters who recognize that my creative efforts have been the instrument of my rehabilitation, restoring me to a responsible human being, and who will, in consideration of this, support my release from prison.
From your experience, what do you think of the use of social media and the internet?
My direct exposure to the internet has been limited by restrictive prison policies, but studying technological advancements is a hobby of mine. I won’t be left behind like Rip Van Winkle! As a multi-media artist, I am interested in how computers and computer devices like tablets and cell phones can be used to express creatively in new ways. There are artists out there who are doing amazing things with these new technologies!
The internet is a mixed bag, mostly because it is still like the wild west — a work in progress. For the everyday person to have rapid access to so much information is truly marvelous, extremely empowering, but this is only beneficial if the information is accurate. With every person able to have their very own pulpit there is way too much fake news and click-bait gossip poised to ensnare the unwary. I believe this will improve in time as the search engines incorporate better algorithms to snag and tag the suspicious content. On the other hand, there is the wonder of streaming media. I can’t wait to be able to catch up on come of the films and music I’ve been missing!
There is a lot about social media that doesn’t seem very sociable to me. The ability to communicate across vast distances in real time via texting and chatting on Facebook and other social media sites, with pictures and video, makes for an extremely valuable tool. That’s just it: a tool. There is no replacement for real sensory contact between human beings. We are hardwired for touch and direct eye contact. There are reasons why suicides are occurring more frequently in these times; it seems to me that too much reliance on social media platforms is part of the reason for this. It worries me that many young people will sit side-by-side and text to each other instead of looking at one another and talking. And too many people are cocooned in their personal bubbles, insulated from empathic connection to humanity, making derogatory, harsh, even hateful judgements of other people, often only because they are isolated and lonely and need to share their misery. Emojis are cute but they are a poor substitute for communicating real emotions. Humans are complex creatures. We can actually choose to be less anxious and depressed as a species by relying less on virtual socializing.
You took your freedom early, still a child, but soon you lost it. Unlike the stories of most prisoners, however, you affirm that your family situation was very positive when you were a child. Do you remember the happiest episode of your childhood, and the saddest one? Do you recall your childhood home and the scents of that time?
I remember my childhood home vividly, smells and all. Although I tended to be more adventurous than most of the kids I knew, my childhood was pretty average, growing up in a tract house nearly identical to all the other houses in the neighborhood. My happiest times were when I was sent off to stay with my grandmother during the summer, because the world seemed so much bigger in the Los Angeles area where she lived. My happiest memory there was finding an old guitar in my grandmother’s attic. Destiny dealt me a new hand of cards that day! The saddest day of my childhood was, at age 15, going with my family to my grandmother’s funeral. That was the day I left home for good, for some reasons that didn’t actually have anything to do with my grandmother’s death. I loved my family, but the family home was just too small.
Silvio Pellico, an Italian writer and patriot imprisoned for life in 1820, then given a commuted sentence and released after 10 years, stated that, without a doubt, free living is much better than living in prison, yet even in a miserable prison you can enjoy life. What do you think about this?
Prison is generally a pretty miserable place, that’s a fact. Spending my time in a puddle of self-pity has always been an option, just as it is for people on the outside. Choosing that option is what turns a miserable place into a hell. Many people in prison do just that. There is not only misery but a good deal of anger and rage in here as well. I mentioned earlier, I made the decision to not allow prison to define me. As a result, I have managed to do the extraordinary while in prison, and I have inspired some other prisoners to do similar things. While prison is a miserable place, being a miserable prisoner is not a must. Transcendence of misery is always possible no matter how hard it gets.
Your answer to a question no one has ever asked you ...
“Do you wear boxers or briefs under shorts?” No, I don’t.
Describe the room you live in and what your days are like at the prison where you live. What do you do for entertainment. How are you feeling?
My mind is much younger than my body, so naturally I have my share of aches and pains to deal with. To help preserve my health and activity I do hatha yoga on a semi-regular basis. I am also one of the two teachers for the yoga class here. A couple of times a week I play with other musicians here and once in a while we perform together in the prison house band. We have a music class once a week and I help with teaching guitar to students. Even though my spiritual orientation is grounded in the traditions of West Asia, I’m perfectly comfortable playing in the Gospel band in the prison chapel. Also once a week I take my guitar to the Hospice part of the prison hospital, and play music for men who are in the process of dying.
My cell is about the size of a typical bathroom in someone’s home. There’s a door in one end and a window in the other end that lets in daylight; there is a small sink, a toilet, and a large metal locker for storage. I use the top of the locker as my work surface. I’m using it now while typing these words. My bed is the size of a cot, a concrete block with a mat stuffed with jute fiber; of course, it serves also as a seat and a place where I set my art materials when working on a painting or drawing. My guitar shares the space, and I’ve got a small television and a radio. I would say that I live like a monk if my cell were not so cluttered with stuff for work, play, eating and sleeping. I manage to figure out ways to make the space work for me fairly well under the circumstances.
I currently have a job five days a week in the prison library. It takes up a bit too much of my time and sometimes conflicts with things I’m trying to do. But then, most people who have jobs have similar problems.
Much of my time has been going into writing and editing. A couple of books are in the works, one of which is scheduled for publication in 2019. This leaves me little time for reading, though I manage to find some time to read, mostly books on spiritual philosophy, mythology, media technology. But when it comes to words it’s the writing that gets most of the juice. I love good films and some television dramas, if they are done well. I will watch the TV for two or three hours in the evening if there is something on worth my attention. Some of my writing time naturally goes to communicating with family and friends, creative collaborators, and, when I can fit it in, some of the fans of my work as well.
My long-awaited double vinyl LP, Voodoo Shivaya, a concept album I worked on for seven years, recently debuted. The response has been gratifying, quite favorable so far, even though the music does not fit in any of the established categories or genres. So I’m feeling pretty happy that I’ve been able to share this music with the world.
Do you have a suggestion you can give us?
Try to avoid killing anyone, if you can. It is very very difficult to come back from something like that. And if you find yourself faced with a seemingly insurmountable challenge, don’t be too shy to ask for help. The best place to look for help is deep within yourself where you will surely find great resources of strength and courage you may not yet be aware of. And remember, there is always at least one way to play your cards that will allow you to prevail over and ultimately transcend any challenge.
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mobianflame · 5 years ago
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Top Canadian Finishers take a trip to China for Shanghai Endurance
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Leading Canadian Finishers journey to China for Shanghai Marathon
After publishing excellent times at the 2019 BMO Vancouver Marathon, Canadians David Eikelboom (2:25:25) and Rozlyn Boutin (3:05:48) took a trip to China to take part in the occasion's sibling marathon-- the Shanghai Marathon.
Review their experiences listed below.
by Rozlyn Boutin
I never might have envisioned that my launching marathon would cause the awesome series of celebrations that followed nearly half a year later. When I to begin with acquired the surprise email coming from Lynn Kanuka herself inviting me to manage the 2019 Shanghai endurance on November 17th as a result of my attend the BMO Vancouver Endurance in Might as well as with lower than 2 months' notification, I couldn't think it. Even writing this a day after coming back to grad student life in Vancouver, it still seems like it could possess been actually an aspiration!
I hadn't been actually training given that the BMO Vancouver Endurance and had several medical meetings and also 9 tours planned between receiving the email coming from Lynn and also the day of the marathon, however it was actually an expertise I couldn't refuse so I concurred along with a flutter of enthusiasm in my belly that fueled my outrageous 2-month instruction routine to come back into endurance condition as finest I could. I understood it was visiting be a whirlwind trip of a life time and a world-class take in!
Just before I recognized it, I was fulfilling Shelley (our RUNVAN ® coach/representative), David (the various other professional athlete) and also his partner at the Vancouver airport terminal and also the outrageous journey began. I wasn't certain exactly how I will manage the 12-hour tour as well as 16-hour time adjustment, but dealt with to stay hydrated as well as get the most awful of the lifeless legs out on a little bit of shakeout run the day just before the competition. After the opening night it had actually penetrated I would certainly not be actually capable to change to the amount of time improvement as well as the cope jetlag would certainly be actually genuine, however I just wished the adrenaline on race-day morning would certainly aid me obtain with it.
Our team had an amazing volunteer from the neighborhood College of Sporting activity who satisfied us at the flight terminal and also happened almost everywhere with us. She aided us navigate the foreign language barrier and happened along with me and also Shelley to establish the Vancouver endurance booth at the expo the time after our experts acquired there. The expo was actually outrageous along with lots of people and also great deals happening but the atmosphere was actually contagious! I very soon knew to simply go along with the flow and took it all in. Our team likewise received to participate in a delegate dinner, interview, and also the pre-race technical meeting along with the other elite athletes-a fairly unique expertise! Our team even satisfied an exclusive Canadian endurance legend (Reid Coolsaet) that chose at the last moment to additionally come to Shanghai- going along with him after the specialized meeting to acquire our personal canteen for the race was actually an encounter I'll always remember. Afterwards, every thing started to experience real and also I began to enjoy only exactly how incredible auto racing in an IAAF Gold Label race was actually going to be.
Regardless of getting ready for the ethnicity, our experts likewise had the chance to observe some views and experience the area. Our accommodation corrected near the Bund where the ethnicity began, and there were actually a lot of runners and tai chi-practicers the whole time the stream every morning. The whole entire metropolitan area is remarkably tidy and the illuminations in the evening are incredible-every property possesses intricate transforming illuminations and colours. Our manual illustrated Shanghai to China as being what New York is actually to the USA-and it was actually a very correct summary!
Race-day morning was actually an additional disorderly blur of exhilaration. We got out of bed to an uncharacteristically warm time with 88% moisture and also made our method to the sea of distance runners, performing our ideal to navigate the foreign language barrier, move across through the wall of guards diligently blocking the start series, and also discover cream of the crop distance runner check-in. After a series of celebrations that I believed could possess simply been actually coming from a movie, I received my time chip with 5 mins to exempt before the beginning of the race, did a tiny 40-meter workout jog, as well as unexpectedly our team were actually off! The knowledge of starting a race with 35 000 other racers all trying individual utmosts on a flat training program that would take our company with all the significant internet sites of Shanghai was truly indescribable-although I was actually therefore concentrated I most likely couldn't actually tell you what some of the web sites appeared like! I had a fantastic first fifty percent of the race as well as got on rate to make my objective of running under 3 hrs, however at the 50 percent method factor the heat energy from the sunshine depressing on our team came to me and I had not been able to keep up my nutrition and also my speeds dropped way off. In the end, Shelley's motivational illustrations and keep in minds on my water bottles every 5K kept me going and also I was actually capable to dangle on to the PB yet disappointed my goal time. After figuring out that the leading 3 females were actually taken off in wheelchairs and also provided the adrenaline-charged early morning, jetlag/lack of rest, temperature, as well as moisture, I was actually still sensibly pleased along with the end result. Having actually raced in such a fantastic competition has left me starving to carry out it once more and also wish I will possess one more chance to competition globally again.
Once it was actually all over, our team possessed the opportunity to loosen up, delight in the post-race environment, attempt some brand new meals, as well as find some additional views. We went on an awesome watercraft cruise ship of the stream in the evening after the race and found out a little concerning the record of the area. Our experts additionally had the majority of the next day to purchase till our company dropped prior to moving to the flight terminal for our air travel home. Regardless of the short trip, our company came across some really wonderful individuals as well as I absolutely found out a great deal. I certainly never assumed I 'd visit China and now would certainly not hold back to explore once more if I had the option. In general, it was an astonishing life-changing take in as well as I am actually therefore happy to have possessed the opportunity to go! Thanks to every person at the Shanghai Endurance, RUNVAN ®, as well as the coordinators of the Sibling Metropolitan area relationship!
through David Eikelboom
I had actually been having a negative day-- I do not bear in mind precisely why, yet I remember it changing quite rapidly when an email coming from Lynn Kanuka at RUNVAN ® reached my inbox.
The subject line was actually "Travel to Shanghai" and the e-mail informed me that as a result of my outcome at the BMO Vancouver Endurance, I had actually been actually invited for an expenses-paid trip to run the Shanghai Marathon through a sister-city arrangement between both occasions. My time shifted fairly quickly.
As travel setups were made, my exhilaration expanded as I performed all the research I might right into the endurance in Shanghai. The pleasure continued upon our appearance in Shanghai, where our company obtained a cozy welcome. Our team were handled effectively by our lots-- aides were actually along with our team to assist equate and also navigate the urban area, which assisted me believe assured and also relaxed.
The routine was full; going to the expo, the welcome supper as well as the pre-race technological appointment were actually interfered along with some taking in the sights and shopping. Jet lag produced first blushes and very early nights. The power created in the direction of race time, which took factors up to a brand-new amount-- 38,000 joggers and also a great number of personnel, officials, and also volunteers packed the Bund for the beginning. It was absolutely the absolute most stimulating competition begin I have experienced! Along the race course people shouted "Jiayou"-- which virtually suggests "include oil!" as an expression of support. The course was actually lovely and standard, however a warm time produced challenging conditions. It was the 1st opportunity I possessed found delicious chocolate clubs, cucumbers, as well as cakes/muffins as competition food items, but ... when in Rome? Finishing in the Shanghai arena was electrifying as well as emotional-- my time had not gone as intended, yet I was figured out to finish.
After a stream cruise line on the Huangpu Stream and a vacation to People's Square, the trip related to its own final thought. I am exceptionally happy to RUNVAN ® for the option to have actually found Shanghai, took part in an unparalleled competition, and also experienced just a small item of global running society.
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This content was originally published here.
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thesmithadventure · 6 years ago
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(Photo: enjoying the views in sunny Bern)
Spring 2019 in Geneva: Semester Highlights
Last week, I finished up my JYA semester at the University of Geneva. Getting to live and study in such a different way - for the second time in my life! - was such a valuable experience, and I will look back on all aspects of my time in Switzerland fondly. Here are only a few of my highlights from a long list of memorable moments.
1. Travel
By the end of the semester, I had visited 6 new European cities: Paris, Lyon, Copenhagen, Amsterdam, Budapest, and Ibiza, as well as a number of cities in Switzerland including the capital, Bern. Geneva is such an easy location to travel from, since it is situated right in the middle of Europe, and with friends from Smith based in 3 or 4 different countries, a lot of my travelling included free accommodation! I was also able to make the generous food stipend from Smith stretch to cover a lot of my travel expenses, since I lived really close to the discount grocery store and tried to limit the amount of times I ate out (although temptations for fondue or spontaneous McDo often won…).
I mentioned in this post that getting to travel was really important to me. As well as the obvious benefits of learning about different cultures and languages and histories, I’m very aware that life after college may not have as much room for last-minute weekends away, what with having a 9-5 job/paying off student loans/other boring adult obligations. I’m really glad I got to make the most of having the time and opportunity to have these adventures while I had the chance!
On a similar note, I also got to visit home pretty regularly! Living in the UK has meant that I have only been able to visit home twice a year since coming to Smith, so I made the most of being able to hop on a $20 flight home every now and again.
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(Photo: seeing the Eiffel Tower for the first time during a visit to a friend on the Smith in Paris Program)
2. French
I have been learning French since I was about 11 years old, yet had never visited a French-speaking country before this semester. Practicing grammar and pronunciation in the classroom while getting that immersive experience in daily life was… challenging. It was so much French, all of the time. The learning curve was steep, but it was so rewarding to see myself adapt and learn in such a short time. I’m really happy with how much my French has improved.
3. Friends
There were 21 people in this semester’s cohort of the Geneva program, so I had the opportunity to make friends with so many new Smithies as well as students from other colleges - it turns out the program is open to a lot of other schools, so I met people from places like Cornell and Tufts, too! I’m looking forward to meeting up with my new Smith pals back on campus for French conversation practice accompanied by bread and cheese - old habits die hard.
I also got along really well with the Swiss students in one of my University seminars. It was a small class of students who all knew each other really well, so it was a little intimidating at first. However, they welcomed me into their circle and we ended up having a really good time in the class.
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(Photo: one of my favourite snaps of 2 new Smith pals and I)
4. Cooking
This one was a surprise! I actually really enjoyed being responsible for my own food, from grocery shopping to cooking, from meal prep to figuring out how long raw onions stay good in the refrigerator. I love being on Smith’s meal plan, since it’s so easy and convenient to get meals, but I now know that I won’t starve once I graduate!
5. A New Perspective
It’s the oldest cliche about study abroad, but I absolutely learned a lot about myself during my semester away. Being away from the States made me see my life there so differently, and made me appreciate Smith in a new, more real way: knowing what it is like to study at a large university, in a city, in big lecture classes, confirmed to me that I prefer the women’s-liberal-arts-college-in-a-quirky-college-town vibe. Before getting the opportunity to apply to American schools, studying in the European system seemed inevitable for me, and I was prepared to try and make the most of it despite knowing that it wasn’t quite right for me. Knowing that I have the school of my dreams to come back to has made me all the more grateful for the wild and wonderful life I have at Smith.
Now it’s time to gear up for summer and count down the days until I get back to my Chapin home! Tu me manqueras, Genève <3
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