#User-Friendly Hosting

[sakshuchauhan12]

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[chowderocats]

Ello!

I feel like coming terns with mental disability is big part of being comfy in own body.

I don't just mean autism, I mean DIDOSDD aswell.

I'm slowly coming to terms as the host and the core that I'm not like other people. I'm visibly disabled when I stim, and when I use AAC.

Slowly but surely, becuz I'm trying to admit I'm mentally oofed I'm beginning to have a better self image, which makes me happier. And while happy means more stimming, I genuinely don't care how I'm looked at for it because it makes me happy.

Go out and stim in public, your still human.

Have noticeable switches in public, your still human.

Use AAC/TTS when needed, your still human.

We are human, (or not, shoutout to alterhumans and nonhuman headmates) we have thoughts. We have morals. We are valid in our disabilities.

-asmodeous

[semiosissoftware]

WordPress vs Shopify are both popular choices for eCommerce, each offering unique advantages. WordPress, with its WooCommerce plugin, provides flexibility, extensive customization options, and control over your store's design and functionality. It's ideal for businesses wanting full control and scalability. Shopify, on the other hand, offers simplicity, ease of use, and a hosted solution, making it perfect for beginners or those seeking hassle-free setup and maintenance. It provides robust features out-of-the-box, including secure payment gateways and hosting. The choice between WordPress and Shopify ultimately depends on your business needs, technical expertise, and preferences for control and convenience.

[mostlysignssomeportents]

“If buying isn’t owning, piracy isn’t stealing”

20 years ago, I got in a (friendly) public spat with Chris Anderson, who was then the editor in chief of Wired. I'd publicly noted my disappointment with glowing Wired reviews of DRM-encumbered digital devices, prompting Anderson to call me unrealistic for expecting the magazine to condemn gadgets for their DRM:

https://longtail.typepad.com/the_long_tail/2004/12/is_drm_evil.html

I replied in public, telling him that he'd misunderstood. This wasn't an issue of ideological purity – it was about good reviewing practice. Wired was telling readers to buy a product because it had features x, y and z, but at any time in the future, without warning, without recourse, the vendor could switch off any of those features:

https://memex.craphound.com/2004/12/29/cory-responds-to-wired-editor-on-drm/

I proposed that all Wired endorsements for DRM-encumbered products should come with this disclaimer:

WARNING: THIS DEVICE’S FEATURES ARE SUBJECT TO REVOCATION WITHOUT NOTICE, ACCORDING TO TERMS SET OUT IN SECRET NEGOTIATIONS. YOUR INVESTMENT IS CONTINGENT ON THE GOODWILL OF THE WORLD’S MOST PARANOID, TECHNOPHOBIC ENTERTAINMENT EXECS. THIS DEVICE AND DEVICES LIKE IT ARE TYPICALLY USED TO CHARGE YOU FOR THINGS YOU USED TO GET FOR FREE — BE SURE TO FACTOR IN THE PRICE OF BUYING ALL YOUR MEDIA OVER AND OVER AGAIN. AT NO TIME IN HISTORY HAS ANY ENTERTAINMENT COMPANY GOTTEN A SWEET DEAL LIKE THIS FROM THE ELECTRONICS PEOPLE, BUT THIS TIME THEY’RE GETTING A TOTAL WALK. HERE, PUT THIS IN YOUR MOUTH, IT’LL MUFFLE YOUR WHIMPERS.

Wired didn't take me up on this suggestion.

But I was right. The ability to change features, prices, and availability of things you've already paid for is a powerful temptation to corporations. Inkjet printers were always a sleazy business, but once these printers got directly connected to the internet, companies like HP started pushing out "security updates" that modified your printer to make it reject the third-party ink you'd paid for:

https://www.eff.org/deeplinks/2020/11/ink-stained-wretches-battle-soul-digital-freedom-taking-place-inside-your-printer

Now, this scam wouldn't work if you could just put things back the way they were before the "update," which is where the DRM comes in. A thicket of IP laws make reverse-engineering DRM-encumbered products into a felony. Combine always-on network access with indiscriminate criminalization of user modification, and the enshittification will follow, as surely as night follows day.

This is the root of all the right to repair shenanigans. Sure, companies withhold access to diagnostic codes and parts, but codes can be extracted and parts can be cloned. The real teeth in blocking repair comes from the law, not the tech. The company that makes McDonald's wildly unreliable McFlurry machines makes a fortune charging franchisees to fix these eternally broken appliances. When a third party threatened this racket by reverse-engineering the DRM that blocked independent repair, they got buried in legal threats:

https://pluralistic.net/2021/04/20/euthanize-rentier-enablers/#cold-war

Everybody loves this racket. In Poland, a team of security researchers at the OhMyHack conference just presented their teardown of the anti-repair features in NEWAG Impuls locomotives. NEWAG boobytrapped their trains to try and detect if they've been independently serviced, and to respond to any unauthorized repairs by bricking themselves:

https://mamot.fr/@q3k@hackerspace.pl/111528162905209453

Poland is part of the EU, meaning that they are required to uphold the provisions of the 2001 EU Copyright Directive, including Article 6, which bans this kind of reverse-engineering. The researchers are planning to present their work again at the Chaos Communications Congress in Hamburg this month – Germany is also a party to the EUCD. The threat to researchers from presenting this work is real – but so is the threat to conferences that host them:

https://www.cnet.com/tech/services-and-software/researchers-face-legal-threats-over-sdmi-hack/

20 years ago, Chris Anderson told me that it was unrealistic to expect tech companies to refuse demands for DRM from the entertainment companies whose media they hoped to play. My argument – then and now – was that any tech company that sells you a gadget that can have its features revoked is defrauding you. You're paying for x, y and z – and if they are contractually required to remove x and y on demand, they are selling you something that you can't rely on, without making that clear to you.

But it's worse than that. When a tech company designs a device for remote, irreversible, nonconsensual downgrades, they invite both external and internal parties to demand those downgrades. Like Pavel Chekov says, a phaser on the bridge in Act I is going to go off by Act III. Selling a product that can be remotely, irreversibly, nonconsensually downgraded inevitably results in the worst person at the product-planning meeting proposing to do so. The fact that there are no penalties for doing so makes it impossible for the better people in that meeting to win the ensuing argument, leading to the moral injury of seeing a product you care about reduced to a pile of shit:

https://pluralistic.net/2023/11/25/moral-injury/#enshittification

But even if everyone at that table is a swell egg who wouldn't dream of enshittifying the product, the existence of a remote, irreversible, nonconsensual downgrade feature makes the product vulnerable to external actors who will demand that it be used. Back in 2022, Adobe informed its customers that it had lost its deal to include Pantone colors in Photoshop, Illustrator and other "software as a service" packages. As a result, users would now have to start paying a monthly fee to see their own, completed images. Fail to pay the fee and all the Pantone-coded pixels in your artwork would just show up as black:

https://pluralistic.net/2022/10/28/fade-to-black/#trust-the-process

Adobe blamed this on Pantone, and there was lots of speculation about what had happened. Had Pantone jacked up its price to Adobe, so Adobe passed the price on to its users in the hopes of embarrassing Pantone? Who knows? Who can know? That's the point: you invested in Photoshop, you spent money and time creating images with it, but you have no way to know whether or how you'll be able to access those images in the future. Those terms can change at any time, and if you don't like it, you can go fuck yourself.

These companies are all run by CEOs who got their MBAs at Darth Vader University, where the first lesson is "I have altered the deal, pray I don't alter it further." Adobe chose to design its software so it would be vulnerable to this kind of demand, and then its customers paid for that choice. Sure, Pantone are dicks, but this is Adobe's fault. They stuck a KICK ME sign to your back, and Pantone obliged.

This keeps happening and it's gonna keep happening. Last week, Playstation owners who'd bought (or "bought") Warner TV shows got messages telling them that Warner had walked away from its deal to sell videos through the Playstation store, and so all the videos they'd paid for were going to be deleted forever. They wouldn't even get refunds (to be clear, refunds would also be bullshit – when I was a bookseller, I didn't get to break into your house and steal the books I'd sold you, not even if I left some cash on your kitchen table).

Sure, Warner is an unbelievably shitty company run by the single most guillotineable executive in all of Southern California, the loathsome David Zaslav, who oversaw the merger of Warner with Discovery. Zaslav is the creep who figured out that he could make more money cancelling completed movies and TV shows and taking a tax writeoff than he stood to make by releasing them:

https://aftermath.site/there-is-no-piracy-without-ownership

Imagine putting years of your life into making a program – showing up on set at 5AM and leaving your kids to get their own breakfast, performing stunts that could maim or kill you, working 16-hour days during the acute phase of the covid pandemic and driving home in the night, only to have this absolute turd of a man delete the program before anyone could see it, forever, to get a minor tax advantage. Talk about moral injury!

But without Sony's complicity in designing a remote, irreversible, nonconsensual downgrade feature into the Playstation, Zaslav's war on art and creative workers would be limited to material that hadn't been released yet. Thanks to Sony's awful choices, David Zaslav can break into your house, steal your movies – and he doesn't even have to leave a twenty on your kitchen table.

The point here – the point I made 20 years ago to Chris Anderson – is that this is the foreseeable, inevitable result of designing devices for remote, irreversible, nonconsensual downgrades. Anyone who was paying attention should have figured that out in the GW Bush administration. Anyone who does this today? Absolute flaming garbage.

Sure, Zaslav deserves to be staked out over an anthill and slathered in high-fructose corn syrup. But save the next anthill for the Sony exec who shipped a product that would let Zaslav come into your home and rob you. That piece of shit knew what they were doing and they did it anyway. Fuck them. Sideways. With a brick.

Meanwhile, the studios keep making the case for stealing movies rather than paying for them. As Tyler James Hill wrote: "If buying isn't owning, piracy isn't stealing":

https://bsky.app/profile/tylerjameshill.bsky.social/post/3kflw2lvam42n

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/12/08/playstationed/#tyler-james-hill

Image: Alan Levine (modified) https://pxhere.com/en/photo/218986

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/

[itphobia]

Budget-Friendly Database Solutions: Balancing Performance and Budget Constraints

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[virtualizationhowto]

Setting Up Nginx Proxy Manager on Docker with Easy LetsEncrypt SSL

Setting Up Nginx Proxy Manager on Docker with Easy LetsEncrypt SSL #homelab #selfhosted #NginxProxyManagerGuide #EasySSLCertificateManagement #UserFriendlyProxyHostSetup #AdvancedNginxConfiguration #PortForwarding #CustomDomainForwarding #FreeSSL

There are many reverse proxy solutions that enable configuring SSL certificates, both in the home lab and production environments. Most have heard about Traefik reverse proxy that allows you to pull LetsEncrypt certificates for your domain name automatically. However, there is another solution that provides a really great GUI dashboard for managing your reverse proxy configuration and LetsEncrypt…

[llycaons]

something I've always hated about that site is when you delete a bookmark, it sends you right back to page one. if you don't want to manually click through until you see page 14 again or whatever, you have to type it into the url. absolutely unbelievable

[forumbusiness]

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[equalseleventhirds]

"I don't understand how I'm losing," Reigen said, his hands flying over his keyboard. It was so late now—too late, maybe—if only he'd used the same technique as with the Player Killer from the beginning, he might have stood a chance, but he hadn't seriously thought he'd lose—

"Shishou," Mob said, "why is this so important? You already have second place from Twitter."

Reigen laughed, not at all nervously, and splayed a hand across his forehead. "You don't understand, Mob. The publicity from something like this, even a rematch, would do wonders for Spirits and Such. This is about business."

(He would never admit to his pride being on the line.)

"And anyway, who is this guy? A radio host? I've been on TV, you know."

Mob carefully did not bring up what had actually happened when Reigen made his television debut.

Ritsu had no such qualms. "When they exposed you as a fraud? That was publicity too, right?"

"Hey—!"

Serizawa leaned over Reigen's shoulder to see the computer screen, careful not to spill the tea he placed on the desk. "Oh, Cecil from Welcome to Night Vale? It's been a while since I listened to that, maybe I should catch up."

Reigen stared at him. "You? What? Serizawa?"

"Ah... yeah." He rubbed the back of his neck. "Back when I was... well, when I didn't leave my room much, the podcast was popular. I guess it gave a sense of... community? Feeling less alone, even when you are." He shrugged. "Plus, hearing another gay man in a show like that was comforting."

"He's gay? Canonically?" Why can't I be gay canonically?

"Sure, he got married in episode 100. It was very emotional."

"I nearly died in our chapter 100—"

-- -- -- -- --

Well, listeners, there's still a few hours left on the poll, but I'm now leading at 56%! I must say, I did not expect this, especially after Twitter users so clearly forgot—or perhaps never knew—about my Tumblr Sexyman Origins.

But, that's neither here nor there. I certainly am grateful, if a bit bemused, about all of this, but let us not forget that this is all a friendly competition. Unlike the annual War On Christmas—and let us all take a moment to remember our fallen allies against that terrible holiday foe—this is a battle of kindness. Love, even. The love we feel for Tumblr, for our favorite sexy men, for pressing a button on a meaningless internet poll. The love we feel, listeners, for each other.

And in the spirit of that love and friendliness, I figured I'd get to know my opponent a little better! A bit of googling, which of course you know means searching via every search engine but Google, what with the Town Council imposing the Google Search Tax and getting all Night Vale IP addresses shadowbanned, has led me to... oh my, listeners. I do not know who made this, but Reigen Arataka has the single most beautiful professional web page I have ever encountered. It's... words do not do it justice. I am tearing up. This... I could not make anything better myself.

A-hem. Listeners, now that I've wiped away the tears such beauty inspired in me, I can now see that Reigen's website advertises his business, one Spirits and Such Consulting. Well! We may be rivals in this moment, but I am overjoyed to learn that Reigen runs such an innovative and important business! I am nearly ashamed that, while my opponent works to make the world a better place, I, a mere community radio host, am winning the sexyman contest.

Nevertheless, we must respect the polls. Not respecting polls could get us in hot water with the Town Council, or with the demigods of numbers who lurk in the sharp edges of percentages. So since I can't hand my victory over to him, I think I'll do what I can as a community radio host, and promote Reigen Arataka's important business!

So if you're a spirit in need of counseling, a ghost in need of therapy, or an eldritch beast in need of a shoulder to cry on, head on over to Seasoning City and pay our good friend Reigen a visit! I'm sure he'll be pleased as anything to see you.

[bigcollections]

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[ms-demeanor]

got a question I was hoping you could answer!

why do all apps have to go through an app store? why doesn't anywhere have their app downloadable from the internet or something?

was wondering this because lots of issues with apps seem to stem from having to comply with app store guidelines and whatnot. So why not avoid that problem and make the app available off the appstore? And if part of it is because they're easier to find in the appstore, why not do both? why not also offer the download on a website or something?

there's gotta be some reason why there's afaik no one who offers a download for their app without the appstore right?

There are absolutely other ways to get apps, and the one that springs immediately to mind is the F-Droid App Repository.

Sideloading is the process of loading an app that doesn't come from your phone's OS-approved app store. It's really easy on Android (basically just a couple of clicks) but requires jailbreaking on an iphone.

The reason more USERS don't sideload apps is risk: app stores put apps through at least nominal security checks to ensure that they aren't hosting malware. If you get an app from the app store that is malware, you can report it and it will get taken down, but nobody is forcing some random developer who developed his own app to remove it from his site if it installs malware on your phone unless you get law enforcement involved.

The reason more developers don't go outside of the app store or don't WANT to go outside of the app store is money. The number of users who are going to sideload apps is *tiny* compared to the number of users who will go through the app store; that makes a HUGE difference in terms of income, so most developers try to keep it app-store friendly. Like, if tumblr were to say "fuck the app store" and just release their own app that you could download from the sidebar a few things would happen:

Downloads would drop to a fraction of their prior numbers instantly

iOS users would largely be locked out of using tumblr unless they fuck with their phones in a way that violates Apple's TOS and could get them booted out of their iOS ecosystem if they piss off the wrong people.

Ad revenue would collapse because not a lot of advertisers want to work with companies that are app-store unfriendly

They'd be kicked off of the main app marketplaces

So most people who develop apps don't want to put the time and effort and money into developing an app that people might not pay for that then also can't carry ads.

Which leads into another issue: the kind of people who generally make and use sideloaded app aren't the kind of people who generally like profit-driven models. Indie apps are often slow to update and have minimal support because you're usually dealing with a tiny team of creators with a userbase of people who can almost certainly name ten flavors of Linux and are thus expected to troubleshoot and solve their own problems.

If this is the kind of thing you want to try, have at it. I'd recommend sticking to apps from the F-Droid Repository linked up above and being judicious about what you install. If you're using apple and would have to jailbreak your phone to get a non-approved app on it, I'd recommend switching to another type of phone.

(For the record, you also aren't limited to android or ios as the operating system of your phone; there are linux-based OSs out there and weird mutations of android and such - I am not really a phone person so I can't tell you much about them, but they are out there!)

[semiosissoftware]

Magento vs WordPress are both popular platforms for eCommerce, each with its strengths. Magento, designed specifically for eCommerce, offers robust features out-of-the-box, scalability, and customization options, ideal for medium to large businesses. Its advanced inventory management, payment gateways, and marketing tools cater to complex eCommerce needs. On the other hand, WordPress with WooCommerce plugin provides a user-friendly interface, extensive plugin ecosystem, and flexibility, making it suitable for small to medium-sized businesses. It's easier to set up and manage, with ample themes and plugins for customization. Ultimately, the choice depends on the size, complexity, and specific requirements of your eCommerce project.

[mostlysignssomeportents]

CDA 230 bans Facebook from blocking interoperable tools

I'm touring my new, nationally bestselling novel The Bezzle! Catch me TONIGHT (May 2) in WINNIPEG, then TOMORROW (May 3) in CALGARY, then SATURDAY (May 4) in VANCOUVER, then onto Tartu, Estonia, and beyond!

Section 230 of the Communications Decency Act is the most widely misunderstood technology law in the world, which is wild, given that it's only 26 words long!

https://www.techdirt.com/2020/06/23/hello-youve-been-referred-here-because-youre-wrong-about-section-230-communications-decency-act/

CDA 230 isn't a gift to big tech. It's literally the only reason that tech companies don't censor on anything we write that might offend some litigious creep. Without CDA 230, there'd be no #MeToo. Hell, without CDA 230, just hosting a private message board where two friends get into serious beef could expose to you an avalanche of legal liability.

CDA 230 is the only part of a much broader, wildly unconstitutional law that survived a 1996 Supreme Court challenge. We don't spend a lot of time talking about all those other parts of the CDA, but there's actually some really cool stuff left in the bill that no one's really paid attention to:

https://www.aclu.org/legal-document/supreme-court-decision-striking-down-cda

One of those little-regarded sections of CDA 230 is part (c)(2)(b), which broadly immunizes anyone who makes a tool that helps internet users block content they don't want to see.

Enter the Knight First Amendment Institute at Columbia University and their client, Ethan Zuckerman, an internet pioneer turned academic at U Mass Amherst. Knight has filed a lawsuit on Zuckerman's behalf, seeking assurance that Zuckerman (and others) can use browser automation tools to block, unfollow, and otherwise modify the feeds Facebook delivers to its users:

https://knightcolumbia.org/documents/gu63ujqj8o

If Zuckerman is successful, he will set a precedent that allows toolsmiths to provide internet users with a wide variety of automation tools that customize the information they see online. That's something that Facebook bitterly opposes.

Facebook has a long history of attacking startups and individual developers who release tools that let users customize their feed. They shut down Friendly Browser, a third-party Facebook client that blocked trackers and customized your feed:

https://www.eff.org/deeplinks/2020/11/once-again-facebook-using-privacy-sword-kill-independent-innovation

Then in in 2021, Facebook's lawyers terrorized a software developer named Louis Barclay in retaliation for a tool called "Unfollow Everything," that autopiloted your browser to click through all the laborious steps needed to unfollow all the accounts you were subscribed to, and permanently banned Unfollow Everywhere's developer, Louis Barclay:

https://slate.com/technology/2021/10/facebook-unfollow-everything-cease-desist.html

Now, Zuckerman is developing "Unfollow Everything 2.0," an even richer version of Barclay's tool.

This rich record of legal bullying gives Zuckerman and his lawyers at Knight something important: "standing" – the right to bring a case. They argue that a browser automation tool that helps you control your feeds is covered by CDA(c)(2)(b), and that Facebook can't legally threaten the developer of such a tool with liability for violating the Computer Fraud and Abuse Act, the Digital Millennium Copyright Act, or the other legal weapons it wields against this kind of "adversarial interoperability."

Writing for Wired, Knight First Amendment Institute at Columbia University speaks to a variety of experts – including my EFF colleague Sophia Cope – who broadly endorse the very clever legal tactic Zuckerman and Knight are bringing to the court.

I'm very excited about this myself. "Adversarial interop" – modding a product or service without permission from its maker – is hugely important to disenshittifying the internet and forestalling future attempts to reenshittify it. From third-party ink cartridges to compatible replacement parts for mobile devices to alternative clients and firmware to ad- and tracker-blockers, adversarial interop is how internet users defend themselves against unilateral changes to services and products they rely on:

https://www.eff.org/deeplinks/2019/10/adversarial-interoperability

Now, all that said, a court victory here won't necessarily mean that Facebook can't block interoperability tools. Facebook still has the unilateral right to terminate its users' accounts. They could kick off Zuckerman. They could kick off his lawyers from the Knight Institute. They could permanently ban any user who uses Unfollow Everything 2.0.

Obviously, that kind of nuclear option could prove very unpopular for a company that is the very definition of "too big to care." But Unfollow Everything 2.0 and the lawsuit don't exist in a vacuum. The fight against Big Tech has a lot of tactical diversity: EU regulations, antitrust investigations, state laws, tinkerers and toolsmiths like Zuckerman, and impact litigation lawyers coming up with cool legal theories.

Together, they represent a multi-front war on the very idea that four billion people should have their digital lives controlled by an unaccountable billionaire man-child whose major technological achievement was making a website where he and his creepy friends could nonconsensually rate the fuckability of their fellow Harvard undergrads.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/05/02/kaiju-v-kaiju/#cda-230-c-2-b

Image: D-Kuru (modified): https://commons.wikimedia.org/wiki/File:MSI_Bravo_17_(0017FK-007)-USB-C_port_large_PNr%C2%B00761.jpg

Minette Lontsie (modified): https://commons.wikimedia.org/wiki/File:Facebook_Headquarters.jpg

CC BY-SA 4.0: https://creativecommons.org/licenses/by-sa/4.0/deed.en

[ethersierra]

The Adventure Zone Wiki Migration

Hello TAZ community!

As you may know just from trying to navigate the website, Fandom.com is not all that user-friendly. Half your screen gets taken up by a video you never asked to play, and ads are constantly popping in at the sides. Overall, I'm not a fan of the platform because of their business model, but the wiki is a very useful resource, and I know many TAZ fans share these feelings.

That is why I have begun migrating The Adventure Zone Wiki to miraheze, an entirely non-profit wiki-hosting site which runs on MediaWiki, the same platform Wikipedia uses.

The new wiki can be found at adventurezonewiki.miraheze.org

While all of the content has been moved over, it still has some formatting errors from the platform switch. If you have a moment to help out as you see these errors, it would be greatly appreciated!

If you love TAZ and being able to access episode information, character details, and everything else, the wiki is a great resource for that! But it needs contributions! Wikis are user-run, and every edit counts.

The old Fandom wiki is still up, and will continue to be up, but as one of the people who have been consistently updating the wiki for information recently, I'm not going back there. All of my edits will be done at adventurezonewiki.miraheze.org, and the most updated information will be there.

Even if you do not intend to edit the wiki, any amount of sharing helps, as the migration will only be successful if people know about it! So spread the word!

[neververy4]

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[jennyfromthebes]

Hey! I wanna talk for a sec about the Live Music Archive. If you're a tMG fan who's on here you probably already at least know about it, but for anyone unfamiliar I want to do a quick post talking about what it is and how you can listen!

The Live Music Archive is a collection hosted by the Internet Archive for audio recordings of concerts. Specifically, the LMA hosts, with permission from the band, user-contributed recordings of concerts. Some fans will go to concerts with recording gear to take a full audio recording of the show and then upload it to the archive under the band's collection. As of writing this post there are almost 450 live tapes uploaded to the tMG LMA collection!

There's a few ways that you can listen to recordings on the Live Music Archive. The webpage works pretty well both on desktop and mobile browsers, and that's what I typically use. You can also listen on web without having to make an account on the Internet Archive, which is convenient for browsing. I also use the webpage to download mp3s of favorite tapes to my phone, so that I can listen to them in my local music player.

However, if you don't mind making a free account and prefer the convenience of something more like Spotify, you can also listen to anything on the LMA via the Taper's Section app for Android or the Live Music Archive app for iOS! (Obligatory disclaimer that I use an Android and can't personally vouch for the iOS app, but afaik they have similar features.) The apps have the same functionality as the webpage in a more streamlined mobile-friendly interface, plus things like notifications when there's a new tape added to a collection you follow and downloading in-app for offline listening. The Android app also has a tab for tapes from today's date, there's often at least one (there are FOUR for today!) and that's a really fun way to find tapes to listen to.

If you're looking at this going, wow, that sounds really cool but there's so many tapes that it's a little overwhelming to get into this, don't worry! I'll leave you with a couple recommendations. As mentioned above, I like to listen to shows from the current date. Another fun way to find shows is looking for a specific song - you can go on the wiki and it'll list every show at which the song has been played live, and then just search until you find one of them that has a tape on the archive. Lastly, a few specific favorite tapes of mine:

- 2014-06-15 has the entirety of Taboo VI: The Homecoming played live + one of my absolute favorite performances of both Woke Up New and The Best Ever Death Metal Band In Denton.

- 2015-06-01 is the only time Straight Six has ever been played live and it's interestingly pretty different from the EP version, plus a phenomenal back to back Spent Gladiator 1 & 2.

- 2021-08-06 was the first show after the band started playing concerts again post 2020, and it has a really incredible energy and a phenomenal setlist.

- 2024-03-01 is from the recent run of solo shows, this one was at Grace Cathedral and the ambience is truly truly incredible, it feels so ethereal.

Please feel free to add any additional notes or some of your own favorite tapes to the post as well! Happy listening!!