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#What even is brevity
thatiranianphantom · 1 year
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The solution seems so incredibly simple that they all spend more than a few minutes mentally kicking themselves for not thinking of it sooner.
Particularly Bess, the self-proclaimed #1 Nace shipper in the world (the description makes both Nancy and Ace cringe.)
It wouldn't even take magic that advanced, Bess and Addy assure them. It's not a break, and Temperance was clear about wanting to torture Nancy and Ace in specific, not the rest of them.
(George mumbles under her breath about how the neverending pining and longing glances were absolutely torture for her, and how "that bitch cursed all five of us".)
Nancy and Ace both struggle to believe it could be so simple. That the agony that they both experienced in those five weeks could have easily been undone.
But evidently, it could have been. Temperance was vague about the parameters surrounding the curse, and according to Bess, "a vague disclaimer is nobody's friend."
So they don't break the curse, in specific. In the millionth example of Nancy's friends coming through for her, they agree to shoulder the burden.
And with what does turn out to be a relatively simple ritual, the curse is transferred between all three of them. Now, a death curse links Ace with George, Bess and Nick.
And that should be enough, but that Nick, ever the responsible one, insists they can't let Nancy and Ace go (they'd been edging towards the door, slowly walking closer and closer together with every step) without testing if they've been successful.
This time, however, the vagueness surrounding the curse parameters absolutely do not work for the crew.
Gestures and words were, by Nancy and Ace's testings, not included within the curse. But physical actions were.
"The curse was active when Nancy and Ace went to kiss. So that means...we need to replicate that scenario in order to test if it's active on us," Bess explains, though the eagerness that before surrounded the ritual is distinctively gone from her tone.
"Couldn't Nancy and I just kiss again to test if the curse is off us?" Ace offers, and Bess looks sorely tempted before shaking her head.
"That'd show us if the curse is off you two, but not if it's been transferred to us. No, we have perform....a physical gesture of love with Ace." Now, there is an unmistakeable note of disgust in Bess' tone.
(And again, Nancy is endlessly grateful for her friends, because absolutely nobody looks enthused about this but they step forward anyway.)
They line up three glass bottles fished from the recycling on the mantle, insurance, a warning singal.
Characteristically, Nick offers to go first. Get it over with, he says. He slides into Ace with a hesitance that is so entertaining that Nancy covers her mouth to stifle the giggles. Nick clears his throat at least six times in the thirty seconds it takes to be face-to-face with Ace. He seems not to know what to do with his hands, his fists opening and closing, but settles on putting his hands on Ace's shoulders.
"Like a football huddle, just like a football huddle," they hear him mutter under his breath. With great hesitance, he presses his forehead against Ace's and goes in for the kiss when the first bottle shatters.
Nick jumps back instantly, much farther than was probably necessary.
"Well," he says, clapping Ace on the shoulder. "Better to have loved and lost, I guess. Bess, your turn."
"Yes, I suppose it is," Bess groans. She tiptoes up to Ace, keeping her legs a great distance away and leaning her upper body in slightly.
Nancy can see her shake her head, hear her whisper "do it for the Nace account. Do it for the people of Twitter." She can see Bess fight a shiver as she leans in towards Ace, such that they may as well be kissing from different zip codes. Bess' eyes are squeezed tightly closed and her lips are puckered when the bottle finally shatters."
"Oh, thank god," she gasps, jumping back.
("This is such an ego boost," Nancy hears Ace murmur under his breath.)
"And that just leaves..."
George lets out a very extended groan as she reluctantly stands. The room they're using at Icarus Hall isn't huge, and Nancy has seen George move quickly, but somehow it takes her at least three minutes to cross the room and stand within 100 feet of Ace.
"George. Pleasure to finally see you," Ace grins, and she fixes him with a glare.
"You know what? Maybe I can handle a bit more pining."
"George," Bess warns.
"Fine." She inches in closer, bit by bit, somehow managing to get half her body closer while the other half moves further away. Her whole face is puckered in disgust, and Nancy can see her holding her breath as she gets close enough to Ace to kiss.
"This has gotta be close enough for a freaking death curse," she mutters under her breath, but evidently, it is not, because the bottle remains uncracked.
Nancy has seen George approach a sea spirit with more enthusiasm, but she finally gets close enough that she is a breath away from Ace, and mercifully, the bottle shatters.
She leaps away in an instant, wiping her face.
"Oh my god, lips of Ace," she gasps. "I need a palate cleanser. I need..."
George looks around frantically, before her gaze falls on Nick. Determined, she strides up to him and pulls him into a passionate kiss, with more tongue than was probably needed among company.
The kiss seems to go on and on, but George looks significantly calmer after, and nobody misses the look that passes between her and Nick after.
"Better?" Nick whispers, his gaze on George. She nods, a small smile quirking at her lips and a pregnant moment passes between them.
It's broken by a low whistle. "Soo..." Ace starts.
"This was...great. Really flattering. Super ego boost."
"And we both just...really appreciate the...support," Nancy cuts in. "Looks like a...really successful curse transfer. Top notch. But, uh, if nobody minds, we have a broken curse to celebrate, so we're gonna..."
She waves a hand vaguely in the direction of the door which she and Ace are rapidly stepping towards, and a few seconds later, they're gone.
Another long moment passes before George breaks it. "Do you think Nancy realizes this is her house?"
Nick casts a look out the window. "Or Ace realizes he's our ride?"
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mallalada · 1 month
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trying to play hsr
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dokutah-exe · 1 year
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Thoughts on the gockroach terrorist now that you’ve played Darknights Memoir?
serious take: W is the most tragic of tragic soldier stories because she is the embodiment of both what the system creates and the system itself creating; she believes she can play the game to escape the game without realizing that she will be perpetually playing that game even if she made it to the top. even in her ideal success states, all her achievements are equivalent to the ashes she perpetually spends hanging out with. and it hurts: it deeply hurts to know that someone could experience so much suffering, and so much hardship, and yet gleefully be able to dole it back out without hesitation; because up until that point its genuinely all she knows, and it is all she could reciprocate
this is why its so heartwarming to see her, despite this herculean level of struggle from her own stunted emotional intelligence from the sheer circumstances that still continue to dictate her mind, that she still finds something close to what she can call a family. that despite everything in that brief moment, she can still mourn Ines her own way, and despite everything still managing to befriend Paprika between the two of them. that despite all that there is still some hope in the capacity to heal even in the belief that you might be too far gone; that perhaps there really is no turning back, and that you are becoming that which damned you to this life to begin with. that you're becoming me; or rather, what i used to be. she has every right to hate me, fucking id hate me too if i knew that shit
the comical scenarios and advertising and events and funny spinning roach for some people can dilute the core of her tragedy by means of making her more funnier in personality, but to me i like it in the sense that it feels as though its the first steps towards having an existence outside of spinning a cog and being a cog. she gets to have fun for once. she gets to not be regarded as an insane, awful terrorist only capable of spinning misery and hate and sadness and woe. she can take back an actual semblance of a life outside of the definition of her pain, even if its being a goofy phantom thief knockoff running around stealing shit. she's happy. she gets to be happy, for once.
please let her be happy.
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nadekofannumber1 · 1 month
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do you think Nadeko has a stance on free will and determinism?
I think Nadeko would not initially know what determinism means, art is Nadeko’s only good class.
But if you explained it I think Nadeko (of now) would probably have an arc abt it and think “I thought like that a few years ago, when I was really miserable in middle school I felt like I couldn’t really change anything and it had to be that way. But now a days I’m doing what I want so I find it hard to think that it’s all predetermined in some way. If so then fate is stranger than I could imagine.”
Nadeko really comes to believe in the human element of their existence over time so it’s probably not gonna b something (modern) Nadeko puts personal stock in
That or the thought would be something like “it’s kinda like shonen manga in a way isn’t it?” And then proceed to think abt the concept of fate in manga
For koi or otori or even before that Nadeko I think she’d go “…that’s interesting.” And then it would haunt her/feed into the complexes for a while, the fatalism of “I have to be this forever.” Is a big part of Nadeko’s whole deal and finding out about determinism would probably blend into the ambiguous concepts of fatalism that exists In Nadeko’s mind (I can see Nadeko easily conflating those)
Decent chance it could make nadeko worse solely bc of Nadeko’s complex on autonomy is just, like that. And adding unregulated words could easily factor into Nadeko’s mental list of excuses and justifications for not trying to self improve (or change anything about how much she hates her own pretty privilege and social dehumanization but is too comfortable in lukewarm misery to get out) or get some sort of help (that isn’t whatever bizzare cope was going on with Koyomi).
Ultimately it depends on which nadeko you ask
Bc like this is a thing that in narrative, changes
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victimized-martyr · 2 years
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I love all your kyman hc's so much!!!!😭❤ I just need to hear more, so here are my questions: if kyman got married how would they act around each other? And do you think they'd adopt kids and if yes: what would they name them? And would they raise them jewish or christian or both?
Aaahhh I know there are too many questions I'm sorry 😭😭
Don’t apologize, I love talking about kyman :D
Regardless of context, the core of their dynamic is: Cartman is the instigator, Kyle reacts, a little back and forth, escalate the issue to Nth degrees of insanity, Kyle lands the final blow. Though sometimes, depending on the issue, Kyle lands the last punch thinking he’s won, only for Cartman to win the war last minute. Another way the show’s mixed things up, is that Kyle’s victory is undermined either by South Park itself, or Cartman. I see their marriage as an opportunity to expand their unique dynamic and introduce new plotlines/ jokes that couldn’t be done if they were still kids.
I see Cartman taking Randy’s place as the adult that’s always up to no good, the fixture of South Park’s weirdness. self serving hijinks flare up just about every week. Meanwhile, the Sharon (or straight man) to offset that cannot be anyone else but Kyle. This time however, unlike the marshes, and perhaps most couples in South Park, the Brofloski’s are truly in love. That’s kinda the joke. The couple that started out insulting each other and trying to kill each other on multiple occasions end up in the happiest relationship. I see them fitting nicely among the pantheon of sitcom couples— Mitchel and Cameron, Marge and Homer, Ralph and Alice, Gomez and Morticia. Their relationship, in Trey fashion, pays homage to and in the same breath, mocks those classic couples.
TLDR, Their dynamic is in tact, it’s just evolved to a new label. Instead of sort of friends-ish, they’re a couple. They’re still loud, obsessed with each other, fight over issues, hang out and share similar tastes. Only this time they got rings on their fingers. And if they don’t fistfight, how do they deal with their classic arguments? Well, like any sensible american couple, of course! they fuck each other’s brains out! ( just kidding. I have this vision of Cartman doing the most outrageous shit and Kyle chasing him offscreen in anger, Cartman shouting “domestic abuse domestic abuse!”)
I’m not sure what they’d name their kids. Does it matter? I do know what personalities I’d like them to have though— the 1st, their oldest, is outgoing, entitled, bossy, manipulative, a performative people pleaser, makes everyone’s problems their responsibility, and is quick witted. (A 2w3) Much like Eric, they are exceptionally charismatic and love being in the limelight. And like Kyle, they love getting involved in the lives of others, seen as helpful. The 2nd child is less outspoken, prefers to keep opinions to themselves, a dispassionate observer. ( poster child for 8w9) Like Eric, they’re materialistic, and prone to laziness. Still, they are an intellectual like Kyle, and far more principled in comparison to their sibling/Eric. They’re probably the most capable and dangerous in the family. They don’t shoot themselves in the foot like Cartman, and they don’t fight against the currents of South Park like Kyle. If they wanted to, they could take over the world and succeed where the Brofloskis failed. They just don’t care though lol.
I could never, ever see them as a two religion household. Yeah, Cartman has been portrayed as a bigoted Christian (or in his words, “[used] Christianity as an excuse to be a piece of shit”), but carrying that extremity to adulthood isn’t as funny. I don’t know how to articulate that other than, many extreme right wingers on twitter weren’t able to read Cartman’s bigotry in Cupid Ye as hyperbolic and instead took it as fact, and praised the stuff he whispered into Tolkien’s ears. His actions in Cissy were recently trending and was seen as heroic and like, justification why trans ppl can’t use whatever bathrooms they want. You can’t escalate the crazy stuff from real life anymore— it’s become reality. So the funniest thing to do, is either personify it as something else or, run in the opposite direction. If anything, PC has shown us that it’s funnier that the very same kid who once belittled Judaism in fact, became devoutly Jewish and proceeded to rub it in everyone’s faces rather than him ending up as some evil businessman. You rob bigots the chance to idolize Cartman, but give Cartman the freedom to hone his brand of idiocy on other things. So! Kyle slaps the antisemitism outta him, they get married, bam. They are a Jewish family.
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topnotchquark · 7 months
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No way your thesis is not now kitten daddy is a shell of his former self
Except it literally is lol.
I've expounded on it a bit earlier too. But life was. Not. Kind. To Vale post his final title.
See the nature of power is that it is a potent drug and even the ones most deft at handling it definitely take psychic damage. When you're someone like Vale who was given a free reign since young adulthood to do whatever you want, you get used to it. He basically got Jeremy Burgess as his mechanic on a whim, and even though Yamaha had their strict Japanese ethos he was able to drive design decisions (colors, gimmicks, cartoons, the works) as he wanted. He was allowed these things because he won.
When he came to Yamaha from Honda, he managed to turn a midfield team around to deliver instant wins. He was able to shut everyone up who thought his wins with Honda were due to the bike.
I guess that's what he wanted when he made the switch to Ducati. A continuation of the magic. Flip a backmarker around, deliver even more on top of the existing 9 championships. Solidify in the minds of the people that Valentino Rossi is the sport and he will win irrespective of circumstances and competition.
Anyway none of that happened. And listen, there are healthy ways to process something like this but whatever that healthy thing is, is not embedded in the mind of a man doing 300kmph on a death machine while also entertaining crowds. (Btw if we compare to similar motorsports champions, Schumi quit after losing in 2005 and 2006 because who wants to have that after basically conquering the world. Lewis' 2021 loss was something that clearly affected him and he's doing what he can to reclaim some of that lost pride and power)
So eventually what we're left with is a man who after 9 championships has to contend with the fact that new and aggressive opponents exist that he can't win out against as easily. And that he's older, and that the world's eyes are on him as usual and now he doesn't have the form and power to dictate how people see him.
Now imagine amidst all this shit show, comes the most gifted rider of generations. Who makes heart eyes at you while you have to contemplate your own mortality. I'd chew at the bars of my own enclosure too.
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liquidstar · 2 years
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new oc batch ready! 8 more of these guys lol. the whole deal with this set is they’re from the artisan guild- lunar flair! intentionally spelled like “flair” as in “style” or “a flare for ____” rather than “flare”
basically all the members of the guild are different kinds of artists with different niches (and varying degrees of diva-ness). it’s pretty easy to tell who does what based on the everything about them, but if you want more info their bios are still under the cut!
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Name: Jupiter
Name Origin: The planet of course
Pronouns: He/him
Age: 52
Guild rank: Guildmaster
Weapon: Lightning rods
Ethos (Power): Gigantomachy. He can make himself (even more) giant
Flaw power is based on: His overly protective nature, especially where the guild is concerned.
Notes: Literally the nicest guy ever until you provoke him though
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Name: Erinome (Erin)
Name Origin: A moon of jupiter, the exact meaning of it’s name is murky but it can refer to grace or purity
Pronouns: She/her
Age: 13
Guild rank: 2 star
Weapon: A Book.
Ethos (Power): Poetic Imagery. Illusions cast forth by his her poems that change the appearance of the physical environment
Flaw power is based on: Her escapist indulgence in fantasy
Notes: You know, like, the pen is mightier than the sword and all that.
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Name: Pictor
Name Origin: The constellation meaning “painter”
Pronouns: He/him
Age: 23
Guild rank: 3 star
Weapon: Giant paintbrush
Ethos (Power): Ardor. He can create three-dimensional things with his paintbrush. However they are not animate or alive.
Flaw power is based on: His conceited nature in regards to his own work.
Notes: Goes to museums to talk about how he could probably do it better anyway
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Name: Oberon
Name Origin: A moon of the planet Uranus, it gets it’s name from the king of the fairies in Renaissance literature. Notably in Shakespeare’s A Midsummer Night's Dream
Pronouns: He/him
Age: 29
Guild rank: 5 star
Weapon: Rapier
Ethos (Power): Fantasia. An illusion of changing his own appearance.
Flaw power is based on: His theatrical nature, of course
Notes: Why is he ourple?
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Name: Syrma
Name Origin: A star in virgo, it’s name refers to the train of a garment (Typically worn by actors in tragedies)
Pronouns: She/her
Age: 25
Guild rank: 4 star
Weapon: Giant needle
Ethos (Power): Binding threads. She can create stitches on any solid objects and bind them to each other. Including people- The stitches are manifested energy and do not hurt.
Flaw power is based on: The dependency she often has on bonds- i.e. threads that bind people.
Notes: She makes and models all her own clothes.
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Name: Parumleo 
Name Origin: A star in Pisces, it’s name means “small lion”
Pronouns: They/he
Age: 19
Guild rank: 3 star
Weapon: Microphone bardiche
Ethos (Power): Persuasion. If they can make you laugh you’ll temporarily have to follow his orders. Though it’s too weak to call full-blown mind control, and fairly easy to snap out of.
Flaw power is based on: His desire to be liked by others.
Notes: They’re like a lolcat. They can haz cheezburger.
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Name: Leda
Name Origin:  A moon of jupiter, the name means swan.
Pronouns: She/her
Age: 28
Guild rank: 4 star
Weapon: Duel ribbons
Ethos (Power): Poise. Complete and utter weightlessness.
Flaw power is based on: Her carefree and utterly absent-minded nature.
Notes: You guys know swan lake right? Well, there ya go.
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Name: Styx
Name Origin: A moon of pluto that gets it’s name from the river of the underworld. Yeah it’s also a rock band.
Pronouns: She/they
Age: 20
Guild rank: 3 star
Weapon: Axe-guitar.
Ethos (Power): Vibrato. Powerful soundwaves cast by her axe-guitar
Flaw power is based on: Her brash and blasé attitude
Notes: Calls everyone “baby” or “babe” because they’re a cool rockstar.
#finn's ocs#oc references#finn's art#YAY i finally get to post my funny little artist guys#i feel like its fairly obvious what each persons gimmick is but just for the sake of brevity (for anyone who doesnt wanna read the readmore)#in order#jupiter doesnt have a Specific art bc hes the guildmaster and you can think of him as more of a teacher of sorts#erin is a poet/writer. pictor is obvs a painter. oberon is a thespian. syrma is a seamstress#parumleo is a comedian. leda is a ballerina. and styx is a musician (or straight up rockstar)#since these characters are all like.. trinary characters they dont go all Too much deeper than their gimmicks#but thats why theyre fun to design bc its like. what if [thing] was a guy LOL#also i wanted to try some new stuff out w their designs (like syrmas dimples for example) so i hope they look okay? i hope so...#also leda and how shes literally the least clothed character ive ever made. shes going to catch a cold for sure yeah#parumleo i worry about bc i had a fairly similar color pallet for asterope (but no red) so i hope he still stands out. the lolcat....#oh also if erin and oberon's powers sound similar that's on purpose too. shes like his protege#i feel like out of all of them though pictor is like the prime example of guy who should be in an artist guild LOL#like the most archetypal. most ppl think of painters when they think of artists#but i wanted different types in there too.#painters writers actors even funnymen and rockstars. they all belong. theyre all weird about creating#anyway im glad i can finally post them now ^_^
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anistarrose · 10 months
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finishing up a one-shot that's barreling rapidly towards 10k and yet it doesn't feel 10k in scope. there's no cosmic scale to it or anything. the characters were just having a good time together. hanging out and savoring the moment. who was I to put a stop to that. who was I to shoot down family bonding
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skrunksthatwunk · 5 months
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fuck that last fight against nightmare boooooo this shit is actually so stupid and evil and i don't like it >:(
#it's. eugh. it's. FUCK#i don't like it it's so bad i've done it like 10 times now#eughhhhhhhghhhnghn#dmc#dmc1#i still ahven't beaten it either.. sheeshhh#and i have to fight the stupid ice lizard things before a lot of the attempts too and half the time i can't dodge their jump thing because#i'm mid-combo so any indication of the wind-up to it can't actually be reacted to bc i'm busy getting hit or hitting#such that by the time the move is finished i literally can't get out of the way. often a roll isn't even enough range and they stand next t#each other so one roll's basically all i have time for anyway. sigh#whateverrr. this blows. this blows actual literal severe ass. ughhhhghh#dante. dante i believe in you i believe in us we can do this. but FUCK YOU NIGHTMARE YOU STUPID OOZE#arrrhghrhharzagraaaaa#sigh.. look the vulnerable points shouldn't only be available during 100% attacks in that area such that you take crazy damage if you#actually try to attack the part you have to attack before it goes away. and i've gotten so close ONLY FOR THE SECOND PHASE TO INITIATE AND#IMMEDIATELY KILL ME. BROOOOO WHAT ARE YOU DOINGG#look maybe i'm a pissbaby who's bad at video games but this pissbaby's got feelings#i should probably try a different weapon combo... sigh...#i did so bad on my alastor attempt that i've been using ifrit (i also like how fast the devil time is given the brevity of the weak spot's#appearances) but maybe sparda would be a better choice. but i like the devil trigger. i gotta listen to the song y'know. it's all about the#devil trigger babyy it's all about the devil time. and sparda's got nothing. maybe i should use that gun that looks like the goop#like. like is that a hint? idk i'd think if they were made of the same stuff it would be less effective#and i don't like that it seems to stunt your devil gauge. but if i'm using sparda anyway in for a penny in for a pound ig#whatever. rant over. i am. Calm (<- lying). so i'm gonna try again#and if i get mad again i'll do hw or something
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wheeler-things · 2 years
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Mike Wheeler, the Hand and Eye of Vecna, and D&D as Foreshadowing
I'm about to say something unhinged.
It's going to take a fair amount of words to unpack (sorry about that) because I need to give context before I just come out and say it. And I'm fully aware that it's just one of hundreds of possible options for s5, so I'm really not trying to convince anybody of anything just... I was thinking about foreshadowing and analogies again, and something occurred to me and then it snowballed and.... hm.
Okay, so, I talked about it a lot more in this post, but the key point for what I'm talking about here is my belief that the Party's first D&D game in s1 actually foreshadows all of the main Upside Down antagonists from seasons 1-4, with the D&D Demogorgon actually representing Henry. Essentially, my breakdown came down to this:
"Something is coming. Something hungry for blood." -> s1 -> the Demogorgon. "A shadow grows on the wall behind you, swallowing you in darkness." -> s2 -> the shadow monster. "An army of troglodytes charge into the chamber!" -> s3 -> the Mind Flayer and the Flayed. "The Demogorgon!" -> s4 -> Henry Creel.
So, the remaining unaccounted for villains (assuming that the way the characters use D&D enemies as analogies is not necessarily representative of/accurate to what they actually foreshadow within the narrative) are:
Mike's Thessalhydra
Will's Juju hoard
Eddie's Vecna
I have some speculation on the first two, but it's the third that I'm going to do a deep dive into my thoughts on.
Since this is pretty long and it takes a bit of time to get through the contextualizing, let me clarify up front that this ties into the "Mike has a connection to the Upside Down" theories which I love, but which I know are not to everyone's tastes.
Who IS Vecna (in Stranger Things)?
From the campaign in s4e1, we learn:
Vecna is hiding in plain sight among his own cultists
"His skin is shrivelled. Desiccated. And [...] he is not only missing his left arm, but his left eye"
Vecna was believed to be dead/killed by Kas
An 11 isn't enough to defeat him, but a 20 is (notably, we don't actually hear what Dustin and Erica were trying to roll to do-- based on the context of the scene, we assume that it was combat-based, but it is not explicitly laid out)
Later, in s4e2, Vecna is described (in terms that the characters start to tie to the entity we later learn is Henry, in an effort to theorize about what's going on) as:
An undead creature of great power
A spellcaster
A dark wizard
Note: In the context of Eddie's description of what happened to Chrissy, the term "Vecna's curse" is brought up. This leads into the description of Vecna's characteristics listed above, but no further details (as far as I can find or remember) are given about what Vecna's curse is like in Eddie's game. Which leads me to...
Who IS Vecna (in D&D)?
Alright, I have to admit-- I've played D&D before, but my friends have a tendency to prefer MotW/PbtA-based games, and even when we HAVE done D&D, the storylines and characters have been entirely from the DM's mind/not from anything official. As a result, everything I'm about to say here is based on what Google can tell me (I'm aware others have talked about this before, but I think it gives some useful context for where I'm going to go in this analysis, if I make sure we’re all on the same page about the background D&D lore).
The main websites that I used to get information for this part can be found here, here, and here.
So! The long and short of it seems to be that in life, Vecna was a wizard who built a "terrible empire". In order to avoid death, he turned himself into a lich, and in undeath, he continued to grow his empire. He had a lieutenant named Kas, who Vecna gifted a sword to. For unknown (though the speculation does not paint him in a positive light) reasons, Kas murdered Vecna, leaving behind only Vecna's eye and left hand along with a pile of ash. However, his spirit survived the attack and he spent "eons" regaining his former power. In the meantime, his artifacts, cults, and "dark secrets" continued corrupting others/pushing them towards evil.
It may also be notable that Vecna was known to have a "formidable and hideous" temper.
And... that's the short version of everything that I could find about Vecna in D&D.
Henry Creel as Vecna
So, this is the obvious conclusion, because the characters call Henry "Vecna", which seems to have largely lead to the audience assumption that the Vecna in Eddie's campaign definitely foreshadows Henry. And I want to start out by acknowledging that I do think this is absolutely a possibility! I could 100% be wrong about the Demogorgon in Mike's campaign representing Henry, and even if I'm not, there's nothing that says there can't be two moments of foreshadowing for the same antagonist.
If Henry is Vecna, I know there are a lot of theories about who Kas is, and I'm not interested in getting too deep into the weeds on that particular debate. With that being said, I will say that when I first watched s4 I personally thought it was obvious that, if Henry was actually the person foreshadowed by Eddie's Vecna, then El was clearly Kas and had already fulfilled her part in that role?
I mean, Henry didn't have any real power in the lab so obviously El wasn't his lieutenant. But she was clearly his favourite (or, depending on how you read his character, he at least did a good job of pretending that she was his favourite). He gave her a weapon (in that he taught her to use her anger to weaponize her powers). At first she helped him with things (ie. getting Soteria out of his neck), but later she turned against him and used the "weapon" he "gave" her in order to, as far as she understood at the time, kill him (literally turned him to ash, and he appears when we see him next in the Upside Down). But, of course, he wasn't actually dead, and in line with Eddie's campaign, he came back. El tried to face him alone, but it failed/missed just like the eleven roll.
You may or may not agree with me on that, but I personally think it's the most likely scenario. I just... can't see them recreating everyone thinking Henry has been killed for a THIRD time only to bring him back AGAIN. And in my opinion, El-as-Kas (but she's already fulfilled the role) does fit very well with what we know about Vecna from Eddie's campaign/with a number of the details from D&D.
I will also concede that you could make the case that Henry was hiding in plain sight among his cultists during the time when he was interacting with baby!El (as in, he was disguised as a lab assistant, and obviously the whole Lab is dedicated to, essentially, recreating Henry's powers so that's sort of like a cult to him, I suppose), and that he is certainly, as of the present timeline in s4, something like an undead creature as well was being very powerful and functionally a dark wizard. His flesh is even shrivelled and desiccated after his time in the Upside Down.
All of which is to say, without speculating heavily about the potential events of s5, Henry does look incredibly appealing as the thing foreshadowed by Eddie's campaign.
But…
The Case for Someone Else as Vecna
There are a few main reasons why I think that Henry is a red herring as the thing Vecna was foreshadowing.
Firstly, and least compellingly (I have to mention it, but it's not evidence that stands on its own), if Mike's Demogorgon foreshadows Henry, but the Party mis-used its name for the UD's Demogorgon because it was the monster they happened to be fighting at the time, then it stands to reason that it's possible that they may have mis-used Vecna's name to apply it to Henry for the same reason-- it was the most recent/most superficially relevant enemy the Party had fought in D&D and, as such, made for a decent enough analogy to the current situation.
Secondly, just on a narrative scale, if El has already played the Kas role in the s4 flashbacks and then has also already made her failed roll in present day s4... then literally all that's left is to roll a 20 and win? It's too smooth/too easy to take up a whole season. Obviously, the writers can throw in extra drama and struggle and tension, but if we're already past the failed 11 roll, then... it can't be too intense or else the foreshadowing loses its tight 1:1 dynamic with what's happening in the plot. And “not too intense” is very rarely what people are going for when they write a finale season.
Thirdly... despite how well Henry aligns with almost all of the descriptions of Eddie's Vecna, he does not align with what I would argue are the two most emphasized descriptors (the two that Eddie puts the most passion and physicality into describing, and the two which seem to actually make it clear to the Club that the unknown cultist is Vecna). Namely: Henry very much is not missing an eye or an arm. His left arm is odd looking, but that's not because he ever lost it and had to replace it. It appears to just be part of whatever the Upside down is doing to him/turning him into (God, I hope he's turning into a Demogorgon-- I saw someone suggest that at one point and I wish I could find the post to link it here, because I think it would be the funniest and most fitting option). And Henry's eyes both look kind of odd/cloudy now, but not only does he have both of them, but the flashback to him wandering the Upside Down after El threw him in there make it explicitly clear that his injured/initially damaged eye was his right eye. It would have been just as easy, and changed nothing about the overall narrative, if they had made Henry’s left eye blind instead/to subtly align with the Vecna analogy, so the fact that they so pointedly didn’t suggests to me that, in terms of foreshadowing, Henry may not actually be Vecna at all. In fact, there is nothing at all that I can remember connecting Henry to the idea of left eyes, except that the characters call him Vecna, and Eddie's Vecna is described as being devoid of one.
Also (and this is just a small point), I do think that it's interesting that in D&D, Vecna's backstory includes him creating a dark empire, and there are a lot of theories abounding about the idea that someone in the main cast created or significantly altered the Upside Down (I've mostly seen them about Will and Mike, but I imagine there are other similar theories for other characters). Because what we know for sure is that Henry absolutely did not create it, and likely did not significantly alter it either (at least not until he met the shadow monster), I do think that it's worth noting that this is another way in which Henry's character diverges from at least the D&D version of Vecna.
Detour: How do Superpowers Work in Stranger Things?
I may or may not have driven myself mad trying to figure this out. And I also may or may not have spent a long time resigned to the idea that Kali had been retconned by s4 showing that all the other numbers seem to have basically the same powers as Henry and El (with the possible exception of El's ability to open portals into the UD-- unless Henry had this ability as well before the Mind Flayer took a chunk out of El in s3... we simply don't know yet).
I feel like I maybe heard something, at one point, that suggested that all of the kids in the lab had telekinesis and then also at least one other power. However, I can't find a source on that? Also, I don't believe there's any direct evidence of this shown in s4 (and Kali's powers outright contradict it), given that the only non-telekinetic power that we were shown by anybody but Henry and El was 010 who was able to see what others were doing in his mind (which seemed to be very similar to El's mind void abilities, if maybe a little stronger or more well-practised).
Either way, I think the evidence given in the show suggests that there are three possible ways to develop or obtain supernatural abilities in the Stranger Things universe.
Via experimentation. This was the case for El, and very likely also most of the other kids in the Lab. It also seems to have been the case for El's mother, who we see being able to flicker the lights and change the channels on her television with her mind.
Through infiltration by and/or extended exposure to the Upside Down. I'm a little more tentative on this one, because my main example of this is Will, and we all know that there are a LOT of theories about Will's abilities. And I want to stress that I cannot definitively say they're wrong. All I can say is that, as the show exists right now, one of many possible readings is that Will's abilities, such as sensing the Mind Flayer, seem to be a result of his experiences with the Upside Down. If this is accurate, then it represents a method of obtaining powers that is distinct from how El got hers. I’m not at all trying to discount the possibility that Will could have other powers that he was born with or developed due to experimentation (I love a good Will-born-with-powers theory!), I just want to consider the possibility that Will’s powers could be a result of his experiences with the Upside Down.
Being born with them/developing them spontaneously. Henry is the obvious example of this, but I also believe that Kali is another example. Her powers are completely different than those of the other numbers. Moreover, Kali was abducted when she was five, unlike El who was abducted as an infant. To me, this suggests that Kali was likely not the result of Brenner's experimentation, but rather, more similar to Henry in that she spontaneously developed powers, and Brenner took advantage of that fact. If this is the case, it would explain why Kali's powers are so different from those of everybody else that we've seen-- because it is likely that Brenner used Henry Creel as the basis upon which his experiments were developed, explaining why they largely seem to have powers very similar to Henry.
If this assessment is correct (and I cannot stress enough how speculative I am being here because this is still a huge mystery in the show itself), then I do think it's interesting that Henry (who is almost certainly going to be the main/active antagonist for the vast majority of s4, even if he doesn't turn out to be "Vecna" from Eddie's campaign in the end) represents 3/3 of these points (he was experimented on by Brenner, he has been changed by the Upside Down, and he developed his powers spontaneously), and yet, out of our protagonists, only 2/3 of those points are currently represented (El who developed her powers via experimentation, and Will who likely/possibly-- I know everyone has their own strong opinions on this developed them via exposure to the Upside Down)?
In reality, I think that if my interpretation of how getting superpowers works in this universe is accurate, then it seems to me that we will very likely have a character with powers that developed naturally to complement El and Will.
However, both for narrative reasons (it would feel too shoehorned in/too Deus ex Machina) and for fitting in with the other established characters who seem to have spontaneously developed powers reasons, it would not make sense for any of our protagonists to all of a sudden start moving things with their minds. Narratively, it would just seem like it was being added in at the last minute and, anyway, it seems like Kali developed her powers/showed clear signs of them before the age of five, and Henry developed his around the age of twelve, so it’s likely that if any of our characters were going to develop powers, it would start before their teenage years.
So, assuming we're not getting Erica (God, I wish) or Holly (...I mean, I wouldn't complain) suddenly developing powers of their own, it seems likely that if any of our characters are going to have spontaneous powers, they likely already have them/are already using them. However, I don't think any of our beloved ensemble cast would know they have powers and not share that with the class. They all want to beat the Upside Down, and El and Will have already more than shown how useful superpowers are in that effort.
And... on a narrative level, let's be real. If this is the direction things are going, the reveal of these powers/abilities cannot be a joyous occasion. It has to hurt. Because if it doesn't hurt, we're back to the Deus ex Machina issue. But if it hurts-- if the reveal causes severe conflict for the character in question and with the people around them, if it breaks them down and reveals new things about them, if the reveal feels like a loss, in the moment when it comes about, rather than a win for the cast... then it might work.
For that to happen, the repressed/extant but unknown powers have to connect to the Upside Down. They have to have had a significant hand in all the pain that our characters have gone through. Possibly via either creating the Upside Down or the shadow monster, or else through some other connection. But the connection has to be there, because the reveal needs to cause fear, pain, and conflict for the characters.
Detour Cont'd: So... Who Is It?
So... if my wild speculation above is in any way accurate, I think it's worth taking a look at our established characters to see who could have done it.
So, Henry was wandering the Upside Down from 1979 onwards, El opened her first gate in that same year, so I suspect that if any of our characters did accidentally create/influence the Upside Down it likely happened starting around this time. In '79 (dangerously assuming my math is correct), Nancy (also Jonathan and Robin) would have been 11-12, and the Party would have been 7-8, making them the primary possibilities. - I think it's fair to assume that if they're doing this, it would be a major character that we've known since s1, so that discounts Robin and Max. - Additionally, given the composition of the final shot of s4, I think it's reasonable to assume that this character would be in that final shot, because they would have a significant role to play in s5. That cuts out Lucas and Dustin as well. - I'll also say that we can cut out El and Will, since their powers are (under this specific interpretation) already accounted for. - That leaves the remaining options as: Nancy, Jonathan, and Mike. - And, I mean... Mike's the one who's in the middle of that final shot, just as much as Will is. Mike's the one who always knows weird random stuff about the Upside Down and about El's powers. Mike's the one whose plans always work out. Mike's the only one who has never managed to land a punch/at least not managed to land a punch in the A plot of a season climax. Mike's the one whose emotions are a total mystery to the audience (outside of those who engage in intense rewatching and analysis to pick it apart lol). And… Mike’s the one who’s always depicted in a trio with El and Will (I know this is love triangle imagery, but it could potentially have a double meaning). - My point being-- if all of my previous reasoning/interpreting is accurate, then Mike is the only character who makes any sense in this role.
Also, just talking about logistics here-- in order to be comprehensible to audience members who are not about to sit down and rewatch the show a million times in order to pick up on subtle clues and hints, there are a few issues that are going to require a decent amount of screen time in order to explain/develop in s5. To my mind, (outside of ship dynamics) those are:
Where is Max? Why can't El find her?
What is Will's connection to the Upside Down? Did the Demogorgon really take Will in s1? Why is Henry/the Mind Flayer so focused on him?
Why is the Upside Down stuck in time/why and how did it start looking like Hawkins?
What the hell is going on in Mike Wheeler's head?
How will everybody react to the Upside Down and its monsters now that they're bound to start becoming common knowledge around Hawkins?
How are they going to deal with the military? What is going to happen to El if her location is compromised? How will this impact the fight against Henry/the Upside Down?
What is the relationship between Henry and the shadow monster/Mind Flayer? Is it possible for the gang to kill/destroy/incapacitate both? How will they do that?
My point is, there's one question on this list that doesn't seem to be connected into the Upside Down plot in any way-- and that's point 4. The question about Mike. Because realistically speaking, Stranger Things has a Mike Wheeler-shaped problem. He's a protagonist every season, and he's literally equally sharing the centre of the screen with Will in the final shot of s4, so if we're getting a Will Byers protagonist moment in s5, I think it's safe to suggest that we're also getting a Mike Wheeler protagonist moment.
But generally speaking, people don't want a Mike Wheeler protagonist moment, because people don't like him. And obviously that's because the underlying issues that he's going through have been hidden from plain view, but, like... you don't do that for no reason. Narratively speaking, you only do that if you're amping up for a big reveal.
And, yes. Mike and Will getting together would absolutely be a massive reveal and I can fully understand why they wouldn't want to spoil it... but. To get people to care about Mike again, and to believe that he "deserves" Will, they need to devote time and narrative space to explaining Mike's emotional state, both regarding his sexuality, and regarding whatever mental health issues he's struggling with. And they could have put more of this in s4! Mike and Will had FOUR heart to hearts, discounting the van scene. They very much could have had Mike express some of his (likely) experiences with depression and/or PTSD, without having to show their hand about his sexuality/feelings for Will. Doing so would have helped the audience have more sympathy for/understanding of Mike, AND would have significantly cut down on the ground they have to cover with his character in s5.
Because... they're going to need to take up a fair amount of time in s5 to show all of the stuff they need to cover with Mike if they actually are intending to follow through with him being queer and also, like, not beloathed by a large swath of the audience, they're going to need to connect his emotional issues to the Upside Down/A plot somehow. Which they can absolutely do! Henry's whole thing is perfect for that. And it worked with Max-- but there's a difference.
Because, with Max, her experiences with Henry/Vecna's curse were used to give the audience new information to help solve the mystery of the season. But we don't need that again. And... sure, Mike could get cursed/attacked and learn something useful in the fight against Henry, in addition to showcasing all the stuff that's going on inside his head, but given that Will's back in town and is already psychically linked with Henry/the Mind Flayer... I mean, it seems more natural to have that dynamic fall to Will?
This is a lot of talking, but my POINT is... they did not have to hold Mike's emotional state so close to their chests. Let's be real-- they could have at least started to outline the idea that Mike might be struggling with mental health issues, and nobody who isn't already reading the writing on the wall for Mike/Will would be jumping to assume it meant he was struggling with any gay feelings. Like, let's be absolutely real here: they could have had Mike outright say "I don't know, it's like you left and all of a sudden I didn't have the energy to do anything all I could do was sit around and miss you" to Will and people would have understood it as "ohhhh he was depressed because he missed El/has trauma about El disappearing on him/leaving him".
So, if we're reading Mike correctly-- if he's struggling with mental health issues and they're putting in all the little clues and hints to it that we're picking up on/that will be obvious on a rewatch after some huge reveal... then whatever he's going through has to tie into the supernatural plot in a big way. And, more than that, it needs to be linked to it in a way that is surprising enough/enough of a twist to warrant all this secrecy about it.
AND (and this is a hill I am prepared to die on)... Will and El are both main characters, but so is Mike. The plot would not have started without Will. The plot would not have started without El. But also... the plot would not have started without Mike. Without Mike things are totally different, because whoever found El instead would not have been the exact combination of nurturing and feral that made s1 Mike hide her in his basement/believe her the instant she implied she even maybe knew how to find Will. And that's just the first thing that he did which unquestionably pushed the plot in the direction it's going. There's a reason he shares centre screen with Will at the end of s4 (after El had her extended closeup because I'm sure she's going to continue having her protagonist moment in s5, AS SHE SHOULD). Mike isn't just a love interest. He's a protagonist in his own right-- this is his coming of age story, just as much as it is Will's and El's. And, while it's entirely possible that they might have a plan that includes him being the only one of the trio without any particular personal connection to the supernatural plot, I do think it's worth considering that, just as is the case for Will and El, it's at least possible that Mike might have a plotline outside of his romantic relationships, and that, as the third protagonist/third leg of the protagonist trio... it's at least possible that said plotline might have direct ties to the supernatural A plot.
(Also, yes, the ending shot does also suggest that Hop, Joyce, Nancy, and Jonathan are also protagonists for s5-- I feel like this tracks with their roles in s1, and I fully expect them to play major roles in s5, but if this is actually a coming of age story, then it's the Party who are, really, the ones spending this whole time coming of age. That's why I'm making the distinction.)
I bring all of this up, because I believe that it lends context to why I think it is possible that Eddie's Vecna actually references/foreshadows Mike, in particular's, s5 role.
Mike as Vecna
So, here's the thing. If Mike did create the Upside Down, or at least the shadow monster, then he (or at least his repressed emotions and/or dark thoughts) is an antagonistic force in the show. That doesn't mean he's bad or evil (Will was an antagonistic force in s2, and he's sort of the exact opposite of bad or evil). Meaning that it would make sense to foreshadow him as an antagonist, even if ultimately he is a protagonist/on the side of the rest of the gang.
Returning to what we know about Vecna from the show, I'd like to combine it with some of the common theories/ideas that I've seen floating around regarding Mike's potential plot/future in s5.
First of all, Eddie's Vecna is shown hiding among the cultists. Mike obviously doesn't have a cult, although, if he is (unintentionally) the cause of all the Upside Down business, he is hiding in plain sight, both to the other characters and to the audience.
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^ Bringing back this screenshot for absolutely no reason at all
I would also point out that Mike is the only character, of the viable list (even expanded back out to include Will and El) of those who could even maybe have played the role in creating/influencing the Upside Down, who is also a member of the Hellfire Club. By which I mean, Mike might not actually be in a cult, but Hawkins at large sure thinks he is.
Now, obviously, Mike isn't dead/hasn't been killed by anybody. But everybody is always talking about all of he death flags around Mike coming into s5, and I, at least, am of the opinion that he can't die permanently (for the same reason that Will and El can't perma-die-- all of them are way too self-sacrificial and willing to throw their lives away for everyone else, so killing them would literally just be them... doing what they always do, which is not ideal for a death scene, especially in a show where the death of major characters is used as infrequently as it is in Stranger Things). If he dies and then comes back to life, or at least seems to have died, this might fulfill the "undead" requirement.
Obviously, how the issue of Kas would come up in this storyline, would be much more questionable than in Henry's. If I'm on the right track here, though, I wouldn't really expect us to know at this point, because it would likely come up in s5 anyway. What I will say is that, if I were to speculate about s5... since Mike is the leader of the Party, and Kas was Vecna's lieutenant, if this is the direction they're going, then I would expect one of the Party members (probably not Will or El because I have some... thoughts about them in the context of the Vecna analogy) to play the role. However, I really can't see any of them intentionally killing/betraying Mike, so my best guess is that if this is happening, it's going to be more a thing of Mike self-sacrificing/endangering himself in order to protect one of the Party members, rather than them intentionally/personally striking the blow. That's SUPER speculative, though, and not founded in very much except... Mike's character as a whole. Also, in D&D's lore, all that was left of Vecna after Kas had killed him, besides the Hand and the Eye, was a pile of ashes-- which fits really seamlessly into Mike's narration of his D&D character dying a fiery, self-sacrificial death at the end of Will's campaign.
Eddie's Vecna is a spellcaster/dark wizard, which are terms that would fit anyone, Mike included, in the scenario where they created/significantly influenced the Upside Down/shadow monster.
In terms of Mike's appearance, obviously he does not appear shrivelled and desiccated (though we'll have to see what s5 brings on that front), but I will note that there are a LOT of theories about Mike losing an arm and possibly an eye as well. Additionally, Mike's left eye, in particular, is often shrouded in shadow. I've already written a different post about that, so I won't go too into detail, but you can look at it here.
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^ A sample of some of the left eye shadows
If the theories about Mike creating the Upside Down or at least the shadow monster are accurate, then that fulfills the D&D Vecna's backstory of having built a dark empire before his undeath.
In the context of Mike, I also think it's interesting that one of the things D&D's Vecna is known for is his "dark secrets". Like... I mean, we all know Mike is full of secrets. And it's very likely that they're "dark"-- not necessarily in the way that D&D Vecna's secrets are dark, but more so in the way of, like, mental health issues can be very dark when you're living through them. I mean... Max had "dark secrets" this season, too (though, obviously, totally different in nature and context than Mike's), but the narrative difference (outside of all the cool character stuff they were doing with Max-- this is not a Max post so I won't get too into it, but I just want to make it super clear that Max has a LOT of interesting stuff going on in s4 in her own right) is that those came to light, while Mike's stayed hidden.
Also... okay let me just put this here:
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(Link to the site I got that from is in the Vecna in D&D section)
"The godlike supremacy they crave". Does that... not sound like Henry? I mentioned Henry turning into a Demogorgon back in the Henry as Vecna section of this post, but... I think I'm just saying that it could legitimately be happening? I don't know. Maybe I'm just being overly enticed by the idea of Henry's hubris making him believe that he's the one in control of the Upside Down/the shadow monster/Mind Flayer when, in reality, the truth is that he's simply blinded to what's happening to him by his own arrogance and ambition.
Anyway... finally, I'll point out that D&D's Vecna is also known for his "formidable temper". And, like... I just... okay, so a lot of characters in Stranger Things have tempers and anger issues. But the thing with Mike's is that it's portrayed... kind of differently? Like, if you push Jonathan or Steve hard enough on the right pressure points, they'll snap and physically fight you (we've seen it), and El's basically the same except that she generally has the psychic force to skip the fight and simply toss you aside like a ragdoll. If you push Will or Nancy or Hopper hard enough on the right pressure points, they'll get sarcastic and frustrated and snippy (and depending on who you are, Hopper and maybe also Nancy might also punch you lbr-- here's hoping for Nancy punching someone out in s5). But Mike?
a) Mike's kind of constantly on the verge of getting mad (except, typically, when he's alone with Will and usually also El pre-s4). He's annoyed by everything, prickly towards basically everyone unless he knows them very well, and easily upset if he doesn't get his way/doesn't feel consulted about what's happening. None of which erases his positive qualities, and all of which are explainable, but it's undeniable that there's an angry element to his character.
b) When Mike does actually get properly mad, he shoots to kill. "What is WRONG with you?" "It's not MY fault you don't like girls!" "She didn't LOOK fine...", like. Every season, he says something so harsh it leaves the other person/people speechless. And that's NOT to say that Mike's a bad kid. He's a child who has suffered a lot of trauma, and who was already prone to fits of annoyance before all the bad stuff started happening. Of course he lashes out. AND it does seem like he's making an attempt to improve especially as of s4 (probably because the rain fight really scared him tbh). I'm not saying he's bad, I'm just saying that one of his flaws, which he does seem to be working on, is that he has a tendency to get angry and say things that he might mean in the moment, but which are more hurtful than he wants them to be.
c) I find the scene where Mike breaks down in Hopper's arms in s2 incredibly telling. Obviously, this was Mike under extreme circumstances. I'm not suggesting that level of rage and pain is Mike's typical baseline level. But what I am saying is... that breakdown did not develop overnight. That was something Mike was building towards since s1e1. And then he lets it out with fists and screams and sobs. And then he boxes it away and gets back to plotting how to stop the Mind Flayer and save Will like nothing happened. And nobody brings it up ever again (I mean... let's be honest... the only person who WOULD 100% have brought it up later was passed out in a drug-induced nap at the time, so it's very likely that Will doesn't know about that breakdown... just like he probably doesn't know about the quarry). And just like every other character, Mike keeps getting traumatized on top of all the pain that caused that original breakdown. And...
I don't know. I guess I'm just saying that it's undeniable that Mike has a temper, though he's not the only character who does. And that Mike's inevitable s5 breakdown will probably involve rage as well as tears. Does Mike have a "formidable and hideous temper"? I don't know. I think that sort of depends on who is judging. I am pretty sure that Mike thinks he does, though.
And... lastly... this is just a parallel that I thought was interesting, which probably doesn't mean anything, probably it's just a coincidence, but I'm already deep enough into this analysis that I've lost my mind so...
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^ s1 Mike covers his left eye while indicating/faking a headache
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^ s4 Eddie covers his left eye with an upside down hand to mimic being Vecna
The Eye and Hand of Vecna in This Context
Something that has been bothering me is this:
Mike, Will, and El are obviously paralleled to two trios from other franchises, with Will and El, respectively, as the "head"/primary character in the trio.
They're paralleled to Harry/Ron/Hermione (no, I don't like talking about HP parallels very much because //gestures at everything about JKR with my very trans hands, but I don't think that discomfort on my end negates the obvious parallels), with Will generally functioning as Harry (although I'm aware that Will and Mike get the Ron/Hermione treatment in the airport), with everything to do with his connection with Henry.
They're also paralleled to Luke/Leia/Han, with El generally functioning as Luke.
So, the thing that has been bothering me is: if Mike is just as much a protagonist as Will and El are, and not just a romantic interest for the two of them, why isn't there also a trio in which Mike gets to play the leading role? And, uh... so... I have a thought about that, but it requires me to dig a bit deeper into the lore behind the artifacts left after Kas (nominally) killed Vecna in D&D lore: the Hand and the Eye.
The Hand of Vecna:
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The Eye of Vecna:
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(link to the site where I took these screenshots from is included in the section about Vecna in D&D)
So... if (and I'm very aware that it's a big if) Mike is going to turn out to have been foreshadowed by Eddie's Vecna, then I believe that this is the trio he's at the head of. Vecna/Eye of Vecna/Hand of Vecna, with El as the Hand and Will as the Eye.
I mean, the Hand's thing is strength (El's telekinesis lends strength to her/anybody she is helping use it for-- ie. flipping the car in s3, where flipping it back over requires multiple people and Mike's lever system). It improves attacks during combat (again... El's telekinesis sort of makes her the gang's heavy hitter). It can apparently also freeze creatures (we see El do this at least twice in s1-- she freezes Troy in place after he tries to attack Mike, and freezes the Demogorgon in place when it's trying to attack the Party). And it can be used to cast a number of different spells including Teleport (El can't exactly teleport, but she can use the mind void to travel anywhere a given person is in her mind) and some necromantic spells.
Interestingly, although they're not spells the Hand can provide according to screenshot above, bringing back the dead, like El does to Max at the end of s4, can be done using a necromantic spell in D&D.
And the Eye... I mean. Truesight is right there. But in general, it's a lot about being able to see through just about everything (including time, which is pretty interesting), with fits pretty well with Will as the spy/Will as the sensor of all things Upside Down. The spells it can cast are pretty interesting as well, and do make me wonder if the fact that Will was (or possibly still ever so slightly is?) part of the hivemind might give him some ability to control what the hivemind does? I don't know, but it's a thought.
Also, the effect of using the Eye is really interesting, given the fact that Will was infected by the shadow monster/Mind Flayer right at the moment when he tried to order it to "go away" (failed Dominate Monster?), and then the whole possession got worse/his soul was almost consumed leaving him essentially a puppet under the control of the shadow monster/Mind Flayer after he attempted to spy back (possibly failed Clairvoyance?). Also, fun fact: Disintegrate causes a "thin green ray" to "spring from your finger" in order to turn a target to dust. I can't help but think about Will the Wise's green fireballs.
I don't know… I just think the parallels are worth thinking about.
To be 100% clear, I'm not saying that Will and El's powers/abilities come from Mike (just like in the HP parallel, Will paralleling Harry/the Chosen One doesn't take away from El or Mike's positions as co-protagonists with him, or in the SW parallel, El paralleling Luke doesn't mean that she's the only protagonist/Chosen One in ST). Nor am I suggesting that Mike in any way owns Will or El. I'm only pointing out that there are some striking similarities between their powers/experiences and the effects of Hand and Eye in D&D, so if the theories about Mike creating the Upside Down/shadow monster are correct, then... those similarities are interesting.
(But, hey, I mean, fun fact-- if this is actually the intended read, then all three are paralleling powerful wizards in popular culture, which is fun.)
Also also... something I've always found super weird is that Will's eyes go brown when he's possessed, never black. Which... is odd, because black is traditional for possessions, and it would look more unnatural, it would align more with the shadow monster's colours, and it would be a really clear signal to the audience that there's something wrong with the colour of his eyes because as it stands, unless you already know that Will has hazel eyes, nothing seems off (especially because the characters never mention the change either). I mean, the shadow monster is black/dark grey. Henry's eyes are blue and never go darker than that. But Mike's eyes are just about that same shade of brown that Will's were when they were at their darkest...
I mean, if nothing else, Mike as Vecna and Will and El as the Eye and Hand would explain why Mike keeps losing (being cut off from) both of them.
And, I mean... we all know Will tends to hang out on Mike's left, but so does El (it's just less obvious with El, because she also has a motif of facing Mike head on). Largely (though not always-- if there's a true pattern, I can't tell what it is), when they're not in this alignment is when they're disagreeing/not on the same page/not pretending to be on the same page with Mike. I mean... you know. Something something, Vecna's left hand and left eye?
No, Seriously, Will and El are So Often on Mike's Left
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^ Just a sample of the relevant shots
The Good News
Now that I've gotten through all of this, I do want to say that, even if Eddie's Vecna is foreshadowing something about Mike's role in the supernatural plot of s5, I don't believe they're setting him up to be a true villain. Like... if Mike did actually create the Upside Down/the shadow monster/in some way impact them, I very much do not believe that he is aware of it as of s4, nor do I believe that he would ever intentionally hurt any of the people that the Upside Down has tormented all these years. Well, except himself [gunshot]
Obviously he would be absolutely ripped open if he learned any of what happened was in any way his fault. He'd be absolutely gutted. If you're a "Mike needs to have a sobbing, screaming breakdown in s5" kind of person, man would you get your wish and then some.
My point is, even if they're setting up a twist where Mike('s repressed emotions) have been an antagonistic force all along, I very much do not believe that Mike is being set up as an antagonist, in his own right.
This is where I'm going to bring it back to the fact that we don't actually know what Dustin or Erica were rolling to do. Most likely, in the game itself, they were rolling for various attacks. But we don't hear that. And we don't actually hear Eddie ever say that Vecna was killed, it's just implied from the context of the scene. Which to me means that the ending is not set in even analogous stone. If Vecna does foreshadow Mike's role in the supernatural plot, then all we know is that an Eleven alone can't defeat/solve whatever's going wrong with him, but a twenty (whatever is defined as a twenty) can.
By which I mean, I don't think Mike has to die in the end in order to fit with the analogy.
Also! I think it's really important that Eddie's D&D session is the only one that we see Mike participating in, where he doesn't do any active narrating. Obviously he narrates for the Demogorgon and Thessalhydra campaigns. However, he also takes over narrating for Will's campaign, when he decides to light a fire and sacrifice himself to destroy the Juju hoard.
In Eddie's campaign, though, he follows along. His PC 0's out (which could reference a future physical injury, or an inability on his part to keep fighting for some other reason), and they call a time out to discuss. During that conversation, Dustin specifically asks Mike for his opinion on what they should do (which I have some Thoughts about in the broader context of Dustin's characterization in s4, but those are so wildly outside the bounds of this post-- I'll make a different post later), and Mike really does act like a good leader. He asks Dustin and Erica for context on their HP, and assesses that if they keep fighting it will be difficult, but in the end he tells them that the call is up to them, because their characters are the only ones left on the battle field. That's all he says about the game. And I think the fact that all he says is that the fight will be "difficult" is really good news, because it means that the ending is more open.
Finally, it's possible that if Mike is actually the person being foreshadowed by the use of Vecna in Eddie's campaign, and if Will and El are intentionally paralleled to the Eye and the Hand respectively, then Mike's lost hand/eye signals may not necessarily literally mean that he's going to lose his body parts, but rather that he's going to lose or feel like he's lost both Will and El one more time before everything is over.
The Bad News
IF any of this is correct-- specifically, IF Mike did create the shadow monster or the Upside Down or even just influenced it in some way... even if Henry was somehow exercising power over it to make it more dangerous than necessary... I'm just not convinced that everybody would be able to forgive him.
I mean... Will, obviously would. That's kind of a foregone conclusion, especially since at least in the scenario I'm speculating about, none of what happened would be anything Mike knew he was in any way complicit in until after the fact.
I also think El would probably be able to understand pretty quickly given that she knows what it's like to do something without knowing you can do it, and to have to come to terms with the fact that others have suffered as a result. That being said, if we DO get Mike in the scenario I've been outlining, and then we DON'T get a parallel to the s1 "I'm the monster" "no you're not the monster-- you saved me" scene, except with Mike saying that he's the monster, and El assuring him that he's not because there's no such thing as being a monster or a superhero, but he was her first ever friend so she could never consider him a monster? I'll sue.
A lot of the others I'm way more up in the air about, because I really think it would come down to a lot of context in how it was portrayed, whether the others could manage to get into a somewhat normal groove with him ever again (though I highly doubt they'd have the Party end the show broken up, so I suspect they, at least, would find a way to come to terms with what happened).
But really... it's Nancy that concerns me? In literally any scenario where Mike might have had ANYTHING to do with the Upside Down in any capacity outside of what we've explicitly seen in the show. Whether he knew what he was doing or not. Whether Henry was the one orchestrating things in s1-s4/presumably at least early s5 or not. I just...
I can see a path where she could forgive him, right? Though I'm really worried that's a path where she would forgive him and take all that blame and put it onto herself because he was he little brother and she didn't notice.
But I just... I don't know.
I just know how horribly she's raked herself over the coals over Barb's death ever since s1, and I just worry about whether she would be able to accept that, in the scenario I've been outlining, Mike didn't actually mean to do anything/couldn't actually have stopped it because he didn't know it was happening. Because I suspect that in order for Nancy to get to that place, she'd have to confront the fact that SHE isn't at fault for what happened to Barb, either. That she did not do anything wrong (at least, not wrong enough that she deserves to be still agonizing over it four years later) by telling Barb to go home that night. That there was no way Nancy could have known that something bad was happening to Barb, and that the fact that she didn't stop what was happening BECAUSE SHE DIDN'T KNOW THERE WAS ANYTHING FOR HER TO STOP, doesn't mean she's in any way at fault.
And... I REALLY hope we're going to get to see Nancy confronting that head on in s5. But it just.... concerns me in the context of these theories about Mike's potential supernatural role.
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also it's only just occurring to me that like, i presume and enjoy how Unfixed In Time (or at least without peak specific precision) gtmpota is, while based on a book published in & set in the '90s, and here i am noticing how there being a Leave A Message For Brooke Specifically recording in understudy buddy is Not ['90s] when like, even if a middle schooler had a phone in their room it'd be a landline that shares its number with that of the whole household, but it's also decidedly '90s esque in being like an answering machine recording with the Beep tone / sound quality and all, as well as of course definitely being a message left via phonecalls rather than tina ostensibly reading out a text or something
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somelazyassartist · 2 years
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Okay so. I'm only about a third of the way into The Eleventh Hour so I'm going to withhold most of my judgement until I finish it but just as of where I'm at now I think this is probably one of the better comics in the series EXCEPT. I do have worries about where I think they're trying to take Ren's backstory and Magnus' future in this. I'm not gonna fully judge it until finish it but I do have Worries
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winters-orbit · 2 years
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One thing about discourse on this website is that sometimes I’ll read these hugely long posts and by the end I still don’t understand what point y’all were trying to make.
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puppyluver256 · 9 months
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good morning and marcy crimble i just woke up to some Nonsense
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ain't nobody comin' to save ya.
or is that because i was so brainwashed that i never told anyone?
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mcmansionhell · 11 months
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pre-recession, post-taste
Hello, everyone. I hope this blog can bring some well-needed laughs in really trying times. That's why I've gone back into the archives of that precipitous year 2007, a year where the McMansion was sleepwalking into being a symbol of the financial calamity to follow. We return to the Chicago suburbs once more because they remain the highest concentration of houses in their original conditions. Thanks to our flipping predilection, these houses become rarer and rarer and I have to admit even I have developed a fondness for them as a result.
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Our present house is ostensibly "French Provincial" in style, which is McMansion for "Chateaux designed by Carmela Soprano". It boasts 7 bedrooms, 8.5 bathrooms, and comes in at a completely reasonable 15,000 square feet. It can be yours for an equally reasonable $1.5 million.
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Every 2007 McMansion needed two things: a plethora of sitting rooms and those dark wood floors. This house actually has around five or six sitting rooms (depending if you count the tiled sunroom) but for brevity's sake, I'll only provide two of them.
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With regards to the second sitting room, I'm really not one to talk statuary here because beside me there is a bust of Dante where the sculptor made him look simultaneously sickly and lowkey hot.
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Technically, if we are devising a dichotomy between sitting and not sitting (yes, I know about the song), the dining room also counts as a sitting room. The more chairs in your McMansion dining room, the more people allegedly like you enough to travel 2.5 hours in traffic to see you twice a year.
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Here's the thing about nostalgia: the world as we knew it then is never coming back. In some ways this is sad (kitchens are entirely white now and marble countertops will look terrible in about 3 years) but in other ways this is very good (guys in manhattan have switched to private equity instead of betting the farm on credit default swaps made from junk mortgages proffered to America's most vulnerable and exploited populations.) Progress!
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Okay I really don't understand the 50 bed pillows thing. Every night my parents tossed their gazillion decorative pillows on the floor just to put them back on the bed the next morning. Like, for WHAT? Who was going in there? The Pope?
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Here's a fun one for your liminal spaces moodboards. (Speaking for myself.)
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Yes, I know about skibidi toilet. And sticking out your gyatt for the rizzler. I wish I didn't. I wish I couldn't read. Literacy is like a mirror in which I only see the aging contours of my face.
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When your kids move out every room becomes a guest room.
Anyway, let's see what the rear of this house has to offer.
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The migratory birds will not forgive them for their crimes. But also seriously, not even a garden?
Anyway, that does it for this round of McMansion Hell. Happy Halloween!
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