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tyttetardis · 8 months

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Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if you haven't seen it yet but are going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

#David Tennant #Macbeth #Donmar warehouse #Cush Jumbo #I messed up this recording sooooo bad #I didn't see people pull out their phones to record it so I didn't dare do that either...#and man did I get a shitty recording out of it :(#and the audio ain't great either...Craig was sitting the furthest from me and didn't have a mic so can be a bit difficult to hear at times #Cush was sitting the closest to me (not that close - I was still in second row!) and David was sitting next to her #while I didn't have a perfect frontal view - the angle I was at did mean that I still got a perfect view of David's adorable smiles <3 #and all his other lovely facial expressions as he often looked to Cush when she was talking and replied to her...#which made it FEEL like he was looking in my direction *sigh*#and he looked so good with his comfy cardigan - skin tight jeans - and his glasses!#You know I have seen David quite a few times by now - but I'm pretty sure this was the first time I saw him wearing his own glasses!#I desperately wish I had managed to capture some pictures or a video---because OMG! He was so lovely <3 #Oh didn't know there was a text limit...or that I had written this much...guess I'm continuing in a part 2

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cerise-on-top · 6 months

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Hii you know how you wrote about reader getting hurt because of their job please could you write that with graves or nikolai x

Hey! Sure I can!

Graves’ and Nikolai’s S/O Gets Hurt Because of Their job

Graves: On the outside he may seem calm and collected, but on the inside he’d be seething with rage. However, he won’t show you how angry he actually is, keeping it all to himself instead. He needs to be the big, strong man in your relationship, so he needs to keep his cool in front of you, no matter what. I don’t think he’d be too surprised you’d have gotten hurt, though. While he may have hoped it would never happen, that was just wishful thinking. You’ll either be on Shadow Company’s medbay or in the best hospital he can find nearby. Either way, you’ll be well taken care of. If you’re at Shadow Company, then he’ll station some of his most competent and trusted people to take care of you for the time being. You will be protected by them, and you will get whatever it is you may need from them as well. Or anything you may want, really. No cost is too high for Graves while you’re in recovery. While he may try to make time for you as well, he really does, he will also have someone track down whoever hurt you. This person will then be abducted to Shadow Company for a rough time. Graves himself would take care of them, and he can be pretty effective when he wants to be. However, if you’ve recovered by then, and are among the more vengeful people, then you’re more than welcome to do as you please with the bastard yourself, Graves has no qualms about that. In fact, he’d welcome you doing what you need to do. An eye for an eye. I think he’d become a bit more protective of you afterwards. If you’re okay with it, then he’ll leave you in the hands of some of his Shadows since he can’t always be there for you. If it was up to him, he’d combine you with his work and have you just live on base with him so he could always keep an eye on you, but you likely wouldn’t agree to that. It may seem a bit overbearing, but he will reach out to you more often and does expect you to respond within a few hours, or else he’ll get worried and send someone to check up on you, even if you’re alright.

Nikolai: While Graves may be furious, Nikolai is entirely calm about all of this. Yes, you got hurt, but seeing him panic would likely only worsen the state you’re in. He is well aware of the fact that you will pull through, he made sure of that himself. However, he won’t do anything drastic until you’ve recovered completely. That way your perpetrator has enough time to kill themself before he has to take action. Naturally, you mean the world to him, so any violence against you will not be excused. Nikolai runs a PMC, so he knows what he’s doing, he knows how to deal with violence. Violence for violence is the rule of the beasts and Nikolai’s cruelty is akin to that of a starved animal. However, that can wait until you’re alright again. He’ll visit you every day, even stay at the hospital, and bring you gifts, tell you stories and keep you company otherwise. But he won’t mention the plans he has for the sorry fuck who hurt you, those are for him to know and for you to never find out. Once you’re home again, going about your day, he will seek out the bastard himself and drag him to some place in Siberia. As mentioned before, Nikolai can be cruel when he wants to be, so I wouldn’t be surprised if he let that person run aimlessly around Siberia for a few days, hunted down by him and his people, only to capture and torture them later. Death is a kind of mercy that is not for them, though, so he’ll keep them alive for the time being. They almost took you from him, there’s nothing they could ever do to make up for that. They’ll be a new chewing toy for Chimera until they die for one reason or another. Nikolai won’t get too overprotective, but he will be keeping a closer eye on you. He won’t station one of his people in front of your home when he’s away, but he will try to make more time for you. Calls become more frequent and he will try to find some excuses to spend more time with you, even if it’s just by video chatting with you when you have the time. He won’t freak out, but he won’t forget about that incident either.

#cod #cod x reader #phillip graves #phillip graves x reader #cod nikolai #cod nikolai x reader #I was thinking about wanting a request for Graves again not too long ago so this came at an ideal time #they're both very powerful people who are also war criminals and not afraid of breaking every law in existence #so yeah they'll have their fun with whoever hurt you #thinking about an angry Nikolai scares me so bad actually. he'd be so calm and quiet and that's just the most terrifying thing to me #if you're in an especially bad condition then I think Graves would become more strict with his Shadows #he knows he shouldn't be like that at work but he can't help it since he's just that worried about you #he's usually a fun and caring boss but he'd become very different when you get hurt #of course he'll go back to normal once everything is alright again but you being hurt would hit the Shadows pretty hard as well #I like to think he does talk about you to his Shadows so they definitely know who you are #and just by hearing about you most of them would like you as well. especially because Graves loves you this much and they like him a lot #so I think a lot of Shadows would also grow protective over you and I think that's so very sweet #I always liked to think that the people at Shadow Company were very close with each other #especially because Graves is a good boss and makes sure the work climate there is ideal. despite the war crimes #Graves is actually a pretty fly guy in my eyes. he's just cocky but he does worry a lot about his Shadows and you deep down #he loves his Shadows and he loves you too

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