"I've been waiting for ages for somebody to unmask them."
This moment tends to elicit negative reactions in a first read through, and I've got some opinions about why where Kabru is coming from here actually makes a lot of logical sense. So I thought I'd elaborate on that.
I think people hear this and go, "He thinks they must be hiding something because they gave money to someone? What a cynic." Or "he dislikes them because they did charity?? What's wrong with this guy!". And obviously, a lot, a lot is wrong with him. But I think this makes more sense than it seems at first glance! What people evaluating this judgement miss is why Kabru is paying attention to Laios and co to begin with.
Kabru knows of the Touden siblings because (he's a little bit of a stalker-) he is keeping an eye on all the relevant parties in events developing on the island, in order to be able to guide them to his preferred outcome. This includes adventurers because they are the ones actually exploring the dungeon! He's well aware that something as minor as internal tensions between party members could be key to the historical events that are developing. (He would love the assassination of Archduke Franz Ferdinand.)
His desired outcome is that whatever the rewards are of breaking the dungeon's curse, whether that's kingship or the ancient elven secrets of dungeons, are claimed by:
A) a short lived person
B) Someone who will be a good, effective leader and/or use those secrets and the power they carry wisely, with foresight, and to establish a political bloc for short lived people.
The person he can best trust to do this is, of course, himself. But due to his PTSD regarding dungeons and monsters, he's not able to develop the necessary skills to conquer the dungeon. Once he realises this, he starts looking for someone else who he can support to that end.
But most of the adventurers don't have any intentions of conquering the dungeon, don't have the skills, or are unsuitable in other ways. In fact, it seems like some potentially suitable people are the Toudens. There are a lot of good rumours about them going around - they actually seem to have a very positive reputation! That's what Kabru means when he says "unmask".
So when Kabru is observing something like them giving money to an old comrade from their gold-peeling days, he doesn't consider it a problem because "they're giving money to this person who doesn't actually need it" or because they must have some dark secret if they act superficially nice. I think he actually understands this situation and what it implies about Laios (in particular) perfectly well.
Laios and Falin gave money to an old comrade who got injured and couldn't work. That person then healed up but kept taking their money. Then he used the money to start smuggling illicit goods to the island.
The key is that for Kabru, the problem here is the same as with the corpse retrievers - people using the dungeon's resources to fuel dangerous, selfish, or violent pursuits cause problems for the island, attract more criminals and people with motives other than breaking the curse, and increase the chances of the whole situation ending in tragedy.
Kabru is willing to work with the Shadow Lord of the island if it gets him to his goal - he isn't scrupulous - but the criminal element of the island increasing is something he sees as a major issue.
Also, when you're evaluating someone as a candidate for power, riches, secrets, potentially kingship - then being curious about how the money you give to people is going to be used is kind of a relevant trait!
Interpersonally, Kabru's actually very easygoing - I mean, Mickbell isn't exactly an upstanding guy, is he! But Kabru likes him and they get along well. These traits wouldn't be a problem at all in a friend, or a comrade, or someone Kabru was confident he could use. But he can't get a handle on Laios, and Laios is someone who has the potential to be a major player!
On Laios' end, this is the same as with the marriage seeker who joined their party. She kept asking for things and he gave them to her, because he tries to be nice to others. He even gives her money! It's the exact same thing.
That's fine, but it became a problem because he basically wasn't interested in her motives, didn't notice she was trying to manipulate him, and it also didn't occur to him that the other party members would notice or be affected. We can assume the situation with the gold peeler is the same. When Kabru says that "It's not that they're bad people, they just aren't interested in humans," he isn't wrong.
The extent to which this is true of Laios is linked to his autism imo, (because it isn't just disinterest - he genuinely isn't able to notice nonverbal cues that people are lying to him or have ulterior motives) but to a greater or lesser extent I think it's a very common trait. Most people aren't actually that interested in other people who aren't close to them. Kabru is the weird one here. It isn't an issue except as a leader - which is why we see an immediate comparison to the Island's Lord, because that's how Kabru is evaluating them.
And disinterest in/lack of ability with people to the extent Laios exhibits it, it does, actually, make him a worse leader... it's just that as we see in the story, people can help him out. The rest of the party tell him the marriage seeker is taking advantage of him so he tells her he can't give her special treatment anymore. They're pissed and it's a crisis point - he couldn't have recovered their trust without Marcille and Falin - but that's exactly the point. With Marcille and Falin, he was able to recover their trust.
And he has other good traits that make up for it, such as his intelligence, strategic knowledge, open-mindedness and sense of fairplay.
Kabru doesn't disqualify Laios as a candidate based on what he sees about him from afar, though - he still tries very hard to get close to him, obviously hoping that if he manages he can steer Laios to defeat the dungeon and make up for his lack of people-skills in the aftermath. (Which... he does eventually achieve that goal!) He completely fails until the events of the story, so... definitely I think "They just aren't interested in humans" could also partially be a stung reaction to Laios' complete disinterest in him.
Anyway, that's my read on what exactly Kabru's "issue" with Laios is. Obviously, once he does find out what Laios' true nature is like - about his love for monsters - he develops an entirely new set of fears about Laios' priorities. But since Laios kept that a secret until the start of the story, he has no idea of that yet.
Given all that, I think it's interesting that he says that he doesn't think that the Toudens are suitable to defeat the dungeon, and that he's hoping they'll turn out to be the thieves. As some of his few potential candidates, people who he thinks may play a big role in the island's future, you'd think he'd hope they would be good people!
I suppose it's better, in his eyes, because it means that he's involved in something "interesting". They haven't just had their stuff stolen by regular criminals (boring, puts them further away from his goal) - they've been caught up in the beginning stages of "a historic event". The desperate and dwindling group forgetting morals in their quest to retrieve their lost comrade probably appeals to his sense of melodrama. Because he also just... loves drama.
Despite it being "uglier than anything he was expecting", he still pursues Laios as the person he wants to conquer the dungeon pretty much as soon as it becomes clear that he won't be able to do it himself and they are out of time. That's because... well, to be fair, there aren't any other options. And he fits standard A: he's short-lived!
and Kabru still hopes he can fit standard B, too, and be persuaded to use the power he wins for good. No matter how many nightmares he has about Laios, or whether he thinks about killing him. He doubts him, but ultimately he puts his faith in him and seems happy after the manga's ending that he made the right decision.
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for a while i lived in an old house; the kind u.s americans don't often get to live in - living in a really old house here is super expensive. i found out right before i moved out that the house was actually so old that it features in a poem by emily dickinson.
i liked that there were footprints in front of the sink, worn into the hardwood. there were handprints on some of the handrails. we'd find secret marks from other tenants, little hints someone else had lived and died there. and yeah, there was a lot wrong with the house. there are a lot of DIY skills you learn when you are a grad student that cannot afford to pay someone else to do-it-for-ya. i shared the house with 8 others. the house always had this noise to it. sometimes that noise was really fucking awful.
in the mornings though, the sun would slant in thick amber skiens through the windows, and i'd be the first one up. i'd shuffle around, get showered in this tub that was trying to exit through the floor, get my clothes on. i would usually creep around in the kitchen until it was time to start waking everyone else up - some of them required multiple rounds of polite hey man we gotta go knocks. and it felt... outside of time. a loud kind of quiet.
the ghosts of the house always felt like they were humming in a melody just out of reach. i know people say that the witching hour happens in the dark, but i always felt like it occurred somewhere around 6:45 in the morning. like - for literal centuries, somebody stood here and did the dishes. for literal centuries, somebody else has been looking out the window to this tree in our garden. for literal centuries, people have been stubbing their toes and cracking their backs and complaining about the weather. something about that was so... strangely lovely.
i have to be honest. i'm not a history aficionado. i know, i know; it's tragic of me. i usually respond to "this thing is super old" by being like, wow! cool! and moving on. but this house was the first time i felt like the past was standing there. like it was breathing. like someone else was drying their hands with me. playing chess on the sofa. adding honey to their tea.
i grew up in an old town. like, literally, a few miles off of walden pond (as in of the walden). (also, relatedly, don't swim in walden, it's so unbelievably dirty). but my family didn't have "old house" kind of money. we had a barely-standing house from the 70's. history existed kind of... parallel to me. you had to go somewhere to be in history. your school would pack you up on a bus and take you to some "ye olden times" place and you'd see how they used to make glass or whatever, and then you'd go home to your LEDs. most museums were small and closed before 5. you knew history was, like, somewhere, but the only thing that was open was the mcdonalds and the mall.
i remember one of my seventh grade history teachers telling us - some day you'll see how long we've been human for and that thing has been puzzling me. i know the scientific number, technically.
the house had these little scars of use. my floors didn't actually touch the walls; i had to fill them with a stopgap to stop the wind. other people had shoved rags and pieces of newspaper. i know i've lost rings and earring backs down some of the floorboards. i think the raccoons that lived in our basement probably have collected a small fortune over the years. i complain out loud to myself about how awful the stairs are (uneven, steep, evil, turning, hard to get down while holding anything) and know - someone else has said this exact same thing.
when i was packing up to leave and doing a final deep cleaning, i found a note carved in the furthest corner in the narrow cave of my closet. a child's scrawled name, a faded paint handprint, the scrangly numbers: 1857.
we've been human for a long time. way back before we can remember.
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"Any plans for your days off, Buck?"
Buck knows his grin is a little feral, but he's kind of hoping that'll throw them off the trail. It's barely been a year, and in that time they've had three natural disasters, one copter crash, a boss intent on making Buck's life a living hell, and two almost break-ups.
It's too soon, to know for sure, except Athena and Bobby had known, and Hen and Karen had known even if they were too scared to admit it at first, and Chim and Maddie may have taken a little longer to get there but they'd known.
And Buck knows. He knows he's never felt like this about anyone before. Knows no one has ever had the ability to infuriate him and calm his fears quite like Tommy Kinard can. Knows they could have done this like they joked about six months ago and they wouldn't have regretted it.
Hen is making a face like she's trying to decide if she wants to know whatever head-tilt-cheek-bite sexual innuendo Buck's got in the barrel, because she only appreciates that about half of the time and Buck's praying she decides on no because he's a terrible fucking liar and he doesn't like keeping things from people. But it's sort of a secret, for the next 48 hours, and Buck also wants to bask in it, wants to enjoy keeping it to himself for just a little while.
"Our Buckaroo is all grown up and refusing to over share about his sex life, praise be," Chim chips in, and Buck tucks his chin to his chest and hopes his pink cheeks read as embarrassed.
His phone buzzes in his pocket, and around him lockers slam and voices drift over him. He's only got eyes for the text that just came through.
Bird's ready, suits are pressed, room is paid up. You wanna go to Adele, after? I think I know one of her people.
You know everyone, stop bragging, I'm already impressed
I'm always gonna try to impress you. You still at the station?
Yeah but not for long. I'll see you in like forty
"--right Buck?"
Buck blinks, hums, stares across at Chim.
"Please tell me you're not sexting at work right now."
"Technically, we are off the clock."
"I'll remind Clipboard Buck of that next time he shows up."
He's zipping up his bag when his phone buzzes again.
See you soon, baby.
He's pretty sure he's gonna get away with it - Hen and Chim are arguing about some reality show as they all trudge toward the open bay doors, and though he can hear their voices further back, Eddie and Bobby still seem to be deep in conversation.
Ravi comes out of left field, because of course he does, just finished inventory still clutched in his hand as he rounds the engine closest to Buck. "Hey, Buck, you and Tommy wanna catch that movie tomorrow night? I picked up a shift but I've got like twelve off in between."
Buck winces. Damn, so close. "Sorry, bud, we actually won't be in town."
Which he's realizing now is pretty uncharacteristic of the both of them, and Hen and Chim have clocked it, so he's gonna have to make a run for it, but he catches sight of raised brows and questioning expressions and he can't give them nothing.
"Tommy's taking me to Vegas, we might see Adele, okay bye!"
They absolutely let him make a break for it, let him scramble into the Jeep, let him send them all a quick wave before he peels out of his parking spot, and Buck spends the drive to Harbor viscously ignoring the steady buzzing from his phone.
---
Tommy snags the backpack from his shoulder before he's fully out the door, and tugs a belt loop to pull him close. Buck is pretty sure he'll never get over how much he likes being manhandled, just a bit.
"You wanna tell me why Chim and Hen both wished us a good flight?"
"Ravi ambushed me on my way out the door. Technically, they don't know anything about anything, except maybe Adele."
Tommy's fond smile makes Buck feel all warm and tingly inside, and he basks in the glow as Tommy nudges a knee between the open bow of Buck's legs.
Tommy's expression morphs, a bit, lips dropping as he tilts his head. "You having second thoughts? We don't have to-."
"No. No second thoughts."
"Evan, I know how close you are to your family. If you want to wait, make this something you can share with them, we can hold off."
He's so goddamn charmed by this man - by how he cares, by how well he knows Buck, by a million and one tiny things that Buck gleefully hoards his knowledge of like a dragon over his caverns of treasure.
"I kinda don't want to share you, for this." It's the first time since Tommy's brought it back up that Buck's been able to express exactly why the prospect makes him so giddy, but there it is. Possessive jealous Buck rears his ugly head again, only Tommy has always been a little charmed by that. At least when Buck expressed it in a healthy way.
"The moment they know, it's gonna be a spectacle," Tommy agrees, fingers curling over Buck's side.
"Exactly. So. Take me to Vegas and wife me up before one of them shows up trying to tag along."
He expects the dramatic eye roll, and Tommy's fingers digging into his sides. He doesn't expect the ear-ringing whistle echoing through the bay door to their left, or the smirk on Lucy Donato's face when she lets her looped thumb and pointer finger drop from her lips.
"We should definitely go before any of them remembers to hit her up for more details."
"Why would she -."
"Yeah she caught a look at the manifest and snooped until she found the rings."
"So you're actually worse at keeping a secret than I am."
"They're all gonna know before we land back home."
"Hen's gonna break like thirty bylaws trying to decorate a county owned chopper."
"Evan, seriously, we can still -."
Buck only knows one sure-fire way of stopping Tommy from spiraling too much - he uses the little bit of leverage he has plastered to the open door of his Jeep to catch Tommy's lips, and the resulting pleased hum shivers down his spine. Evan takes a moment to be pleased that Tommy hadn't shaved this morning like he'd threatened, and then he's tilting his head for a better angle and losing himself in it long enough that a few more wolf-whistles make their way across the tarmac -- Wendell and York, most likely, but when Buck finally breaks the kiss to dart a look over Tommy's shoulder, everyone has made themselves scarce.
"You gonna marry me or not, Kinard?"
It's a rare thing, but sometimes, when Buck makes him a little extra wild, Tommy does this growling thing that Buck always feels down to his toes. Tommy kisses him breathless again when Buck responds to this growl with a satisfied smirk.
---
"How much you wanna bet Hen convinces you to do a vow renewal within six months."
Buck's busy nipping at a spot of flesh just above Tommy's transverse abdominis, so it takes a second for his brain to catch up with the words.
"It's gonna be Maddie, and she's gonna rope you into it before you realize what's happening."
Tommy hums, pleased, not denying it, and runs a hand through Buck's hair, palm curling over his crown. It takes Buck a moment to figure out why it doesn't feel quite as familiar as it always does, and then he's reaching for it with a hand of his own, the tips of two fingers sliding along the smooth metal surface of Tommy's ring.
The smile he shoots up from the general area of Tommy's groin is all puppy-dog grin, and he basks in the soft, warm grin Tommy sends back. Buck tracks the crinkle of Tommy's eyes like a lifeline.
"I'm gonna lord it over everyone's head that we didn't get married because of, during, or after a health scare or a natural disaster."
"You asked me two days after we made up because of a flash flood we both thought we were gonna lose each other to, but okay."
Tommy's smile is soft. The fingers that slide around his scalp to brush reverently over his birthmark are even softer. "That time doesn't count, because we didn't follow through. You thought I was joking."
He had, honestly, at first, because they'd technically still been broken up at the time and the adrenaline and the terror at nearly losing one another had still been close. It'd taken him three days and Tommy angrily re-ringing his house key back onto Buck's keychain to realize Tommy maybe hadn't actually been joking about hopping in the chopper the next time they both had 24 off.
He's glad they'd taken the extra time, though. Glad they'd had time to drive halfway across the state in search of a ring shop they could be sure they wouldn't run into anyone at, glad they'd had the time to get new suits tailored, glad he'd had time to fuss over vows he'd still cried about while he was saying them, glad they'd done it without an Elvis impersonator standing just off to the side.
"You're stuck with me now," Buck tells him, and Buck knows Tommy's delighted bark of laughter will keep him warm for years.
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