#after a long think I do still like the later two books

[cbrownjc]

Thoughts and Speculation after 2x07 (Spoilers):

A lot of people have said that this moment from the Season 2 trailers might actually be caused by a fight between Louis and Armand in the penthouse:

gif credit: @hermit-frog

And I have to say, after watching episode 2x07? I think they might be right.

Because if you know the book, you know that it is at the very end of it, like literally the last few pages, where it's revealed that Louis knew the whole time about Armand's role in what happened to Claudia. And they break up.

And so I think the same thing is coming next week on the show. Only in the show's regard, Louis knew of Armand's role, as we saw here -- but then was made to forget the actual full context of just how involved Armand was.

Because, as I pointed out on Twitter, this image from the trial --

-- is quite something. You have both the writer and director for the Théâtre des Vampires not on stage for this whole thing. Very much underlying the fact that this is a theatrical play that is being put on. As we saw, there was even a real, actual SCRIPT for this whole thing!

Like, how much more could the show have been pointing to what was really going on here? Trust a writing staff of playwrights to be meta about all of this. 🙃

Because the ending of this trial was written and locked in long ago. And who is the one that usually says when a play or film is locked in and finished?

The Director. (And yes I know producers and studios do too, but Armand is very much all of that wrt his role for their little theater as well).

BTW, Santiago and the coven did NOT expect Armand to do that to the audience. Saving Louis was very much off-script. And if Armand really had no power here, the coven could have just taken Louis off stage and killed him another way. The only reason they didn't was because Armand was very much not powerless in all of this.

Like, I love Armand's character, I really do -- now. But that is something that only came about after I read the books from Queen of the Damned forward. For the first two books, I very much did not like him. And, particularly when it comes to the Paris part of this story, that is where we are with his character right now. I know why he's doing what he's doing, I understand it. But I can't defend it.

Louis probably figured things out before San Francisco in 1973. He probably knew Armand's full role in what went down, same as in the book, after it all happened. But it was his suicide attempt that had Armand redact that knowledge from Louis' mind. The clues for that being the case are all there after episode 2x05.

Because, at the end of the day, even knowing Armand's full role in Claudia's death, Louis still mostly blamed himself for it all.

As we see, things are slowly starting to come back to Louis, but he's not fully there yet. And I think this whole memory thing is a more literal interpretation of the veil that descended over Louis' mind after Paris in the books.

A veil that only began to lift once Armand revealed to Louis that Lestat was alive. As we've seen, Louis knew Lestat was alive back in 1973. I'm not sure if he does so now. But maybe this isn't about knowing if Lestat is alive or not. Maybe it's just Louis thinking he needed to be punished because of his own role in failing Claudia -- and staying away from Lestat was part of that self-punishment. Because that view is a feeling I got when watching episode 2x05 and Louis not wanting to speak to Lestat. His refusal to speak wasn't out of anger IMO, but more fear and even sorrow.

The show is very much sticking to the beats of the book with all of this, and not revealing things about what happened that were revealed in later books. So I don't think Louis fully knows what was going on with Lestat during that trial. I wouldn't be surprised if we learn he still doesn't, since he never learned it in the first book.

But as I said here, it was clear as day that Lestat wasn't himself during that trial. Physically and especially mentally. I didn't even guess that the show would be that obvious about it, but they were. All very much hinting about what was really going on with his appearance here.

And Louis himself might, just might figure that out for himself. Especially if Dreamstat might appear to be back in his mind again. Because Dreamstat is very much Louis' subconscious. And I think Louis' subconscious knows something important is missing wrt all of this.

It was nice that, at least in the end, someone chose Claudia. Madeleine could have escaped this but chose to die with Claudia instead when she didn't have to. Her little middle finger to the crowd gave me a smile.

They did not do the full reveal of Claudia's diaries and what was in them on stage, which I seriously thought they would. They gave a hint about it, but more so in episode 2x05 than in here. Which means that, in a later season, we're still looking at that reveal from Merrick happening it seems. But then again . . . there were some things I suspect got left out on purpose because the actual (attempted) murder of Lestat was very much glossed over for us, the audience, during that trial sequence. We are very much set to revisit that whole thing during The Vampire Lestat adaptation in Season 3, of course. But I think even more will be revealed about that there then I originally thought.

And finally, Claudia. They said in the Inside The Episode they wanted her to go out with as much strength and defiance as she could and yeah, she did. But in the end, I still think she was angry, sad, and hurt by it all, which she had every right to be. Because at the end of the day, she never should have been made and was made for all the wrong reasons. But being turned so young made her a fierce and pure vampire though and though because she never had enough time to have lived a human life to have those types of morals and outlooks fully imprinted on her. That was always one of Claudia's core traits wrt her being turned so young, and she still had it here. And yes girl, you will haunt things after this -- particularly your parents.

In fact, it probably very much was your voice Louis heard calling him back in 2x05, wasn't it?

So, for a penultimate episode, this was very, very good. And things are very much going to explode next week. I knew Louis going Carrie/Firestarter on the coven would happen in 2x08. That moment always screamed "season finale" to me. Santiago picking up Claudia's yellow dress is also significant, as I think we'll see Louis' POV of that moment with Lestat about it.

And the break up between Louis and Armand might just be much more violent than it was in the book as well.

[theostrophywife]

SWEET TOOTH

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🤍 pairing: lorenzo berkshire x reader.

🤍 song inspiration: so american by olivia rodrigo.

🤍 author’s note: just a cute and fluffy little piece because enzo gives off major boyfriend vibes.

It was a well-known fact that Lorenzo Berkshire had a terrible sweet tooth. 

So well known that his mates often hid their stash of sweets from him. Not that it deterred Enzo. If anything, he saw it as a challenge of sorts. 

As Lorenzo ransacked his roommate’s belongings, it should’ve occurred to him that Regulus was far too clever to leave his candy in plain sight, but his attention was focused solely on stuffing as many chocolate frogs into his mouth before his surly friend returned. In his haste, Enzo failed to notice the strange metallic taste until practically inhaling his third frog. 

Still, he figured that it was probably fine. How much damage could a chocolate frog do anyways?

Unfortunately for Lorenzo, that pesky little question would be answered soon enough. 

After carefully rearranging Reggie’s things, Enzo happily skipped off to breakfast. A smile tugged at the corner of his lips as he spotted you in the Great Hall. With a murderous expression, you swiped a chocolate croissant out of Mattheo’s reach and glared at the curly headed boy. 

“Make one more move towards my food and I’ll snap your arm like a twig, Riddle.” 

Theo snickered and draped an arm over your shoulder. “Come on, bella. Mattheo just wants a taste.” The twat wiggled his eyebrows suggestively. “And so do I.” 

You flicked his arm off and rolled your eyes. “For the last time, I’d rather gouge my eyes out, Theodore. You’d think you’d be sick of rejection and embarrassment by now.” 

Nott merely smirked. “Someone woke up on the wrong side of the bed this morning. Could’ve woken up in mine instead, if you stopped playing hard to get.” 

“Keep pissing me off and you’ll wake up to a bed full of cockroaches.” 

Mattheo cackled before ruffling your hair. “Turn that frown upside down, Y/N. Guys don’t like a grump.” 

“I do,” Enzo blurted before he could think better of it. “I think Y/N’s cute when she’s mean. Especially to you two idiots.” 

Theo and Mattheo gaped, their gazes pinballing from you to Enzo. They were no doubt expecting you to smack your best friend upside the head, but instead you shrugged and bit back a smile. 

“Really?” Theo remarked incredulously. “You’re letting that slide? You threatened to tie my tongue into a bow the last time I called you cute.” 

You huffed, crossing your arms over your chest. “Yeah, well, Berkshire doesn’t annoy me as much as you do.” 

Enzo beamed as he slid into the seat beside you. “Wow, I feel special.” 

Clearly, he was well aware of the sweet spot you had for him. Though you’d never admit it. Just like he’d never admit his long standing pathetic little crush he had on you. Except, he did sort of slip up just now, which he unfortunately would continue to do for the rest of the day. 

Lorenzo couldn’t help it. The compliments he normally kept to himself just kept spilling out of him. 

When you were studying in the library during free period, he found himself speaking thoughts that he usually saved for his inner monologue. “I like the way you scrunch your nose when you read. It’s adorable.” 

Surprised, you peered up at him from your book. His words were rewarded by an uncharacteristically shy smile. It was enough to make him momentarily forget his lack of control over his mouth.

Later in History of Magic, Lorenzo stared at you instead of focusing on completing the assignment in front of him. You tapped his nose with the end of your quill playfully. 

“You alright there, Enz?” 

“You’re so beautiful, it’s distracting. I can’t even focus on my notes.” 

You flushed in response and Enzo found that he rather liked making you flustered for a change. Maybe a case of loose lips wasn't so bad after all. 

During lunch, Lorenzo glared at Draco as the blonde asked you a question about the Draught of the Living Dead potion. 

“What’s got your knickers in a twist, cousin?” Draco asked after a moment. 

Enzo continued glaring at him and inched closer to you, draping a protective arm around your shoulder. “Look at Y/N like that again and I’ll turn you into a ferret myself.” 

The other boys snickered while Draco backed away from you. His brief stint as a rodent clearly traumatized him enough to balk at the threat. You turned away from the recounting of the infamous fourth year incident and faced Enzo. 

“Are you feeling alright, Enz? You’ve been acting strange all day.” 

Come to think of it, Lorenzo did feel a bit different. Unfiltered, unadulterated, and perhaps a tad bit unhinged. Oddly enough, it was freeing in a strange sort of way.

“I’m fine. I’m just saying what I’ve been thinking all along. Usually, I’m too scared to speak my thoughts out loud, but I’m not now.” Enzo scrunched his nose. “Also, the chocolate frogs I stole from Reg tasted kind of funny.” 

Before he knew it, you were marching right into the boy’s dormitory with him in tow. He shuffled hurriedly behind you as you yanked open the door to his dorm. Regulus lounged at his desk, flipping through the pages of his book and not bothering to look up as the two of you barged in. 

“Learned your lesson yet, Berkshire?” 

You frowned as you snatched the book out of Reggie’s hands and threw it over your shoulder. “What the hell did you do to him, Regulus?”

Regulus shrugged nonchalantly. “Slipped a bit of Veritaserum in my chocolate frogs because I knew the little weasel had been secretly stealing them behind my back.” 

“Hey!” Enzo exclaimed. “That’s rude.” 

“Is that why he’s acting so strange?” 

The youngest Black leveled an amused glance at you. “Define strange.”

“Well, he’s been complimenting me all day. He even threatened to turn Draco into a ferret for looking at me. It’s like he has no filter at all.” 

“Yeah, that’s kind of the point. Veritaserum makes you tell the truth.” 

You paused, taking in his words. “So everything Enzo said today…” Enzo smiled brightly as you glanced warily at him. “He means it?” 

Regulus nodded in confirmation. “Mhm, I’m afraid young Lorenzo has a little crush on you.” 

“Hello?” Enzo exclaimed. “I’m literally right here.” He turned to face you. “Also yes, I do have a crush on you. I have for ages. I’m honestly surprised that you haven’t noticed. I’m not that great at hiding it.” Your jaw dropped as he pivoted back to Regulus. “You’re a twat for dosing my candy, Reg.” 

“Your candy?” Regulus huffed. “I bought that with my hard earned money.” 

“You mean your allowance that mummy and daddy sends you every month? Please, Reg, you have more galleons and candy than you know what to do with. Honestly, it’s a bit selfish not to share.” 

Before you could put a stop to it, Regulus launched himself at Enzo. The boys wrestled, smacking and taunting each other like toddlers. With a frustrated sigh, you pried the two of them apart. 

“You two are honestly ridiculous.” 

Enzo pushed Regulus off of him and brushed off the front of his shirt. “Yes, but hopefully you find it cute and endearing, right? Well, me. Not Reg. I don’t really think you’re into the whole tortured poet thing he’s got going on.” 

Regulus glared at his friend. “Rude!” 

Enzo shrugged. “What? It’s true. Don’t worry, it works for some people. I think that redhead in Gryffindor likes you, but you’ve got to stop being so goddamn oblivious. She obviously wants you to break her back like a glow stick.”

“Lorenzo!” 

You smacked your best friend on the arm for his rather candid commentary, but it was half-hearted. You were too busy trying not to burst into laughter given the fact that he was completely correct. Said redhead definitely had a thing for Regulus. 

“I’m just stating facts. Anyways, if he didn’t want to hear it, he shouldn’t have dosed me.” 

You tugged Regulus by his tie. “You did this to him. Now you’re going to help me get this under control. Do you understand?” 

Regulus sighed in defeat. “Fine.” 

For the remainder of the day, you kept a close eye on Enzo. Though you and Regulus were both babysitting him, your best friend didn’t seem to mind. In fact, he seemed rather thrilled with spending the rest of the day by your side. Truth be told, you didn’t mind either despite the fact that you had to pull Enzo out of a sticky situation more than once. 

As you watched him during quidditch practice, you nearly fell out of the stands when Lorenzo cocked his head at his captain and narrowed his eyes. “Flint, why is your head shaped like that?” 

It was by sheer luck that Regulus swooped in to save the day and promptly dragged him off to perform drills at the far end of the field. At the end of practice, you thought it would be safe to lounge in the common room, but you couldn’t have been more wrong. 

Enzo snuggled to your side, his slightly damp hair tickling your neck. The familiar scent of citrus and cedar distracted you momentarily as he stared at Tom. The older Riddle was currently hustling Theo through a game of chess. 

“Tom, even though you scare me, I still think you’re hotter than Mattheo. Just don’t tell him I said that.” 

The entire room fell into a hush as Tom directed his smoldering gaze towards Enzo. You tensed beside him, fingers curled protectively around his arm. 

Finally, Tom spoke. “It’ll be our little secret, Berkshire.” 

“Salazar save us all.” 

When dinner rolled around, your fight or flight response was completely shot. Thanks to Enzo’s current condition, you were on constant alert. 

By now, the boys were perfectly aware of his inability to lie and the twats found his predicament particularly hilarious. All except Mattheo, whose ego had taken a hit after Theo told him all about Enzo’s confession to Tom. 

“I can’t believe you think Tom is hotter than me,” Mattheo grumbled. “That’s just completely mental.” 

Theo pinched his cheek. “Don’t worry, Matty. I’ll always think you’re hotter.” 

“How can you two flirt at a time like this?’ You sighed exasperatedly. “One of your best friends is under a truth spell and all you care about is being the hot brother?” Mattheo protested, but you held a hand up to halt whatever stupid remark he was itching to say. “Where is Regulus? I should wring his stupid neck for putting poor Enzo through this.” 

“I think he’s talking to that Gryffindor,” Theo said with an eyebrow wiggle. “Finally. Maybe dosing Berkshire wasn’t so bad if it gets Regulus laid.” 

As if on cue, Enzo snapped his fingers in front of Draco’s face. “Cousin, you really need to lay off the bleach. I think it’s seeping into your bloody brain. You’ve been staring at Granger so intently that it’s starting to freak her out.”

The boys snickered as Draco snapped out of his trance. Before the blonde could reprimand his cousin, you stood up and grabbed Enzo’s hand. Your best friend grinned as he linked your fingers through yours. 

“Oh, we’re holding hands. This is nice,” Enzo shuffled to his feet as you tugged him out of his seat. He didn’t seem to mind being dragged out of the Great Hall. “Hey, have I ever told you that your eyes remind me of the sunset? You’re pretty. I really want to kiss you.” 

You pointedly ignored the kissy faces Mattheo and Theo were making. “We’re leaving. Let’s go, Enz.” 

Enzo waved to your friends and grinned. “I hope we make out.” 

The boys snickered as you turned beet red. “Lorenzo!” 

“Yes, dear, coming!” 

With the promise of an impromptu movie night, you managed to coax Enzo back to his dorm. He shuffled in your lap, nuzzling into your touch as you ran your fingers through his hair. 

“Reg says the serum should wear off in an hour, so you just have to hold off until then.” 

“Oh,” Enzo said with a tinge of disappointment. “That’s a bummer. It’s kind of nice just saying whatever was on my mind.” 

“Enz, you told Theo he smelled like day old lasagna and then you hit on Tom. Tom!”

Enzo’s honey eyes blinked up at you. “What? He’s hot. You’re telling me you wouldn’t hit on him too?” 

You shook your head. “Psychopathic maniacs aren’t really my type.” 

“What’s your type then?” You fell silent for a beat before Enzo nudged your elbow with his nose. “C’mon, it’s only fair. I’ve been making a fool out of myself all day. Grant me this one, love.” 

You sighed, knowing that you’d cave to his puppy dog eyes. “I do have a crush on this one guy.” 

“What’s his name? Enzo asked as he sat upright. “His house? His dorm number? I might ask Tom to hunt him down for me.” You glared at him in response, causing him to raise his hands in surrender. “Sorry. Blame the serum.” 

You couldn’t help but chuckle. “To answer your very nosy questions, he goes by a nickname, he’s in Slytherin, and we’re currently in his dorm.”

“Oh my god. The emo act worked on you, too?” Enzo smacked his forehead in distress. “For fuck’s sake!” 

“It’s you, you idiot. I like you.” 

Enzo beamed. “Thank Godric! This is the happiest day of my life.” He bounced as he talked, eyes shining brightly. . “Do you want to go on a date with me? We could go to Hogsmeade. Wait, no. That’s not good enough. Let’s go to London. Or Paris. Fuck it, I’ll borrow Malfoy’s jet.” 

You giggled at how ridiculously adorable this boy was. “Enz, slow down! First of all, I’d love to go on a date with you. Hogsmeade is perfectly fine, but we should probably wait until you’re back to normal.” 

Enzo sighed. “Fine. I suppose I can wait. But you’re staying to  cuddle, right?” He flashed those honey eyes at you again, perfectly aware that you couldn’t resist him even if you tried. To add to his plea, Enzo jutted his bottom lip into a pout. “Please?” 

“Sure, Enz.” 

With a triumphant grin, Enzo pulled you against him. He leaned forward to kiss your cheek, making you melt. As you continued watching the movie, you couldn’t help but revel in the affection Enzo showered you with. He was a great cuddler and he smelled nice and oh gods you really, really liked him. 

“I’m not going to lie to you,” Enzo murmured against your ear. “Mostly because I can’t, but I definitely have a boner right now.” 

“Lorenzo!” 

You burst into a fit of giggles, which caused Enzo to laugh as well. He only snuggled closer, burying his face into your neck. “Sorry that I find you super hot and pretty and cute. Honestly, I’m the victim in this situation.” 

You smacked his arm. “Oh my god, just shut up and cuddle.” 

Enzo grinned as he wrapped his arms around you. “Yes, honey.” 

[archangeldyke-all]

No bc I keep thinking of modern Sev trying to get into the dating game because she wants to settle down and she gets on a dating app because Jinx had mentioned in a conversation with Silco and she ends up matching with reader,,, ahh it’s stuck in my brain

i changed this just a bit to make jinx even more of a shithead hehehe i hope u love it

men and minors dni

"aunt sevy." sevika rolls her eyes at the nickname she hates, and looks up from her book at jinx.

the girl's ten years old now, old enough to know just the right buttons to push to annoy sevika. and sevika's stuck on babysitting duty, because she's an idiot and agreed to be the shithead's godmother when jinx was still a harmless, quiet baby.

"what?" she grunts.

"why don't you have a wife?" jinx asks.

sevika groans. "did your dad put you up to this?" she asks. silco's been bothering her about the same thing lately.

"no." she says. "'m jus' wonderin'. when we have birthday parties and stuff, all the adults bring their boyfriends and girlfriends and wives. but you never do. why not?" jinx asks.

sevika tries her best not to kick jinx's shin. she manages, but not without flicking the kid's forehead.

the truth is that sevika's been asking herself the same thing lately. but she's realized that after so many years of emotionless hook-ups, she's got no idea how a relationship would even fucking work, and she's decided it's easier for everyone if she just... doesn't try.

"mind your own buisness." sevika grunts eventually. jinx studies her with those frighteningly inquisitive eyes of hers, before she smirks, turns on her heel, and runs to her room.

sevika's too relieved by jinx's disappearance that she doesn't even consider that the girl could be up to something.

three days later, sevika gets a call from silco at five in the morning.

"do you know what fucking time it is?" she groans into the receiver as she rubs her sleepy eyes.

"i'm sorry."

"what's so fuckin' important that you couldn't wait to tell me at work?" sevika asks.

silco's responding sigh is long enough for sevika's stomach to sink. "you should dress nice today. a suit, maybe, or at least nice slacks and a button up."

"why? do we have a meeting?"

"no." silco says. sevika waits for him to elaborate, but he doesn't. she huffs.

"silco what the fuck is going on?" she asks.

"you have a date tonight."

it's silent for a few moments. sevika tries to remember if she'd drunkinly given out her number to someone, or if silco asked her to butter up a client. she draws a blank. "...i do?" she asks.

silco sighs again. "jinx got the idea in her head that you need a wife, so she made you a dating profile."

"what?!"

"she's been cat fishing some poor person as you, and she's scheduled a date for the two of you tonight at seven."

"she what!?" sevika screams. her neighbor pounds on the wall that they share. sevika pounds right back. "silco, there is no way in hell i'm going on a date jinx set up for me."

"yes, i figured you'd say that." silco sighs. sevika's phone buzzes. "check your messages."

sevika pulls her phone away from her face and checks the new text sent from silco.

she gulps when your picture pops onto her screen.

you're... everything. if sevika was asked to describe her type, she'd have described you to a tee.

silco starts talking on the other line, and sevika blinks down at your picture one last time before pulling it back up to her face.

"fine." sevika grunts. she can hear silco's smile, and she huffs. "shut the fuck up. which suit should i wear?"

silco cackles on the other line.

sevika almost passes out when she meets you in person. you're stunning, and she's nervous, and she knows absolutely nothing about you even though it seems like jinx has told you everything about her.

it's only when you've ordered your dinner and are chatting over bread that sevika finally confesses.

"i have to tell you something." she mutters.

you pause mid-chew, your lame story about a fat squirrel you'd seen earlier today entirely forgotten at the sight of your gorgeous date's grimace. "don't tell me you're straight." you groan.

sevika cackles, and you relax a bit into your seat, smiling as you watch her catch her breath. "no!" she laughs. "god, no." she wipes her eyes. "i am very gay. and i find you..." she trails off, her eyes darting down to your lips for just a flash, before she blinks and shakes her head. "very attractive." she says.

you gulp, ignoring your sudden arousal. "so... what's the problem?" you ask.

sevika sighs and looks down at her hands. "you've been catfished."

you frown. "uh..." you study the woman in front of you. "you are sevika right? i mean... you look just like your pictures..."

sevika chuckles and shakes her head. "yes, that's me in those pictures. but you haven't been talking to me all week."

"so..." you're beyond confused. "who have i been talking to?" you ask.

sevika cringes. "my fucking shithead niece." she says.

relief floods your body. this isn't a scam or a fucked up prank-- it's a real date with a beautiful woman who's looking at you like she's expecting you to throw your glass of wine in her face.

instead, you burst into laughter. "you sound awfully fond of her."

sevika's stiff posture relaxes, and she huffs her own laugh. "she was cute before she could talk." she says, shrugging. you laugh even harder, reaching across the table to take sevika's hand and squeeze it as you try to compose yourself. "but now she's old enough to ask me why i'm still single and work a smartphone..."

"well, that explains why you had so many typos in your texts."

"oh, god." sevika groans.

"you misspelled 'restaurant' like five times."

"it's a hard word." she chuckles.

you pull the gorgeous woman's hand up to kiss her knuckles, and watch in fascination as all her worry and embarrassment melts away. "so." you say.

"so." sevika repeats.

"if you'd like to leave i understand, i won't be offended. i'm not sure i'd be into the dates my little cousins would pick out for me."

"no!" sevika shouts. she cringes as half the restaurant turns to look at her. you giggle. "no, that's not-- i really want to be here. i just-- i just wanted you to know that you weren't talking to me... you were talking to a ten year old."

it's quiet for a minute as you try to wrap your mind around the situation. so you'll have to re-introduce yourself to the woman in front of you-- that's fine. you're looking forward to getting to know her, and it seems like she wants to get to know you too.

you take a sip of your wine, then giggle when a thought occurs to you. "god, i'm so fucking glad i didn't try sexting with you." you say.

sevika bursts into surprised laughter, and she has to pinch herself to keep from launching over the table and kissing you.

(jinx never lets sevika live down the fact that she married the first person she picked out for her aunt.)

(jinx also officiates your wedding.)

taglist!

@fyeahnix @lavendersgirl @half-of-a-gay @thesevi0lentdelights @sexysapphicshopowner

@shimtarofstupidity @chuucanchuucan @badbye666 @femme-historian @lia-winther

@ellsss @sevikaspillowprincess @emiliabby @sevikasbeloved @hellorai

@glass-apothecary @macaroni676 @artinvain @realgreeniebeanie @k3n-dyll

@sevsdollette @ellieslob

[murainhell]

Apology Tour Spoilers!

Guys… I'm going to start by saying that I really like the episode. The songs, the return of Verosika, the way we have several conversations between the two of them even though they get nowhere because they keep not listening to the other!!! The drama. Yes, give me more. I didn't expect them to fix it quickly, so this has been what I was hoping for and more.

But I'm so annoyed by all the hate I'm seeing on twitter. I mean, one of my friends doesn't like it and we've been able to have a civil conversation about our opinions, but that website… Oh, goodness.

First of all, why are so many people hating on the poor incubus guy? What is his crime? He notices a super cute owl demon at a party, technically single since he's Blitz's new ex, and asks him to dance. Makes Stolas laugh. He steals a kiss but Stolas reacts well. I'll be honest: I would kiss Stolas too in that situation lol

I mean, yeah, I would understand if people were saying that Stolas is drunk and what about consent and such, but…. Who hasn't been out at a party and made out with someone? And they're bloody demons? I mean. Seriously, the strong reaction of hatred towards him is just because he gets in the way of Stolitz? Let's be honest, did anyone really expect them to sort it out already? This communication problem between them is going to go on for a long time. They have a lot of things to heal, themselves first, and then with each other.

Martha and Mayberry being together is also a problem for some people? We're in hell, I hope they have a good time!

"What happened to the husband? Isn't he in hell?" Honey, just because he's not in the frame doesn't mean he's not, we just don't care about him lol

"This is so toxic, they're both in hell because of each other" yes, and? Dear, Martha was a murderer and ate people, she was going to end up here anyway. Possibly the other sending hitmen after her was super hot in her book, who knows! (And personally happy to have crumbs about a cannibal, as it makes me think about Rosie and her town then, it's not such a universal thing, neither how they look or living under her protection).

Verosika, beautiful, gorgeous, I am delighted to have more information about her and the reason for her anger towards Blitz. I hope this makes people hate her a little less, jeez. Blitz needed someone to speak to him straight and it is obvious that it is after their conversation that it all sinks in.

And now about our beloved stars. Again, who expected them to solve it already? It's the next day, for God's sake! And I think exactly the same as I already said, this is not a team Stolas vs. team Blitz thing, they are both right and wrong at the same time! They have not had time to reflect and think!

I've seen many opinions from people saying they now support Stolas even more and others saying that the series now hates Blitz and the narrative is against him, giving the victory to Stolas. But, uuuh, no? I mean, it's just an episode specifically about Blitz being shitty to other people, it's something we know and it's necessary for him to see his effect on others. That doesn't mean they're proving Stolas right, we'll have more episodes to explore the whole conflict.

Stolas has his moment to talk and talk about what he wants, but he still hasn't heard what Blitz wants. He clearly doesn't know either. We'll have time for that later.

But it is so sad… Blitz doesn't know what to do, but Stolas is also looking for a relationship without knowing anything about them, he has them idealized.

And sometimes I can't help but think…. Does he really love Blitz or does he just think that because he was the first being to make him feel good? Bird boy, you urgently need to have other people in your life to know if it's Blitz that important or you've just idealized him.

"I don't even know why you would want to be with me." "I want to be someone's someone. I want to feel wanted."

That's not a conversation. No one is responding to the other (but Blitz is listening. This is the second time Stolas is not actively listening to him).

"Stolas shouldn't be kissing others if he claims to love Blitz so much" oh, right, being sad and looking for what he wants so much in others after being heartbroken (or so he thinks) invalidates the other. Fuck, too bad I can't use an expression in my native language, but I guess this is the equivalent? The quickest way to get over one man is to get under another one.

I know it's frustrating when your ship doesn't sail, but isn't it exactly these moments that make being together more rewarding later on? It's not the end of the series. It's going to be four seasons as Brandom said.

I feel like we have a series with complex characters who screw up and react quite realistically and people don't know how to digest it. Over the last years the confrontations are seen as black and white, there is always someone who is right and the other is wrong… Guys, it doesn't work like that.

My theory for now is that they won't be talking to each other for the remaining of the season. The scene of Blitz protecting Stolas? The season finale, and it's going to mark the beginning of the "you do care" but without them being together yet. The beginning of what could be a friendship, you know, the foundation of a relationship. And then, hopefully, next season or the last one will bring us the resolution.

[emeraldtart]

Danny Phantom AU - Grandpa Walker

Saw some posts saying Walker is Maddie's dad and the Fenton kids' maternal grandfather, so I'm taking a shot at it.

Most of the time when one become a ghost upon death, their obsession is what let's them become one.

However a ghost's obsession may often than not override their memories. Their forms are a reflection of those desires and how they look at the time of their death.

Walker was no such exception. He doesn't remember the exact date he died, but he's sure it's somewhere in mid 1900s.

He remembered that he was a warden, that he died in a riot. That's why he's a warden in the Ghost Zone and very strict.

And he also remembers that...

He loves his family very much.

But his obsession override his memories.

He doesn't remember their faces, their names are on the tip of his tongue. Walker is very very tempted to get a book of baby names just so he can find his girls' names and say them, just like how he and his wife used to do when they were expecting their little ones...

Oh, his wife...

He doesn't remember a single thing about her. He doesn't remember her name, her face, what she likes... He doesn't remember how and when and why he had fallen in love with her in the first place.

And Walker was scared, because the apathy he felt was like what he felt to strangers.

That's why, despite his want to open the book of baby names he had found floating around the Zone, he kept it shut inside the bottom drawer of his desk.

Walker was scared that he won't care for his girls.

~

It was a couple decades after his death, Walker had grown accustomed to his work as the warden of the prison. He was a bit lenient now, but was still strict in some ways.

After the whole Ghost Meteor, Walker sometimes found himself going out of the prison and into the Human World on his own. He doesn't know why, but he felt like he was searching for something... Someone important.

Walker doesn't know why his body brought him to the Fenton's house this late at night, but he doesn't stop. Whatever he's searching for is here. And he is nothing but persistent.

The moment he phased through the walls of the house, he was greeted by a shrill beeping followed by a robotic voice saying, "ECTOPLASM ABOVE HALFA LEVEL DETECTED: INITIATING DEFENSIVE PROTOCOLS,"

"What in the Sam Hill-"

Walker rolled out of the way as ghost nets were shot out from cannons that suddenly appears from the walls. He tried his best not to get caught, only for one net to catch him off guard from behind, leaving him a dangling mess in the ghost net.

The sounds of footsteps were heard moments later, and from the door came the Fenton boy.

"What's going-Walker!? What are you doing here?"

"Hey there Phantom. Can you help me down?"

Danny wordlessly helps the warden ghost down from the net. He straighten up his jacket and nodded at him, "Thank you,"

"No problem. But what are you doing here Walker? And in the middle of the night? Some ghosts got out of your prison?"

"Fortunately, no,"

"Then what?" Danny asked, narrowing his eyes at Walker.

"I'm not here to cause trouble, I'm just... I don't know,"

It was unusual for Walker to look this lost. Danny might haven't known Walker for long, but each encounter with the warden he knows him as a very persistent ghost who rarely doubts himself. Kinda reminds him of his mom, to be honest.

"Uh... You wanna talk about it?"

"... Yes. Thanks Phantom,"

"Just call me Danny,"

So here they are, sitting on the couch. It took some time for Walker to find his voice. He has never talk about his past to another person before, but when the last of his words that made up his worries escaped his mouth, he felt lighter, and not in the physical way.

"So, what you're saying is... You have two daughters but has forgotten everything about them, and you're scared that even if you remember you won't care about them?"

"Yes,"

"Excuse me for saying this, but I think that's stupid,"

Walker looks at the halfa in surprise, "What?"

"Listen. You're worried that you might not care for your daughters even if you remember them. Emphasis on worried," he then continues, "But get this: the fact that you're worried about that very thing proves that you love them,"

"That... Makes sense,"

"See?" Danny stood up from the couch, "Now go back to the Ghost Zone, I'm helping you with that baby names book and finding your daughters' names,"

Suddenly the light from the door turned on. Danny could make out the voice of his mother, probably just woken up from the alarm, "Danny, did you trip up the alarm again? I told you, clean up any ectoplasm before entering the house," she said before yawning.

Addie flicked open the light and saw Danny, still in his pajamas, with ghost nets all over the living room. There's not ectoplasm on her son, which is not unusual. Jack had set the ectoplasm level detector to be too sensitive, that even the smallest splotch on Danny's foot would trigger them.

She expected some green on her son's face, not... Is that...

Maddie rubbed her eyes and looks on the couch again. There was a man that she remembered in her younger days when she used to live in a house by the road in the middle of nowhere.

The man who went and drive for hours to the city and back to their home in the desert to find cake and celebrate her and her sister's birthday.

The man who pushed her and her sister on that swing which seat was made out of an old truck tire.

The man who bandaged up that bruise on her knee when she fell and made silly faces until she smiled.

The man who was called back to his job even after he was retired from it long ago.

The man who rode into that white car which drove on to the distance, who promised that he'd be back to see her graduate.

The man who couldn't make it back because he's no longer alive.

In Maddie's eyes she sees a man with skin darkened from harsh sunlight, with black hair, mustache and beard that has white hair. She doesn't see a ghost, all she sees was...

"Pa?"

"... Maddie?"

[satureja13]

Summer Solstice - Part 3 It starts -> here

Jack thought it's time for the others to finally get up too. To not waste their precious time here in Henford. This is supposed to be a special trip for them since it had been Vlad's last wish to come back here because they'd been so happy and carefree here on their first visit. Ji Ho and Sai are too tired to have an opinion about this, but Jack, with his endless energy, dragged them to a clearing where they started with their daily yoga practice (which is helping Jack with his pain).

Even though the night had been short - and Ji Ho is still a bit drained from teleporting the TukTuk - they felt a lot fresher and fitter after practice. Before the others return, Ji Ho wanted to talk with Jack and Sai about what Princess Jihovere learned about in Saarburg: Tantra.

They sat on Jack's blanket and Ji Ho told them about the benefits of this kind of yoga. Noxee had sent Ji Ho two books and now he shares what he already found out. (Noxee was very excited about Ji Ho's request and she thinks that it would help Sai and Jack (her 'kids') a lot! (She'd kind of adopted Jack and Sai after they'd been rescued from the Lab a few years ago. But this didn't stop Jack from having a major crush on her, neither that she's in love with his biological father, Greg...)

But back to topic. Ji Ho: "Here, this book says: 'Tantra is a method to expand the mind and liberate the dormant potential energy. Tantra principles form the basis of all authentic yogic practices.' It's not just about sex, like many think. There are a lot of beginner friendly exercises for us we could do together. I would love to do them with Vlad since it could help us to build a better and deeper relationship, but I know that he would hate it ^^' There are Tantra yoga and meditation practices so we just could replace our daily practice with Tantra exercises. If you like?'' (It seems the Little Goats/Satyrs are already very interested. Food for their plots and twists ^^')

That does sounds interesting indeed. Saiwa is positive that this could even be a replacement fo their therapy until they can safely log in again, if ever... Maybe it will even help him to get back together with Jeb? And Jack is up for it too (Jack has too much energy anyway, so usually he's up for anything, but he's also easily distracted by something else ^^') Ji Ho told them a bit more and they started with a few breathing and meditating exercises.

When Vlad, Jeb and Kiyoshi returned from jogging, they had breakfast together, took a quick shower (not together ^^') and called the horses. The rest of the day they are going to spend by the river.

It had been here, in Otherworld's Bramblewood, where Ji Ho found Yang Mal, his horse. We took such beautiful pictures of them -> here and here.

They took their time to explore the surroundings. It's so beautiful here, Jack didn't think much about his nightmare and trauma. He remembered the good times they had here during their first trip. It's good to see Jack is leaving his trauma behind. It was a good and brave decision to stay here. And not to give in to his fears. Jack to Ji Ho: "Haha do you remember when we rehearsed for the trailer video after I'd lost my swimming trunks?" Saiwa to Jack: "I do! You almost got killed because some monster hunters thought you were attacking Ji Ho and kidnapped a boy omg!" (TMI: Oh my, that's almost 2 years ago! And the monster hunters had been adult Jack's sons from our other story universe! And my posts had been only 1-3 pics long ^^' And we never found out how Jack managed to lose his trunks... ö.ö)

They dismounted the horses by the river to go for a swim. The perfect day and weather. A bit cloudy, so it wasn't too hot. The only thing too hot - in Jeb's opinion - was Saiwa in his stupidly short shorts and this too tight tank top...

We weren't able to call the horses before ~ 6 am because they 'were sleeping'. So why, only a few hours later, are they so tired again? -.- Plus - it's happening very often that the relationships between the boys and their horses get erased and they don't know each other anymore. I had to move in Valerian and Kiri because we weren't able to call them. Lol and Saiwa, Jeb and Kiyoshi were running to the other 'entrance' of the river even though I'd told them to go swimming where Ji Ho, Vlad and Jack went in... Nothing is easy in these worlds. Maybe Jeb needed to cool down after seeing Sai in his new swimming trunks.

Nonetheless they had a lot of fun! And it was healing. When they'd been here for the first time, they had no worries and troubles. Well a few, but not like it is now. I hope they will have more peaceful times like these in their future.

They spent the rest of the day by the river before they packed up in the evening and the TukTuk took them back home to Tomarang.

Ah, this was a nice and healing Summer Solstice! Jack did so well. The others too. They made huge steps towards living all together again (more or less) comfortable. Like before. And they could scratch one point off of their bucket list :)

'Lady, running down to the riptide Taken away to the dark side I wanna be your left-hand man I love you when you're singing that song And I got a lump in my throat 'Cause you're gonna sing the words wrong

I just wanna, I just wanna know If you're gonna, if you're gonna stay I just gotta, I just gotta know I can't have it, I can't have it any other way'

Riptide - Vance Joy

The Therapy Game Master Post with the sessions and places so far is -> here

From the Beginning  ~  Underwater Love ~  Latest Current Chapter: 'Who killed Jack?' from the beginning ▶️ here Last Chapter: 🕹️ 'The One' from the beginning ▶️ here 📚 Previous Chapters: Chapters: 1-6 ~ 7-12 ~ 13-16 ~ 17-22 ~ 23-28

[kazoologist]

congratulations to Mme. Pascale Leclerc, who has surely just experienced both the funniest and most unhinged weekend a mother could ever have. Dear fucking christ, I hope your middlest son brought you a bottle of champagne for yourself, ma'am.

[the-cimmerians]

It's 2024. I have been participating in fandom for 40 years. This is a ramble commemorating some history I've experienced along the way.

In 1984, I attended my first convention, and made a beeline for the one long row of covered tables in the Dealer's Room that was, according to the whispered lore of my friends, 'the one'. "um", I said, very suavely and coherently, except for how it was totally the opposite of those things, "I'm here for the... for the, uh. For-"

"Come around here," the man behind the table said with exhausted ennui, so I went around, and he lifted up the table skirt next to him and pointed to rows and rows of boxes underneath the line of tables. "It's all under here."

It was all under there. Along with about five older ladies with glasses, graying hair, cardigans. Flipping through slash zines and chatting in whispered voices like old friends (which of course they were). I noticed one of them had the good sense to be wearing kneepads. I was still too young and ablebodied to need kneepads when crawling on a carpeted floor, but I immediately found her preparedness skills to be both impressive and hot. "You're new," one of the ladies whispered to me--a bit warily, which made sense. "Are you sure you're in the right place?"

In the faint light (the kneepads lady had also come prepared with a flashlight, additional practicality hotness points for her) I grabbed a comb-bound book with a heavy line art piece on the cover, featuring a musclebound Captain Kirk getting righteously and enthusiastically plowed by a stern-yet-ebullient Spock. "This," I said, pointing helpfully at the cover, like I was trying to make myself understood in a language I had only the vaguest knowledge of. "I'm here for this."

Outside at the convention, most of the attendees were wearing large homemade circular pins that shrieked 'K/S is BS!!!'1. But underneath the table, we reveled in the forbidden.

***

In 1985, I fell very hard for Starsky & Hutch fandom. Which was simply referred to at the time as 'the other fandom', because there were only two. We were upstarts. Many fannish elders predicted that it was just a phase.

***

The 'circulating library' was a massive stack of barely-legible pages that smelled strongly of mimeograph ink. When you were on the list, you would write stories while you waited for your turn, and when the big box was mailed to you, you would read everything (new finds, old favorites), add your own sloppily-typed or hastily-mimeographed stories, and then mail the whole thing to the next person. For me, at the time, it was an extremely expensive indulgence--but my favorite one.

***

By 1990, slash fandom had grown enough that I no longer knew everyone in it, which was both thrilling and a bit daunting. A young woman at a convention waited for me after a panel I was part of (I think it was 'writing impactful smut' or something like that), and said she had a question she didn't want to ask in a group setting. I'd heard that before. I said that's fine, go ahead and ask; and she came out with: "Why do you have to be gay?"

I blinked. "Is... that a problem?"

She looked annoyed. "Yes, because your stories are on all the recommendation lists and in all the top zines, but if you're gay and I read something you wrote and I get hot from it that makes me gay, and I'm not gay."

"Wow." I grinned, I couldn't help it. It probably made me look very predatory-dyke-about-to-score-a-toaster. Whatever, it was enough to make her back away from me fast.

When I thought about it later that night, I wondered what it would be like not to be the only queer person in slash fandom.

***

By 1997, slash started appearing on the internet. Many fannish elders claimed it was the death knell of slash fandom, or dismissed it as 'just a phase'.

***

Anyway, I wrote all this for myself as a commemoration of sorts, but if you took the time to read it--thank you. Love you, fandom. I always will.

1 In those days, m/m fandom was known as 'slash', which grew from the fannish shorthand where 'K&S' meant a story of Kirk and Spock having adventures or tribulations or what have you, and 'K/S' meant a story of Kirk and Spock getting it on (Kirk divided by Spock or Spock into Kirk--it was mathy fannish humor and I was into it then and I still am now). Slash was decidedly unpopular in the fannish world in 1984, and there was a concerted effort to force slash authors, artists, and fans out of 'mainstream' fannish public life. Hence, under the table.

[yuujispinkhair]

CollegeBoy!Sukuna accidentally knocking you up – Part 2 A

-> Option A: "I'm not ready to be a mom"

You can read Part 1 here

I decided to write two different versions of Part 2 (both are comforting). Option A: Reader has an abortion Option B: Reader decides to have the baby(s). (coming soon)

Modern!Sukuna x Reader (female). Fluff. Light angst with a happy end. 2K words. Unplanned pregnancy, Reader has a surgical abortion. Everything goes well. Sukuna takes good care of Reader. All characters are of age. Minors don't interact. Divider@/plutism + dollsciples + benkeibear

Finding out that you accidentally got knocked up by your college sweetheart was definitely a shock. And it didn't end there because now you are faced with having to make a decision that has the potential to change your life forever.

You sleep a night over it and spend the next day going on a long walk with Sukuna, hoping the fresh air will help you clear your mind. It's when you sit down on a park bench and lean against Sukuna's biceps when you ask softly,

"So what are we going to do, Kuna?"

And Sukuna wraps his arm around you and pulls you against his side,

"It's your choice, princess. I will be there for you no matter what. I'm man enough to handle both. And ultimately, it's your body, so you should be the one who makes the decision."

It makes you love him even more.

Sukuna is usually a very dominant person, someone who likes to be in control. Seeing him hold back and give you the reins fills you with deep affection.

You have contemplated both options, glad that Sukuna made it clear that he won't run even if you want to have the baby. But in the end, there is one option that feels more right for you at this point in your life.

When you tell Sukuna that you want to terminate the pregnancy, he doesn't comment on whether this is what he would have decided or not but just pulls you into his strong arms and hugs you, tells you again that he will drive you to the hospital and be there for you all the way.

You practically melt into the comfort of his strong arms as you add softly,

"It's not that I don't want a baby with you, Kuna. You know that, right? It has nothing to do with you. I just think we are too young. I am too young. I don't want the stress of having to be a mom while I still go to college and have to study for exams and try to find a good job, etc. It already seems so much, and when I imagine also having to take care of a little baby, I don't think I can manage all of it, even with you by my side."

Sukuna smiles at you, not one of his smug smirks or flirty boyish grins, but a genuine smile, soft and tender, a smile that is only reserved for you.

"I know, princess. Don't worry your pretty head about this."

Sukuna is with you throughout the whole journey. He drives you to your doctor and insists on going up to the waiting room with you because he knows how nervous you are. He sits next to you, holds your hand, caresses your fingers soothingly, and grins reassuringly at you. He makes a flirty comment and winks at you when your name gets called, trying his best to make you laugh and feel less nervous.

But you know that he is nervous too. When you get back twenty minutes later, you can see that Sukuna is still on the same page of the book he started to read when you left. His mind obviously occupied with other things, just as affected by the situation as you are.

It makes you reach out and hug him tightly, comforting him just like he comforts you, even though he would never admit openly that this makes him anxious just as much as you.

"My doctor already made an appointment at the clinic for me to have another examination and to sign all the documents and stuff. But it's when you have training, so you really don't have to come with me."

But Sukuna rolls his eyes and shakes his head,

"What are you saying? Stop it, baby. Of course, I am coming with you. If I can put my dick in you, I can also accompany you to your appointment. After all, it's my apparently super-fertile sperm that got you into that situation in the first place! I'll skip training. It's not important. Nothing is as important as you are to me."

The next four days feel weird. You go to the examination at the clinic. You listen to the doctor explaining the procedure to you. You nod, you smile politely, and you sign several documents before you get sent halfway through the hospital to meet an anesthetic and sign more papers. They send you home with a sheet full of instructions on what to do before and after the surgery.

You spend the days until the surgery in a daze. Everything feels unreal.

But you aren't alone. Sukuna doesn't leave your side. It's almost funny how he follows you around like a puppy. The big bad boy, all sweet and doting.

On the day of the abortion Sukuna drives you to the hospital. He walks with you to the unit where the surgery will take place, and his large hand squeezes your smaller one so tightly it almost hurts.

You can see and feel how reluctant he is to let go of you and how worried he is about you, even though he tries to hide it and play it cool so as not to make you more anxious than you already are. But his hug is even tighter than usual, almost bone-crushing the way his strong arms tighten around you, and he pulls you against his tall, muscular body.

He kisses you, too deep and with too much tongue for the location, but you tilt your head to let him push his tongue even deeper into your mouth, craving his kiss and his love and the reassurance he gives you that way.

You leave towards the room where you are supposed to change, looking back over your shoulder one last time and Sukuna is still standing there in the hallway, his hands shoved into the pockets of his grey sweatpants, looking so cool with his tattoos and the pink hair. But you can see the tenseness in his broad shoulders and the worry on his tattooed face.

It makes your chest feel warm, and you can't help but mouth "I love you" in his direction, smiling when you see him say the words too.

Your surgery goes by without any complications, and the moment you wake up, a nurse is already by your side, bringing you tea and something to eat, and some painkillers. But you are impatient, wanting nothing more than to leave and be in Sukuna's comforting embrace, feel the warmth of his body and inhale his scent and hear his velvety low voice murmuring sweet nothings in your ear.

You're glad when you are finally allowed to get up and get dressed again, promising the nurse that you have someone who will stay with you for the next 24 hours.

When you leave the changing room, you see Sukuna leaning against the wall right next to the reception. His tattooed face is a bit pale, and he is playing nervously with his tongue piercing once again.

His maroon eyes meet yours, and he is by your side in a second, a strong arm wrapping around your waist and carefully pulling you against his side, steadying you, holding you securely, making sure you won't fall. His lips press against your temple, lingering there for a long moment, warm and soft,

"Fuck. I'm glad you're finally out of there."

You can hear the strain in his low voice, can hear every ounce of worry and anxiety he felt during the last hours when he was sitting in his room, waiting for the hospital to call him and tell him, you are ok.

You lean gratefully against him, feeling a bit dizzy from the anesthetics, glad that you have your strong boyfriend to hold you.

"I'm so glad you're here, Sukuna."

"How are you, princess?"

"I'm good. Just a bit wobbly on my feet. And I need something to eat. I'm starving!"

And Sukuna laughs softly, sounding so relieved,

"Well, how lucky you are that your boyfriend spent the last few hours in the kitchen to distract himself and prepare your favorite dishes for you."

And suddenly, your sight becomes blurry as tears well up in your eyes and run down your cheeks without you even knowing why you suddenly start crying now that it's over when, in the days leading up to the abortion, you didn't shed a single tear!

But maybe all the stress and anxiety of the last few days finally caught up with you. The contradictory emotions of feeling a bit wistful about letting go of that fantasy of Sukuna and you having your own little family versus the relief you feel that it's over and that you can live your life the way you planned.

But you suspect that, most of all, it is the overwhelming love you feel for Sukuna right at that moment. You are so touched by how caring he is. How mature he was in this situation. That he didn't run, that he didn't leave you to deal with all of this on your own. He is so worried about you and does so much to make you feel okay. He is so strong all the time, so you have someone to lean on.

A sniffle escapes your trembling lips, and Sukuna's eyes widen. He pulls you against him, burying his face in your hair and murmuring soothingly to you,

"Hey, baby, it's ok. Everything's going to be ok. Don't cry."

Your hands are on Sukuna's broad chest, and you feel the warmth of his skin and the beat of his heart through the soft hoodie he is wearing, comforting and reassuring.

"I'm ok, Kuna, I swear. It's just... I love you so much."

"I love you too."

His voice sounds tender when he says the words, and you snuggle closer to him, lifting your head to look at his beautiful tattooed face. And Sukuna leans down a bit, enough so he can brush his lips over yours.

That's how you end up standing in the middle of the hospital hallway, hugging your boyfriend and kissing him slowly as if the two of you are the only people in this world.

But you make it to the parking lot a few minutes later, walking there with the help of Sukuna's strong arm wrapped around you.

Sukuna is so gentle, so caring. He helps you into the car and puts on your seat belt for you as if you can't do it yourself. He stops at a convenience store to get some pads for you, jogging back to the car as if he is running from a crime scene because he is worried about letting you out of his sight even for a few minutes.

He helps you out of the car again, once you have reached your apartment, picks you up princess-style and carries you up the stairs. He sits you down on the couch, wraps you in a warm blanket and glares at you when you try to get up.

"Don't be a brat! Just stay right here and rest and let me bring you the meal I cooked for you with all my fucking love!"

He brings you the food and plops down next to you, checking if you really eat something, like some super stern nurse, and you can't help but feel warm, knowing that your bad boy is so amazingly sweet and caring when it comes to you.

The moment your face twists in pain, Sukuna is on his knees in front of you, fear in his maroon eyes, his large hands on your thighs, looking up at you with worry written all over his tattooed face.

"What's wrong?"

You grit your teeth and smile shakily at him, reaching out to cup his cheek and caress it tenderly, touched by how worried he is for you.

"It's nothing bad, Kuna. They told me I would get cramps after the surgery. It's perfectly normal! But it feels like really bad period cramps. They gave me some painkillers for that. Can you..."

You can't even finish the sentence before Sukuna is on his feet again, already walking over to your bag,

"I'll get them for you!"

You thank him, and he sits down next to you again, watching you the whole time with narrowed maroon eyes until you chuckle and reach over to ruffle his pink hair,

"I won't drop dead if you stop looking at me for one second, you know, baby? Eat something, too, I know you are hungry!"

"Don't joke about stuff like that, princess. I am just taking my job as your personal nurse seriously."

And he really does. For the next few days, Sukuna barely leaves your side. And even a week later, he is still acting differently around you, and you begin to realize that this is probably how he will always be now. Even more protective. Even more caring.

The unplanned pregnancy and the abortion didn't drive a wedge between the two of you. Instead, it made the two of you grow even closer. You shared a life-altering experience. Because even though you decided not to have the baby, it still will be something you will always carry with you. And you will never forget how Sukuna reacted. How he was there for you. How he respected your decision and how he cared for you.

You learned that Sukuna is more than just the sexy bad boy you can have fun with. He showed you that you can always count on him, that he won't run when real problems occur. You learned that if one day in the future you actually want to have a baby, you have a wonderful man by your side who would be a loving partner and a damn good dad.

You sigh happily as you lie in your bed with Sukuna behind you. He has become more cuddly since accidentally knocking you up. He wants to spend every night at your apartment or asks you to stay at his. As if he needs to hold you every night, keeping you safe and sound, wrapped in his strong arms, his buff body pressing against your back, and his lips trailing lazy kisses over your neck.

The two of you are living your regular lives again, going to classes, studying, going to training, to parties. No one else knows what happened to you. It's a secret between you and Sukuna because you both want it that way. No one else has to know. This is just something the two of you share.

A commercial for baby food starts playing in between two episodes of the crime show you are watching. A young family, mom and dad, and a tiny baby. And even though it's been weeks, it still makes you feel a bit weird to see it.

Sukuna's arm tightens around you. Maybe he felt you tense up, or maybe he had the same thoughts as you when seeing the commercial. Either way, his hand slips down to your belly, caressing it gently, and there's a smile in his low voice when he says,

"You know, it's not the end of it, princess, right? We can still have one.... when we are older. If we want."

You smile and snuggle against Sukuna's warm, muscular body. Your hand lands on top of his larger one, which is resting on your belly now, and you interlace your fingers with his, feeling the weird tension leave your body again.

"If I ever want to have a baby, it will definitely be with you, Sukuna."

I LOVE HIM 💗😭

Thank you so much for all the love on Part 1!! The story wouldn't leave my mind anymore, and after I got several comments and asks where people asked about a possible Part 2, I wanted to continue the story about College sweetheart Sukuna knocking us up and show how Reader and Sukuna deal with both options, so I decided to write two different versions.

I hope you liked Option A and that it could give you comfort.

Option B will be the version where Reader decides to have the baby (or rather babies lol). I plan to post it next week!

Comments and reblogs would be very sweet 💗

[cozage]

Hello, first of all, congrats on 2k followers, you deserve that and more ♡

I would like to request on the option 1, a scenario with Zoro, Sanji and Luffy (and if you can, Law, Ace and/or Kid) where the reader asks "could you hold something for me?", and the reader gives them their hand to hold.

Thank you in advance, hope you have a lovely day ♡

Characters: gn reader x Zoro, Sanji, Luffy, Law Total word count:700

A Hand to Hold

Zoro

He’s napping on the deck of the Sunny when you stride over to him and sit down next to him

He peeks his good eye open just a fraction of an inch, trying to see what you want. 

“Can you hold something for me?”

“Can’t you get someone else to-”

“Zoro!”

“Fine!” He holds his hand out, slightly irritated.

You place your hand into his, watching his reaction closely. 

Immediate response? He would just deadpan and stare at you. 

“Why? Why did you give me this? Is it bleeding or-”

“No Zoro!” you giggled. “Just hold it.”

“Did Luffy put you up to this? Or Nami? Or that damn-”

“No!” you said, starting to pout. The mood was ruined. “Just forget it.”

As you pull your hand away, he grips it a little tighter. When you look back at him, he’s got a little bit of blush across his cheeks. 

“I’ll hold it,” he grumbled, closing his eyes. “As long as it doesn’t interrupt any more of my nap.”

Sanji

As soon as you walk through the door, you can smell your favorite dessert being made.

But Sanji is nowhere to be found.

“Sanji,” you called. “Can you hold something for me?”

“Of course, my love!” he shouted from the pantry, and a moment later he rushes out and toward you. 

His hands are empty, already forgetting whatever he was planning to grab in exchange for what you need him for. 

He holds his hand out, and when you place your hand in his, he looks at it, confused for a moment. 

He’s afraid he had misheard you. “What did you need again?” he asked.

“I needed you to hold something.” You give his hand a light squeeze. 

“Your…hand?”

You smile, trying to hold back a laugh. “My hand.” 

He crumples to the ground, overwhelmed with emotion. For a second you’re worried you’ve killed him, but he’s still breathing, thankfully. 

Luffy

“Luffy!” You shouted to your captain, who was at his seat on the figurehead. “Can you hold something for me?”

He groaned at your request, not wanting to leave his seat. “Come up here and give it to me!”

You joined him at his seat on Sunny’s head and sat next to him, waiting for him to hold his hand out. 

“What do you need me to hold?” he asked, looking at you with confusion. 

“My hand,” you said, placing your hand in his. 

“Oh.” Luffy shrugged, looking back out to sea. “For how long?”

You smiled. “For however long you want.”

“We could make a game out of it.”

That piqued your interest. “A game?”

He grinned mischeviously. “Yeah! Hang on for as long as you can!” 

Suddenly he shot his other arm out to the mast, and the two of you flew threw the air, gripping onto each other for dear life. 

Law

You walked into his lab, looking for the golden-eyed doctor. 

“Law!” You turned the corner to find him measuring out a strange liquid. “Can you hold something for me?”

“Kinda busy,” he mumbles, his teeth gritted in concentration. “Can someone else help you?”

You giggle. “I don’t think so. I can wait,” you said, plopping yourself down on a nearby stool and opening a book.

After a few minutes, he finally turns to you. “What is it?”

“I need you to hold something.” You held your hand out in a fist, as if you were holding something.

“Is this one of yours and Shachi’s pranks?” he asked. But he trusts you (most of the time), and holds his hand out to take whatever you had. 

You quickly intertwine your fingers with his, clutching his hand tightly. “Thanks.” You return to your book without another word. 

“Your hand?” he asks, nervously glancing back at his project. “Can we do this later? I’m kind of on a timetable with that mixture.”

You frowned. “Fine. But I’m adding interest.”

“Deal,” he said, pulling his hand away and running back to his project. 

You were a little hurt, but he quickly realized his error and ran back to you, plopping a kiss on the top of your head before rushing back to the table. 

[its44intheehouse]

CHARLES LECLERC-NSFW alphabet

this is very. spicy. enjoy🍒

A - Aftercare (what he’s like after sex)

Charles is sweet. After destroying your guts or making love passionately to you, he’ll always make sure you get the proper aftercare. He’ll offer to clean you up, run you a relaxing bath, get you water, whatever you need. He is a very attentive boyfriend.

B - Bodypart (their favorite body part of his and his partner’s)

He is very proud of his physique. Especially his abs and hands. He spends a lot of his time training and making sure he stays fit, not only for the sake of his career but also for him. One time he asked you to ride his abs, and it turned him on so bad that he almost came in his pants just watching you get off like that. And he loves it when you stare at his hands. You do it unconsciously sometimes and he likes to pretend he doesn’t notice it until later on when he’s making you come with them until you can’t take it anymore.

On you, he loves LOVES your boobs and your legs. He can’t get enough of the sight of your boobs when you’re riding him and they just bounce in his face. He has to have his mouth or at least his hands on them everyday. It’s a must. Whether he’s coming up behind you for a hug or he’s spooning you while sleeping, his hand is always underneath your shirt, touching them. And it’s not always sexual, he just loves them so much it becomes a reflex. It’s comforting for him.

And your legs. He loses his mind everytime he sees you wear one of your short skirts or dresses and he can see your long, soft legs. He loves it when you put them in his lap while you’re reading your book, when they’re propped on his shoulders while he’s fucking you raw or eating your pussy. It adds an extra spice when he just fucked you dumb in his car before an event and you just have to walk around the whole night talking to people while his cum is slowly dripping down your legs.

C - Cum (anything to do with cum)

He’s versatile. But always respects your wishes, so he’ll come wherever you want him to. But if he had to admit, he is obsessed with the idea of coming inside of you. He is very sensitive to touch. So if fucking you with a condom made him feral, imagine letting him feel you without one. Once you got on birth control and gave him the green light, he went nuts about it, fucking you anytime and everywhere he could and making sure to pump his cum deep enough so you would feel it slip out of you even hours after.

Also, he thinks its very hot when you blow him and swallow right after, smiling at him as you stick your tongue out to show him how good you are for him. And even though most men find it disgusting to kiss their girl after they suck their dick, Charles is definitely an exception. He’ll grab your chin and press his lips to yours everytime, then he’ll smirk and tell you “You did so well, baby. Good girl, made me feel sooo good.”

D - Dirty secret

He wants to make a sextape. He is absolutely, head over heels in love with you, and although he’s always enjoying the moment when you two fuck, he’d love to have a video of you doing it so everytime he’s away from you for racing he has a visual reminder of how wet you get for him, how good you’re taking him, how destroyed and unreal you look when your eyes are tearing up and your mouth is swollen from his kisses and how pornographic your moans and whimpers sound everytime he’s thrusting inside of you.

E - Experience (how experienced he is in bed)

He is a relationship type of man. He’s had some girlfriends in the past, not a crazy amount of them though, but he knows what he’s doing. He always goes all in when it comes to sex, because he loves to be able to feel good and make his partners feel good also. He’s kind of cocky and wants to do a good job so that he can see the results of it afterwards. How your legs are still shaking, how you’re having trouble walking or sitting just because of how good he got you.

F - Favorite position

As I said, he’s versatile. He’ll have you in every position he can think of, as long as he knows it’s gonna benefit the both of you, especially you. Charles loves challenges, so you two tried a bit of everything almost. But his favorite positions have to be the good ol’ missionary, because he gets to see you in all your beauty underneath him, cowgirl, because it does something to him when you’re the one in charge, and doggy, so he can slap and grab your ass anytime he feels like it. He also likes to wrap your hair in his fist and pull on it so he can have your back pressed against his chest while one of his hands is busy rubbing your clit.

G - Goofy (how serious is he in the moment?)

It depends. Usually Charles appreciates a light energy, and enjoys being his playful goofy self. He’ll crack a joke in bed sometimes, but most of the time he takes things seriously because he wants to show you a good time.

H - Hair (how well groomed are they? how do they prefer their partners?)

He doesn’t like to be messy, personally. Also, due to his racing and excessive sweat that always results from it, he prefers to keep things clean and shaved. He’s always trimmed nicely and fresh.

On you, he doesn’t really care, as long as things don’t get too much out of control and you take good care of your hygiene.

I - Intimacy (how is he during sex)

He’s always making sure to put you first. He isn’t afraid to slow things down or stop if he sees you’re not particularly enjoying something, and will always ask you if you’re okay or if you need something. He’s also very romantic. During foreplay, during sex, all the time really. Will have you swooning after his sweet words and affectionate touches and he always looks at you as if you are the most beautiful woman to set a foot on this earth. Because he believes you are.

J - Jack off (does he masturbate?)

He rarely has the time to do that and he doesn’t have to think about it too much because most of the time you’re with him, so it isn’t hard for him to find a way to get off. But when you’re away and he’s lonely in one of the hotel rooms on race weekends, he’s always facetiming you. And no matter what you do, that man will get an erection. You can always tell he’s needy when his breathing gets uneven and his voice is slightly shaky, so you offer to talk him through it. Dirty talk was something that never came to you naturally even though you craved it secretly, but since dating Charles, you’ve both experimented with it and now it became a habit for you when you’re on the phone masturbating with him or helping him come.

K - Kink (what kink/s does he have?)

He gets feral when you’re bossing him around. Especially in bed, he loves to see you comfortable enough to seek control and have him do whatever you want. If you’re on top, he’s a dead man. He thinks it’s so sexy.

Also, Charles is a family man. He wants to have a family and kids at some point, because he absolutely ADORES them. We been knowing. He can’t help the smile on his face or the glint in his eyes when he sees you with kids. He knows you’re going to be the mother of his children and that thought never fails to make his heart flutter. But it also makes his dick throb violently. He can’t stop imagining it. Your tits swollen and full of sweet milk and your stomach big, carrying his babies with so much love. God, he can’t wait for the moment you’ll both be ready so you can start trying. But that doesn’t stop him from fucking you multiple times and pushing his cum back inside of your abused cunt. Even though he knows you’re on birth control, he’ll still fuck you stupid and imagine he’s getting you pregnant right then and there, while groaning and whispering to you “You’re so full of me, ma belle. Fuck. One day I’m gonna get you pregnant. You’re gonna let me put a baby in you and I’ll make you my beautiful little wife, yeah?”

Anyway 😏

L - Location (favorite places to have sex)

It doesn’t really matter to Charles. If he’s horny, he’s gonna want to take you anywhere. Not a corner of his or your home was left untouched, you fucked everywhere. The bed, the couch, on the table, on the kitchen counter, the floor, in the shower, the wall… You’ve even done it in his drivers room a few times. He also has a thing for car sex. Charles loves his cars and he loves you, so fucking you there gets him pretty enthusiastic.

M - Motivation (what gets him going)

So easy to make him want you. Like I said, he is very much in love with you so he’s always down. But he has a thing for teasing. He’s a big flirt and a very successful one, he never fails to make you blush or make you wet. But when you turn the tables and flirt with him back, teasing him and batting your eyelashes at him, he thinks he’s going to pass out. Your whole energy makes you irresistible to him.

N - No (turn offs, things he wouldn’t do)

He believes sex is for pleasure and exploration. So with that being said, he would never hurt you. He’s down to try almost anything sexually, but he can’t stand the thought of being too rough to the point of inflicting real pain on you.

O - Oral (how good they are at it, preferences on receiving/receiving)

Charles is a both a big giver and receiver. He’s got quite the ego so making you feel good also feeds his confidence. This man’s purpose is to have your eyes rolling to the back of your head and your legs shaking. He gets off on the sweet taste of your pussy, on the sounds you’re making, your scent, the way you grip his hair and roll your hips on his face. God, he could stay between your legs for hours. He’d never get tired of it. He even asked you to sit on his face a few times, even though you were a bit unsure at first and needed a bit of convincing. But once you got to see how hot it was and how amazing it felt, you were the one starting to ask for it.

Going back to the ego thing, sucking his cock does inexplicable things to him. He thinks it’s so cute when you try and take more and more of him everytime just because you want him to feel good. Seeing you struggle to fit all of him in your mouth gives him a big confidence boost. He likes to throw some praises here and there to encourage you when you look up at him with teary eyes.

P - Pace.

Usually depends on the mood. He’s always sweet, romantic and considerate. You’re his princess, the love of his life, and he’ll make love to you just the way you deserve it. But he can switch up real fast and become more rough and fast if you ask for it or if something is really bothering him and making him mad. One time after a DNF and a nasty fight with his team, he just made his way to you, grabbed you without a word and rushed you to his drivers room to take out all his frustrations. He was so mad he couldn’t even care about someone hearing you. You rarely see Charles mad, but you couldn’t lie and say something about him fuming wasn’t making your knees go weak.

Q - Quickie

You two had mastered the art of quickies. It isn’t unusual for you to have one before or after a race, between interviews, before events, even in the private jet’s bathroom. Although he loves to take his time with you. But everything will do, as long as he has you.

R - Risk (how risky he is)

If it wasn’t for his career, he’d be more unhinged. For now, he has only tried making you cum with his fingers under the table while you were out with some of the drivers. He loves his job and he knows he can’t afford to act too reckless if he wants to keep it.

S - Stamina (how many rounds can he go for?)

He’s more of a one looooong round typa guy. It can last up to two hours or more, and he’s going to drain all the energy out of you.

T - Toys (how does he feel about toys? does he own some?)

Charles is a grown man and knows that toys are his teammates, not his enemies. He doesn’t own any and neither do you, but he has thought a lot about buying some for you, just to switch things up a bit or for you to use them when he’s away. He’ll definitely facetime you and ask you to use them on camera so he can see.

U - Unfair (how much they like to tease)

He’s going to tease THE SHIT OUT OF U. He’s always playful and loves to make you frustrated. He always enjoys watching you slowly crack from his teasing.

V - Volume (how loud he is in bed)

He prefers to hear you more, and sometimes he is just too focused on what he’s doing so he doesn’t make a lot of noises. A few moans, groans and whimpers here and there. But oh boy, when he’s close? He turns it up a notch.

W - Wild card

He kind of loves it when you deny him pleasure. One day when he was streaming you decided to make things a bit spicy and crawl under the desk to give him head. To say he was surprised was an understatement, since he was used to you being more on the shy side. He wanted to end the stream right then but you made it very clear that if he did that, you’d stop. And even though it was the hardest thing he had to do, especially with the risk of people catching up on what was actually going on, he has to admit it was hot as fuck. He came so much then.

X - X-Ray (what’s under)

Charles is above average, thick and veiny. It’s a delicious stretch and hits the spot every.single.time.

Y - Yearning (how high is his sex drive?)

Very high. This man is almost always bricked up. He could go for it anytime.

Z - Zzz (how fast they fall asleep after)

After making sure you’re both comfortable and you’re in his arms, he’s dead asleep.

[cryptidghostgirl]

The Guilt (Alastor x Reader)

Pairing: Alastor x Reader)

Description: Y/n was the one person he never meant to kill, but Alastor didn't have a choice. Years later, much to his surprise, they run into one another in the depths of Pentagram City.

Warnings: Murder, cannibalism mentioned in a metaphoric sense. Un-detailed descriptions of rotting bodies.

Word Count: 2,701

Master Lists:

Master Lists 

Hazbin Hotel Master List

A/N I promise I will get to the rest of the requests soon, I just wanted to write something that has been stuck in my head for a hot minute since I've like only been doing requests the past couple days. I think the only ones I have left are ones that have been sent in since February 15th so I hope that is okay.

Alastor recognized her the minute he first saw her. It had been a year since his arrival in Hell and he was already making waves. Demons avoided him on the streets, shot him fearful glances over their shoulders. He enjoyed the privacy it afforded him, the padding of air around him.

He didn't pay the others mind, focused on his own goals and patterns of being. Friends, relationships, they were far from his top priority but still, Alastor recognized her the minute he first saw her.

In his years of blood soaked escapades in the world of the living, he had wreaked havoc on the world. In all those years, he had only ever made two mistakes. The first had been getting caught, getting killed by that hunter. The second? Had been killing that girl.

He hadn't had a choice. Normally, Alastor chose his victims carefully following a specific criteria. She had been an accident. He had gotten careless one night, cocky even in his streak of successes. Alastor had been transfixed, carving a man's intestines from the cavity of his stomach. The girl had had wide eyes, her mouth open. She had trembled.

Their eyes had met across the darkened street. She had clutched at her coat, pulling it tighter. She hadn't even tried to run.

Alastor never learned her name, avoided all reports on her disappearance and death like the plague. She haunted him. He saw her around corners, when he shut his eyes at night like a vengeful spirit. Always just staring at him with those big, knowing eyes. He didn't need more reminders, more facets of feeling, than he already had.

Alastor had recognized her the minute he first laid eyes on her in Hell. It had taken him a moment to realize she was real, she still looked so deeply human after all. He had never expected her to be here. He had never expected to see her again.

When he opened his eyes and she was still there, sitting placidly at the cafe table, it was like some uncontrollable force pulled him to her. He pulled out the spare chair, falling lazily into it. She looked up at the noise of metal against concrete, curiosity painting her features as she lowered her book onto the table.

"Hello?" she said after a moment, though it was more of a question than a greeting.

Alastor had never heard her voice before except for when she had screamed. It was melodious, it was soft and sweet. His smile grew.

"Yes, hello indeed."

She stared at him with those eyes, those same eyes that had haunted him for years.

"My apologies but, who are you? Do I know you?"

He was unable to keep the surprise from his features. It had been a long time since anyone had asked him something like that, he couldn't tell if she was joking. But then there were those wide eyes, earnest in their honesty.

"No, my apologies. I did not introduce myself. My name is Alastor, quite the pleasure to meet you. Quiet the pleasure."

He grabbed her hand from where it lay daintily across her open book, shaking it in his own.

"Oh!" Y/n lightly exclaimed in response to the action, "Oh, well, Alastor, I am Y/n. It is a pleasure to make your acquaintance as well."

The contact broke and Alastor leaned his elbows on the table, resting his chin in his hands.

"Forgive me for saying this but, you seem a bit unsuited for all this mess. Prim and proper. What landed you here?"

"Is that why you've come to join me?"

Alastor nodded after a second's thought. It was an easy cover up for his true motives. Y/n seemed to have no idea who he was after all and to be perfectly honest, even Alastor himself was struggling to understand his motivations. Guilt wasn't an emotion he was familiar with. It was confusing, writhed in the pit of his stomach like a snake.

"Well, thats a rather personal question to ask someone right off the bat, isn't it?"

"I suppose you're right. How about this one then, what are you reading?"

After that day at the cafe, Alastor followed Y/n like a hurt puppy. He didn't rightly know why. It was a compulsion of a sort, he couldn't stop it. She was disinterested by radio, by the newfangled video boxes popping up. She knew nothing of his reputation, she just thought he was a friend. A fairly determined friend, but a friend none the less.

Alastor didn't understand it. He was a man obsessed, not with Y/n per say but with the opportunity she offered. She smelled like making good on past wrongs. That wasn't something Alastor had ever been interested in before. Y/n was the exception. She was always the exception, he supposed.

It wasn't long before their little lunches, their random rendezvous in the streets, carefully orchestrated by Alastor of course, not that she knew, became something more. Spending time with her calmed the raging sea of uncertainty in his gut. Being kind to her felt like salvation.

Alastor had never been concerned with that before, but it was such an intoxicating thing to hear her words of thanks, of praise. To witness her smiles and her apparently unending kindness. They would spend hours pouring over one another's collections of books. They would spend hours in deep philosophic discussion. It was Y/n who first brought up their previous lives.

"Do you ever miss it?" she had asked when they had been making lunch together one day in her apartment.

Alastor's hand had stilled, his knife halfway through the cut of veal he had been handeling.

"Miss what, my dear?"

"Life."

He began to move the knife again, letting out a slight hum of thought.

"Not particularly. I take it you do?"

Y/n leaned over the pot, checking to see if the water was boiling yet for the potatoes. It wasn't and so she turned to him, leaning up against the counter.

"Sometimes." she admitted.

Alastor turned to her as well. The apron over her dress was stained with jam from the times they had baked together just a few days before. Y/n hair was tied up and away from her face. He felt his heart stutter in his chest.

That had been happening a lot lately when he looked at her. Alastor figured it was a progression of guilt, a giving away of it. He figured spending time with Y/n was helping it go away.

It wasn't like it was a burden for him. They actually had a surprising amount in common.

"What do you miss?"

"My mom."

And there it was again, the cannibalistic sickness eating away at his brain.

"Were you two close?"

Y/n nodded, turning her gaze to the window.

"Yeah. She... I didn't have a big family. Or a lot of friends growing up. I was shy, painfully shy. She was... she was all I had. And now she's alone up there."

"What landed you down here?"

Y/n looked back to Alastor, smirking.

"Back to this are we? Only took what, six months?"

"We're friends now, aren't we?"

"Alastor..."

"Shoot me, I'm curious."

Y/n laughed lightly.

"Okay, I tell you, you tell me. Deal?"

Alastor thought it over for a moment. He could always lie to her, make up some story or another but, she was bound to find out eventually. More than anything, he wanted to keep her from connecting the pieces. Y/n figuring things out felt dangerous, it pained him to think about how she would react.

"Deal."

"Okay, um," Y/n looked away again, her hands fiddling with the frilled edge of her apron, "I don't really like to talk about it. It's kind of embarrassing."

"You made a deal."

"Yeah, yeah. I know."

"So spill."

Y/n smiled lightly, meeting Alastor's eyes for a second.

"Well, I was kind of... maybe... sort of... a thief?"

"Really?"

Alastor hadn't expected that. He wasn't quite sure what he had expected to be honest but, it wasn't that.

"Yeah. Times were... tough growing up. Single mom with a kid in the early 1900s? Not everyone was a fan. It was hard for her to find work so I would... supplement. No one suspected the little girl, you know?"

There were two types of demons in Hell. There were the ones that had their demon forms, and then there were the ones like Alastor with more than one form, more abilities, more strength. It was the anger that fed it, the person they were on earth. Alastor had always assumed Y/n fell into the first category but, as she relayed her tale to him, her body began to change. She rotted before his very eyes, becoming a standing corpse with his bones all showing.

"I always felt awful about it but, we didn't really have a choice. You know? I didn't want to do it, didn't like it, but I did it and I was good at it. When I grew up, well, sometimes it is just easier to stick to what you know. I worked for a cleaning service, maids for hire, working parties, stuff like that. I, well, the people I worked for were rich. They didn't need the money but my mother and I certainly did."

It was then she seemed to realize her own changed appearance. Her eyes shot up to Alastor as she retook her original form.

"Sorry about that." she awkwardly laughed, "Guess the guilt is still eating me alive, even in death. So, what'd you do?"

Alastor took a breath, appraising the situation. The guilt, the sense of having truly sinned.

"I was a serial killer."

Y/n's eyes went wide.

"Really? You? But you're so..."

"So what, my dear?"

"So nice."

Alastor stilled.

"Nice?" he repeated.

Even in life, it was a word that few had directed towards him. Polite, yes. Talented, yes. Charming? Of course, but never nice.

At the sound of bubbling from the pot, Y/n turned his back to him.

"Yeah." she shrugged, opening the lid and dropping the potatoes in, "You probably one of the nicest people I've ever met."

The way Y/n saw him was intoxicating. Nice. He began to spend more and more time at her side. It was hard to keep the other half of his life from her but, he managed. It was a delicate balance, a game he knew well.

It was a day about a year later that Y/n approached him, blushing and unable to meet his eyes. It was a year later she told him how she felt and he realized he felt the same. They moved in together, did nearly everything together. It was a happy afterlife for them both. The first time they had kissed, she had tasted like redemption.

Y/n never questioned what Alastor did on his late nights out alone. She trusted his fidelity and when he said he liked going for walks alone in the evening air, she accepted it. When he said he was at work, broadcasting his radio show, she never asked why they didn't have a radio of their own. It was an unspoken agreement, he didn't ask where the money came from and she didn't ask what he did in the long hours he was away.

The guilt felt heavy in the pit of his stomach, growing stronger every day but still, Y/n remained blissfully ignorant. Alastor could practically hear the clock ticking. Every kiss felt like it might be the last, every caress, every meal shared at the kitchen table. He did everything he could, but knew one day she was bound to find out.

Alastor knew the day had come when he entered their lovely home on the outskirts of the Pride ring. He called his usual hello out into the house from the foyer, letting the door fall shut behind him. Y/n didn't come.

"Y/n?" he called, taking a step further into the house, "Are you home?"

All the lights were on. That was something she was careful about from the old days, making sure not to use electricity unless necessary. There was no way she wasn't in the house.

Tentatively, he stepped into the kitchen. She was sitting at the table, her head in her hands.

"Are you alright, my love?"

It was then he noticed the radio on the table.

"Oh."

"Yeah." Y/n sighed, looking up at him, "Oh."

"Where did you get that?"

"Someone dropped it off, left it at the door. I thought it was you originally but, now I'm not so sure."

Someone had left it for her? One of Alastor's numerous enemies was responsible no doubt. He had always been so careful to keep her protected, out of the public eye. It didn't make sense.

"You heard todays broadcast?"

"Oh you mean the screams of innocent demons mixed in with your stories about New Orleans?"

Alastor was silent. Y/n's eyes were rimmed with red, her hair a mess.

"They were far from innocent. Everyone is down here for a reason. Besides, I told you. I'm a killer."

"You didn't tell me you were my killer."

His heart stopped. He hadn't realized exactly how much she'd managed to piece together from the simple broadcast.

"Am I now?" Alastor asked placidly, trying to remain calm as he clasped his hands behind his back.

He didn't know what he was playing at. He was grasping at straws. Y/n got to her feet.

"You never told me you were from New Orleans, just said you grew up in the south. I let it slide but, I shouldn't have. I should have known, the similarities in our experiences... god, I was such a fool! I should have known we grew from the same patch of dirt. Alastor, there was only one serial killer active in the city at the time we were both alive, at the time I died."

"And you think it was me, my heart?"

"Alastor." she crossed her arms.

"I..."

"How could you not tell me?"

Y/n's anger mixed with grief, it misdirected itself, it got caught on the details. It hurt more that he'd been lying to her. The act itself was something to be dealt with later. Now was the time for the lies. They had spent years together, built a life together and the whole time, he had been lying.

"I didn't me-"

"Mean for me to find out?"

"Well, yes." he took a step forward, he tried to grab her hands but she pulled them away.

Y/n's skin was rotting now, she was taking on her other form. It was the first time he'd seen her do it when not remising about the past or telling stories about her mother. He had no idea what she was capable of when in this state.

"But also, I didn't mean to-"

"To what, to kill me? To marry me? To make me fucking trust you?"

"I..."

The world was falling down around him. The one thing he couldn't lose, the one thing he cared about besides himself or his power. The person that meant the most to him.

"My darling, my heart, m-"

"No, Alastor. Just... just stop." she sighed, a hand to her forehead.

She rubbed her temples, exhausted and overwhelmed.

"I'm sorry."

The words were spoken softly but they crashed into Y/n like a speeding truck. They broke her ribs. She lowered her hand.

"I... I need some time."

"No, Y/n, wait. Please."

Again, she brushed off his attempts to hold her, making her way to the door of the kitchen. Alastor followed her out into the hallway.

"Y/n. Please. Please don't leave."

"What, so you can keep up your pity project?" she scoffed, rounding on him, "I am better than that Alastor. I deserve better."

"It... you aren't a pity project. You're my world, I love you."

"No, your world is this city. Your world is running Hell. I... Alastor, I'm leaving."

[churipu]

STUDYING WITH GOJO INCLUDES ✮⋆˙

featuring. gojo satoru x reader

warnings. clingy gojo, college! au, study buddies (u guys r dating) but he's unserious, soft gojo

note. sksjlddlsjjd look at me uploading anything but my 1k event, but pls i can't stop thinking abt studying with gojo and how unserious he will be during the session.

studying with gojo includes him whining about being bored because he's just naturally gifted — while you actually needed to study to match his brain capacity. he's a whiny baby about having to accompany you study when he was the one who volunteered to do so.

"baby, come on. can we please take a break? how long has it been? two hours?" he whines softly, his forehead had been stuck to the surface of the short table you had in your room. his long legs sprawled underneath it.

"satoru — it's been twenty minutes. and nobody forced you to be here, you can go if you want to," your answer only furthered his whining, like a small child who hasn't gotten what he wanted, he shifted a bit, letting the table move along with his movements; preventing you from focusing on the book you were scribbling on.

the man child finally pulls himself to sit up straight, a red blotch on his forehead. with furrowed brows, and a big frown on his face, he grabbed your pencil and tossed it across your room — sighing, you grabbed another one from your pencil case, and he did the same thing. only then after, the decided that throwing your pencil case across the room was the best choice.

"satoru, if you're not going to let me study, please leave."

yet again, another whine escaped his throat as he threw his head back onto your bed, "come on, 'ts good to take breaks, cuddle me, love me, pay attention to me!"

"we can do that later, 'ts a big exam next week . . ."

studying with gojo includes him distracting you with his love — whether it being a kiss, or just him stuck to your hips like a koala. he just needed a bit of love and attention as well.

gojo paced around your room, trying to distract himself from your silent form. poking around your figurines and shelves, looking through old year books, and even family albums. but nothing, he comes back to you, slotting your sitting form in between his open legs. gojo slithered his arms around your waist, burying his face into your shoulder.

"'m dying here y/n . . ."

your vague silence only offended him, "so y'don't care if your boyfriend's dying?"

sighing you replied, "i do care. but you're not," gojo grumbled under his breath, prepping his head up so his chin rested on top of your head, whistling out a a random tune that, of course, bothered you, "'toru, shut up."

"give me the love and attention that i deserve and maybe i'll stop," he nonchalantly said before continuing his whistling concert.

studying with gojo includes him finally being tired of not receiving what he wanted, and he turns sulky. his aura gloomy — and the corner of his lips tugged down into a big, giant frown.

gojo slipped himself under the table, resting his head on your thighs. the male looks up at you, only getting a good look of your chin and neck, he reaches his finger out, touching the tip of your chin before traveling down your neck.

still no love. or attention.

the male lets out one last (loud) sigh and tore himself away from you, plopping down on your bed. hiding under the covers, he curled himself up into a ball, his big back facing you — letting out grumbles under his breath as he hides his sorrow away.

you think gojo was being dramatic. he usually comes back, yearning for attention. but no, this time he didn't, just laying there on your bed for the next half an hour — where you coincidentally finished the last question in the practice page.

"satoru, are you asleep?" no answer. but the male shifted slightly, "satoru."

again, no answer. but gojo kicked his legs once, showing that he was indeed, not asleep at all. he had just been lying there, in the same position for the past half an hour.

"satoru, are you mad at me?"

gojo peeked one of his blue eyes from under the blanket and huffs childishly before grunting, he then prompted to pull down the blanket over his eye again. letting you have a taste of your own medicine, "fine, i was going to tell you that i can now give you love and attention. but you seem a little angry so i'm just gonna leave you alone—"

the male opened the blanket and pulled you under the warm fabric with him before covering you both, he immediately locks you in his embrace using a leg over your torso, "finally," he mutters out.

gojo pulled you in, a hand resting on your hips. his fingers raising the hem of your shirt just a bit to brush his digits on your skin intimately. he leans his head on top of your chest, "'m still mad at you if you're wondering."

chuckling, your fingers threaded with his white locks. your cheek pressed onto his head, "you're so childish, 'm not as smart as you, y'know? i need to study."

gojo hums softly, "there's still a week. seven days. you can start studying tomorrow, i promise i won't bother you then," he mutters out, his lips puckering into a small pout.

promises were meant to be broken anyways.

studying with gojo includes him promising he won't bother you the next time — and him ended up doing the same thing, because why study when you can love him instead?

© CHURIPU 2024 , DO NOT COPY OR REPOST ANYWHERE

[huskyweebo]

Kings accidental consort. PT. 1 [ ? ]

Tysm to this blog for inspiring me to make an RadioApple fanfic!

“ So do you Agree on the terms. “ Lucifer affirmed, folding his arms as if saying to not agree. He and Alastor were on the patio; the only quiet place in the now bustling hotel,

“ yes yes, “ The radio demon said somewhat dismissively, “ I would only act as a parent to dear Charlie when you are not here, “ he repeated.

A sudden, odd thought came to Lucifer, “ just like divorced dads, “ he heard in his head, making him snicker slightly, Alastor tilted his head and narrowed his eyes, “ what seems to be hilarious your Majesty, surely not our agreement “ he proceeded to hold out his hand, Lucifer grasped it.

“ oh nothing, I was just thinking that this deal seems like we act like a sort of divorced couple, and how it would be funny if we were actually, truly married “ they shook hands, around them powerful rays of light signaled a deal being made by an Overlord and King.

Downstairs Charlie and Vaggie were heading to their room after letting Angel handle the new guests for a break. Suddenly, the lights darkened around them and Green light was seen, both girls knew that all too well.

“ I’m sorry but who is making a deal with Alastor? “ Charlie asked. Vaggie raised an eyebrow

“ wait didn’t your dad go up with Alastor a couple minutes ago? … oh shit, “ Vaggie muttered, she grabbed Charlie’s hand and rushed up the stairs leading to the patio where Lucifer had said he will be. The was a lot of commotion behind the closed doors, Charlie kicked it open and ready to fight.

“ -re you shitting me! What is this?! This is your fault sinner ! “ Lucifer yelled once Charlie smashed the door open, her father appeared to be wearing a wedding dress, and blushing profusely. Vaggie burst out laughing.

“ well I wasn’t the one who made a frivolous joke about being married, am I ? “ Alastor said. he seemed frustrated, but he still held his smile. He himself was wearing a black tuxedo and holding a bouquet of flowers.

As they argued, both of their hands flared around. Charlie stayed quiet, not wanting to intervene but suddenly noticed wedding bands on each of their clawed hands, putting two and two together, she gasped loudly. She started squealing making both men stop yelling to look at her,

“ oh my gosh, oh my gosh, Vaggie!! Alastor is officially my Father!! They have Ringsss! “ she said shaking her girlfriend, Tears fell from her eyes.

“ ok easy on the sparkles Hon, “ Vaggie said while being shook, she turned to the males with a questioning look,

“ did you guys seriously get married? “ Charlie ran to hug Alastor, “ NEW DAD ! “ she yelled while sobbing madly,

“ What is this? Dear this isn’t for long, His Highness messed up a deal we were making and ended up like this, “ Charlie was peeled off of his body, and her face told them she was hugely disappointed.

“ what but what kind of deal can you botch that badly to- “

“ WELL TIME TO BREAK THIS MARRIGE “ Lucifer interrupted, snapping his fingers.

The wedding garments disappeared for both, Alastor brushed his clothes, “ There you go, the deal should be of- why do I still have another ring. “ Lucifer stretched out his hand in front of him, on top of his old wedding ring that Lilith gave him, there was still the new one. Alastor looked down, he still had his on aswell.

“ Now this is particularly “ he said off handly, “ I thought you had it covered your majesty, “

“ well I do, give me a second “ Lucifer growled,

20 minutes later and everyone was in the palace with Lucifer running everywhere and looking through all the books he can find, he was muttering under his breath frantically similarly to how Charlie did when she was in a panic,

“ HOW IS THERE NOTHING ABOUT STUPID DEAL BREAKS IN THIS SHITHOLE “ Lucifer yelled out from another room and a book could be seen thrown.

“ hmmm “ Alastor hummed through his smile, he enjoyed the little one running around with tarnish, but he knew the fun couldn’t last. He he assured Charlie then went through his shadow and to where Lucifer was.

“ Your highness what seems to be the problem? “ he asked knowing full well the answer to his own question. Lucifer looked like a complete mess: both his horns and wings were out and he wore a crazed expression,

“ well, funny thing, well um- “ he stammered, then flew up and took another book out of a shelf instead of answering him.

Alastor waited for him to come down, he was like a prissy baby and currently, he knew not that Alastor could hear him from down below. The king cursed him out and his past living self. The book he previously had in his hand fell with a slam right next to Alastor, Lucifer cursed even more and flew higher, deep into the high rise library, Alastor went to pick up the book but immediately dropped it when it burned his skin through his gloves.

It was a holy book, ‘ Deals With The Unholy ‘ it was called. All around Alastor was holy books similar to that.

Finally, Lucifer calmed down slightly and flew back to where Alastor was, he was panting heavily.

“ finally calmed down? “ the Sinner rejoiced, his smiled sickened Lucifer, “ I see you don’t got this handled, “ the King rolled his eyes,

“ looks like apparently once a deal is made it can never be broken until it ends, but we never put a deadline, so it’s not possible… but I swear I had saw something about breaking a deal somewhere! “ he said with a pout, Alastor laughed slightly.

“ well I suggest we go ahead and tell our daughter that becuase she is currently worried about you. “ Alastor said smoothly,

“ she worried about me ? “ Lucifer said excitedly, then clearing his throat embarrassed when he saw Alastors face.

“ what do you mean, ‘ our duaghter ‘ she’s my duaghter not yours “ he growled. Alastor laughed,

“ Well this ring says otherwise, so until we find out a way to break this frivolous deal, we are officially married so she is indeed my duaghter. “ Lucifer narrowed his eyes but didn’t say anything, “ go along now darling, please tend to OUR daughter “ The short king muttered angerly as he left, not waiting for him.

Alastor waited for him to close the door. The sound of a Wendigo could be heard from him.

he held his hand with his wedding band out, from it, sparks came from it and suddenly a book appeared in his hand. He reading for a brief moment before shutting and burning it.

“ A slight mishap that I could use, maybe being married isn’t such a bad thing “ Alastor started laughing, he continued on as he went through the shadows…

TBC [ ? ]

[undreaming-fanfiction]

Established Steddie, they have been living together for over a decade, did their best to heal their wounds from the Upside Down and learn to enjoy life again. It's not easy but they do it.

When the Lord of the Rings movies come out, it's actually Steve who suggests watching them to Eddie. He really tries engaging with Eddie's passions, but his focus is not the greatest when it comes to books. That doesn't mean he doesn't listen to Eddie ramble about them though - he knows all about hobbits, second breakfasts, the culture of smoking in the Shire...Eddie admires a lot of characters from the books, but ever since experiencing the Upside Down fuckery, he actually admits that the hobbits had a point. Good food, even better company and good tobacco? What else does one need? It also inspires Steve a few years later to prepare a full day of hobbit-inspired meals for their trilogy marathon when the extended editions come out. But this is about their first time watching the movies.

They both go to the movie theater excited. Steve is familiar with most of the characters, including Eddie's self-admitted crush on Aragorn. And Steve can see why, he can see so much good in all the members of the fellowship. After the first movie, he's wiping his eyes because Boromir deserved better. Eddie has a lot to say about what was lost in adaptation, but Steve knows Eddie loves those movies and would cut off his only remaining nipple before missing the next ones.

The Two Towers have Steve rooting for the ents and he feels strangely touched about how everyone underestimates Pippin, yet it's him who gets the ents to march. He really can't pick a favorite character. He can't wait for the third movie.

They go to the premiere of the Return of the King with Eddie. They secretly hold hands in the last row, and Steve watches the ride of the Rohirrim with bated breath. He clenches his hand in Eddie's when Theoden gets gravely injured, but then Éowyn is there and...oh.

He is staring slack-jawed at the scene. Éowyn's large, terrified eyes, the towering frame of the Witch King. Her posture was fearful, crouched, but still she faced him. And something surfaces in his head, something he's long forgotten.

He's unusually queit when they come back home, he still loves the rest of the movie, almost cries at "my friends, you bow to no one,", then definitely cries at Frodo leaving the Middle Earth. But there is still that something and Eddie can sense it. When they're falling asleep together, Eddie finally asks him. And Steve's had enough time to process what he felt.

"When Éowyn faced the Witch King...it reminded me of what it felt like. I mean, for the first time. I know it's stupid because saw so much unnatural shit, but...it's the first time that I have hard time forgetting," he admits quietly. "She reminded me of me in 1983 so much. I had no clue what I was getting myself into. I thought I'd do the right thing, but then I had a gun pointed at me, they both had blood on their hands...and then it appeared."

Eddie doesn't speak, he only holds Steve closer.

"It was so tall. I remember that petal-like mouth, those teeth, but mostly...I remember the crippling fear. I felt absolutely terrified. I couldn't move. There was even a moment when I thought of running away, but...I couldn't leave them there. Seeing someone go through something similar and being praised for being a hero...it makes me think. I used to be so ashamed for freezing in that moment. For even considering running away. But Éowyn...she was like me." There's awe in his voice and warmth, relief. "She had no idea what she was getting into. She froze. She didn't do everything perfectly and gracefully like Legolas or something, but when it mattered...she did what she had to."

He holds Eddie tighter and asks, almost shyly: "Will it offend you that I think she's my favorite character? Not Aragorn or Sam?"

Eddie just shakes his head and drops a kiss to Steve's hair. "Nah. She suits you well. And you're both amazing."

And if it becomes a silly endearment in their household, that Steve is sometimes called the Shieldmaiden of Hawkins? ("I'm not a maiden, Eddie!" "I'm not calling you a shieldboy or shieldbachelor, Steve!") Then Steve feels a hint of something that he thought he'd renounced, but now, for the first time he feels it's deserved - pride.

[fatesundress]

⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine. 

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones. 

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary. 

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tombs and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly. 

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile? 

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up. 

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about? 

You suppose, for them, it’s a question with few answers. 

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession. 

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary. 

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure? 

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning. 

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with. 

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge. 

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books. 

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls. 

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin. 

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated. 

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again. 

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

“Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any. 

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now. 

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice. 

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all.  You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else. 

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. “We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them. 

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten. 

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.) 

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true. 

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer. 

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t. 

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid. 

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless. 

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that. 

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately. 

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end. 

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight. 

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes. 

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand. 

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain,  a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him. 

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love. 

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock. 

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly. 

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it. 

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.) 

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish. 

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same. 

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much. 

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition. 

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope… Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal. 

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it. 

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is. 

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

“Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —” 

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant. 

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor. 

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “have you seen the shit the aurors are up to lately? I’d rather be a blimmin’ Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? Why don’t you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together. 

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident. 

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be. 

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.”

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop. 

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece. 

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that." 

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval. 

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will." 

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what’s your plan?”

“I’d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis. 

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain. 

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.” 

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back. 

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake." 

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster. 

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating. 

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself. 

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh. 

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes. 

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you. 

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He’s still inside you when he’s secure enough to bring you to his bed, only removing himself from you when you’re safely in his sheets, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.