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#also I’m that ending montage
fruity-phrog · 10 months
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It’s so funny he’s literally just Some Guy. We all saw the bell keeper and went crazy with theories he’s Hilda’s dad he’s Hilda’s uncle he’s not human no he’s just A Dude. A Fella, if you will. Some Fucker with autism.
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cream-and-tea · 6 months
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i love love looooove doing whatever tf i want with structure in lay me down BEYOND belief. have just decided that chapter eleven is basically a romcom montage except it’s set in the evil apocalypse library and also there’s no romance and it also uhhhhhhh makes me want to cry ❤️
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crosswordgf · 1 year
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listen to my royjamie playlist here if you want 👨‍❤️‍💋‍👨💞
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dr-lizortecho · 6 months
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I’ll show you how valuable Elle Woods can be
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c0rvidfagg0try · 1 year
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Olay hot take: Barbie was the non-binary representation I needed
Spoilers for Barbie:
Now obviously Barbie herself isn’t non-binary but I was watching the movie and I was trying to parse why I related so much to Barbie, I mean she’s Stereotypical Barbie, she’s a everything a woman wants to be.
And then it hit me at the end, Barbie is desperately trying to find out where she fits in. Does she fit into the women-run Barbieland with its high femininity or does she fit in to the human-world with is male run leadership and overbearing masculinity.
And she realizes at the end that she’s a bit of both. She’s both Barbie the doll and Barbara the human. And it felt so very relatable. She’s both human and doll, and her also neither. It’s obviously not an exact parallel but god it hit me
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pisceanofinterest · 1 year
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I’m speechless (neutral).
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hpmort · 1 year
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In this current state of intoxication I realize that my thematic issues with the Steven Universe finale were reliant on projecting Pink Diamond onto Steven, and that it was all based on how it was pulled off- especially how easy it would have been to fix!
Change White Diamond’s pink lighting that makes it look like maybe Steven took control of her to being multicolored, making it more clear that she’s not had her abilities turned back on her, but rather whatever the flushing was supposed to symbolize (which I can kind of identify but can only gesture towards, perhaps not only because I am on drugs), and move “Change Your Mind” from its clumsy placement at the end, and make it play over White Diamond changing hers.
Then, have Sadie Killer and the Suspects play over the part that has the Off-Colors landing and meeting the Diamonds; then, the song ends after the fast version of the the scene with the Diamonds and the Off-Colors.
Everything is the same after that, minus the clumsy implementation of the song “Change Your Mind” into the show, so it ends with the reprise of the theme song.
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s0undsinmyhead · 2 years
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Obviously Alex’s exit from Grey’s Anatomy is one of the worst pieces of garbage ever to be on TV. It is up there with the finale of How I Met Your Mother and Supernatural, the common theme here being completely obliterating years and years of character development. But one small, easy adjustment that would have made Alex’s pathetic exit better and more in character is to have him abandon his wife, best friend, patients, and his entire life to be with his kids. And that’s it. This whole “being in love with Jo and Izzie” is such absolute garbage. Is spitting on the development of Jo and Alex’s relationship. It ignores the development of Alex as a person. Izzie is his past. They were toxic together and not a good match and made each other miserable. And he moved on and grew up and found someone who worked better with him and loved him. Him leaving Jo because he needed to be with his children and Jo couldn’t leave her entire life in Seattle to live in Kansas is a storyline I could almost believe in. Alex leaving Jo because he still loves Izzie without seeing or speaking to her in over a decade after she lied to him and hid his kids from him and he can’t even come home to talk to Jo like a man is so disappointing it leaves a bad taste in my mouth.
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beanmaster-pika · 2 years
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THE NEW EVE MV……….AAAAAAAAAAAA
#pika’s ramblings#first of all. music was fantastic. gotta say that first. SECOND:#I LOVED IT#like. the description said it was the chainsaw man ending so i expected the mv to be a chainsaw man montage#like kaikai kitan had a jujutsu kaisen mv#so I’m watching and I only know a little about chainsaw man so I’m like yeah cool monsters and there’s a girl with dragon horns wow#AND THEN BOOM A VERY FAMILIAR BOWLCUT AND TOOTHY BACKPACK.#the animation was incredible. I slowed it to half speed and some parts were still very smooth they had so many frames#also it’s like. tobi backstory?? tobi adopts a dragon girl?? DRAGON GIRL’S DEAGON FORM LOOKS LIKE THE DRAGON HE ATE IN INOCHI NO TABEKATA??#anyway back to the animation the fights were so cool and the little shit eating grin when he punches the guy in red at the end!!!!#OH ALSO the scene where he tosses her up in the air to keep her out of the carnage and beats up all their enemies before catching her#also love that they animated little bloopers to play during the ending guitar riff#it took 136 takes for him to smile 😭#also loved the one where the dragon girl is running around tracking what I hope is red paint everywhere and tobi is chasing behind her with#a mop to clean up her footprints#that part was so cute#anyway this leaves me with more questions. is this a part of his past?? his future?? does he have an acting side gig??#and what’s the deal with the dragon?????#edit: I went back and looked at the comments (as one does on eve videos) and someone said they spotted denji and makima at around 3:04#and while I was scrubbing through frame by frame to look for them I saw q-ta and rei!!!!! nice!!!!!!!!!!!
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papertowness · 8 months
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every house episode i’ve watched ( so far )
person doing something ( usually ) mundane ( only sometimes exciting and / or questionable ) : * collapses *
* banger theme song *
cuddy : house 😡😡 do your clinic hours 😡😡😡 also take this case
house : people suck also you have big yonkers
cuddy : 😏 just do your job
house : did you get laid
wilson : none of your business
house : sex joke
wilson : haha
house : tell me what this person has
foreman : there is something wrong with their brain
cameron : no theres not it’s not possible because of the blood
chase : it’s shartheadphoriasis
house : you are fucking stupid . foreman you are Black . cameron get a life . also do these eight billion tests . it is nobitchalitis
foreman chase and cameron :
house : why are you still here
foreman : house is wrong
cameron : hes in pain 🥺🥺🥺🥺
chase : oh my god house is right
house : wilson i’m going to do this
wilson : wow so maybe don’t
house : i do what i want and also you’re annoying
patient : * is better *
chase : how are you feeling
patient : better
patient : i can’t breathe
patient : * almost dies *
foreman and cameron : * shock them *
patient : * comes back *
patient ( in clinic ) : my stomach hurts
house : your wife is cheating on you , you have an std and also you suck . smoke a pack and call it a day
chase : it’s not nobitchalitis
wilson : it’s not cancer
foreman : i told you you were wrong house
house : fine . foreman and chase go break into their house . cameron go sing a lullaby or something
cameron : >:(
chase : we found mouse shit at the house
house : it’s loserfaceia
cameron : its not loserfaceia
house : shut up and run the tests
wilson : you have no social life
house : and you do ?
wilson : i’m your only friend and you’re crazy and i don’t even like you
house : you’re a loser
foreman : you’re right is loserfaceia
house : we have to treat it
cuddy : house you are not giving your patient a new organ 😡😡😡😡 apologize to your clinic patient
house : no and i do what i want
patient : * doesn’t want the transplant *
foreman : they don’t want the transplant
house : they have to have it
chase : what do we do
house : we have to convince them
cameron : we can’t
house : you have to take this or you die
patient : i’m going to say something really relevant to the way you are
house : let me save you
house : we’re doing it
cameron : you got them to agree ?
house : sort of
* transplant *
* end of episode montage *
* house being sad *
fade out
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adascore · 8 months
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The Awarded Silence
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pairings: alexia putellas x lyonnais!reader / lucy bronze x lyonnais!reader / mary earps x lyonnais!reader / sarina wiegman x lyonnais!reader + mapi and ingrid cameos!
warnings: very awkward. angst. swearing.
author's note: lucy meddling with her two captains... nothing good can come of that, can it? hope you all enjoy this third part! also I’m aware the gif is not the right award ceremony, but couldn’t find a better gif.
part 1 | part 2 | masterlist
•••••••
With the end of a season also came the prestigious award shows, something both Y/N and Alexia were all too familiar with. Although it was different this time around; it would be the first time they would actually go up against each other in the big categories.
It was clear to everyone who would be walking away with each one of them. Not only had Y/N walked away with both the European Championship and the Champions League title, she'd been named the MVP of both those tournaments. Some of the media were trying to hype it up as another competition between them, but even Alexia was aware she had no chance of walking away with anything as long as Y/N was nominated for it as well.
First one up had been the UEFA Women's Player of the Year, which Y/N had taken home, alongside Sarina who had won for Women's Coach of the Year.
That was followed up by the Ballon d'Or. It was a big deal as they were the clear frontrunners, and whoever won would become the first player to win the accolade for a second time. Again, Y/N made history and had accepted the gold award. Alexia hadn't gone to the ceremony, citing illness as the reason why.
The England captain had been upset by her absence, she hadn't seen nor spoken with Alexia in months and had hoped the ceremony in France would have been an opportunity to catch up. She'd smiled when the midfielder sent her a congratulatory message, along with a shout-out on her Instagram story- stating how she was deserving of the award.
It would take a few more months before they'd see each other, at ‘The Best FIFA Football Awards' in Paris. Along with being nominated for Best Women's Player, they would both be featured in the Women's World 11.
The first interaction came when they were hastily put next to each other as they received their trophies. As the cameras clicked, Y/N and Alexia exchanged smiles that masked the tension between them.
''I think it would be difficult for anyone to beat this team.'' Lucy grinned, speaking into the microphone that was attached to her cheek.
The women received another applause and made their way off the stage, handing over their trophies that would be handed back to them at the end of the ceremony.
A few winners later, Kylian took the stage to present ‘The Best FIFA Women's Player' award. They showed a pleasant montage of Alexia, Y/N and Alex- a compilation of their season's highlights.
Y/N felt a mix of excitement and nervousness. She knew the PSG player would call out her name, but you never knew if they wanted to stir up some controversy.
The England captain was sat on the first row, meanwhile some of her teammates and fellow female players were scattered in the other rows. Alex sat right behind her, while Alexia sat on the other side of the room with her Barcelona teammates.
The room hushed as Kylian unfolded the envelope. ''And the Best FIFA Women's Player is… Y/N Y/L.''
Applause erupted, and Y/N nervously got up from her seat. On the pitch, the striker was confident, but making speeches in front of a full room filled with people in power and fellow players, was not something she had gotten used to.
The Brit turned around and reached her hand out for Alex to take, a silent sign of respect for the season the American had had. She would have done the same if Alexia had been seated there, but walking to the other side of the room would have taken too much time.
Y/N carefully walked up the stairs, trying not to fall as she was wearing heels. Kylian noticed, and made his way over to offer his arm to her. She smiled, and accepted, holding onto the striker's arm.
He congratulated her, pressing three celebratory kisses on her cheek. ''Félicitations, Championne.'' (''Congratulations, Champion.'') Kylian said.
''Merci.'' (''Thank you.'') Y/N grinned, and she took her place at the microphone.
''Uh, thank you so much to all the people that voted. It's a big compliment to have your fellow players and coaches vote for you, so thank you so much.'' She started off, her voice a bit shaky as her eyes darted around the room.
''I, also, quickly want to acknowledge Alex and Alexia. It's an honour to be nominated alongside you, and I want to thank you for all the contributions you have made so far and for the great football we get to see from you. Thank you.'' Y/N glanced at both of them, giving them a nod as the crowd applauded them.
The camera panned to both women. The American striker mouthed a ''Thank you'' to the younger player, once teammates at Lyon. Alexia clapped, but maintained a composed facade.
She had also clapped when the Brit's name was announced, concealing any type of disappointment she felt. While she had anticipated the outcome, the sight of Y/N claiming the award instead of her was something hard to swallow- in the same way it had been hard to watch her rival lift the Champions League trophy the previous year.
Her applause was genuine, and deep inside she knew that Y/N deserved it more than her, but Alexia would never admit that out loud. As the striker continued her speech, the midfielder struggled with being happy for her colleague, while dealing with her own unspoken desire for recognition.
Lucy, seated beside Alexia, offered her a knowing smile. The Barcelona defender had seen it from close by, how everything was a competition for them. She'd noticed it at her new club, where the lost finals against Lyon served as reminders for the team to do better, and to not let that happen again. She'd noticed it in her England teammate, and how tense she had been before the friendly against Spain.
On the other side sat Mapi, concerned over how her friend was handling it. ''It's okay, Ale.'' She whispered in their native language.
''I know, it's just an award.'' Alexia replied, not taking her eyes off Y/N.
The Spanish defender dropped it, giving Ingrid a look before focusing on the winner as well.
''… cause I couldn't have done it without them. Uh, yeah, congratulations to all the other winners as well. Thank you.'' Y/N concluded.
The audience applauded one last time, and she got off the stage. She hid her face in embarrassment as Mary whistled loudly, feeling hot as her friend hyped her up.
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After was seemed like forever, the ceremony was done.
Most attendees got up from their seats, but didn't leave the main hall as they walked over to catch up with people they knew or to get to know other people.
Y/N got up after about a minute, deciding to go talk to Christiane and Wendie, her Lyon teammates. However, the universe or someone called Lucy Bronze had better ideas.
''Hey, Captain.'' She heard the defender greeting her.
As the striker turned around, she was met with a surprise. There stood Lucy, accompanied by none other than Alexia Putellas. The Brit wore a smile, her eyes gleaming with mischief.
''Hi, Bronzey.'' Y/N responded, slightly caught off guard.
The English internationals shared a hug, Lucy whispering a congratulations in her ear. ''Thanks, you too.''
As the two parted, Y/N's eyes fell on an awkwardly standing Alexia.
''Y/N, meet Alexia. Alexia, this is Y/N.'' Lucy said, her eyes darting between the pair.
The two captains exchanged an uneasy glance. ''Uh, yeah, we know each other, Luce.'' The striker stated, feeling very uncomfortable with the situation.
Lucy chuckled, completely unfazed by the discomfort she had purposely created. ''Oh, I know. It's just that fans online were saying that they wanted me to have you guys become friends, so I'm just keeping my promise to them.''
Y/N and Alexia forcibly grinned at the admission, both aware of what people said about them on social media. The latter cleared her throat. ''Uh, congratulations again. You really deserve it.''
The Lyon player nodded, a somewhat more genuine smile appearing. ''Thanks, I appreciate. You as well, with the, uh, World 11.''
''Thank you.''
Another pause hung in the air, the atmosphere thick with awkwardness. It was as if their shared teammate had conspired to make this encounter as uncomfortable as possible.
''Oh, there's Sarina, excuse me, ladies.'' Lucy swiftly escaped, using their Dutch coach as part of her scheme.
That left the players facing each other. The tension was uncomfortable, and neither seemed eager to break the silence that had settled between them.
After a moment, Y/N was the first to give in. ''So, how is your knee doing?'' She asked, noticing the Spaniard was no longer holding onto her crutches.
Alexia's eyes briefly flickered towards Lucy, who was signing with her hands to keep going. ''Uh, good. Yeah, if everything goes to plan, I should be ready by the end of the season.'' She replied, a small smile present.
''So… World Cup ready then?''
The Catalan shifted on her feet at the mention of the tournament. ''That's delicate right now.''
''Oh, how, uh, is that situation going at the moment?'' Y/N had momentarily forgotten about the mutiny going on in the Spanish national team. She knew Alexia supported the girls that had made themselves unavailable, but they'd never had any conversations about it.
Alexia shrugged her shoulders. ''It's being worked on, it's… a lot.'' From the way she was speaking, her colleague could sense it wasn't a topic the midfielder wanted to happily chat about.
''I understand. I just want to say that a lot of people are behind you guys, and want to see change happen,'' Y/N softly spoke, ''me included.''
''Thank you.'' Alexia sounded genuinely grateful for her words.
Y/N has been a huge advocate for women's football ever since she became a professional player, so her acknowledging the Las 15's stance meant more to Alexia than she could express.
''Sorry, could I get a picture of you two?'' One of the official FIFA photographers interjected, pointing at the two of them.
The pair shared a look, seemingly asking without words if the other was okay with it. They nodded at each other, and hesitantly put their hands on one another's back, posing for the camera.
''Thank you.'' The man thanked them, walking over to another group of players.
''It was nice talking to you. I'm, uh, gonna see what my teammates are up to.'' Y/N politely excused herself. The conversation was turning out more bearable than how it started, but she still wanted nothing more than to leave.
''Same. Um, good luck with your matches, and maybe we see each other in the semifinals?'' Alexia hinted at a potential Champions League clash.
The Lyon striker chuckled. ''We'll see, Putellas. Have a nice night.''
As Y/N made her way to her teammates, Alexia watched her departure with mixed emotions. Yes, she was happy that they'd had a conversation. But, it was frustrating that there still seemed to be a wall between them, and a big one at that.
What was it that always held them back from truly opening up to one another?
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''You know she's going to kill you once she's finished with that conversation, right?'' Mary said to her fellow Lioness, subtly taking a glimpse at Alexia and Y/N.
Lucy smirked, her eyes barely leaving her two captains. ''Who? Y/N or Alexia?'' She laughed.
''Both.'' Sarina and Mary chorused, laughing now as well.
''Nah, they'll have to work together for that. Never gonna happen.'' She continued joking.
The England coach shook her head. ''Why are you doing this again?''
''Because I wanna have fun, and although I am happy with my little trophy, this show is super boring. Just want to spice things up,'' Lucy explained, ''besides, fans will love it. The Queens of football talking together. La Reina and La Reine.''
Sarina and Mary exchanged skeptical glances, unsure of how either players would react. ''I'm not so sure Y/N will appreciate your idea of fun.'' Mary commented.
''Oh, what could go wrong?'' The defender genuinely did not see the problem. ''See, they're even taking a picture together.'' Lucy pointed out, seeing the pair in front of the photographer.
After the picture, Y/N gracefully excused herself and began walking towards where Lucy, Mary, and Sarina were standing. She joined the trio with a forced smile, attempting to suppress any visible signs of annoyance.
''Nice reunion there?'' Sarina tried to lighten her captain up, noticing her gloomy expression.
''We talked.'' She answered. It wasn't a proper response, more like a factual statement.
Y/N wasn't sparing Lucy a glance, the defender, however, remained unfazed. ''That's nice.''
''Congrats, by the way, darling. No one deserves this more than you.'' Mary tried to deflect, not a fan of the tension. Sarina smiled at the reminder of all the awards her team collected. ''Yeah, congratulations.''
''Thank you, you too, Mearps. You almost made me cry with your speech. Sarina, you didn't make me cry, but yours was really nice as well.'' She turned to her coach, managing to still make a teasing comment.
Sarina laughed. ''Well, thank you.''
''Uh, I'm gonna say hi to my, uh, other teammates.'' Y/N nodded her head towards where Wendie and Christiane were standing with some of the Lyon staff.
She then glanced at Lucy. ''Or you want to set that up for me as well?'' She sarcastically chuckled.
''Hey, come on. I thought you guys were friends now.'' Lucy said, a lame attempt at defending herself.
''Who said that?'' Y/N frowned.
''Jill.'' The defender retorted.
''What a source,'' the captain scoffed, ''we're not friends, and I don't need you to make us friends.''
''How bad was that conversation that you're this pissed at me?'' Lucy asked, not expecting her friend to be this irritated over her actions.
''Just don't do that ever again. It was fucking embarrassing.'' With that, she made her way over to her Lyon teammates.
Mary and Sarina slowly glanced back to Lucy, whose smirk had been practically smacked off of her face.''What could go wrong, aye, Bronzey?''
On the other side of the room, Alexia carefully walked over to Mapi and Ingrid after Y/N excused herself from the conversation.
''You look like you need alcohol.'' The Spanish defender noted, taking in her friend's expression.
Alexia sighed, smoothing her hair down. ''Neither of us enjoyed that.''
''Lucia really did you dirty there.'' Mapi responded, glancing to where her teammate was speaking with the England camp.
Ingrid offered a sympathetic smile. ''I think she had good intentions, she meant it well.'' She chimed in.
The Barcelona captain nodded. ''I know, but it was so awkward.'' Alexia grimaced, cringing at the reminder of how the two football stars had just uneasily stood in front of one another.
''You'll be fine,'' Mapi caressed her back, ''one day you'll be able to laugh about this, trust me.''
Alexia gave her an unimpressed look. ''I'd rather not.''
The defender glanced at her girlfriend. ''So oblivious.'' She whispered to Ingrid.
''What was that?''
''Nothing.''
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bellejolras · 9 months
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i don’t mean to go on a rant but I’ve been reading reviews of Poor Things bc i hate being happy and ohhhh my goddddd
spoilers under the cut but I have complaints about people’s (lack of) media literacy
Oh my god okay so first of all, if you haven’t seen a movie how are you going to comment on it. Reading summaries and other people’s reviews only is not sufficient to make an original point. you do not know what you’re talking about. just stop.
Second, the movie is. satirical. Which I thought was obvious from the absurd premise and surreal visuals? This is not supposed to be the real world. Nor is it advocating for all the stuff it shows. In fact, it’s even actively indicting some of what it shows. For example: fucked up power dynamics in sexual relationships exist in the movie, but the movie is not saying they are good, it’s criticizing them. Is this not getting through to people?
Third, and related, it’s not ! just ! about ! a sexy baby !! Partly because again, satire. But also partly because she rapidly goes through childhood & adolescent maturity. And it’s not meant to be, like, linear… the regular laws of empirical data and science do not apply to this world… so she is not in fact, like 6 when she’s having sex but more like 16. Which you could argue is still a minor, and im not disputing that, because again the movie is critical of this part and duncan is a total loser. But there’s a massive difference between the mental development of those two ages. ALSO there’s literally nothing inherently wrong with baby bella autonomously discovering masturbation. That’s extremely normal for little kids, often just as a way of self-soothing because it feels nice and not with any awareness of sexuality. And it’s fine if you thought that was a weird scene! but it’s hardly pedophilia to include in the film when the “baby” in question is in fact played by fully grown adult emma stone and I cannot believe that I’m seeing people accuse this movie of that
Fourth, if you claim your takeaway from this movie is “it wants me to believe that women’s power only exists through their sexuality” then I don’t believe you’ve seen the entire movie (see point 1). Narratively it’s only a means to an end for Bella, and when she gets tired of it, she stops! She gets bored of duncan and reads philosophy! She leaves her sex work career and becomes a medical professional! And, even in the sex scenes, while there are many, they center her and her experience, her pleasure. Yes, her tits are out a lot but the sex scenes are weird, intentionally grotesque without being violent. The montage with duncan is shot through a fisheye lens and literally pans away from the bed to focus on a bird landing in the room. Duncan can proclaim himself the best lover in the world, but he’s really not important to the scene ¯\_(ツ)_/¯
In conclusion, I know the people I’m complaining about aren’t going to read this, but just in case, I urge you to learn media literacy. And anyone else who read all of this, thanks lol!! accepting good faith discourse in the notes/replies
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I was a fool. An absolute bafoon. Deadpool and Wolverine 2: the musical starts with a montage of their daily life to the soundtrack of Accidentally in Love (from shrek) to WADE falling in love with Logan, not the other way around, because honestly who better than Deadpool? He can girlishly kick his feet and smile sweetly to the camera and (badly) play it off when Logan is actually looking at him. And it’s just them being domestic. Logan cooking, Wade sneaking glances throughout the day, can even have them fighting something together. And of course it ends with them platonically sharing a bed and you can see Wade wanting to reach out to Logan but he doesn’t, just goes to sleep instead.
And one way or another they’re fighting some big bad magical being, and honestly Marvel it doesn’t really matter who you pick. All they need is to be able to use magic and get pissed that 1-Wade can’t die and 2- he never shuts the HELL up. And bam, instant curse. The entire world is a musical and Deadpool has to suffer the consequences (being annoyed by the constant noise of everyone singing)
Except he LOVES it. He walks down the street and hears someone singing about cheating on their spouse, someone singing about how they miss their dog at home, and someone getting increasingly angry about traffic through the open window of their car. And the icing on the cake is that his roommate, THE Hugh Jackman is cursed too. Since y’all wanna make him be the Wolverine until he’s 90 you can at least throw him a bone and let him sing again, it’s what he was made to do. And since Ryan can’t/wont/doesn’t like to sing it gives him the opportunity not to, plus it has comedic effect if he’s bland and boring, making comments through everyone’s songs. Social commentary on people’s rhymes/pitch/beats. The potential is limitless. They should also have multiple people who are just genuinely bad singers, because that’s just how the real world works.
And by the third act Wade has had enough of the singing. “Can everyone shut the fuck up for five minutes PLEASE. Not you, Logan, you have the voice of an angel, please keep going.”
And since Disney owns them now they can have a scene of Logan singing ‘i won’t say I’m in Love’ from Hercules with Ellie, Yukio, and Blind Al as the muses because surprise surprise the main story is Wade trying to undo this Musical curse but the subplot is Wade and Logan both being in love with each other but both being too emotionally constipated and unaware to make a move on each other. And you know what, if the power of hand holding and gay love could save the day last time, maybe it can do it again this time. I’m thinking something cheesy like an off key duet between Wade and Logan that ends in a kiss, but I’ve never been great at endings so I’ll leave it up to Ryan.
And bam @vancityreynolds I’ve got the outline of your new movie right here. I’ll accept payment in the form of one meet and greet with you and Hugh where I can take a picture of you guys holding my Toddler so I can frame it, hang it on the wall, and ask her for the rest of her life how she could possibly not remember something that happened when she was under 2 years old.
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chaggie4ever · 2 months
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Ok I need to get this off my chest: people need to stop hating on my girl for her final performance against Lute. Vaggie has been out of practice for 3.5 YEARS (42 months), during which she lost her depth perception and wings and hid her identity, which definitely limited her ability to train (not even accounting for the psychological torment and phantom pains). Meanwhile Lute has been living her best life in heaven, likely training every day to keep her position and fully intact.
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She has one month to prepare and learn some basic self defense. Now mind you, training montages are hilarious because after the first week if you’re doing it right you probably can barely move out of soreness XD (the ONLY accurate portrayal I’ve seen was on Galavant, which everyone should watch - it’s a medieval musical with a similar tone to HH). I’ll cover more on her and Carmilla separately.
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Then Lute proceeds to watch the entire final battle while Vaggie is busy killing at least four angels by my count. When they fly up to Adam and Lute, she immediately sucker stabs Dazzle, dropping them hundreds of feet and disarming Vaggie in the process.
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Despite all of this, Vaggie is able to stop a full force sword charge directly at her eye bare handed. She deflects several more vicious blows, using tools in her environment to help (shard of glass, radio). Yes she is losing. She is unarmed and see above… also unused to fighting with long hair even pulled up XD (as an aside, I absolutely LOVE how Carmilla pulls her hair down the moment Vaggie complains when training lol).
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She gets a few more face cuts while we watch Charlie stab Adam, and ends up on the ground reaching for her weapon, which Lute uses to stab her hand before stupidly leaving it while gloating. Yes, Lute could (and should) have ended her here. I have a few separate theories on why that did not happen (later post). But regardless of the reasoning, Lute’s hubris left Vaggie alive enough to goad her second wind by mentioning Charlie. And Vaggie was SMARTER (and ultimately more spirited).
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Now the tables have turned but Vaggie spared Lute, more out of spite than kindness but ultimately because of Charlie. Lute only has her left arm pinned; she should have stopped the spear but basically asked for death. This is also deserving of it’s own analysis but I think all angels hate themselves :(
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Vaggie leaves and when she no longer has her undivided attention, Lute is irate enough to rip off her arm and pin her. Vaggie isn’t fighting at this point, she’s trying to get to Charlie but was sucker punched/tackled. Pretty understandable imho… interesting theories that Lute may have ironically saved Vaggie’s life here. I love her but she’s not stronger than Adam :( I’ll keep these Yuri headcannons to myself for now XD
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Ironically, I think this may end very badly for Vaggie and Chaggie (if Lute kills anyone I will kill everyone and then myself), especially after Adam’s death. We haven’t even seen Vaggie cry but Lute now has. The same girl who just pulled her own arm off in sheer rage (seriously what’s up with her brute strength XD).
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But ultimately, while I don’t feel comfortable saying Vaggie properly won this fight, she did a damn good job with what she had available and people need to stop hating on this character! Lute definitely did not win. And I’m REALLY hoping for a proper rematch because given Lute’s HATRED, she clearly feels at least challenged by Vaggie, one of Adam’s “best girls” who likely had at least Lute’s 275 kills annually… AND/OR she was dumped right before Vaggie’s last extermination and all the yuri 😍🥰😘😇🤣
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fuckyeahisawthat · 2 years
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So people have already talked about how Stede’s “what does it feel like to be in love” montage doesn’t include one of the most explicitly romantic moments of the series, the moonlight scene. But you know what else is not in there? Anything from episode 9. Not just, y’know, their actual kiss, but all those moments that to us read as grand romantic gestures. Ed signing the Act of Grace. Ed confessing to the murder of some dude he’s never heard of in the hope of sparing Stede. The wedding veil blindfold moment. Ed stepping in front of a literal firing squad to protect Stede.
I do not think that Stede has parsed at all that Ed did all those things out of love. To us the answer to his question on the beach--“How are you taking this so well?”--is obvious: because Ed has been wanting to drop the Blackbeard persona for years, yes, but also because I’m with you. But I think the whole thing is so tangled up with guilt for Stede that he can’t even begin to think of it that way, even by the end of episode 10. It’s still something he did to Ed, dragging him into Stede’s own mess with the Badmintons, costing Ed his freedom, his reputation, even his beard! He agrees with Chauncey that he’s brought history’s greatest pirate to ruin. That’s why he leaves! And even after he’s figured out, oh, I’m in love with Ed, I still don’t think it’s hit him that Ed did all those things because Ed is in love with him.
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So, I’d initially made a post that said something along the lines of “it’s weird that they had Stolas say this”—
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“Only to remind the audience like 9 min later of a specific time where Stolas talked down to Blitzø”
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And I also included the original scene for context/comparison:
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But after posting someone DID point out that in the song’s lyrics during that sequence, Stolas was questioning his past choices and coming to the realization that his actions had affected Blitz—They stated that initial scene of him saying he doesn’t look down on Blitz was a set up for this later self-reflection on his behavior in “All 2 U”, and potentially realizing how harmful his actions have been.
And I think this is a very fair interpretation and observation—as well as something I missed, and that’s on me.
I like talking about these things openly, because I think it is really nice to get other people’s perspectives and interpretations of stuff like this, and I’m also susceptible to missing things on a watch-through.
I decided to delete the original post, b/c I realized I agreed partially with their assessment of the scene, and because there was another comment that was a little spicier, and I didn’t want people to start arguing back in forth in the comments. That’s happened before and it’s always kind of annoying.
With all of that said, I do still think those lines were a weird choice, and I want to go over why the song “All 2 U” fell really flat to me in regards to Stolas’ self reflection. (More below + TLDR @ the end)
There is, so far, a really consistent pattern in Helluva Boss’ writing, where every time Stolas comes close to reflecting on the way his actions could have negatively affected Blitz, the focus almost immediately shifts back to Stolas’ own feelings and situation.
It’s kind of become the status-quo for HB—Stolas will have a brief moment of questioning himself, before the story continues to frame Blitzø as being in the wrong.
We see this really blatantly in “All 2 U”—where anytime Stolas DOES begin to question his own actions, Verosika and Vortex chime in and immediately assure him that it’s Blitz who’s in the wrong:
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And then even after, these lines where he questions himself further
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The song just CONTINUES to focus only on Stolas’ feelings, and prioritize them above all else. He has a brief moment where he wonders if he’s in the wrong, before brushing those concerns away and continuing to refer to Blitz as “the motherfucker”.
The montage during this also goes to great lengths to show how regretful Blitzø is hearing all of this.
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He feels terrible that Stolas is hurt—even though Blitz does NOT owe Stolas anything. You can disagree with me, but based on the arrangement that STOLAS created, their relationship is entirely transactional (and coercive, but I don’t have time to get into that mess right now).
Blitzø is in no way obligated to treat their “relationship” as something that holds meaning because of this—if Stolas is hurt by Blitz’s not reciprocating his feelings, that is ENTIRELY on Stolas. Blitz has not wronged Stolas in any way by not reciprocating those feelings.
But it’s so very clear that the WHOLE PURPOSE of this song—and this entire episode, even if there is a moment where Stolas questions himself—is to portray Blitz as the one in the wrong.
Even in the scene where Stolas questions what he’s done to Blitz and wonders if he’s in the wrong, his flashbacks include these scenes, which are framed as Blitzø being uncaring/blowing Stolas off after their arrangement:
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This is probably one of my biggest issues with Stolitz as a ship, and with Stolas as a character. That the writing explicitly caters to Stolas’ feelings and beliefs, and (so far) refuses to hold him accountable for anything he does that negatively affects others. His actions have consequences just as much as Blitz’s do, but the narrative constantly frames him as being a victim.
You can say that both characters are in the wrong all you want, you can say to the audience point blank “this is what I intended with this scene”, but you still have to actually. write. the developing relationships and action of the story. Telling the audience about development after the fact is just poor storytelling.
I’ve already gone over how the narrative rarely holds Stolas accountable in the conflicts he has with Octavia, but it’s very much the same with Blitzø.
So much so that Autistic Swag on YouTube was able to make a Stolas Hypocrisy compilation video:
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And because I know there’s a chance of people reacting to my criticisms this way, no, recognizing a character’s hypocrisy in the narrative is not “media illiteracy”.
Media analysis is still derived from the actual text of the story. I see fans (not just of HB, this is a general problem in a lot of fandom spaces) making wild leaps and jumps about story’s character developments, world building, plot-points, etc. and then claim that people who disagree with their interpretations are “media illiterate” and like.
Those are headcanons. Those are just personal headcanons that you made based on what you wanted to happen in the story.
Which is fine!!! Which is something that is very fun to do!!! I do it a lot actually!
Like, I could say that the green light in “The Great Gatsby” actually represents envy and that Gatsby is always staring at it because he’s actually jealous of Daisy and wants to transition from male to female and live as a transgender woman.
And that would be a really interesting concept to explore! But it would also be a headcanon because in the context of how the text is written, is clearly not the case.
Pointing out that Stolas’ actions are morally dubious at best, and that he is flawed and has done wrong and has very clearly hurt Blitzø by coercing him into a sexual relationship so Blitz can keep his livelihood isn’t media illiteracy. It’s literally. It’s just the text. Audiences aren’t media-illiterate for seeing that.
Final note time— I want this post to age poorly. I want so badly for there to be a future episode where Stolas is really truly held accountable for the ways in which he has hurt Blitzø, the ways in which he’s been classist and racist toward imps, the times that he’s neglected Octavia, and yes! Even for cheating on Stella!!
And I want this NOT because I want to see Stolas completely villainized or beat down, I want this because I want Stolas to develop and grow and change as a character. I want Stolas to actually have the nuance that the writers say he has!!
Again, as always, please know that if you love Stolas and Stolitz that I am REALLY not trying to rain on your parade. I’m not trying to convince you that you’re not allowed to like the story as is, or that your opinions are wrong. That would be really silly. You are allowed to interpret all of this literally however you want, even if we disagree.
The only, only thing I would ask you to please consider, is if you are doing the work of writing these characters development outside of the story, or are you building on what the writers have already shown you. I am not asking this to be condescending or elitist.
This is something I have to actively ask myself when reading and analyzing text and stories, and when analyzing and editing my own writing and work.
That’s all. Thanks for making it to the end of this long ass post. If you’d like to have a polite discussion about your thoughts on all of this I would genuinely like to hear it. I will delete any arguments or fights in the comments tho. Thanks again.
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TLDR:
-“All 2 U” falls very flat as a song where Stolas re-examines his actions because even tho this self-reflection is set up, nothing ultimately comes of it and things immediately go back to the status quo
-This is a very consistent pattern with Stolas as a character, due to this he is severely under-developed, and feels like a completely different character from his season 1 appearances.
-People realizing that he has not had active development between seasons 1 and 2 and pointing that out is not “media illiteracy”.
-Final side note—I think the “both sides are wrong/fucked up” angle really COULD have worked, if after the bridge where Stolas questions his actions, he acknowledged that HE was also “a motherfucker”. But. Nah. Oh well.
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