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#also horror + tragic romance
mothlover69 · 6 months
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Saw some "craziest hear me outs" lets not turn this into a competition because I WILL WIN
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skeleton-in-a-hoodie · 6 months
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I am never going to get over DDMG Tang Shen wistfully looking at her and Yoshi's wedding photos, thinking about how much she misses him and hoping that he's proud of her and Miwa...
And that very same night Splinter steals a shit tone of pens from Mrs Mitchell as revenge for being a dick to the Turtles.
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elisedonut · 1 year
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so this is really niche and probably wont make sense to alot of people but amnesia memories Percy centric au where Oliver gets to be a little toxic as a treat and takes Toma's place, putting Percy in the cage(tm) in a messed up delusional attempt to protect him
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swordmaid · 9 months
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reconsidering wyllmance for yves because I like wyllach too much and I don’t want yves to interfere…!!! so I am thinking what romance would fit her…. and u know what does …. durgetash……
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fingertipsmp3 · 11 months
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Okay I'm officially doing NaNoWriMo lol
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zan0tix · 19 days
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Any general thoughts on/relating to the Brobot?
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Have my half awake scrawlings...
I really love the brobot!!!! People really misconstrue it and also leave it out in a lot of dirkjake talk? Its a big player in not only how dirk expresses his affection/desire towards jake but also in their multi year spanning unspoken game of gay chicken 😭😭(all of dirks splinters are but Not about them rn)
It was sent yknow under the pretense that jake loves wrestling and wished so bad to have somebody he could wrestle with. But at the same time it protects jake from the horrors of hellmurder island (seen before they strife), pushing jake into the Damsel in distress role he wasnt expecting to play even before all the shit in the game, with Dirk being his hero.
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Jake says he keeps it on a high difficulty because apparently in the Novice mode he says their interactions become "too tender" and doesnt want to elaborate, Friendly reminder! His convo with jane on the SAME DAY dirk pulled off that big romantic overture and the kiss happens and him and dirk begin "dating".. is the same day he asked jane if it didnt make him weird for wanting to date dirk. And he also says hed joke around with dirk about how theyd soo make a great couple if dirk were a girl haha.
I imagine the brobot and well. Getting physical like that with a robot that supposedly looks like dirk probably gave jake his internal gay awakening at 13 but he just never wanted to actually confront it and instead just wanted to brush past everything 😭😭 (See: every single time sexuality or romance comes up in relation to jake he is literally always thinking about dirk somehow and he never directly talks about his attraction to men or how that reflects/contradicts on his self image of the Movie Star Hero guy)
and jake doesnt actually hate the thing either, he tells jane he thinks it genuinely did improve his fighting capabilities (Which we see it did in collide! he beat basically the whole felt with guns and fisticuffs alone, no hope powers.) Which serves as a pretty evident parallel to dave who also is good at fighting, even if he doesnt want to be. (see dirk + dave convo)
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This one comes from hussies authors notes in the aradiabot and equius scene (which equius imagery being invoked with dirk. something i could totally rant about another time haha) but yeah. Jake was being selfish asshat in that log forcing jane into a corner and wringing what he wanted to hear out of her, and also not giving a shit about the brobot (Which served as his protector and only other semblance of human connection since he was 13 and was a BIRTHDAY GIFT FROM DIRK) KILLING ITSELF? But hes so preoccupied talking about dirk. THE REAL DIRK. And immediately after jake loses the dirk splinter that protected him, HE (AND DIRK) CREATE A NEW ONE FOR HIMSELF USING THEIR COMBINED POWERS/?
Hussie is lying.. somebody Does care about dirks feelings. a whole lot to the point they activate their powers unwittingly Because of it. and its jake. but jake just cant admit that himself. (He cannot admit his real feelings until given permission to, dirk would have to concede the game of gay chicken first using his words and not just actions)
ANYWAY. hussie is so right its so easy to get sidetracked times one million talking about this comic. BUT AHH!! BROBOT. his existence.. tragic.. Jakes really smart in knowing that all of dirks splinters enlighten aspects of himself he doesnt oft share, and the brobot served as another dirk action on the pile of dirk actions he engineers to signify his deep immense care for jake, where he lets these grand gestures and implications sit out in the open without ever actually saying what they mean and where his feelings lay.
EVEN IF ITS SUPER OBVIOUS. The d man cant use his big boy words to actually describe his feelings despite how much a yaps! so jake doesnt know if hes even allowed to say anything about his own. Fellas: Is it gay if you labour for supposedly an extended period of time to create a custom robot in your own image to ship in pieces to your best bro guy crush who is HUNDREDS OF YEARS IN THE PAST because you cant be there yourself?
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I think this hal message says enough about how bad dirk wished he could visit jake 💀💀
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sp0o0kylights · 1 year
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Indie horror filmmaker Eddie Munson, high off his first big (underground but notable) success, knows the movers and shakers of the film world have their eyes on him. 
They're just waiting to see if he was a one hit wonder before they open all the doors he's been trying to kick down. 
His next upcoming film is his chance, his shot at finally making it. Of being like Rob Zombie and the other creators he looks up to that masterfully blended metal and horror. 
This is his golden ticket. 
The project starts off smooth. His last success has greased the wheels, and things fall into place faster than ever before. 
He's got the best idea for this insane haunted house story, a true "mazes in mazes" type of deal with a queer twist. A real look at how a place can haunt a person just as easily as a ghost can.
 Everything's going swimmingly--until one of his leads drops out the day they're due to start shooting.
No call no show's, and later, Eddie will find out the guy got a last second call back to be a contestant on one of those Love Island bullshit romance gigs (and laugh his ass off when the main love interest takes one look at Billy Hargrove and goes on a five minute rant about ugly mullets on national television) but right now? 
He's fucked. 
He's called in every favor he has for this film. Maxed out every credit card he owns, tapped every contact, got on his hands and knees and begged his rising star journalist best bud to help him market it. (Which Nancy agreed too, for way less cash than she should have.) 
 Eddie can't get anyone on the phone, much less find a replacement actor and the amazing place they rented, that is so dark and wonderfully eerie, is booked out the rest of the year as an AirBnB. 
If he doesn't film now, he loses it all.
Cue the other lead, unknown theater actor Steve Harrington, watching his hair pulling, tire kicking, 'cursing and hopping while holding a toe' mental breakdown and asks why Eddie himself doesn't act in it. 
"Just go full Kevin Smith man. Act and direct." He says, with an easy grin. 
Jeff, Eddie's tried and true videographer, trades glances with Gareth and Grant (Eddie's long used special effects and makeup team, who double for about twelve other jobs because they're also his best friends and they're all in this together, make or break.)
"We don't really have a lot of other options." Gareth hedges. "You're already using me and Grant as background characters." 
Eddie, hands fluttering around his face as though trying to wave away this entire situation, squeezes his eyes shut and lets out a pained hiss. 
"Fine, fine!" He announces with the air of a man running towards a fire. "Fuck it, this is our one shot and so help me I will be shooting it!" 
Steve politely hides a laugh with a cough. 
"Chuckle all you want big boy, I'm going to tragically romance you so hard people will forget both of our characters actually live." Eddie snarls.
Steve, the handsome bastard, just winks.  "Looking forward to it." 
Eddie blushes, but hides it with a surge of frantic energy, conveyed by lots of yelling and moving and getting the ball rolling. 
Two days later, Steve would give the performance of a lifetime down on his knees, covered in a literal pound of fake gore, booty shorts and nothing else as he sobbed about how a lover could become a home. His hands clawed at Eddie's jeans before resting a tear stained face on a slim leg as he bent his body towards Eddie like it hurt to be away from him. 
Eddie would later receive equal praise in his own acting during the scene, with the world and every reporter in it asking how he conveyed an otherworldly panic so beautifully throughout Steve's performance. What was he thinking, to evoke those expressions on his face? 
The way his own pale hand, unmarred by blood and acting as a metaphor for the plot, would come to stroke Steve's cheeks.
Eventually he'd come up with a smooth polished answer that cheekily pleased his audience, but nothing would ever come close to the truth. 
("Eddie I've known you since grade school." Jeff said that night, a scant few hours after they'd wrapped. "You can act man, but not like that." 
Eddie made a wild "shut up" gesture, looking frantically over his shoulder before admitting; "You saw how close his face was to the prince of darkness!? I was seconds away from popping a boner next to his lips, in front of the 4K camera!” 
Eddie bounced into Jeff’s face so he could hiss: “He fucking had his chin on my thigh, Jeff, and I am only a man. A mere mortal!" 
"So we're gonna unpack all of that later." Jeff said finally, when he'd managed to get his mouth working and Eddie back out of his personal space. "But dude, we've talked about you calling your dick the prince of darkness." 
Eddie flipped him off.) 
One year later and critics named Corroded the best horror film of the year, praising the camera work, practical effects, and how there wasn't a soul alive who was surprised to hear Eddie and Steve were dating after their explosive on screen chemistry.
No one ever quite understood the prince of darkness jokes or why Steve mentioning it made Eddie blush, but that was a secret to find out later. 
Today on WIP’s I have no intention of writing, indie horror movie AU!
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cricket-of-the-hill · 12 days
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So what's the deal with Fiddleford McGucket? Why's he like that?
Fiddleford as a character is so FUN because he's so complicated and tragic and honestly a little pathetic. On one hand you have this absolutely brilliant scientist with the potential to have been the in universe Steve Jobs who figured out that the universe is a hologram and built an honest to betsy transdimensional portal (with Ford's help, yes, but let's be honest: as mathematically brilliant as Ford was, I think his intelligence laid more in the theoretical side of things, really doubt he could have actually built the portal himself).
On the other hand, we have this man who up and leves his FAMILY to chase after a college friend who calls him one day saying "hey, I'm out in Oregon building a portal to another dimension. Little help?" and he doesn't even think twice before being like "bet" and getting his ass to Oregon. And even if you take in the context clues that things weren't going well with his marriage before he left (as pieced together by the brilliant @divorcedfiddleford in this post), he still had his son and McGucket Computermajigs and he just sets all that aside for this guy, which... 😶
I am gonna write this whole post on the assumption that Fiddleford was in love with Ford, but look, even if that's the case it doesn't make any of his actions less unhinged. Break here, because the post gets kinda long 😶‍🌫️
So here's the thing: in the fandom, it's fun to think that Fidds knew about Bill and they had some sort of taunting rivalry/love triangle thing going on and that's really fun to mess with, but FIDDLEFORD HAD NO IDEA ABOUT BILL. Ford never told him! So even if Fidds leaves California thinking he's gonna have his hot girl summer/queer arthouse romcom where he reconnects with the love of his youth and they spend the summer working in this secluded house in the woods where they can finally live out their romance, what he actually gets is a fucking psychological horror thriller where the guy he loves and is kinda trapped with is either slowly going insane or straight up getting possessed.
Now, all that is 😵‍💫 enough, but it gets worse because instead of doing the normal person thing and getting the hell out of Dodge, Fiddleford stays. He continues to help Ford to build the portal despite how weird the other man is getting, he continues to go cryptid hunting even after the nightmare goblin almost eats him, even if Ford clearly doesn't appreciate the work he does (research assistant? Not even partner? Come on), and never reciprocates the kind of gestures Fidds has towards him (like the infamous double Christmas gift bonanza).
Here's where the duality of Fiddleford Hadron McGucket kicks in: the thing is that he is incredibly brave in some ways and obviously really smart but also kind of a coward and an idiot when it comes to his relationships with others. He'll hit Thee Krampus upside the head with his banjo one day to save his friend and run away to Oregon instead of discussing divorce with this wife the next. He will leave everything he knows to pursue this one guy, but he will never ever ever confess to feeling anything other than friendship towards him. He'll put up with Stanford's creepy as all hell behavior but will never confront him about it even as Ford loses more and more of himself into his project (so no little intervention not even to help this man he's giving so much up for). Like, what was he expecting to get out of all this? If he was never planning to confess to Ford or leave his wife, what was he going to do once the portal was completed? Just keep on bouncing between wherever Ford went next and his family? Did he really think his wife and son wouldn't mind him leaving them behind without so much as a thought?
Operating under the assumption that Fiddleford is a closeted queer guy from rural Deep Down South Hillbilly County Tennessee (said with love, I'm also from the south, but we all know what homophobia looks like here) during the '80s (height of the aids pandemic which would have made everything worse) one can maybe understand why Fiddleford is like that. Why he is so so so afraid and why he ultimately chooses to erase his memories rather than just go back to his family.
So picture this: you are in love with your best friend but you can't tell him 'cause best case scenario he leaves you out to dry and worst case scenario maybe someone finds your boots down by the river and lets your parents know (and we know Ford is sweet and fruity himself and with a thing for outcasts and would never. Fiddleford probably knows that himself, but let me tell you that when you grow up with that fear it goes deep. Because you've most likely seen people who are kind get absolutely bent out of shape when confronted with the mere idea of someone like you existing in their near vicinity). Eventually, you get married and have a son because that is what you were supposed to do all along and even though you love your son and maybe even love your wife everything feels wrong. They expect you to be something you are not, you can never let your guard down, never be yourself, not even in your own home. So then that call comes and it's like a golden thicket: you can leave, give it a rest for a little while, go see your friend, stretch out those inventing muscles.
As much as the fandom clowns him for it, I honestly don't even think he went out there with the intention of cheating (emotionally or otherwise). BUT I do think he was hoping something would happen. It's just that it all depended on Ford taking that first step because Fidds sure as hell wouldn't. And then Ford didn't because he was too busy doing the sin cos tan with his trigonometry homework, but if he had, we could have had a brokenback mountain situation on our hands, lads. Then Fiddleford could have just gone along with it, and done all sorts of mind parkour to convince himself that that's somehow less bad than "outright" cheating on his wife.
So he gets to the cabin, right? And maybe things are good for a little while, like when they were in college. Fiddleford lets loose a little, Ford is happy with the company, they're friends! And I get the sense that they're the kind of friends that mesh really well, like their energies really match. As much as the fandom paints Fiddleford like a sweet cinnamon roll, that man is also a freak. He's out here building psychotic post divorce revenge pterodactyl robots and drinking abducted cow milk just to see what it's like. He's a bit unhinged! He and Ford are the two people in the world that can be like "I think the universe is a hologram." "Cool! Let's prove it mathematically, bro" and "I want to build a portal to another dimension. Just cause." "Catching a ride to your place with my toolbox as we speak, buddy." (My own personal head cannon is that Fiddleford didn't really become such a shaky jelly until the nightmare goblin got him. Like, he was never as adventurous as Ford, but I think before that particular traumatizing event he was all right for it).
Anyways, things are good for a bit, but the real world is still out there. Fiddleford has to make trips home every now and then, and every time he comes back it seems like something is different. A little off. At first it's nothing big, just a smile a little sharper than usual, a coldness in a look, Ford calling him "Specs" where before he was always a variation of his name. Then it's pointed comments that Fidds chalks up to a lack of sleep (is Ford even sleeping at all? Because he could have sworn for the past three nights he he has appeared in the same place Fidds left him when he went to sleep). Then it's a flash of yellow eyes, a maniacal laugh that Ford never used to make before, spells where he seemingly forgets how to use his body (bumps into things, tries to drink soda with his eyes?). As time goes on it starts to become more and more obvious that something is seriously wrong with this friend. And things back home are just getting worse and worse, Emma May isn't happy about Fiddleford skipping town so often, Tate wont stop asking for him, and look, was Fiddleford even making money while he was with Ford? He gettin' paid? Is Emma May back home trying to bring home the bacon while virtually single parenting? (How was Ford even supporting himself while studying anomalies? I can't imagine there's a lot of grants for that.)
But Fiddleford can't leave his friend and he can't really own up to how much messier things are at home because of this whole thing. So he keeps coming back to Gravity Falls, where he also can't really face up to Ford and either demand a clear answer as to what is going on or try to get him some help (an exorcist, maybe). Because if he does say something and Ford decides that he doesn't want Fiddleford around asking questions he's gonna have to go back home where after the Christmas thing he's honestly not sure he's really wanted anymore, not really sure he deserves it if he still was. So he keeps on doing his thing, telling himself "this is fine 🙂," while he sits in a room on fire with a bill-possessed Ford hanging from the ceiling like a spider and an disapproving Emma May looking in through a window.
I think the portal incident was what finally opened his eyes to the reality of his situation, in an ironic way. He destroyed his relationship with his wife and left his son for nothing. Left his own dreams and aspirations aside just to find out that when push comes to shove his opinion and well-being matter so little to this man he was ready to break the laws of physics for. He can't stay with Ford, and he sure as hell can't go back home, because that would mean having to face that he's done burned down all his bridges. So where do you go from there? Let me tell you, if I had the chance to forget the lowest, most selfish, stupid thing I did for a person who didn't even notice it, I'd do it in a second.
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knight--error · 2 months
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I love how for Wheel of Time, Robert Jordan decided to go with arguably the least dramatic/tragic romance path for Egwene possible. Like. Here are your options:
Option 1. Rand, essentially her betrothed/intended from birth, her childhood friend—who also goes through The Horrors constantly as he at first resists and then accepts the mantle of the Dragon. Now imagine the Dragon in love with The Amyrlin Seat. The drama. The stakes. The tension. Opposing loyalties, opposing goals, political considerations, all wrapped up and rooted in their simple, intimate knowledge of each other from their youth. Wow.
Option 2. Galad, the chivalrous, lawful prince, who becomes the leader of the Whitecloaks, an organization directly opposed to the Aes Sedai and essentially at war with it. So now you have stolen moments via Gateway, longing glances across the horizon towards where the enemy is camped, even more political maneuvering and the threat of discovery hanging over Galad's head at every second. Will their love persevere? Also, imagine the drama at discovering the Lord Captain of the Whitecloaks is a Warder.
And option 3. Gawain, AKA That Guy Over There With Nothing Better To Do, AKA That Guy With One (1) Useful Skill Which Is Stabbery, AKA The Most Normal Man In The Cast At This Point.
And Egwene surveys her options and says, "Oh yeah, I'll take one order of That Guy Over There, please."
Amazing.
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victimsofyaoipoll · 11 months
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Finals
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Propaganda Under Cut
Sakura Haruno
Her husband is gay and her author doesn't know how to write women. So many people say she's the worst but she. DESERVES. BETTER!!! Save her from this franchise.
My baby girl my bestie my best friend. She committed the crime of um being written by kishimoto who both doesn’t know how to write women and somehow writes men in the gayest way possible specifically naruto and sasuke. Like the thing is naruto and sasuke ARE gay and also she gets so much hate for the crime of kishimoto writing her one dimensionally in love with sasuke. I know her personally she is a butch lesbian to me just trust me she’s in love with Ino and has a lesbian thing going on with Karin okay just trust me. My everything. She needs to divorce the loveless lavender marriage she’s in 
What is there to say, even? The OG Threat to my 90s anime brain, the only woman I've ever hated with such a passion she made me turn away from the color pink. I used to write fics with my friend where she got left behind on purpose so our OCs could join the Naruto and Sasuke team instead. I loathed this bitch until I was 16 and realized the author simply couldnt write women and decided it was time to make peace with Sakura. It is not her fault she's vaguely written and obsessive over Sasuke. She deserves better. Sasuke and Naruto still should be together and Sakura shouldnt be with Sasuke but I no longer believe this because I hate Sakura, it is because I love her. She deserves a spouse who will actually put in the time to treat her like the hero she is.
Misa Amane
she gets treated in-canon the way fandoms treat female characters that Threaten an m/m ship. it's like, "oh why don't you go sit in the corner and be pretty, misa, while the Men have intelligent conversation and pretend they aren't ten seconds from fucking each other, doesn't that sound nice?" it's infuriating. and MAYBE it's better now but i remember her getting treated the same way in fanfiction too, like we all need to do just as badly by our female secondary characters as fucking tsugumi ohba, but with the added insult of making her be alternately oblivious of the relationship between light and L or actively trying to sabotage it—incompetently, of course, because god forbid misa be allowed dignity or moments of cleverness.
she's one of the first characters I think of when I consider old school fandom misogyny. The annoying bitch and clingy crazy gf allegations were AFTER HER ASS. She's also a lot more intelligent than people gave her credit for, but most seem inclined to take the Very Biased word of our unreliable, narcissistic narrator and his homoerotic arch nemesis and claim that just because she's bubbly and into romance that she's also a complete moron. Which is blatantly untrue. Everyone was afraid of Misa girlbossing too hard. Killing people and devoting yourself to the deranged twink of your dreams even though you know he'll never love you back??? Having a hardcore goth aesthetic and being so Hot even literal Death Gods are into you?? God forbid women do ANYTHING!
Not only is she the victim of yaoi culture, she is the victim of early 2000s misogyny by an author that wanted to introduce a girl character because he knew his male rivals were getting too homoerotic. She is a goth bimbo icon who portrays what I think is one of the few callouts for stan culture and what parasocial relationships can do to both the stan and the idol. The fact that she is a toxic fan of Kira and also hot, funny, sociable is tragic in its own way, which I think the author did try to touch on but was too misogynistic too really get through. Of course, she was reduced to villain status by the fandom and anime alike because she got in the way of the supposed romance in their psychological horror anime
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danger-bird · 8 months
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Touchstarved Demo Music
Decided to have a productive weekend and search for every song in the ts demo bc I’m a hungry bird and I need my crumbs🐤
Some were easy to find, others required manually going through artists’ discographies that might have the song I was looking for help (in order of appearance)
Sonata to Melancholy – Crypt of Insomnia
Fabric of Night – Crypt of Insomnia
Suspense Drums Trailer – ARCHIMUSIC
Dance Macabre – Crypt of Insomnia 
Reverie – MARiAN
Mystery – EightBallAudio
Medieval Harp Ambient – Orchestralis (all 3 versions are used)
Cold Dark Place – Crypt of Insomnia
Shards of Night Light – Crypt of Insomnia
Late Night Ode – Crypt of Insomnia
Rivendell Sunset – Crypt of Insomnia
Love Will Never End – VICTORMUSIC
Tango – Blacksmith
Fadeless Memories – Crypt of Insomnia
Slow Baroque Strings – Orchestralis
Once Upon a Dark Time – Allen Grey
Scorched Earth – Crypt of Insomnia
Ethnic Ritual – Nuclearmetal
Dark Ethnic Suspense – Allen Grey
Persian Beat – MARiAN
Deserted – Crypt of Insomnia
After Dark – Crypt of Insomnia
Beautiful and Tragic – Crypt of Insomnia
The Harp – SilverHoof
The End of the Journey – Crypt of Insomnia
Individual routes:
Ais
Unearthly Love - Crypt of Insomnia
Dangerous Middle East – iCENTURY
In The Time of Romance – MusicDog (also in Kuras' and Mhin's individual routes)
Kuras
Pizzicato Comedy – Orchestralis
Sorrowful Storytelling – Crypt of Insomnia 
Mhin
Rains Will Come – Andrea Baroni
Vere
Sad Tango Violins – Korolkov
Delusion – Crypt of Insomnia
Bonus:
Gothic Emotional Suspense Riser - Allen Grey (homescreen music; edited)
Horror Atmosphere - Orchestralis (ominous music; when Soulless/threat is nearby)
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I'm going with 10 All Time Classics from the Captain America (MCU) fandom. I mean, they're all classics to me, at least. In no particular order:
1. This, You Protect by owlet
First installment in the Infinite Coffee and Protection Detail series, which are all amazing. It's a “Bucky escaping Hydra and rebuilding his sense of self” fic, which he does while spying on Steve. With eventual Avengers Family and a lovely cast of OCs bonding with Bucky in the meantime. It has a very distinctive perspective and writing style; Bucky's in constant internal (and sometimes accidentally external) dialogue with himself, making it hilarious and tragic all at the same time. I love it. I've recently been getting into The Murderbot Diaries by Martha Wells and this Bucky has a similar sassy-but-vulnerable vibe? Read this if you like that, anyway.
2. The One Who Knows by Dira Sudis (dsudis)
This is a Political Animals AU, in that no-powers Steve is inserted into the Political Animals world and Bucky is TJ. Discusses being outed and depression but is ultimately hopeful. The author is one of my all time faves and has written lots of great stories for this and many other fandoms.
3. Blue Scales by chaya
Steve is a merman AU. He's still Captain America, though. It's crack with heart, I love it.
Best line: "May your scales and your love story be our weird secret forever.”
4. Our Lingering Frost by eyres
AU where Bucky is rescued from Hydra in the 50s (?) and so is around for Steve to be found.
5. Assets Out of Containment by follow_the_sun
It's a classic to *me*, OK? Bucky goes undercover at Jurassic World just as that movie's plot kicks off. They're Hydra dinosaurs! It's just great. Also has a podfic and crossovers with Agents of S.H.I.E.L.D.
6. Not Easily Conquered (series) by dropdeaddream and WhatAreFears
Some of the greatest fanfiction I've ever read, the whole series is epic. Anyway, it's a "Steve doesn't go into the ice" AU with added queer angst when (never sent) love letters from Bucky resurface. I particularly like the second installment in the series The Thirteen Letters, which are just Bucky's letters and are insanely well-written.
7. to memory now I can't recall by Etharei
Time travel AU! Featuring post-CATWS Bucky accidentally switching places with CATFA era Bucky.
8. If Wishing Made It So by Leveragehunters (Monkeygreen)
Genie!Bucky AU! This author is great at writing AUs with fantasy/genre elements, it was hard to choose. They've also written an excellent werewolf!Steve AU and a horse!Steve AU that I really love.
9. Into That Good Night by Nonymos
An Interstellar AU! Very angsty and tragic but with an eventual happy ending.
10. Goodbye Piccadilly, Farewell Leicester Square by Speranza
Speranza must be one of the best writers in the fandom, so it was hard to pick just one of their fics. Other strong contenders were All the Angels and the Saints and The Fifties, so check those out too! But this one has a special place in my heart. Steve, Tony and Natasha accidentally time travel to WW2 London, leading to an accidental run-in with CATFA-era Bucky. The author does tragic and romantic time travel tropes so well, but with a happy ending.
I now realise that most of these are AUs, so here’s a bonus rec for a non-AU in-universe story that’s severely underrated and deserves more love:
+1
Heart, Have No Pity on this House of Bone by Sena
This story follows Bucky in-action in the Pacific Theatre. It’s very well written and, from what I can tell, well researched. Steve only appears in Bucky’s imagination and the story focuses on the horrors of war rather than romance, but it’s gripping! And it explores unrequited love, being closeted and period-typical homophobia, which I also enjoyed. I’m still holding out hope for a sequel.
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writers-potion · 4 months
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Different Genres, Different Fight Scenes.
Romance
No real gore; write entertaining fight scenes with an illusion of reality
Avoid excessive arobatics or feats of unbelievable strength. Stay realistic - describe the weather, how the ground feels.
Add a layer of erotic tension.
Use injuries as opportunities to test the hero and heroine's relationship, for displaying touching and tender care.
Fight scenes in romance tend to be short (<700w)
Where there are several fight scenes: (1) he comes to her rescue - (2) she comes to his rescue (3) together they fight in the final showdown.
Fantasy
Fantasy fight scenes will primarily be enertaining, but have considerable grit.
Since readers needs to retain their suspense of disbelief in dragons, fairies, unicorns, etc. it helps to keep fights realistic.
Heroes will be skilled in using the weapon of their choice, and he climax of the fight will be prolonged, detailed and technically precise.
Science Fiction
Invent a special weapon for your book. To make it plausible, take a real-life weapon and extrapolate.
To make it interesting, the weapon will have a critical flaw or have consequences to the user which will make the plot more interesting.
Thriller
Fight scene in thrillera are very gritty, with real violence and gore. There will be several injuries and death.
However, the hero will also show off his skill in prolonged fight scenes, making it entertaining.
The suspense section is typically long
The hero will often have advanced level fighting skills.
Horror
As long as the blood is plot relevant, readers will want to see gore and grit.
The suspense and aftermath sections will be long, with unexpected twists that gets the hero behind his back.
Cozy Mystery
Cozy mystery won't have too much fighting involved, but if it does it will be be short.
Focus on how the hero struggles towards the next clue as a result of the fight rather than on the fight itself.
Historical
Fight in historical novels can be anything between entertaining and gritty.
Consider the periodic background, tech level, and relative wealth of your fighters before you give them weapons and armour.
In period where life expectancy was shorter and violence was more commonplace, your heros will be less bothered about seeing death, gory gutting, or having children in battle. Less qualms about killing.
In most periods and societies women didn't fight, and you must come up with a plausible backstory for her.
Literary
Either the fight takes place off stage or it is shown in all its realistic brutality.
Literary fight scenes are gritty and short.
You will choose to focus on the aftermath - play up the tragic, sinful, meaninglessness, etc. of violence for the reader and how it affects your hero's psyche.
Young Adult
YA fight scenes are entertaining, but it can escalate to be very scary.
he plot often revolves around he protagnoist performing implausible feats of fighting, often with exceptional martial arts skills.
Choose whatever martial arts teenagers find "cool" and build up your knowledge about it.
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crematedcow · 1 year
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She couldn't simply surrender what had been the very essence of her life, the one thing that no one was supposed to have the power to take away from her. Her freedom? Nobody was acutally free. Her love? She could find a way to cope with it. Her child? A heart-wrenching sacrifice, but she could endure it. Yet, this vital part of her, this very core of her being – she would never allow anyone to snatch it away.
And that marked the tale of a parasite.
Of a Patron and Its Chains is a 18+ interactive fiction in a fantasy and steampunk setting inspired by the worlds of The Witcher Series and Fullmetal Alchemist. You are a seasoned hunter tasked with tracking and eliminating dangerous supernatural threats. However, your story takes a turn when you decide to become also a pactbearer.
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In this realm where the intricate dance of magic and technology creates a canvas of possibilities, one could easily envision an idyllic existence.
The ability to traverse into other realities, though often at a steep cost, promised rapid advancement that could border on madness. Yet, amid these innovations and developments, lurking dangers remained ever-present. The very act of opening portals to other realms could inadvertently usher in creatures not meant for this world, seamlessly intertwining them with reality.
It was a world where the choice was to either be the hunter or the hunted, and most succumbed to the latter fate. However, your father instilled a different path in you. As a hunter of those creatures, he ensured you absorbed all the survival knowledge you needed before eventually got wrongfully accused and executed, a tragic turning point that reshaped your plans. Rather than simply following in his footsteps to become a hunter, you decided to become a pactbearer.
Summoning a Patron, a legend from diverse worlds and realities, your mission was to unite with fellow pactbearers. Together, you would confront an encroaching evil, all while seeking the fulfillment of a cherished wish granted by a god. Yet, even with the support of numerous companions and your trusted Patron, each victory over a monstrous foe revealed a looming threat waiting just beyond the horizon...
You are the hero... right?
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This is an 18+ interactive fiction that is being written on Twine.
be a hunter that kills monsters or embroils into unwanted drama
fully customizable mc from appearance, pronouns and personality
several sidequests to develop your skills as a hunter (includes: Possession, Witches, Ancient Beasts and more)
a beastiarium with further information to every creature you meet on the way
the big world of Vestria & Co. with a lot of lore that you can all uncover - or not!
a cryptic voice inside your head that occasionally breaks the fourth wall
meet the other pactbearers and their patrons and decide what relationship you want to have with them
choose what animal-form your patron is going to have
a total of six companions (including your patron) who will be with you a majority of your journey
all of them are romancable, plus a hidden romance option for those who can be patient
lots of parental issues!
figure out the truth of your world, or fail to do so - there is no right or wrong
and a... cow?
CONTENT WARNINGS: depicitons of death, violence, mental illness, gore (in the territory of body horror), animal cruetly and death, abuse, pornographic content, strong language
More might follow
DEMO TBA
CURRENT WORD COUNT: 21000+
but nothing demo ready yet
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The RO's include:
✸ Cú Chulainn (M/F)
In ancient tomes and tales, Chulainn stood as a formidable legend — an indomitable hero whose laughter echoed in the face of enemies and even death itself. They reveled in the thrill of combat, never yielding without a proper battle. Yet, such was the image you held dear until the moment you summoned them into your realm, making them your esteemed Patron. The being before you shattered the illusion you once cherished. No longer did they exude the vigor of a warrior; instead, bitterness clung to their spirit, entwined with a profound disdain for the world and all its inhabitants. Longing for the solace of death they once fervently evaded, Chulainn relinquished their ardor for combat, dismissing it as a hollow pursuit devoid of significance. As a consequence, their role as your Patron proved less than… helpful. Nevertheless, a flicker of optimism lingers within the depths of their desolate heart. Perhaps, against all odds, you possess the power to reignite the flames of purpose within them, offering a renewed sense of hope and the chance for a remarkable new beginning.
✸ Lysander/Lysandra (M/F)
Within the illustrious court of the High Queen, there exists a figure of great repute: Lys, a distinguished servant renowned for their unparalleled ability to fulfill any given task. Their name has become synonymous with perfectionism, as they consistently meet and surpass the lofty expectations placed upon them. The mere mention of their name evokes awe and respect throughout the courtly corridors. Alas, despite their esteemed standing, Lys remains a figure of divisive sentiment. Whispers and murmurs abound among their colleagues, swirling in a ceaseless cycle of gossip. Tales of their rigid and occasionally insolent demeanor dominate these conversations, yet there is another facet that elicits both awe and envy in equal measure. Lys possesses an unparalleled loyalty to the High Queen, a level of devotion that others find almost unattainable. Yet, the reality surpasses the worst of these rumors. Lys' nature transcends the bounds of mere unpleasantness, particularly in their interactions with you. Adding fuel to the fire, they perceive you as a sort of rival, amplifying the tensions between you. One can only wonder if it is merely a facade in an attempt to hide their weakness or the reality of their identity.
✸ Holographic Entity "Holly" (F)
Holly, the Patron of Lys, assumes the guise of a long-haired housecat, but her true essence hails as a revolutionary from a distant reality, a realm of unparalleled advancement far beyond the scope of Vestria. For Holly, her presence in this foreign world feels akin to embarking on an elaborate holiday excursion plucked from the very pages of historical books she once heard of. Her insatiable curiosity serves as the driving force behind her existence, propelling her to seek new experiences and infusing every interaction with a buoyant energy that suggests no challenge is insurmountable. Unafraid to vocalize her thoughts and opinions, Holly fearlessly shares her insights, even when they clash with those of her companion, Lys, particularly when the subject of her candid musings centers around you. Or at least, that is the impression you choose to hold. Her unabashed honesty may lead some to believe that she is a simple, unassuming creature. However, the more time spent with Holly reveals that there is much more to her than meets the eye. After all, one cannot lead a revolution based solely on a smile and an unfiltered mouth.
✸ Elli Agilulf (M)
The Blessed Ones, the esteemed right and left hand of the Night Church, are figures known to all who have ventured beyond the confines of ignorance. Cloaked in an aura of mystery, their veiled faces lend an air of both authority and enigma. Among their ranks is Elli, who strives to embody the idealized image of a Blessed One. He adheres to a code of silence, speaking only when necessary and responding with a detached aloofness. True to form, he carries himself with an air of subtle intimidation. However, beneath his carefully crafted facade, Elli is easily rattled by even the slightest inconvenience or a quick-witted remark, his frustration and anger palpable despite his hidden face. He is short-tempered and stubborn, a nature that clashes with the expectations of his position. As a Blessed One, he is expected to be a mindless automaton, devoid of thoughts or personal desires, but Elli's mind is a swirling vortex of thoughts and emotions, overflowing with complexity. Perhaps it is this contradiction, this clash between his true nature and the expectations placed upon him, that makes Elli an actual enigma. You do feel yourself challenged when he decides that you are a criminal to-become.
✸ Irydion (F)
Irydion holds a perspective that challenges the notion of victory being achieved simply through diplomatic agreements and signed papers. To her, a war is not truly won until she has exacted revenge to those she deems responsible for the suffering inflicted upon her country. As a member of the militia, she is fueled by a desire to fight, her hands trembling with the power of her magic, ready to unleash it upon her enemies on the frontline. While others may perceive an undisturbed silence on the battlefield as a sign of these so called peacetimes, Irydion remains vigilant, recognizing it as a deceptive tactic used by the enemy to lure her into dropping her guard. Too bad she is always a step ahead of those who seek to harm her people! Her selfless dedication to protecting and caring for her fellow countrymen is unwavering, even if it means being seen as misguided or paranoid by those who don't fully understand her. Irydion's allies may acknowledge her kind-hearted nature, but they also recognize her single-minded determination and unwavering belief in the necessity of fighting back against an enemy that is just a shadow. Irydion does not care for these rumors, knowing that regardless of how many may stand against her, they will eventually come to understand the truth of her cause. She remains steadfast, believing that time will prove her right in the end. After all, you believe her… right?
✸ "Junius" (M)
Even as Irydion's patron, the line between their roles blurs, with Junius' approach to her and other humans carrying an arrogantly nonchalant air. His actions, delivered with ease and naturalness, ridicule or charm one without noticing. With a mere lazy wink or a mockish bow, he effortlessly asserts a sense of superiority, deliberately refraining from putting genuine meaning or depth in his antics. Maintaining an elusive detachment, he keeps others at arm's length, preventing them from ever truly getting close to him. Despite his mysterious past, he carries himself as if the weight of secrets hold little significance to who he is. Junius' personality dances on the edge of daring, akin to playing with fire, drawing allure and enticement from the very act itself. He fearlessly indulges in flirting with married women and engaging in challenges with those of higher social standing, defying conventional norms and embracing a provocative existence. There lies a subtle irony in his guise — a wolf rather than a lion — his pride speaking for another form. And even in conversation, he adeptly maintains the facade, never allowing his act to waver, leaving you to question whether it is indeed a carefully crafted performance or indeed the reality of his character.
???
If it wasn't the work of gods, maybe it was fate that brought you together.
And several other characters you meet on your way across the country; other pactbearers and their patrons, tragic lovers, a noisy priest, ill-ridden villages (there is only two but it's weird it happened twice), two twin-rulers who don't seem to get along, a talking book, and more.
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kifkay · 4 months
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Winx and their Favourite Literary Tropes
Bloom: Found Family. The girl is queer, most likely a fan fiction enjoyer, if not a writer, and has been bullied. She is THE target demographic for this trope.
(plus, she literally went on and created her very own family of Winx)
Musa: Other than the very obvious choice of Your Crush is Mean to Everyone but You (ahem, ahem, Riven), Musa would love the Soulmates trope. It’s very comforting, to believe that there exists a person cosmically tied to you — someone who will have to love you, in spite of your flaws and hurts. Belong to you fully.
Aisha: although Aisha is usually a very calm and compassionate person, I think she would find Revenge narratives cathartic. Let the girlie read about a vengeful princess cutting down her past abusers, she deserves it!
Stella: definitely a romance girlie. I could see her either obsessing over a litany of romantic cliches (Prince in Shining Armour, only One Bed, nursing each other’s wounds (but only in theory, blood is disgusting), forced proximity, enemies to lovers, etc) OR hating them all due to how predictable they are. BUT she would definitely despise any toxic romance tropes Musa seems to love: the Mafia ones, the sunshine x grumpy, the “he’s cold but actually cares”. If both people are not whole-heartedly into each other, she’s not into it.
Flora: she is definitely a fantasy girlie (what is even fantasy for the society of Magix?). Particularly, she loves world-building and lore, brimming with their own unique biomes and freaky little creatures. She also likes Anti-Heroes or Misunderstood Villains. They play on all of her emotional strings.
Tecna: contrary to what you may expect, I don’t think Tecna would like sci-fi very much. What is sci-fi to the majority of the universe, to Zenith is reality. She would most likely find fantastical elements of these books cheesy or over-the-top. Tecna would like Heists: dynamic, fast-paced, high stakes. Puzzle pieces coming together to form a brilliant plan, complete with witty banter and colourful characters.
(I also think she would like Dysfunctional Families. Her parents interacted with her only when necessary; she was an only child. She would be fascinated by messy and tragic interactions between people who should walk away, but just can’t part with each other.)
some other characters I thought of:
Roxy: Supernatural, Talking Animal Companion.
Brandon: Hopelessly Devoted, Mutual Pining, Martyr.
Sky: Reverse Damsel in Distress/Distressed Dude? (the heroine saves his captured ass; he’s into girls that can snap him in half).
Nabu: the Chosen One, the Robin Hood, switch-and-bait.
Helia: long journeys as metaphors for a soul search; tending to the other person’s wounds; cosmic or eldritch horror.
Riven: the Princess and the Peasant, Hero saves the Day, Grumpy Mentor who cares.
Timmy: the Headquarters, Secret World, outsmarting your enemies.
Mirta: a fellow enjoyer of Doomed by the narrative, bonus points if it’s sapphic.
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three--rings · 14 days
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You Should Watch The Spirealm/致命游戏
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What is it?
A 2024 cdrama based on the danmei webnovel Kaleidoscope of Death. It's a censored version of a BL novel, with thriller, mystery, and horror aspects, 38 45-minute episodes.
What's it about?
A young man accidentally gets drawn into a virtual reality video game that involves passing tests in a series of doors. Once you start playing, you cannot stop and if you die in the game, you die in real life. He meets a frustratingly mysterious, competent, and attractive man in the doors who recruits him to be part of his game solving team. Well, specifically to be his partner. Lots of gay subtext ensues as they fight through door after door seeking to get to the final door in order to end the evils of the game. (The book is a little different, as it's more supernatural.)
So basically it's a infinite flow deadly game situation, with m/m romance.
Main Characters:
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Lin Quishi/Ling Juishi (novel/drama versions of his name)- Our protagonist. A smart graduate in computer science, good at games. Well meaning but a little naive to start out.
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Ruan Nanzhu/Ruan Lanzhu - Our love interest. In the novel he crossdresses often and he presents as a woman for the whole first arc. Super intelligent, expert at the game, extremely flirty but reserved at the same time. Got one look at Lin Quishi and said That One.
Other Characters, aka the Found Family:
Ruan Nanzhu's team consists of a pair of twin brothers (one young and dumb and one uptight), a hot doctor vet, a woman whose main job seems to be cooking dinner, and a not-so-stable dude.
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Then there's Li Dong Yuan, a rival player who becomes reluctantly-tolerated friend, and his cute female assistant. And Tan Zao Zao, an actress who hires the team to help her in the games and also sticks around persistently.
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They're pretty much all delightful and some may start off silly/annoying and end up breaking the hell out of your heart.
Okay, but what's the VIBE?
Big Guardian vibes. The team of lovable scamps investigating weird supernatural (?) type mysteries? While the boss and the guy he fell for have a situationship? Totally. This definitely has more of a horror feel than Guardian, though, even though they tone things down from the novel.
Each door is its own setting, and some are more scary than others. So one is a mental hospital, one is a traditional village, one is a gothic manor, etc. Lots of tragic female ghosts who have been wronged and are getting revenge. The one that really creeped me out was the one with the children with the eggs. It does a lot of creepy rather than really horror. It's not truly gory at all, as it was made to air on Chinese TV and they have strict limits to violence.
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The camerawork and set decor is really nice, actually. It looks great most of the time and a lot of the effects seem to be practical. It looks a lot better than Guardian is what I'm saying, if not quite to a film level.
How Gay is It?
Oh MY GOD. Okay look, this show was NOT supposed to be released, but thank whoever put it up for that two hours. It's really incredibly blatant, like really as much as Word of Honor was, although because the plot is focused elsewhere it's maybe not quite as in your face. But the actors UNDERSTOOD THE ASSIGNMENT and there's so much longing and SO much implication. After a while, everyone basically just treats the main couple as a couple even thought it's never talked about.
I mean episode one there's Only One Bed and at the end of their first meeting Ruan Nanzhu gives Lin Quishi a RING. I mean, the flirting is also BLATANT. I also just find this a really romantic show, despite the Not Talking About It thing.
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Is it a Happy Ending?
So, It's Complicated. I'm trying not to spoil anything and this show is pretty easy to have spoiled for you. There's definitely a good bit of tragedy in this show in general. Characters die and it's really sad. Like, this is a plot with stakes and if no one we liked ever died, it wouldn't be the same.
I will say I consider this show to have a happy ending, but you do go through some pain first. Essentially the main couple does have a separation, but there is a reunion before the end. There's also a scene that will give Guardian fans fucking PTSD, but the show does a fix-it on its own, okay? I do feel that I have to warn for that, though.
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Where can I watch it?
The show is legally available on Viki with a subscription. Obviously there are other ways to find it as well, and links went around before it was picked up by Viki so check tags if you need those.
I really hope this encourages some people to watch this show, as it's really well made and a great time. It's one of a very small number of danmei adaptations we've gotten, but a lot less people have watched it since it's modern and had a weird release. Honestly, it's well written and acted and filmed and you should give it a shot.
(All gifs by @ruanbaijie, thank you very much for allowing me to use them. Check out their blog, there's such gorgeous stuff there!)
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