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#also i adore that last screenshot
thebookworm0001 · 11 months
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pixelgrove · 6 months
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sunset. valley.
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sneez · 1 year
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more of my oc tervis (any pronouns), the creepiest most miserable little weirdo in town. which is saying something [id under cut]
/ ID: four digital drawings.
The first image is a series of drawings of Tervis on a paper-textured background. A heading at the top reads 'Tervis (Humble)'. One is a coloured headshot of Tervis looking to the left; they have a gaunt face, short receding hair, a scar bisecting their lip and right eyebrow, greyish skin, and are wearing a red shawl around their neck. An arrow pointing at their right eye reads 'one blue eye (mostly blind)'; another arrow pointing at their left eye reads 'one brown eye'. They have a serious, hostile expression. The second drawing is an uncoloured full-body sketch of Tervis. Next to this is the same drawing but coloured and with more polished lineart. Tervis is a thin, hunched figure wearing a long, dark brown robe, a greyish bag on their back, and a red shawl around their head and neck. They are barefoot, and are leaning on a walking staff with both hands. An arrow pointing to the walking staff reads 'needed for walking, useful for hitting'. Tied to the belt around their waist are several long scrolls of paper with writing on them. An arrow pointing to the scrolls reads ''blessings' they paste on infected houses'. Tervis is looking warily out at the viewer from beneath their eyebrows. An arrow pointing to their head reads 'scar from getting hit in the face with a brick (also knocked out a tooth)'. Alongside these drawings are a series of bullet points giving information about Tervis. These read:
   indeterminate age, indeterminate gender
   religious fanatic (unclear which religion)
   lives alone somewhere in the steppe
   dislikes everyone but is nicer to children than anyone else
   has every disease
The second image is a fake screenshot from the video game Pathologic. Tervis is looking out at the viewer; the background shows scenery from the steppe. The text on screen reads:
CHANGELING: I still don’t see what you could have done that would make you personally responsible for this plague. TERVIS: Responsible… no, not merely responsible! This is my plague, cast upon my head alone. I am the originator; my sin is at the root of all. I have ventured into the town. I have seen the canker there. No matter how many houses I bless, my sickness sinks deeper. The rotted limb is the death of the body… Surely you understand me. You are a healer, are you not? CHANGELING: What is it that you are asking me to do? TERVIS: Let me be the lamb, worker of miracles! My blood shall wet the earth, and bright flowers shall grow… My putrefaction will provide the soil within which new life will burgeon, pure and free of sin and decay. Let it be done. I am ready. My failing flesh is but little sacrifice; in death my weakness will be my strength. Soon these torments will be at an end.
Below are two dialogue options:
You’re insane!
What makes you so sure your death would solve anything?
The third image is a fake screenshot from the video game Pathologic 2. Tervis is looking out at the viewer, and has been painted in semi-realistic style. The text on screen reads:
Tervis: Why do you force me to live? Damn you! Your cure is poison to me. Now I shall never be blessed. You should have left me to bleed.
Below are three dialogue options:
Don’t be absurd. I wasn’t going to watch you die.
What makes you think you deserve suffering?
I wish I had.
At the bottom of the image is a line of dialogue which Tervis has just spoken:
The air is foul. There is rot in this place. The stench of corruption shall be – what was it? What was it? The stench of corruption shall be… swept aside…
The fourth image is a coloured scene depicting Tervis and Clara. They are central in the composition; around them is the steppe, which has been rendered in a loose, painterly style. Tervis is kneeling, their walking staff cast aside, and are reaching out their hands to Clara in a desperate, pleading gesture. They are crying, their face contorted in an expression of agonised ecstasy. Clara stands beside them, one hand reaching out, the other held above Tervis’s head as though about to touch their brow. She has a solemn, pained expression. Behind her head, a break in the dark clouds gives the impression that she is haloed by sunlight; rays of the same light fall onto Tervis, illuminating their face and red robe. End ID. /
#artwork#pathologic#tervis!!!!!!!!!!!! :-D#sorry i know ive already posted that fake p2 screenshot i just wanted to keep all my tervis images in one place. please forgive me#i am having. So Much Fun. i would explode and die for tervis shes the worst i adore her#making fake screenshots is so enjoyable i love trying to match the fonts and copying all the little ui details it's so fun highly recommend#i have a lot of tervis lore which i am still developing but hopefully these drawings give you some idea of his character#hes just a mess really. hes got every imaginable problem#that last drawing is her getting sacrificed in the humble ending. she is SO happy about it#also if you didnt see my last post tervis was originally a warhammer 40k oc (which he still is ive just made a bonus pathologic tervis now)#but ive tried to keep a lot of 40k stuff in her design like the blessing scrolls and the uh. Posture#that's also my reasoning for why nobody knows what his religion is. the watsonian explanation is they are just spouting incomprehensible#disjointed passages from some obscure scripture which nobody can identify (and who would want to try really. tervis is not good company)#but the doylist explanation is that it's literally just the cult mechanicus. just ignore all the references to the weakness of the flesh and#the glory of the machine it will all be fine nothing weird here at all#anyway :-) i could talk about tervis forever but i will stop now#i hope you are all well my dear friends! i am on holiday now wahoo#i am also aware that i have several messages to answer which i will do very soon i am so sorry for being so slow as usual#i love you all i am giving you individual kisses on your individual heads. mwah
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widevibratobitch · 10 months
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i hate them with a passion
#this may turn into one of my long ass posts with hundreds of screenshots of quotes from the books#but i dont have the energy for that just now#anyway. this moment makes me wanna throw shit at the walls. their relationship is my favourite thing from the very beginning#but dumas went really went out of his way to make it even more insane in the last book#and dont hit me with a 'aww they have such a big/little brother energy its so cute uwu' please im begging you stop saying that#nothing irks me more than hearing their relationship described as something that innocent. its so much more complex and intense come on#there is pure visceral hate there. jealousy. bile. cruelty. some fucked up form of codependency even? maybe? from d'artagnan's side?#there's nothing more horrible and cruel than the fact that THEY are the only two left alive in the end (not for long but yknow)#they would NEVER be friends if not for athos (and they would never hate each other so much if not for him too)#they hate each other so so much. but remember that d'artagnan starts out being absolutely bedazzled by aramis and looking up to him#his first impression of aramis is just. hearteyes and 'wow i wish that were me'. he doesnt do that even with athos at first.#he grows to adore athos yes but upon first meeting him he doesnt think much of him. unlike with aramis.#and then it changes instantly. does a 180° flip when aramis is a bitch to him.#and it stays that way for the entirety of the trilogy. until this moment. this one short moment when d'artagnan#who. mind you. is not innocent himself and was also manipulating the hell out of porthos and talking shit about aramis behind his back.#but he makes that step. he reaches out. 'i fucking hate you let me help you you dumb evil cunt' and aramis says 'no <3'#you know i have this thing where i am OBSESSED with finding the one moment where a character condemns themselves for good.#the one moment when they figuratively sign the contract for their perdition. that up to that moment they could still be saved somehow.#for rodrigo it is when he tries to kill eboli (in the play). for don giovanni it is when he refuses elvira's plea to change#(NOT when he accepts il commendatore's invite mind you)#and i feel like THIS is that moment for aramis.#the fact that it comes from d'artagnan is so just so fucking agsjssgsgsh!!!!!!!!!!!!!!!!!!!!!! and of course he says no.#there is no version of this where he lets himself be helped. he has to say no he will always say no.#but boy oh boy is this making me bang my head against the wall.#the three musketeers#les trois mousquetaires#vicomte de bragelonne#alexandre dumas
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Having my first celebrity crush in my twenties and I try to be all grown-up about it and normal and just appreciate him and absorb every piece of information that makes it onto my screen and safe every screenshot of him I can get and the only thing that stops me from also watching his entire live streams are my very limited Chinese skills that are just enough to hold a very small convo.
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man im just like. thinking about egg signs and how they've evolved over the course of the qsmp and how the qsmp has evolved over the course of the qsmp and just feeling so much love and affection for every part of the project. i dont have any grand overarching point with this just. like. here's a history of egg comms bc of the kind of person that i am
so wayyyy back ten months ago now at the start of the short and sweet egg event that was planned to last maybe a month at most, the eggs had their own custom, decorated signs!
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[ID: Leo with a pink sign with an egg on the bottom corner that reads "hello" in all caps. Her nametag reads Leonardo. End ID]
They were extremely simple, single word signs. There was hello, hola, story, feed, sleep, and maybe one or two more and each was its own separate sign. The eggs could only communicate the most basic needs in words and everything else was through minecraft body language or just hoping their parents guessed right.
But obviously, there was a lot more that parents wanted to hear from their children. I'm not sure who was actually first, but the earliest departure from this system I know about is BadBoyHalo giving Dapper a simple oak sign so he could name his pet slime. (Screenshot from @/lxrd-ren)
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[ID: Dapper wearing a diver's helmet standing next to a tiny slime in a boat with an oak sign reading "Bouncy (slmecicle but better)" End ID]
Parents quickly realized how much more convenient this was and pretty soon every single egg had stacks of signs to communicate with.
The next innovation came from Vegetta, who was the resident mod knower at the time. He knew about colored canvas signs and gave Leo signs in her favorite color purple because he loved her and gave her everything she wanted.
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[ID: Leo's bed in her room under some Fooligetta fanart with a purple sign reading "<3" End ID]
Colored signs obviously had a lot of advantages. Being able to tell at a glance which egg placed which sign was a huge step forward in eggs being able to have long, complicated conversations as well as leaving obvious marks of their personality everywhere they went. It took a little while for them to be standard for every egg though. Bobby never stopped using oak signs even after Richas and Pomme both showed up with colored signs.
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[ID: Two signs reading from right to left a red Pomme sign reading "we already started working on a guillotine factory" and a dark grey Dapper sign reading "thats the most french u have said so far pomme" End ID]
And this was the system for a while! And it worked pretty well for most people! The biggest struggle most people had was egg signs not being translated, but streamers adjusted to that by reading signs out loud so the translators would pick up on them. This also lead to adorable and fascinating dynamics like Richas swearing in signs he wrote for Bad and then warning Bad not to read them out. There was also the genuinely phenomenal development of Leolingo where Leo writes only in Spanish to Foolish because it's easier for her to write and he takes his time to puzzle his way through it and learn in a way that's super cool to watch someone else do onscreen.
Then Tubbo joined the server. And Tubbo himself had no problems at all with the system, but he is dyslexic and he casually mentioned offhand that it was getting kind of annoying to read signs after a ten hour long stream and the admin team Fucking Cooked.
Within 24 hours, they had TTS working on the signs. Within 48 hours, it was working on books too. I can't remember how long it took to get translation working, but it was definitely under a week.
And this opened up a whole new world of possibilities for the entire QSMP. The admin team has been on top of capitalizing on it for story purposes, but also just allowing the egg admins to speak in their native languages to everyone whenever they want has been so enriching for everyone involved. Leolingo is awesome but Foolish has been learning Spanish insanely fast and his process is a lot slower and more frustrating than most people can do in front of an audience of thousands of people without feeling discouraged. That's also one language. We've had everything from Foolish being able to check his work a bit more faster to Phil insisting on his eggs taking a day to speak to him in their native languages to Ramón writing a book for Fit in Cantonese, a language we haven't even seen on the server in any other context!
And all of it is fully understood and fully communicated! Sometimes the translators mess up but no one expects them to be perfect and people ask for clarification if the translator says something that doesn't sound right. It's not only a massive step forward in communication technology, but it's a great demonstration of how to use it and when you can and can't rely on it.
And finally, the most recent innovation! One of BBH's viewers sent him a dono saying they had trouble reading certain signs because they were too low-contrast. Bad, Richas, and Pomme just. Took it upon themselves to fix the problem right there and then. Based on One (1) bringing up their own personal struggle, those three came up with new signs that innovate tremendously on the originals.
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[ID: Two separate images of the before and after. The first is the egg signs in their original colors with the corresponding egg's name written on them to demonstrate the font color and the second is in the new, higher contrast colors with the same text. The new signs also have custom decorations for each egg. The second picture also has two signs from Pomme in all caps that read "Send all the love to Richas he spent a whole night making this he's the best <3" End ID]
There are three main innovations visible in the above pictures
1: Obviously, the colors are higher contrast. The signs with white text have darker colors and the signs with black text have lighter colors.
2: The colors themselves are lower saturation. Richas said this made it easier for him personally to read them so he corrected that way, but that's open to change if it causes difficulties for more people than it helps
3: The decorations are for accessibility reasons! People with various different forms of colorblindness will find different sets of colors easier or harder to distinguish, but any of them can look at the decorations and use them to identify whose sign is whose instead.
But! Those innovations are not why I made this post! It's these ones!
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[ID: The backs of the new signs when placed on the ground. Most visible are Chayanne's with vines and a hardcore heart, Sunny's with shining sunglasses, and Pomme's with an apple and the Eiffel Tower. End ID]
Richas added distinguishing marks to the backs of the signs too! This is something that Bad brought up specifically as something he wanted because it was hard for him to tell who was talking when he was using TTS from behind signs and couldn't see the colors at all.
We went from custom egg signs (a hotbar or so of words and nothing else to communicate with) through a long journey of expanding communication and expanding who we're bringing along on the communication and how easily they can join in and we've circled all the way back around to custom egg signs (they can say anything they want in any language they want and anyone will know it's them saying it from any angle)
and i guess i have enough feelings abotu that to write All This about it
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eyrieofsynapses · 6 months
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why Aurora's art is genius
It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.
And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.
I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.
SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???
All positive feedback btw! No downers here. <3
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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!
Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.
Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.
THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)
Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:
Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:
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Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.
I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.
If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!
Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:
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Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.
A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):
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(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)
The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—
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—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.
(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)
Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!
One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!
And another thing re: rain, the use of it to establish perspective, particularly in panels like this—
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—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)
Additionally, the misting here:
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We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.
A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).
Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):
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First panel, listed in numbers because these build on each other:
The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.
The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.
The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.
A handful of miscellaneous notes on the second panel:
The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)
The flowing of fabric in the wind and associated variation in the lineart
The way Erin's tattoos interact with the fire he's pulling to his hand
The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)
I could go on. I won't because this is a lot of writing already.
Third panel gets paragraphs, not bullets:
Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.
Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)
And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.
Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.
Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):
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It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:
Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.
And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.
One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.
A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.
Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?
Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):
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The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:
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What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P
Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):
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They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.
Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.
And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3
...brownie points for getting all the way down here? Have a cookie.
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cataclysmic-cathexis · 8 months
Text
Can we take it... slow?
Because I am once again completely normal about a piece of media, here is a visual essay on You Wear Fine Things Well Take 2: Faces and What Those Faces Are Doing (It's Kissing, But Also Emotions)
(I lightened all these screenshots up so the faces are more visible)
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Ed is telling Stede his very sweet fishing story. Stede is reacting totally appropriately - gasping, eyes wide, interested and adorable. He's genuinely loving spending this time with Ed, hearing about his day.
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He even leans forward to examine the lil fishy. CUTE. He's just so happy to be here, with Ed, talking about their days, spending time together. ("I love being near you.")
Stede tells Ed his abbreviated "cursed suit" story, where Ed delivers the "that wasn't a long story at all" line deadpan with this hilarious face:
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(Why is this face so funny? Scientists in the future may know, but alas, this mystery will not be answered within our lifetime.)
Ed then ups the ante - going from that hilarious face to this SCORCHING HOT ONE after uttering the line that ruined the life of everyone on this hellsite
You wear fine things well
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Those big brown 'come hither' eyes are HITHERING (it's a word, don't Google it tho)
What I also like about the refrain of "you wear fine things well" - Ed is signaling to Stede that he is ready to take another step. In the last episode, Ed put down a firm boundary - "you don't get to say that to me." Stede, in his adorable, desperate, determined, stubborn yet respectful way, backed off (by delivering an arguably MORE romantic speech but whatever - he respected Ed's boundary and didn't say "I love you"). Ed is pulling from their shared history, from a beautiful moment where they both felt something (although it's arguable as to whether or not in the moment Stede actually knew what he was feeling - he certainly with hindsight was like OOOOOOOOHHH).
So Ed is giving Stede the ok to take a step forward - which he does, while making this face with is the human equivalent of the heart eyes emoji:
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Stede then looks away - and he stays in place, letting Ed come to him, making sure it's Ed to initiate. I think Stede wants Ed to be sure, doesn't want to push, since he knows how badly he fucked up and knows how deep Ed's hurt is.
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Stede looks back up, but stays in place. Ed is looking at him with such vulnerability...
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..as he slowly does his adorable little teenager-about-to-have-their-first-kiss shuffle...
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And he leans in for that sweet kiss under the waxing moon.
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Initially it's just Ed who is leaning in, but then Stede leans into the kiss as well - and deepens it.
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Ed is then like "ok weird for ME to be the one saying this but it's probably healthier if we don't skip straight to banging each other's brains out on the deck of the ship and like, make sure of our feelings first"
After Ed says "We're whim-prone, as you said," Stede goes through a little mini crisis. First, fuck why did I say that:
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Then - before Ed can finish what he's saying, Stede's face falls. He's so worried he's messed this up. Ed gave him a kiss and he tried to go too fast, and he's getting rejected again.
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He tries to put a brave face on it, but our lil guy is SO SAD
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Then once Ed finishes his fish metaphor ("You can't catch a fish unless the fish wants to be caught") Stede realises that Ed isn't rejecting him. I think Ed's vulnerability here and how unsure he is ("we're the fish, I guess. Maybe. I think.") helps Stede to remember hey, this isn't about me and my stuff right now, this is about Ed and Ed's stuff.
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Stede gains a little confidence back. He's reassured. Ed is still trying to figure out who he is without Blackbeard, and Stede gets it. And Ed still wants him to be a part of who the new Ed is ("we're the fish"). He's like ok, I got u babe.
So he pulls himself back, but he still wants Ed to feel his affection, and to know that Ed is loved. So he holds Ed's hand and asks for permission.
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"What about this? Is this alright?"
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"This? Perfect."
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Then they have their adorable little hand moment - just happy that they understand one another, happy to be touching, happy to be together.
"You won." Stede whispers.
Ed looks away, beaming:
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And, in contrast to the last time they stood on the deck, under the moon, and said "you wear fine things well", this time they walk off together.
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FIN.
664 notes · View notes
hgfictionwriter · 24 days
Text
Maybe This Time - Part Three
Jessie Fleming x Reader
Summary: Jessie and you finally get some 1:1 time together (thanks Janine!). You work to build new memories together, but hurt from the past needs to be addressed.
Warnings: None. Temporary, very light angst, but mostly sweet fluff.
A/N: Part two and one. Part Four will likely be the finale.
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"What do you think? Should I go for it?" 
Jessie smirked as she saw the screenshot you sent her of her jersey in the Thorns' site shopping cart. 
"I don't know. I thought you said that was too big a commitment." 
"I did. But I was rather impressed at the last game. And we went for drinks after, I finally got to meet Janine – so you know, points for that. And if I think about it, I'm like an OG fan. But if you think I should get a different jersey..." 
Jessie laughed under her breath, her smirk now a full blown smile as she read your message while she ate lunch. The conversation she'd been on the periphery of carried on as she ate another bite before typing out a reply. 
"Oh yeah? Post-game drinks were a hit, huh? And you know, my stats are only getting better with each game 😉 And let's be honest, I'd be pretty offended if you got someone else's jersey. Except Sinc's. Because, you know, GOAT." 
"Oh, well, say no more. You had me at 'stats' lol. Done. I'll pick it up before next game." 
"Lol I figured. My plan all along – I know how much you love stats." 
"You know me so well. I have to say, I'm kind of tempted to modify the jersey. Add some sort of patch or stitching, 'Yay sports!'" 
Jessie laughed out loud, less discrete than before.  
"Don't you dare lol. I've taught you better than that. But hey, if you ask nicely, I could actually sign it for you 😎" 
"I'm sure I have an old group paper kicking around with your signature on it. I need to be able to wash this thing lol. What else can you offer though?" 
Jessie swallowed her food hard, the bite getting caught temporarily in her throat with a wince. Okay, no signature – how humbling. However, there was an opening. 
She stared at her phone temporarily before a loud clearing of someone's throat caught her attention. She lifted her gaze with a curious frown on her face to see Janine staring expectantly at her. Jessie instinctively tilted the phone inwards towards her body. 
"I don't even have to spy to know who you're texting," the blonde said rather self-satisfied. Jessie looked around, heat building in her face already as she hoped Janine was the only one focused on her.  
"Yeah?" Jessie retorted, attempting to appear as unfazed as possible. "You should be pleased. You keep pushing me to text her." She cracked a smirk. "Now that you don't think she's the devil incarnate for 'stringing me along' in university." 
"Oh I don't think you need to be pushed," Janine teased with a wicked grin. "And I never said she was the devil incarnate." She lifted a hand to her chest in exaggeration. "I merely questioned things. But you're right," she relented, "she's quite lovely. And she gives you butterflies, and she makes you blush - more than usual - and you try to act all nonchalant and it's just too adorable for words." 
"Uh huh," Jessie muttered with a flat look. Janine leaned in excitedly. 
"And I have to say, I got the sense that she and I could riff off of each other and just tease the heck out of you, so that really sealed the deal for me." 
Jessie rolled her eyes. "Oh yeah, that's exactly what I need in my life." She'd never admit that it actually excited her that her best friend and you could get along so well. If – and it was a huge 'if' - anything evolved between you two, it was key that you got along with her friends and family.  
She started thinking about how well you got on with her parents and sister – you'd met before during your days at UCLA and they loved you. She also remembered how disappointed they'd seemed when she eventually told them that you two didn't speak anymore.  
"Well, since you're so invested," Jessie went on, rolling her eyes facetiously once more as she opened her phone again and turned it to Janine, "what should I say?" 
Janine squinted as she leaned in to read and it only took a moment for her expression to light up. Before Janine could say anything, Jessie snatched the phone back and placed it on her lap with a frown.  
"I don't want to hear it," she pre-empted the girl. 
"What?" Janine said innocently with a mischievous glint in her eye. "I am totally supportive of the flirtation between you two." She ignored Jessie's look of complaint and cut off her protest. "Her shutting down your autograph is pretty hilarious, by the way," she said with a marginally apologetic look. "Not smooth on your part – you know she's not impressed by your elite football skills. Don't lean on your Jessie the Footballer identity." 
"I wasn't," Jessie nearly hissed, trying to keep her voice down and avoid drawing attention. "I was joking. Half joking." 
"You were flirting, or at least attempting to. She left you an opening here though. So, you should ask her out." 
"I'm not asking her out," Jessie pouted, her shoulders rounding as she scooched closer to the table. She huffed upon seeing the scrutinizing look her friend gave her. "We're still getting to know each other again." 
"Fine. Don't define it as a date, then," Janine dismissed with a wave. She leaned in, folding her arms on the table. "Ask her to go for dinner." 
"Basic," Jessie remarked as she sat up and crossed her arms in disapproval. She frowned. "Plus that's too date-like." 
"Fine," Janine said curtly. "How about a hike?" 
Jessie hummed and hawed, unconvinced. "Maybe someday. Doesn't seem right at this point though." Janine rolled her eyes in exasperation.  
"Well, what did you two used to do back at UCLA?" 
Jessie shrugged. She saw the frustration Janine was telegraphing at how unhelpful she was being and jumped in. "We went to drop-in art classes sometimes." 
Janine held a hand up to the sky. "Thank you. Finally – something I can work with. Okay! Let's find a drop-in class for you two to go to then." She pulled out her phone and started browsing before shooting a look at Jessie as an aside. "Oh, and dinner's too date-llke, but an art class isn't? Okay." 
Jessie grunted and pulled out her phone as well to look.  
"Here," Jessie announced after a couple of minutes. "This'll work. She enjoyed painting." 
Without further consultation, Jessie began to type out a message to you. She bit back a laugh at how Janine's head was bobbing around periodically trying to peek at the message from across the table.  
"Don't send it yet! I want to see it," Janine pouted.  
"You are not writing my messages for me," Jessie told her pointedly, but gave a heavy sigh as she turned her phone for the blonde to see. An affronted look crossed Jessie face as Janine let out a guffaw and snatched the phone out of her hand.  
"No," Janine simply said with a wag of her finger before she started typing. Jessie reached out for the phone, but Janine turned her body away. Jessie clamored more, but stopped as soon as she noted some of their teammates glancing their way. She shrunk back into her seat, a hand rubbing the side of her face as she spoke in a harsh whisper.   "What are you doing." 
"Jeff. Relax. I would never lead you astray," Janine assured her. "And this is so very satisfying for me since I never got to help you with any of this during uni. Cause let me tell you, if I had been involved, you two definitely would've been living happily ever after." 
Jessie breathed in exasperation. "Please. Give me my phone back." 
"Okay, okay. Here," Janine said, all humour from her tone gone as she now offered Jessie a sincere smile. "Read it over, but I think this is good." 
Jessie gave her a lingering stare as she took back her phone and let out another withering sigh before reading.  
"Funny you should ask. I was thinking about how much I missed art classes together. How about I take you to one of the drop-in painting classes across town when I'm back from Houston?"  
Jessie lifted her gaze to meet Janine's and she studied the blonde for a few moments before relenting with an inaudible sigh. It was better than her original "I don't know. Paint class?" reply. She hit send and released another heavy breath as she tucked the phone away once more.  
"You're welcome," Janine said with a saccharine smile. Jessie gave her a fake smile in return, pulling a laugh out of the girl. "Hey, let's remember which one of us is engaged and which one of us is perpetually single." 
"Ouch," Jessie said with a light laugh.  
"I'm just teasing," Janine went on. "I genuinely hope this turns into something for you. Considering you've only come back into each other's lives, what, like a couple months ago? You two seem pretty solid already. And you seem happier." 
Jessie wanted to give a dry retort of some kind, but Janine was right. You two talked every day now and the chemistry you had in university was still very much present. And the depth you once had in your friendship was something that was quite easily and naturally being broached again. Even if you'd both grown and changed, the cores of who you were still aligned well and fit together. Too well. 
She'd more or less dismissed the spark of emotions that came up during your initial interactions as some sort of emotional muscle memory, but the feelings were proving to not be fleeting or diminishing.  
If anything, her feelings for you were growing. And this time they felt different, too. Heavier, deeper in some way. She was a more realized person now, as were you, and it made the connection between you more substantial. Less juvenile.  
Her phone buzzed. She opened her lock screen.  
"That sounds like a lot of fun! Let's do it." 
————
By the time your paint date night came around, Jessie was nearly buzzing with anticipation. It wasn’t an official date, of course, but she hadn’t seen you since that night after the game, and truthfully, it felt like it had been too long.
She was early - as usual - but as she rounded the corner to the building, she bit back a smile upon seeing you waiting. You were always early too, which she appreciated.
“Hey.” Jessie greeted as she approached. Again, she had to tamp her smile when you beamed back at her.
“Hey, good to see you,” you said as you stepped in for a hug, which Jessie reciprocated. “I love your shirt,” you continued when you stepped back.
“Oh,” Jessie said with a slight frown and a mild laugh as she looked down at herself in question. “Thanks,” she said as she gave a shrug and fought off a blush. She looked you up and down, not entirely discretely. “I like your outfit.”
You rolled your eyes affectionately and gave her a look. “You don’t need to reciprocate my compliment. But thank you.”
“I legitimately like your outfit,” Jessie retorted, her pitch rising and pulling a laugh out of you as you both walked towards the building. Jessie took a few quick steps and grabbed the door, holding it open. “After you.”
“Such service. Thank you,” you said, both teasing and appreciative. Jessie didn’t wink, but she did give a teasing lift of her eyebrows as you passed.
As the instructor gave their directions for the lesson, Jessie found herself distracted, glancing at you out of the corner of her eye. The whole lesson carried on like that, really. Jessie had to make a point to not fall behind as she’d uncharacteristically lose concentration. The worst, well, best, moments being when she'd lean over feigning critical assessment of your work when really she just wanted to be close.
By the end, she was decently satisfied with the forest landscape she’d painted. However, she felt it paled in comparison to the ocean sunset you’d crafted.
“I love your colours. And the little cabin you added is great,” you told her as you were both leaving, canvases in hand.
“Well good,” she said as she got to a clearing on the sidewalk and stopped to turn to you. “Consider it my gift to you,” she went on as she held it out to you.
“Jessie,” you said sweetly with a smile as you took it and looked it over more thoroughly. “That’s really sweet. Thank you. It’s beautiful. And bonus - I get my Jessie Fleming signature, but on a far rarer painting as opposed to a jersey,” you laughed. “And what a coincidence. I painted this for you.”
Jessie looked at you for a moment before a smile broke out across her face as she belatedly took the painting you held out.
“Thank you,” she said softly as she studied the image. She frowned in realization as she lifted her eyes to you. “Is this the same beach from our photo?”
You nodded. “It is. Nice eye.”
“Who knew you were so sentimental?” Jessie teased.
“Apparently not you,” you replied with a roll of your eyes, but gave a small laugh. “Come on. It’s been a while, but you know me better than that.”
Jessie was quiet for a moment as she took you in. She eventually nodded. “I know.”
A small lull fell over you both before you asked. “So, what now? Do you have to leave?”
“No.” Jessie spoke quickly with a shake of her head. “I don’t have anywhere to be. How about you?”
You shook your head in return. “Same. Well, it’s beautiful out tonight. Want to just go for a walk? We can drop these off at my car first,” you proposed as you held up the painting.
“Sure. Sounds great.”
After a short detour, you both began your stroll along the quiet, tree-lined street.
“Thanks for suggesting that class,” you said. “I don’t really get to paint or pursue creative hobbies as much anymore. It was nice to make a point of it. I can’t imagine you have much of an opportunity to focus on things like that anymore, hm?”
Jessie sighed quietly in contemplation and gave a shrug.
“Not extensively, no. But we do lots of team building, so sometimes we’ll do artsy things. And I can do hobbies and such in my down time, whether during the week or between seasons.”
She looked over to see you giving her a soft smile.
“What?” She asked.
“Nothing really. Just kind of crazy how everything turned out. You’ve achieved so much and your life is so impressive.”
Jessie was about to interject with a compliment for you, but you carried on.
“Are you happy with how things turned out?” You asked with a slight cock of your head.
“I-um, yeah.” Jessie stammered slightly, caught off guard by your question. “I mean, yeah it’s been incredible. More amazing than I could’ve ever pictured. And I know I’m very lucky.”
“You’re not lucky, Jess. You’ve worked exceptionally hard.”
She huffed lightly. “Yes, but luck is involved too. Lots of people work hard and still don’t get half the opportunities I’ve had.”
“I suppose,” you relented. “But you’ve made the most of those opportunities and haven’t taken them for granted.”
“That’s true. But look at you. You’ve worked so hard. And I know what you’ve been up against, but you’ve risen above and built a great life for yourself,” Jessie emphasized.
“Thank you,” you accepted with a half smile. Jessie knew the ins and outs of your family dynamics - something few people truly knew. You smiled more fully at her. “And look at us now. We both left LA and then found ourselves in the same city again and got to reconnect,” you finished with a laugh. "It sounds strange, but it really feels like in some ways like no time has passed. Not really, anyway. Like you and I were able to pick up where we left off."
You let out a quick sigh, giving a deep shrug as you did so. Your eyes remained trained on the ground as you two walked. "I mean, we talked the other week about my family and it just felt so different. Like, I've told recent friends or girlfriends my history and everything, and they listen and they 'get it', but it's not the same. That conversation with you – via text, no less – had more depth and weight than any comparable conversation with my exes or current friends. You were there. You know it – and me, I guess - inside and out. And even if I retell things, it's just not the same." 
Jessie nodded, watching you. It did feel like yesterday when she was sitting next to you on your bed, sobs wracking your body after one confrontation too many with your family. Normally, Jessie was so analytical and tentative about her physical contact with you, but the second you started crying she put her arms around you without hesitation and you leaned in, resting your head on your shoulder as she held you. That was the first time, but it wasn't the last.  
Looking back on it, maybe your girlfriends did have good reason to dislike her. 
"I know what you mean," she told you. "It's different. I mean, it's the same with you in a lot of ways. You were there for me during some critical points – big decisions in my life and you understood who I was and who I wanted to be." 
You smiled at her fondly. You looked ready to say something and Jessie waited. A moment passed and you exhaled, saying, "It really meant a lot – having you in my life and the support you gave me back then. I hope you know that." 
"I know," Jessie accepted with a smile of her own. "And likewise." 
Her mind drifted. She should probably just leave things be, but not speaking her mind is what held her back all those years before. She needed to share her thoughts and feelings if things were going to be different this time. She took a breath.  
"You know, I was really shocked when we saw each other here." She paused briefly. "I don't know. We hadn't talked in so long. I think I'd relegated myself to assuming we'd never see each other or ever talk again. Despite how important we were to one another at some point." 
Her statement seemed to give you pause, the mild surprise evident on your face. You eventually glanced down at the street as you two continued to walk. 
"Yeah. That's true, I guess," you conceded, your voice soft. 
Jessie studied you, unsatisfied with the response you gave. She pushed.  
"I knew we wouldn't be able to stay as close as we were. That was inevitable with us living so far away from one another, but I don't think I expected contact to fall apart as quickly as it did." You didn't reply right away and she went on with an ironic laugh. "We went from talking all day every day, to a few times a week with a video call scattered in there, to the odd message every couple of weeks, then just texts on birthdays and at Christmas, to nothing at all." 
She wasn't sure what she was anticipating, but she didn't expect you to turn to her with a perplexed frown.  
"Yeah. It did taper off pretty quickly."  
Despite the time that'd passed, Jessie still knew when you were telling half-truths. She gave a bit of an empty chuckle. "What else are you thinking?" 
You returned her laugh with a mild look. "I don’t know. I'm just kind of confused, I suppose." Jessie frowned.  
"About what?" She questioned. Faint alarm bells went off in her head when you stopped walking. She stilled her movements as well and you turned to one another on the sidewalk.  
You took a moment to gather your thoughts. You spoke with a smile that didn't quite reach your eyes. 
"I know it was me who stopped replying right away to messages – I don't deny that – but you weren't exactly giving me a lot to work with." You took a breath, dropping your shoulders before you spoke further. "Honestly? It was kind of feeling one-sided. Yeah, you replied, but a lot of your replies were brief and noncommittal. And when I asked if everything was okay you just told me you were busy. Which," you let out a slightly rueful laugh, "is absolutely fair. You were building this brand new, big life. Which is exactly what you were supposed to do. I don't begrudge you at all. I don’t know." You shrugged and averted your gaze momentarily. "I guess things just started to feel off." 
Jessie exhaled quietly as she processed your reply. What you were saying wasn't false. It had been so long it was easy for Jessie to just recall the end result – that you'd stopped replying altogether. That you'd given up on her; on the connection you'd both built for years. 
Standing here now though, if she was honest with herself, it was true that Jessie grew distant in her messages - purposefully so - knowing it would drive you away. What was she supposed to do? You two were never going to be together. And being friends was so incredibly hard sometimes because it was never just friendship for her. There was always this bittersweet feeling to everything and now that you were on completely different paths, there was an inevitable conclusion. Yet, she struggled to cut herself off cold. So instead, she took the coward's way out.  
Jessie scratched the back of her head. "I was busy," she repeated. She contemplated doubling down, but thought better of it. "And I guess I was finding it hard. We were building two very different lives." 
There was so much more she wanted to say, but she couldn't. What would be the point? Her chest panged when you gave her a sad smile.  
"I know," you accepted with a sadness in your eyes. "And I really wanted that for you. I just - it was hard to not feel like a nuisance. Like some obligation. So I just stopped writing."
Jessie's frown deepened. She knew all those years ago that she had to be hurting you, but she could lie to herself about it and focus selfishly on herself. Seeing you talk about it in front of her wasn't something she'd anticipated.
"I didn't mean for that," Jessie said. "And I never stopped caring about you," she compromised. 
"Yeah. I never stopped caring about you, either," you reciprocated in a subdued manner. Despite her role in everything, Jessie was still harbouring hurt from all those years prior and she felt compelled to push on. Sure, she'd pushed you away, but you'd let her. She erased you from her life little by little, day by day and you allowed it.
"Funny how quickly things change sometimes," Jessie went on. She didn't mean to scoff, but she did. "You didn't even tell me when you and [y/ex] broke up. You didn't even tell me you were having problems."  
In years past, Jessie was your sounding board for all your girl troubles. She remembered it well – it was painful. Having to hear you either swoon or – more often – complain about your girlfriends. Hearing how they disappointed or frustrated you when Jessie knew she could love you better. Just thinking back to it stoked a fire in Jessie's chest again. While she had genuinely loved you and cared about your well-being, she'd vowed to never get stuck in that dynamic again.  
You cracked a smirk. "It just seemed frivolous to bother you with something like that at that point." 
Another pang in Jessie's chest. "Well," she kicked idly at the concrete beneath her, "I would've been there for you if you ever needed me. I hope you knew that." 
You sighed and gave a hollow laugh as you pushed your hair back, causing Jessie to get momentarily distracted by the way the rays from the street light hit your face.  
"I know," you said quietly before meeting her gaze. "And I hope you knew the same about me. I know you're surrounded by people who love you, but," you shrugged listlessly, "I'd be there for you, too." 
Before Jessie could respond you gave her another smirk. 
"Besides. Though you never said anything explicit, I know you didn't like her. And by the end I could see why, too. No point wasting any of our limited conversation talking about her." 
Jessie bit back a smirk, but knew her eyes betrayed her. "Well, I guess that's poetic. Your girlfriends never liked me and I never liked them." 
Despite the mounting tension in your conversation, you laughed and gave her a nod. Jessie didn't return your laugh though. She gave you a solemn look. 
"You always deserved better than them. I know some of them were just fine, some of them even good, but they didn't seem earnest enough and they didn't love you enough." 
You were taken aback by her sudden proclamation. You opened your mouth to speak, but couldn't find the words.  
Jessie never understood how they didn't worship the ground you walked on. She practically did, even if she didn't show it. While those girls showed they cared through superficial acts like a generic bouquet of flowers, Jessie listened. In many ways. It was obvious to Jessie that they didn't really get you – not the way she did. And if they were so in tune with you, then why was it her you came to when things were hard or you were scared or even hopeful. If she'd been your girlfriend, she would've given you everything you needed and more. They clearly didn't. 
You eventually gave a soft huff and offered Jessie a quiet smile. 
"You've always been very observant. And very thoughtful. I get it now. There's a reason I'm single now. I don't want to settle anymore," you told her. 
Jessie was quiet before giving a nod of acceptance.  
"I'm glad to hear that." 
You both started walking again, though neither of you spoke right away. There was still a heaviness in the air, but it felt different now; hopeful.  
"I'm sorry for how things ended," you said as she glanced over at Jessie as you two strolled through the quiet street. "You've always been really important to me – regardless of whether we were in contact or not. I don't want to say that I wish things had been different, because I really don't see the point in regretting anything, but I will say I'm very grateful that we've had this chance to reconnect and rebuild." You paused. "I've really missed you. I didn't realize how much." 
"I'm really sorry, too," Jessie said, a smile spreading across her face. "And I agree – we can't change the past, but I also appreciate the chance to be friends again. I've missed you, too." 
She swallowed as she contemplated whether to add more. The lull that naturally formed told her to forge ahead.
"And you were never a nuisance or an obligation. I'm really sorry it came across that way."
"Awww, Jessie," you said in a teasing voice, lifting your conversation up again. You paused your steps and Jessie stopped and turned to you in question. "Come on," you beckoned as you waved her over and brought out your phone. "We need a new photo together." 
Jessie didn't fight it. Instead, she smiled at you and walked over to stand next to you. You leaned into her and Jessie found her hand naturally gravitated to your waist. It rest there before Jessie could even realize it, but before she could fret, you looked back at her with a smile before facing forward again. 
You took the photo and immediately opened up your messages with Jessie to send it to her. Jessie belatedly realized her hand was still on you and she pulled it back, holding her hands behind her. 
"There," you announced. "Now we can start rebuilding our collection. Portland memories – not just UCLA anymore." 
Jessie laughed and held up her phone, pointing the camera at you. 
"No, come on," you whined immediately and she laughed further.  
"Hey, this is part of the deal," she countered. You huffed, but eventually smiled for her. "Just remember. This goes both ways. I get new photos of you, too." 
She found herself giving you a wink. "I'll allow it."  
183 notes · View notes
Text
You don't need to worry about the ATSV fandom dying. As someone whose been in the Marvel fandom over ten years - I can assure you this is natural.
The ATSV Fandom Isn't Dead: A brief look into the science of fandoms.
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[me standing beside Hobie beaming my thoughts of love and adoration into his head like I'm professor x]
A lot of people are afraid of the ATSV dying - and I don't blame them.
In the era of shows releasing all in one day, or movies coming to streaming almost immediately - it's not hard to say we're in an era were content is consumed at ridiculously rapid rates.
I mean, this time last year Wednesday was breaking records on Netflix. Where's the hype now?
I know you see it too, there's less posts everyday in the Hobie tag, less screenshot breakdowns, etc etc etc.
But I'm here to tell you - The ATSV fandom is doing just fine. Better than fine. All of this is meant to happen.
Let me put it into perspective.
ATSV released on June 2nd - it's November.
ATSV released a little over six months ago.
For reference: The Avengers (2012) was released on May 4th.
The Avengers DVD wasn't available for purchase until SEPTEMBER 25th - almost SIX months later.
The time that the Hobie fandom has formed and existed - is the same amount of time people had to wait just to see The Avengers again.
Large periods of time where tags only get three posts a day TOPS was nothing to fear. xReaders and fanfics held the fandom over until the next trailer, the next sneak peek or leak.
Prior to the release of streaming, only a little more than ten years ago - it was NATURAL for a fandom to wait six months before even seeing the movie for a second time.
And mind you - streaming didn't exist. If you wanted to see The Avengers again, you had to go out and BUY it. $26.99.
If you wanted to order it online - you'd have to get it shipped to you. Before Disney plus, we watched on BlueRay Discs.
And the fandom was fine and healthy.
If a fandom that doesn't even have a DVD release can keep up content for six months, I think we'll be fine.
But I'll admit - there's still the question:
If the ATSV fandom is 'doing fine' then where is everyone going? Why are the tags getting slower?
The answer is simple:
FANDOM BIOLOGY
I LOVE social sciences and the systems people create and how they work - even unintentionally.
And I have a theory - one about the natural evolution and regeneration of fandom. Hear me out -
When it comes to ATSV:
We are leaving the Analysation Phase, the phase in which content creation is centered around deciphering and breaking down the most recent installment in the fandom.
During this phase usually see art of newer characters, new ships, meta breakdowns, easter egg point-outs.
We were in that phase.
Once the Analysation Phase dies down, usually main content creators may remain. The intermediate or liminal period.
The intermediate is usually when you'll see more x-reader art pop-up, the levels of fanart evening out as artists return to their favorite characters - usually incorporating any new ones they gained from the last installment.
Shitposts usually also become popular around this time, as the shock and weight of the story wear off, and we're more able to joke about the storyline a lot more light-heartedly.
That's why the intermediate point is often see as the passion 'dying out'.
When in fact, it is the fandom getting comfortable. Resting for the next phase.
And after a few months, the next phase comes:
The Speculation Phase:
The Speculation Phase cannot come until the Analysation Phase is over.
During the Analysation Phase the fandom begins to breakdown and digest the writers intentions. They integrate the new character into the story, and the fandom.
As the audience and fandom talk amongst each other, we get more solid ideas of who the characters are, what their motivations might be, and most important of all-
What they might do.
In the Speculation Phase we turn from the last installment - and start looking towards the future.
Let's take Hobie for example.
Looking at the timeline of the Hobie fandom, we can see a progression.
Originally taken as a punk-rockstar and little more, throughout the months the fandom began posting things about punk culture, the 70's, Hobie's motivation in the comics, and how that all correlates to him.
As the fandom analyzed, the collective zeitgeist and understanding of Hobie grew into something a lot more sound, and telling.
We looked at the parellels he provides in the story, and what kind of person he is.
And because if that we have seen a marked improvement in people's contextual understanding of Hobie - as a punk and a hero.
And now that we can understand him - we can predict him.
The same goes for Miguel - over the months, a lot of us have began to question if we know him as well as we think we do , if we really know the kinda person he is -
And if we really know what he's doing to do.
That's where the Speculation Phase comes in.
The Speculation Phase in fandom is when we see some of the most passion - and instead of tapering off overtime, it builds. More and more until the next release.
The Speculation Phase is when the fandom takes the analysis' and from there, they begin to theorize.
Now that we understand, we can begin to predict.
And this is arguably one of the most interesting parts in a fandoms natural ecosystem.
During the Speculation Phase, we can see a number of diverse opinions appear.
As more and more creators begin to gather their understanding, tips from the writers, new released news, and past comic book arcs, we start to see dozens of triguing paths the writers can take us on.
As more news releases, the more hype people get. I mean - imagine how you'll feel when they release the first new poster of Hobie, or Miles? Or when we get to see Miles.G in the trailer?
And with each new poster, or trailer, we're given clues. The theorizes develop more. And the plot thickens.
It's all natural.
So I can understand the fear. Only getting one or two new posts when you visit the Hobie tag can be a bummer. But it's natural and it's GOOD.
Y'all, we need to conserve our energy. We are in the liminal phase. And they never last long.
With the news of the voice actors back in the studio, and a cliff-hanger like we have - I can assure you, it's only a matter of time before we begin to see the theories, the trailer breakdowns, the people guessing what Miguel might do, or exactly how much tech Hobie is hiding.
And when that time comes we need to be READY. I can already feel it on the horizon.
I really wonder what they'll do with all that left over Hobie concept art.
Plus with explosion of Hobie approval, I wonder if they'll add him in even more. Hobie fan-service anyone?
Hmmm...
But chill y'all, we're on the right track -
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-------------------------------------
If you read this far, as always THANK YOU SO MUCH!! And as a token of my appreciation, I hand you this Hobie. Hold him gently please
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Bye 💗
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reveluving · 3 months
Note
Sweats nervously...
Erm..obesesive stalker! Graves x reader...🧍🏻‍♀️
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Drops this and runs away
(headcanon by call.me.c0k3 on tiktok//)
WAIT COME BACK
WHO’S GONNA READ THIS THING I MADE NOW!!!!!!!!
Includes: mentions of s~mut; voyeurism, dubcon, mutual masturbation (minors DNI!), allusions to taking out those who wronged you, lovestruck!Graves takes it one step further in this one.
COD x shy!wife thots closed! Thank you, everyone, for your time & amazing minds! I sincerely hope I can do this again with y'all soon! 💌
Come & check out my COD m.list!
Good news, we can go about this with both shy!reader or operator!reader wise. So, STRAP IN.
Generally, just know that he has the means to learn about you with a few clicks on his computer, and he will use that to his advantage. That doesn’t mean he won’t be able to catch every little bit about you just by talking to you, of course. No doubt he’ll learn more than enough surface-level information about you within the first five minutes of you talking. 
Way more than the average strangers meeting each other for the first time, only to forget the other’s name within days. Plus, the Phillip Graves knows how to talk, but this isn’t some lady he’s trying to sweet talk for the night and then be on his way hours later. No, those days are over, and he never particularly enjoyed them anyway. 
You, on the other hand, were a spice of life. The darling he never thought he’d find, the dream he had locked in the back of his mind years ago because he thought with how tainted the universe is, including himself, it was just false hope at this point.
So, for you to just suddenly appear before him, be it as the unassuming beaut next door or the stunning force to be reckoned with, oh, he is going to make sure you know that he’ll treat you the way you deserve.
Even if how he goes over them behind the scenes can be a little… extreme. 
He wants to make the best impression on you. Will he totally change his personality and appearance just for your approval? Well, no. If you find out the guy who’s been trying to impress you isn’t really being himself, then he knows it’ll be an immediate turn-off. 
And as excessive as the things he does may be, he also wants this to work. For the relationship to bloom, to flourish as best and as genuine as possible. He’s never cared for anyone like this since… ever! 
He knows the name of the guy, no, the kid that broke your heart years ago. Growing pissed the longer he read the conversation you had with your girlfriends, about his cheating and even fault you for his ‘last resort’, all because you had dreams to chase, priorities to focus on. 
Apparently, he’s now a big name in his town. Perfect. Nothing a little exposure of his company for money laundering and inhumane working conditions to the press couldn’t do the trick. 
Or in terms of the shy!reader, the bogus buyers who never paid you for the floral arrangement you made the entire day. Easy, he’ll just anonymously transfer all of their savings to charity or some pet shelters nearby. You adore pets, and those teens clearly didn’t need the money anyway. 
He made sure to take note each and every one of them, of anyone who wronged you for future reference. 
Other than private parts of your life, he enjoys scrolling through your social media; fixated on pictures that had you in it, even imagining future photos or videos you’d take together once you two get together. No matter how many people were in it or what it was about, his eyes go straight to your figure. Screenshots aren’t uncommon, either, especially cherishing the genuine joy in your face. 
Then, there are the things you love.
He knew you’d adore the things he bought for you, regardless of what suited your fancy, like dresses, lipsticks, books, random knick-knacks. Anything. He traced the history of you scrolling through the store’s website on your phone via his system, buying the ones you lingered on the longest. He knew you’d like the restaurant he brought you to on one of your dates, not necessarily because it was fancy, though that was the icing on the cake, but what made your eyes sparkle was the fact that it specialized in your preferred cuisine. There were the little things too; your favourite songs, how you prefer the cake from bakery A to bakery B because the latter’s more dry, or even the irresistible smile on your face whenever he looks over at you with an amused raise of his brow. 
Hell, even quirks that you never knew you had!
Then, there were the… nasty ones. Absolutely filthy.
The kinds where he wished he wasn’t just the tiny camera on your vanity table or the tampered lens on your phone when you tossed it to the side, frustrated as you tried to chase after the peak of your orgasm. Yearning to help you, to give you what you were aching for when your fingers, pillows or toys weren’t enough. He’s never been so frustrated, his cock pulsing in his hand for more, even if he was handling himself a bit rougher than usual as he watched your gorgeous body arch and thrash on the sheets. 
The tiniest last grain of shame he had vanished the second he heard you moan out his name, and oh, how the stars have aligned in his favour. 
If he wasn’t sure before, he sure as hell is about his ways now.  He’ll make sure he’s the man of your dreams, if not, better.
˚ · . f i n . · ˚
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feelbokkie · 1 year
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When you fall asleep video chatting
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☀️Feelbokkie M.list ☀️
genre: an obnoxious amount of fluff
pov: 2nd person
description: Just cute little things that happen when you fall asleep while video chatting with bf!skz.
pairing: bf!skz x reader
warnings: none?
word count: 838
©feelbokkie (2023) — all rights reserved. reposting/modification of any kind is not tolerated.
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방 찬 (Bang Chan)
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In love
Thinks it's cute that you fell asleep
Takes a few screenshots to look at later when he misses you
Leaves the call going
Puts on background music
Not too loud so you don't wake up
Dims the lights so the brightness doesn't wake you up
Props his phone up next to his computer so he can check on you while he works
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이 민 호 (Lee Min-Ho)
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Blinks for a few seconds
Calls out your name quietly to check if you're actually asleep
Takes a screenshot
Hangs up
Not be the menace that he is
Because he is indeed one
But to save your phone battery
He knows you'll call him later when he wakes up
But he doesn't want your phone to die in the process
But at least he has the screenshot to look at
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서 창 빈 (Seo Chang-Bin)
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Shocked
Not because you fell asleep while he was talking
But because you fell asleep while he was shouting about some stupid thing that happened during the day
Just confused how you could sleep comfortably while he was yelling
He felt bad
Kept the call going because you look cute when you sleep
And because he misses you falling asleep next to him
Tried to keep quiet, for your sake
Although, if you could fall asleep while Binnie is shouting, you should be fine
Also takes a screenshot
Is walking around the boys who are of course being their normal selves
"Be quiet! Y/N is sleeping!" "You came to us!"
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황 현 진 (Hwang Hyun-Jin)
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Can't help but smile
Finds it adorable that you fell asleep
You had been complaining all day you were tired but refused to take a nap because you didn't want to miss your call with him
He had watched your eyes droop for the last 10 minutes, just waiting
Purposely told you little stories about his day to lull you to sleep
He knows you have trouble sleeping when he isn't around
Takes a screenshot
Drops his phone and wakes you up by accident
Feels bad
But also teases you
Pretends to get dramatic
"Wow, I can't believe you find me so boring that you just fall asleep mid-conversation!" "Hyun, I'm sorry!"
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한 지 성 (Han Ji-Sung)
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He was on the verge of falling asleep too, but didn't want to be first
It was an unspoken contest at this point
Both of you were saying random nonsense trying to keep yourselves awake
But he was better at it
And his voice is so soothing
So of course you fell asleep first
He took a screenshot of his victory
Kept looking at your sleeping figure until he fell asleep too
When you woke up, you took a screenshot of him, not know he also took one of you
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이 용 복 (Lee Felix Yong-Bok)
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Immediately mutes himself
He does not want to wake you up
But he also doesn't want to end the call
Takes a screenshot because you're so cute it makes his heart melt
You've been having trouble sleeping lately so he doesn't mind that you fell asleep mid call
Watches you sleep for a while
Figures you're going to be asleep for a while so he takes his phone to his desks and plays some games while you sleep
Double-triple-quadruple checks to make sure he is in fact muted
He know he can get loud when he's gaming
Periodically checks on you to make sure you're still sleeping
Pauses his game every once in a while and watches you sleep again
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김 승 민 (Kim Seung-Min)
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Feels hurt at first
Like, is he that boring that you fell asleep while he was talking?
He is not, you were just tired and the softness of his voice was calming and lulled you to sleep
Remembers that you woke up earlier than normal to watch his performance and didn't sleep well the night before so he doesn't feel hurt anymore
Finds it cute
Takes a screenshot to tease you with later
But also to look at when you two are apart
Stays there watching you for a while, finding peace in watching you sleep
Eventually hangs up the phone
But he sends you a text saying to call him when you wake up if you can
Sets the picture of you sleeping as your contact photo
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양 정 인 (Yang Jeong-In)
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Laughs
It was pretty late and you had talked about how you were going to stay up late to talk to him
Obviously you failed
Takes a screenshot and posts it to his private story
Tries not to wake you up
But also gets bored
Debates if he should wake you up to say good night
Figures you'll probably won't be able to go back to sleep if he did that
Since it's late and he's getting tired too, he gets himself ready for bed instead
Plugs in his phone and props it on his night stand
Positions his body so he can comfortable sleep but also see your face
Puts on a small night light so you could see his face if you woke up, you'd still see his face and know that he was still there
"Good night, I love you."
Buy me a coffee?
956 notes · View notes
louisisalarrie · 4 months
Text
ALRIGHT SO I was reminded of this today by a lovely mutual when we were discussing the crazy times of early larry. This… well… this was a great time to be in the fandom. It was chaos. I’ll link the original post I found of this back on my blog from 2013 as well, but I want to add my commentary throughout this post just to explain to all you newer larries what the HELL happened here (and that original post is missing one VERY important picture…)
So… if you think we are excellent detectives now, back then we were constantly finding things because there were so many things happening. The boys and their mothers used Twitter as a place to openly chat and talk shit and Jay and Anne were always tweeting each other about larry and everything… but, these tweets were still in the public eye. It just was a different time, and larrry content was still high on Twitter.
However, there were many more platforms available that the boys could use without being directly in the fandom’s eye. This included Pinterest / Blogspot.
Now, we only ever found Harry’s, and we searched for the other boys ones but couldn’t find anything and I doubt they had them. It was very on brand for Harry to have a Pinterest, so, let’s have a little look, shall we?
I screenshotted the first picture below today. This is Harry’s blogger account. This is still up, although the account hasn’t been active since 2013.
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The below photo is from the original post about this whole Pinterest thing. We all clicked on it. It was verified and I saw it with my own eyes. It’s not photoshopped
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So anyway, let’s start with his blog before we jump into Pinterest. His blog is adorable! There are more articles than just the one below (screenshot taken today, the link to this blog is here)
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So anyway, back in the day, he really didn’t receive many comments or anything. It was a pretty quiet little blog, that sadly, didn’t last that long.
So let’s have a squiz at his Pinterest, shall we?
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It was lovely to find his Pinterest. Seeing all the things that he liked, that sparked joy for him… it was truly lovely and such a cool way to connect to our boy. Obviously, by the follower count, it was a little more well known when this screenshot above was taken. However… the earlier screenshots from his Pinterest were a… a time to be alive. When we first found it, we went through his boards, and some photos he’d uploaded and pinned. Have a look…
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And so… we were all kind of like okay. Wow. What if this is really him? But…. There’s nothing proving it’s him. And then, we got this photo (which I never see floating around anymore, and we hadn’t seen it prior to this). AHEM WHAT IS THIS SIR THIS WAS TRULY WILD
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We lost our minds. There was so much stuff on his profile, a picture of a curly haired kid in suspenders, a lot of pride and larry and Louis stuff in a folder called “be happy”, but alas, the mobile app will only let me post 10 pics. But, there was also this little cheeky dig at you know who, which I loooooove
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And oh!!! Remember louis’ black tie 21st that Harry threw??? THIS was one of his boards before Louis had turned 21. There was no way a fan guessed he’d be having a black tie 21st.
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BUT everything Louis related, whether it be his 21st or that chihuahua or the photo of them together, got deleted soon after we found it. Obviously we freaked out, tumblr had a meltdown, we had some pretty solid larry evidence on our hands. But the old stuff and anything related to Louis or Harry’s sexuality, got deleted and Harry continued to use it for a little while after. Then, the whole acct was deleted. Which… interesting… why would you bother deleting the whole acct? There wasn’t just larry stuff, there was a heap of things that Harry shared and pinned and loved and it was really cool. Would have been a nice little archive. But the larry evidence was too strong. So it got deleted and we only have screenshots, unfortunately.
But, I can assure you, we all clicked on that Pinterest link and we all saw it with our own eyes. It was verified. It was him. This was real. I scrolled through all of those photos. We also found a tumblr very similar, under the same username, but it disappeared around the same time too.
However, the blog didn’t have anything larry on it, so it’s still up. But yeah. There you have it. Some more larry lore that I forgot about until today. Hehe. Original post with some more commentary from my tumblr in 2013 here
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solalunar-eclipse · 5 months
Text
Okay. Okay, I don’t normally do this, but I’ve been wanting to do some sort of analysis post recently and the Sonadow shipper inside me grabbed me by the throat and pointed in Netflix's direction, soooooo...let’s have a look at some clips of Sonic and Shadow interacting in Sonic Prime, shall we? (Putting this under a readmore because of all the images.)
The first clip comes from this post. (I don't know how to add that particular gif to my post, or else I'd put it here too, but oh well. I'm analyzing the first one, to be specific.)
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So, we begin with Shadow walking away, saying “We’re going after Nine”.
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Sonic then reaches out to stop him (with his right hand, despite the fact that he has to reach all the way across his own body to do so, possibly suggesting that Prime!Sonic is right-handed?). This seems to be just before Shadow’s noticed, because he’s still moving forward, looking resolved now that he’s decided what to do.
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Shadow sees Sonic’s hand, and looks at it with an expression that seems…mildly irritated, but not outright angry. It’s about halfway between his “resting grumpy face” and his “actually angry face”, in my opinion.
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He looks over at Sonic himself with a slightly angrier face (mainly made evident by the fact that the point in the middle of his brow is actually touching his muzzle instead of resting above it).
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Then he looks back at Sonic’s hand again (in a pose that I swear is slightly different from the last one even if it doesn’t look that way). The only real difference is that he’s just looking down a little more. The effect of these last three images in actual motion, though, is a blink-and-you’ll-miss-it glance at the hand, up to Sonic, and then back to the hand. It's sort of a "huh-what-huh?!" motion, I think. To me, this gives off extremely strong “what the heck is even happening right now?!” energy.
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For completion’s sake, I’m going to finish out the rest of the gif with these last three pictures. Shadow pulls away from Sonic at this point (which, fair, Sonic did grab him out of nowhere and he’s not normally very touchy-feely although this may be disproved in the next gif), and it may or may not have felt like a small punch to the gut for me to see Sonic’s hand outstretched like that, but anyway.
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Shadow shifts into one of his patented I’m Trying To Be Cool And Aloof Despite Being An Adorable Three Foot Tall Hedgehog poses, complete with an eyeroll. He doesn’t actually seem that upset about Sonic touching him, however, I think it’s probably more the context of the situation. Shadow keeps insisting that Nine is a threat that needs to be stopped, and Sonic keeps preventing him from doing that, so his frustrated reaction seems to have much more to do with why Sonic touched him than the fact that he did so at all.
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And, least but certainly not least, a cute contemplative (and still slightly grumpy) expression from Shadow. (He’s just adorable!! Aaaaaaa—)
Now then! Let’s move onto a really, really big one…
…The Hug™.
The post that I got this clip from actually has some really good points that I’m going to discuss further, so please go read that first! It won’t take long, and also everything the OP says there is absolutely true.
Ready? Here we go! (Please excuse the slightly crunchy pictures...the only way I was able to get this level of detailed analysis was by recording the gif, scrubbing through the frames, and taking screenshots of specific moments, which naturally led to some artifacting.)
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So, what's just happened prior to this frame was Rebel Rouge saying happily, "Sonic, you're okay!". Sonic, like the goof he is, does not acknowledge this in any way, fully focused on introducing his boyfriend to his other Shatterspace pals. Instead, he's just looking over at Shadow. Notably, Shadow is instead looking up at Rebel. I'd like to think this is because Rebel has the most put-together and leader-like behavior out of the Rouge counterparts, so he could be waiting for her to continue speaking and give instructions or commentary on the situation, like she does with Team Dark in the games. That's just my take, though, he could just as well be generally on edge—he is in the middle of a battlefield, after all.
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Smear frame!! This is included for the expressions as well as for completeness…but mostly for the expressions. Look at how big Sonic's eyes are. Look at how excited he is. He's so hyped to introduce his best rival to everyone. Shadow, meanwhile, looks like he just bluescreened out of pure shock. Sonic's yanking him over so fast he's all blurry, but we can see that his expression is basically 0—0 right now. He has been Touched and he is being Moved and he has not had time to process Why.
(Notably, however, he doesn't break the hold, despite the fact that he definitely could...)
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Now, they’ve both settled into place (although ‘settled’ may be the wrong word for Shadow, haha). Sonic is doing what I can only describe as beaming—just look at him! He has a big smile on his face, and he looks almost proud to be introducing Shadow. It really shows how much Sonic values and respects him. (*sobs*) Shadow, meanwhile, has shifted from “what is happening” to “oh Chaos I am being held I am being hugged?? What??? Physical contact? Why????”. He just looks so stunned by the hug, it’s too adorable! More specifically, in addition to the obvious fact that his irises and pupils have shrunk and that he has very stiff posture, if you look very closely at the gif as well as at the following pictures, his ears are also standing up a little straighter and his quills have pushed back slightly, possibly prickling at the sudden contact? Interesting…
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Here, we can see Shadow’s ears relax now that he’s processed what’s going on, and his quills have more of a visible curve to them instead of sticking out so much. He’s also glaring off to one side in a position that could either be interpreted as frustration at his current situation (though not so much that he’s willing to push away!!) or as embarrassment. Personally, I think it’s a little of both. Sonic, meanwhile, is still smiling like the sweetheart he is.
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Now, we’re getting into the frames leading up to Sonic leaning into Shadow (aka one of the most precious moments of the show). Honestly, I don’t have too much to say about this one, except that Sonic is moving in a way that he would normally while talking right now (shifting around, because this boy has loads of energy) so I have a feeling Shadow probably doesn’t expect the cuddles that are coming his way, ehehe.
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The Smush begins!! Shadow looks like he’s quickly resigned himself to his fate, but also decently irritated that he’s essentially getting side-snuggled in front of everyone. This could’ve been another part where he shoved Sonic off himself (goodness knows he did it before in Avoid the Void), and yet he doesn’t, leading to the best part of this whole moment!
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Sonic, you smug hedgie. Shadow’s already letting you hug him, don’t push it with that smirk! Shadow does have his eyes closed here, suggesting to me that he is at least a little bit annoyed by now. Again, though, I think this has more to do with the fact that he’s essentially in front of an entire crowd, none of whom recognize or know him. I’ve seen someone else point out that Shadow gets more closed off in Prime when he’s around people aside from Sonic, so honestly, the fact that he’s putting up with this at all sure is…something. (Shipping goggles on: it could be because he appreciates Sonic’s affection enough that he’s willing to cope with the embarrassment if it means the cute annoying hedgehog next to him will hold him a little longer :] )
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Okay, so this is really difficult to see, but look at Shadow’s wrist protectors in this image as well as the last one. See how there’s less of them visible in this picture here? That’s because, as the person who posted this gif noted, Sonic moves his hand up and down Shadow’s arm twice after cuddling up to him like this. It actually moves Shadow’s entire arm and shoulder up and down with the movement, making it look a little bit like a friendly rub or shake. Sort of like “hey, look at my grumpy friend, isn’t he great?”. Meanwhile, Sonic’s still looking smug, but I’m now wondering if it’s a bit of a knowing look as well? I mean, this is the one friend of his who’s truly known him for more than a few days. I’m wondering if there’s a bit of “‘ey, Shadow, c’mon, don’t be so shy! You’re my pal!” vibes here, partially because he knows it’ll annoy Shadow and partly because he just knows how Shadow is but wants to drag him into his circle of friends regardless. (Look at how much Sonic cares about Shadow, trying to make sure he’s included! So cute!!)
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THE PAT. Two of Sonic’s fingers are lifted up here, which he then uses to give Shadow a light tap on the arm. THE AFFECTION. THE OBVIOUS CARE AND FRIENDLINESS IN THIS ONE SIMPLE ACTION. SONIC CARES ABOUT SHADOW SO OBVIOUSLY IT HURTS ME TO WATCH. MY HEART. No matter how many times Shadow puts up walls, Sonic smashes them down. After all, Shadow doesn’t get to be the only one who does things like keeping Sonic safe or helping him stay grounded! Sonic’s not going to pretend those things just didn’t happen—Shadow cares about him in his own awkward, emotionally constipated way, and Sonic is reciprocating. You can’t stop him, Shadow!
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I’m skipping the smear frame here, just because Sonic and Shadow basically pop up and right into this position. Sonic’s two fingers come out of the tap/pat and straight into the peace sign, and now he’s smiling even more than he was at the start of this whole thing. His eyes are all big and shiny too—he’s clearly very happy to have introduced Shadow, and perhaps also quite happy that he’s getting this moment of prolonged physical contact with Shadow. Now, while Shadow’s shoulder is still kind of smushed upwards, which could indicate stress in another circumstance, it seems to me here that this is mainly because Sonic’s hand is pulling it upwards slightly. (Although, I’m afraid it does appear to be the case that Sonic and Shadow are approximately the same height in Prime—remember, Shadow’s ears aren’t as perky right now as Sonic’s, and the ears are really the only height difference between them here.) Shadow’s expression, however, is honestly quite neutral. Despite his previous discomfort (part of which, I just realized, could be because Sonic essentially was pushing him off balance. Shadow was tilted pretty far to his left, which could be a little awkward of a position to be in, especially for an extended period of time), he doesn’t look bothered at all, instead just quietly existing in this situation. Most of the irritability in his expression comes from his angular eyes and his aforementioned “resting grumpy face”, honestly.
(I couldn’t find any gif that includes this next part—probably because the camera cuts away from Sonic and Shadow here for a moment to show the general confusion of the Shatterverse folks—but when it cuts back, Shadow is still standing there with Sonic’s arm around him. Heck, he looks willing to continue standing there for however long Sonic stays next to him, only pulling away when Nine comes back and makes noise, reminding everyone that we’re in the middle of a battle for everyone’s survival here. And when he does pull away, Sonic is dragged with him, which is probably mostly for laughs, but does also imply that a) he was holding onto Shadow pretty tightly and b) he wasn’t expecting to have to let go even AFTER Nine made himself known.)
This post is long enough already (and I drafted it when I could've been going to sleep, because the force of Sonadow infected me), so I won't be doing the "Shadow saves Sonic" scene just yet (unless a lot of people want to see that). For now, though, thanks for bearing with me throughout my descent into madness over these two. And if you want me to take a look at other gifs, feel free to send them my way or put them in a reblog and I'll see if I can make the time to analyze them!
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pikatrainer99 · 3 months
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Kieran is autistic and you can't change my mind!
Okay, I KNOW that I'm not the only one who holds this headcanon...but I wanted to do an analysis on Kieran anyway, especially since my best friend @sinnohanvulpix said she'd love to see me do one. Credit to her for all the screenshots used btw. The GIFs on the other hand were either found on Google Images or created by me using gifrun.com and these YouTube videos:
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I did not use my own footage for this at all...as proof here's what MY character in the game looks like...he has my real name but I tried to make him look like Orange which is why he has the orange eyes 😅
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(Sorry for the bad quality btw...taking pictures of my Switch screen is hard 😅)
Okay, now without further ado, let's get started with the analysis!
First, Kieran has a CLEAR special interest in Ogerpon, he admires and looks up to her, he was obsessed with the story of the ogre, he was always trying to go to her den and meet her, he has a meltdown when Ogerpon chooses the player over him, etc. Carmine even says that Kieran "really really REALLY likes the ogre" and that made me think, "Ah! Special interest!"
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And then at the end of the Teal Mask he gains a new special interest in getting stronger to beat the player...and he hyperfocuses HARD on that...to the point of it being detrimental to both his physical and mental health, as he was doing nothing but training during that time...he barely ate, barely slept, just trained...and that is not healthy. It's a rare example of media showcasing a special interest being unhealthy and absolutely CONSUMING one's life, and the consequences do actually show for it.
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Kieran is very introverted and doesn't know how to make friends very well. I actually think the player is his first friend considering his surprised reaction when the player says they consider him a friend, and following this, he quickly becomes a bit...too attached to the player, as he doesn't quite understand how friendships work.
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(This is also such a neurodivergent way to say "I'm so happy I finally have a friend")
He also struggles socially, as is a requirement for autistic people to qualify for a diagnosis. Kieran specifically has a hard time reading social cues, he struggles with making eye contact, he has clear anxiety when talking to people as proven by his little stutter he has at times.
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(This is an adorable screenshot 🥺)
He also struggles with social and emotional processing (and might have alexithymia as well due to his sudden huge outbursts of emotion), and he also struggles with initiating conversation as well, as seen when he tries to talk to Penny at the League Club. They both have no idea how to even start a conversation with each other and it's honestly pretty adorable seeing the two quiet adorkable kids trying their best to hold conversation. I get it, you two, initiating conversation is really difficult for me too.
Also the way they try to start the conversation by talking about the weather...that's really funny and ironic to me because that's what NTs do all the time. NTs always use the weather as a small-talk conversation starter but NDs like me (and Kieran and Penny too apparently) just don't get that stuff.
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(These two are so neurodivergent it's great and I love them both 🥺)
Kieran also has four in-game animations that I personally see as stimming. The first one is him tapping his fist against his hip when he's thinking or nervous.
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(Focus your attention to his hand here and you'll see it.)
The second one is him playing with a strand of loose hair, usually when he's nervous.
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(The little nervous side glance at the player is relatable and adorable 🥺)
The third one is a more agitated stim that he only does ONCE in the entire game...and that is tapping the front of his foot on the ground. I do that myself when I'm agitated or impatient, somehow it's comforting, especially since for some reason I really like the way my shoes sound when I tap them on the ground... especially since I got my brand new Infernape-themed shoes, they sound extra satisfying because they're brand new.
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(This is not the way most people tap their foot...I've never seen an NT do it like this...only other NDs such as myself and one of my brothers)
The fourth and final one is, unfortunately, a stress stim...Kieran runs his hands very fast through his hair and it also looks like, to me anyway as someone who has self-injurious stims myself, that he is digging his nails into his scalp as well while doing that. I do something similar myself, though on top of running my hands through my hair and digging my nails into my scalp, I also pull at my hair...yeah... self-injurious stims are no joke...and I'm kinda glad Kieran's autism coding brings attention to that aspect of autism...at least in my eyes as someone who does those things myself.
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(He's in so much stress here, poor kid 😔)
Another aspect of autism that I'm surprised and kinda glad that Kieran exhibits as an autistic-coded character is meltdowns and shutdowns. Kieran has actual meltdowns in the game! This is something we have never seen in such an in-your-face way in any Pokémon game, and as someone who regularly has meltdowns myself, it hit me in the feels whenever I saw him having them. His first meltdown is in the Teal Mask when he steals the Teal Mask and runs off to Loyalty Plaza where he battles the player. He yells at Carmine and the player for treating him like an outcast...which is unfortunately something that happens to a lot of autistic people, myself included. Kieran screams at the player and Carmine for for lying to him while doing his stress stim, before running up to the Lousy Three's shrine and punching it, without any regard for his safety, which is also something autistic people may do during meltdowns...I know I have no regard for my safety during mine. After that's all over he gives the mask back to the player and goes home, leaving the player to talk to Carmine alone, who says that she's worried and thinks it's just "teen angst". When I saw that I was like, "...Uh, Carmine...I don't think it's just that, I think your brother is neurodivergent and really needs a lot of help and support because he's struggling a lot right now..."
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His second meltdown is also in the Teal Mask, when he wants Ogerpon to go with him but Ogerpon wants to go with the player...Kieran can't process that and doesn't understand how to take Ogerpon's feelings into account, instead demanding the player to battle him for the right to be Ogerpon's partner. He collapses on all fours after being defeated again, and it gets worse...he looks like he's crying while the player battles Ogerpon in order to catch her. After the player catches her, Kieran wonders why he can't be like the player, and runs off crying, locking himself in his room for the rest of the story. The end of the Teal Mask has him doing his stress stim while being consumed by a new special interest in a very detrimental way...that interest being becoming so strong that no one can defeat him...including the player.
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Kieran's third meltdown is in the Indigo Disk, after the player defeats him in the championship match. That meltdown is a full-on cutscene, where it is CLEAR to see his spiraling mental state through the visuals, and he holds his hands on his head like he has a headache while trying to process the fact that he lost to the player AGAIN (which is also relatable as someone who struggles with processing difficulties myself...it really does give headaches and it is one of the worst feelings when I just can't process what's going on around me or the emotions I feel or anything really)...he collapses to his knees and looks like he's breathing very hard as he is so upset and distressed at this loss. It is definitely one of the most heartbreaking scenes for me because this is a CLEAR CUT MELTDOWN in my eyes and it hits me in the feels like a TRUCK to watch that cutscene.
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Also, in the Terapagos fight, Kieran has a bit of a shutdown for a bit, standing there frozen, thinking he's useless and can't do anything right (which is relatable as I have regular shutdowns as well, and I also constantly feel like I'm a failure of a human being who can't do anything right)...but let me tell you, when the player finally gets him to snap out of it and convinces him to help and he opens his eyes revealing that the light is back in his eyes as well as visible tears...I cheered (and teared up myself). My boy was back, and I was so happy.
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(When I first saw the tears I was like, "NOOOO don't cry Kieran! 😢)
Also in the Indigo Disk, Kieran seems completely different and "no longer like his usual self". His autistic traits are (mostly) nowhere to be seen as he becomes much more serious, angry, assertive,and aggressive. I personally see this as a persona he puts on by masking, which is common for autistic people to do. I myself can't mask, but Kieran definitely seems to be masking here by putting on this persona in order to get stronger and seem stronger as a person as well. This is NOT his real self, this is a FACADE!
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We see him start to drop the mask again in Area Zero when he says it seems like they're in a spy movie or something and how cool that is, but once the crack in his mask is pointed out he immediately puts it back on.
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After everything in the under depths ends, and you go back to Blueberry Academy, he drops the mask again completely, and goes back to his real, adorkable, relatable self...and stays that way from then on, which made me so relieved and happy.
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(This is my favorite cutscene in the entire DLC because of how adorable it is and also how neurodivergent Kieran is being here while apologizing for all he did 🥺)
In conclusion, I think Kieran is a great example of an autistic-coded character who has many relatable traits, and also does a good job showcasing some of the more "unpleasant and challenging behaviors and traits" (NTs use that terminology a lot, not me... that's how NTs unfortunately view NDs a lot of the time) of autism. I used to be afraid of him during the post-Teal Mask pre-Indigo Disk era but that was my trauma and PTSD talking (I talked about the emotional rollercoaster Kieran's story arc took me on in another post from last year after I finally worked up the courage to play the Indigo Disk...feel free to check that out too if you'd like). Now though I can wholeheartedly say that I love and appreciate Kieran a lot as a character, and his relatability is definitely a big part of why he is a big comfort character for me now (please Pokémon put him in Pokémon Masters EX, PLEASE I will literally cry from joy if he gets added to the game)!
Hope you all enjoyed this autistic person's analysis of yet ANOTHER autistic-coded character in Pokémon! I know I had A LOT to say but that just proves how relatable Kieran is, and I love him for that. Let me know what you think and if I missed anything in the comments below!
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westwing19 · 5 months
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Was able to borrow a copy of RTDLDX last month, had an absolute blast! ✨
(Long assortment of incoherent thoughts under the cut:)
The nostalgiaaaaaaa
Kirby my son. My child. His voice and mannerisms and overall squishiness are so healing. Reliving why I love him so much how did they make him so loveable.
I somehow remember where just about everything is from the original. This makes the new sand and mech enemies' positions are much more startling than expected.
Sand is awesome!! Mecha shows up much earlier than I expected, much to my relief. Mecha is awesome!!!!
Must. Make. Art. Of. Mecha.
The new animations for the super abilties' activations are adorable
Kirby's feetstep sounds are much louder now. Excellent choice HAL
For some reason the Grand Doomer dress-up mask has me in hysterics
I am terrible at the subgames (nothing new there)
I missed talking to Magolor. Realizing now that they really just had him there lying directly to your face huh.
I missed the Lor. Repairing the ship always got me real attached to it, so fighting it made me stressed :( And now I'm stressed all over again :(((
I noticed the original super ability animations are used during the fight vs Magolor, which is interesting.
I *also* noticed the original space rift opening animation is used in the Magolor Epilogue, which is not something of any importance whatsoever but hey, fun to see!
RAGOLOR!!! You're all so right he is the most pathetic wet beast there ever was.
Must. Make. Art. Of. Ragolor.
Holy crap this mode is hard his attacks are so weak and my panic response of spamming B does absolutely nothing
My favourite part of this mode is all of his dialogue in the skills screen. Trying to level them all up to see all the dialogue and it's such a treat. What a guy.
The screenshots in the credits of Magolor Epilogue are really just roasting him huh 😂
Magolor Soul though... what an experience
...Is that Void in the background O_O
Just so so fond of the way Kirby games always feel like a whole Experience they have no business being this powerful but I cannot help but be moved every single time. great job as always HAL 💯💯
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