Grass is green, water is wet, and Jonathan Byers does not like Steve Harrington.
These are known facts in the universe.
Computers were going to take over the world, a “mobile” phone was being invented, and Steve Harrington had lost most of his hearing.
These were unknown facts--rumors even, if you will. Eddie had never seen even a grain of truth to support any of them.
(Well, maybe the computer thing, but only because Grant and Dustin both had made a couple of convincing arguments.)
So he doesn’t think about it, when his freshman gang up on him.
Doesn’t even factor the “can’t hear well” thing in, when he was tasked (demanded, whined, bitched and moaned at) with helping them explain to Steve why going to the release party of the new D&D box set, located at a hobby store only a mere 2 hour drive away, was important.
Eddie’s not even sure how the little shits got him to agree to do it until he’s standing in the parking lot in front of the former King himself.
“The store’s leading up to the release with a handful of one-shots.” He’s explaining, unsure whether to pull out the bored act or play up his court jester persona, and thus mixing and matching on the fly.
He does not care if Harrington doesn’t know what a one-shot is.
“They’re releasing the set at midnight. You have to be there to get it though, you can’t have someone else pick it up for you because they only got a certain amount in.”
Harrington’s frowning (no surprise) but it’s not until Eddie is well into his spiel about how his van is already full with the elder members of Hellfire, and thus has no room for the freshmen, that he realizes Steve isn’t quite looking at him.
Is in fact, looking over his shoulder.
Eddie stops. Follows Harrington’s gaze.
Parked across from Steve’s Beemer, is Jonathan Byer’s barely working clunker car.
A handful of steps in front of it, and thus nearly right behind Eddie, is the man himself.
His hands are still moving, mouth shaping words silent as he goes, his gaze locked not on Eddie or the kids--but on Steve.
Who turns back around as Harrington’s eyes slide right back to him.
“And this is taking place next Friday?” He says, in that sort of annoyed but resigned way parents aim at their children. “After school?”
“I’d like to go during school, but the freshmen insist you wouldn’t let them ditch out.” Eddie tells him. “They had two separate arguments about it.”
Loud ones, that had interrupted the game and given Eddie a migraine.
Once again Steve’s eyes slide away from him, to Jonathan.
“They’re not skipping school.” He says suddenly, a glare forming and Jonathan makes an annoyed noise.
“They argued about skipping, they’re not going to.” He says aloud, and finally steps up so that he’s next to Eddie instead of behind him.
“Munson slow down, I can’t sign as fast as you’re talking.” He adds, in the hang-dog grumble he’s notorious for.
Eddie stares at him.
“Can he seriously not hear me?”
“No.” Steve and Jonathan answer together.
“I can kind of still hear,” Steve adds, gaze returning to Eddie’s face. “But its more loud music or noises. I can lip read, but you’re also talking too fast for that.”
Without pausing, he turns back to Jonathan and says; “Why can’t you take them?”
“It’s Friday.” Byers deadpans.
Eddie’s not an expert on sign language, but his hands somehow looked deadpan too.
He’s not sure how Jonathan did that.
“So?” Steve snarks back.
What follows is an argument that Eddie is not, at all involved in, mostly because he’s too busy handling the fact that Jonathan Byers has learned sign language, for Steve Harrington, apparently, and given the tone the argument is taking they still don’t even like each other.
Eventually the argument ends, Steve throwing his hands in the air and demanding that Jonathan owes him.
(Eventually Eddie will corner the ever so quiet Will Byers and ask why the hell his brother learned sign language for someone he clearly fucking hates.
“Oh they don’t hate each other.” Baby Byers would say, in that shy, quiet way of his. “I think they’re actually friends now?”
“You think?”
“Well--you’ve seen them.” Will shrugs. “I think being mean to each other is kinda their thing.”
‘What the hell.’ Eddie would think, right up until he stumbled across one of the kids sign language books.
Byers the Elder, he decides, isn’t the only person who should learn sign language to chew out Harrington properly.
The pay off is immediate.
Or at least, the pay off of watching Steve’s shocked face the first time Eddie signs something vulgar at him is, anyway.)
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something I find really interesting about hannibal’s character is how he uses people’s expectations and ingrained assumptions to hide himself. no one suspects he’s a serial killer because he doesn’t present as one. he’s elegant and refined and isn’t cruel to animals. he’s highly sophisticated, a polyglot and has a deep admiration for beauty and life. he appreciates saving lives just as much as he appreciates ending them. in fact, this particular aspect of his character is partly why it takes will the entirety of s1 to accept hannibal’s true nature. will saw hannibal save abigail and accompany her to the hospital in apéritif and he also saw hannibal save a man’s life by performing emergency surgery and taking over the operation at the end of sorbet.
this moment in particular is interesting because of how it’s framed to make hannibal look almost godly from will’s point of view:
1) hannibal is positioned immediately higher than will due to being in the ambulance, meaning will is looking up at hannibal, while hannibal is looking down on him
2) hannibal is standing under a bright light as he works to save this guy’s life, while will is standing in almost complete darkness
3) the usual orchestral, classical music is playing in the background, emphasising the apparent “holiness” of the act and framing hannibal as some sort of saviour
the impact of this scene is even more potent when considering the context of the rest of the episode, since will has already stated that the ripper is not the type to save people or enact mercy on anyone. his style of murders doesn’t suggest this characteristic whatsoever, and although will’s assessment is correct, hannibal’s personality and overall demeanour doesn’t match what we’d imagine a person like that might look like. I think will is confronted by this as well, because even if hannibal’s surgical skill means he matches the ripper’s profile (which makes him a valid suspect) his actions contradict will’s image of the ripper, while simultaneously affirming it:
it’s difficult to reconcile these facets of hannibal’s character. it’s inherently contradictory and defies our cultural expectations. nonetheless, hannibal’s inclination to save people is sometimes more insidious than his murders. he doesn’t save people out of altruism, he does it because he thinks he’s superior and enjoys deciding outcomes. he doesn’t view himself as insane, he views himself as god. this is most aptly explored in takiawase, through the acupuncturist/beekeeper killer. here we see a murderer who confesses that she killed a man to quiet his mind, and tells jack that it’s beautiful that she managed to protect him and her other patients. this is one side of hannibal’s character, the one who’s a doctor and therapist and sees death as a cure from disease, even if the ‘disease’ itself is literally just discourtesy. it’s ultimately an act of power.
and yet in this same episode he flips a coin and saves bella on a whim. this of course is framed to others as an act of mercy, however the reality is he took bella’s power away in an act disguised as kindness. once again, he hides in plain sight. this is the other side of his character, and it’s just as deadly.
it’s still about power.
but we don’t associate acts of mercy with monstrosity. when hannibal comforts abigail in trou normand we question whether he’s as bad as we think, because what negative connotations are tied to paternal tenderness? we miss that hannibal is fostering dependency, that he literally looks dead in the eyes as he holds her, and that he blatantly just told us that he’s using abigail to manipulate will:
hannibal often does this actually. he either directly says what he’s doing or suggests that he’s the culprit (often through cannibal puns, as we know) but no one ever interprets him correctly because doing so would contradict the image he’s carefully constructed for himself. it would cause too much dissonance.
and what’s fascinating is that on a subtextual level this is largely what the show is about. the story is an exploration of societal roles and the struggle to fit into stiff categorisation and expectations. will parallels hannibal in this regard because he’s desperately trying to repress his identity by taking on certain roles. and the audience is lured by this persona the same way the characters are lured by hannibal because will defies our understanding of certain tropes. on a genre level, will assumes the detective archetype, meaning we are primed to think he’s inherently good. when we see him say he wants to save people we believe him, even though he often only does so to prove to himself that he’s a good person. will is indeed righteous, a characteristic we often view positively, however he’s violent, wrathful and actively enjoys murder due to how powerful it makes him feel. he’s not dissimilar to hannibal, we just don’t see this straight away because doing so would disrupt our understanding of good and evil.
will hides the same way hannibal does, except will hides from us as well
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☆ even the gods bleed [ pt 3 ]
{☆} characters neuvillette, wriothesley, furina
{☆} notes cult au, imposter au, multi-chapter, gender neutral reader
{☆} warnings none
{☆} word count 1.9k
{☆} previous [ 1 ] [ 2 ]
Wriothesley was not a man of superstition. He did not kneel at the altars until his knees bled, he did not pray until his voice gave out– he did not, contrary to popular belief, suffer divine punishment for his apparent lack of respect.
After all, what Divine would look so deep beneath the waves just for a glimpse of the sinners that inhabit it?
Not them, evidently.
He hadn't slept in the past four days, though. There was a heavy air of something where ever he walked– it followed him like a thick fog, lingering and choking him until it dragged him to his knees like a chain. His thoughts inevitably linger on the striking, extravagant letter so conveniently adorning his desk at the fortress– the broken wax seal, the letter tucked into his pocket.
He'd recognize the seal of the Iudex any day. Wasn't often he spoke to him– but the shaky, distorted words hastily etched into the paper made him pause. Neuvillette always had a steady hand– elegant, flowing script that him of flowing water.
It had kept him up for days.
The implications were..haunting. He'd poured over the letter for hours, illuminated only by faint light of his desk lamp. Yet no matter how many times he tries to see what must be hidden beneath the ink, the paper itself even, he finds nothing but the shaky script of a request that sends a bolt of pure frost through his veins.
He noticed, of course, the odd goings on of Fontaine. He'd heard vague whispers of the Divine's hunt for the imposter– he'd heard, too, of the ceaseless rain pelting Fontaine until even he wondered if the nation would finally sink beneath the waves.
It didn't, though. And that only made it all the more odd. Days of constant rain, just for it to stop suddenly..he tugged his coat tighter around him, throwing up the hood of the cloak clasped even tighter over it with a grunt as he leaned around the corner of the alleyway.
He didn't believe in superstition, but this was too hard to ignore as a simple weather anomaly.
Maybe that was why he ignored his gut– he knew that this was probably a trap, at the very least it was suspicious. But damn it, he couldn't ignore the instinct to follow the only lead he had.
His boots clicked against the rain stricken streets as he stalked through the shadows, mindful of the clinking of machine patrols just a few streets away. Yet every step felt heavier then the last as he took a long, good look at the Palais Mermonia. He almost considered bringing out his gauntlets, but he thought better of it– if it came down to it, he needed information. And he would need whoever was waiting for him alive for that– the dead don't speak and all that.
The letter's directions led him in a..rather roundabout entrance to a secluded room, evidently, as he lifted his hand and quietly knocked against the door. Two rapid knocks, pause, another knock, pause, four knocks. It doesn't take long until he hears the latch of the door unlock.
The leather of his gloves creaks as he clenches his fists, adjusting his stance. He's ready for a fight, if he must, but as the door quietly slides open he feel the weight on his shoulders relax slightly– the familiar, sharp features of Neuvillette meets him. He almost reflexively smiles at the way his pupils turn into thin slits, a momentary surprise that he quickly hides well behind a cough and the creak of the door as he pulls it open fully.
"Wriothesley. I see my letter has found you well. Please, come in." Polite as ever, Neuvillette steps aside to let him in, but he can see the exhaustion lining his features– the bags under his eyes aren't as well hidden as he thinks, at least to him. "Bit odd to be inviting me all the way out here in the middle of the night, don't you think?"
His tone is smooth as he steps into the room, brushing down his hood and glancing at Neuvillette over his shoulder, watching as he shuts and locks the door behind him.
"I apologize for the..less then ideal circumstances, but I'm certain you will understand when you see for yourself." He wants to retort, but the Iudex beats him to it, vaguely motioning to the room behind him. An invitation– but he wonders if it's worth taking.
His gut says no, but he's feeling a little risky today, he supposes.
He turns back slowly, barely able to make out the two figures he'd missed on the first glance on the other side of the room– though it's hard to mistake the flourish of the Hydro Archon, even in the dark. It's the other figure that makes the breath hitch in his throat, though.
Or maybe, more accurately, it freezes. So does his blood, his whole body even, locked in stasis for a long, tense moment– he can't see them clearly, but his instincts are going haywire. He can feel his vision almost rattle where it rests against his left shoulder, cold leaking through the layers of clothes and into his skin until he has to fight to suppress a shiver.
He'd always fancied himself the hunter– he was the one who dealt with unsavory folks, in the end. But he felt like a rabbit pinned beneath the crosshairs of a gun this time. He could almost feel the teeth of the bear trap snapping shut around him, crushing bone and flesh beneath cold metal.
For a long moment he thinks he feels fear.
And with a sharp click and a burst of light, it's gone and he takes a raspy, choked breath as he blinks away the blurriness in his vision, taking in the room illuminated by the lamp.
He's not sure what he sees is better, though.
Because his body knows that their Divinity is as real as the blood running through his veins.
So why do they remind him so much of himself? Why does he see the look of the boy who died in a pool of blood not his own in them?
It is a sick, cruel kind of familiar.
Wriothesley didn't believe in superstition– but that was born of the unknown. He knew, now. He could reach out and touch the truth with his own two hands.
The throne of the world was a lie.
The thing sitting on it bled red. And if it bled, it could die.
He clenched his fists tighter– and released, letting his shoulders slump with a huff and a half hearted chuckle. "I wasn't expecting you to be in possession of a wanted criminal when you sent me that letter." He could see the gears whirring in their heads, the subtle dampness in the air reminding him just how delicate a situation it truly was.
He wasn't particularly inclined to getting blasted by a jet of water today.
"Relax, I'm not going to spill to anyone else. Seriously– don't get my jacket wet. It's expensive and a nightmare to dry." His lips quirk into a half smile, but it twists into something almost genuine at the laugh covered up by a cough he hears from the Divine. Bingo.
"It's fine, Neuvillette. Let him go." Their voice is like honey dripping from their lips, and he has to close his jaw with his hand before they can see the way it dropped in his surprise. "Of course, most Divine. My apologies." He relaxes at the sharp click of his heels as he joins them on the bed, his posture far more relaxed then he's ever seen. The Hydro Archon, much to his confusion and amusement, is far too invested in playing with their hair to pay much attention to him now that things have calmed, evidently.
Huh.
They seemed pretty cozy about it, he noted. He guesses they three of them had some time to get acquainted.
"So..who's going to explain what the hell is going on?" He probed, crossing his arms over his chest and watching the three carefully– they all looked tired, but even through the exhaustion neither seemed inclined to stray too far from the Divine. "And what exactly your plan is? You can't keep hiding them here forever. Someone will sniff them out sooner or later."
"We are aware," Neuvillette interjects, lips pursed into a thin line and his thin brows furrowed. "But as I'm sure you've noticed, the hunt for the..forgive me, most Divine, but the hunt for the alleged imposter is still at it's peak."
He grumbles in acknowledgment, hanging up his cloak by the door and sliding out of his heavy coat, resting it over the back of a nearby chair. "Hm. Suppose that's why the patrols are so common now a days."
"I'm afraid so. As you can imagine, we cannot simply ask them to..stop the search. It would draw unwanted attention and suspicion. The Divine would be found immediately if we tried to bring them out of the city at the moment." Neuvillette added, looking proper and elegant, despite the circumstances– even in the face of the Divine and the Archon turning on him and tugging his hair into intricate braids. "So I hope you understand that it was a great risk to send you that letter."
He rubs his chin, huffing in amusement– a solid plan, maybe, but his power didn't extend too far out of the Fortress. He had his connections, sure, but what use were they when he had to get the, uh, "imposter" out of Fontaine? Smuggling them out wouldn't be easy, and then there's the point of where to take them they'd have to contend with.
"Yeah, yeah– I get it. But it's not like I can just smuggle them out or keep them in the fortress. Even if we got them out of the city, we'd have to find somewhere to bunker down, and if someone spots any of us lingering there.." Archons, what a mess he'd gotten himself into. He was really looking forward to the next time he could kick his feet up with a cup of tea.
"I understand. I have already made plans, in fact." Neuvillette hesitates, and he can feel the temperature drops a few degrees. "I..cannot share them in full at the moment, but it is not for a lack of trust." Neuvillette reasoned, hands folded neatly in his lap– not that it hid the way they shook slightly. He wanted to ask, but he thought better of it.
"Eh, I don't hold it against you. The walls have ears, even up here." He deflected, running a hand through his hair. He really hoped Sigewinne wouldn't ask too much when he gets back. "I trust your judgment." He hesitates for a long moment, pulling out a simple, neatly folded letter of his own.
"Memorize the code words, then burn it. I'll be waiting for your next letter." He murmurs, plucking his coat and cloak and tugging them back on one after another, shuffling back over to the latched door. He hesitates again, his hand lingering on the door.
"I just hope your plan is worth the risk, Neuvillette."
He leaves before he can respond, the harsh click of the door ringing in his ears even as he steps back into the shadows of the night.
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Webtoons Is Making Moves - So Should You.
We all saw it coming ages ago and now it's finally here. There's no more beating around the bush or doubting if anyone is "reading into it too much", Webtoons' use of AI in its more recent webtoons is not an accident, not an oversight, but by design, it always has been. And I guaran-fucking-tee you that the work that already exists on the platform won't be safe from Webtoons' upcoming AI integration through scraping and data mining. Sure, they can say they're not gonna replace human creators, but that doesn't change the fact that AI tools, in their current form, can't feasibly exist without stealing from pre-existing content.
Plus, as someone who's tested their AI coloring tools specifically... they're a long, LONG way away from actually being useful. Like, good luck using them for any comic style that isn't Korean manwha featuring predominantly white characters with small heads and comically long legs. And if they do manage to get their AI tools to incorporate more art styles and wider ranges of character identities... again, what do you think it's been trained on?
Also, as an added bit that I found very funny:
Um, I'm sorry, what fucking year is it? Because platforms like WT and Tapas have both been saying this for years but we're obviously seeing them backpedal on that now with the implementation of in-house publishing programs like Unscrolled which have reinvented the wheel of taking digital webtoons and going gasp physical! It's almost like the platform has learned that there's no sustainable profit to be had in digital comics alone without the help of supplementary streams of income and is now trying to act like they've invented physical book publishing!
"The future of comic publishing, including manga, will be digital"??? My brother in christ, Shonen Jump has been exclusively digital since 2012! What rock have the WT's staff been living under that they're trying to sell digital comics as the "future" to North Americans as if we haven't already been living in that future for over ten years now?? We've had an entire generation of children raised on that same digital media since then! This isn't the selling point you think it is LMAO If anything, the digital media market here in NA is dying thanks to the enshittification of digital content platorms like Netflix, Disney+, and mainstream social media platforms! That "future" is not only already both the past and present, but is swiftly on its way out! Pack it up and go home, you missed the bus!
Literally so much of WT's IPO pitch is just a deadass grift full of corporate buzzwords and empty promises. They're trying so hard to convince people that their business model is infinitely profitable... but if it were, why do they need the public's money? And where are all those profits for the creators who are being exploited day after day to fill their platform with content? Why are so many creators still struggling to pay their bills if the company has this much potential for profit?
Ultimately even their promised AI tools don't ensure profit, they ensure cutting expenses. The extra money they hope to make isn't gonna come from their content generating income, it's gonna come from normal people forking over their money in the hopes that it'll be turned around, and from Webtoons cheapening the medium even further until it's nothing but conveyer belt gruel. Sure, "making more than you spend" is the base definition of "profit", but can we really call it that when it's through the means of gutting features, retiring support programs, letting go editing staff, and limiting resources for their own hired freelancers who are the only reason they even have content to begin with? That's not sustainable profit or growth, that's fighting the tide which can and will carry them away at any moment.
I'm low key calling it now, a year or two from today we're gonna be seeing massive lawsuits and calls to action from the people who invested their money into WT and subsequently lost it into the black hole that is WT's "business model". This is a company that's been operating in the red for years, what about becoming an IPO is gonna make them "profitable"? Let alone profitable enough to pay back their investors in the spades they're expecting? The platform and its app are already shit and they're about to become even worse, we are literally watching this company circle the drain in the modern day's ever-ongoing race to the bottom, enshittification in motion, but they're trying to convince us all the same that they're "innovating".
Webtoons doesn't want to invest in its creators. We as creators need to stop investing in them.
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