#also still drawing without a tablet pen

[daily-ethoslab]

[744]I found ethos newest LP epesode (586) super fun as I love looking through old chests on worlds that have been around for ages. And it also has the spring cleaning feel that’s nice hehe

[godbirdart]

Hello! I hope you are having a nice start to your week :) I seem to remember you recommending a certain tablet once and tried looking for it but couldn’t find it. Is there still one you recommend for art? I’ve got an ipad now but I was thinking of trying something different when it reaches the end of its days (but still hopefully a draw-on one). I think I’ve heard some tablets let you actually download programs and not just apps. I would love to just 1-time buy clip studio or something instead of the app subscription Dx

No worries if you don’t have a recommendation, I may have just misremembered. Either way, I hope you have a lovely evening and thanks for sharing your art! ^_^

Oh I can talk tablets for Hours don't even worry

I have a tablet that can download programs and that is this one right here!

The Huion Kamvas Studio 22

It's been retired from Huion's store for a couple years now, succeeded by Huion's new Kamvas Studio 24; the new, sleeker edition of my 22.

If you're looking for a tablet that can download actual software and not just act as a second display for your computer, you'll be looking specifically for a "Pen Computer". Huion currently offers two - the Kamvas Studio 24 and the travel-sized Kamvas Studio 16. Both come with Windows 11 preinstalled.

Huion also released the Kamvas Slate 10, and while it is categorized as a pen computer, it's designed to compete with tablets like the iPad or PicassoTab and operates on Android 12.

While the idea of an independent computer you can draw on the screen of isn't at all novel, they're still arguably "new" for the companies whose target demographic is artists. At the time of this post, Huion appears to be Wacom's main and only competitor in that field. Artisul, Gaomon and XPpen do not manufacture them. Options for standalone drawing tablets that can download software [not just apps like a phone] are largely limited to:

Huion Kamvas Studio 16

Huion Kamvas Studio 22

Huion Kamvas Studio 24

Wacom MobileStudio Pro 13

Wacom MobileStudio Pro 16

I know I hype up Huion a lot and that's primarily because I have actual firsthand experience with their products, but I cannot stress enough that the Huion can do the job just as well as the Wacom. If you're hellbent on the Wacom, get it when it's on BIG sale, or cheaper secondhand / refurbished. Wacom's MobileStudio line can start at around ~$2600 USD and up, whereas the Huion Kamvas Studio, while still costly, can start from ~$1700 USD. I've seen Kamvas Studio 22s floating around for around $1000 USD which is already $500 off what I originally paid for mine.

Pen computers are one hell of an investment but they're extremely convenient to have. I'm currently saving up for a Kamvas Studio 16 as my travel laptop barely has the power to support Clip Studio and I want to be able to take my work on the go without fumbling around with cords.

To anyone else reading: if I somehow missed the release of a pen computer from another art tablet brand, feel free to drop it in the replies! I'm usually on top of these but I've been so swamped with work the past two months I've barely enough time to check my social media most days lmao

[genericpuff]

When it comes to a drawing tablet do you recommend a beginner get one with a screen or one without specifically for webcomics?

So what you use the tablet for ultimately doesn't matter. Webcomics, illustration, animation, they're just different expressions of the same overall skillset. I've gone from using desk tablets to screen tablets and then back to desk tablets again. My current setup is a Huion Inspiroy Giano which is a very large desk tablet (no screen) with a Huion Kamvas 22 Plus as my display (screen).

(hi jim lol)

Now this obviously seems INCREDIBLY redundant but the reason why it's like that is because I used to use the Huion Kamvas 22 Plus as my screen tablet... until the pen input stopped working :)""" But it still works perfectly fine as a display! When I was shopping around for new drawing tablets though, I wasn't sure if I wanted to take the financial risk on another screen tablet. The Huions are a lot cheaper than the Wacom models which is great for people looking for inexpensive options, but if it meant I'd have to replace my screen tablets more often than my old Wacom Cintiq, then it wasn't gonna be worth it (but I didn't want to dump $2k on a tablet again LOL)

So I wound up getting a desk tablet instead! I had used Wacom desk tablets a lot prior to screens, and while it had been a few years, I re-adjusted in no time. The Huion Inspiroy Giano is, so far, a very reliable tablet. It just connects with a USB, no crazy 3-in-1 cables like the screen displays. It satisfies my need for a large tablet (seriously, if I can offer any piece of advice in regards to tablets, size does often matter because if a tablet is too small you'll be over-relying on your wrist for motions which isn't good for line integrity or your hand health!!!!) but it didn't break my budget like the Wacom tablets (and didn't feel as risky as buying another Kamvas 22 Plus after what happened the last time).

The only downside to it is that it has a bit of a rough surface to it which I find does a lot of initial wearing down on the nibs. I mean fr look at this thing-

And that will happen after only like, a few hours of use LOL that said, I've been using this nib for like 2 months now and it hasn't worn down more than that, so if you don't mind your nibs having a visible slant to them, it really doesn't cause any other issues.

That said, I've only had this tablet for about half a year now. I also used to sing praises for the Kamvas 22 Plus until it suddenly decided it wasn't going to work anymore without explanation, so... take my review of the Inspiroy Giano with grains of salt. At least though if this thing mysteriously stops working like the Kamvas did, I'll only have to pay $200-$300 to replace it vs. the Kamvas' $700+. It's still not a small amount of money, but it pays itself off quickly (and it's a lot cheaper compared to the equivalent Intuos Pro line from Wacom, which costs upwards of $500+ for a decently sized one).

Screen tablets are definitely helpful to have though, and I wouldn't object to returning to the screen displays once I can justify dropping money on one again. I still use a screen display on the go via my iPad Pro. But I don't think desk tablets should be taken for granted as a perfectly viable tool either, I think the initial learning curve tends to intimidate people a lot, but they're really quite comfortable to use once you adjust to the translation of desk tablet to monitor. You can also adjust the screen settings through the tablet driver anyways, which is what I did for my tablet because it was a little too big in spots where I had to reach really far to get to the color wheel tab on the right... so I just reduced the screen ratio to make up for it :)

I find once you learn how to use both - and learn your foundations in digital art - the desk tablet vs. screen tablet debate just boils down to personal preference rather than any real difference in what they can do for your art. I've drawn stuff like Rekindled on screen displays, desk tablets, iPads, etc. You might try a desk tablet and not like it after a while (though again, with the initial skill ceiling of adjusting to it, give it a few weeks of trying if you can, you will not immediately get used to it overnight!!!) and decide that screen tablets are more up your alley.

It really depends on what you're wanting to pay for a tablet. Though like with any new skillset that you're just getting into, I wouldn't recommend dropping money on the most expensive tool because ultimately the differences between expensive and cheap aren't going to be noticeable to you until you actually learn the skill itself, and it's not uncommon at all for people to pick up a new skill, shell out shitloads to learn it, and then get discouraged when it takes a while and makes the expense feel like a waste. Those higher end tablets are often more suited for professionals, not because they're "only meant for pros", but because pros will be able to fully utilize all their upper-skill features in a way a newbie who's still learning how to use a desk tablet won't.

Thankfully, it's easier than ever to get an affordable tablet that's easy to learn and Wacom is no longer the "only option", so I highly recommend looking into brands like Huion, XP-Pen, and Gaomon, as they offer very inexpensive tablets with a wide array of options from desk tablets to screen displays. Make sure you do your research on them, check out places like reddit for actual human reviews, note that every brand and tablet will come with their pros and cons, so it's really just about weighing out what you feel will work best for you and what you're trying to achieve!

And of course, if you're looking to draw comics specifically, look into Clip Studio Paint! It goes on sale at least twice a year, the PRO version is literally all you need to get started (EX comes with some helpful features like Teamwork, but like those fancy high end tablets, they won't necessarily be useful to someone who's just starting out). The PRO version comes with all the rulers, panel cutters, text tools, etc. that you need to get into making comics, it's a great piece of software !!!

I hope that helps!!! Best of luck!! ( ´ ∀ `)ノ～ ♡

[egophiliac]

Hello! Sorry to bother but do you have any digital art tips? I’m quite new to it and any tips, tricks or advice would be helpful! Your coloring style is very beautiful and I love it a lot!

thank you! 💚💚💚 sorry this is a bit late, hopefully there's still something helpful in it!

(also, it got pretty long, sorry!)

I think the biggest thing is to just take things slow -- digital art feels different than drawing traditionally, and it's SUPER easy to get overwhelmed by the billions of cool features that the digital world offers. (I say, as someone who spends a lot of time downloading cool brushes and textures...and then never using them ever.) there is a ton of really cool stuff you can do digitally, but because there's so much, I think it's really important to take time to figure out what is and isn't working for you. spend some time doodling without any intent to do a finished piece, figure out how you like to hold (or not hold) your tablet, what keyboard shortcuts you end up using a lot (and therefore might want to map to your pen/tablet buttons for quicker use)...that kind of thing!

everyone's workflow and preferred program and style are different, so it's hard to give hard-and-fast general advice. but the things that I think of as the essentials for learning digital art programs, and what I think of as a good order to focus on learning them in (although YMMV, especially depending on what kind of art you're doing):

brush customization (e.g. flow, opacity, softness)

layers and layer masks

selections and transformations (e.g. scale, rotate, flip horizontal/vertical, skew) (skew is underrated and I will die on that hill)

blending modes (e.g. multiply, screen)

adjustments/adjustment layers (e.g. hue/saturation, curves)

and I think most stuff after that is gravy! often very good gravy though! but yeah, as overall advice I recommend just taking things one little bit at a time, spending some time just drawing and messing around with each feature and what you can do with it. whether or not you end up incorporating any of it into your workflow, it's always good to try things out and just see how they feel! :D

and just so there is at least a little more concrete helpfulness in here, here's a few more specific things that I think are super important to keep in mind!

use! your! tablet/pen buttons! I mentioned this earlier, but they are extremely useful for keyboard shortcuts that you use often! most programs will also let you create new shortcuts for other things -- personally, I use the magic wand tool to fill in big color blocks a lot, so I made shortcuts for 'expand selection' and 'fill' and then mapped them to my tablet buttons.

flop your work horizontally often! when you're working on something, you get used to the way it looks, so seeing it mirrored is a quick way to see it with fresh eyes! in my experience, it often feels like this:

(a common thing is to find that everything is sort of 'leaning' too much one way, which is where skew really comes in handy!) (seriously, I love skew, it is my savior)

if you're working with color, keep a hue/saturation adjustment layer (or a layer filled with black or white and set to Color) on top and toggle it on occasionally to check your values! a lot of people who know a lot more about color than me (and are better at putting it into words) have written about why values are so important, so all I'll say is that the rule of thumb is that your image should still be readable in greyscale:

there are some exceptions and grey areas (do ho ho), but it's a good general rule to keep in mind! (some programs also have a colorblind mode, so you can check to see how your work will look to someone with colorblindness!)

and finally, here's some digital art programs I recommend, if you're still looking for a good one!

free: krita, FireAlpaca

paid: ClipStudio, Procreate (iOS/iPad only)

[lividstar]

ㅤ‎‎‎‎‎‎‎‎ㅤ‎‎‎‎‎‎‎‎ㅤ‎‎‎‎‎‎‎‎ㅤ‎‎‎‎‎‎‎‎ㅤ‎‎‎‎‎‎‎‎THE CITY OF LOVE

ㅤ‎‎‎‎‎‎‎‎ㅤ‎‎‎‎‎‎‎‎ ㅤ‎‎‎‎‎‎‎‎ㅤ‎‎‎‎‎‎‎‎ㅤ‎‎‎‎‎‎‎‎ㅤ‎‎‎‎‎‎ Chapter Four: A Pleasant Twist

ㅤ‎‎‎‎‎‎‎‎ ㅤ‎‎‎‎‎‎‎‎ㅤ‎‎‎‎‎‎‎‎ㅤ‎‎‎‎‎‎‎‎ ㅤ‎‎‎‎‎‎‎‎ㅤㅤ‎‎‎ ㅤ‎‎‎‎‎‎‎‎ < previous | next >

masterpost

៚ wc: 5k (total: ???)

៚ fluff, angst, fashion designer!hongjoong x model!reader (ft. personal assistant!seonghwa & photographer!wooyoung), strangers to lovers, soulmates au if you squint, do french people actually say bonjour irl?

៚ playlist !

៚ What started as a plan for a quiet walk in the park quickly turned eventful when you bumped into Madame Dupont, who was heading out for groceries. Choosing to assist her instead, two occurrences you didn’t see coming saw the light of the day: A. Running into Seonghwa, and B. Receiving an offer from Madame Dupont to help with your upcoming casting.

a/n: did you guys see san’s fit for the dolce & gabbana fashion show... it had me weak he straight up looked like he came from a dystopian hunger games type beat magical fantasy gods and goddesses 100k wc fic like that’s choi san from district ATE

tags: @beabatiny

The atmosphere in Hongjoong’s office was a mix of modern chic and creative chaos. The walls, adorned with framed sketches and mood boards, exuded an air of inspiration and meticulous planning. The sleek glass desk was cluttered with fabric swatches, design drafts, and a laptop perpetually open to design software. Large windows let in natural light, illuminating the room and casting a soft glow on the polished wooden floors. Shelves lined with fashion magazines featuring either his designs or Hongjoong himself, awards in varying categories, and an array of art supplies hinted at the relentless creativity that filled the space.

Hongjoong sat behind his desk, his brows furrowed in concentration as he reviewed the latest designs. Seonghwa stood across from him, tablet in hand, listing off upcoming tasks.

“We’re still months away from the fashion week, but it feels dangerously close,” Seonghwa noted, swiping through the digital calendar. “You’re still without your sketchbook, so we need backup designs just in case.”

Hongjoong sighed, running a hand through his hair. He’s been making use of Seonghwa’s digital tablet to work on new designs, but it just doesn’t hit the same as sketching on the rough surface of a paper. Well, Seonghwa has been trying to convince him he only feels that way because drawing digitally is an entirely foreign experience to him, but he swears it’s more than that. You wouldn’t get it, is what he’d usually say. “I know. I’m working on new designs, but it’s hard to compensate for everything I had in that sketchbook. There’s so much detail and inspiration in those lost pages.”

“Well… maybe we should schedule extra brainstorming sessions with the team. It might help to get more input," Seonghwa suggested, his tone pragmatic. There’s only so much a single personal assistant could do, especially regarding important matters they’re short of time on, after all.

Hongjoong leaned back in his chair, tapping a pen against his desk thoughtfully. “Seems like a good plan. We can set up a few sessions next week. Also, I want to review the progress of our new recruits. We need fresh faces ready for the casting call.”

“Oh, speaking of recruits, have you thought about expanding our outreach programs?” Seonghwa continued, making notes on his tablet. “More workshops and seminars could attract new talent to the agency. It’s also a good way to give back to the community.”

“Yes, definitely. And I also want to collaborate with more local designers,” Hongjoong agreed, his voice gaining a note of enthusiasm. There were still a lot of things to sort out, but at least they’re no longer heading forward empty-handed, right? “It’s important to foster community connections and bring in diverse perspectives. We could host a local designer showcase leading up to the fashion week.”

Seonghwa nodded. “That sounds perfect. We should also consider revamping our social media strategy. More behind-the-scenes content, live Q&A sessions, stuff that really engages our audience. 90% of people spend more than half the average day on their phone, anyway, so it would be a good idea to improve our marketing strategies online.”

“Right,” Hongjoong replied, leaning forward and straightening his posture. “I’ve noticed our engagement has been a bit stagnant. Let’s brainstorm some fresh content ideas and maybe even a mini-documentary series about our design process.”

As they were continuing to talk endlessly about gaps they needed to fill in order to ensure the brand’s utmost and consistent success, a thought suddenly resurfaced in Seonghwa’s mind. “Oh, I forgot to tell you yesterday, but she said yes.”

Hongjoong looked puzzled, his brow furrowing in confusion. “Since when did you have a significant other?”

Seonghwa rolled his eyes dramatically, not being able to distinguish whether A. Hongjoong was just trying to push his buttons, or B. His brain development had reversed throughout the night and thus, is now being outright dumb. Knowing him, it was probably the latter. “No, you stupid goon. I’m referring to the girl from Rue de la Paix.”

“Oh, alright. Wait—she said yes?” Hongjoong's eyes widened in surprise.

At that exact moment, Wooyoung entered the room with a dramatic flair. “Whoa, who said yes? Didn’t know you had it in you, Seonghwa,” Wooyoung teased. Just then, an empty folder came flying his way, nearly hitting him right at his face if it weren’t for his reflexes. “Hey, what was that for?”

“That’s for accomplishing the mission of being even more stupid than Hongjoong,” Seonghwa deadpanned, shrugging. “What are you doing here anyway, Wooyoung? I thought you had no activities scheduled for today.”

Wooyoung grinned and flopped onto the couch, stretching out comfortably. “Yeah, but Hongjoong’s office couch is comfortable and I’m experiencing back pain. Needed a place to relax.”

“And who told you you could just do that?”

“...My free will?”

Seonghwa glanced at Hongjoong, who didn’t even need to hear the words come out of his mouth. “No surprises at all. He does this all the time.”

Suddenly, Hongjoong always putting in his best efforts when it comes to avoiding Wooyoung during his work hours was now starting to make sense to Seonghwa. “No wonder you’re so sick of him,” he muttered, shaking his head.

“I can hear both of you very well, you know?” Wooyoung quipped, scrolling through his phone without looking up. “Actually, nevermind. Knowing you two, you’re probably doing that on purpose.”

“Nice theory. Whatever,” Seonghwa dismissed, turning back to Hongjoong. “Anyway, what I meant by her saying yes is that she agreed to attend the casting. She didn’t say it directly, but she called me in the middle of the night to ask for further details. Plus, she replied to my message about wishing her luck and hoping she wouldn’t back out. So, I think it’s safe to assume she’s going to attend.”

Hongjoong’s expression softened with a mix of relief and curiosity. “That’s great news. I’m really curious to see what she brings to the table.”

“Who’ll bring what to the table?” Wooyoung interjected, finally looking up from his phone with genuine interest. “You both seem pretty invested in this person.”

Seonghwa leaned against the desk, crossing his arms. “A girl from Rue de la Paix that I scouted pretty recently. I believe she has great potential.”

Wooyoung raised an eyebrow. “Interesting. If you’re both that excited, she must be something special,” he mused to himself before looking back down on his phone screen.

Hongjoong hummed in agreement before turning his attention back to the topic at hand. He adjusted the sleeves of his tailored blazer and leaned forward, glancing at the tablet Seonghwa held. “So, about the upcoming projects, I think we should focus more on integrating sustainable fabrics,” Hongjoong said, his tone serious and thoughtful. “It’s not just a trend; it’s a necessity for the future of fashion.”

Seonghwa nodded, tapping notes into his tablet. “Got it. We should reach out to more suppliers who specialize in eco-friendly materials. I’ll set up meetings with potential partners next week.”

Hongjoong’s eyes sparkled with inspiration. The endless days of working he always had to go through were indeed tiring, but the creative process throughout it all and everything that came out of it were always worth the progressively lessening hours of sleep on his behalf. “And for the designs, I want to blend traditional craftsmanship with modern aesthetics. Something that tells a story of heritage while being innovative.”

“That’s a great direction,” Seonghwa agreed, looking up from his notes. “We could also highlight these stories in our marketing campaigns. You know, show our audience the journey behind each piece.”

Before Hongjoong could respond, Wooyoung let out a dramatic groan from the couch, rolling his eyes. “Man, hearing you two talk about work stuff when I’m supposed to be taking a break from all that is so annoying.”

Hongjoong shot him a bemused look. “Well, maybe if you wanted to take a break from your ‘work stuff,’ you should’ve considered staying home instead of lounging in a work office where work-related matters are supposed to be discussed.”

Wooyoung rolled his eyes again, sitting up slightly. “Come on, can’t we set things aside and talk about casual stuff for once? It’s been a while since I last got to be in the same space as both of you, and you’re settling on talking about work?”

For a moment, both Seonghwa and Hongjoong processed his words. Then, Seonghwa was the first to chuckle, shaking his head. “Well, that’s a rather unique way to say that you miss hanging out with us.”

Hongjoong’s eyebrows raised in surprise. "Wait, huh? That’s what he meant?”

Wooyoung shrugged, leaning back against the couch. “Well, you can’t blame me when the past few months have been nothing but busy schedules, busy schedules, and even more busy schedules for us. I chose to work under you two because I know we promised we’d stay together after college, but even being in the same workspace isn’t helping us have more time to spend together.”

Hongjoong sighed, a soft smile tugging at the corner of his lips. “What’s up with you and being so sentimental?” Quite hypocritical, as he’s been having the same thoughts as Wooyoung lately as well. The only difference between them is that Wooyoung is comfortable with expressing it, but Hongjoong? Well, not really.

Seonghwa looked at Hongjoong and gave a knowing smile. “Don’t lie, Hongjoong. You know you feel the same way as Wooyoung does.”

Hongjoong exhaled, his shoulders relaxing. Seonghwa could always see right through him regardless of if he wanted him to or not, and sometimes, he doesn’t know if he should appreciate it or be terrified. “Alright, fine. I do miss hanging out like we used to. Things have just been so hectic, especially with all the activities scheduled for the following weeks and months.”

Seonghwa nodded, turning to Wooyoung. “Well, seems like you’re right, then. Since you want to talk about ‘casual stuff,’ why not initiate the conversation for us?”

Wooyoung’s eyes brightened. He knew Hongjoong and Seonghwa find him annoying sometimes—well, more often than that, actually—but he never really took it seriously, because he was aware that deep down, they both have a soft spot for him. Unfortunately, for the two older men, Wooyoung has a knack for using that fact to his advantage. “Alright, let’s see... How about we take a stroll around the city later tonight? Just to take our minds off all the stress.”

Seonghwa nodded, his expression thoughtful. “That sounds like a good idea. I actually recommended Hongjoong do the exact same thing all by himself a few days ago, but I figure tagging along with him wouldn’t be so bad.”

Wooyoung beamed. “See, I knew you’d catch my drift.”

Hongjoong was a bit dismissive at first, reminding Seonghwa, “You do know the only person out of the three of us who doesn’t have anything to do today is Wooyoung, right?”

Wooyoung shrugged nonchalantly. “So? I could keep lounging in here until your work hours end.”

Seonghwa chuckled, knowing Wooyoung all too well. He wasn’t one to get bored easily, no, not at all, but in a place such as, like what Hongjoong said, a work office wherein work-related matters are supposed to be discussed, it wouldn’t take longer than a second to tire his energy out. “Are you sure you won’t get bored?"

“No, totally not,” Wooyoung insisted. “I’ve even already experienced staying the night in this office without Hongjoong here, and I didn’t get bored at all. It was, like, super cool. You know those cool rich businessmen in movies who spend the night looking outside the window of their office walls on a chair with a bottle of an alcoholic beverage in hand?”

Hongjoong’s eyes widened in surprise. “I’m sorry, you did what?”

Wooyoung’s, however, darted nervously around the office. “Oh. I mean—”

You sat in your small, dimly lit apartment, staring at the blank walls and feeling the embrace of loneliness attach itself to you. The evening stretched ahead with no plans, no friends to meet, and no familiar faces to call. Seonghwa had been kind, but you barely knew him, and calling him a friend felt a little too early. Financial prudence also demanded caution; with the casting still a few days away and no guarantee of immediate income, you couldn’t afford to be reckless with how much you spend.

Maybe a walk outside could be nice?

You sighed and looked at the closet doors, debating whether it was worth the effort. The allure of fresh air and a change of scenery tugged at you, while the fear of venturing out into an unfamiliar city at night held you back. You thought about the headache from yesterday—how intense and strange it had been. It wasn’t a normal headache, and it lingered in your mind. Perhaps a stroll through the nearby park would help clear your thoughts.

With your decision now entirely made, you rose from your bed and headed to your closet. You chose a soft beige knit sweater, its cozy warmth comforting against the evening chill. Pairing it with a long, black skirt that reached down to your ankles and shoes of the same color as your sweater, you completed the outfit with a light scarf draped casually around your neck. You began fixing your appearance up, and once you were satisfied, you grabbed your bag and left the apartment.

As you reached the ground floor, you spotted Madame Dupont at the entrance, preparing to leave. “Madame Dupont?” you called out, quickening your pace to catch up with her.

She turned, her eyes lighting up when she saw you. “Ah, bonsoir! How are you, dear?” she asked, her voice warm and welcoming.

“I’m well, thank you,” you replied, offering her a smile. “Where are you off to?” Your eyes darted to the streets outside.

“I’m just heading to the grocery store,” she said, adjusting the strap of her handbag. “What about you? Where are you going?”

“I was thinking of taking a walk,” you said, glancing towards the door once more. “But if you don't mind, I could accompany you instead.”

Madame Dupont’s face brightened even more. “Oh, that would be lovely! Are you sure you don’t mind?”

A walk to the park may have been your initial plan, but you still weren’t entirely sure the calm atmosphere of the evening would suffice to outweigh both the thoughts inside your head and your worries about possible dangers. “Not at all,” you assured her. “I’d be happy to help.”

The two of you then began to walk together to the bus stop, engaging in light conversation. “How was your day?” you asked as you waited for the bus to arrive.

Madame Dupont smiled, her eyes crinkling at the corners. “It was quite eventful, actually. This morning, I had to chase Monsieur Frank’s cat out of my garden again. That rascal has a knack for digging up my flowers!”

You laughed softly, imagining the scene. Monsieur Frank’s féline, Pompidou, was indeed a little ball full of mischief. You’ve had your own set of encounters with him, such as waking up to hearing light scratches by your door—which once happened in the middle of the night and nearly made you consider moving back to Arcadia Bay, having him come out of nowhere and pounce on your shoes when you’re walking out the door, and more. You don’t know why his owner decided to name him Pompidou, but you figured it suits his personality very well. “That sounds like quite the adventure. He’s adorable, but has always been quite of a pain to deal with. Did you manage to catch him?”

“Eventually,” she chuckled. “But not before he managed to scatter soil all over my freshly planted tulips. And then, later in the afternoon, I had a lovely visit from my granddaughter. She’s starting university soon, you know. Full of excitement and nerves, that one.”

You smiled, listening intently. Oh, what would you give to experience starting university for the first time again—with nothing but excitement and nerves, just like Madame Dupont’s granddaughter and nothing like yourself. “Really? That’s wonderful. What’s she going to study?”

“Art history,” Madame Dupont replied, pride evident in her voice. “She’s always had a passion for it. Ever since she was a little girl, she’d spend hours drawing and painting. I’m glad she’s pursuing something she loves.”

The bus arrived, and you both boarded, continuing your conversation during the short ride. Madame Dupont shared stories about her granddaughter’s childhood, her love for art, and her hopes for the future. You listened intently, feeling a warm sense of connection growing between you.

When you arrived at the grocery store, you offered to push the cart, an offer Madame Dupont gratefully accepted. Throughout your journey of navigating through the aisles, you reached for items on the higher shelves that she couldn’t reach, earning appreciative smiles and heartfelt thanks from her.

As you placed a jar of jam into the cart, Madame Dupont continued her stories. “You know, dear, I remember when my granddaughter was just four, she painted the most beautiful landscape. We framed it and it still hangs in our living room. Whenever I look at it, it reminds me of her spirit and creativity.”

“That sounds lovely,” you said, smiling at the thought. You wonder if you had moments in your childhood that were similar to hers. But then again, how would you know? “It must be wonderful to have such a talented family member.”

“I can only imagine that is exactly how your family thinks of you,” Madame Dupont mused, turning to you with a heartfelt smile. Confused, all you could do was let out an awkward chuckle. “What do you mean, Madame Dupont?” you asked, unsure what she was implying.

“You’ve only been here for quite a short while, but let me tell you, dear, it’s easy for me to be able to tell you have a genuine soul. You’ve been nothing but kind to me, and I really appreciate it—having one of my tenants accompany me to the grocery store isn’t exactly a common occurrence.” She chuckled, placing her hand on top of yours that remained sat on the cart and rubbed her thumb on the back of it shortly before letting go.

“It’s nothing, Madame Dupont,” you attempted to counter, but she wouldn’t relent. She shook her head in response, finding it amusing how you seem to be struggling to allow yourself to accept her kind words. “Well, whatever you say,” was all she settled with before turning her attention back to her grocery shopping list.

While you and Madame Dupont continued to shop together, she suddenly stopped and turned to you. “Would you mind waiting here for a moment, dear? I need to use the bathroom.”

“Of course, take your time,” you replied with a reassuring smile.

“Thank you,” she said, patting your arm gently before heading towards the restroom. You positioned the grocery cart in a corner to avoid blocking the aisle, then leaned against it and pulled out your phone. Scrolling through social media, you let yourself get absorbed in the digital world. Minutes passed, the hum of the store fading into the background, when you heard a voice that seemed oddly familiar coming from the other end of the aisle.

Curiosity piqued, you turned off your phone and tucked it back into your bag. Leaning forward, you peeked around the corner to see Seonghwa, reaching for an item on the shelf.

“Seonghwa?” you called out, stepping into the aisle.

His head snapped in your direction, and upon recognizing you, he broke into a warm smile. “Hey! What a surprise to see you again so soon,” he said, his voice laced with genuine delight as he pushed his cart towards you. “What are you doing here?”

You smiled, gesturing to the half-full cart beside you. “Just accompanying my landlord with purchasing her groceries.”

“Oh, do you live around here?” Seonghwa tilted his head, half his hair softly falling down to the side he turned to.

“No, my apartment is a quick bus ride from here,” you explained. “What about you, though? What are you doing here?” you asked, this time gesturing to his cart.

“Oh, me?” He pointed to himself, smiling. “My friends and I were planning to spend a few hours at the park, and we figured we could stop by here for a moment to grab some snacks we could eat.”

“What a coincidence. I was thinking of going to the park, too,” you mused, sharing your initial plans for the night.

Seonghwa’s face then lit up. “Really? Why don’t you come and tag along with us? They both work at the agency that’s hosting the casting you’ll be attending, too. It would be nice if you could get to know them beforehand.”

You hesitated, glancing back towards the restroom where Madame Dupont had disappeared. “That sounds lovely, but I promised my landlord I’d help her with the shopping. Maybe another time?”

He nodded, understanding and not pressing the matter. “Sure, another time it is then. So, speaking of, how’s everything going with the casting preparations?”

“It’s been…” quite a challenge, was what you wanted to say. After all, there was some truth to it. Yet still, you didn’t want to show any signs of wavering. “It’s been going well. I’ll definitely be there.”

“Great! I really think you could be our turning point,” he said enthusiastically, his eyes earnest and full of hope.

You laughed, trying to lighten the mood and ease the pressure. “No pressure, right? Or else I might not show up.”

He grinned, playing along. “Okay, okay, no pressure.”

Just then, a voice called out his name from another part of the store. Seonghwa groaned, rubbing his temple with a resigned smile. “That’s my cue. This is why we can’t go anywhere together without causing a scene.”

You chuckled, amused by his predicament. “Having friends like that must be fun.” You wouldn’t know anything about it for sure, but the thought seemed nice. Maybe in the future, you’d also get to experience having your name be shouted in a public grocery store by a close friend of yours. Or, who knows? You could be the one shouting.

“Fun, yes. Embarrassing, absolutely,” he said, rolling his eyes but with a fond smile. “I’d better go. See you at the casting?”

“Definitely. See you,” you said, waving as he walked away. Almost immediately after Seonghwa left, Madame Dupont returned, looking refreshed. “Who was that young man you were talking to?” she asked, seemingly intrigued.

“Oh, just… an acquaintance,” you replied, still feeling quite hesitant over considering Seonghwa as a friend. Hopefully, one day, you’ll feel more comfortable referring to him with such a term. “I’ll tell you all about it later.”

Madame Dupont nodded, smiling warmly. “Alright, dear. Let’s continue, shall we?”

The two of you resumed your shopping, chatting and laughing as you navigated the aisles. You reached for items on the higher shelves, and Madame Dupont shared more stories about her family. Her anecdotes were heartwarming, filled with fond memories and lively descriptions. As you listened, you couldn’t help but feel a sense of warmth and belonging. These simple moments, like helping her shop and hearing her stories, were making you feel more at home in this new city.

Seonghwa pushed his grocery cart around the store, his eyes scanning the aisles as he searched for Hongjoong and Wooyoung. He maneuvered through various sections, weaving past other shoppers and glancing down every row. Finally, after a few minutes of searching, he spotted them and couldn’t help but pause, taken aback by the sight.

Wooyoung was perched inside an empty shopping cart, looking quite pleased with himself, while Hongjoong pushed it with a resigned, tired expression on his face.

“Should’ve known you were only referring to yourself when you said you wanted ‘us’ to have fun,” Hongjoong deadpanned, his voice dripping with sarcasm as he sighed heavily.

Wooyoung scoffed, playfully swatting at Hongjoong’s hand that gripped the handle of the cart. “Pushing a shopping cart can be fun too! You just don’t know how to do it right. Now push faster!”

Seonghwa couldn’t help but chuckle, his amusement evident as he approached them. “Should I be surprised?”

“Yes!” Wooyoung replied instantly, grinning.

“No,” Hongjoong said at the same time, his tone flat.

“What took you so long, anyway? You said you were just going to grab a few snacks before we head to the counter,” Hongjoong asked, his movements with the cart becoming more mindless as he pushed and pulled it back and forth.

“That I was, but I came across her,” Seonghwa said with a shrug. He figured there was no need to specify who he was talking about, as Hongjoong’s eyes widened in recognition.

“The girl from Rue de la Paix?” Hongjoong inquired, just to make sure.

From his seat in the cart, Wooyoung interjected. “For how much longer are you gonna refer to her as the girl from Rue de la Paix? Aren’t you planning on, like, getting her name or something, at least?”

“Not when Seonghwa keeps forgetting to do that,” Hongjoong answered, gesturing toward Seonghwa, who now sheepishly rubbed the back of his neck.

“I overheard you saying you got a call from her recently. You have her number, right? You could just ask for her name through a text message. Not unless you want to keep referring to her using such a long nickname,” Wooyoung suggested, shrugging.

Seonghwa nodded, considering the idea. “Yeah, I’ll think about that.”

Hongjoong shifted the conversation back. “So, what was she doing here?”

“She was helping her landlord with grocery shopping,” was what Seonghwa responded.

“Does she live around here?” Hongjoong asked, his curiosity piqued and his hands no longer pushing the cart he held back and forth.

“No, she said her apartment is a quick bus ride from here,” Seonghwa explained. “She was just being helpful.”

Wooyoung, still in the cart, dramatically sighed. “Ah, the noble deeds of the common folk.”

Hongjoong rolled his eyes, flicking the back of Wooyoung’s head. “You’re ridiculous.”

“Ridiculous but lovable,” Wooyoung retorted, grinning widely. “Come on, admit it. You missed having me around.”

Hongjoong groaned. “No, I didn’t,” yes, he did.

Seonghwa chuckled, joining in. “Alright, enough of this. Let’s finish up and get going. Wooyoung, get out of the cart before we get kicked out of here.”

Wooyoung pouted but complied, hopping out of the cart with exaggerated movements. “Fine, but only because I’m hungry.”

After what felt like nearly half an hour of waiting by the side of the streets, a bus finally came into view, and thankfully, nearly all of its seats were vacant. You took the bag of groceries from Madame Dupont’s grasp, motioning for her to get in first. Once you both settled on one of the seats by the middle, you let out a sigh of relief as you leaned your head on the window. Today didn’t go exactly as you planned, but the point of unwinding and getting a breath of fresh air was accomplished anyway, wasn’t it?

“So, about the young man from the grocery store,” Madame Dupont started, making you sit up straight and turn your head to her. “How do you two know each other?”

You then purse your lips in excitement over finally getting to tell Madame Dupont about the casting. “Remember when I asked you for directions to Rue de la Paix for my job search?” you asked, waiting for a nod of confirmation first. Once you received it, you continued speaking. “That’s where I met him. His name is Seonghwa, and he works under an agency of fashion and modeling.”

“That sounds interesting,” Madame Dupont mused, almost to herself. “How did you two meet each other?”

“I wouldn’t say meet,” you said sheepishly, remembering how Seonghwa was quite literally running in full speed towards you. “But he’s seen me before, and said he wanted to approach me back then but couldn’t. The reason he wanted to approach me was, well…”

“Well?” Madame Dupont tilted her head, intrigued. “Don’t leave me hanging, dear,” she joked, making you laugh.

“I may or may not have been casted to become a model.”

There were a few seconds of silence between both of you, and you figured it’s safe to assume Madame Dupont wasn’t speaking because she was trying to process your words. Suddenly, you’re caught by surprise when a wide smile spreads across her face as she gently grabs a hand of yours using both of hers and shakes it in excitement.

“That’s wonderful, dear! Especially since you’ve been doing nothing but search for jobs the moment you stepped foot here,” she beamed, and for a moment, you nearly believed she was more excited for the opportunity than you were. “I’m a hundred percent certain you’ll do very well and get accepted.”

“I wish I could say the same thing, Madame.” You chuckled. “I’m still really nervous, and the casting’s happening on Friday this week.”

“Friday?” Her eyes widened in surprise, and all you could do was nod. “Well, that is very close, indeed. Have you been going through preparations?”

“I have,” you said, smiling. “It still doesn’t feel real to me, though.” You didn’t want to blame yourself for feeling like this, as for a person who’s always been accustomed to staying behind the shadows, suddenly stepping into a career where the main point is to let yourself be seen is indeed a terrifying experience.

“That’s normal. It’s a huge shift, after all,” her voice took on a soft tone, attempting to ease your nerves. “Do you have anything to wear for the casting yet?”

“Oh, about that…” you trailed off, your mind going back in time to recall the photos you took of the designs from the sketchbook. “There’s a few designs I want to base my attire on, but I haven’t gone off on a kickstart about it yet. Preparations have been mostly about my confidence and less about my appearance.”

Madame Dupont smiled, leaning back in her seat. “Is that so? Well why didn’t you tell me sooner? I could help you with that, dear,” she offered.

You felt a bit hesitant. “I’d appreciate that, Madame Dupont. But I don’t wanna take up too much of your time and bother you.”

She waved your concerns off. “Oh, dear, you’ll never be a bother to me. You helped me out today, and I think it’s only right for me to return the favor.”

“Alright, but, how?” You tilted your head, confused about where she was heading to.

Madame Dupont let out a hum, eyes darting all around the bus as she pondered over what to say before fully turning her gaze back to you. “Do you know why I never get bored even when I rarely go outside unless it’s necessary?”

You shook your head. “No, why?”

“Sewing, knitting, and crocheting are some of the things that keep me company,” she explained. Seeing your puzzled expression, she added, “And I’m bringing that up because I was thinking I can return the favor by sewing your outfit for you.”

You hesitated. “Oh, but... I don’t want to turn your hobby into an obligation.” Sure, it seemed like it would be of a huge amount of help to you, but was it really right to accept it?

Seeing your hesitance, she insisted, “I would love to help you. Besides, it’s no trouble at all.” Just as you were about to politely decline, the bus stopped in front of your apartment, and Madame Dupont used it as an opportunity to wave off any further protests. “You have no other choice but to accept my help,” she said firmly.

Eventually, you gave up, letting her have her way. “Alright, Madame Dupont.” You took the groceries and let her get off the bus first, following soon after. As you both walked towards the apartment, you turned to her, “Would you like me to help with unpacking your groceries?”

“No, dear, you’ve done enough for me today,” she said kindly. “You should go get some rest—but not before you send me the image of the attire you want to use as inspiration.”

Nodding, you promised to send the photos once you got back to your apartment. “Thank you so much, Madame Dupont.”

“Don’t mention it, dear,” she replied with a warm smile. “I’m looking forward to seeing what we’ll come up with.”

Back in your apartment, you lay down on your bed, the events of the day replaying in your mind. You took out your phone and scrolled back and forth through the pictures of the designs from the sketchbook, feeling a strange sense of déjà vu. Each design had its own charm, but one particular outfit kept catching your eye. It was the off-shoulder dress with delicate lace detailing that had given you a headache the first time you saw it, but now that you were more... used to the sight of it, it seemed perfect. After some deliberation, you decided that this was the one. You sent the image to Madame Dupont’s contact number with a short message.

This is the one I’d like to use as inspiration. Thank you so much for your help!

As you put your phone down, you muttered to yourself, “Now that that’s out of the way, I should probably go clean up before I head to bed.” You stood up, stretching your arms above your head, and made your way to the bathroom. The warm water from the shower helped to wash away the fatigue of the day, and as you stood under the stream, you felt a sense of relief and anticipation for what was to come.

Meanwhile, at the park, Seonghwa, Hongjoong, and Wooyoung were seated in one of the grassy areas, enjoying the peaceful evening. The sun had returned to its peaceful slumber long ago, and the park was illuminated by soft, ambient lights, creating a serene atmosphere. “So, any updates on your missing sketchbook?” Wooyoung asked, before popping a chocolate chip cookie into his mouth.

Hongjoong’s expression darkened, and he let out a frustrated sigh. “No, and I don’t want to talk about it,” he grumbled. “The universe might as well tell me to quit my career at this point.”

Seonghwa shook his head, refusing to encourage Hongjoong’s behavior. “Oh, come on, don’t be such a pessimist. We’ll find it eventually.”

Hongjoong turned to Seonghwa, his frustration evident. “Seonghwa, take a moment to reflect on the circumstances we’re currently under. How can I not be pessimistic? My entire collection for the autumn fashion week is in that sketchbook, along with years of work.”

Seonghwa nodded, understanding Hongjoong’s point but still trying to lift his spirits. “I get what you’re feeling, but moping around won’t do anything. We need to stay proactive.”

Wooyoung, who had been listening quietly, finally spoke up. “Why’s the sketchbook so important to you anyway? I mean, yeah, that’s a stupid question since it, like you said, has all the designs you’ve made since college and the sketches for the autumn fashion week, but I can’t help but feel like that’s not the only reason. What’s the real deal?”

Hongjoong’s eyes flickered with an emotion he quickly masked. “You’re thinking way too deeply into it,” he deflected, looking away.

Wooyoung shrugged, sensing Hongjoong’s reluctance to delve deeper. “Well, whatever.”

🪞 — lividstar.

[dokidokiliteraturegirls]

Important announcement, everyone... I'll be opening up a Patreon~!

I honestly thought I'd never make a post like this, but I guess you never know what life throws at you! And lately I've fallen on some hardship ^^;; you see, back in December I lost my job due to reduction of personnel. I didn't want to say anything about it for some time because I don't really talk about my personal life in public, and it was a bit of a dour topic to bring up during Christmas/New Year's. Don't worry about me btw, I'll be fine! But it'd be nice to have some extra income to help me get back on my feet while I look for a new job. As such, I've opened a Patreon page, for people who'd like to support me 💖

Now, I don't wanna make this post a house built on walls of text, but there's some stuff I really really wanna make clear!

1. Don't worry, the comic is not in jeopardy. Of course it'd be nice to have the extra money to buy a better drawing tablet before the one I'm using breaks down, but I'll finish Feel Less even if I have to draw the panels with a ballpoint pen on a napkin. So don't feel like if you don't support me the comic will end without a conclusion, okay?

2. I won't put my content behind a paywall. I've seen a lot of other webcomic artists offer bigger input opportunities and early chapter releases for paying patrons, but I don't think that'll work for Feel Less, since the story depends on everyone playing together and I don't like giving spoilers to select people. But I do want to make becoming a Patron worth your while though! So what you'll get is behind-the-scenes content, the chance to vote for what we play next on stream, a shoutout on the blog including a portrait of your choosing, and monthly commissions!

3. I don't want to make any of you feel like you owe me. This is something I really wanna stress. I know not everyone is in a financial position to support online creators they like, and I want you to know that that's okay!! You don't owe me anything. Just you being here reading and enjoying what I make is more than I could ask for 💖 If you can support me, that's super appreciated, but if you can't, don't feel like you're obligated~

Finally, if you want to support me in ways other than financially, I also have a twitch and youtube channel, so consider checking them out~ ^^ They're largely unrelated to the comic, but if you like my sense of humour and vibes, chances are you'll enjoy those too~

Thank you for your time! Remember that Feel Less is still scheduled to return on January 7th, and together, let's make 2024 the best year we've had yet~!! 🥰

-Yui 💖

[aragonlediagon]

OoMH (Re HRtP) drawing series update

Hi. I bring important news regarding my Touhou PC98 current drawing series, for those who followed it seriously. Initially I was working on making 2 per week on average (4 out of 11 done), but havent done anything since I posted the 4th one.

The reason is because since late march, ive been revisiting my basics seriously as I wish to improve the quality of my works. I will be honest, I am really unsatisfied of how I handle coloration/rendering, the shading especially. I had people telling me it looks fine, but I dont like it, and its a painful step for me to do each time. Drawing is my hobby, and I dont want it to feel like chores.

Even if ive been using digital tools since 2017, Im still unable to use most of it in any proper, efficient way. I dont find a good variety of tutorials for the software I use (SAI v1). Most of them guide you into having styles which I dont want to use (long story, I prefer traditional looking visuals especially watercolors & oil painting, but all I find are to achieve 3Dish airbrush-abuse results).

Looking back at most ive done these past monthes I also find what ive done lack balance and/or dynamism, so coupled with my rather poor rendering work, I end up disliking them fairly quickly. Theres a lot of them I want to revisit.

Staying hours facing my computer is also starting to really drain me. Until that Ive been drawing with a cheap xp pen without a screen + an old, big windows 7. So I finally invested in a tablet with screen + which doesnt require to be cabled to an other device. I just want to go draw outside before the crazy summer heat and be more comfortable in general lol

Im also following courses from japanese masters I like the works of to finally get to know how to properly use a software, since Ive always been going with blind processes.

Ive prepared already some sketches of the next parts of my pc98 drawing series, but I wont be posting any finished work until I get my new tablet. Im revisiting entirely my coloration style so that its technically better, and reflects more my actual inspirations (I BEG of you people, that my actual inspirations come from ukiyo-e & art nouveau, im hoping people will stop calling my art "old final fantasy")

Because I will have a new coloration style, Ill be redrawing the characters Ive already done so that it doesnt clash, having 4 pieces with old style next to the new style will bother me. I wont simply give them new colors, its going to be brand new posing in general.

Thank you for reading and understanding. This drawing series is very important to me so I want it to be my best effort, which I do solely out of love for the pc98 era. Ill be happy that ill be able to provide higher quality works.

Have a mr priest Shingyoku quick redraw for attention (hes a pretty boy worth 2.25$)

[dailyanarchistposts]

J.4.7 What about the communications revolution?

Another important factor working in favour of anarchists is the existence of a sophisticated global communications network and a high degree of education and literacy among the populations of the core industrialised nations. Together these two developments make possible nearly instantaneous sharing and public dissemination of information by members of various progressive and radical movements all over the globe — a phenomenon that tends to reduce the effectiveness of repression by central authorities. The electronic-media and personal-computer revolutions also make it more difficult for elitist groups to maintain their previous monopolies of knowledge. Copy-left software and text, user-generated and shared content, file-sharing, all show that information, and its users, reaches its full potential when it is free. In short, the advent of the Information Age is potentially extremely subversive.

The very existence of the Internet provides anarchists with a powerful argument that decentralised structures can function effectively in a highly complex world. For the net has no centralised headquarters and is not subject to regulation by any centralised regulatory agency, yet it still manages to function effectively. Moreover, the net is also an effective way of anarchists and other radicals to communicate their ideas to others, share knowledge, work on common projects and co-ordinate activities and social struggle. By using the Internet, radicals can make their ideas accessible to people who otherwise would not come across anarchist ideas. In addition, and far more important than anarchists putting their ideas across, the fact is that the net allows everyone with access to express themselves freely, to communicate with others and get access (by visiting webpages and joining mailing lists and newsgroups) and give access (by creating webpages and joining in with on-line arguments) to new ideas and viewpoints. This is very anarchistic as it allows people to express themselves and start to consider new ideas, ideas which may change how they think and act.

Obviously we are aware that the vast majority of people in the world do not have access to telephones, never mind computers, but computer access is increasing in many countries, making it available, via work, libraries, schools, universities, and so on to more and more working class people.

Of course there is no denying that the implications of improved communications and information technology are ambiguous, implying Big Brother as well the ability of progressive and radical movements to organise. However, the point is only that the information revolution in combination with the other social developments could (but will not necessarily) contribute to a social paradigm shift. Obviously such a shift will not happen automatically. Indeed, it will not happen at all unless there is strong resistance to governmental and corporate attempts to limit public access to information, technology (e.g. encryption programs), censor peoples’ communications and use of electronic media and track them on-line.

This use of the Internet and computers to spread the anarchist message is ironic. The rapid improvement in price-performance ratios of computers, software, and other technology today is often used to validate the faith in free market capitalism but that requires a monumental failure of historical memory as not just the Internet but also the computer represents a spectacular success of public investment. As late as the 1970s and early 1980s, according to Kenneth Flamm’s Creating the Computer, the federal government was paying for 40 percent of all computer-related research and 60 to 75 percent of basic research. Even such modern-seeming gadgets as video terminals, the light pen, the drawing tablet, and the mouse evolved from Pentagon-sponsored research in the 1950s, 1960s and 1970s. Even software was not without state influence, with databases having their root in US Air Force and Atomic Energy Commission projects, artificial intelligence in military contracts back in the 1950s and airline reservation systems in 1950s air-defence systems. More than half of IBM’s Research and Development budget came from government contracts in the 1950s and 1960s.

The motivation was national security, but the result has been the creation of comparative advantage in information technology for the United States that private firms have happily exploited and extended. When the returns were uncertain and difficult to capture, private firms were unwilling to invest, and government played the decisive role. And not for want of trying, for key players in the military first tried to convince businesses and investment bankers that a new and potentially profitable business opportunity was presenting itself, but they did not succeed and it was only when the market expanded and the returns were more definite that the government receded. While the risks and development costs were socialised, the gains were privatised. All of which make claims that the market would have done it anyway highly unlikely.

Looking beyond state aid to the computer industry we discover a “do-it-yourself” (and so self-managed) culture which was essential to its development. The first personal computer, for example, was invented by amateurs who wanted their own cheap machines. The existence of a “gift” economy among these amateurs and hobbyists was a necessary precondition for the development of PCs. Without this free sharing of information and knowledge, the development of computers would have been hindered and so socialistic relations between developers and within the working environment created the necessary conditions for the computer revolution. If this community had been marked by commercial relations, the chances are the necessary breakthroughs and knowledge would have remained monopolised by a few companies or individuals, so hindering the industry as a whole.

Encouragingly, this socialistic “gift economy” is still at the heart of computer/software development and the Internet. For example, the Free Software Foundation has developed the General Public Licence (GPL). GPL, also know as

“copyleft”, uses copyright to ensure that software remains free. Copyleft ensures that a piece of software is made available to everyone to use and modify as they desire. The only restriction is that any used or modified copyleft material must remain under copyleft, ensuring that others have the same rights as you did when you used the original code. It creates a commons which anyone may add to, but no one may subtract from. Placing software under GPL means that every contributor is assured that she, and all other uses, will be able to run, modify and redistribute the code indefinitely. Unlike commercial software, copyleft code ensures an increasing knowledge base from which individuals can draw from and, equally as important, contribute to. In this way everyone benefits as code can be improved by everyone, unlike commercial code.

Many will think that this essentially anarchistic system would be a failure. In fact, code developed in this way is far more reliable and sturdy than commercial software. Linux, for example, is a far superior operating system than DOS precisely because it draws on the collective experience, skill and knowledge of thousands of developers. Apache, the most popular web-server, is another freeware product and is acknowledged as the best available. The same can be said of other key web-technologies (most obviously PHP) and projects (Wikipedia springs to mind, although that project while based on co-operative and free activity is owned by a few people who have ultimate control). While non-anarchists may be surprised, anarchists are not. Mutual aid and co-operation are beneficial in the evolution of life, why not in the evolution of software? For anarchists, this “gift economy” at the heart of the communications revolution is an important development. It shows both the superiority of common development as well as the walls built against innovation and decent products by property systems. We hope that such an economy will spread increasingly into the “real” world.

Another example of co-operation being aided by new technologies is Netwar. This refers to the use of the Internet by autonomous groups and social movements to co-ordinate action to influence and change society and fight government or business policy. This use of the Internet has steadily grown over the years, with a Rand corporation researcher, David Ronfeldt, arguing that this has become an important and powerful force (Rand is, and has been since its creation in 1948, a private appendage of the military industrial complex). In other words, activism and activists’ power and influence has been fuelled by the advent of the information revolution. Through computer and communication networks, especially via the Internet, grassroots campaigns have flourished, and the most importantly, government elites have taken notice.

Ronfeldt specialises in issues of national security, especially in the areas of Latin American and the impact of new informational technologies. Ronfeldt and another colleague coined the term

“netwar” in a Rand document entitled “Cyberwar is Coming!”. Ronfeldt’s work became a source of discussion on the Internet in mid-March 1995 when Pacific News Service correspondent Joel Simon wrote an article about Ronfeldt’s opinions on the influence of netwars on the political situation in Mexico after the Zapatista uprising. According to Simon, Ronfeldt holds that the work of social activists on the Internet has had a large influence — helping to co-ordinate the large demonstrations in Mexico City in support of the Zapatistas and the proliferation of EZLN communiqués across the world via computer networks. These actions, Ronfeldt argues, have allowed a network of groups that oppose the Mexican Government to muster an international response, often within hours of actions by it. In effect, this has forced the Mexican government to maintain the facade of negotiations with the EZLN and has on many occasions, actually stopped the army from just going in to Chiapas and brutally massacring the Zapatistas.

Given that Ronfeldt was an employee of the Rand Corporation his comments indicate that the U.S. government and its military and intelligence wings are very interested in what the Left is doing on the Internet. Given that they would not be interested in this if it were not effective, we can say that this use of the “Information Super-Highway” is a positive example of the use of technology in ways un-planned of by those who initially developed it (let us not forget that the Internet was originally funded by the U.S. government and military). While the internet is being hyped as the next big marketplace, it is being subverted by activists — an example of anarchistic trends within society worrying the powers that be.

A good example of this powerful tool is the incredible speed and range at which information travels the Internet about events concerning Mexico and the Zapatistas. When Alexander Cockburn wrote an article exposing a Chase Manhattan Bank memo about Chiapas and the Zapatistas in Counterpunch, only a small number of people read it because it is only a newsletter with a limited readership. The memo, written by Riordan Roett, argued that “the [Mexican] government will need to eliminate the Zapatistas to demonstrate their effective control of the national territory and of security policy”. In other words, if the Mexican government wants investment from Chase, it would have to crush the Zapatistas. This information was relatively ineffective when just confined to print but when it was uploaded to the Internet, it suddenly reached a very large number of people. These people in turn co-ordinated protests against the U.S and Mexican governments and especially Chase Manhattan. Chase was eventually forced to attempt to distance itself from the Roett memo that it commissioned. Since then net-activism has grown.

Ronfeldt’s research and opinion should be flattering for the Left. He is basically arguing that the efforts of activists on computers not only has been very effective (or at least has that potential), but more importantly, argues that the only way to counter this work is to follow the lead of social activists. Activists should understand the important implications of Ronfeldt’s work: government elites are not only watching these actions (big surprise) but are also attempting to work against them. Thus Netwars and copyleft are good examples of anarchistic trends within society, using communications technology as a means of co-ordinating activity across the world in a libertarian fashion for libertarian goals.

[chiptrillino]

Hey, I don't know if you've said this before, but may I ask which program you use for digital art? I'm still trying to figure out which one I want to get because I wanted to try out something new. (I've drawn on Gimp and I feel like it's a lot better for editing images than it is for drawing ^^")

i got just asked that and replyed here

i use Photoshop. and i know its costy for a lot of people. so i recomend to look at the following programs Krita its free, lots of brushsettings, brush stabilizers, and vectors + text. you can even do smaler animations in it.

if you would like to invest, you could try

Clip Studio Paint i have artist friends that use this programm. its loved by many artist. its created by having artists need in mind. lots of brushes, stabilizers, vector lines + texts. animations option. a huge library or resources you can download form (carefull some could cost money) and 3D models to make the drawing process easyer. it also does this fancy recording your drawing thing we know form procreate. i think you can still get the old version without the subscription payment methode, which costs around 50 bucks.

Affinity Photo i admit i used it once and it took me getting used to. but its fine. the Affinity programs are like the counterpart to the AdobeCC. i know some people recomend it as an alternative, and got this and more programs for a steal on black friday. currently they cost around 80 bucks for a one time payment. way cheeper then the CC. it does what PS does. so if you are an artist that is used to PS you could give it a shot

i want to honorably mention CorelDRAW because i began my digital drawing journey on that program like.... 15+ years agon... but its expensive.... -i am not gona say it but if you thought about it.... well... go for it!-

if you have the option of a ipad or screen touch tablet. get a good stylus pen and check out the app store for digital drawing apps. there are lots of free ones out there. most popular i know of are:

Ibis Paint x - is free. and if you want to use all the tools and features you can by just watching one add and then everything is unlocked for like 8 hours. apart everything you need it also has this fancy procreate drawing recording option

procreate - its not free but as far i understood its an amazing program and just costs around 13 bucks? it only works on ipads. but professionals use it, has animation option just like everything! hope this helps! (sorry idk how to link the apps)

[attyrocious]

heyyy I'm new to digital art, would you mind sharing some tips regarding programs and tutorials and etc? also on how to turn a real life piece into a beautiful and clean digital piece... really love your art

oh good luck with your art journey! my experience with digital art is pretty dated (as in a decade + levels dated) and i might be too out of touch to give beginner tips but regardless, allow me to attempt

Programs: it would help to know which hardware you have for digital but ill put down some i have experience in 1. Clip Studio Paint Pro - PC/Android/ipad/everywhere i think? unfortunately they betrayed humankind and its now a subscription everywhere but on PC. i bought a one-time license years years years ago on sale and its probably the best available on my end. I also got it on subscription on android so i can sync works between my PC and tablet. its very flexible in a way that you can draw with it in the most basic way single layer sketches or whatever but they have so many features and keep adding more.

2. procreate - ipad only never been an apple user but my friend is, and he's been a procreate user forever. he recently tried CSP on ipad though and he still claims he likes procreate better for ease of use and compatibility with tablet ergonomics and apple pen

3. medibang paint - pc/android/ipad

free forever. and out of all the free programs i recommended my other digital art newbie friend this is what he liked best.

4. adobe photoshop - dont even look at this the only reason i have one is im leeching off company license. its still unfortunately the industry standard tho but CSP is much cheaper and has the same controls and most of the basic functions 5. Paint Tool SAI - my first art program but i haven't tried it again. honestly still think this has the best brush flexibility and pen pressure control ----- As for tutorials, i find digital art has such a steep and high skill ceiling and its a challenge im still tackling and probably will forever tackle haha. I'm trying to osmosis painting techniques from splash art painters from League of Legends who most of them post complete timelapses (my favorite being Bo Chen) where you can study not just their techniques but like, art directions that make their pieces striking. Anyway, I also promised a friend I would make a simple coloring tutorial so maybe after inktober hustle, I would look for a piece there I'd use for the guide.

---- Traditional to digital is never a satisfactory process to me but if you can, invest on a scanner. I use an epson v39, had it for years.

scanned vs edited. the goal is to at least get the white of the paper as white as possible and the blacks the blackest, without whitewashing/burning the rest of the colors. Level correction function is your best friend here and most art programs have that.

Then i just clean dust and errors and slide the contrasts around until it looks as close to the original piece

If you have a decent phone camera, you can get away just posting instagram aesthetic pics with materials framing it or smth and just edit as usual. natural light tends to be a lot more forgiving than the harsh light of scanners anyway.

Anyway I hope this helps and have fun learning!

[genericpuff]

Do you have any advice on any tablets outside of Wacom?

I used Wacom tablets for the majority of my time as a digital artist, so I don't really have many recommendations outside of it. I started using a Huion Kamvas 22 Plus two years ago, but a couple months ago it just randomly stopped working (the screen still works but pen touch does not, even after replacing the cables and pen and re-installing the drivers several times). From what I could dig up, this is apparently a common issue, so if you decide to try out a Huion, I'd recommend maybe a smaller tablet model or something that isn't the 22 Plus specifically. And if you do try Huion, order it from Amazon, not the main site, the main site is a lot slower with delivery turnaround times (I find every time I order from them there it takes them 5-7 business days just to ship the damn thing).

I also use a 4th gen iPad Air for my portable drawing, I got it used at a pawn shop and it still functions like brand new aside from a couple small scratches on the screen. I mostly got it for tattooing so I could change designs on the go but now I have to use it for Rekindled as well until I can get my main PC drawing tablet replaced (and before that I'm replacing the PC itself lol) It works pretty well, the processor can handle quite a bit so if anything, Clip Studio tends to run even smoother on my iPad than it did on my PC (though my PC is kinda shit tier at this point lmao). Only downside is that you'd have to adjust to the "plastic on glass" feeling of the Apple Pencil (though you can get paper-texture screen protectors and different nibs to create a more natural feeling) and the touch commands can and do get in the way often, unlike on my Huion where I can draw freely without it picking up my hand.

Ultimately it's up to what you're looking for in a tablet and what you want to budget for. Always do your research, look up both reviews and crash reports (reddit is helpful for this). Nowadays I use screen tablets but desk tablets are also still pretty good once you get used to the hand-eye coordination barrier, when it comes to screen tablets I personally like to go bigger because it gives me room to draw (I draw from the shoulder and elbow a lot which means I need more room to draw big swooping lines) and I don't tend to order the ones with hotkey buttons because 1.) it's cheaper to get them without and 2.) I prefer using keyboard shortcuts (keyboard with my left hand, drawing with my right).

I'm thinking of trying XP-Pen once it's time for me to replace the Huion, I've also heard good things about them but I'm still doing my research. If I do get one, I'll be sure to make a post about it :' )

[returnofahsoka]

I don't know what you want to do with digital art so this is just broad advice, but here are my tips!

Most drawing softwares or websites give you a white background. Change that to a muted, softer, color so that your eyes don't work as much. It doesn't need to be a dark color or even a grey, even just something around this area will do wonder for your eyes:

You can always put it back in white to check that your colors look good when you're finished, just don't hurt your eyes with your screen.

2. Speaking of screen, remember all those tips about how to work at a computer without hurting your back or your neck? Use them here too. One of the perks of drawing digitally is being able to just zoom in instead of getting the face closer to the drawing, I know that's not easy to get used to but trust me good posture is important.

3. You don't need any paying software or subscription, except if you absolutely need a very specific one, which most people never do. Digital art is one of the areas where the open source community works the most, there's tons of free software and material (and tutorials! there's tutorials for everything!) everywhere! My favorite is Krita because I like its options and tools (although I keep using the same handful ^^), but even something as basic as Paint can work well, depending on what tools you expect your software to give you. If you need Photoshop, you probably heard of Photopea already, I can confirm it also works really well.

4. Drawing time! If you have a tablet that has buttons, I really recommend spending a few minutes looking through a tutorial to attach your software's keyboard shortcuts to the buttons. Personally I have buttons for: switching between pen and eraser, zooming in, zooming out, rotating the image to the left, rotating the image to the right, and grabbing the image to move it. Also the basic Ctrl+Z. I'm planning to add the fill tool on the last button soon.

5. More tablet tips: your hand will probably not glide well on the surface of it. People usually buy a drawing glove for that, I still haven't taken the time to do that so I use a bit of fabric instead. Even just the end of your sleeve will result in smoother lines on the screen.

6. Many pens are pressure-sensitive! If yours is too, you can always begin by using one of the most basic pencils in the software that don't have pressure sensitivity, and work your way up to other pencils once your hand learned how to draw this new way. There can be other settings like angle of the pencil tip or speed, but those also take time to get used to and most people find them less intuitive. But do experiment with what you've got! You should be able to change the size of the pencils, and every other setting too, so if you like some aspect of a pencil but not another, you can just disable that other one xd

7. If you're not drawing with a tablet but with a mouse... Well I take my hat off to you.

8. This one's not specific to digital art, but I find that taking a few minutes to just draw lines and circles and waves works really well to get the hand and arm used to working in a new position. I do that every time I draw for warmup, but whenever I'm at another desk I really notice how much my hand needs it to get used to the new angle. You already know how to draw, your limb(s) just need to work on the neural pathways to become familiar with the new position(s). Thankfully cerebral plasticity works fast!

thank you!!

this is all such useful advice! i'm planning on getting into digital art again (my previous forays have been historically... not too successful) bc my laptop has a touch screen, i got a digital pen and krita is free xdd. it took a bit of fiddling around to find the settings and the brushes i wanted and i still haven't figured out where the ctrl+z is but eh, we're getting there. it's so different to traditional art though omg. but it does give very satisfying results i'll have to give that. thank you again, i will keep trying!!!!!!

[namdubsar]

Drawing Cuneiform, Part 3/3

(Previous)

So, how can we draw these signs in a way that's clear and legible, without getting too overcrowded and busy?

We have to make it clear where strokes start and end, because these three are all different signs (the sounds qa, me, and bar). This means we can't only mark the heads.

And we have to be able to mark multiple heads on a single stroke, because these two are different signs (the number 2, and the sound a). This means we can't only mark the tails.

So how can we achieve both of those goals, without ending up with a mess of heads and tails everywhere?

Well, it turns out some ancient scribes tried to solve the same problem!

Ashurbanipal, the last of the "great" kings of the Assyrian Empire, was known for being a horrifically cruel and bloodthirsty ruler (which is part of why he was the last of them). But he was also a great scholar, and he devoted a lot of his time and effort to building the Royal Library, which was meant to include all the knowledge of the world. It's thanks to this Royal Library that we have as much ancient Mesopotamian literature as we do today!

Like any good librarian, he made sure that every tablet filed in the Royal Library was properly labelled, and like any good emperor, he made sure they all had his own name on them, just in case. Usually this was stamped into the clay the normal way. But sometimes the tablets brought back from sacking a city had already been fired. What then?

Well, in exactly three specific cases, we've found this library information (the "colophon") written on in ink.

Here are zoomed-in images of the two I was able to find in the British Museum's collection. The third should be somewhere in there as well, but I haven't been able to locate it.

The text is pretty badly faded, but we know what it says based on other tablets from the Library: "Palace of Ashurbanipal, King of the World, King of Assyria".

Now this looks promising! This isn't just the improvised work of a scribe whose tablet dried too fast—according to Irving Finkel, the British Museum's cuneiform expert, the neatness and elegance of the writing suggests that there was a long tradition of this. Ink is just less durable than fired ceramic, and less likely to survive for the thousands of years it took us to rediscover these artifacts.

It's hard to extrapolate much from just these two inscriptions, but we can say a few things:

The heads are drawn with curved lines, and the tails with straight lines

Multiple tails can share one head, and multiple heads can share one tail

So let's see if we can render some text in this style! Here's what the full colophon should look like, if the rest of the text had survived:

I had to make a few guesses to make this work. We don't have any "Winkelhaken" strokes in the surviving text—the ones that look like big hooks, without a head or tail—so I just guessed at how they would be drawn.

But still, I think we've found our winner. This is the most readable style I've seen yet for writing cuneiform in two dimensions. You can see clearly where all the heads and tails are, you can tell the heads apart from the tails, and each wedge takes a maximum of two pen strokes to draw, a big improvement over our earlier versions!

So to finish off, here's how our Gilgamesh excerpt would look in this style:

Very readable, I think!

Next up: how exactly does this style work?

[the-ark-awaits]

i wish i had stuck with art tbh. i had a pretty severe breakdown about my art a few years ago now bc i hadnt seen much improvement from 6th grade to like, the end of highschool, so i quit bc drawing started to become so emotionally draining and awful feeling that it wasnt worth the strife, but also like, not for those same reasons it feels impossible to pick it back up. i know it isnt, but its still a deeply awful experience mentally for me, however i still love making little guys and no one gives 2 shits about your your blorbos unless you can draw them, as is made very apparent by artfight season, general posting trends, and ask blogs with no art.

but also, i just kinda miss it, i miss being younger and being able to draw shittily and have fun, now i draw a guy with the face a little crooked and i start spiraling and have to put the pen down and walk away. it also doesnt really help that i couldnt ever get into the digital art scene bc i couldnt get a hold of a tablet, drawing or otherwise.

it sucks because i enjoy making guys, it takes me a while and i dont tend to make stories out of them for a variety of reasons but i like having ocs and its a lot harder to design a guy when im limited to picrews and dollmakers.

this is kinda random i guess, i just kinda miss being able to enjoy things without thinking too hard about it

[megidoreyn]

Heyyy it's about the art questions

I would like to know your answer in 18 (the purpose) and 22 (artspiration).

I would also ask 3 but I'd completely understand if you prefer not to answer

The rest are already answered

Hope you have a great month. ;D

Hey there! Thanks for the questions!

⭐️3. Show us your oldest piece of art you have on hand

→ It was a real trip down memory lane to look back on some of these, but here's a sample of some old things from 2021-early 2022! (Prior to posting on social media in Aug 2022) Back then, I didn't have any real incentive to improve my art outside of drawing quick sketches like the pictures above. I had issues being cleanly (due to lack of motivation), committing to learning character details, and more LOL. →Fun fact, I drew on a very tiny 11 inch screen 4GB RAM laptop with horrible color calibration for about 3 years until finally getting something better in early 2022 too LOL. It might be noticeable in some of the above pictures with the color choices being a little too light or too saturated, LOL.

→As also seen at the bottom of this post, It might come as a surprise that I also draw fanart for my favorite assorted fandoms outside of megaten too, LOL. I just never post it in public since they're meant as warm-up doodles!

To be honest, 2020 thru late 2022 was a very low point in my life. I had given up on all creative endeavors at the time due to: My career, being diagnosed with a bodily issue of which the effects I still deal with even today, and other personal issues.

It truly wasn't until late 2022 (when I started posting online) that I truly felt confident picking up my tablet pen again and view art in a more positive light…!

NGL I had written out my entire life story here but ended up deleting it--it would have made this post terribly long regardless LOL💦 Perhaps it'll be a story for another time, though!!🙏 And it absolutely has to do with why the Samurai husbands mean lot to me!

⭐️18. What is your purpose for drawing?

→ That's a good question! For me, (especially due to my visual agnosia) it'd have to be the ability to draw whatever comes to mind with skill and precision. To not hold back and draw whatever comes into your mind's eye without fear or hesitation from others (or your own critical inner voice)… And to be able to properly convey the meaningful themes of your work as clearly as they come into your mind... That, to me, is true freedom.

➡️As for BL content: Despite not posting much of it in public (yet), my purpose in drawing BL (or OTP content in general) is to transmit feelings of love + warmth in my art! To depict tenderness, warmth, and love with affectionate, natural-looking body language to make it as believable + realistic as possible...That's always been my goal! →The world is a scary place out there. Though, if my OTP content can make someone feel a slight glimmer of peace, tranquility, or even hope to keep moving forward...then I'll be incredibly happy!🙏💕 It's always my intention to convey nothing but sweet wholesome vibes and warmth with my pictures, and I truly hope that feeling comes across too. ➡️I'll be super candid and say I actually really enjoy angst and raunchy content as much as everyone else! But drawing wholesome + sweet characters in love just comes much sooo much easier and naturally as breathing to me, LOL. Just because I don't post angst or raunchy things, doesn't mean I dislike it! ☝️

⭐️22. List at least one of your “artspirations.”

→ I tend to gravitate towards professional artists with thick painting (厚塗り) coloring styles, dynamic illustrations, and artists that have a strong grasp of anatomy, character design and storytelling! It's hard to pick just one, so here's a brief selection of ones that come up at the top of my head right now!

Thanks again for the questions! Have a wonderful January and rest of your 2024 as well!✨🌟

[rrrrinmaru]

liveblog of 02 - the first mission

in the entire linkon city, is there only one hunters headquarters? this twenty-storey building - it's convenient, but it also seems like incredibly poor security if it's just in the city exposed to the surroundings... one well-placed wanderer's ambush and all teams go down together... all that technological infrastructure...

the OTTO-CSE can even track my sleeping patterns... i know there are similar apps available these days that can do the same, but is this data being recorded and sent to mc's employer wwww

there are PILLS to combat tiredness????? say no to caffeine say yes to popping pills to fight off the tired effects... wonder what zayne will say about prolonged use of draumril

not the risk pay i'm dead...... yay for special insurance for higher risk of death! (sparkle)

alpha team is located right next to movere bridge so that mc can arrive anywhere in linkon city within a few seconds - teleportation??? < ah, normal transport, just super fast. is getting a driver's license included in a hunter training course? how comprehensive...

not mc thinking ah yes these old monitors must be used to block off eye contact and prevent small talk...

this braimago - brain image(o) i'm assuming? there's clearly some neuro linkage between the pen's "three green streaks of light" that enable it to connect with mc's mind and accurately replicate onto paper what mc can envision in her mind's eye. and evidently, braimagos are under tight security if one requires TSC security authentication code to be used. is it for images only or can the pen also write words? life would be easier if there was a pen that could just pull the words out my head and onto paper without me writing...

but i must say it's interesting - and this is very common among other futuristic settings, be it otome games or games / movies etc - that despite how advanced the technology looks in terms of translucent floating screens, holographs, watches that beam up images, touch screens, pens that can apparently link up to one's brain... there appears to still be a heavy reliance on hardcopy paper. mc described the room she entered as having a lot of "untouched paperwork". the braimago is used to draw on "paper" (although, i'm intrigued by how the braimago can be used to draw on paper if it operates via lights / energy (?) to penetrate the human body to have a neuro link with the brain. you're telling me there's also an ink cartridge or lead in the pen along with all this tech?). you would think that a society so advanced would have moved beyond needing physical paperwork - something that would make more sense in-universe would be multiple tablets stacked together, maybe. unless there's some concern that electronic devices can be misused and paperwork is still the best when it comes to certain official documents?

nero is 100% that guy from pacrim 2 who mindmelds with a kaiju and essentially is mindfucked by it for the entirety of pacrim 2. 100%.

ah he's from data analytics. yeah going back to my first point in 01, do these people ever have to go into the field? it doesn't exactly seem like nero will willingly go into the field wwww... maybe if he's dragged kicking and screaming with some tech held at gun point, he'll fulfil any required combat missions but otherwise...

advanced tech labs considers the missions and assigns them according to the specific HUNTER'S evol / capabilities / efficacy? not the team? so ATL assigns a mission DIRECTLY to mc and not, say, to alpha team who then reassigns it to whoever in the team based on their own analysis? this does not sound efficient at all... unless everything is just done by numbers and they rely on AI to do it for them, in which case, well i guess...

oh it's nice that you're still allowed to pick and choose missions, but i assume there is a minimum number of missions one has to complete per month / whatever timeframe they use when measuring work performance - else it would be too easy to just enter a team and only do urgent missions and completely reject all other missions, wouldn't it? or are urgent missions so common that undertaking the assigned urgent missions would be sufficient to hit whatever mission quota is assigned?

if brand new hunters are assigned solo b rank missions right out of graduation, who the hell are doing missions below b rank? maybe data analytics..... shit i crack myself up

MC DRIVES A MOTORBIKE? damn i didn't know the hunter academy made you get a motorbike license... pretty sick.

YOU PICK ZAYNE UP FROM THE ROADSIDE.... THIS IS THAT MEME WHERE THE GUY AT THE BACK IS LIKE "it's not manly being on the back..." SO YOU LET HIM SIT IN FRONT AND TRAP HIM WITH YOUR ARMS ON EITHER SIDE SO YOU CAN STILL REACH THE HANDLEBARS!!! SAY IT IS SO!!

buckle up? there are seatbelts for passengers in motorcycles? hold on let me google this < hm. maybe they've finally invented a way for seatbelts for both driver and passenger on motorcycles because right now there are no seatbelts available.

"keep arms and legs by your side" - legs i can kind of get, but arms? is he not holding your waist? girl what kind of motorcycle is this? where is he holding? is he just sitting upright and praying??

help he is so malewife the way he slams into your back when you brake because he jerked back from the force of you starting the bike TAT zayne is this your first time on a bike TAT you are so funny

it's truly giving childhood frenemies....

(with hindsight) it's quite clear the skeleton in the giant transparent tube belongs to a skeleton. problem is the skeleton looks massive, and i'm not just talking about the length inclusive of the tail. even the human torso itself looks huge, which would also make sense since it should be somewhat proportional to the size of the tail (for the most effective build for swimming and hunting). are lemurians all that big? did rafayel.... shrink when he turned human?? or is this like an ultra ancient lemurian skeleton like how the animals were all way more massive during the prehistoric era?

xander sciences - is zayne engaging in scientific / biomedical experimentation as well? on top of being a cardiovascular specialist? boy this man is busy

bruh what was the point of zayne coming here. just to check up on raymond because he asked, confirm the vital signs are all good, exchange some snarky words and then leave? i hope he was paid well for this home visit

... why are there faint scars on zayne's hands?

interesting, they've finally given a visual description for metaflux. "an almost imperceptible ripple appears in the air", creating a resonance trail that is coming from the collection room - instinctively i think this means the format is as follows: portal prepares to open, portal location has sharp increase in metaflux levels. metaflux levels spread in a radius (energy waves) and these are visible to the naked eye, kind of like how the sun makes the air shimmer in waves when it's too hot sometimes. i'm still not certain if a resonance trail is something mc has because of her resonance evol or if it comes from her hunter's watch - i'm assuming it's the former for now.

i understand gameplay wise that the boys need to fight with you to justify pulling for certain myth cards with new ways of fighting etc, but i do wonder in plot how it fits in. is everyone born with an evol? does one need a license to be able to use it in public / day-to-day? how is zayne so good at using his evol if he hasn't undergone hunter training? this is sounding a lot like the bnha quirk regulation system but they're serious questions. also not gonna lie if zayne can nail a wanderer with no training so easily then why did i bother going to hunter academy. and why do they issue guns to rookie hunters if an icicle (or other manifestation of an evol) will work just as well... ok i suppose at some point your internal mana runs out for evols

RAYMOND IS 35? WHY DOES HE SOUND 70

"had yet to form a protocore" - do they form them when they land on earth or do they form them before coming to earth? i assume a protocore is like the equivalent of the crystal nucleus in zombies in cn apocalypse literature / dantian in fantasy literature. if these are the inspirations, then yes protocores do take time to form in the wanderers, and they will be stronger the more advanced the wanderer is. still doesn't answer the question of when exactly the protocore forms though - i suppose if the wanderer that enters earth is weak (maybe b level), then the protocore hasn't been formed yet, and as the wanderer levels up, the protocore is slowly formed through the process. but if the wanderer comes in at s level immediately, is the protocore fully formed? interesting. maybe i should join data analytics.

bro if rafayel can paint paintings with above healthy levels of metaflux energy that can draw people INTO said paintings if they have the resonance evol (or a manufactured resonance evol, i'm sure society will evolve to innovate such things), he could be paid an obscene amount of money for this... being sucked into a painting is insane... the new and improved siren song (since no ocean to drown prey in) is to drown people in paintings.... serial killer rafayel here we come

zayne froze a WHOLE ass cup just to knock mc with it to rouse mc from their reverie... this is so funny zayne you are so insane

help this is so funny

tara: the painting's artist is rafayel mc: rafayel? tara: he's pretty famous, always on the news. probably why you've heard of him before.

i won't lie my first reaction when mc when said "rafayel?" is that mc did NOT know who tf rafayel is and was repeating the name to be like huh, who is that? and for tara to be like yeah he's pretty famous that's why you've heard of him is so funny to me. it's like saying oh hozier sang this song and i go hozier? (who?) and you go yeah he's pretty famous isn't he and i'm like who's hozier

the day of ebbing......... sounds a lot like all hallows eve but for sea creatures.... coming ashore for one night and disappearing with the morning tide, with every interaction dissipating like the thin spray of foam on the waves....

why can't the sea creatures see the sun though... just peek your head out from the ocean surface? the sun is right there? unless they want to see the sun like, on the horizon with land beneath their feet... i'd imagine it's quite impressive either way if you've never seen it. alternative theory is the deep sea creatures, when transformed into humans (?) can surface to the upper sea / land and tolerate the change in pressure, which allows them to see the sun. if they remain as deep sea creatures, they can only survive in the deep sea and cannot rise up to see the sun since they would suffer from the blobfish effect if they tried to surface and no longer had the pressure of the deep sea to keep them in form. or maybe, final answer, rafayel is being a drama queen.

not rafayel chasing the dream of finding the right shade of red to paint the color of the ocean because that's all he remembers from the time he surfaced. i see the angst potential i am taking down notes. a man entranced by the right shade of red to mimic the firelit ocean he saw one night is the perfect set up for a serial killer i won't lie.

NOT THOMAS SAYING THE GALLERY WAS FILLED WITH "BETTER" PAINTINGS THAN THE ONE RAYMOND BOUGHT - THOMAS CAN YOU REALLY SAY THIS AS THE GALLERY MANAGER!!!

well i hope rafayel has good security. what do you mean he doesn't lock his doors. jesus christ i know you're a superstar mermaid but still!!

it just occurred to me i haven't mentioned anything about my rafayel shrimp color vision headcanon. shrimps have 12 color cone photoreceptors, as opposed to humans' 3 - what i mean is, rafayel is painting on levels we cannot fully comprehend and appreciate as humans because he has the shrimp 12 color cone photoreceptors. in this essay i will-

it is truly such an embarrassing introduction for him to literally fall off his high stool and fall onto mc. like do you need a railing on that chair rafayel? is this a height risk? it looks pretty high up not gonna lie i think you could easily break a bone if you fell from that height and fell wrong. particularly with all your paint cans lying around... and the way mc can just dodge to the side and let him fall on his face is so hilarious. god he looks so pathetic just lying on his side on the floor and calling you heartless for dodging. sir you told me to dodge. he is so funny

NOT HIM BEING LIKE YOU'RE NOT HERE TO CHECK UP ON THE RED FISH RIGHT. WHAT IF I AM

rafayel uses mummy bandages to paint.... ok

gotta agree with rafayel on this one. why does him admitting he used the coral stone to refine paint for raymond's painting mean raymond's erratic behaviour is automatically linked to him? lowkey acab of mc to be jumping to conclusions like this www why is she so insistent that there's something wrong with him because he painted it? like yes he's suspicious but you're showing your cards a bit too early! goes to show she's still a green rookie who doesn't know how to play the field well enough to get an admission yet huh... to be fair this is like her second day on the job.

so he materialised a dagger out of his flames, cut his middle finger, dropped a drop of blood onto the coral stone and that triggered the illusions, which created the metaflux fluctuations and opened up the portal for the wanderer to arrive... i don't think this is the first time he's finding out about the properties of the coral stone and/or that it can create metaflux fluctuations...

when rafayel says thank god the paintings are still intact i feel it's more of a thank god thomas can still sell them and not a thank god the wanderers didn't destroy my art wwwwww maybe it's the latter but it would be so funny if it were the former...

what injury... the cut he self-inflicted?! my god you would be the king of the silver screen rafayel...

i'm surprised that mc can't go apply for clearance to seize the coral stone if it truly is producing metaflux fluctuations? like there is hard data that is being recorded into her hunter's watch about the fluctuations radiating off the coral stone, particularly after the addition of rafayel's blood - surely this is something the hunter's association will be interested in investigating?

rafayel truly has the most clown bgm... it's so funny

HELP PROPERTY VALUES WILL FALL DUE TO INCREASED WANDERER ATTACKS? FERB I KNOW WHAT WE'RE GOING TO DO TODAY!!!!!!!!!!!

i wonder what a stele is

ah how interesting, there is an energy fluctuation monitor within the station... but not within the train? what happens if there's a long stretch of road between one station and the next, and a wanderer appears in the train? interesting to think about...

i wonder if hunters are permitted to customise their hunter uniform after a while / reach a certain level of authority? captain jenna's outfit still looks a lot like tara's, and nero's outfit also bears strong resemblance to those two - so why is xavier rocking out in an all white fit? just because it's sexy? thank you lord

oh my god it's so clear to me now. mc is a shounen protagonist. good for her