#also yes okay I ADMIT IT

[simplepotatofarmer]

wanting the cover of 'rabbit run' to accurately reflect what color of rabbit dream is vs wanting the cover to look cool and there's no free use pictures of fawn rabbits that are cool.

[potassiumprincess]

i think marinette is worse at resting when she's sick but adrien is worse at sitting things out if he's injured. i have no explanation, these are just the vibes

[tequiilasunriise]

When Steph and Cass get married they don’t take the last name Brown (Daddy Issues™️) or Cain (Daddy Issues Prime™️) or even Wayne (Steph absolutely REFUSES to become a Wayne nosirree), but a secret fourth thing (Gordan).

[smoothshine]

mustang.exe has stopped working

[lotus-pear]

how i thought cynonari was going to be vs how it actually is

[betterthanbatman1]

Okay, I don’t know if I’m looking too deep into this but this made me really sad and uncomfortable.

I mean, Jason could say something along the lines of “don’t kill the kid, kill me instead” but he said “I’ll do anything you want, anything”. Him repeating the word ‘anything’ wasn’t a stutter from the fear kicking in (they used ‘-‘ and ‘…’ to portray the stutter/ repetition of words due to strain/exhaustion). But this word was written so clearly as just a repetition to emphasize that he meant anything. What ever it is that he was implying, is very upsetting nonetheless.

Then the way Scarecrow held Jason’s face. That could easily just be a villain trying to make their victim weak, holding them firm, leaning in close-invading their space, and ensuring they feel vulnerable. Yeah okay I get that.

But then Joker walks in and calls Crane a pervert. And sure you can argue that Joker is just throwing names around. But this whole multi interaction caught me off guard and yeah maybe I’m reading too deep into it. Maybe Jason just felt helpless and spewed out words? Idk.

Whatever the situation was, still hurts to read. I don’t know, it just felt so wrong. Even if he wasn’t implying anything, Scarecrow and Joker are still taking advantage of a vulnerable person. Which obviously is awful and disgusting,

[youngyoo-apologist]

OG Choi Han they could never make me hate you cause if some random rich boy was yelling at me and telling me my family deserved to die like a day after it happened and all I wanted was to know how I could get help I’d beat him up too

This plus the added fact that the Harris Village people were the first people to take Choi Han in and take care of him after years and years in the dark forest. Like he’s obviously not going to be mentally stable after all that, and he was so young when everything happened to him like I cannot blame him at all. I don’t think I can ever hate OG Choi Han like ever, he’s flawed, he has problems, but I love him dearly. He deserves the world. This kid who had to fight for his life, was taken away from his family, and in the process had to give up parts of his own humanity to survive, and like went to war two years later, they could never make me hate u OG Choi Han…

Like yeah violence is bad I guess but OG Cale had it coming(saying this as an OG Cale fan, I love him, but he was mean as hell when he was younger!)

If I’m honest, I think they were both in the wrong to an extent. Like OG Cale shouldn’t have said all that no matter the circumstances, and OG Choi Han shouldn’t have beaten him up so much. But u say mean shit and you get hit, that is how it will work when you’re talking to the guy who just saw his entire village get murdered like idkkkk man

I understand where OG Cale was coming from, but he had many issues and while he wasn’t an awful person, he was capable of doing bad things because of his own internalized pain and emotions that he never got to properly process because of his emotionally distant childhood and relationship with his father who should have been there for him more when he was younger.

Okay speaking of his childhood, Deruth isn’t the WORST father in the world but there are a lot of things he could have done better. I think a lot of Deruth’s flaws come from his fear of failure and messing up. He’s scared of doing the wrong thing, and so he sticks to doing what he knows and using what he knows best. That’s why he uses his money, that’s why gift giving is his way of showing affection, he knows that it is one thing he cannot mess up.

The problem is that money and gifts is NOT what OG Cale needed. I think what that guy needed the most was a parent who wasn’t afraid to talk to him, to ask him questions. Not to say that Deruth gave up on OG Cale, but I think in a way he gave up on OG Cale by giving up on himself. Deruth didn’t trust himself to have the capabilities to talk to OG Cale, which is why he never did. It’s because that Deruth was scared, and didn’t trust himself, that he could never face OG Cale

If Deruth was able to trust himself a little more, and pull himself together, I don’t think OG Cale would have turned out the way he did. As a kid, he probably thought the only way he could help his family without relying on anyone(no doubt this whole ‘I have to do it myself’ thing came from the fact that he couldn’t rely on his father when his mom died, and instead was acting as a pillar of support for his father when it should have been the other way around) was to sabotage himself, the only heir. If he was shown to be unfit to be heir, then everyone else would have no choice but to direct their hatred towards him instead of his family.

If Deruth had talked to his son at least ONCE when he was a kid, asking him why he was upset or why he did the things he did, I think OG Cale would have told him. Why? Because he’s a kid!! A kid will obviously want to rely on his father, if he just had one sign telling him that he didn’t have to do it alone I’m 90% sure OG Cale would have said something.

Basically, while Deruth isn’t the worst father, he’s not really a great father either. I think he does do his best, but he has issues with communication lol

OG Cale and OG Choi Han are both complex characters and had their own reasons to behave the way they did. The thing is with people is that they’re complicated and have layers, so the situation with them would have layers behind it as well with multiple co-existing truths and stuff

[bobosbillionsknives]

I like the plotline in stampede where vash finds the other seeds ship right after the big fall I like playing around with that idea a bit 😇 (no ship)

[amethystina]

I wonder how Gaon and Yohan are going to explain the change in their interactions to Elijah, since it's going to be obvious to her that something has happened between them. Since Elijah knows that there's nothing between Gaon and Soo hyun, I wonder if she will play a role in clearing Yohan's misconception? Thanks for the update! I can't stop thinking how many ways this story can play out😅 Btw i really appreciate the time and effort you put into responding to our questions with such detail.

That definitely depends on who's doing the explaining xD Yo Han would just brush it off and pretend that nothing is happening — which would just piss her off — while Ga On would make a stilted effort to explain without making it too obvious what it's actually about. Which would also annoy her.

That poor girl, seriously. She doesn't deserve to get caught between these two idiots.

I'm not sure I agree that Elijah "knows" that there was nothing between Ga On and Soo Hyun, though. I think she very much thinks there was something between them. I mean, sure, they denied it when she asked if they were dating, but THE WAY they did so was pretty telling (especially in Soo Hyun's case). Even more so since Elijah is a bit... well, innocent? I think most of her experience with love comes from media, books etc. and how Ga On and Soo Hyun behaved is, well, straight from a drama xD

And Elijah also had that talk with Soo Hyun when they were eating ice cream on Ga On's terrace, where it became pretty obvious that Soo Hyun is in love with Ga On and has already confessed to him several times.

So I think Elijah very much believes they were in love. Which means she won't really play a role in convincing Yo Han otherwise — if asked, she'd probably only make it worse, even. Because her understanding of love is a bit superficial and probably pretty geared towards straightness. That's not to say that she's not aware of gay people (I think she might actually know more about that than Ga On does xD) but from the evidence she's seen both Ga On and Yo Han seem straight to her (because I can't imagine that Yo Han has flaunted his dalliances with other men in front of her).

I know I'm very, very firm about this but Elijah doesn't know that Yo Han and Ga On have the hots for each other. And not because she's stupid, but because she's grown up in a country where straightness is the norm and Yo Han has done everything he can to hide the depth of his and Ga On's relationship from her. Also, she's a self-centred teenager x'D

Like, take me for an example. I was around 23-24 and very comfortable in my own pansexuality but was still IN NO WAY PREPARED when my mum basically went: "I may only have had sex with two women in my life but, let me tell you — 10/10, would recommend." Because I had only ever seen her date and talk about men before and therefore assumed she had no interest in anything else. That's how easy it is to miss that someone close to you isn't entirely straight — especially if it's a parent/guardian.

So I really don't think that Elijah would notice until it gets a lot more obvious than this xD

Which wasn't technically what your ask was about (sorry for the tangent xD), but still important to know because Elijah really won't be all that helpful when it comes to Yo Han and Ga On figuring out their feelings for each other. In fact, she might just end up making things harder for them without meaning to. But more about that in later chapters ;)

ANYWAY. Thank you so much for the lovely ask! I'm so happy to hear that people are this excited and involved in my story! And, tbh, I can't help replying because I'm very excited, too, and love talking about my writing, my thoughts, and my takes on these characters. How could I resist? More often than not, I have to cut my answers short because I keep writing longer and longer ones.

Like, you guys have no idea how long the first drafts of my author's notes usually are. One time I had to cut half of it because it was reaching truly spectacular lengths. And sure, I know that some of you probably wouldn't complain if I had posted that first draft, but I'm trying to contain myself, okay? And also not reveal too much since it might end up spoiling future plot points. It's a constant struggle.

So yeah. I'm actually consciously holding back a lot of the time because I'm trying to not come off as completely unhinged x'D

[iguessitsjustme]

I have a feeling that Daddy Dan in Only Friends is going to give me what I’ve always wanted from a MAME lead. A toxic power imbalance without the romanticization. Plus the guy he’ll be hitting on previously saying he prefers toxicity and it will make sense for Nick to be into it

[mel-loly]

-“Just a flower, in the middle of the field at night, a light is turned on and reveals.. A day arriving with confident hope and silent happiness!”🌹🐝

[philosophiums]

there's a conversation happening on tiktok right now about why there has been such a sharp rise in people wanting to watch female-led anime instead of being so focused on shonen and the girl who posted the video listed her reasoning as shonen constantly fucking up "power creep" (her words but i'm pretty sure she meant power scaling).

anyway i'm going to subject you all to my thoughts on this because i refuse to post anything on tiktok. (i'm also putting this under a read more because it got longer than i thought it would SKJDBVKJDBVJ).

now, i don't think complaints of power scaling in shonen is a bad thing, but i also don't think it's actually the problem with shonen (nor do i think it's the reason that there's an increase in interest for female leads bc i think that's literally just people wanting to see more female main characters which is not new or surprising or weird, but that's not the point of this rn).

i think the problem with shonen (most of the time) is the lack of actual story content - like fucking... plots and themes and motifs.

her two examples were mha and jjk because to her they sit on opposite sides of the spectrum in regards to power scaling (in mha the villains are so weak that children can defeat them, and in jjk the villains are so strong that no one can defeat them), so i'm also going to work off of these two examples.

mha's problem is not that the children are the only ones who can fight the big bads, it's that we don't get to see proof that the kids are actually stronger than the adults. sure there's evidence of adults fighting the villains and losing vs the kids fighting the villains and winning, but there's no setup for like a mentor/mentee moment of the mentee finally besting their mentor and us the audience getting to see that they're finally stronger. in fact it's... typically the opposite.

mha shows us multiple times that even the strongest characters in the main cast of kids are not stronger than, say, kids who are two years older than them or their teachers, let alone the best and strongest professional heroes in the verse. and that's not a power scaling issue, that's a storytelling issue. because you can set up stories where kids are stronger than the adults in their verse, and you can write it in a way that makes sense, but mha does not do that.

and of course mha has multiple other storytelling problems, not the least of them being the fact that it set itself up to be one of those "if you believe in yourself and try hard enough you can do anything" stories only to immediately undermine itself by giving the mc the most powerful ability in the verse free of charge, making the entire opening sequence have zero emotional payoff (a problem that continues on and on forever in the anime/manga).

jjk, on the other hand, set itself up to be a story about cycles, about the past repeating itself, about the inevitability of curses and hardship and never learning from past mistakes, but all of that was completely abandoned somewhere in the middle of the shibuya arc and was never touched on again.

all of the main characters in jjk have direct mirrors within the main cast - yuji & geto, fushiguro & gojo, nobara & shoko, maki & toji, nanami & mei mei, the list goes on - and it had the perfect opportunity to either be a story about the inevitability of trauma cycles OR a story about breaking those cycles, but instead half the cast is now dead and it's become a manga that's just about cool-looking fights.

the problem with jjk is not that the villains are too strong/unbeatable (i actually think there could have been merit to making jjk a story where the villains win, but that would have required focusing on the theme of cycles which, again, has unfortunately been lost) - it's just that there's no fucking plot anymore. there's no meat. there's no point. even if the goal of jjk from the beginning was to subvert a lot of typical shonen tropes, it's so so hard to care about that anymore because there's no reason. the plot is gone, the themes have vanished, the emotion is no longer in the room with us, and it has absolutely nothing to do with (im)balances of power within the verse.

but of course this is not a new problem in shonen. it's so incredibly rare for shonen to have a good story that maintains from start to finish in a satisfying arc, and that's almost a staple of the genre now - training arcs and a war arcs and lots of fighting and very little actual substance. the ones that do have it are gold mines. but again, this is not a new problem and it's not a new conversation, and i don't think it's the heart of why that girl posted that video or why all those people agree with her.

i truly think the actual reason this conversation is happening is because there's a new set of people who have recently turned twenty-something and are realizing that they don't identify with shonen protagonists anymore because they're no longer teenagers. and i think those people are upset that the characters/stories aren't aging with them and are finally looking at all the shows they like and are realizing that they're constructed around a trope of, essentially, child soldiers fighting battles that the adults in their verses cannot. and these people are realizing that they maybe don't like that anymore.

because when you're a teenager, shonen is escapism or a power fantasy or both. it's more relatable because it's made for that age group. but when you're an adult you start going "hey... where are these kids' parents?" because you realize that it's unfair and unreasonable in real life to put so much pressure on literal children. (i always think of that post that went around tumblr a few years ago that was a gif of this character in a tv show saying something like "i'm 13. i'm practically an adult." - bc when you're a 10 year old watching that, you go Yeah That's Right She's So Old, but when you're 30 watching that, you're just internally groaning because you have been a full legal adult for this child's entire life and they're barely older than a baby to you).

but of course shonen (and YA lit and superhero cartoons/comics and the list goes on) is not meant to be "realistic."

but just because it's not crafted as realism doesn't mean it shouldn't have story elements or themes that can reflect reality and/or be applied to real life. it also doesn't mean it can't have a fucking plot SKJDBVJKDVB

[comixandco]

my favourite part of season 5 is still the reveal that Gabriel and Tomoe thought Adrien and Kagami made the perfect pair and wanted them to be together because it completely flips their relationship

Kagami and Adrien sneaking around and finding the slightest gaps in their schedule and giving their bodyguards/parents the slip to spend time together and feeling so clever that they’ve gotten away with it their parents don’t suspect a thing

only to smashcut to Gabriel and Tomoe doing an evil pound it because their ship is canon

[simgerale]

CHAPTER EIGHTEEN ; 3/3

TRANSCRIPT:

Present Day

magdalena: This is undoubtedly selfish, but... I do not believe I would make it very long without seeing you every day. "Ridiculous," you would say. "Only logical," I would reply.

. . .

m: Perhaps Olette is right. Perhaps I care for you more than I would like to admit. [takes a shaky breath] No… I care for you more than I ever thought possible. The Seam chose us, Luca. After a thousand years of silence, it bonded us. As an Empress, I have to believe that there is a grander scheme than love. But as a woman, I... I cannot help but to wonder...

[she envelops his sleeping lips in hers, but only for a devastating moment]

m: …if what you called fate was simply the Seam, roping us together all along.

[carewyncromwell]

Anastasia “Ana” Read had escaped onto the pages of fantasy books for as long as she could remember. From the likes of Lewis Carroll and L. Frank Baum to fantastical Japanese manga like Sailor Moon and Cardcaptor Sakura, she’d always found comfort in the stories of ordinary girls finding themselves through exploring worlds of magic and mystery.

The day she received her own wand, therefore, was a day the aspiring writer had trouble describing through anything other than the written word. Ana didn’t think she could ever have coherently articulated all of the feelings she experienced in that moment, even if she’d tried.

The surprise. The excitement, the power -- the potential. The feeling that you had liquid fire dancing in your veins, and yet it didn’t hurt -- it was only invigorating. Like you could go running and dancing -- maybe even take flight, just from the feeling!

The warmth. The companionship, the completeness, the acceptance. The feeling that you were suddenly so much more than you were before, and who you were always meant to be. Was this what self-love felt like? Even just in flickers? If so, was it hardly a wonder why those blessed with self-confidence walked so tall?

The vindication. The reassurance that this was not a dream -- that you weren’t just some freak -- that you were special, and that there were others like you, many others! That they’d likewise felt alone and friendless and uncomfortable in their own skin, just as you did...but that now, you didn’t have to hide. You didn’t have to, nor should anyone else. And soon...soon, you’d feel strong enough to make sure no one else ever grew up as lonely and lost as you did.

Ana may have been incredibly quiet upon receiving her wand from Ollivander’s (as she often was), but her heart was aflame and her mind danced with surrealist dreams of what other amazing things could be in store for her. What glorious adventures she herself could go on, as Dorothy Gale and Tsukino Usagi did in her favorite books...

Her magic had been truly awakened -- and with it, dreams of heroism that swept this taciturn idealist up like a romantic fantasy.

[runninguplenorahills]

pumpkin mike 🎃🖤