14x20 Ending = Two Main Protagonists Confirmed
Was rewatching 14x20 for reasons and this scene stuck out to me again like it always does:
Here, we see Dean taking the Equalizer gun (still a stupid name, sorry not sorry) to kill Jack after Chuck presents the suggestion as only he can. In the end, Dean doesn't shoot Jack, he and Sam confront Chuck, they learn he's the ultimate bad guy, and he basically sets them up for the ultimate apocalypse. One last ride.
And here's where we see the setup for the two main protagonists/heroes...because they have been the main two protagonists/heroes for a while. Dean and Sam = yin and yang.
Dean is the one taking the shot at Jack/willing to sacrifice himself; Sam is the one Chuck mostly interacts with & he figures out what Chuck is really doing
Chuck mentions the whole "father and son" thing when it comes to Dean and Jack; Sam calls Chuck out on what he's really doing
Dean tells Chuck to go to Hell & Chuck kills Jack; Sam shoots Chuck & Chuck starts the apocalypse
Dean makes the choice not to shoot Jack; Sam makes the choice to shoot Chuck
Dean was willing to sacrifice himself to shoot Jack who they think is the villain and save the world from him; Sam was willing to sacrifice himself to shoot Chuck who is the real villain to save Jack
Yin and yang.
If there was only one main protagonist, that one brother would have been the one to choose to shoot Jack & sacrifice himself, Chuck would have had his focus on & the most interactions with, would've been the sole father in that dynamic with Jack (minus Cas), would have been the catalyst for Chuck killing Jack and starting the apocalypse, and would have been the one to choose to shoot Chuck & sacrifice himself. The other brother would have just been a bystander if that was the case.
Another way you can tell that there are two main protagonists is that they knocked Cas out (literally and both times) of these important scenes with the two Gods (Chuck and Jack who will replace him) and the brothers despite his being an angel, despite his relationship with Jack, even despite his relationship with both brothers and the family they've all settled into. He has some lines, sure, but notice how he is not able to be involved in the decision making or really active in the standoff with Chuck. Not to diminish Cas and his importance to the story or to Jack or even Sam and Dean, but here we see that he is clearly not the main protagonist of the story. Same with Jack even though he becomes the new God in the next season, and they pulled the ol' switcheroo in this episode between him and Chuck. They literally played the shell game with the audience by having Chuck show up the way he did so it could all lead up to this moment: the Winchester brothers telling Chuck to eff off and the resulting final conflict (they're not only fighting for their freedom and to reclaim their narrative/lives but also the final boss) that will eventually reach the climax and final standoff. So of course there would be no Mary, no Bobby, no John, no Jody, no Donna, no Claire, etc in this scene and Cas would be sidelined.
It was always about Sam and Dean.
The two main protagonists.
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As a desi, I've got to reference one of the best desi movie songs from a blockbuster film: "Yeh Dosti Hum Nahi Todenge" Sholay (1975), and as a queer desi, it's the classic take on "Living the crime life and being gay af with your pardner." The chaotic energy.
This song was sung by two legendary Bengali idols, Kishore Kumar and Manna Dey. I kid you not; their voices fit perfectly well for these two. A beautifully dynamic voice paired with a softly sweet voice; I can't stop seeing it.
Although I don't speak Hindi (I speak Bangla), I did my best translating the chorus and a verse of the song and have it flow better in English. The entire song is pretty gender-neutral. I swear, the number of desi songs that sing about being romantically interested in a friend and/or referring to their romantic partner as a friend is longer than a laundry list. Also, I saw a cishet cover this song romantically. If they can do it, so can I. Checkmate.
BONUS:
My sis insisted that I must draw this scene, and I delivered.
At least they got them to laugh.
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other people can ship what they want, but I will only ship aventurine gay and never a straight ship. the dynamic of straight relationships/ships is never balanced (societies fault mostly) and that boy sure needs some balance. if you ignore the het-ifying of gay relationships with the whole pointless top/bottom debate, gay relationships are more equal by nature. aven needs someone in his life who is his equal.
for example, in the story it was pointed out the footprints were side by side when he was walking with ratio. therefore ratio sees him as his equal. and i'm sure aven would feel more at ease with him if he wasn't dealing with everything he was atm. aven is such an unbalanced character fighting against an eternal power struggle of everyone towering above him, trying to beat his luck, and he's trying to get above for once. then ratio appears, treating him as an equal, balancing him. even if you dont see it as a ship/see it as a platonic ship/nonromantic/friends you still have to admit how good their dynamic is.
[disclaimer edit: "by nature" I mean society's and most individual peoples nature. nature not meaning "science" but the built in habit that's existed in society and taught to people for millenia and people treat as "fact" (when it's not tbh) sorry for confusion! dont know how to explain it well! i was half asleep when i made this post idk what i was trying to say exaclty but it upset someome so maybe delete later]
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i love it is kinda ambiguous what Fjord and Jester do with their time year-round, especially Fjord, and how their time is divided bc Jester's studio is said to be inspired by Veth's camp, iirc, so like how much of the year does that take up when the camp is a couple of months. And it is unclear what Fjord is doing day-to-day.
I've been saying since the campaign ended but especially since the start of the two-shot, fully like guys, @ especially Fjord, rotate your months: handful of weeks in port, handful of weeks sailing.
excited to work with this as a thought in the future
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I don’t write p1 to be that affected by his hallucinations in general, in my fics the main reason’s because Dude’s been taking antipsychotics this whole time (until apocalypse weekend so they’ve had a year to start up again) even then, p1 doesn’t react all too much to his symptoms. How come I write him that way?
Because after spending years dealing with them, he’s basically become used to their presence. Are they scary as fuck? Yeah, but so’s everything else in his world. Is it difficult to think when twenty other voices are whispering in his head? Absolutely, that’s why he’s got music to help him.
I think he still gets moments of weakness where his thoughts completely spiral him and he had a depressive episode that worsens, and so his symptoms worsen too (especially if he gets caught in a delusion) then you get him breaking down and isolating himself because he’s lost in that mindset. But its not from the hallucinations alone.
You’re talking to him and he keeps looking over your shoulder, “you okay? What are you looking at?”
“There’s a figure with no eyes laughing at you. If I shoot the wall, promise not to freak out? Don’t worry, he’s not real. But he’s real fucking annoying.”
I like p1 being a nightmare fuel station attendant, like fair enough postal 1 era he’s freaking the fuck out because this has never happened to him before or gotten this bad, but after? He’s used to it. It’s just his life now. He wants his pills back.
I think his delusions still fuck him up though they’re worse because he can’t catch himself half the time. He knows not to trust his senses but its even worse when you can’t trust your own thoughts and beliefs.
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