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thepersonperson · 4 months ago

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Sukuna’s Loneliness Part 5 (Sukuna Did Nothing Wrong in the Heian Era, Probably)

Part 1 Part 2 Part 3 Part 4

Some notes before we start.

1) Big content warning for in depth discussion of historical slavery and the exploitation of minority groups.

2) I will be mainly using the TCB scans for the manga because of their accessibility.

3) Raws are from Mangareader(.)to.

(Click images for captions/citations.)

Preface

This is another case of me making everyone suffer the consequences of my fic research. I finally got my hands on 100+ page THESIS on the lives of the lower class in ancient Japan that references multiple peer-reviewed sources. This is my holy grail. Please read all of it. (Thank you Mr. Breann M Goosmann!) Whenever I quote something, I am quoting this source. Most of what I'm summarizing is directly from this source.

Gege may have failed to write a proper backstory for Sukuna, but one was clearly set up using the actual history of that time. So I'm here to infer what's in those gaps using this document.

The Class System in Ancient Japan

During the Heian Era (794–1185) a social caste system called Ritsuryō (you can read more about its application here). The upper class was called 良民 or Ryōmin (good people) and the lower class was called 賤民 Senmin (low people).

The kanji 民 (Min) used for both of these classes can be translated as citizen instead of person. The Wiki page I linked uses the citizen translation. I have decided to change that to people because of 3rd group of people excluded from this system: The 非人 or Hinin (non-people).

Ryōmin included court nobility, citizens, professions that served the court, and tradesmen.

Senmin included servants and slaves.

Hinin included criminals, the deformed/disabled, and those working professions considered "unclean."

The most notable thing about this class system is the mobility between Ryōmin and Senmin. Committing crimes, selling oneself into slavery, aging, paying off debts, and doing good work allowed people to rise or fall from the ranks accordingly. Hinin, however, were confined to their class for the most part because many were viewed as innately "unclean".

Ironically, the best way to understand how this class system functioned is to understand what being "unclean" meant to it.

Uncleanliness (Kegare)

穢れ (Kegare) is a term that can be translated as the following: uncleanliness, defilement, pollution, impure.

晴れ (Hare) is a term considered the opposite for Kegare and can be translated as the following: to clear up, clear skies/sunny, renew, dispel, sacred, pure.

Both of these terms largely inform of how ancient Japan functioned and evolved over time. And though not a black and white dichotomy, it can be generally understood that society was organized in a way to minimize Kegare.

What's interesting about Kegare specifically is its complexity and its impermanence. Rather than being something only bad people have, anyone could acquire and dispel it through the proper rituals.

From the Kojiki, a Shinto document compiled before the introduction of Buddhism, and therefore before the Heian, separates Kegare into 2 categories:

1) Touch Kegare: Defilement through the physical contact with something unclean such as bodily fluids and the dead.

2) Transgression Kegare: Defilement through sinful actions.

"These versions of pollution appear as transient, exorcised relatively simply through misogi (cleansing ritual), seclusion from society, or expulsion of disorder causing elements."

This understanding of Kegare then evolved with the introduction of Buddhism to Japan. (This began in the Nara Era and extended well into the Heian.)

"As Jacqueline Stone explains in her study of deathbed rites and rituals, someone who had become enlightened was considered to have a “pure” mind, while those with a deluded mind were said to have a “defiled” mind. Monastic Buddhists also followed their own codes of “pure” conduct such as refraining from the eating of meat and killing of animals."

The old Shinto understandings of Kegare still carried over with the physical avoidment of unclean things such as dead bodies and blood. However, Buddhism introduced the idea that certain groups of people were innately impure. This includes the Hinin who were uniquely ostracized by this system.

"Hinin, like all outcast groups were bound to their “defiled” status. However, unlike other outcasts, they were also cast as blasphemers of Buddhist doctrine afflicted with karmic illness."

But despite being seen as this innately impure, the religious institutions were closest to them. Of the few places in society willing to tolerate and deal with Kegare, they offered outcasts "positions" where they could beg, display themselves as what happens to people who don't follow religious doctrine, and help with jobs considered "unclean". Since outcasts were considered permanently defiled for the duration of that life, they could touch impure things such as the dead, the sick, and blood on behalf of those avoiding temporary Kegare.

This is exploitation point blank. And though this suggests outcasts had some agency when it came to their survival, it doesn't remove the systemic coercion driving their situation.

Please keep this in mind as I explain why Sukuna did nothing wrong.

Sukuna is Hinin

Though there is plenty of debate on what makes someone Hinin, the general consensus is the following:

"All agree that hinin were considered defiled by others in society and looked at with some contempt. One medieval reference book called the Chiribukuro explains that hinin and other outcast groups “are alike in that they are shunned by human society.”"

But when trying to define Hinin more narrowly, this is the result:

"the term hinin indicated a very specific group of social outcasts isolated from the community and cast aside due to disease or deformation. In his description of hinin, Nagahara explains that those referred to as “kojiki-hinin” were of the lowest social class, physically isolated from their families and communities and therefore excluded from society and economic activities in the medieval period."

Sounds like Sukuna, right?

Sukuna does not refer to himself as Hinin of course, but he does call himself 忌み子 (Imigo).

To quote myself from Part 1, Imigo can be translated as "Abominable Child", "Unwanted Child", or "Shunned Child." None of these translations in my opinion get across how severe Imigo is. It's closer to meaning "child who should've never been born". Like the child's very existence is an affront to god. (If you play Elden Ring the Omen are called Imigo in Japanese for this reason.)

And since we know that Sukuna is canonically a conjoined twin, aka someone with a visible deformity, this all indicates he was considered afflicted with a "karmic illness" that would classify him as Hinin.

This means that from birth, Sukuna was designated as fundamentally unclean and non-human. Within that society, there was no route he could take to remove himself from this uncleanliness and be seen as human.

The following views of Hinin were considered controversial for their time (during the Kamakura Era aka right after the Heian):

"Although Nichiren believed in the karmic nature of certain diseases, he also understood that this kind of disease was not a hindrance to salvation."

"Undoubtedly, Eison envisioned hinin as the physical representation of the Bodhisattva Monju and advocated that compassion and charity were the appropriate response to karmic illness."

And since these controversial views of *checks notes* considering Hinin worthy of compassion and salvation were documented after the Heian, I don't think it's unreasonable to assume Hinin had less advocates during the Heian.

In other words, Sukuna could not exist within human society without being shunned or exploited. The manga itself suggests this has always been the case.

As you can see Sukuna is absolutely miserable performing a ritual someone of this lower class would be responsible for overseeing. All while the people he is helping regard him with disgust. (By the way there is a purification ritual in Nara called Yamayaki that involves burning an entire mountainside. Something Sukuna's flames would be very good at.)

This is also from the same chapter where he's assaulted by Yorozu who assumes he's lonely because he's strong. She's wrong about this. Just like Kashimo who assumes Sukuna cares little for love for the same reasons he does.

Love from one person is worthless when compared to the nonstop ostracization that comes from institutional discrimination. At most, love can offer relief from that pain. It does not eliminate it. I'm saying this as a minority myself. I love my friends dearly and they love me as well, but I still wake up and go about my day with the soul-crushing knowledge that most wish for me to not exist.

Sukuna is not lonely because he's not loved. Uraume clearly does. It's that for circumstances beyond his control, he has been excluded from human society and forced to constantly be around people who exploit him for the very traits they scorn.

Sukuna pretty much confirms this himself when he talks to Mahito.

And you know what? Sukuna deciding to kill all the people exploiting him is completely justified. (Imo, he can even kill the non-sorcerers that discriminate against him as a treat.)

The Cannibalism was Justified too, for the most part.

Another thing to note about Sukuna. He was born starving and he died starving.

Famines and natural disaster were frequent and extremely hard on the commoner population during the Heian. The fact Sukuna was born starving indicates he was of lower birth to begin with since nobility hoarded the resources to avoid starvation for themselves.

One way for commoners dealt with famine was via foraging. We actually see Sukuna doing that when he meets Uraume.

Now there are several very interesting things we learn from this.

1) Sukuna hunts and eats elk/deer. Something massively taboo for the time. Especially since deer were considered sacred animals back then and even to this day.

2) He appears to wander around and owns very little. This is further in line with him being Hinin per the following:

"Clearly, welcome could be revoked at any time, which meant that hinin had to be prepared to leave any location at any given moment. This mobile lifestyle also meant that hinin could only afford to carry essential daily items, such as cooking utensils and begging bowls. The image also reveals that the hinin were never officially invited to stay in that particular area. Instead, they sought out their own locations to set up communities."

3) Despite Uraume being alive and fresh human meat, Sukuna does not immediately see them as food. Nor does he attack them. This, combined with him not taking the dead villagers for eating and preparing deer/elk instead, suggests that cannibalism is not the default for him.

Back to famines, it's also not unheard of for people to resort to cannibalism during them. The logic is simple: An outcast with no support network eats humans to survive.

And given the frequency of death from natural disasters of this time, there’s a real chance he never had to hunt humans in the first place. As Hinin, handling the dead is one of the few jobs he’s allowed to do. So it’s possible the worst thing he did was desecrate corpses in the name of scavenging.

Furthermore, if Sukuna is considered a non-human, is it even cannibalism to begin with? Is a hungry animal evil for eating a human?

I may consider Sukuna human because I refuse to partake in his dehumanization, but it needs to be understood that in the context of the JJK's story, there is not a single character that refers to Sukuna as a human. He's not even referred to as a man. He's either a curse, a monster, or at the very end, a sorcerer. Sukuna has been so dehumanized by others that he himself identifies as a "curse". This is also separate from "cursed spirit", leaving him in his own unique category of non-human.

Sukuna may not see eating other people as acts of cannibalism. After all, they are the ones who decided he was non-human at birth. (And since he is taboo, eating the deer/elk can’t make him more taboo than he already is.)

The following is an excerpt discussing the dehumanization of the starving:

"This strange image is from the Scroll of Hungry Ghosts and the huge emaciated creature depicted is just one of many of the numerous depictions of hungry ghosts or gaki. Invisible to humans, the gaki depicted are the spirits of greedy or jealous individuals karmically punished for their covetous thoughts with perpetual hunger for bodily excretions such as urine or feces."

"The protrusions of the stomach, the red-tinted hair, as well as the greying of the skin, are all genuine symptoms of starvation. In this light, our image appears significantly different. Instead of an invisible monster attacking a man, we have a disfigured and suffering human reaching out for humanity."

The phenomenon of hair during red or blond from starvation is called Kwashiorkor. Gege may be color blind, but Sukuna being depicted with pink or blond hair appears to be deliberate and in line with Kwashiorkor.

Sukuna was probably framed.

The only crimes Sukuna is accused of by Jujutsu Society is murder and cannibalism. As demonstrated by the previous section, there could be a pretty good reason for the cannibalism. But what about the murder?

Another thing that should be noted about Sukuna is how his destruction is largely retaliatory in the modern era. Every kill or kill attempt is made as a response to a challenge that was directed at him first.

When Sukuna first incarnates, Megumi says this to him:

Yuji may be Megumi's target, but remember that Kegare spreads through touch. Sukuna coming into contact with Yuji has made them both unclean. In other words, Sukuna has been informed that in this life, 1,000 years later, where he has yet to do any harm (Those comments about the women, children, and massacre are still sus, but they could've been about the Merger.), he will be attacked by sorcerers no matter what. It's not unreasonable for him to then attack them on sight.

But even when he does that, most of them survive until Shinjuku. During the culling games, Sukuna kills only 2 sorcerers—Ryu and Yorozu. Ryu is given a chance to walk away, but he doesn't. Uro flees and is spared. Yorozu is the sole person Sukuna seeks out to kill and that’s just for his Gojo plans.

And in that month Sukuna has before the showdown with Gojo? Nothing happens. He kills no one and just lounges around. Eating his own corpse is the only cannibalism. He absolutely could have eaten Tsumiki’s body to further crush Megumi’s soul, but he doesn’t.

Then when it comes to the actual showdown, Sukuna kills 3 sorcerers total. It's also very telling that after Sukuna is dead...no one blames him for what happened. They blame Kenjaku, hell even Gojo, but Sukuna isn't mentioned once. Higuruma is convinced that Sukuna was playing around. Kusakabe agrees that Sukuna’s manner of play isn't what they’re super worried about, it's Kenjaku.

The worst thing Sukuna does is Shibuya and that too has nuance to it. The twins aren't killed for fun. Sukuna punishes them for making demands of him. The citizens of Shibuya? Collateral from dealing with Jogo and Mahoraga. (He only really kills Haruta for the sake of it. And let's be real, he deserved that.)

And though the Shibuya civilian deaths are an objectively bad thing Sukuna has done, the fact they are not intentional gives credence to the idea that Sukuna didn't really target them in the past either. This suggests that the "murders" Sukuna did in the Heian were likely retaliation against people challenging him or trying to subjugate him. In other words, self defense.

And if he did wipe out a village, it was probably collateral. But that's kind of the thing. Did Sukuna even kill innocents by accident? The only confirmed kills of the Heian are those of the Subjugation and Military Squads. You know, people who may have attacked him for simply being "unclean".

Who am I kidding he absolutely was attacked for being “unclean”. This is how Angel talks about Sukuna and the incarnated.

She doesn’t care about saving the lives of innocents, all that matters to her are things that she deems evil are purged. Sukuna to Angel is ontologically evil and doesn’t deserve to exist. She targets him more than other incarnated players while ignoring Kenjaku who is responsible for this mess in the first place. She also quite literally did something she deemed wrong and evil so she could follow him into the future and make sure he died. (Move over Gojo Satoru we've got a new minority hunter.)

But it’s not like her attitude is new. Jujutsu Society is notorious for trying to kill things they deem "bad" such as Yuji and Yuta. The striking thing about the wanted executions of these literal children is that the higher ups giving the command make other sorcerers do it for them. Going back to the ideas of Kegare—spilling blood and touching corpses makes one impure so the outcasts are to deal with it. This is the logic driving their decision to coerce Yuta into a binding vow to kill Yuji.

("No matter how many cursed spirits you kill, it's proof of nothing!" <Please take note of how Yuta's good deeds do nothing to earn the higher ups' favor because he's seen as inherently evil.)

Yuta is essentially scapegoated through this manipulation and Yuji initially treats him like an enemy. In the same way characters like Kusakabe blame Gojo for refusing to execute Yuji. Despite the higher ups being responsible for the system functioning this way, the people they’re manipulating bear the brunt of responsibility to other characters.

Who's to say Sukuna isn't also a victim of this scapegoating? His power is comparable to a natural disaster. It would be very easy to blame one on him. After all, the higher ups of the Heian, the Fujiwaras, did exactly that to Uro.

Uro’s situation is much worse than Yuta’s however. She is a military slave. This distinction of military slave is important because unlike domestic slaves, they were allowed to rise through the ranks and be given awards despite their status.

And since Uro is a Sukuna parallel, there is a pretty good chance he was a slave at some point during the Heian.

Slavery in the Heian

A little detail I left out when discussing famine in the Heian. The asymmetrical wealth distribution was so severe during this time that commoners would sell themselves into slavery in hopes of not starving to death.

An example from the Kamakura Era (after the Heian):

"As the article shows, during the three years of the Kangi famine (1229-1232) and several recovery years following, various common people sold themselves, their relatives, and their retainers into slavery in exchange for sustenance. Not only would an amount be given to the seller, but also presumably whoever now owned the sold individual would be responsible for feeding and providing shelter for that individual. In this way, the common populations of Japan created a strategy for survival. There was no certainty that a new owner would fulfill this obligation, but the promise of reprieve from daily struggles was impetus enough for the sale."

Another example from the same era:

"A didactic tale from 1283 tells the story of a small family consisting of a mother and son, who after experiencing severe famine, came to the realization they would soon starve to death. In the hope of saving his mother, the young boy offers to sell himself into bondage, and although the mother disagrees, he goes ahead with the plan."

Yes this is as bad as it sounds, but there is one thing I would like to get out of the way—this slave system did not function anything like the chattel slavery during colonialism. Strangely enough, these slaves had some rights they could fight their owners in court over. They could pay off debts and be set free. They were allowed to be married and have children with those outside of their class. They were not kept in cages or in chains like animals. (Silver linings! /s)

The term used for these slaves was 奴婢 (Nuhi) which roughly translates to “bonded person”. This is more in the contractual sense rather than the physical sense since most were slaves by contract or debt.

This kind of sounds like something binding vows could do, right? Well binding vows share no kanji with Nuhi using 縛り(Shibari) instead. However, Sukuna introduces the concept of binding vows with chains and a handshake.

Sukuna was also born unwanted to a starving mother during a time when starving people sold themselves or their relatives into slavery to survive. This can mean a lot of things for his upbringing and none of them are pleasant.

Here is a summary of what jobs Nuhi did:

"As stated previously, wealthy households frequently obtained slaves and assigned them to various domestic tasks. However, sources further illuminate trafficking of women into the sex trade of Kamakura Japan."

If you noticed, Sukuna's Cursed Technique is perfect for this. He can chop up veggies, butcher fish, till farmland, slash and burn farmland, light fires, and every other non-violent thing a knife and fire can be used for. If he wasn't exploited for exorcising curses, he absolutely would've been exploited for domestic tasks.

And to get to much more depressing line of work Sukuna could've been subjected to as a child, I'd like to discuss why someone as masculine as him would be associated with women's work in the first place.

The Treatment of Women in Ancient Japan

"In Japan prior to the Heian and Kamakura periods, women played prominent roles in religious activities as miko, which was akin to a female medium or female shaman...Since miko functioned as a sacred and integral part in religious communities, issues of impurity did not appear to be an issue. Instead, it was Buddhist ideas that linked the female form to impurity."

With the introduction of Buddhism, women began to be seen as innately impure due to the blood and fluids associated with childbirth and mensuration.

"In the Heian period, Buddhist temples such as such as Enryakuji and Tōdaiji, began barring women from entering the premises due to their defiled nature."

"prominent Buddhist discourse painted women as innately defiled and therefore unable to achieve enlightenment in their own female bodies."

"To be born as an innately defiled female was considered a karmic punishment for past actions."

Though not ostracized as much as outcasts, women were seen as innately unclean in a similar vein to Sukuna. Women were expelled from religious institutions but not the courts, while outcasts were tolerated by religious institutions and barred from the courts. (The courts and temples operated independently of each other, which is why it was possible for noble women to hold power despite being designated as unclean.)

A few months ago I made a joke about this panel:

"Sukuna’s two options were helping Uraume transition or becoming a girl himself."

This is still mostly a joke, but I do think Sukuna identifies more with women than with men. Not that Sukuna is a girl, but that he relates to them and their struggles better. (Keep in mind he does wear a women's yukata and a men's obi at the same time as Yujikuna.)

It's important to note is that this mystery woman here wears the clothes of a Miko or Shrine Maiden/Priestess—the main group of women that was displaced and persecuted because of the new religious doctrine. And like every other group without a proper social safety net, selling themselves into slavery became a survival strategy. They did have other options of course. In the case of Asobi, the Priestess that used to serve the courts, turned to entertainment and sex work after their exclusion.

"Either riding in boats or setting up shop on busy routes to the capital and religious sites, Goodwin argues that these performers were part of independent, possibly female-run organizations, which were not stigmatized until the later part of the Kamakura period. However, as Wakita Haruko has examined, at least some women involved in sexual entertainment were female indentured servants, serving as security on a loan issued by their parents."

In this way, the exact identity of the Miko in Sukuna's path may not matter. She might be a representation of those who accepted their exclusion and did their best to survive on society's terms. If the South choice is meant to represent returning to who Sukuna used to be, then it can also mean the types of struggles Mikos faced are his as well.

However, there was a temple that continued to accept women as followers—the Muroji Temple in Nara. Interestingly enough, this temple contains an inner sanctuary devoted to the founder of Shingon Buddhism, the type of Buddhism Tengen brought over. The mountain this temple is located on is also associated with a dragon spirit. Since there is historical precedent of at least one temple accepting a group of people seen as innately impure, a place like this may have also been a sanctuary for Sukuna.

With the information we have, it's not really possible to know exactly what awful thing happened to Sukuna. The most important takeaway from this is that the suffering he experienced was systemic. He didn't get unlucky with a few ignorant and bad people. This was the direct result of the Heian class system dehumanizing people. In other words, his choices were severely limited.

Sukuna's Other Choice

Going North with Uraume appears to be very similar what he did back in the Heian—taking in an abandoned child and looking after them. What makes this choice slightly different this time around is that the class system that oppressed him no longer exists in the modern era. Yes, he’ll absolutely face discrimination for being deformed, but the complete denial of his humanity at every turn for his appearance is gone. He won’t be treated as untouchable and inherently evil. Legally speaking, he has drastically more rights. Violence won’t be his only option moving up in the world.

I will always loathe that Sukuna had to die to obtain this. And that the “reformed” modern Jujutsu Society refuses to acknowledge the systemic failures of their institution. Kusakabe makes it very clear he still believes the immediate extermination of anything deemed “evil” is a valid way to go about things, even if it means the death of a child…as long as he doesn’t have to do it. (Hence him blaming Gojo for it, just like the higher ups.) After the fight, everyone passes blame around, absolves themselves of any wrongdoing, and decides no one is really at fault.

There were people at fault for this. There are institutions at fault for this. But their failure to confront those things directly is probably why Sukuna rejected Yuji’s offer so viciously. Instead of trying to understand Sukuna on his own terms, Yuji showed him the value of a simple life he was never allowed to have, then told him to die or go back into the cage.

Yuji offered Sukuna pity but no autonomy, which is exactly the way Hinin were treated by the religious institutions of old.

"However, Hosokawa argues that even in veneration of hinin as representations of Manjusri, Buddhist monks continue to discriminate against this outcast group and further perpetuate their low position in society. Hosokawa explains that although activity involved in charitable works towards hinin, Eison cared little about the salvation of hinin because he saw outcasts as divine only within the context of the ritual of assembly. Therefore, all charitable works directed at hinin were merely ceremonial. Hosokawa advocates the view that Eison believed hinin lacked ‘nature,’ meaning they were unable to study or practice Buddhism. Essentially, without nature, they had no ability to escape the cycle of re-birth through the study of Buddhism."

Sukuna even thinks of modern sorcerers like the ones of old. Why would he ever want to return to that?

His goals are simple; eat, play, and pass time until his dies. That’s not really evil now is it? But the people attacking him don’t know that. None of them ever stopped to asked because they assume him existing freely will bring evil.

But what does Sukuna do when he’s given a month-long truce a body he completely controls? He does what every minority group does when they are no longer being actively oppresed—he rests. He doesn’t go around killing or tormenting for fun. With his newfound freedom he secludes himself and lounges.

The fight in Shinjuku is essentially a group of well-meaning people from a corrupt institution beating an outcast that was ostracized by it into submission. Albeit for very good reasons.

Why did this fight change his mind?

If Sukuna is basically reliving past trauma via the Shinjuku fight, why did he decide this group of sorcerers was worth listening to? The simple answer of course is he lost to them. Sukuna believes the strong impose their will and the weak follow suit.

I don’t think that’s quite right. Sukuna used to be weak too. He was a child once. He used to controlled by others stronger than him. By his own logic he should’ve stayed like that, but he trained to get stronger and eventually rebelled.

Since Sukuna is a known liar and hides his feelings under several layers of repression, I’m inclined to believe this statement is also smokescreen. And after reading the Uraume Epilogue I am certain of this. But for now let’s revisit the Shinjuku fight, starting from the battle that made me realize Sukuna is indeed a pathetic sopping wet cat underneath it all—Sukuna vs Gojo.

Sukuna vs Gojo

Something fans picked up on during this fight was how Gojo dogwalked Sukuna when it came to Hand to Hand (H2H) combat. During their fight, Sukuna fails to land a single punch on Gojo’s face. It takes Yuta possessing Gojo’s body and fumbling around in it for Sukuna to finally punch that face. But it’s not just Gojo he sucks at with H2H combat. It’s everyone. Here is a compilation of Sukuna getting hit in the head or face.

This seems to conflict with Sukuna’s ability to learn anything visually. He sees someone do something and he can copy it immediately. This contradiction can be explained by him being Hinin.

Sukuna was considered an untouchable. Educated people were of a higher class and believed unclean things like him were to be avoided at all costs. This means that whatever education Sukuna obtained for himself was always at a distance. Aka watch and copy. And since H2H is mostly taught through body to body contact, Sukuna wasn’t allowed a proper sparing partner outside of the attempts to kill him.

In Part 2, I go over Sukuna’s fraud allegations for his copying of Gojo in particular. This is what lead me to realize that Sukuna spent 6 months plotting to kill a guy he met for 10 seconds. This insane level of pre-planning is also shaped by him being Hinin.

We know for a fact that Sukuna hunts deer/elk and that it’s safe to assume he driven to this because of his Hinin status. If you know anything about hunting, it’s that most of it is playing psychological mind games with creatures that are somehow complete geniuses despite having 2 brain cells. You don’t chase after a deer with a gun, you become obsessed with them. You study every little habit of theirs; when they hunger, what they eat, and where they defecate. Using this information, you set up the bait and wait in hiding for the perfect opportunity to kill them.

This is pretty much what Sukuna does to Gojo. He’s got a hunter’s obsession with him. In Part 4, I explain how this obsession might actually be unhinged courtship, but I don’t lay out why Gojo of all people seemingly means this much to Sukuna. This too can be explained by him being Hinin.

I’ve said it over and over, Gojo and Sukuna are twin flames. They are the strongest, isolated, dehumanized, exploited, self-taught, and really bad at showing affection. Part of this obsession is driven by Sukuna seeing himself in Gojo. He's being ordered around by others weaker than him in the same way Sukuna used to be.

But take note of this “I owe you a debt.” It’s easy to assume he means payback for punching him in the face. However…Gojo did actually do Sukuna a massive favor. He suspended his execution, even if it was primarily to save Yuji.

As I discussed before, Kegare was infectious. You touch something unclean and you become unclean yourself. By laws of Jujutsu Society and by social stigma around Kegare, Sukuna made Yuji equally as impure as himself. And Gojo went screw that, I’m going to look after you. He gave Yuji direct lessons, made sure all his basic needs were met, and treated him like a human. Behind everyone’s backs he hid the final finger, intending to let Yuji live for the duration of his natural life.

To Sukuna, Gojo is someone who would have taken him in and advocated for his humanity under different circumstances. Gojo is someone Sukuna would’ve loved to have as a teacher. And so he copies him. He learns and improves his own sorcery as if Gojo had intentionally taught him.

Through the Shinjuku fight, his experiences within Yuji, and Megumi’s memories, Sukuna gets a taste of what could’ve been. With Megumi in particular, he also gets to see what it’s like to be raised by someone who actually cares. Though not intentional, this is how Gojo teaches Sukuna love. This is why when Sukuna looks at Gojo, he thinks about love.

Sukuna choosing to go with Uraume is him copying Gojo one last time. After seeing that even if you’re isolated, exploited, and miserable, there’s still fulfillment in using your power to make sure someone else doesn’t go through what you did. It may not remove all that pain, but it makes it easier.

And bringing back Kegare’s opposite Hare (晴れ). The kanji used are in the Appare Da (天晴れだ) when Sukuna tells Gojo, “You cleared my skies.” (The Da at the end of this statement means it was pretty heartfelt too.) With this additional context, I think it can be taken to also mean that Gojo made Sukuna feel like he wasn’t impure.

Sukuna vs Yuji

Yuji and Megumi are the ones who ultimately make Sukuna realize that it's worth pursing guardianship regardless of marital status or blood relation. They are the two of Gojo’s students/children that are directly compared to Uraume.

Yuji who is also the same as Sukuna, fills the role of Gojo when he first chooses to look after Megumi. When he prevents Megumi from being sold by his father. Sukuna has seen both versions of this memory.

Since Sukuna is a twin to Wasuke and they are also the same, JJK 265 is Yuji showing Sukuna an entire alternate universe of the normal life he could've lived if he had been seen as human.

And even if he can’t ever be seen as human or live normally, Megumi tells him it’s ok to be improper and cherish someone anyways.

None of these 3 realize how greatly they’ve affected Sukuna. He barely admits to it even in death. But Sukuna had secretly wanted this from the start. The cracks started showing when he first tried to teach Megumi in his special little tsundere shark way.

There's also something to be said about Uraume making it to adulthood in a time where famine was rampant and parents would sell their children into slavery just to eat. Their cursed technique manifested around the age of 6, just like Megumi. The fact they survived means Sukuna was already doing a pretty good job as their guardian.

Other Things this Changes

I'm also looking at Sukuna's fondness towards Jogo in a whole new light. I thought that Jogo wanting nothing of him was the main reason he was favored. But there's more to it that that. It’s that he regards Sukuna’s life as inherently valuable. Jogo believes in a world where Sukuna has the right to exist as he is and how he wants. No one will try to control him or condemn him for something he had no say in.

He also stands out in his devotion to curses of any background. Mahito basically looks like a human, Choso and his brothers are half human, Sukuna is fully human, and Jogo accepts them all no questions asked. He’s willing to fight for people who exist differently than himself.

There's also that added “wanting to be seen as human” element. Jogo’s world is one where Sukuna would finally be seen as human. It’s the same logic that drove Choso to side with the Disaster Curses. He knew how difficult human society would make the lives of his brothers (both of which have 2 faces like conjoined twins), so he chose to fight for a world where that kind of discrimination no longer existed. (Which is why it's really sad he died and no one mourned him properly.)

And yes we can condemn the mass slaughter of humans as the wrong way to go about this. But the core problem is that Jujutsu Society branded them as taboo and in need of extermination or containment. They were driven into a corner and believed violence was the only way out. The only reason Choso was able to change was other sorcerers giving him a chance despite the hurt he caused. Something Sukuna didn't get outside of the offer to be caged.

Am I being too lenient with Sukuna here?

Absolutely. I am extremely biased.

To me at least, the type of "evil" Sukuna is has a lot nuance. It is very significant that someone as strong as him, who could basically do whatever he wanted (theoretically), took one willing servant in a time where slavery was widely practiced. (If you read the linked document, it's kind of up for debate how legal slavery was at the time.) It's also significant that the Heian crimes he was accused of were limited to cannibalism and murder. He's clearly got rules about his evilness and I really like that about him. I wanted to find the logic driving them and I think I've finally struck gold.

This didn't fit anywhere nicely. But consider the following:

"Earthly sins, on the other hand, were those that only affected individuals or forbidden actions, such as rape or cutting living flesh."

Sukuna's CT cuts living flesh. His very CT was considered impure in the Heian. The flames however, are more aligned with purification. It's just a neat little thing that shows Sukuna's duality imo.

He's also really good at archery. And though this is likely because his flame CT is a bow, he probably got good at it to hunt deer/elk on top of temple duties. (Just another way he enjoys corrupting the divine.)

But please remember, the only reason I've done all of this is because of Umineko's...

Without love, it cannot be seen.

#cactus yaps #Read Challenges to Survival: Responses of Outcasts and Commoners in Early Medieval Japan and Umineko now!#Posts that make it obvious I defended Edelgard on Twitter.#I've been running PR for Zelgius and Sephiran Fire Emblem since forever and they do so much worse than Sukuna.#Same type of trauma though. I will always defend minorities going insane from systemic discrimination.#Kind of wild that Sukuna's possession of Megumi can be read as evil adoption now. Thanks Uraume Epilogue.#When Sukuna looks at Gojo he not only thinks of love but raising a child. What did Gege mean by this?#Vaguely Sukugo but it's certainly a footnote compared to the rest of this.#Anyone versed in Japanese history PLEASE fact check me.#ryomen sukuna #jujutsu kaisen #jjk spoilers #jjk meta

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prismatiger · 9 months ago

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The Loop Dialogue Spreadsheet

RELEASE 1.0 BABY!!!!!!!

SHEETS LINK

WEB LINK (I don't recommend this one, but it's also here)

✦ WHAT IS THE LOOP DIALOGUE SPREADSHEET? ✦

As I'm sure you could guess by the name, this sheet is a compilation of (to my knowledge) all of Loop's dialogue in the game, sorted into tabs for easy access.

✦ WHAT DIALOGUE IS ON THIS SHEET? ✦

Currently, the sheet is divided into:

Generic dialogue - Dialogue for starting and ending a conversation with Loop, calling them, basic dialogue options

"What should I do next?" - Loop's advice regarding story progression.

"Let's talk about something..." - Optional conversations with Loop, relating to the "Behind the Scenes" achievement, also known simply as "loop chats"

"I had a question about..." - Loop's advice regarding sidequests

Predialogue - Automatic conversations with Loop preceding the regular dialogue options

Tutorials - Occasions in which Loop gives information to Siffrin in brackets.

Item interactions - Loop's reactions to using Souvenirs near them, as well as to using Your Dagger near them

Story events - Loop's introduction, Beginning of ACT 3, Loop hangout, Forgetting Mirabelle's name random event, ACT 5 Loop confrontation, and the Epilogue

(...plus the intro, where the key comes from)

✦ WHY USE YOUR SHEET? ✦

So you can be obsessive over Loop the same way I am (◕‿◕)

Also so you can take screenshots and see stuff you missed! Yippee!

Anyways, with that out of the way, thank you to anyone who has helped with this project along the way, ESPECIALLY @felikatze and his script project. 💖 You're free to copy anything out of this sheet without credit because, well, I didn't write any of this dialogue.

Fair warning ahead of time that this sheet contains unmarked spoilers for the entire game, including several optional achievements.

#in stars and time #isat #isat loop #loop isat #isat spoilers #advertisement mode over huwahhhhhhhhh #i'm so excited to finally be able to post about this!!!#there is one major thing i still need to do for this sheet irt formatting #but i'm at a point now where i think it's fine to release the sheet as is now #i'm really proud of it #i started working on it 7 months ago...#a lot of the time inbetween was spent idling on this but it's still been a while in the making. and ive been hustling hard abt it lately

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hopelesslyprosaic · 4 months ago

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A Different Kind of Queen of Crime- five ways that Dorothy L Sayers changed the way we see Sherlock Holmes

For my first Holmesian post- a crossover with one of my more usual subjects on my other blog! For when one is talking about Sherlock Holmes, in particular Sherlock Holmes scholarship, there are nor many more pivotal names than Dorothy L Sayers. Sure, Christopher Morley may have had a greater impact on Sherlockian culture, and Richard Lancelyn Green on Holmesian scholarship, to name only a few- but Sayers's contributions to scholarship and "the game" were early and underratedly pivotal.

If you're a Sherlock Holmes fan who is unfamiliar with Sayers's influence, or a Sayers fan who had no idea she had any interest in Holmes, keep reading! (And if you're a Sherlock Holmes fan who wants to know what I think about Sayers, check out her tag on my main blog, @o-uncle-newt. Or, more to the point, just read her fantastic books.)

There's a great compilation of Sayers's writing and lecturing on the topic of Holmes called Sayers on Holmes (published by the Mythopoeic Press in 2001), though some of her essays are also available in her collection Unpopular Opinions, which is where I first encountered them. It's not THAT extensive, and it's from an era in which Sherlock Holmes scholarship, such as it was, was still very much nascent. While a lot may have happened since Sayers was writing and talking about Holmes, she got there early and she made an immediate impact- and here's how:

She helped create and define Sherlockian scholarship: Don't take this from me, take it from the legendary Richard Lancelyn Green! At a joint conference of the Sherlock Holmes Society and Dorothy L Sayers Society, he said that "Dorothy L. Sayers understood better than anyone before her the way of playing the game and her Sherlockian scholarship gave credibility and humor to this intellectual pursuit. Her standing as an authority on the art of detective fiction and as a major practitioner invigorated the scholarship, and her...Holmesian research is the benchmark by which other works are judged. It would be fair to say, as Watson said of Irene Adler, that for Sherlockians she is the woman and that …she 'eclipses and predominates the whole of her sex.'" We'll go into a bit more detail on some specific examples below, but one important one is that, as Green notes, Sayers was not only a mystery writer but an acknowledged authority on mystery fiction, whose (magisterial) introduction to The Omnibus of Crime, a then-groundbreaking history of the genre of mystery fiction, included a highly regarded section on the influence of Holmes on mystery fiction. She was able to write not just literate detective stories but literate critiques of others' stories and the genre (as collected in the excellent volume Taking Detective Stories Seriously), and as such, the writing she did on Holmes was well received.

She cofounded the (original iteration of) the Sherlock Holmes Society of London: While the current iteration of the Society lists itself as having been founded in 1951, a previous iteration existed through the 1930s, founded as a response to the creation of the Baker Street Irregulars in New York and run by a similar concept- the meeting of Sherlock Holmes fans every so often for dinner at a restaurant. Sayers, who seems to have been much more clubbable than Mycroft Holmes, helped run the Detection Club on corresponding lines as well. (Fun fact, Sir Arthur Conan Doyle was invited to be the first president of the Detection Club! However, he refused on grounds of poor health and, either right before or right after he died, the Detection Club met for the first time with GK Chesterton as president.) While the 1930s society didn't last, and Sayers didn't decide to join the newly reconstituted club in 1951, her presence from the beginning was key to the establishment of Holmesian scholarship.

She helped define The Game: Sayers didn't invent The Game, as the use of Higher Criticism in the study of Sherlock Holmes came to be called. (The Game now often refers to something a bit broader than that, but it's a pretty solid working definition to say that it is the study of Holmes stories as though they took place in, and can be reconciled with, our world.) Her friend Father Ronald Knox largely invented it almost by accident- as Sayers described it, he wrote that first essay "with the aim of showing that, by those methods [Higher Criticism], one could disintegrate a modern classic as speciously as a certain school of critics have endeavoured to disintegrate the Bible." This exercise backfired, as instead of finding this analysis of Holmes stories silly, people found it compelling and engaging- and this style of Sherlockian writing lives on to this day in multiple journals. Sayers, with her interest in religious scholarship as well as Holmes, was well equipped to both understand Knox's original motivations as well as to carry on in the spirit in which further Game players would take his work, as we'll see. She also wrote the line that would come to define the tone used in The Game- that it "must be played as solemnly as a county cricket match at Lord's; the slightest touch of extravagance or burlesque ruins the atmosphere." While comedic takes on The Game would never vanish, her establishment of tone has lingered, and pretty much any in-depth explanation of The Game will include her insightful comment.

Some of Sayers's ideas became definitional: Here's a question- what's John Watson's middle name? If you said "Hamish," guess what- you should be thanking Dorothy L Sayers. (When this middle name was used for Watson in the BBC Sherlock episode The Sign of Three, articles explaining its use generally didn't bother to credit her, instead saying that "some believe" or a variation on that.) She was the one who speculated that the reason why a) Watson's middle initial is H and b) Mary Morstan Watson calls Watson "James" instead of "John" in one story is because Watson's middle name is Hamish, a Scottish variant of James, with Mary's use of James being an intimate pet name based on this nickname. It's as credible as any other explanation for that question, but more than that it became by far the most popular middle name for Watson used in fan media. Others of Sayers's ideas include that Watson only ever married twice, with his comments about experience with women over four continents being just a lot of bluster and him really being a faithful romantic who married the first woman he really fell for (the aim of this essay being to demolish HW Bell's theory of a marriage to an unknown woman between Mary Morstan and the unnamed woman Watson married in 1903, mentioned by Holmes in The Blanched Soldier); that Holmes attended Sidney Sussex College, Cambridge (she denied that he could have attended Oxford, having gone there herself- fascinatingly, Holmesians who went to Cambridge usually assert that he attended Oxford! Conan Doyle of course attended neither school); and reconciling dates in canon (making the case that one cannot base a claim for Watson's mixing up on dates on poor handwriting as demonstrated in canonical documents, as it is clear from the similarity of different handwriting samples from different people/stories that they were written, presumably transcribed for publication purposes, by a copyist).

She wrote one of the only good Holmes pastiches: Okay, fine, I'm unusually anti-pastiche, and genuinely do like very few of them, but this is one that I love- and even more than that, it's even a Wimsey crossover! On January 8 1954, to commemorate the occasion of Holmes's 100th birthday (because, of course, he was born on January 6 1854- Sayers was more in favor of an 1853 birthdate but thought 1854 was acceptable), the BBC commissioned a bunch of pieces for the radio, including one by Sayers. You can read it here (with thanks to @copperbadge for posting it, it's shockingly hard to find online), and I think you'll agree it's adorable. The idea of Holmes and Wimsey living in the same world is wonderful, the way she makes it work is impeccable, and it's clearly done with so much love. Also you get baby Peter, which is just incredibly sweet!

I got into Dorothy L Sayers, in the long run, because I loved Sherlock Holmes from childhood and that later launched me into early and golden age mysteries- but it was discovering Sayers that brought me back full force into the world of Holmes. Just an awesome lady.

#hm holmes quotes from shakespeare's twelfth night a lot #he must have an affinity for the play.#sherlock holmes #john watson #john hamish watson #holmes #acd holmes #sherlock holmes canon #sherlockiana #the game #watsonian #biblical higher criticism #dorothy l sayers #lord peter wimsey #ronald knox #sayers on holmes #so why was sherlock holmes born on january 6?#if you think you know why #no it's stupider than that #so this guy christopher morley who basically invented sherlockian scholarly fandom #as in he started the baker street irregulars which is the org from which pretty much all other scholarly fan societies got inspiration #was like “hm”#“holmes sure does quote from twelfth night a lot”#“he must have an affinity for the play.”#“and why would he have an affinity for the play? because the twelfth night (jan 6) is his birthday.”#and so it has remained ever since #making clear the advantages of being first

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yup-no-way · 1 day ago

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Astrocartography

ꨄ A brief guide and introduction ꨄ

I am so close to crashing out. Tell me why I was almost done writing this blog and then guess what. It got “saved as a draft”. Spoiler! It wasn’t in drafts and now I have to rewrite it… it’s alright, you can laugh ߹ ᯅ ߹

I’m going to say what I said initially here (before this app deleted my whole blog…). The reason why I got so intro astrocartography is because it worked for me personally. The country (and city) that I currently live in falls under my sun trine MC aspect line, which is amazing for my career and development. Mind you I never even knew about astrocartography until this year, but even before I moved here, when I was just visiting the country, I felt such a weird attraction to this place. It was insane. I am so glad that I did move here. The amount of opportunities, and leadership positions I was pushed into are crazy.

Also, since this post took so long to write, I just wanna apologise. I was on break and as soon as I finished, I had to go back to the grind. I didn’t get to post at all. I’m just waiting for the exam season to end and for this year to end so I can be more constant with my posts. The reason why this post took so long to write it’s also because I wrote so much and it took me a horrible amount of time to compile all the necessary info. But I hope you guys enjoy it. If you have any personal experiences with living on a specific line, please leave a comment so I can read it (since I’m so nosy).

This blog should not be taken as your only decision factor to move or travel to a country. Please make sure you check the laws or regulations of each country before you decide to move/travel to a certain country. Do your own research. People with bad intentions can be found anywhere so make sure you are safe and don’t make irrational choices if travelling alone. This post is meant as guidance ONLY. The final choice is yours. Stay healthy and glowing xoxo

What is astrocartography?

So when your beautiful soul gets placed in a physical vessel, the planets and celestial bodies in the sky have certain positions. Those positions will reflect not only on your birth chart, but also on your astrocartography chart, which shows precisely the lines formed by those celestial bodies and planets.

When looking at your astrocartography chart it’s also important to keep your birth chart in mind because it can have an influence on how you experience certain lines alongside other factors that will be discussed later on in this blog.

An astrocartography chart has major lines and aspect lines. In this blog we will focus on the major lines and in the second part we will talk about the aspect lines (for some reason they r severely overlooked online, which is weird since I believe those are more accurate).

How do I access my astrocartography chart?

It’s easyyyy. There are multiple free calculators online that can calculate your chart. The one that I use is provided by “Astro.com”. You are more than welcome to use other sites tbh, but I like this one cause it has ur aspect lines, and it has them nicely sectioned as positive and negative aspects, which makes it easier to understand for people who aren’t as familiar with all the little details of astrology.

If you search “Astro.com astrocartography chart” it should pop up. After you fill in your details, you will automatically be presented with a map that has multiple colored lines. That is your chart. Zoom in and out as much as you want to be able to navigate the map.

For those who don’t always remember every symbol associated with each planet (just like me frl), here is a small image that can help you with that:

Every line is color coded with the symbol. I know the map is crowded, especially if you zoom out, but just you wait till we get to the aspect lines. It’s a soup of colours.

How do I read my chart?

Ok, so few things before we start. If you look closer you will see next to every planetary symbol, a few letters, AC/DC/IC/MC.

Bear in mind, every planet or comical body has a certain influence on an area of your life. And the positions next to it represent how that will mostly manifest.

AC: it’s all about YOU. Your inner development, your inner self, your IDENTITY. You will embody the energy of the planet physically or behaviourally.

DC: this is all about your relationships, whether platonic, professional or romantic. You are going to attract the planet’s energy through other people/connection you make.

IC: this is your roots, your home, your traditions even and your emotions. You will feel this planets influence in your home environment and this position is deeply transformative.

MC: here comes the moneyyyy. Ok so this position is about your public recognition, your career and it’s such a good boost. You’ll feel it through how the world sees you. Great planet for massive recognition in your field.

It’s also really important to check your personal birth chart alongside your astrocartography chart to be able to get the most accurate interpretation.

Please mind that there isn’t inherently a good line or a bad line. Each line is supposed to teach you certain things. Every line will have its ups and downs and depending on what you are searching to achieve, the lines can help you achieve it faster. Mind you that at the end of the day, it is up to you to put in the effort to get what you want. Astrocartography shows you where the flow of energy is smoother, allowing for certain things to manifest easier.

Now that we covered the basics, let’s dive in!

Sun line:

AC: you just radiate love. This line will make you shine for who you are and it will bring you closer to your true self. Great line for self love and acceptance. Your presence alone is charming and it grabs attention wherever you go. If you feel like your life feels stagnant and you wanna rediscover yourself, travel hereeee.

In positive it will give u crazy confidence, it will make you more self fulfilled and self actualised. Good for taking up new projects such as business or any project that puts you in a leadership role since this line will make you feel more comfortable under this position.

In negative this line is quite draining making you feel like you have to be always ready for anything. A lot of pressure to always perform effortlessly and perfectly. Can lead to burnout. So please manage your boundaries and expectations well.

Overall if you want to start a personal brand or a business. Going for a solo trip or a rediscovery trip is going to work well for you. You will find yourself more aligned with yourself and your purpose.

DC: this is your time to shine in terms of relationships. Like the way you’ll attract people by the way you walk, talk and just breathe is insane. Your relationships (platonic and professional included) are going to be transformative for you. They r going to be this relationships that change the way you see yourself. You’re going to be uplifted and confident. You are going to understand yourself better. You are going to attract strong willed, fun and loving people in your life. Your friendships are going to be meaningful and active and your romantic interests might be good future spouse material. You are attracting romantic partners that are determined and basically embody the archetypal sun energy (might even be conventionally attractive). These relationships can even bring you some exposure to a larger audience depending on your chart.

In positive you are a magnet for relationships of substance. You are going to be fulfilled.

In negative you can tend to lose yourself to relationships and connections. Please be aware that you are yourself, not your friends, not your partner. Don’t be afraid to be authentic, even if it goes against the wave.

Overall good for meeting potential long term relationships. Good for networking and work partnerships.

IC: when I say you are going to feel connected to this place, I mean it. Every IC line brings such a deep connection to the country/city specifically. While AC and DC are about external factors. IC is from within. You are going to find your confidence and comfort through your stay in this line. Good place for a vacation home. This is the line that you go to when you need to feel rooted and you need a sense of stability. You might become more introverted or at least interested in going outside since your home will be your comfort zone. The self care here is going to be intense and you will enjoy every second of it. Nurturing your home and your inner home (aka your soul) is going to make you the best self actualised version of yourself. You might even start a tradition that will stick w you here. Like maybe you’ll start a new interest for collecting magnets here. Just an example.

In positive you are going to feel emotional clarity and security. You might be able to connect with some ancestral roots. Maybe you feel like this was your home in a previous life and now you’re reconnecting by with a lost version of yourself. Good place for a retreat. Good place for healing after a bad event in your life.

In negative is not going to give you much public exposure. If you crave a life of excitement and fun (in the traditional sense), you might not be able to find that here. It’s a more of an internal energy and it focuses on rediscovering yourself from inside.

Overall it’s good for long term home building and stable identity.

MC: love this placement so muuuuuuchhh. Not just that MC is here, but it’s on the sun line. This brings so much exposure. Opportunities come left and right. Yk how people say “if one door closes, another one will open”, well they probably lived on their sun MC line. This line is all about that. You are respected, SEEN, HEARD and admired by just embodying your authentic self. This will boost your perception of yourself. This line is genuinely a glow up from all aspects. Career recognition, public success and multiple opportunities for leadership roles. Great for starting a business her as well and amazing for career advancement.

In positive it bring your career to the top and it makes you such a boss tbh.

In negative the burnout is so strong here. If you don’t balance your life well, then you are going to fall into a constant state of tiredness. Also don’t stress about too many things. You have time to do them all.

Overall, amazing boost in popularity in whatever field you go and it can bring a lot of career satisfaction. If evolved (and also depending of other planetary aspects you have) you are also bound to be perceived positively by the larger public.

Moon line:

AC: so having the moon line which is all about your inner world and your emotions being in the AC position can make you very emotionally expressive on this line. You will be so in tune with everyone’s emotions and yours as well. You will be perceived more line your moon sign by the people around you. It’s such an amazing place for artistic expression. If you are an artist of any form, coming here to perform or create your art can increase its potential. You are going to exteriorise yourself in a very sentimental way.

In positive it can be very good for self awareness and deep understanding of your emotions. Good for emotional clarity and discovery. You’re intuitions nd empathy will be at an all time high.

In negative it can make you hypersensitive to people’s emotions and that can be quite tiring. Sometimes you will experience intense emotions and that can be hard to navigate depending on your chart and if you have learned your lessons.

Overall, I’d suggest coming here if you are an artist or need to creative inspiration of any sort (not just for art). Amazing for self expression and deep understanding of how your emotions work.

DC: if you thought sun DC is intense, then you are not ready for this. I’d argue that out of all DC lines, this is the best for deep connections. No relationships will top this one. This one is going to be either the love of your life or your worst heartbreak you ever had (the type you think of before you go to sleep). Late night convb and lingering gazes. Melancholy and deep nurturing friendships or relationships.

In positive you can have such deep transformative relationships that can lead to potential long term connections. Soulmate energy.

In negative you will experience high highs and low lows, depending on the interaction you have. Might development attachment issues or codependency. Might feel like you are like a mom to unevolved people.

Overall, best for romantic relationships and potentially if you are in the medical/caretaking field, this is a good place for you to work in.

IC: this is going to be your safe space, where your emotional side is the most burtiere and safe. I’d argue it’s the beat moon line. You are so emotionally times to this place, leaving it will feel so sad. You are going to start facing your shadow side and it is going to push healing your inner child top priority. Honestly such a beautiful place to live in.

In positive it’ll provide emotional security and peace, bring some heavy healing and it’s amazing if you want to have a good emotional family life.

In negative might be too comfortable, therefore making you attached to this place. It can also make you too isolated.

Overall, great place to settle if you are looking for some transformative emotional energy and a peaceful and secure home. Also great for a therapeutic retreat. Make sure you don’t become too isolated tho. Also if you struggle with mommy issues, some heavy shadow work can happen here.

MC: seriously if you work in the healthcare/ caregiving/ medical/ physiological/ public service industry, move HERE. This is going to literally put you out in the public eye for your ability to heal and give care to others. If you life on this line you might also be seen as the mom friend and constantly feel fulfilled when you help people out. You might be perceived as emotionally in tune, mysterious

In positive is great for certain lines of work that involve caring to others and you could get a lot of exposure for it.

In negative you can be perceived as too soft and try to be taken advantage off. Please make sure you set proper boundaries.

Overall, amazing for careers in healing and caring, therefore leading to success.

Mercury line:

AC: you are going to be perceived as more chatty and more smart. This line will open you up to intellectual development through self discovery and acceptance. You might get a boost in energy and a boost in curiosity to explore and learn. Communication will come rlly easy to you and ideas will flow in and out of your head. Mentally stimulation is everywhere.

In positive you are going to engage in very stimulating conversations and you are going to have more interest in developing yourself intellectually.

In negative you might be more prone to overthinking and that can lead to anxiety. If you struggle with that, please bear it in mind when moving here. Also be careful to think before you speak since here you are going to be more unfiltered.

Overall, GREAT, if not best place for studying. You are truly going to feel intellectually aligned with your course and will feel a desire to learn. Amazing for starting new projects and researching about them.

DC: you are going to feel a shift in your relationships. You will crave more mental stimulation and need an actual communicative person. You will engage in debates with your partner more or might attract partners that make you question yourself (in a good way). Basically the tension here is strong. You might get hyper analytical of people and try to understand more than you can. Good place if you are pursuing a psychology/ psychiatric career.

In positive you’ll attract mentally and intellectually stimulating partners and if you’re into that, this place is ideal for you. Your friendships might also be very communicative.

In negative you might tend to overanalyse the people around you. You need to learn how to balance that.

Overall, great for stimulating relationships and friendships. Great for project that require communication. Conversations might fly smoothly and be efficient.

IC: you will feel mentally safe here. Great for journaling and exploring your personal interests. Really nice for shadow work related to childhood suppressed memories. Truly understanding yourself. Amazing for verbalising your emotions in a clear and coherent way.

In positive you might experience mental peace, developing yourself internally and privately.

In negative you might tend to intellectualise your emotions and isolate yourself mentally.

Overall, if you have a remote job, this place is amazing for you. For private intellectual development this line is also good. If you are a writer, coming here might be very beneficial.

MC: nowwww, if your career is in any field that involves you having to communicate with people, this place is for you. I’d even say that if you are in a field where you do any humanitarian work, this place is good for boosting your voice. Also if you’re a singer that puts a big emphasis on their lyrics, this is also perfect for you. In this are you will be perceived as intelligent by the masses. Also teaching and any programming or coding job is amazing here.

In positive career success using your intellect is almost given, your voice will be heard and be influential, it’s amazing for launching a career

In negative you can feel always a pressure to appear smart and have every work carry a deep meaning and that can feel tiring and can lead to intellectual burnout.

Overall, if you wanna start a career here in general is very good. Making good impressions here is quite easy.

Venus line:

AC: omg so this line so amazing if you want to be noticed for your looks. You will physically look better. I swear. I personally lived on this line for such a long time and didn’t even know. Every time I came back on this line, I kept telling my friends that I feel like I am so much prettier here. GUESS WHAT I realised later I was on my Venus AC line. Not only you’ll look better, you’ll feel better and that is such an amazing feeling. The fact that I was constantly approached here and people are staring at me so much here. I even got random gifts from people just because they liked me. All I’m saying is that you will feel it here. If you wanna have a glow up, go there. Also if you want to have any physical changes done, like surgery or cosmetic or even just general aesthetic things done to you. Come HERE!

In positive you will look and feel more good about yourself and it’s a great place for modelling truly (or getting casted as a model).

In negative you might attract shallow people who mostly see you for your looks not for what you are. Make sure you don’t let this boost in looks get to your head. Venus is powerful when it comes to making you lose yourself to superficial stuff.

Overall, great for self love and aesthetic changes.

DC: WOOOOO! guys, the amount of people I saw moving to this line and finding their spouse. I even heard a story of this girl, meeting his current husband on the exact street this line fell on. Arguably the best line for finding your true love. Relationships here are also kinda dreamy and intense (but in such a nice way). I’d say even friendships and partnerships are rlly good here. Amazing line for your social and love life. (I wish my Venus DC fell on an actual country. My line is in the middle of the ocean. guess my soulmate is a fish…)

I positive, here is the most possible place to find your soulmate

In negative, you might get so absorbed in relationships that you lose focus on the physical world.

Overall, if you wanna get married/ engaged or even meet new people, here is the place for youuuu.

IC: “just a chill guy”. Home life will feel so nice and comfortable. You might even be more inclined to to heal some lineage scars from your mom side. Home here is top notch. Another great place for a vacation house if you are looking for an aesthetic, chill and indulgent life. The comfort is going to be amazinggg.

In positive, emotionally you are going to be at peace and are going to feel som comfy.

In negative, it can lead to laziness and too much indulgence. Please be balanced on any Venus line cause Venus is rlly a planet that is easy to give in.

MC: your reputation is going to flourish here. More prone to a positive reputation (but you might be perceived as a bit shallow). This place is amazing for networking, like really good. Again, any creative field of work is amazing here. ARCHITECTURE AS WELL. Like you’re projects will be knows for being really “beautiful”. Beauty Industry is in bloom here.

In positive, career boosted using your looks and charm. People are naturally inclined to want to collaborate with you.

In negative, sometimes you might be perceived as superficial and fake. Make sure you don’t lose yourself to this line and keep yourself authentic. Again classic Venus line stuff.

Mars line:

AC: if on the Venus line you would be perceived as seductive, here you are hot. You have that s appeal. You might be perceived as more aggressive and hot headed. This line pushes you to be more determined and active. You might be prone to physical conflicts more often. This line makes you feel like you are on something. You are going to be more bold and even a bit more intimidating to others. Leadership roles are hard to balance here, but if you manage to make sure you don’t get overbearing with people and don’t become to strong headed, then this line is going to lead to a successful leadership position.

In positive, more energy than ever, braver and increased confidence.

In negative, aggressive line to be honest. Heard stories of people getting in physical arguments with a lot of people and getting attacked on the streets. Please be careful. If u travel here, make sure to stay out of trouble and go with a trusted person that can protect you.

Overall, good for meeting fitness goals, making goals moves in projects and finding your inner power.

DC: relationships here are just annoying to navigate. You might feel hot and cold. One day you’re happy, the other arguing. Kinda unstable and aggressive. You might attract assertive and ambitious people. The chemistry might be very hot and you might have amazing bed life (lemme just call it that, you get what I mean). Not long term romance, but a short term fun and excitement is good here. Friends are very argumentative or you might find yourself in a lot of disagreements. Again not ideal for mutually understanding friendships, but a short term fun friendship might be ok. You might find yourself to learn how to stand up for yourself here trough these people you meet.

In positive, you will find yourself attracted fierce and ambitious people and might have good s life.

In negative, arguments and misunderstandings are heavy here. Impulsive decisions are made here. Please think not twice but thrice before making a decision.

Overall, short term flings and friends are nice. Good for learning how to stand up for yourself.

IC: this line usually indicates a harsher home environment and a lot of arguments in the house. you will have a lot of miscommunications and disagreements with your family or with the people in your home. if you’re planning on moving here and having a new person as a roommate, this might not be the best idea. This line might also push you to face some shadows that you haven’t yet, therefore it’s quite nice for understanding some areas of yourself. Your father might be in a constant state of anger and might be a big factor of your arguments in the house. BUUUT, great line for doing work in the shadows. Like slowly creating a startup without anyone knowing or writing a book without telling anyone.

In positive, focus, discipline and build inner strength and resilience.

In negative, there might be some stress in your home life and that can cause anxiety, lack of stability and so much more.

Overall great place if you want to build something on the low-key because it gives you that determination to do it but you might be in a home environment that is very stressful for you.

MC: this line makes you be seen as driven, competitive determined and resilient. You are literally gonna tap into your assertive energy. This line will make you so career focus and driven, it can lead to burn out if not balanced well. this is also really good if you wanna take charge of your own career. This line can also make you more prone to a god complex within the workspace. Make sure you don’t let this line get in between you and your coworkers. This line can make you quite arrogant and that can create some stress in the dynamic between you and your teammates. You’re going to want to dominate every project and will not want to allow space for other people to chip in.

In positive, this place is really good for taking charge, learning how to step into your “ boss” energy and stand up for your ideas.

In negative, this can cause quite some conflict in the workplace and can make you come across too domineering.

Overall, not a bad place to be in regarding your career but make sure to prioritise good communication and balance in your workplace.

Jupiter line:

AC: this line right here it’s going to manifest as luck all throughout your day-to-day life. You’re gonna feel it all around you in how people treat you, approach you, view you and overall how life feels for you. You are more likely to find random cash on the streets or receive random acts of kindness. This line will inspire you. It will inspire your creativity, your interest in learning and your desire to succeed. You are going to unlock opportunities and luck by just being yourself. Being your most authentic self here is going to work out for the best.

In positive, you are gonna get luckyyyyyyyy. Life will spoil you just because.

In negative, you may lean into a very optimistic mentality which is not inherently bad, but it can lead to delusions that will sometimes not be reached, leading to dissatisfaction.

Overall great place if you just want to be more authentic to yourself and more confident and also increase your luck. Great place for solo travelling.

DC: here relationships will broaden your perspective in life. Connections on this line will help you grow in certain areas of your life. You may attract older or wiser partners that will act as a guide. Unpopular opinion, but I also think you might attract people with higher financial possibilities on this line (hell yeah), or at least people that will help you grow financially (If you are looking for sugar daddy/mommy, this might be a place where you can start searching for it). even friendships feel expansive here. also if you’re in search for a good business partner, I could argue that this is the best line to do so.

In positive, relationships here feel supportive and mentor like, learning quite a lot from the people on this line. Good for luck in partnerships. Good for finding business partners.

In negative, gets too dependent on external validation and tend to base your self-worth on the connections you have rather than yourself.

Overall, great for partnerships of any sort success in relationships. Good place for marriage as well. If you are in a relationship, travelling here can expand your current relationship.

IC: this place is amazing if you wanna have a secure home. This place feels like home away from home. It doesn’t feel restricting and your home life might even feel liberating. Usually people that have a family on this line tend to leave a lot of space for growth and learning in the household. Self-expression might be a huge thing as well. It’s important for individuals on this line to have a lot of freedom in their home. This place is also great if you want to retreat and expand your knowledge. This place also indicates high level of abundance coming into the home. So a lot of people/families that live on this line feel like they’ve attracted the most abundance and money when they connected with their roots or home. If you want to start a family business, this line is also really good for that. This is really good for ancestral healing as well.

In positive, bring abundance in the home, inner growth and freedom to explore/expand.

In negative, might get too comfortable and feel inclined to retreat.

Overall, literally gives generational wealth potential. Great for creating a family business. Great for growth, especially in intellectually. Great for selling down or starting a family.

MC: now we are talking about opportunities and success. Your career is gonna have a boost here. Your money is going to come in. Your opportunities are going to come in. People will trust you and they will see you as a mentor. You will be perceived as wise and insightful. If you have a career that is about sharing information, this is especially good for you. Might be the place where you start a legacy. Will get professionally recognised and will get compensated monetarily for it. ouuuuu I love this place. Unless you have harsh Jupiter aspect, this place should do the job for you.

In positive, amazing for a career start and career expansion. Great for financial abundance in your career. Great for sharing your knowledge and getting recognised for it. Amazing for job opportunities and luck in your field.

In negative, just make sure you do not get too cocky. This place is amazing, but be aware that the universe will put you in your place if necessary.

Overall, just great for your career and your growth. If you just wanna visit this line keep an eye out for opportunities.

Saturn line:

AC: all the Saturn line is quite heavy to navigate. This line will make you do all the hard work. For this specific case, you might feel a bit isolated and misunderstood. You will come across this more stern and serious. If you always wanted to be taken seriously, this line is for you. All people are gonna see the seriousness oozing out of you. You might not be fully understood for who you are here. You might also feel restricted in expressing yourself here. You might feel the need to hide yourself from people. But this line is not all bad. This line will help you develop discipline and structure in your life. It will actually make you feel in tune with yourself. Even if people don’t get you, you will be able to understand yourself to a certain level that you didn’t before. This line is going to teach you self-respect. If you are searching for a place that can offer stable projects, this line is also good for that.

In positive, good for self-respect, discipline and structure. You will be forced to develop a backbone here. Great place for maturing and discovering yourself to another level.

In negative, you can feel isolated and alone. Being misunderstood for who you are or restricted for who you are is coming here. You will potentially if moving here at a young age be forced to mature earlier than necessary.

Overall, this is a lesson that a lot of Saturn lines teach. The discipline, perseverance, structure, and maturity of life will be taught to you.

DC: you might get in relationships with someone older here. Relationships here might be karmic and they might be really hard to deal with. You might feel controlled or suppressed. Connections will make you mature. Do not expect an easy flowing relationship here whether it’s romantic, platonic or a partnership. I’m not gonna lie, I wouldn’t suggest dating someone here, unless you’re ready to mature and see the harsh reality of things. It will be heavy. I’m not saying it’s the worst, but it’s not the best either. If you are currently living on this line, you might’ve experienced some transformative relationships. The lessons here are heavy. If you do somehow get into a good relationship here, is going to require a looooot of work. to the people who live on Saturn lines, stay strong. Not all relationships are this hard. Lots of love to you seriously. This line can also make you feel quite alone in a relationship.

In positive, relationships are here to help you learn and grow. They can teach self-respect and boundaries. You will learn overall a lot of lessons. If you may, call this character development.

In negative, you might feel disconnected from people. Relationships feel cold and distant and hard to navigate. A lot of karmic lessons learnt through people.

Overall, good for learning boundaries and setting standards. Learning your love style. Sometimes good for marriage. Good for clearing out karmic debt.

IC: I could go on our talking about the home dynamic on this line. It’s restricting. Depending on what house your side is in your personal chart, you might feel even more restricted in that area. home life will teach you a lot of things. You might feel disconnect from your family and your home environment. Maybe there is a lot of emphasis on growing up. People on this line might feel like they were not allowed to enjoy their childhood. If you navigate this line well though, it is amazing for clearing generational baggage. It’s a place where a lot of people either drown in or heal a lot of karma.

In positive, will find comfort in your own solitude. It’s good for creating a good foundation for yourself. If you are planning on moving here, it is going to bring a lot of unhealed family baggage to light (just make sure you heal her please, or it will bite you in the ass).

In negative, it’s pretty given. A lot of solitude and feeling restricted and suppressed. Being forced to grow up through your home. Or if you’re moving by yourself there, you might not always feel fully connected to your house (again unless you healed). This line is heavy on dealing with things that are uncomfortable for us. Nothing comes easy on this line, but once you have it, you have it.

MC: this gives me, I came from nothing and now I’m here. This line is going to teach you how to work your way up to success. The discipline, the power, the pace and the structure you take will guide you to success. I’m gonna be honest, here success doesn’t come naturally. You will have to work for it, but once it’s yours, no one can take it away from you. You will be seen as more serious by your coworkers. You might even appear as a harsh boss to some. You will not accept mediocrity. This is truly the CEO line. This is the place where you can build a business foundation that will last. And if you’ve paved your foundation well, trust me, it will last.

In positive, a career here is stable and if the work is being put in, potentially very successful and abundant.

In negative, you might feel isolated from your coworkers. You might feel restricted at work and might feel like you’re not allowed to express yourself fully in your work field. You might also have workaholic tendencies here. Please make sure you balanced yourself properly since Saturn is all about a good schedule.

Overall, quite OK for a career. It can bring huge success. It can bring a stable income. Make sure you really put in the work for it. Saturn likes to have things be earned. If you earn it though, Saturn will give you everything to wish for and return

Uranus line:

AC: you have been feeling stuck and feeling like you have been in the loop, this is the best place to come. Whether you come here to move in or to travel, you are going to go under major transformations, especially when it comes to your physical appearance. You are going to feel more bold in your fashion. You will make changes to your appearance that are gonna be more eccentric. This is gonna be all about you, and your most authentic self. Think breaking boundaries of what is hair for you or what is fashion for you. You are also going to discover yourself and experience some major eye-opening situations in terms of your personal freedom. You can be unfiltered here, but it’s not gonna be like the Mars line where that comes with arguments, this line brings you unfiltered authenticity. Also, you might discover the fun in being with yourself. So you might discover new hobbies or interests or even get into new intellectual endeavours when alone.

In positive, you are going to break all identities and are gonna gain a new discovered freedom.

In negative, this line can make it a bit hard to stay grounded. There is going to be a feeling of social instability.

Overall, there is a great place for starting something new, something more authentic to you. Self-discovery is a highlight when being on this line. Amazing four coming out of your shell.

DC: this line will bring connections that will challenge your perspective of what is normal to you. There’s a theme of commitment issues alongside this line. You might feel more prone to be single, but if you do end up in a relationship, your partner might be the type that is very eccentric and they might challenge you to grow. Relationships are gonna feel fast paced even with friends, sometimes a bit unpredictable. Also say that along this line, you might change your type or you might have some awakening in regards of what you desire in a partnership of any sort. You might tend to rationalise your emotions more on this line.

In positive, and experience relationships on a different level and they will feel fresh and electrifying. Wouldn’t say it’s the best place to find a long-term committed relationship. It’s a good place for friendships though.

In negative, expense relationship that would end up in breaking up, ghosting and instability.commitment issues are a theme here.

Overall, looking for a relationship that feels open minded and allows for freedom, this might be the life for you. Watch out for unstable partners and constant situationships.

IC: would have to say that in regards to your home life, you won’t completely feel settled here. You probably would not want to live here for the long run. Well, this is a great place for discovering what you really want in your home or what do you expect from your home life, this place won’t align with you for the long run. Through your home, you may discover new things about yourself. Maybe your residence will be the place you start hobbies or you feel most comfortable experimenting. Live with your family members on this line you might experience feeling like the “ black sheep” of the family. If you’re looking for a place that will generally make you discover certain hidden aspects of yourself that you didn’t know existed, this line is great for that, but again you might have a sense of restlessness that won’t allow for you to settle here long-term.

In positive, if you want to reinvent the way you see home, this line is amazing. Hear you might experience some detachment from your roots, allowing for personal discovery.

In negative, costly feeling restlessness and emotional detachment, making a hard to connect.

Overall, if you want to discover and reinvent yourself in this area of home life and in regards to your roots. This place is pretty good for that.

MC: in regards to your career, this place is quite good for it. If you’re planning on working in a tech, engineering, activism or start any sort of start-up, this line is going to boost that. You are more prone for going viral for the most random reasons here. Your career will feel filled with plot twists. You might visit this line with something in mind, and end up doing something completely different. People will see you as innovative, quirky, a bit detached and a visionary. Also you might be more prone to have multiple income streams here. This place is overall really good if you’re looking for inspiration or an advancement in your career. I feel like people look down on this line when it comes to career, but I find it to be a really good line for coming up with something. Also, whatever you create here might be very beneficial or extremely shocking to a lot of people.

In positive, it’s great for creative breakthroughs and having a new outlook on your projects. If you have been feeling stuck in your career or lost in your career, come here and see how your mind literally opens to so many possibilities.

In negative, if you don’t like this unstoppable change or instability, I don’t suggest you come here to work. It can be really good, but I do understand why some people might not want this type of environment. There can also be a fluctuation on how people perceive you here.

Overall, reinventing your career or your brand can go really well here. Having a start up here is also really amazing. Working in any tech, activism or engineering field here is great.

Neptune line:

AC: you will feel like you are in a dream (not in a bad or good sense). Sometimes you might feel like you are more disconnected from reality. People will perceive you as dreamy, hard to pin down and mysterious. Think manic pixie. You might be in your head a lot and you might be more prone to absorb peoples energy. Make sure you guard yourself energetically here. This place is gorgeous for a spiritual awakening and an existential crisis(yikes). You will rediscover parts of yourself in terms of spirituality or religious beliefs. you will be more interested in the occult on this line as well. You will have such an artistic and creative flow here, it’s insane. You will be more attracted towards a slower paced life. People will be attracted to your sensuality and mystery. They might even see you as a healer of some sort. Some might take advantage of that so please make sure to guard yourself.

In positive, you will be attracted to aesthetically pleasing things or at least lean into a more “ aesthetic” life. You are going to have your intuition more heightened and have a smoother creative flow.

In negative, again you might be taking advantage of, you might be prone to escapism (mind those substances please), you will experience an identity crisis and you will be more sensitive to fatigue.

Overall, great for heightened intuition and development in your healing skills. If you want to discover yourself spiritually or religiously, this line can be very fulfilling. I would say this is a good place for a healing retreat. Great to come here if you want to practice your spiritual beliefs, art, music or modelling.

DC: relationships here are hard to pin down. You never know if the person your meeting is your soulmate or it’s just an illusion. You might attract partners here that you might tend to idolise. Relationships will feel dreamy indeed, but you might create your own version of the person you’re dating. Basically, you will get in relationships with people because you like the idea you created of them, not them as a person. Relationships here can take advantage of you. Here the line between dreams and reality is thin. You might find yourself with people that do not respect your boundaries. You might find yourself in the position of healing the wounds of your partners. On the bright side, this line can also bring you closer to a soulmate like relationship. Even if it’s not a soulmate relationship, it is going to be a relationship that shapes you in some way. Going to experience a deep spiritual connection between you and your partner. You might even find it hard to move on from your exes on this line (or vice versa). Friendships here can be very fulfilling but you have to make sure you set boundaries with all the people that you meet.

In positive, relationships here will be filled with empathy and deep spiritual connection. You might receive more unconditional love here.

In negative, strong codependency in relationships and self sacrificing.

Overall, creative collaborations here can be very strong and fulfilling. If you wish to partner with someone in the musical, art or modelling field, this line is good for this.

IC: your home will feel extra safe. There is going to be a tendency of isolation and escapism. You might feel like your emotions and your thoughts are a bit foggy. It’s easy to lose yourself to delusional things. Your home is the place where you might feel the most creatively in tune. Also, your intuition might peak in your environment or when working with your roots. Basically, if you want to practice any spirituality that is tied to your origins or to familiar things, this line can really boost that. You might also genuinely get reallyyyyy vivid dreams. You can also start experiencing premonitions through your dreams. I wouldn’t necessarily say that you fully feel at home here, not because you won’t like it, but because you will feel more disconnected from reality leading to a disconnect in your home life as well

In positive, you will feel spiritually connected to your roots and my double more into your native practices. You will be more in tune with your creativity and intuition.

In negative, easy to get lost in your thoughts and you might tend to opt for unhealthy coping mechanisms. Please make sure to stay grounded on this line.

Overall, great place if you want to feel spiritually or religiously connected. This will unlock a new perspective on this area of your life. Not a bad line, just you might tend to find it hard to stay grounded.

MC: owwwwww! If you r in any artistic or create a field this line is amazing for you. The way you will feel the creativity flow in your work life is insane. You will have more of an unusual approach to your work. You might also bring an ethereal or mystical vibe to your craft. You will be perceived as mysterious by the masses. If you work in the art, film, musi, acting, modelling or any career that focuses on spirituality and aesthetics, I suggest working here. One downside is that you might luck direction or you might struggle with going through with what you planned. If you make sure that you balance that and bring some structure to your life, this line will be amazing for your field.

In positive, great for a lot of fields that are require creativity. You will be more mysterious to people and that can attract quite some popularity.

In negative, might experience some career confusion and lack of boundaries in your workplace.

Overall, again great for creative fields and popularity based on your mysteriousness.

Pluto line:

AC: this line is overall hard to navigate, especially if you have harsh Pluto aspects. One thing you are going to experience on this line especially, is change in who you are. You are going to doubt your principles, your morals, your identity and your habits. This line is all about transformation. It’s good if you are going through an identity crisis and you want to completely reinvent yourself, but I wouldn’t generally suggest to stay here long-term. You’ll be perceived as intense and even harsh sometimes. this is going to be a line that will truly transform your whole identity, from the way you talk, you walk and you behave. I personally would tell people that if they are looking for some change in their life, then they should visit this line, it will stir stuff up. Just like all Pluto lines though, having this constant destroying and rebuilding energy can feel a bit tiring or draining. If you work with yourself, you will find out that by the end of your stay, you became a whole new version of yourself that is more powerful.

In positive, you will be more magnetic and you will reinvent your whole identity. This line might even lead to some clarity when it comes to yourself.

In negative, this line will make you feel really lonely. It will also make you feel like you are in a constant battlefield. More prone to burn out here.

Overall, great place for discovering and reinvention. Mostly would suggest travelling here for a shorter period of time.

DC: relationships on this line are in intensive…(not necessarily good). If you are single, you might attract partners who are controlling, obsessive or toxic (possibly abusive, I’m sorry love). I am not going to sugarcoat it, I’ve heard some stories about women being in very bad situations on this line. Transformations will be deep through relationships. You might actually rediscover your type or you might learn some heavy lessons. There’s gonna be a lot of power struggles here. If you are in a relationship and are planning on coming on this line, all I’m going to say is that this line will test the integrity of your relationship. I’ve heard one too many couples moving to this line and ending up breaking up a few months later after being together for yearssss. Not saying that this line will automatically break your relationship, but it will test it. If you both learn to hold your ground and not let disagreement get to both of you, you will be fine. Relationships here are just difficult, even friendships or partnerships. A lot of tension, and not a good one. One thing I have to say, if you come to this line and you really heal, you will become so unstoppable.

In positive, karmic healing in relationships. You will rediscover what you truly desire in a partner. It will basically bring more clarity on what you want from the people around you. It might also help you learn how to respect yourself.

In negative, lots of powerplay and imbalances. Toxic relationships and a lot of manipulation.

Overall, not the best line in my opinion. If you’re truly looking to navigate your relationships patterns, then come here, but if you are not ready to face some nasty truths, I wouldn’t even suggest travelling here.

IC: your home life will feel very suffocating. You might have parental figures that are trying to control you. You might feel like your home is not your safe space. This place screams dealing with a lot of lineage karma. You will do some heavy shadow work in that area. Honestly, it’s a hard line as well, but that’s all Pluto lines. This place is really great for understanding issues from the root and solving them. You might even heal some generational trauma here or at least become more aware of what that generation of trauma is. Dealing with all this karma and shadow work you will feel so much more powerful, you will tap into your true purpose. This line also builds insane inner strength and desire for justice. Pluto lines are hard, but they are necessary.

In positive, deep rooted emotional and healing. This is a re-occurring thing with a lot of the lines here.

In negative, lot of family drama and emotional baggage. This line can cause depression (please stay strong).

Overall, great for healing generational trauma and deep rooted issues.

MC: weirdly enough, the Pluto MC line is less hard to navigate here (not easy but not as annoying as the previous Pluto lines). It’s still very harsh, but emotionally it’s a bit easier. This line will teach you a lot about power dynamics. You might face some power imbalances at your workplace. A lot of tension between you and authority figures are present on this line. This line will make you more assertive in achieving power (power is subjective, so that can be money for some or authority for others). You might be perceived by the masses as controversial and intense. You will be the type of person that grows on people. You are an acquired taste for sure. Good for rising at the top in general, but especially good for people that work in finance, law, politics, psychology or any taboo field of work. You will deal with some betrayal in your workplace. You might also lose your job here. So be careful and stay mindful.

In positive, you will learn to own the room you walk in and grow your power (and authority).

In negative, you will possibly deal with job loss. You will deal with hardships and authority tension in the workplace.

Overall, good for rising to the top and taboo fields.

Chiron line:

AC: yeah, remember when I said that the Pluto lines are hard? This line is even harder, but it doesn’t feel suffocating, it feels deep, like the type of pain that you can’t fully shake off. Hear you will undergo deep healing of yourself. All your wounds regarding your identity will come to light, and other people will see it too. If you have been insecure about your physical appearance, then you will show it and you will feel it more intensely. If you have been insecure about your intelligence, you will feel more exposed here. This line pushes you to heal through embracing yourself. Accepting who you are and learning to deal with yourself at your own pace. You might be perceived as more melancholic and sad. People will be more inclined to want to help you. Your own identity will be shaky, but that’s only because this line pushes you to heal.

In positive, will undergo massive personal change in regards to your insecurities or personal wounds.

In negative, you will look down on yourself a lot and might lose a lot of your confidence. Also you might feel more exposed to other people.

Overall, really good to come here if you want to undergo some serious therapy. This line will be amazing for that. do you want to start your healing then come here.

DC: so basically, I’m a liar cause this line is even more horrible(if you’re not healed). Every single insecurity and fear you have will materialise in your connections with people. If you have ever been afraid that people will leave you, then boom, they leave you. If you are afraid deep down that your partner will be cheating on you. guess what? They are. You really need to tackle what makes you insecure in your friendships or relationships in order to have good connections here. This line gives me, you attract what you are! Do not expect good connections if you are not healed. The bright side is that relationships will feel healing as well. You might be able to heal your wounds through your relationships. There is gonna be a sense of deep intimacy between you and your person. Also might attract people with similar insecurities as you.

In positive, you will experience karmic healing in relationship. You will be learning a lot of self-worth as well.

In negative, all your triggers that you have in relationships have a high chance of manifesting here.

Overall, good for clearing karmic baggage and growing through connections.

IC: your sense of what is home, what feel safe and what is trust will be challenged here. Your home or roots might bring a lot of scars. If you are travelling or moving here, be ready for past ones to the surface. This line will really trigger you in a lot of areas. This line will also test if those wounds have been fully healed or just bandage over briefly. this is arguably the best line for shadow work. It is also the shittiest line for shadow work. Why do I say that? Because it will be very hard, but very rewarding. Nothing comes easy when it’s healing we are talking about. Chiron is sad and tormenting, but not impossible. You will develop a next level emotional resilience.

In positive, you will heal deeply and truly. You will develop an inner strength that will be unshakeable after this. Your sense of identity will be very strong as well.

In negative, you might not be able to take it. This line is just really hard to be honest. You will feel the effects of it. My best advice is to truly put in the work to see past the facade of things. True healing comes with hardship. Shadow work is not as nice as people make it seem.

Overall, great for generational healing as well and targeting deep past wounds (even once that you didn’t know are still there).

MC: this line will bring your career into fruition through hardships. So any career in psychology, psychiatric help, mentorship, teacher, healer and motivational speaking is good here. Advocating for communities is going to work out really well here. You could potentially build a legacy here. You could also have a pretty successful career by overcoming your hardships in general. You would also feel align with your career and that can bring some meaning to yourself. You could become quite purpose driven as well.

In positive, you will leave a meaningful impact and find success through transformations. You might even be inspiring to others.

In negative, might be afraid of being seen as weak or broken. You will have all your wounds visible to the world. Your vulnerability will be exposed leaving you quite unhappy.

Overall, any careers that turn pain into inspiration will thrive here.

North node:

AC: on this line, he will feel more along with your true purpose and destiny through yourself. The way you act, behave, speak and walk will all be aligned with your true destiny. by being your most authentic self, life will push you towards your path. You are going to undergo major self growth and you will be pushed into it quite strongly. Once you’ve lined yourself with who you are, you will notice a shift in your reality. I also do believe that this line is really good for manifesting or for using the law of assumption. You will get a boost in confidence.

In positive, you will feel more aligned with yourself bringing you more self-fulfilment. You will also encounter aligned friendships.

In negative, you might experience impostor syndrome. You will also be uncomfortable during this whole growth process. But hey, it’s necessary.

Overall, grateful for true discovery and the alignment with oneself. Also, if you ever wanna start a new chapter, you can always start here. If you want to travel here I’d highly suggested.

DC: you will be more aligned with your true life’s purpose and destiny through your relationship relationships with people. Let that be partnerships, friendships or relationships they will all bring you closer to what you are truly supposed to achieve. Some might help you through actually giving you resources, some might help you through uplifting you, some might even help you through giving you opportunities, whatever the case may be they are all there to bring you to your next stage. Relationships here will also make you grow emotionally a lot so be prepared to face some shadow sides of yourself. You might even attract the karmic partners.

In positive, you will experience emotional and spiritual growth through other people. Other people will help you align with your goals. You will encounter destiny like connections.

In negative, you might become too codependent on your partnerships. You might also experience clings and obsession. Heartbreak will hurt like hell here. Make sure you balance the energy you invest in yourself with the energy you invest in other people.

Overall, good for possibly even meeting your soulmate and creating meaningful long lasting relationships. Relationships will help you grow in whatever field of work you choose to be in. good for meeting mentors and establishing good business partnerships.

IC: here your job will be to tackle the family patterns. You will be in tune with your destiny when you deal with all the emotional baggage that either comes from with you or from within your ancestry (or family). A lot of family patterns will come to life, but it is up to you to solve them. You will feel emotionally content and emotionally evolved. You will be emotionally and spiritually the highest form of yourself. This can build a lot of self assurance and confidence. You will learn to break pattern, set boundaries and learn when to put yourself first. you will also learn how to be soft and who you should give the softness to.

In positive, you will reach emotional fulfilment and successful follow after that. You will reinvent a new concept of home.

In negative, you might experience some conflict in regards to your old definition of what home was. Change is gonna be uncomfortable but it will be very beneficial.

Overall, really good for starting the family and dealing with inner child work.

MC: this is literally career Central. Alongside your Jupiter and sun MC line, this line is also amazing for your career. Having the north node, which is all about your life’s purpose and your MC, which is all about your public persona and career together it’s a very strong combination. This is arguably the best line for your career. Not only will you evolve as a person using your career, you will also evolve in your career. Opportunities will come to you but it is up to you to recognise them and use them. You will resonate with your refill of work and you will passionately pursue it. And to be honest, you might even get some abundance out of it. Life will put you in the spotlight whether you like it or not.

In positive, you will be working in a career that truly resonates with you and brings you closer to your destiny. This alone will bring success.

In negative, you will feel pressure from yourself to constantly do really good. Your lesson here is to learn how to manage your expectations.

Overall, if you want a boost in your career and full alignment which are destiny come on this line. If you just wanna visit, keep an eye out for opportunities.

Ok so this post took me so long omg!!! Besides the fact that I am in active exam season right now (I’m so cooked), I also had to rewrite this post… But let me just put that out there, I will always prioritise quality over quantity, therefore I’d rather post a bit less, but at least I know I’m being authentic and I don’t spread misinformation. Also sorry for any possible typos.

Well I hope you guys enjoyed this! I put in so much effort to research on this theme since I am not that familiar with astrocartography. If you guys have any personal experiences living on any of these lines (and if you are comfortable sharing them) I’d love to hear them (and I am sure other people will want to know some first-hand experiences as well).

Till next time stay healthy and stay glowing xoxo

#astro community #astrology #astro observations #astrophotography #zodiac #zodic signs #safe space #blog #blogging #astro notes #astroblr #zodiac readings #zodiak #informative #guide

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yamayuandadu · 2 months ago

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WLW - Women-Loving Wizard(esse)s? Lesbian love spells from Roman Egypt

I said there will be no dedicated femslash february-adjacent post this year, and in the end that turned out to be nominally true. That’s only because this article, which I didn’t plan too far ahead, is a few weeks late due to unforeseen irl compilations. In my previous, also unplanned, article I’ve included a brief introduction to the Greco-Egyptian magical papyri, and discussed some unusual attestations of Hecate in them - perhaps some of the most fun material to research not directly related to anything I usually write about I’ve had the pleasure to go through in a long while. This text corpus is a gift that keeps on giving in general, but perhaps the single most welcome surprise was learning that there are at least two - possibly three - examples of lesbian love spells in it. While I considered waiting for pride month to cover them, I ultimately decided to publish an article about them much sooner (I have a different, highly esoteric pride month special in the pipeline already though, worry not).

Without further ado, let’s take a look at these unique wlw (women-loving wizard) testimonies and their historical context. Which supernatural entities were, at least for these women, apparent lesbian allies? Why does one of the lesbian spells contain an elaborate poetic passage pairing Osiris with Persephone? Why Lucian of Samosata might be the key to determining if 2 or 3 lesbian love spells are available to researchers? Answers to all of these questions - and more - await under the cut!

Before you proceed, I feel obliged to warn you that the article discusses historical homophobia, so if that might bother you, you’ll have to skip one of the sections. Furthermore, some of the images, as well as parts of the text itself, are not safe for work.

Part 1: the spells

Through the article I will refer to the discussed texts as “lesbian spells”. This is merely intended as a convenient label, not a definite statement - we can’t be 100% sure of the orientation of everyone involved, obviously. On top of that, none of the spells give us any hints about the terms the women involved in their composition used to describe themselves. Needless to say, the fact that the discussed spells even exist is nothing short of a miracle. The corpus of magical papyri and other related objects like inscribed tablets and gems is relatively small, and covers a short period of time - for the most part just the first four centuries CE. On top of that not all of them are specifically love spells. For comparison, while there is a sizable corpus of Mesopotamian love incantations spanning over two millennia, not even a single lesbian one has been identified among them so far (Frans A. M. Wiggermann, Sexuality A. In Mesopotamia in RlA vol. 12, p. 414).

They also represent one of the only indisputable examples of ancient texts in whose composition women who at the very least desired relationships with other women were involved (Bernardette J. Brooten, Love Between Women. Early Christian Responses to Female Homoeroticism, p. 105). How active that involvement was might be difficult to ascertain, though.

Spell 1: angel or corpse daimon? The first spell of the discussed variety I’ve stumbled upon lacks a distinct title, but it’s included in the basic modern edition of many of the magical papyri, The Greek Magical Papyri in Translation, Including the Demotic Spells edited by Hand Dieter Betz, as PGM XXXII. 1-19 ( p. 266):

It was discovered in Hawara, an archeological site in the Fayum Oasis, and most likely dates to the second century CE (Love Between…, p. 77). At the time of its initial publication, some doubts were expressed about whether it’s really a love spell by authors such as Richard Wünsch - as you can imagine, for at least implicitly homophobic reasons - but it’s been the consensus view for a long while that it's explicitly lesbian. I left the brief comment included in the standard modern edition on the screencap above to highlight this. It needs to be stressed here that the opposition to this now mainstream interpretation was a minority opinion in the first decades of the 20th century already, and was conclusively rejected as early as in the 1930s (Arthur S. Hunt notably contributed to this) and basically never entertained by any authors since (Love Between…, p. 80-81). Sadly, there is not much to say about the dramatis personae of the spell. Herais’ name is Greek, but her mother’s, Thermoutharin, is Egyptian; both Helen and Sarapias are Greek names, but the latter is theophoric and invokes, as you can probably guess, Serapis. This sort of combination is fairly standard for Ptolemaic and Roman Egypt, and it’s not possible to determine if one or both of the women involved were Greeks who settled in Egypt, Egyptians who adopted Greek names, or if they came from mixed families (Love Between…, p. 79).

While it’s likely Herais simply commissioned the spell from a specialist (Love Between…, p. 109), it’s worth noting that in the most recent commentary on it I was able to find, Heta Björklund argues that she was a magician herself (Invocations and Offerings as Structural Elements in the Love Spells in Papyri Graecae Magicae, p. 38). She also assumes some of the heterosexual love spells were the work of female magicians. Sadly, in the relatively short period of time I dedicated to preparations for this article I failed to find any study which would make it possible to establish whether this is a proposal with more widespread support. Female conjurers are certainly not uncommon in works of fiction, though, so even if the magical papyri were mostly written by men until proven otherwise I see no strong reason to doubt that we’re really dealing with a wlw (women-loving wizard).

The vocabulary employed in Herais’ spell is identical as in the heterosexual love spells. However, since examples aimed at both men and women are known, and do not significantly differ in that regard, the fact most of them were written by men seeking to secure the love of women doesn’t necessarily imply Herais necessarily took a masculine role herself just because she adhered to the same convention regarding magical formulas (Love Between…, p. 105).

An interesting aspect of the spell are its theological implications. At least from Herais’ perspective, Anubis, Hermes and “the rest down below” - in other words, a host of other unspecified deities residing in the underworld, not to mention the entity invoked to help her - not only would have no objections to her orientation, but would actively aid her in securing the love of the target of her affection (Love Between…, p. 80).

Invoking deities is basically a standard in love spells, regardless of the orientation of the people involved. Three distinct categories of them can be identified: Aphrodite and her entourage (ex. Eros and Peitho); heavenly deities (like Helios and Selene) and, perhaps unexpectedly, underworld deities (Hecate, Hermes, Persephone and others) - and, by extension, ghosts. From the first century CE onward it was actually the last group which appears most commonly in love spells. This likely reflects their association with magic and fate (Invocations and Offerings…, p. 45-46).

While there’s no point in dwelling upon the references to Anubis and Hermes, which are self-explanatory, there is some disagreement about the nature of Evangelos, who Herais basically asks to act as a supernatural wingman for her. Björklund argues that he should be interpreted as an angel or divine messenger (Invocations and Offerings…, p. 38). This is not implausible at first glance. Angels are invoked in multiple other spells from the magical papyri as helpers. For example, PGM VII 862-918 focuses on a request to Selene to send one of her angels presiding over a specific hour of the night (Leda Jean Ciraolo, Supernatural Assistants in the Greek Magical Papyri, p. 283; as a side note, there's a chance I will discuss early angels - especially the oddities like PGM angels - in a separate future article).

However, another view is that Evangelos was a “corpse daimon” (nekudaimon) - this would offer a good parallel with other love spells. What was a corpse daimon, though? Simply put, the restless, but not necessarily malevolent, spirit of a person who died prematurely (Love Between…, p. 80). In Egypt this idea intersected with other views on the origin of ghosts - for example that they could be people who died so long ago nobody made tomb offerings to them (Ljuba Merlina Bortolani, Magical Hymns from Roman Egypt. A Study of Greek and Egyptians Traditions of Divinity, p. 224). It’s possible that in some cases, perhaps including Herais’, papyri with spells have been deposited in, or at least read above, the graves of people who died in circumstances which made them eligible to become corpse daimons, in order to secure their help (Love Between…, p. 80). There is also evidence that food could be left for them in appropriate places instead, as attested for example in the “love spell of attraction in the presence of heroes or gladiators or those who died violently” (ωγὴ ἐπὶ ἡρώων ἢ μονομάχων ἢ βιαίων; PGM IV 1390-1495). This was a practice derived from a common type of offering to Hecate and her ghost entourage (Magical Hymns…, p. 223). It’s worth noting a daimon didn’t necessarily have to be human - the “cat spell for all purposes" (ἡ πρᾶξις τοῦ αἰλούρου περὶ πάσης πράξεως; PGM III 1-164), described as equally effective whether employed as a love spell, enmity spell or… a way to alter the results of chariot races (a relatively common goal in the magical papyri). instructs how to enlist the help of a “cat daimon” (τὸν δαίμονα τοῦ αἰλούρου). In this case the magician has to first “create” this entity by offering a cat as sacrifice, though, instead of invoking a preexisting daimon (Invocations and Offerings…, p. 32).

Spell 2: Osiris, Persephone and inflamed liver

While the spell discussed above seems to be brought up online the most often in discussions of references to lesbian and gay love in antiquity, the second known example is much more elaborate. Its standard translation was published in 1990 in the first volume of Robert W. Daniel’s and Franco Maltomini’s Supplementum Magicum, intended as a supplement to the already mentioned compendium of translated magical papyri (p. 137-139):

The text is inscribed on a tablet discovered in Hermopolis, and dates to the third or fourth century CE (Supplementum Magicum…, p. 132). It’s possible it was commissioned from a magician, rather than written by Sophia herself. Both her name and Gorgonia’s are not declined, which might indicate that a magician simply inserted them into blank spaces in a preexisting formulary offered to clients (Love Between…, p. 88-89). It’s nonetheless quite interesting as a work of literature, even if it was just a stock formulary sold over and over again. Some sections deliberately use poetic forms. Furthermore, some of the long compound words in them are entirely without parallel. It’s possible that this was a conscious source meant to create a peculiar overwhelming atmosphere, suitable for invoking ghosts and underworld deities (Love Between…, p. 88). While Herais’ spell is brief and vague and doesn’t really reveal much about her desires, beyond establishing that the object of her affection was a woman and that she believed supernatural entities would plausibly approve of pursuing her, Sophia’s commissioned(?) one seems to involve a pretty detailed fantasy. Of course, an argument can be made that it doesn’t necessarily specifically reflect her individual desires, but rather the widespread perception of bath houses as places suitable for flirtation and related ventures (Love Between…, p. 89). Still, while obviously we’ll never be able to know, it’s interesting to wonder if she perhaps had to choose from a larger repertoire of love spells offered by a magician (or perhaps even by multiple magicians) and went with the formula which matched her expectations to the greatest degree. Interestingly, the idea of a love spell being more effective in bath houses recurs in multiple magical papyri. The view that they can be haunted was fairly widespread, which made them a favored location for casting spells of all sorts, to be fair. The request for the “corpse daimon” to masquerade as a bath attendant to help with accomplishing a specific goal is unparalleled, though (Supplementum Magicum…, p. 132-133).

A combinative "Isis-Persephone" (or vice versa) from the late second century CE (Wikimedia Commons) As far as other appeals to supernatural entities go, it might be surprising to see Osiris mentioned in association with Persephone, Cerberus, the Erinyes and various elements of topography of the Greek underworld. It is presumed that this passage depends on the identification between him (as well as Serapis) and Hades, which is fairly well documented in Ptolemaic sources (Supplementum Magicum…, p. 146). However, it’s also worth pointing out that Persephone could serve as the interpretatio graeca of Isis, though it was by no means exclusive, and the latter could in various contexts or time periods be linked with Demeter, Cybele, Selene, Hecate, Aphrodite and others instead (Magical Hymns…, p. 9-10)

The unnamed “messenger” of Osiris is presumed to be Hermes, invoked not under his proper name but under a standard Homeric epithet. Referring to him as a “boy” most likely reflects the convention of depicting him as a child, which is attested through Hellenistic and Roman periods (Supplementum Magicum…, p. 146-147).

In addition to invoking a nameless corpse daimon and a number of deities, the spell uses a lot of voces magicae - magical formulas with no apparent meaning, sometimes the result of religious terms or even theonyms from langues other than Greek and Egyptian . Perhaps the most interesting inclusion among these is “Ereschigal”. This is obviously a derivative of Mesopotamian Ereshkigal, though as I outlined in my previous article, we’re essentially dealing with a ship of Thesus in this case; and if we are to take this as a reference to a specific deity rather than a hocus pocus formula, it’s best to think of it as an unusual epithet of Hecate as opposed to a conscious reference to a deity from a theological system otherwise basically entirely absent from Greco-Egyptian magic. The other interesting cameos are Azael and Beliam, a misspelling or variant form of Belial (Supplementum Magicum…, p. 144).

One last detail which requires some explanation is the reference to inflaming the liver, in addition to heart and soul. This is not a magical curiosity, but rather a reflection of a belief widespread all across the Roman Empire in the first centuries CE: the liver was believed to be the organ responsible for passions of various types. Invoking it alongside the heart in spells is well documented (Love Between…, p. 90).

Spell 3: the pronoun controversy

There might be a third lesbian spell. It is inscribed on two lead tablets from Panoplis, most likely from the second century CE (Love Between…, p. 90-91). The provenance was possible to establish based on the presence of the name Tmesios, “midwife”, which in Egyptian was written with the same determinative as the names of gods. It is most likely an euphemistic reference to Heqet, the goddess of midwifery, who was a very popular deity of Panoplis (Supplementum Magicum…, p. 116-117). The most recent edition I’m aware of is included in the Supplementum Magicum, vol. 1 (p. 116):

The text is undeniably a standard love spell. It even features an appeal to a corpse daimon - a certain Horion, son of Saropus - like the two discussed above (Love Between…, p. 91). The fact he is invoked by name is unusual - most corpse daimons are left anonymous (Supplementum Magicum…, p. 115). A further unique detail is the inclusion of a small drawing of a mummy - generally assumed to be Horion:

The supposed corpse daimon, via Supplementum Magicum vol. 1, p. 116; reproduced here for educational purposes only. An alternate proposal is that this is a symbolic representation of Nike being affected by the spell, as there are no other depictions of corpse daimons, and such entities are consistently described as mobile, which to be fair indeed doesn’t fit a mummy particularly well (Christopher A. Faraone, Four Missing Persons, a Misunderstood Mummy, and Further Adventures in Greek Magical Texts, p. 151-152). Still, unless further evidence emerges, there’s no reason not to stick to the consensus view.

Next to the mummy drawing, the other mystery is the reference to a period of five months. Why exactly would Nike be under the effect of the spell for that period of time remains uncertain (Supplementum Magicum…, p. 117). It might be a nod to the notion of “trial marriage”, which also lasted for five months. After this period, the parties involved would determine whether they want to formalize the relationship with a written contract or part ways instead (Love Between…, p. 107). However, by far the main topic of debate regarding the spell is the gender of Pantous/Paitous. While Nike bears an undeniably feminine name, the other name is not spelled consistently even on the tablets themselves, and has no other attestations. This also holds true for Gorgonia from spell #2, but in her case there’s no ambiguity - the name is undeniably feminine. However, -ous can be a suffix of both feminine and masculine names; while pa- occurs in Egyptian names as a masculine prefix. To make things more complicated, in both cases the relative pronoun referring to Pantous/Paitous is feminine - but it has been suggested that this is a typo due to presence of an incision on the tablet which might indicate the scribe made a typo wanted to actually write the masculine form. The gender of this person is thus difficult to determine (Love Between…, p. 93-94).

The assumption that we’re dealing with a double typo, according to the authors of the most recent translation, is supported by similar typos in other magical papyri, where the context makes it easier to ascertain the gender of the parties involved (Supplementum Magicum…, p. 117). Bernadette J. Brooten argues this is an overabundance of caution, though, since the spell under discussion is the only example where every single pronoun would have to be a typo. Furthermore, there are no other errors in the text (Love Between…, p. 95).

Brooten also offers an interesting solution to the uncertainty stemming from Pantous/Paitous’ name itself: even if it is masculine after all, its bearer might have been a woman who took on a masculine persona in some contexts, complete with a masculine name, or perhaps a nickname. She offers a precedent for this interpretation: the character Megilla/Megillos from Lucian of Samosata’s Dialogues of the Courtesans (Love Between…, p. 96). Since exploring this topic fully goes beyond the scope of the spells themselves, I will explore it in more detail in a separate section.

Part 2: WLWizards in context

From Plato to Lucian

In the fifth of Lucian’s dialogues a certain Leaina discusses recent events in her life with a friend. She is, as you can probably tell from the title of the whole work, a courtesan. At some point in the not-so-distant past she encountered a person who she refers to as Megilla, but who, as she stresses, at one point used the name Megillos in private. The character is AFAB, but for all intents and purposes presents masculinely - “like the most manly of athletes”, to be precise, as they describe it (Love Between…, p. 52). They engage in typically masculine pursuits, like holding symposiums, cut their hair short like young men (but wear a wig in public to hide that) and bring up that another character, Demonassa, is their wife in order to stress own masculinity (Andreas Fountoulakis, Silencing Female Intimacies: Sexual Practices, Silence and Cultural Assumptions in Lucian, Dial. Meretr. 5, p. 119-120). From a modern POV, it might appear that Megillos is a partially closeted trans man whose name is the masculine form of his deadname, but while this would be an obvious angle for a retelling to take, in reality the character is an example of a Greco-Roman stereotype of a woman attracted to women. Lucian refers to Megilla/Megillos as a hetairistria. He states that this rare term refers to women who pursue relationships with other women, and explains that this basically makes them like men (Love Between…, p. 23).

It’s important to stress we have no real evidence that this word - or any other ancient labels of similar sort - were actually used by any women to describe themselves (Love Between…, p. 7). Lucian most likely decided to use it as a nod to Plato (Love Between…, p. 53). The plural form, hetairistriai, is used to refer to women attracted to women in his Symposium (Love Between…, p. 41). It was most likely etymologically related to hetaira, in this context to be understood as something like “companion” (though it could also refer to a courtesan - as it does in the original title of Lucian’s work). It’s fairly rare in later sources, though dictionaries from the early centuries CE confirm it was understood as a synonym of tribas (plural: tribades), which was more or less the default term for women attracted to women in Greek, and later on as a loanword in Latin as well. An anonymous medieval Byzantine commentary on Clement of Alexandria, a second century CE Christian writer (more on him later) provides a second synonym, lesbia, which constitutes the oldest attested example of explicitly using this term to refer to a woman attracted to women, rather than to an inhabitant of Lesbos, though the context is not exactly identical with its modern application as a self-designation, obviously (Love Between…, p. 4-5). In Symposium the existence of hetairistriai is presented neutrally, as a fact of life - the reference to them is a part of the well known narrative about primordial beings consisting of two people each. Plato apparently later changed his mind, though, and in Laws, his final work, he condemns them as acting against nature (Love Between…, p. 41). It has been argued that the negative attitude might have been widespread in the classical period, though for slightly different reasons - it is possible that relationships between women would be seen as a transgression against the dominant hierarchy of power, on which the notions of polis and oikos rested (Silencing Female…, p. 113). As far as I can tell this is speculative, though.

While Plato’s rhetoric about nature finds many parallels in later sources - up to the present conservative discourse of all stripes worldwide (though obviously it is not necessarily the effect of reading Plato) - other arguments could be mustered to justify opposition to relationships between women as well. In one of his epigrams the third century BCE poet Asclepiades decided to employ theology to that end. He declared that the relationship between two women named Bitto and Nannion was an affront to Aphrodite; a scholion accompanying this text clarifies that they were tribades (Love Between…, p. 42). Note that I don’t think the fact that all three of the lesbian spells don’t invoke Aphrodite is necessarily evidence of the women who wrote or commissioned them adhering to a similar interpretation of her character, though - especially since they are separated by a minimum of some 500 years than the aforementioned source. While obviously we can’t entirely rule out that Asclepiades’ poem reflected a sentiment which wasn’t just his personal view regarding Aphrodite, it seems much more likely to me that the fact all three spells postdate the times when underworld deities and ghosts started to successfully encroach upon her role in this genre of texts is more relevant here. "Masculinization" and related phenomena

While clearly hostile, neither Plato’s nor Asclepiades’ works contain the tropes on which Lucian’s dialogue depended. What has been characterized by modern authors as “masculinization” of women attracted to other women only arose as a trend in literature after the rise of the Roman Empire, especially from the reign of Augustus onward (Love Between…, p. 42-43). This reflected the fact that Roman thinkers - as well as their Greek contemporaries - apparently struggled with grasping the idea of sex in which they couldn’t neatly delineate who is passively penetrated and who is actively penetrating. This resulted in the conclusion that surely one of the two women involved must have played the “masculine”, active role, and that sex between women must also have been penetrative. In some cases this involved confabulations about what some described in scholarship as an “some unnamed phallus-like appendage” (Love Between…, p. 6). A good example of an author wholly dedicated to this idea is the second century CE dream interpretation enthusiast Artemidoros. He evaluated sex between women as “unnatural” - a category in which he also placed oral, which he however saw as an act which by default had a man on the receiving end (Love Between…, p. 181). The sole passage in his opus magnum dealing with sex between women can be seen below (translation via Daniel E. Harris-McCoy, Artemidorus’ Oneirocritica. Text, Translation & Commentary, p. 149):

It needs to be pointed out here that earlier visual representations do not appear to be quite as fixated on this point. Evidence includes a Greek red figure vine vessel dated to 515-495 BCE or so decorated with a scene involving a woman touching another’s inner thigh and genitals; another slightly younger work of similar variety shows a kneeling woman reaching for another’s genitals, though it might depict depilation (contemporary sources indicate women plucked public hair by hand) rather than sex (Love Between…, p. 57-58). I must admit I really like the contemplative expression of the kneeling woman, which you can see on the screencap below (also available to view here):

Obviously, works of art such as the one above don’t necessarily reflect an ancient wlw point of view, and might very well be voyeuristic erotica which instead reflects what male painters presumed lesbian sex entailed. However, alongside a slightly bigger number of contemporary works possibly depicting couples in other situations they nonetheless make it possible to establish that the participants aren’t really differentiated from each other - in other words, they neither present differently, nor seem to be separated by age (Love Between…, p. 59).

Needless to say, it’s difficult to tell if either the older or the newer sources reflected actual trends in presentation among women attracted to women - with small exceptions, like the spells this article ultimately focuses on, we have next to no texts actually composed by them or for them, and the same caveat applies to visual arts. The majority of sources we are left with were, as you can probably already tell based on the sample above, written by men who at the absolute best considered them immoral (Silencing Female…, p. 112-113). For this reason, evaluating whether Lucian’s Megilla/Megillos is entirely literary fiction or merely a mocking exaggeration, and by extension whether she can be used as an argument in discussion about the identity of Pantous/Paitous from the third spell, is difficult at best.

For what it’s worth, an anonymous physiognomic treatise from the fourth century does mention that there are “women who have sex with women whose appearance is feminine, but who are more devoted to masculine women, who correspond more to a masculine type of appearance”, but further passages in this work would indicate that this might be yet another case of stereotyping rather than a nuanced account of varying presentation (Love Between…, p. 56-57). One specific aspect of Megilla/Megillos' character appears to match a single other source as well. Claudius Ptolemy, a second century astronomer and astrologer, offers a twist on the stereotype relevant to his primary interests. He states it is one of the “diseases of the soul” in his Tetrabiblos. He characterizes it as a result of a specific combination of constellations and planets (a term which in this context also encompassed the sun and the moon) at the time of an individual’s birth. Based on the specific scenario, women might become tribades - which according to Claudius Ptolemy means behaving in a masculine manner and pursuing relationships with other women secretly or openly, with the most extreme possible configuration resulting in a propensity to refer to another woman as one’s “lawful wife” (Love Between…, p. 124-126). Once again, it’s not really possible to determine if this reflects a genuine convention - though it does more or less parallel how Megilla/Megillos describes her partner. Evaluating how accurate the available sources are is made even more difficult by the fact that the “masculinization” was often paired with other literary devices meant to cast relationships between women as an “alien” or immoral phenomenon. Quite commonly they could be described as something utterly foreign or anachronistic, as opposed to a part of everyday life in contemporary Rome (Love Between…, p. 42-44). The second century writer Iamblichos, author of the lost Babyloniaka, or at the very least the popularity of his work in antiquity, arguably represents an example of this phenomenon. On the moral level, Iamblichos considered love between women “wild and lawless”, though he simultaneously had no issue writing about it, one would assume for voyeuristic purposes. His novel is only known from a summary preserved by the Byzantine patriarch Photius, but apparently enjoyed a degree of popularity earlier on. It described an affair between Berenike, a fictional daughter of an unspecified ruler of Egypt (fwiw, multiple women from the Ptolemaic dynasty bore this name), and a woman named Mesopotamia (sic), and their eventual marriage (Love Between…, p. 51). In contrast with the other, more famous Babyloniaka by Berossos, no primordial fish people or sagacious rulers with unnaturally long life spans make an appearance. A daring project to combine the two has yet to be attempted. Jewish and Christian reception

The Greco-Roman condemnations of relationships between women was also adopted in early centuries CE by Jewish and Christian writers. In the former case a notable example is the Sfira, a rabbinic theological commentary on Leviticus composed at some point before 220 CE. The passage dealing with 18:3 - “You shall not do as they do in the land of Egypt (... )and you shall not do as they do in the land of Canaan” - asserts that marriages between women were a custom among Egyptians and Canaanites. This is unlikely to be a faithful ethnographic report; rather, something perceived negatively is attributed exclusively to foreigners (Love Between…, p. 64-65). As far as Christian sources go, pretty similar rhetoric can also be found in Paul’s Epistle to the Romans (Love Between…, p. 64). Another notable early Christian author to adopt similar views was Clement of Alexandria, whose condemnations combined quotations from Paul’s letter, the apocryphal Apocalypse of Peter (which he viewed as canonical), and a host of Greek and Roman philosophers, most notably Plato - as you can guess, specifically the passage from Laws which already came up earlier (Love Between…, p. 320-321). He dedicates a lot of space to condemning marriages between women, which he describes as an “unspeakable practice” amounting to women imitating men (Love Between…, p. 322). It’s a part of a longer diatribe against even the slightest hints of gender nonconformity, which also condemns, among other things, men who shave their facial hair (Love Between…, p. 323-324). There’s a lot of other smash hits in Clement’s work, including an extensive section focused on, to put it colloquially, theological considerations about cum, very creative mixed religious-zoological approach to the digestive system of hares, as well as some more “mundane” but still pretty chilling apologia for domestic abuse, which I will spare you from. For an author from Alexandria, he also seems oddly ignorant about Egyptian sources, as at one point he claims that the fact Egyptians worship animals puts them morally ahead of Greeks, because animals do not commit adultery. I am sorry to report that adultery between Egyptian gods is, as a matter of fact, directly referenced in the magical papyri, which are roughly contemporary with Clement - specifically in PGM IV 94-153 (The Greek…, p. 39):

Concluding thoughts The sources discussed above are mostly supposed to illustrate that while it’s possible to study the prevailing attitudes among the contemporaries of the “protagonists” of the spells, it’s not really easy to say what their private lives were like. We don’t know how open they were about their preferences; how they presented; what, if any, label they used to refer to themselves. We can’t even ascertain if any of them were ever actually in relationships with other women, and whether the norm for women like them - if such norms even existed - was to pursue brief trysts or commitment for life, in parallel with aims of the authors of at least some of the heterosexual love spells (Love Between…, p.105-107).

In what after almost 30 years remains, as far as I am aware, the single publication with the most extensive discussion of the spells, Bernardette J. Brooten argued that since marriages between women are mentioned in five sources roughly contemporary with them - by Lucian of Samosata, Clement of Alexandria, Claudius Ptolemy, Iamblichos, and in the Sifra - they must have been an actually observed custom in Egypt in the early centuries CE. She argues that since marriages were basically personal legal agreements, it theoretically wouldn’t be impossible for two women to pursue such a solution (Love Between…, p. 66; note the fact the Sfira also refers to marriage between women as a Canaanite custom, which no primary sources from any period corroborate, is not addressed). I don’t think her intent was malicious, but I must admit I’m skeptical if it’s possible to reconstruct much chiefly based on sources which, as you could see in the previous section of the article, are mocking at best and openly hostile at worst, and a small handful of actual first hand testimonies which due to their genre sadly provide very little information. Sadly, we ironically can tell more about how the women from the spells thought corpse daimons functioned than how they envisioned the relationships they evidently desired.

To illustrate the difficulties facing researchers, imagine trying to reconstruct what the life of the average lesbian in the English-speaking world in the 2010s would be like with your sole points of reference being a single episode of a Netflix show with a mildly offensive gender nonconforming character, a press article written by an eastern European priest ranting about “gender ideology” imported from abroad corrupting children, a fanfic written by a homophobic weeb who jacks off to lesbian porn, and a small handful of contextless blog post actually written by wlw, but not necessarily entirely focused on anything related to her identity. The results wouldn’t be great, I’d imagine. The sources mustered by Brooten ultimately aren’t far from that, I’m afraid (I leave it as an intellectual exercise for you to determine which of the satirical modern comparisons applies to which) - thus it’s difficult for me not to see her conclusions as perhaps leaning too far into the direction of wishful thinking. But, in the end, wishful thinking is not innately bad - I’d be lying if I said I don’t have a host of personal hypotheses which fall into the same category (one of these days I will explain why I think a “don’t ask, don’t tell” attitude doesn’t necessarily seem incompatible with Old Babylonian morals). Therefore, even though I’m more skeptical if the “protagonists” of the texts this article revolved around could truly pursue relationships on equal footing with other inhabitants of Roman Egypt, I can’t help but similarly hope that they found at least some semblance of happiness in the aftermath of the endeavors documented in the discarded magical formulas.

#lgbt history #wlw history #greek magical papyri

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angsthology · 2 years ago

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THE KANGAROO(KIE) VS. THE WORLD

the misadventures of being the only female f1 driver through the eyes of the grid’s renowned snoopy-loving kangaroo

mostly thank u to @sebscore and @disneyprincemuke for the idea of fem!driver on the grid (i love both of them by them please check it out)

anyway! these are mostly from random spurts of thought i have along with memories of my toddler self who wanted to be race car driver! (did not in fact become one btw. im somehow becoming a law student instead). i also try to not use any y/n (which so far i have succeeded in, hopefully, hehe) and psa, she is often implied as a non-european. (well more on how i write her cause i write what i know)

also, apologies in advance, this is going to have a LOT of projecting <3

talk to meee!!1! (or maybe request just whatever)

tag << everything rvstw (asks, brainrots, & more!!)

ABOUT THE DRIVER

☆ introduction

a little intro into our driver and the likes of her (hcs)

☆ re-intro

idk car stuff and some designs

☆ more

just random stuff about her

☆ behind the driver

behind every little gremlin is a group of tired adults

ROOKIE ERA (2022)

☆ the origin story

the journey of when what and whys of our driver

☆ the kangaroo!

the story of how she got the nickname “roo”

☆ the gig

she’s... in a band?

☆ the presence

roo has been acting a little too quiet and when the drivers take notice of it they had to ask

☆ the figure

it started as an accident, ended with family

☆ the dye

who told him this was a good idea?

☆ the m problem

so... we need to talk about roo?

OH, WELL, THE MORE YOU KNOW! (2023)

☆ the rise

lets get the year started, yeah?

☆ the button (–2024)

it went from that to this

NEW YEAR, NEW ME (2024)

☆ the shoot

welcome to 2024! who is this person...

☆ the streak

she is posessed by the demon (her real self)

HOLIDAY HURRAHS (from summer break to winter breaks)

☆ secret santa

the process of how the 2023 secret santa went

☆ beach day

spending the day at the beach with a large group of f1 drivers may seem like a good idea until you remember some of them are literal children

☆ beach day the sequel

the consequences of your actions and some more actions

PADDOCK ENCOUNTERS (misc & shorts)

☆ chilli-pepper

☆ sold

☆ teenagers and baseball gears

☆ roo vs. the cameraman

BEST OF ROO (the compilations)

☆ radio

☆ incorrect

SOCIAL MEDIA POSTS

☆ after the gig

☆ what’s your roman empire?

☆ there’s another side that you don’t know

☆ new year, new name, and a vacation dump

☆ into outer space

#tine’s roo vs the world

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tohakumaru · 2 years ago

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it's been a few months since i've been posting again after a long break. i'm very grateful for everyone who has been here all this time & as well as new viewers of the blog (it's been 7 years ongoing, can you believe?!). i'm a full time corporate wagie, so it means so much to me that this little incoherent passion project has any kind of viewers at all. i hope you enjoy the work - i really couldn't have kept going without your generous & kind words all these time.

i think the recent weird bird animations have attracted some new viewers to the blog, so here is a new compilation pinned post for introduction.

it's not real estates/postcards from nowhere - a paper town named nowhere, at nowhere, for noone in particular, but anyone can stay. residency application once again open, currently processing outstanding paperworks...

folk bengtsson is still sitting in front of his fireplace, trying to remember though he should really forget. with your encouragement his ramblings might be put to paper one of these days?

the biographies are being slowly updated as we go along

and finally, weird bird is walking, trespassing and falling asleep. as it always does.

youtube

here're some links if you want to find me elsewhere:

website - instagram - youtube - (inactive) kofi

have a lovely day!

#architecture #photography #miniatures #doll house #diorama #paper #2d animation #compilation #writing #art #artists on tumblr #illustration #weird bird #postcards from nowhere #introduction #Youtube

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literaryvein-reblogs · 6 months ago

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Writing Essays

Writing essays can feel unnatural to some of us. Unlike talking and having a conversation, essay writing requires structure, referencing, and research.

5 Tips: Essay-Writing

PLANNING/PREPARATION

Planning involves selecting what to include in your essay and determining the overall structure. Helps you put your thoughts together, making your points clearer, more logical, and thoroughly explained.

Depending on the type of essay you are writing, formulating your plan can vary.

However, assignments are usually given in one of the following:

As a question.

A statement that you must create an argument for or against.

A task to ‘outline,’ ‘discuss,’ or ‘critically assess’ a particular argument or point of view.

The Process of Essay Planning

Everyone writes and plans differently. However, it’s important to find a process that suits you. Here is an example of a planning process you might find helpful:

Break down the assignment question: Understand what the question is asking you to do. Identify whether it’s asking you to ‘discuss,’ ‘argue,’ ‘describe,’ etc. This will help you develop your main ideas to answer the question.

Brainstorm everything you know about the topic: Identify your thoughts on the subject and your initial response to the essay question. Narrow down key topics to research further. Remember to review your class notes, as they can remind you what was covered during lectures and seminars.

Research: Use your reading list, if provided, to skim through recommended texts. Identify key points that will help you answer your question, and compile these in a mind map or on a large piece of paper.

Organise your points: Once you’ve done your research, organize your points that relate to your question. Begin structuring your arguments and include evidence you’ve gathered.

Decide on your main points: Summarise each point you’ve researched. Use cards or sticky notes to arrange these points, finding the best flow for your argument. Ensure that each point links to the next and builds on your overall argument.

Once you have a clearly defined essay plan, the task of writing it becomes more efficient.

ESSAY INTRODUCTION

A good introduction generally consists of 3 parts:

General statement: This part shows the reader why the topic is important and captures their attention, leading them into the essay question.

Thesis statement: This is your response to the question and is the most important part of the introduction. It tells the reader what your essay will be about, briefly explaining both sides of the question.

Outline of the main points: This part tells the reader what to expect from the essay’s body and outlines your arguments.

Here’s a checklist to ensure you hit all 3 aspects of a good introduction:

Does the essay begin with a general statement introducing the topic?

Does the introduction include the thesis statement?

Does the introduction outline the main points?

Does your essay have a clear, well-organized structure?

CREATIVE WRITING TECHNIQUES

You can use creative writing techniques to strengthen your essay.

Incorporating these techniques can make your essay unique and engaging.

Here are a few techniques to consider:

Think About Your Reader

Your reader is likely your teacher or lecturer, who will be marking numerous essays.

You need to answer the question effectively and get straight to the point, ensuring they easily find the information they need to mark your essay highly.

The Three-Act Structure

The three-act structure is commonly used in creative writing, films, and TV.

These acts flow seamlessly to give a natural movement of motion and plot.

For essays, you can adapt this structure:

Setup: Establish what you are talking about and set the scene. Create an introduction by opposing the essay question, and highlighting your main concerns with evidence.

Confrontation: This will be the longest part. Introduce all surrounding problems, develop your arguments, and ensure you relate back to the original question with evidence.

Resolution: Summarize your arguments with your point of view, including evidence supporting your conclusion. Offer alternative explanations for counterarguments.

CRITICAL WRITING

Critical writing involves analyzing and evaluating text and supporting your arguments with evidence to prove how you reached a conclusion.

Here’s a process to succeed at critical writing:

Examine a source: Read it carefully and critically.

Organize your thoughts: Identify the core claim and evidence, and research secondary sources.

State a thesis: Make sure it has both a claim and details sustaining it.

Write an outline.

Write a draft.

Edit and improve your essay.

Examining a Source

Practice smart reading by identifying specific details and claims, and describing how the author presents them.

Highlight parts that support your arguments and identify strengths and weaknesses.

Stating a Thesis

Direct your evidence towards the thesis question.

Avoid saying “in my opinion” or “I think.”

Express your opinion using the third person.

Using Evidence

Evidence is the foundation of an effective essay.

It provides proof for each of your points, helping the reader see your point of view.

Critical writing tests your thinking skills, analysis, and argument-building process.

Don’t fear critical writing. With practice, you’ll develop a structure that works best for you.

READ WIDELY

If you’re writing an essay for a university module, you’ve likely chosen a subject you’re passionate about.

This brings enjoyment to the activity and deepens your understanding.

However, if you’re not familiar with the topic, it can be challenging to know where to start.

Using the Reading List

Your course usually provides an extensive reading list, including core and recommended readings.

Engage with these texts; they are often referred to during lectures and seminars.

Going Beyond the Recommendations

Search for book recommendations online, browse the ‘People Also Bought’ sections of bookstores, scroll through journals, or join discussion forums.

There’s no shortage of secondary reading material to enhance your essay.

Setting Reading Goals

Before you start reading, ask yourself:

What you are reading and what you aim to achieve.

This will guide your research and help you find topics that build your essay.

Here are some tips to read according to your motivations:

For general interest & background information, read widely without much depth.

For essay writing, focus your reading around the essay question and dive deeply into small areas of the subject.

Source ⚜ More: Writing Notes & References

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noheteroexplanation · 5 months ago

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Compilation post of the Rhaenicent Quotes in the House of the Dragon Season 2 Companion Book

The Companion Book discusses various aspects of the making of season 2, such as production, set design, costuming, writing and acting. In this post I will compile all the quotes that make reference to Rhaenicent. The quotes are below the cut.

Quotes on Rhaenicent in season 1

Expertly crafted, the first season breathed visceral life into an essential chapter in the history of Westeros by foregrounding the experiences of childhood friends turned reluctant adversaries Rhaenyra Targaryen and Alicent Hightower.

Hess was keen to explore the ways in which the patriarchy impacted the world of Westeros, and how circumstances conspired to drive an ever-greater wedge between the show's central protagonists, Rhaenyra and Alicent.

As the scripts came together, the two characters became the principal lens through which the episodes unfolded. Alicent and Viserys's marriage leaves Rhaenyra feeling betrayed, while Rhaenyra's brazen indifference to societal dictates infuriates Alicent.

Quote on Rhaenicent at the start of season 2

Both sides, too, appear largely determined to ignore the wisdom of the women in their midst. Despite having been crowned queen in an impromptu ceremony at Dragonstone, Rhaenyra struggles to fully assert her authority over the men who serve on her Black Council, many of whom simply wish for her to step aside so they might enact their own plans. At the Red Keep, Alicent, too, is ignored and dismissed by her sons and her father, who disregard her considerable political savvy and her years of experience serving on Viserys's Small Council.

Quotes on Rhaenyra and Alicent's arcs in season 2

For the writers, the characters' arcs were a means to continue their exploration of House of the Dragon's powerful central theme—that the patriarchy would rather destroy itself than see woman on the throne. "Rhaenyra is beginning to understand that even though she's the queen, it doesn't really matter," Hess says. "Because she's a woman, she's seen as a figurehead, not somebody who's actually in control. Alicent is realizing, Oh, I'm entirely disposable once the men are in charge. The season is about them coming to active reckoning with the patriarchy."

Adds Condal: "Alicent and Rhaenyra were doing much better in a time of peace and prosperity, when you could have more nuanced arguments about what power is and who should be in power. But once it becomes a real war, the men who trained their entire life for this expect to step up to the front of the table and say, 'Thank you very much, but this is what we're going to do now.'"

Quote on set design

In the second season, the young queen (Helaena) moves into Alicent's former chambers, while Alicent, now Queen Dowager, takes over Rhaenyra's former living quarters.

Quote on Rhaenyra and Mysaria that makes reference to Alicent

"Rhaenyra hasn't had a friend that she can be real with in a long time," Hess says.

Introduction to the Sept scene

"The Burning Mill" also afforded D'Arcy and Cooke a rare opportunity to work together, as the hour concludes with a confrontation between Rhaenyra and Alicent, one of only two scenes between the characters in the second season. The scene unfolds inside King's Landing's Grand Sept, where the Queen Dowager has gone to pray. Rhaenyra disguised as a septa, kneels next to her, and their tense exchange begins.

On writing the Sept scene

As he was writing the episode, Hancock, knowing the import of the sequence, worked in concert with Hess on the conversation in which the women finally express to one another their feelings of anger, suspicion, and resentment. "'It's not that either has betrayed the other,"' Hess says. "It's that all this stuff has happened that the men around them have facilitated, and now they don't know what to think about each other. There's this displaced fury, and they end up trying to fight it out with each other. That's often how women in high-powered positions are made to feel about each other—to be suspicious of each other and to struggle with one another over things that they should be [in agreement on]."

Input from Emma and Olivia on the Sept scene

During the period of rehearsals prior to the beginning of the shoot, D'Arcy and Cooke weighed in on the emotions their characters would likely be experiencing, and Hess made a point to reshape the sequence based on their feedback. "They both felt they could get more visceral and angrier," she says, "like, if they weren't who they were and in a sept, they would be punching each other."

The importance of the Sept for Rhaenicent

Setting the meeting inside the Grand Sept gave the scenes additional weight, as the characters had been present in the space together only once before: In the first season, a teenage Alicent brings her best friend there to help her process her grief over her mother's death.

Rhaenyra's point of view on the Sept scene

The fact that Rhaenyra makes the trip to the capital at all is a dangerous gamble, "It's quite a chaotic choice," says D'Arcy. "There's some slight irrational thinking going on and maybe a little bit of self-destructive tendency as well. I have this sense that part of her wants forgiveness. I think she also wants to look the person who's caused her such pain in the face and to declare it. I really loved that scene because while trying to negotiate as an adult on behalf of the kingdom, you also watch two children try to reconcile so much painful feeling."

Alicent's point of view on the Sept scene

Cooke played the scene as though Alicent still feels a deep and abiding love for her childhood best friend, despite all the pain and tragedy they've both experienced. "They grew up pretty much as sisters, and that is hard to break," Cooke says. "I think they both can tell when the other is lying or postulating. This feels like a complete breakdown of any pretense. They are showing each other their most honest and vulnerable side. They have this back-and-forth about what Viserys's intentions were and this discovery of what he wanted."

Aftermath of the Sept scene for Rhaenyra and Alicent

Each woman leaves the encounter in the Grand Sept fundamentally changed. Rhaenyra arrives harboring doubts that Viserys had indeed wished for his son, Aegon, to follow him onto the Iron Throne. But hearing Alicent allude to the prophecy of the Prince That Was Promised she feels newfound surety about the path forward. "For the first time, she has to choose it for herself," D'Arcy says of Rhaenyra's destiny. "Suddenly, there's this decision to kill the possibility that anyone else truly has the heirdom, and that causes her to reckon finally with going to war. She chooses her title. She doesn't just inherit it."

Alicent, meanwhile, is confused and confounded to discover that Viserys might have been referring to Aegon the Conqueror as he drew his last breath. "This throws Alicent's world into complete chaos," Cooke says. "She's been so solid in what she heard. That story, and what she's told herself, has given her such strength, even in the eyes of people that think she's completely out for her own gain."

Quote from Olivia on shooting scenes with Emma

During the shoot, Cooke found herself wishing she and D'Arcy could perform together more often, "It was great working with Emma," Cooke says. "lt's too few and far between [our scenes]. I get stolen snippets with them, but it's always so wonderful and juicy."

Rhaenicent parallel storylines in episode 2x05

As Alicent is undermined in the Red Keep, Rhaenyra is faring little better on Dragonstone.

Alicent's decision at the Lake to go to Dragonstone

"Alicent has lost pretty much everything—any power, any legitimacy that she held—and war is afoot," Cooke says. "I genuinely don't think she believes that [the Greens] can win, and I think she believes that they shouldn't win. She wholeheartedly believes that she got it wrong. Her need to escape King's Landing is to get some clarity on the situation and try to figure out what she needs to do."

Quote on the Dragonstone meeting

In the episode's final moments, Rhaenyra has a second fateful encounter: She returns to Dragonstone and, to her surprise, finds Alicent proposing an arrangement by which the Blacks could take the throne with minimal bloodshed. Set inside the Valyrian scroll library in Dragonstone, the sequence finds Alicent advising Rhaenyra that Aemond will leave the Red Keep to join Cole in the Riverlands on the march to Harrenhal. At that point, Helaena as Queen Regent could command the guards to lay down their arms, allowing Rhaenyra to take the castle. In return, Alicent asks that Rhaenyra allow her to live out her days with Helaena in the countryside. Aegon will need to be executed, Alicent acknowledges, but she believes his sacrifice is necessary to avoid war.

Alicent's decision to petition Rhaenyra

"It's massive that Alicent travels to Rhaenyra," Cooke says. "It's treason. If Aemond found out that she'd gone, [her] head [would be] on a spike. But it's to petition the friendship that she and Rhaenyra once had. It's to look Rhaenyra in the eye and be like, 'I'm not lying. This is me as my rawest self. This is me shedding whatever power or queenly status I had. It's yours. I was wrong. I don't want anything to do with it. I'm done. I'm tired, I'm so exhausted. Let me and Helaena go off and live in the countryside with a couple of chickens and a cow."

Ryan Condal on the decision to end the season on the Dragonstone meeting

For Condal, bringing Rhaenyra and Alicent together one last time was an ideal way to conclude the season, to remind viewers of the women's role in the narrative and their inextricable links to each other.

On Rhaenyra and Alicent's contrasting character arcs in season 2

"You have two characters who have these wildly divergent arcs [and they] come back around at the end to again find themselves on one another's doorstep," Condal says. "Rhaenyra has seen this meteoric ascent over the course of the season. She's gone from somewhat of a beggar queen, who is crowned on a hill, to a leader of an army of dragons and of men. Alicent began the season having put her blood on the throne, the thing that she sacrificed her youth and body to do. But she comes to a place where she is now looking at the cost of the choices that she's made and wondering what it was all for. She's realizing that neither of her sons is suited to rule the realm, and she wants to stop the spinning wheel that is the game of thrones."

On the filming of the Dragonstone meeting

Two days near the end of the production schedule were set aside to film the weighty scene, so that D'Arcy and Cooke would have enough time to thoroughly explore how their characters might react to such an unexpected turn of events. "The way we prepared for it was, they both came to the scene without a rehearsal so that they would be able to start fresh and feel things in the moment," Patel says.

On Alicent's choice to sacrifice Aegon

The trio agreed that for the scene to work, the audience would need to truly understand Alicent's motivations for risking so much in reaching out to Rhaenyra. "Alicent found herself in Episode 7, and who she found is someone who is honorable," Patel says. "Her honor lies in being responsible for her actions, and she knew that she had misunderstood Viserys on his deathbed, and because of that Aegon was now king. She needed to set the record straight and do the right thing."

On Alicent's love for her son Aegon

They also set about finding ways to convey that despite how deeply disappointed Alicent is in Aegon, how turbulent their relationship has been, deep down, she still loves him. Thus, the idea of offering his life to Rhaenyra was unimaginably fraught. "The entire season was going to end on this hinge, so for that to be effective, we needed to believe that she loved her son and that it was truly high stakes," Patel says, "It was important to feel that unconditional love of a mother that is hard to describe."

The aftermath of Alicent's choice in season 3

"The entire season finale hangs on the cliff of Alicent telling Rhaenyra, 'I'm going to give you son for a son,'" Patel adds. "But what she doesn't realize is that the son she has promised has escaped."

Hints for Rhaenicent in season 3

Amid the beautifully realized fantasy trappings, the family drama—grounded in themes of love, loyalty, and betrayal—remained the central focus, with Rhaenyra and Alicent continuing to serve as the fulcrum of the narrative. "They still have quite a bit to learn about who they are as people, and how far they're willing to go for their goals, whether those are personal goals or familial goals in either pursuing the throne and ambition, or protecting their blood," says showrunner Ryan J. Condal. "They both realize, certainly, that they are living through a historical period in this world."

Miscellaneous:

Picture descriptions

Olivia Cooke (left) and Emma D'Arcy filming Alicent and Rhaenyra's confrontation. (2x03)

A suspicious Rhaenyra (D'Arcy) greets her estranged best friend (Cooke). (2x08)

A quote from Sara Hess comparing Rhaenyra and Alicent to Sharako Lohar

"She's operating outside the system. Rhaenyra and Alicent are so much struggling with the patriarchy, it was super refreshing to have a woman who's like, Fuck everything."

#rhaenicent #alicent hightower #rhaenyra targaryen #hotd #house of the dragon #hotd spoilers #hotd companion book #pinned #super interesting to make this hope y'all like it <3 #i am looking forward to reading companion book 1 as well and seeing how quotes about rhaenicent differ #this took me super long to make rip hope it looks good the picture load slowly but yeah <3 #olivia cooke #emma d'arcy

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