#and I’m well aware of those toxic things too I’ve seen it. unfortunate part of the culture as is with any fandom | Explore Tumblr Posts and Blogs

onelinemanytimes · 4 years

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To all people who enjoy content:

There is a HUGE issue that needs to be addressed in how people react to things online and how they decide to deal with perceived issues. Specifically, in regards to content creators online, and the content they create.

I want to clarify, this post is talking for the most part about creators who did something multiple years ago that they currently don’t agree with. I’m not talking about people who are CURRENTLY horrible people, but if you want to know please do ask.

Basic synopsis: Purity culture is being used to shame people for their interests and to actively control and manipulate what people are “allowed” to like, which is often harmful and toxic; it is also being used to condemn people for the entire rest of their lives over doing something in their past, with no regards to if an apology was offered- which is harmful to people trying to unlearn toxic mindsets and be better people in the present day.

So, let’s talk about Purity Culture. I don’t know what else to call it, so if someone has a better name for it go ahead and say it- but, essentially, “The idea that every piece of media you consume must itself be good, AND has to have been made by a “good person”,” with no exceptions. This belief means that if a creator is seen as a bad person, or the media itself has a troubling aspect, you are NOT allowed to like it, DO NOT INTERACT, YOU’RE PROBLEMATIC AS HELL TOO IF YOU LIKE IT!!!!

That may sound like an exaggeration, but it’s only mildly so. There is, however, a much more harmful part to this mentality: Judging people for things they did years ago, and not allowing them to apologize and be forgiven, and USING this purity culture ideal against THEM as well. The idea that people can’t be forgiven, can’t change, and have to have been perfect always to be valid is extremely, extremely toxic and harmful, full stop. There are so many underlying issues that can both lead to someone being “problematic,” but that is so much less the issue than the fact doing this discourages real change.

People DO change over time. And if you find out someone did something in their past, you ARE allowed to not forgive them! However; That does NOT mean you should condemn them and everything they do as problematic horrible and unforgivable, and ATTACK other people and make WARNING posts in the tone of them STILL being “””Problematic”””! That is in some cases, BLATANT MISINFORMATION, and in most cases, encouraging the mentality that people don’t change.

Now, who is this a problem for? Because someone saying horrible things about minorities of any kind is legitimately harmful in its own right, and can hurt people who find it, which deserves to be addressed. (Again, YOU are not required to forgive them, and you have the freedom to not engage.) Purity Culture hurts People with RSD (Rejection Sensitive Dysphoria), and people who cannot control what they hyperfixate on. It can ALSO harm people who are struggling to get past toxic mentalities for any reason, and people who are trying to improve themselves and be better., and people who HAVE improved themselves and gotten better after being a person with (arguably) horrible views.

For people who experience RSD, seeing people denounce a piece of media for “””Something problematic””” (creator or otherwise), and in some cases seeing people ATTACK those who enjoy that media, can be physically painful and extremely, extremely stressful. Especially with the prevalence of this mentality right now, it makes engaging with anything a VERY stressful experience, because if what you enjoy isn’t perfect in every way you will be shamed for it, and rejected for it, and actively hated for it, and there is NO compromise on that point.

This is twice as volatile an issue when you ALSO cannot wholly control what your brain hyperfixates on. Hyperfixation (the word) has two main uses; in regards to a single task/activity (in which you’re unable to pull yourself out of said task and cannot switch focus to anything else), and in regards to media consumption (having an intense, very focused interest in media or a character, that can feel very consuming and intense in some cases. This extends even MORE so to special interests).

Hyperfixations in those who are neurodivergent (don’t think the same as the wider population- such as people with ADHD and Autism, amongst other things) are NOT typically something they can control. Not without exceptional effort and potential detriment- one of the fairly unfortunate coping mechanisms I have for this (speaking, yes, as someone with ADHD) is to Completely ignore new media, wholesale, to avoid gaining a hyperfixation in relation to that media. Even still, I obviously still SEE things because I exist in the world and things are everywhere- and while I can enjoy content normally, it is MUCH different when I see something and feel unable to focus on ANYTHING else for WEEKS on end.

You can hyperfixate on something before learning about “X problematic thing,” and then when you’ve already gotten very attached and deep into the media people will start attacking you with it! And saying “Oh, you like THAT??? That was made by a super problematic person, you can’t like that!!!” It’s EXTREMELY difficult to explain how harmful that is when I A: Can’t control it, B: Didn’t know, and C: Suffer from RSD in the first place. It DOES NOT stop you from engaging with the content, because you are hyperfixated on it and you literally can’t avoid it, but it DOES overwhelm you with guilt and make you withdraw from the people around you because now YOU must be problematic and horrible and you’re a horrible person for liking this media and everyone must HATE you.

The above was not an exaggeration. That is legitimately how it feels.

People are talking about how “Cringe Culture is dead,” but it being replaced by a MUCH more insidious “Purity Culture” that is MUCH MORE toxic, MUCH MORE manipulative, and also inherently flawed to begin with!!! You CAN’T and SHOULDN’T be a perfect person, that is why you CHANGE AND GROW. You should ALSO be judging a piece of media on its OWN merits, NOT on the merits of what’s behind it (not wholesale like people are intent on doing).

Now, all things in moderation. If a piece of media was created with malicious or biased opinions in its core: It IS important to address that, and to acknowledge that this aspect is not something you should support, and something to be mindful of when thinking about the content. It’s also good to be aware of how people currently are when participating in media spaces- you don’t have to be perfect at this, but if you don’t want to engage with things made by people who have horrible current views that is absolutely your choice.

However, this doesn’t excuse constantly shaming and attacking people, ESPECIALLY people who are aware of a media’s flaws and able to both recognize that and amend that in a respectful, understanding way. You can enjoy a story about a murderer without also being a murderer and knowing that murder is wrong. This extends to other actions as well by the way (and the desensitization of people to murder in modern day media is also a wild topic for another day because wow some people really be out here like “yeah literally ending someone’s life in fiction is fine but x is absolutely abhorrent and unforgivable,” like what??).

The real thing here is, this: If you don’t like content, or you cannot in good conscience enjoy that content knowing about something that happened relating to it: Don’t interact! If you are for some reason, stuck participating in and interacting with something you personally feel is horrible, don’t shame and hurt other people for more honestly enjoying it, especially the good parts. What you CAN do is inform people, respectfully!

And with ALL the details please. Because I see a lot of times, especially with creators: Someone will dig up something the creator said years ago and say, “THIS CREATOR IS (X) YOU CAN’T SUPPORT THEM OR ENJOY WHAT THEY MAKE BECAUSE IT’S PROBLEMATIC!!!” And, actually: They have since apologized for what they said, and actively made efforts to change. “But they did it in the past” Is NOT a valid argument, and honestly?? If you’re the same person you were even two years ago, that’s wild, and I hope you’ll understand that some people can change drastically in that time after being properly informed about issues.

Again: If you don’t want to interact with a piece of media, okie dokie! It’s up to us to respect that, and to tag our stuff and not shove it down your throat, y’know? But maybe, if you don’t like something, you shouldn’t decide to hurt the people who do like it, because I think that’s pretty harmful, and man imagine someone digging into your life 3 years ago and finding one sentence you said to judge your entire life on and force people to hate you with. Haha that’d suck, right?

If you read all this wow thanks, and also I’m well aware most my fellows with ADHD probably skimmed it because yeah it is a lot man whoops- I’ve just been thinking about it for a while because yeah. Yeah. “I do not control the hyperfixation” is not just a funny meme y’all it’s a thing and it’s legitimately exhausting and painful to see everything you enjoy be hated and be told you’re wrong for liking it in any way, shape, or form.

#fnf #Friday Night Funkin #Yes this is about friday night funkin #long post #ADHD #important #if you have a problem with this #I give you permission to send asks and slide into my dms #I would be absolutely willing to have an open respectful conversation w ya #This post is a bit meanly worded sometimes #Sorry about that!

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realcube · 3 years

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LEAVING MIDORIYA

part one (nsfw) | part two

tw// mentions of toxic relationships, drinking & mention of a bombing

honestly, if you were given enough time you probably could’ve figured it out on your own — without the assistance of a psychiatrist — but exactly one appointment later, you were left with the disheartening realisation that you weren’t having ‘bad dreams’ and the marks on your body weren’t inflicted by yourself during slumber. eventually, the fact set in that it was your sweet, gentle fiancée who was the cause of all these things.

this whole time, you were under the impression that you were the problem, that there was a malicious part of you that wanted to paint deku out to be some sort of villain; and now you were finally made aware that a villain is exactly what he is.

it was a hard conclusion to come to but the initial wave of relief you felt was enough to make you act on it quickly, as the more you waited around and let the fact sink in, the more you doubted whether or not to take action. but reasoning isn’t what you need right now, you just need to get away from him.

where will you go? you had no idea, but any where away from him is good enough.

midoriya didn’t even get enough time to try fill your head with even more lies. you came marching into the apartment with the intention of ignoring everything he says and simply pack your stuff so you can leave. no matter how much he screamed, begged or yelled, it was like trying to hold a conversation with a brick wall hence he eventually gave in, leaving you to collect your things in peace as there was clearly no way he was going to get through to you.

you left without another word — not even a goodbye — and you were sure to sneak your engagement ring out with you. although it made you sick to look at, realistically you might need the cash since as soon as you stepped outside your shared apartment with your shit in bags, you were officially homeless.

no need to worry though, you had arranged to stay the night at a friend’s house until tomorrow morning, then you could catch the train to your parent’s. from there, you’d stay with them until you manage to find a new apartment within your price range.

one problem; your friend just texted you saying that they have to retract their offer because their landlord doesn’t allow over two people to sleep in the same dorm, and they already have a roommate. very unfortunate but hey, what can you do? plus, they apologised and offered to pay for your hotel but you reassured them that their money wouldn’t be necessary.

now sitting outside your old apartment complex, scrolling through your phone looking for the nearest hotel. since both you and deku were well-paid pro-heroes and bought a penthouse in a rather affluent area, it was no surprise that most of the hotels that were reasonably close were from 4-5 stars.

although a 5-star hotel room for one night really wasn’t necessary, the post-breakup adrenaline was telling you otherwise. it also told you that treating yourself to a shopping spree, getting wine drunk at a bar and then shuffling back to the hotel with mcdonald’s take-out was a great idea!

those emotional discussions you had with complete strangers must’ve really gotten to you because when you opened your front camera to take some pictures, you immediately grimaced at the sight of your mascara staining your cheeks. you were lazing around in the hotel lobby surrounded by name brand gift bags — waiting for your room key — looking like that? how embarrassing.

quickly wiping away your tears, you put on a pair of designer sunglasses you brought earlier to shield your smudged eye-makeup from the world. not that you cared what anyone in this damn lobby thought of you anyway, you were only going to be here for one night, after that you would never see most of these people again. or at least, that is what you thought.

out of the corner of your eye, you saw flashing lights which prompted you to take out your earbuds but once you did, you instantly regretted it as all you heard was screaming and yelling from the entrance. looking up, you noticed an average-looking guy wearing a skull tank top resembling the fashion sense of a middle schooler, being followed by a mob of screaming fans, paparazzi and gossip channel reporters.

“dynamight! thank you for everything!”

“you deserve to be number one!”

“we are here at scene, pro-hero dynamight has just been seen entering what appears to be his five star accommodation, wearing his signature blac--”

the loud noises were suddenly muffled as the doorman shut the entrance behind him, leaving things just as they were, except now there was a muscular blond man encircled by bodyguards staring daggers at you.

in any other situation, you would’ve just tried your best to ignore him but some of that liquid courage was beginning to get to you, so your reaction was to snarl right back at him, yelling across the hall, “take a picture, why don’t ya? it’ll last longer.”

only upon processing your reply did the man finally snap out of his trance and storm up to, being hastily followed by his guards who looked as though they were ready to throw down at any given moment, so of course you cowered back in your seat, apologies waiting on the tip of your tongue, ready to spill until his face was hovering centimetres away from yours.

your throat ran dry at his unexpected action, your eyes scanning over his chiselled features through the tint of your glasses. in a turn of events, you were now the one speechlessly staring at him. then, a deep chuckle erupted from his throat, causing the shock to show on your expression.

“i knew i recognised you! you’re stupid deku’s girlfriend- fiancée or whatever; i saw the invite for your wedding in my mail and i just got a look at your face before i threw it away. small world.” the blond continued to laugh, talking to you as if you were an old friend of his despite the fact you’ve never seen him before in your life, “anyway, you like a hot fuckin’ mess. where’s deku?”

why was he talking to you so casually? and how dare he say that!

“first of all,” you started, peering over your glasses to gaze at his face without the rose tint but to no avail, you still had no idea who this man is. using the soles of your palm, you pushed him away by the shoulders as he was a bit too close for comfort, but that resulted in all his guard looking at you with murderous glints in their eyes. “deku and i broke up--”

“when?” he cut you off

“let me finish.” you glared at him, fixing your sunglasses, “we broke up this morning. secondly, who the fuck are you?”

the man looked like he was ready to burst out laughing once again until he had a visible realisation, “eh, well, we’ve never met before but i’m sure deku has told you about me. if not, you’ve probably seen me in the news; i saved around a thousa--”

“no, i’ve not watched the news for, like, the past six months.” this time, you cut him off with a mischievous smirk which you tried your best to conceal.

“bitch! let me fuckin’ finish!” he barked, then had a sudden change in demeanour as he let out a sigh, momentarily silent as he scanned the surrounding area, “i’m bakugo. kastuki.”

your reply of a blank stare spoke a thousand words.

“y’know, dynamight.”

who?

“the number two hero!”

nothing.

“the one who saved that whole airline from blowing up just a week ago! c’mon, it was all over the fuckin’ news!”

“you look like a hotter version of my old maths teacher. oh, and i’m (y/n) (l/n).” was the only verbal response he was able to get out of you, even after all his explaining.

“why do you i feel like you are sayin’ that just to piss me off?” he muttered to himself through gritted teeth, followed by a sharp inhale which you assumed was an attempt to calm himself down. his carnelian eyes darted around the room, halting once he raised his arm to view his watch. his brows knitted together as he read the time, forming a concentrated look which was short-lived as his face was quick to relax, emphasised by a slight shrug as if to say ‘i’ve got time’, before slumping down on the couch next to you.

“so why did you and shitty deku break up?”

“i may be a bit tipsy but i’m not just gonna tell that sorta stuff to a complete stranger.” each syllable felt like it had to be forced out one at a time, but you’d rather that than slur you speech as bakugo seemed like the type to poke fun at you for it.

“i just wanna know how badly he fucked up this time.” bakugo smirked, propping his elbow up on the back of the couch to turn and look at you, “eh, i don’t think we’ll be strangers for long.”

there was a certain purr in this voice which sent blood rushing to your cheeks as you never expect someone like him to come on so strong. not that you were complaining, i mean, being in his presence during a time like this felt like a gift from god but you weren’t going to let him know that. it’d only add to his already massive ego so you decided to ignore his suggestive behaviour, opting to show disinterest instead, “hm, you think?”

it was almost comical how fast bakugo’s cocky smirk fell into a frown. honestly, he wasn’t used to people that he flirts with rejecting him, considering that he rarely ever makes moves on anyone. so, now what did he do? due to the foreign nature of this situation, bakugo felt as though he was left with no choice but to bargain, since he’s far from a quitter, “oi, what that supposed to mean?”

you shrug.

bakugo clicked his tongue along with a roll of his eyes before he said, “how ‘bout this; i pay for your room tonight and in exchange we can get to know each other tomorrow.”

“i can pay for my own room though.”

bakugo deadpanned, he honestly thought he had won but apparently not. perhaps it wasn’t a good idea to hit on someone who had just gotten out of a relationship but whatever. “you’re impossible.” he spat, getting up from the couch and marching away, presumably to his room.

he tried to brush off the encounter like it never happened, reassuring himself that he didn’t have to think much of it as he could get with anyone else. plus, you’d probably come crawling back to him, begging to fuck once you get over deku anyway.

and he was half right.

eventually, you came to the realisation that both you and bakugo have one thing in common — a hatred for deku. and as it turns out, hatred provides a good groundwork for friendship.

#deku angst #izuku angst #bakugo x reader #bakugou x you #bakugou x y/n #bakugo x y/n #midoriya angst #👾angst #i'll probably have to make a part 4 for this to make sense

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thoughts-on-bangtan · 3 years

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Let’s talk: The importance of curating your space and the cyclical life of ships

by Admin 1

From anon: Hi! I'm a new Army/vminie (4 months) and I have a (maybe dumb) question... When I joined, I saw so many j*/k*okers analysing every small moment between jk and jm and these ppl were everywhere and I couldn't avoid seeing j*/k*ok ship content. However, the past two weeks or so it seems to have shifted and suddenly I see t*e/k*ok ship content everywhere. I wonder, is this shifting a normal occurence? And how do I get rid of these ship contents in spaces that are supposed to be free of these 2 ships

Having been around for quite some time, I’ve come to think of the big ships as something very akin to extremely sensitive seismometers. Instead of detecting even the smallest movement or noise in relation to earthquakes or volcanic activity, these ship seismometers react to any and all activity (as in any kind of “moments” or what they perceive as such) in very “volatile” manners, for a lack of better words.

What do I mean by that?

Like you said, there was a long phase after Dynamite came out where the mood had shifted toward J*k*ok because we got more content in which we could see those two interact, even if later on we also got content from the same sets and time in which both members involved were seen interacting with other members, but that didn’t matter. So, obviously, shippers took this as grand sign, the seismometer drawing numbers like ones you’d get when you have an extreme earthquake, but in this case it was a positive thing. Every new “moment” or anything they perceived as such caused big reactions, loud enough to even reach far beyond their space and instead was heard also in general ARMY spaces or those of other shippers etc. But, there’s also the opposite effect, as in, volatile reactions, or big reactions, when there are several pieces of content one after the other where said ship doesn’t interact or doesn’t have any “moments”. In cases like that euphoria quickly shifts into “insecurity” (though they would never admit to that) and worry, occasionally also defensiveness and attacks.

Imagine a scenario like this: lets say we get five Bangtan B*mbs. The first one has main ship A interact, the next one doesn’t have either of the two ships, the third one was has main ship B interact, as well as in video four and five.

Those who were happy with the first video will be casual/neutral about the second one, but as they get the third, fourth and fifth, the seismometer for them inevitably turns from extremely positive to extremely negative. While for B it’s the exact opposite, going from negative to extremely positive with YT and sns exploding with announcements of “B ships is back” or “B are in love after all, BH has freed them” or anything along those lines.

What I’m trying to say is that yes, this is normal. The big ships and their shippers lead a very cyclical life, which also means they never quite “disappear” either. They are always there, waiting, and then jump on any piece of a moment they get with big reactions, and in the time where they have nothing, chances are the toxic part of their community will go into attack mode instead, like that will change anything at all. We’ve seen other ships come and go, nearly disappear just to have some kind of revival months or even years later, or “new” ships win the favor of the masses. There are also a few ships that have steadily existed for most of the past eight years without any volatile shifts or changes, but those are generally the quieter ones ignored or actively campaigned against/discredited ones by the big ships and their shippers.

Hyung line ships are generally seen as more “niche”/overlooked, or just some background extras for fanfics or something ML shippers enjoy since the aren’t an active “threat”, like Namjoon x Yoongi or Yoongi x Hobi which have been around forever and I don’t think I’ve ever really seen (or heard about) anyone have fights about them or even fights between those two camps, since most shippers have an almost laser like focus on the maknaes and especially JK.

The funny thing in all of this, if you can even call it that, is that none of it really depends on the members themselves. In all this time they haven’t changed their behavior much at all, their bonds haven’t drastically or dramatically changed, and certain members didn’t magically go from “hating” each other to suddenly becoming couples over night or vise versa. It’s all shipper interpretations, theories and conspiracies being layered on top of what people see on screen to make things more “interesting”, even if that means actively going against what the members have said themselves and who the members are, as in their personalities but also in relation to each other.

And this brings me to my next point, the importance of curating your own space.

Here it’s important to know what kind of a TL or ARMY sns experience do you want. Do you want to just focus on your bias with a side of OT7 with gifs and pictures and nothing else? Do you want to have more of an eye on how BTS is doing on the charts? Have more discourse and discussions on the TL you can follow or actively participate in? Or do you want a mix of it all?

Personally I’m very picky in who I follow and what kind of content I add to my TL by following an account. Generally I think it’s important to check every account you consider following to make sure they aren’t one of the following things: akgae, manti, solo stan, toxic shipper, or a victimizing sheep. While I do follow a number of ship centric accounts, because I like seeing vmin and namjin on my TL, I find it extremely important to follow several trustworthy ARMY translators as well as a number of non-ship centric ARMY accounts that just focus on Bangtan as a whole.

The block button is your friend. I know it might seem drastic or mean to just block random people, but in the long run you will be thankful for it since it will keep toxic content away from your space, regardless if toxic in a solo stan sense or a ship one. If you’re on twt you can also mute certain words and # so they don’t show up on your TL either, make use of that if you feel a need for it. Eventually though the algorithm learns what you gravitate toward, and if you follow a well curated number of accounts, the things you don’t want to see simply won’t appear where you can see them.

On YT, as far as I’m aware, in the recommended section you can mark videos you don’t like as not being interested in them and even mark whole channels as something you don’t want to have recommended to you. Since I don’t watch any ship related videos, I never get any recommended to me despite watching BTS videos (though I mostly stick to their official accounts and wherever else they performed).

It’s important to create a space in which you just see the content you want, but still pay attention to not just bury yourself in a ship bubble since that can be a slippers slope and you might end up accidentally turning yourself toxic on accident, too sure of your thoughts and end up growing resentful moments where a member of your ship interacts with someone else in the group. That’s when you know you’ve gone several steps to far, since above all else, we are ARMY before we are vminnies or namjinists or anything else. We can love our chosen duo, we can love our bias(es), but we should always listen to what the members have to say and trust them. After all Tae (and the other members) has asked us several times to love all seven, so that’s what I do. They are all incredibly lovable, and their bonds with each other all precious and wonderful in their own ways and worthy of appreciation, so I don’t understand those who feel hatred against any of them.

Curate your space but always keep a healthy mix of general ARMY and ship content, if you are someone who partakes in shiperverse activities, and stay as far away as possible from manipulative YT videos and accounts with toxic narratives and motives.

From anon: hey! read your new post re: curating your own space. don't know if you'll answer this, but is there any "must follow" accounts on twt (for translations, vmin, and bts in general) that you can recommend? I'm new to the site and made an account for bangtan only, but there's just so much going on there that it can get confusing. Also found out that there are many troll accs, fake 'nice' accs, too much drama accs etc that can give you a bad experience.

Here’s a large selection of translators and a smaller selection of other accounts that I think are worth following, especially BTSChartData. Also, whatever you do, don’t follow the BTS ARMY twt account with 4M+ followers or however many they might have at this point.

I’d also be very weary of member specific fanbases and chart accounts since they are known as perfect breeding grounds for solos, akgae and mantis, unfortunately, and some have been exposed for being akgae themselves.

#BTS #vmin #namjin

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rainbowsky · 3 years

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More on the Fan Fic issue

I have a few more asks about the issue raised the other day, some of which are long and go into detail on the 'wars' that have been happening on Twitter and AO3.

Sorry for grouping these but I wanted to put it all under a cut because these are long, and also in case people don't want to dig into these issues (which would be understandable).

Anonymous 1 asked:

"I am very strongly of the opinion that the BJYX term is still a fandom umbrella term" I agree. Mainly because Bjyx is the most popular. Many antis always say bjyx, and have no idea the others. So sometimes it's easier just to say bjyx instead of explaining all three. I myself more like "who cares as long as they happy." So I enjoy Yizhan in all contexts. Many bxgs I know also like that, mostly ibxgs. I think deep down all bxgs (no matter which position they prefer) just want Yizhan to be happy

Not sure we can be so certain about that last part, Anon (I think for a lot of people GG and DD are just characters in a smutty story they have in their heads), but I agree about the term being popular regardless of the type of fans people are.

From what I can see the BJYX term seems to be used 80-90% umbrella, 10-20% dynamic in both international and c-social media (for every 10 times you see the term used, only one or two of those usages - probably less - are referring to a dynamic). This is my totally unscientific estimation, but I think even 10-20% dynamic is being generous. The number of people who are fixated on a sexual dynamic aren't nearly as large as they'd like to believe.

Anonymous 2 asked:

about the promptfests - i’ve been on twitter since early 2020 and what i’ve noticed is that this influx bjyx-only promptfests started gaining speed once lots of rational voices started leaving the fandom recently either because a) new interests have caught their attention or b) the toxicity of the popular bxg circles on twitter have become too much to handle.

gdgdbaby was usually the organizer of dynamic-inclusive events, and she’s received lots, and lots, and lots of backlash by bxg, sometimes even by accounts with thousands followers, for using bjyx as a catch-all term. and as her interest in yizhan has since waned—hopefully for reasons unrelated to fandom toxicity—many of the people who were attracted to the welcoming environment she created distanced themselves as well.

zsww/lsfy fans have become an outnumbered circle who try their best to create exclusive events to avoid the “is bjyx a catch-all term” discourse, but never seem to gain as much traction as gdgdbaby (who has a sizeable following) or those who host bjyx-only events (who also have sizeable followings).

meanwhile the dynamic war has only become more and more hostile and bjyx is clearly the more populated group… ao3 is simply a battlegrounds, if i may dramatize the situation a little for the sake of humor, and the promptfests are a reaction to this irritating t/b discourse that has made bxg twitter completely inhospitable for me…and lots of other fans too.

(i’ve also noticed a huge reinforcement as of recently where ppl will call gg laopo, a milf, an omega, etc even outside of rpf (i.e. posting pictures of him at events and saying he looks pregnant or he’s going into heat) and it’s just… uncomfortable.)

(also please note i have a biased account of all of this drama bc many of my friends were harassed over it, and anyone who disagrees with my take may feel free to interject.)

I took the liberty of adding paragraph breaks because they are pretty important for some readers, particularly ND readers like me.

It's sad to hear how fucked up everything has become, but I'm not even remotely surprised. Toxicity leads to toxicity, and the whole idea of dividing up a RP fandom by sex position was misguided from the outset - no matter why it was done or how good the intentions might have been.

And yes, like I said, these people aren't just framing things this way for fan fic. This is how they talk about IRL GGDD.

I had written a lengthy essay here about homophobia in the fandom but deleted it all. Perhaps I'll post it separately at some later point. Suffice it to say that this stuff creates a climate that's often hostile for queer people. So much of it is deeply homophobic, whether people are aware of it or not.

It's really sad to hear about gdgdbaby being mistreated in any way. Anyone who steps up and sticks their neck out to help organize and coordinate activities that benefit a broader group of people should be celebrated and supported, not run out of town by an angry mob.

I've read some of her stories and even have one or two on my rec list. And here's someone who is not only writing good works, but also supporting others to write more good works. Such a shame.

Anonymous 3 asked:

Hello Mr. RBS! I think I can chime in a bit about the fanfic topic as I’ve watched this all unravel on twitter (where a majority of authors/readers are). I apologize if this gets long but it’s been something that’s also been on my mind.

I want to preface this by saying that I’m not a fan of the distinctions of dynamics as, like you said, the supposed line between real life and fanfic is long gone, so I’m not trying to be biased against one group over another.

Short answer to the question of, “is this retaliation?” : I do believe it is. (From here onwards I’ll be using bjyx as the dynamic term just for the ease of simplicity.) To understand why, I’ll have to explain with a bit of background info. On twitter, I’d say that there’s a quite large divide between bjyx and zsww/lsfy. That itself isn’t really a problem because people are free to like what they like and associate with whoever.

However there is a big problem where bjyx people are not just bjyx but also anti-zsww/lsfy. To the point where I’ve seen people say that they feel physically ill when they accidentally read zsww. I don’t think this type of behavior should exist in any dynamic bc in the end GGDD are real people with a real relationship behind this content and it’s just a gross fetishization at that point.

With all this happening, zsww/lsfy people have gotten more outspoken on how GG is often portrayed in those types of scenarios, mainly the over-feminization of him, bc it’s not just done in the context of fanfic but regular discussion of GGDD at this point. This tension between the dynamics kind of boiled over when the pregnant xz fest was announced, as you can take a guess at how that went over with zsww/lsfy people. lol.

But around that same time, another zsww/lsfy event was announced (I’m not sure if it’s the one anon was talking about) but the creator of the event suddenly got a ton of backlash for excluding bjyx, with the reasoning that bjyx is technically a part of lsfy. But the event was done to highlight zsww/lsfy (as all specific events are) bc the community and content for these dynamics are much less than bjyx.

Which is how we come back to the starting point of, is all this recent bjyx stuff retaliatory. I believe so bc the events (preg fest, dark event) are very specific prompts that target exactly what zsww/lsfy people have been outspoken against.

As to the point anon made about trying to drown out the tags, keep in mind that zsww/lsfy content is very minimal compared to bjyx and has only just recently started to gain more traction. I think most people would love to just peacefully exist in their own circles but I don’t see this problem between dynamics disappearing anytime soon.

Like I said with the above Anon, I've added paragraph breaks for ND readers.

What a mess.

I have absolutely nothing useful to say here about the fandom on AO3 and how it's managed by community members, but I do think it's unfortunate that people choose to be war-like rather than make space for diverse voices, and I think it's a real shame that some people have been essentially run out of the fandom because of this garbage.

Thanks for giving some context for how/why the major shift in tone of fan fic lately. I had no idea any of this was going on.

I urge people to work hard to give space for all voices and perspectives, and not just the ones they favor. I'd also urge people to reflect on how their thoughts, behavior and actions in the fandom might affect queer people in the fandom.

As always, we have no control over what other people do, say or think. All we have any control over is how we respond to what other people do, say or think. Hopefully we'll chose the path of peace and try to avoid fan wars or fights that only ruin the experience for everyone.

I guess one thing I'd ask any of the Anons who have written me about this issue - or anyone who has thoughts about it - is, what can we as readers/fans who care about diversity of voices and perspectives do to support that here and on AO3, without getting involved in any kind of war?

#fan fiction #fandom reflections #top bottom #ask

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kitkatopinions · 3 years

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I feel the need to hear your opinion on this since this is something I've been thinking about recently, and it's how crwby handles complex relationships/abuse in their show... It's infuriating.

I can't tell if they genuinely think they are writing this in a good way or if they know they're half asss-ing it and don't care since the fandom will eat it up anyways. Two big examples that come to mind for me in the last volume are emerald & cinder and whitley & jacques. In both instances the the victim never gets a moment of closure or a moment of breaking away from their abuser, nor are either victims allowed to show any sort of 'hesitance' (for a lack of a better term) related to their abuse.

Emerald (despite being all over cinder before Midnight), just conveniently forgets about her for the finale. Same for whitley. He just completely forgets about jacques (the man who manipulated him from birth) the moment weiss hugs him. On a shallow level, watching a victim pay no mind to their abuser is satisfying, but it being so immediate is just unrealistic and takes away from the pain that we are supposed to think these characters have suffered.

One of the worst things about suffering from abuse is how is affects the victims even when they have left the abusive relationship, but crwby seems to want to erase that completely from characters who should experience that for plot convenience.

It seems like the lesson learned from this is "if you were abused, just get over it and be convenient to our heroes or else!" And it's pretty gross imo.

Thoughts?

I thought that I would put these two asks together and take this opportunity to talk about the abuse victims in RWBY and how they're handled. I've tried to think long and hard about what to say about this, because this is an important topic to me and something that's personal for me. I'm an abuse survivor, but I have a complicated relationship with that part of myself and I'm never really comfortable talking about it much. But despite the fact that I've experienced abuse, I recognize that I'm not a professional sensitivity editor, not a therapist, and not someone who's studied the effects of abuse.

I'm simply writing this based on my own feelings and what I've picked up witnessing other abuse victims discuss their own feelings about abused character. There will be RWBY criticism below the keep reading. Please keep in mind that I'm not speaking for all abuse survivors and am only trying to articulate my own feelings in regards to this issue.

The first thing to note is that there isn't one, correct, right way to write an abuse victim in my opinion. Lots of people have different reactions and responses to abuse, the way they were abused is often also different, causing different reactions.

In the first anon, it's noted that Emerald and Whitley both seem to move on from their abuse quickly and with very little effect on them or their stories. Many abuse victims put their experiences on the back burner or 'in a box' to deal with later, or mask and pretend that they're alright or that their abuse just didn't happen. Some of them let their feelings or their anger simmer over time. There are also abuse victims who do just... Move on with relative ease. I'd imagine that's very rare though. (again, I'm not not an expert or any sort of psychologist.)

In the same way, an abuse victim becoming an abuser in their own interactions is something that one hundred percent happens. Cinder, Salem, Adam, and even Blake and Winter have all acted in abusive ways towards the people around them (though obviously Blake and Winter acted much less abusive than any of the villains mentioned.) It might be very hard for abuse victims to not fall back into those patterns of abuse that they've suffered, especially if they go through it at an early age. I'm not very comfortable talking about my own experiences, but myself and my siblings have all had to fight down toxic, hurtful traits that we picked up either through emulating or through survival. And it's hard to do that. Portraying characters who have been abused that lost that fight and might have abusive tendencies or slip themselves is - to me at least - sometimes even helpful in working through my own feelings.

And there are definitely one hundred percent abuse victims who feel like the way they were treated is deserved, that they 'earned' it, that they must 'make up for it.' Oz is in this category. There's nothing wrong with the concept of a character who feels responsible for their abuser or the hurt their abuser has caused to others, there’s nothing wrong with a character who tends to act as though everything is their fault and who thinks very poorly of themselves.

In theory. But the problem is that in application, there are a lot of pitfalls and struggles that come with writing for abuse victims. Understanding, thoughtfulness, and care are not the RWBY writers’ strength, and any time you portray real life issues that strongly impact the real life people involved in them, you have to be aware and careful with the messages you’re sending. This is obviously very important when someone writes for any minority or oppressed group or the issues that they face, but it’s also important to remember when you write for abuse victims, because they do have stigmas around them and deal with stereotypes and harmful portrayals as well. Let’s look at what I consider some harmful or hurtful pitfalls when it comes to abused characters.

Are the abused characters treated as the victims they are? If the abuse a character faces is treated as comical, treated as unimportant, or treated as deserved, that’s an obvious major flaw. Sad to say, but RWBY does not pass this. On two separate occasions, a character is hit by someone close to them in a way that clearly causes them some pain, with Blake hitting Sun across the face for following her, and Winter hitting Weiss for answering a question incorrectly and again for failing in her training (I tend to be more sympathetic towards Blake’s situation, as it is more gray with her clearly thinking Sun had stalked her which is a clear trigger from her own abuse, but this is an explanation, not an excuse and the fact that it was framed as funny rather than something Blake shouldn’t have done and should apologize for is the problem.) They also do not treat Ozpin like the victim when Qrow punches him in the face, having no one call Qrow out for it and having him never express guilt or try to apologize for it. Yes, I know Ozpin had retreated, but they never showed Qrow even make an effort to get Ozpin to come back so he could apologize. . They also ‘redeem’ Hazel and give him a ‘partially right’ storyline despite his openly beating Ozpin, unfairly blaming him for the death of his sister, and insisting that Ozpin deserved to be tortured. On top of this, despite having been horribly abused by the SDC, Adam isn’t treated with even an ounce of sympathy or understanding and Jacques Schnee and the SDC is treated like a more comical-ish nuisance in season seven and eight. This is greatly flawed. Hitting someone because they lied to you or kept secrets from you is not okay, hitting someone because they said something you don’t like is not okay. This should not be treated as funny and it shouldn’t be treated as the fault of the person who was hit for not being a good enough friend.

Are the abused characters mostly villains, when the heroes have never faced it? The reason for this is obvious, although it’s valid to have a villain be an abuse victim, it’s never alright to villainize abuse victims. Making the majority of your bad guys abuse victims and your good guys have positive relationships is in my opinion, harmful. Point for RWBY, this is not the case for their show. Mercury, Salem, and Cinder on the bad side are all abuse victims with Raven being a possible, but unconfirmed abuse victim as well. While Weiss, Blake, Ozpin, and Whitley are also abuse victims, with Qrow and May both being possible, but unconfirmed abuse victims, and Winter and Emerald are both abuse victims who were on the side of a villain and then turned good.

Is the abuse more severe in the ‘bad’ characters and lighter in the ‘good’ characters? If the abuse that the good guys faced is mostly lighter things and the abuse that the villains suffered is worse and more severe, that might send some bad messages that people who suffer more are automatically worse people, or ‘unsalvageable’ or ‘too broken,’ as opposed to the people that ‘there’s still hope for.’ Unfortunately, I think RWBY is almost a tie? We’ve never seen Weiss or Emerald suffer more than a hit, we don’t know for sure that Whitley or Winter were ever victims of physical abuse. Ozpin and Blake’s abuse is worse, however, as they are hunted down by their abusers who attempt to murder them, make them suffer, and hurt their loved ones. They also were heavily emotionally manipulated and victim blamed by their abusers. And on the villain side, Mercury was beat by his father who hated him and stole his semblance (an extension of your soul, I believe, in canon,) and the abuse led to the loss of his limbs. Cinder was forced to work hard labor by her abusive employer and the ‘stepsisters’ treated her badly, and she was physically electrocuted. We see her abuse extend to Salem using her Grimm arm to hurt her, copying the effects of the necklace. Adam was also a child laborer who worked in terrible conditions who got his face branded by his employer, in the SDC, which had to have been anti-faunus charged due to his bull horns. We don’t see Salem ever physically abused, but know that she was mistreated, isolated, and neglected by her ‘cruel’ father. So it’s not quite a tie, there are more severely abused characters amongst the villains than the heroes, but this is close enough that I don’t consider this much of a strike against them.

In the villains, is the abuse they faced given as ‘reason’ for their villainy? As I said before, villainizing abuse victims isn’t the way to go. A good way to avoid this - I think - is not have abuse be the sole reason for someone’s fall into a life of crime or cruelty. This is something that RWBY... Fails at imo. When showing us Mercury’s backstory, we’re introduced to him through seeing that he had just killed his abuser who cost him his legs, and then gets recruited by Cinder who at the very least likely emotionally and physically abused him the same way she did with Emerald, leading to the conclusion that the only reason he’s there at all is due to abuse. However, he’s just a teen and it’s possible that (like Emerald) he’ll be redeemed. A much more condemning story to talk about is Cinder’s. After people had been clambering for a Cinder backstory since volume three, RWBY finally showed us one. But it doesn’t include Cinder meeting Salem, why she joined her, her proving herself, none of that. Instead, Cinder’s backstory was entirely focused on her abusive situation as a child, entirely focused on her suffering. Cinder killing her abusers and then killing the teacher who decided to arrest her for getting herself out of her abusive situation was portrayed as the only needed backstory, the explanation to why she’s a power hungry, abusive, cruel, selfish, and just plain evil person. ‘She was abused’ is the explanation for why Cinder is where she is and why she is who she is in RWBY. That’s highly problematic to me.

In the heroes, are they “the Perfect, Sanitized Abuse Victims?” As I said before, there is no one type of abuse victim, but if someone has several abuse victims and they’re all either submissive, sad, and self-doubting, but gentle and caring and soft or dropped their abuser like a hotcake and never looked back, never seem affected, never really talk about it after they left... That’s bothersome to me personally. Measuring how RWBY is in this particular subject is... A little harder than I thought it would be. Let’s start by looking at the most prevalent abuse victim, Blake. She’s one of the reasons why this is hard to gauge, because for the first five seasons, Blake was deeply flawed and clearly affected by her abuse in ways that made her ‘unappealing.’ Blake was cynical, stubborn, cold, hard to get to know, she didn’t trust easily, she lashed out at her friends regularly, ran from her problems, made choices for her friends, and had a very negative self image. This didn’t stop her from being a good character and friend with a lot of good sides, too, and she had real, important friendships. This was - to me - a really great portrayal of someone clearly affected by their trauma, with lots to work on, who was still a good person. Some of her faults and problems started to get resolved in a natural way through her journey with Sun in volumes four and five, but when season six came around, many of Blake’s other traits suddenly vanished. No longer stubborn, independent, or cynical, and no longer standing up for herself, or really displaying her temper or hardheadedness or her struggles with getting to know people... Blake became more submissive, sad, self-doubting, but gentle, caring, and soft. Sigh. As the first ask mentioned, Whitley and Emerald both seemed to drop their abusers quickly the second they were removed from their lives again. it’s also worth noting that Whitley was treated with nothing but coldness and contempt by Weiss until he ‘proved himself’ by doing something selfless. Weiss did more or less drop Jacques the moment she left her house in V4, only mentioning him or her experiences when she’s using it to talk about Blake, and when she confronted him again in V7, she did so as someone who is proving she no longer cares. Ozpin seems to be the only one still unable to move on from his abuse and the ‘unappealing’ abuse victim. The first anon is right, there’s something satisfying with seeing an abuse victim move on like their abuser didn’t matter. But when almost all your abuse victims do, and one of the only other ones is turned into a submissive and soft support based / romance based character, and the only really ‘unappealing’ abuse victim is someone we’re supposed to see as ‘gray’... There’s something off there, in my opinion.

Were the abuse victims treated respectfully and thoughtfully by their friends, and if not, were they portrayed as wrong? This probably isn’t something that really even needs an explanation. Abuse victims should be able to set their own boundaries and tell their stories only when they want, when they feel comfortable, Their friends should be understanding of this and not force anything from them. In the case of Blake and Weiss, this is handled really well! Their friends let them talk about their experiences in their own time, and they’re understanding and validate their feelings when it comes up (much more common with Blake than with Weiss, who like I said, seemed to move on from her dad quickly after she left.) However, when it comes to Oz... This is all wrecked. Although unintentional (no one knew how deeply tied up with Salem Ozpin was or how intimate the memories they were going to watch were,) our main characters still forced Ozpin’s deepest and most personal secrets out of him in a fit of upset while he was tearfully begging them not to. He was forced to relive his most traumatic experiences in hi-def with other people watching with him, all his secrets and all his abuse wrenched away from him in what was clearly a very painful way. And then no one showed Ozpin even the slightest bit of sympathy or understanding for what he’d gone through, and no one ever apologized for what they had forced him to relive. In fact, Team RWBY were clearly displayed as in the right, and Oz was displayed as completely wrong for not trusting them implicitly. He had to apologize to them, which they acted begrudgingly accepting of as if they hadn’t shouted at an abuse victim after forcing him to relive all his worst experiences.

Are some abuse victims portrayed as bad for things that other abuse victims aren’t portrayed as bad for? Like the second ask says, in RWBY, Cinder and Mercury are treated as villains for having killed their abusers and Cinder is almost arrested for it, it’s considered a step in the direction of their villainy. But Blake is (rightfully) treated as the victim who was forced, who had no choice, who just wanted the abuse to stop. This is hypocritical and fundamentally flawed. I think this is a reflection of the fact that Cinder and Mercury are meant to be ‘bad’ abuse victim, who had violent tendencies and anger issues, and were already featured as bad guys before their backstory’s dropped, whereas Blake was meant to be a better abuse victim who (by season six) was starting to get written as a soft girl who just wanted to help her friends.

All in all, although there’s some things that I think that RWBY did well enough, I definitely think that I would consider their portrayal of abuse victims to be lacking. This is just my opinion and the way I feel about the writing, but there are a lot of ways to look at it. I think overall, I just really wish that the RWBY writers had been a little more sensitive and spent a little longer focusing on the character arcs involved in abuse recovery. (There’s still a chance for Whitley, Weiss, and Emerald to get more focus in volume ten, though, so long as the writers don’t timeskip!)

#rwde #rwby criticism #rwby critical #rwby hate #rwby bashing #tw; abuse #trigger warning; abuse

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glassesandkim · 3 years

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I would like to say my piece here about schmico, grey’s anatomy, and the fandom and it’s really for my own self-indulgence and benefit. I’m not asking for you to agree with me or even begin to understand what I’m going on about. I don’t even think half the things that I think about for this fandom exists on an important level. I fully believe in just ~vibin’~ to your own tune when it comes to participating in fandom spaces.

so this post is gonna be my way of getting stuff off my chest so i can continue to ~vibe~

First thing I’d like to address is: I know. I know the Nico Kim that I love and adore is not the Nico Kim in canon. He is who I hope he is in canon. But there’s not much to combat or support that he is or isn’t. He really could be who we’ve made up in fanon for him and at the same time, he really couldn’t. Grey’s created this character that is as blank as a dried piece of toast. So forgive me if I spread a bit of spicy jam here and there so I can swallow this bland shit down a little easier.

So when people come to me to say, “Y’all are delulu and out of your mind to love this guy this much.” PLEASE, I know. This isn’t news, honey. I am well aware.

But I will continue to justify, romanticize, and put this boy on a pedestal for as long as his existence in canon continues to remain arbitrary and vague. And it makes me very biased to a fault but I have put too much time and energy into this character NOT to be.

And then you might ask, why have I put so much of my time and life (THREE YEARS!!!! I’VE BEEN IN THIS FANDOM FOR THREE YEARS!!!!!!!!!!) into this character that has all but said maybe like a PAGE of dialogue at most?

Because I was conned into it. Because they marketed the shit out of him when Alex Landi got the part. And I, as a casual viewer of Grey’s since I was in high school (I’m in my late 20s now, dawg) and of Asian descent was promised representation. Not just Asian rep, but queer rep.

So naturally, I got extremely attached. It's not everyday a major Western mainstream prime time medical drama chooses to create a character as unique as Nico's.

I spent so much time here. I was here when fandom decided Nico would call Levi “babe”. I was here when we all clowned that Nico didn’t know Levi’s first name. I was here when Josh died and the fandom went up in arms with pitchforks and stakes against Nico. I was here for all of it. I've seen it all.

And unfortunately, seeing it all, makes me tired. Grey’s is time and time again proving to me that they don’t give a shit about the development and well-being of their existing characters at all. The show only cares about collecting diversity points and performing their wokeness to the general masses. (I talk a lot about how grey's is plot-driven vs. character-driven.)

I will still get frustrated and annoyed at Nico’s lack of character development. But I mostly just laugh at the fandom nowadays. I know you guys want to fight the fight, tell everyone Nico is not toxic!!!!!! But bros, friends, lovers, it’s a tried and tired fight.

Grey’s wants us to think Nico is a Bad Boyfriend. It’s as clear as the stench one comes across when they step on dog shit. That’s why I think it’s useless to fight people about Nico. Grey’s gets amnesia all the time. Grey’s forgot the whole season and half they invested in creating a loving boyfriend for Levi and up and changed Nico’s personality to fit a new narrative (that they, quite frankly, failed to even follow through because of covid and other filming hoopla hula hoops they’ve had to jump through that I’ve been informed of and which I simply don’t care for).

So all this ~schmico is endgame!!! we deserve it!!!~ Binches, I have better things to fight for than schmico endgame. What’s the alternative? Levi lives in Jo’s closet forever? They’re going to be together in the end no matter what. Nobody on that show cares enough about Nico OR Levi to set up new relationships and stories for them. So don’t fret, my friends. They’ll be together in the end. It just comes down to the question of what stupid story they’re going to come up with for them to be together. (And might I argue that they already are together???)

Speaking of the bogus story they’re going to write for schmico: you bet my rice eating, Chinese-speaking ass, that it’s not going to be a story written from a queer and poc perspective. It’s going to be some gag-worthy straight het story but made gay. (How many times do I have to hear, "I hope Nico comes out to his parents!!" NO, HE DOESN'T! Do you know how VIOLENT coming out is sometimes?? It's not a solution to Nico's problems with Levi. It's an introduction and invitation to problems over being queer -- but why would I expect anyone, let alone Grey's, to understand that prepetuating these types of stories is inherently damaging to queer people? They wouldn't know. The cishet fandom wouldn't know. Because no one is writing grey's in a queer, poc centric way.)

Which drives me to the next point: you know why Nico doesn’t get character development even though he showed up at the same time as Link? Because of ✨racism ✨. Because Link is a more conventional character (read: white) that is easier to write because nobody on this show knows how to write an Asian character anymore, let alone a gay Asian character. So of course, nobody wants to touch that shit even with a pogo stick. (Argue with me that Cristina exists and I will tell you, yes she did, but they RARELY touched upon her cultural and ethnic background. Also it was the early 2000s. Cristina was as ground breaking as it got for us Asians back then.)

And then because Nico isn’t developed enough, we have the weird phenomenon of people shipping everyone and their dog with Levi and it’s like, y’all know you got played by the racism game, right? You are hostages to this system that has taught you that white men are more desirable and deserving of story and humanity than a poc character who is instead, reduced to nothing but sex appeal and if he’s not doing well on that front, then he’s useless.

How many times does Levi say: Nico is so hot! Sex with Nico is so good! He’s a roman statue!

All!! the!! time!! Nico's worth to Levi’s character is to be the sex object that Sets Him Free.

Which plays into the sexualization of Asian people which all comes from, you guessed it! Racism! (Levi really compared Nico to a fucking lifeless slab of stone.)

(Side note: I do think talking about how racism plays into Nico’s character and the fandom space is important and probably a separate post. I’m happy to write my opinion piece on it if it’s something people want.)

But anyway, those are just some of my qualms with schmico, grey’s anatomy, and the fandom. I do not expect anyone to fully agree with me and I’m not asking the fandom to change or apologize or whatever. I’m just already grateful if you took the time to even read this post.

I’ll leave with some parting advice: fandom is what you make of it. We won’t all agree with everyone’s hot takes, but that’s the beauty of it, yeah? So I chose to create this version of Nico Kim that brings me IMMENSE joy. Like, A LOT!!! I love this fandom for these reasons. I’m grateful everyday for the friends I’ve made and the works and creations I’ve created and I’m honoured to be able to consume other works made by fellow fans.

I might hate a lot of things about grey’s and schmico, but I really owe a lot of myself to this fandom.

#know that i'm always angry but i know how to have fun lol #schmico::::

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uniquelyaro · 3 years

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Living a Lovely Loveless Life

I am a creature of contradictions.

I love swimming at the beach, but you couldn’t get me out in open water for love or money. If I can’t see land, if the ocean is so deep I can’t even imagine the bottom, I am terrified.

I admire the raw power of storms and adore the smell of rain, but I flinch when lightning flashes, because I’m petrified of the loud crack of thunder that always follows.

I love the cold, because it means I can wrap myself in the warmest clothes and take my showers boiling hot.

I am aromantic, and yet, I am in love.

I never expected to fall in love. I’ve never had anything against the concept, but I was fairly sure I wasn't capable of it. I'm still sure, actually. But, I'm also in love.

If that sounds confusing to you, don't worry, I'm confused too.

I’ve been confused for most of my life. I spent the first 21 years of my life confused about my feelings, and about why I never seemed to feel the way my friends did. I was confused why I never seemed to experience things the way the media and society told me I should. I stopped being as confused when I found the aromantic label and community. Finding a word to describe myself felt like coming home. For the first time I had people who understood me, who helped me understand myself.

Unfortunately, it didn’t take long for me to realise that in some ways I was still the odd one out. The aromantic community is simultaneously both very anti-romance and very pro-love. Contradictory and confusing as that as that sounds, it makes a certain kind of sense. We reject the expectations of romance that society forces on us, while simultaneously reminding people that love doesn’t have to mean romance. Aromantics aren’t heartless or cold. We can love just as intensely and deeply as anyone else.

Well, other aromantics can. Me? Kind of a different story.

I honestly believe that I have never felt an emotion I can comfortably point to and call love. Not romantic, not platonic, not even familial. It feels like such a terrible thing to say, that I don’t love even my family, but it’s true. I care for them, for people, and I often care deeply. But I'm not sure I love them. Most people seem to think that’s sad. Even other aromantics have told me how sorry they are for me, how difficult life must be without love, but I don’t know any different.

Instead, the difficult thing for me is seeing how much the aromantic community likes to focus on love. They reject romance, sure, but instead other forms of love, such as platonic and familial are placed on a (very high) pedestal. Queerplatonic relationships are a big thing in the aromantic community, and it's treated as the pinacle of aromantic relationships, the thing to strive for. It’s very common to see an aromantic say things like “love doesn’t mean romantic love/romance”, “aromantics still love their friends and family”, or even “saying aromantics can’t feel love is a harmful stereotype.”

These statements aren’t wrong. On their own, they are very important things to point out because the ‘heartless cold aromantic’ trope is a harmful stereotype, and should be combatted. However, all too often it comes at the expense of aromantics like myself, the aplatonics and ‘loveless’ aros. It feels much too similar to the old “asexuals can still feel romance” for me. As a stand alone statement, it’s not wrong. For some people it’s even an important argument to make. However, it’s usually coupled with the harmful implication of “see, we can feel X thing just like normal people do. There’s nothing wrong with us”. It just moves the goalposts of acceptable differences, at the cost of people like me. It's a different bus, but I’m still being thrown underneath it.

That isn’t the only way I feel like an outsider in my community however. While aromantics can be very focused on the idea of platonic, queerplatonic or familial love, they tend to push romance to the side. Even when they don’t outright hate it, romance isn’t usually seen in a positive light within the aromantic community. It’s understandable, because amatonormativity and the pedestal it places romance on is a problem. Society’s expectations and views of romance as the be all and end all of existence is damaging, and the main reason I thought I was broken for so long. But you can reject toxic romantic ideals without rejecting romance altogether, something it doesn’t alway seem like the aromantic community understands.

I don’t feel romance, but I don’t hate it. It’s the opposite actually, because I like romance. I enjoy dating people, as long as they are aware of and respect my identity. I like romantically coded actions, and I seek out emotional intimacy. I’m completely comfortable with people feeling romantically about me. Strangely, I had more romantic partners after coming out as aromantic than I did before, most lasting for at least a year or more. I was even engaged to be married last year, and I'm hoping to be engaged again in the near future.

In fact, my planned future follows some fairly traditional romantic goals. My partner and I plan on getting married, having some kids, and settling down to live our lives together, although not necessarily in that order. It’s the kind of life I thought I wouldn’t be able to have after I realised I was aromantic. I convinced myself it wasn’t what I wanted, both because I thought it wouldn’t be possible for me and because the aromantic community tends to be very focused on the rejection of traditional romantic scripts. I thought that because I was aromantic I should be smashing through amatonormative expectations, a shining beacon of why traditional romance was overrated and wrong, why it's expected goals are harmful.

My partner changed everything for me.

We met through our online Dungeons and Dragons game. A friend of mine invited me after I complained that I hadn’t played in years (also about my very poor social life). Turns out, it was one of the best decisions I’ve ever made.

At the time most people in my life (myself included) thought it was a risky one, for a multitude of reasons. I had previously had bad experiences with long distance relationships and he lived halfway across the country. I was already engaged and although I was polyamourous he had no experience with those kinds of relationships. His name started with J, and I already had (at least) 7 evil exes all starting with the same letter, two of which even shared his name. I was skirting close to 30, he was barely 21, and my previous (traumatic) long distance relationship had also been with a much younger partner. Each of those reasons alone should have been enough to give me pause. Combined, it very much felt like the odds were stacked against us.

Yet, we’re still together over a year later. Our relationship survived him moving here just three months into it, the first time we met in person. It survived the fact that he arrived just before the state borders closed and lockdown started properly, so we spent a lot of time unable to leave the house, stuck in each other’s company. It survived the breakdown (and breakup) of my engagement to my fiance, and the rocky transition as we learned to live as exes and housemates rather than partners. It survived the late nights, larger workload and infinitely more stress when I got promoted to a higher position at work. It survived, and more than that, it grew. It grew into something different than anything I have ever felt before, because in the middle of it all, I fell in love with him.

It wasn’t a sudden thing. There wasn’t one particular moment when it hit me, because I couldn’t even make sense of what I felt at first. I just knew I felt very strongly, and that it was a different feeling then I had ever had before.

Oftentimes when I ask alloromantic people what love feels like, the answer I get the most is “you just know”. Not the most helpful answer, but I don’t really blame them for it. Love is difficult to describe in a singular way. The truth is I could ask five people to describe love and get twelve different answers. Everyone has a different view on love, and it changes with each person you love. How you love them, why you love them, it changes from day to day. How could you ever properly describe the shifting nature of something that never stands still? Something that grows and changes with each action, each word and look and touch.

I don’t feel love, but I think I understand it. I sit on a very unique intersection of aromanticism and love, an experience not often seen and very seldom shared. I don’t feel love, but I’m also not romance repulsed. I don’t hate romance, or reject it. I participate in it, seek it out, even crave it. Now, I get to experience it.

Does my love feel the same as the love an alloromantic person would feel? I don’t know, and quite honestly, I don’t care. Love isn’t something that can be compared between people, because no one else can feel love the way I do, just as I can’t feel love the way someone else does. My love is as unique as I am, as unique as the person I love is. The love I feel right now will never be replicated, whether I never love again or I love a hundred thousand times.

What I do know is falling in love let me make peace with myself, and all my contradictions. I don’t have to feel love to surround myself with it, to give and receive care and affection and intimacy. I can hate amatonormativity and fight against it while also wanting traditional romantic goals for myself, because this time I chose them. I can feel at home in a community while simultaneously being an outsider, because sharing a label doesn’t mean we share all the same views, opinions and experiences. I learned about myself because of what we shared, but I also learned because of what we didn’t.

I am aromantic and I don’t feel love. I am aromantic and I am in love. Both statements are true at the same time, because humans are messy and confusing and full of contradictions. I embrace mine as part of who I am, what makes me, well, me. And there’s no one I’d rather be, than me.

#aromantic #aro #loveless aromantic #personal thoughts #long post #some thoughts I've wanted to put into words for a long time #even in loveless aro spaces I don't always see this view #someone who is loveless but also participates in romance

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takerfoxx · 4 years

Text

In response to JK Rowling and Joss Whedon, my (former) idols

I really didn’t want to have to do this.

So in addition to…=gestures vaguely=…all of that, the last few months have been kind of sucky when it comes to learning some really unpleasant things about artists that I looked up to, admired, and was in fact inspired by. I’ve already spoken about the Speaking Out movement revealing a lot of ugly behavior from various wrestlers, some of which I was big fans of, and then later we got Chris Jericho being a full-on MAGA. Yeah, that all sucked. But those were just performers whose work I enjoyed watching. The one that really hurt were writers who I deeply admired, whose stories I love, and who I was heavily influenced by.

The first, of course, was finding out that JK Rowling, the author of perhaps the single biggest YA fantasy series of all time Harry Potter, is a TERF. This really sucked for a number of reasons. Firstly, I really like Harry Potter! I mean, I’m not a super fan or anything. I came into it when things were kind of dying down, like the whole book series had already been released and there were only a few movies left, but I still really enjoyed it, have all the books and movies and a fair amount of merchandise swag, including a nifty wand I got at Universal Studios. Shit, I got two replicas of the Sword of Griffyindor, thanks to them screwing up my order in my favor and sending me a duplicate! They’re on my wall right across from me as I type this!

But in addition to writing a book series I really liked, JK Rowling was supposed to be one the good guys. She’s been vocally progressive, often openly comes down on British right-wing nonsense, has supported various persecuted minorities, and is on record as being one of the few self-made billionaires to actually stop being a billionaire for a time because she donated so much money to charity. And while we mock it now, her revealing Dumbledore as gay was a huge deal at the time. Plus, she cultivated this reputation as Auntie Jo, that cool, supportive aunt we all wanted.

But for a while her stock has been dropping. Her preference for confirming “representation” via tweets instead of explicitly putting it in the text of her stories has raised the question of queer-baiting, especially with a whole-ass movie with a young Dumbledore and Grindelwald to make their relationship explicit but failing to do so. The whole Nagini thing from the latest Fantastic Beasts movie was pretty gross. And re-examination of various problematic elements from the original novels has rubbed a lot of people the wrong way. Now, none of these really looked to be intentionally malicious, of course. Just about everyone’s early work will have problematic elements; that’s just how people work. And the later stuff smacked more of ignorance than anything. But after all this time, it’s like, c’mon. You should know better by now.

But the biggie came when her transphobic views finally came to light. Now, this one had been brewing for a while, due to some questionable likes and statements on her twitter. But then she decided to just go public and published what essentially amounts to a TERF manifesto, one with a very “love the sinner, hate the sin” condescending attitude and had a real persecution complex air to it.

Now, I’m not going to go into detail about what the manifesto was about, what the circumstances surrounding it were, or how wrong it was. It’s already been raked over the coals, dissected, answered, and debunked in detail by people far more qualified than me, so odds are, you’re already well aware of its contents and the subsequent rebuttals. But the gist of it comes down to her basically believing that transwomen are actually cis men claiming to be trans so as to infiltrate and invade female-only spaces.

Yeah.

Okay, that’s gross, but…why? Why is someone so noted for being progressive and wanting to foster an inclusive environment making this the hill of exclusion that she wants to die on?

Well, that’s where things get tricky. She mentions that prior to Harry Potter, her first marriage was highly physically and sexually abusive, and when she escaped from that, she had no place to go, leading her to be homeless for a time.

Oh.

Well, that makes sense. Someone goes through a highly traumatic experience with a member of the opposite sex, has no support structure when she escapes it, is left to fend for herself, only to suddenly get rocketed into fame, fortune, and influence, which in turn leads to a Never Again mentality. She was hurt, no one was there to help her, and now she’s afraid of men invading women-only spaces to victimize others like she was victimized. So…literally transphobic. Literally a Trans Exclusionary Radical Feminist.

Guys, this is so fucked up. Like, how do you even approach something like this? She’s a victim in every sense of the word, so of course she’s going to have physiological damage and a warped view of things. I mean, if I found out that a close friend of mine went through the same thing and had the same prejudices, I would be nothing but sympathetic! I mean, I’d still do what I can to convince her to overcome those prejudices, but I’d still show sympathy and support for what she went through.

Abuse warps people. There’s a reason why so many abusers are abuse survivors themselves. It makes you terrified of being hurt again and often causes people to adopt toxic behaviors, beliefs, and reactions to protect themselves. I’ve already talked about it at length while discussing She-Ra and its own handling of the cycle of abuse, which included franks discussions of Catra’s horrible behavior, why she was the way she was, while never losing sympathy for her and rooting for her to overcome it. So if JK Rowling is an abuse survivor, is it really right to come down on her for having warped views because of that abuse?

But that’s the problem. See, she isn’t your troubled friend that you’re trying to help. She isn’t your cousin Leslie who’s a really sweet person but unfortunately adopted some bad ideals due to trauma suffered. She JK freakin’ ROWLING, one of the most famous, wealthy, and influential women in the world. She has a platform of millions, if not billions, which means her voice lends credibility to her bigoted beliefs. Alt-righters and other TERFs have already swooped upon this for giving validation to their awful beliefs, which puts trans people even more at risk. And as horrible as Rowling’s experiences might have been, the trans community is often the victim of far worse, and they don’t have a mountain of money and an army of defenders to protect them like she does. I’ve said it time and time again: just because you’re a victim, that doesn’t give you the right to victimize others! And bringing things back to Catra, as much as I loved her redemption in the final season, she was still a TERRIBLE PERSON for a huge chunk of the show, one that needed to be stood up to and stopped.

So yeah. That’s the messiness that is JK Rowling.

Now, let’s talk about the one that really hurts. Let’s talk about Joss Whedon.

I’ve made no secret of what a huge Whedon fan I am. Unlike Rowling, I was a HUUUUUGE superfan. Seeing Serenity for the first time in theaters was akin to a religious awakening to me as a storyteller, making it one of my top three movies of all time. Firefly is my favorite show ever. And I adored Buffy, Angel, and Dollhouse as well. I love Cabin in the Woods and The Avengers. The very first fanfic I ever wrote was a Firefly fanfic that disappeared along with my old laptop. I know his style isn’t for everyone, but I cannot understate how much of a personal inspiration he is to me as a writer.

And like Rowling, Joss was supposed to be one of the good guys! Buffy was monumental in pushing the needle when it came to female empowerment. Will and Tara were groundbreaking as a gay couple. He’s been outspoken for years about his feminist views and beliefs and was seen as one of the most prominent and influential feminist voices in Hollywood!

And then things started to go bad.

One day he was on top of the world, the mastermind behind the first two Avenger movies. And the next, it seemed like he was in freefall. It’s hard to really pinpoint exactly when the change took place. Some would say him being brought in as a last-minute substitute for Zack Snyder to take over on Justice League after Snyder had to leave due to family tragedy, and the subsequent awful critical reception to that film tarnishing his image, even if those were very unique circumstances that couldn’t really be blamed on him. Others might point to Age of Ultron’s less than stellar reception, as well as criticism of some questionable jokes and certain creative decisions regarding the character of Black Widow, which then led to a more critical examination of how Whedon continues to write female characters, as while his work might have been revolutionary in the 90’s, his failure to evolve with the times had meant that many of his portrayals are now woefully outdated and problematic, with his vision for a Batgirl movie getting hit with a lot of backlash as a result.

Again, I’m not going to go into too much detail, as this is all public knowledge and can be easily looked up, but overall it seemed that Whedon entered into a period where he was getting criticized more than he was celebrated, and his image of a guaranteed hit maker was now in doubt.

But all of this wasn’t the big problem. All creators go through rises and slumps, and everyone hits points where they get hit with a barrage of criticism; that’s just part of being a public creative figure, especially a progressive one. And had nothing happened after, it would have probably faded, got forgotten, and Whedon would have moved onto the next project with no fuss.

But as it turned out, it wasn’t just a minor slump in his career. Instead, it was the priming of the pump.

In 2016, Whedon divorced his wife of sixteen years, Kai Cole, and in an open letter, Kai Cole accused him of being a serial cheater, who would have affairs with a great many women, from co-workers, to actresses, to friends, to even his fans. And in addition to raising questions of him possibly abusing his position as showrunner to elicit sex from those working on his projects, there also is the ugly question of how could someone who speaks so highly of women then go and backstab the person who was supposed to be the most important woman in his life, as well as lying to her and denying her the autonomy of deciding whether or not she even wanted to continue to have a relationship with him?

Furthermore, Whedon himself has not explicitly denied these accusations, and comments made by him seem only to confirm them.

Now if you’ll recall, I reacted publicly to this news, and despite my admiration of Whedon’s work, I came down on Kai Cole’s side, and stated that while things like marriage issues and infidelity were no one’s business but that of the couple’s, it did raise a lot of uncomfortable questions about how Whedon treated the women in his life and he really needed to get his shit in order.

But hey, a messy private life and a guy falling into temptation isn’t that big of a deal, right? Plenty of creators also go through multiple marriages and have problems staying faithful and still continue making great art. We’re all human, it’s a stressful job, and this shit just happens, right? Sure, it’s gross and a shitty thing to do, but ain’t no business of ours, right?

In late 2020, actor Ray Fisher, who played the role of Cyborg in Justice League, openly accused Joss Whedon of fostering a hostile work environment, claiming that the director’s behavior was abusive and unprofessional, and that Whedon in turn was protected by DC executives.

DC and Warner Bros. came down against Fisher, claiming they had done an internal investigation that turned up no evidence of wrongdoing (yeah, sure they did), and soon Fisher was out as Cyborg, apparently for rocking the boat.

But then Charisma Carpenter, noted for her important role as Cordelia Chase in both Buffy the Vampire Slayer and Angel, then spoke up, claiming to be inspired by Fisher in doing so. She described Whedon did indeed foster a hostile work environment on his projects, that his often acted in a toxic manner, from asking incredibly invasive and inappropriate questions regarding her pregnancy to insulting her on set. She said that she made excuses for him for years, but after undergoing a lot of therapy and reading what Ray Fisher had to say, she felt compelled to speak out.

And this just open the floodgates. Other actors and actresses also came forward, some with stories of their own, others to offer support. Even Buffy herself, Sarah Michelle Gellar, confirmed Carpenter’s stories and said that she no longer wanted to be associated with Whedon. Michelle Trachtenberg, who played the character of Dawn, stated that she also experienced toxic treatment from Whedon despite her being a minor at the time, and says that the set had a rule that Whedon wasn’t allowed to be alone with her again, which really raises some sickening questions of what happened the first time. Even male stars have spoken out, from words of support and apologies for not speaking up earlier from Anthony Stewart Head and David Boreanaz, to an earlier interview with James Marsters, in which he described being terrified of Whedon, mainly due to an instance when Whedon was frustrated with the popularity of Marsters’s character of Spike messing with his plans and physically and verbally taking it out on the actor. There have been many corroborating stories of Whedon being casually cruel on set, on seemingly taking delight in making his fellow show writers cry, and even the man himself admitting to enjoying fostering a hostile work environment during his director commentary of the Avengers. We’ve joked about Whedon’s supposed sadism for years, but that was in regards to how he treated the characters in his stories, not the people helping him make them!

So yeah. That’s the problem with Joss Whedon.

So, do I think that Joss Whedon is somehow some kind of sociopath who lied about his feminist principles and deliberately put on a progressive façade specifically to get into a position of power so he could torment people? No, of course not. I think he was sincere about his beliefs, and I do think he didn’t realize the wrongness of his behavior. But that’s kind of the problem. See, it’s one thing to have kind of a trollishness to your nature, a sort of sadistic side. No one can help that. But when someone with that quality gets put into a position of power in which they are protected by both the higher-ups and their legions of fans, they are allowed to mistreat and continue to mistreat people. And by never suffering any consequences, that sort of toxic behavior becomes internalized, becomes a habit, becomes their moda operandi. And when you’re constantly getting praised as a creative genius and a wonderful feminist voice, any self-criticism just gets wiped away, and you think yourself above reproach, leading to what Joss Whedon became and went on being.

And you know what scares me the most about this particular issue? It’s not that I am a fan of his stories. It’s that I can so easily see myself turning out the same way.

Look, I’ll be upfront about it: I’m kind of a sadist myself. You’ve seen it in my stories, you’ve seen me gloating after a particularly dark plot twist makes my readers freak out. That sort of stuff is fun to me. There’s a reason why I have a much easier time in the dark and violent scenes, because I’m channeling something ugly within me. We all have a dark side, and this is mine.

But UNLIKE Whedon, that doesn’t carry over to how I treat people in real life (unless Monopoly or Mario Party are involved, then it’s fair game). Maybe it’s because I wasn’t given the sort of power and praise he did so early, and I was always taught to be considerate of other people’s feelings, but if I ever find out that I hurt another person or went too fair, I feel TERRIBLE, and it just throws me off all day until I apologize. Even if I don’t notice right away that what I said or did wasn’t cool (autistic, remember?), when it’s pointed out to me and I have some time to think on it, yeah, the guilt is on and I make a point to apologize to whoever I’ve hurt. I’ve even made a point to apologize to members of my family for inconsiderate stuff I said years ago as a little punk kid because it wouldn’t stop bugging me.

So maybe Whedon got too big, too fast. Maybe putting people on these sorts of pedestals, especially progressive ones, is ultimately a bad thing.

So where does this leave us? How are we to treat JK Rowling and Joss Whedon, one who developed a lot of transphobia due to abuse suffered while the other became a toxic individual due to unchecked control and a lack of consequences? Can we still enjoy their stories despite them now being colored by their creators’ falls from grace? Can we separate the art from the artist, or do we have to do a clean split?

Honestly, I feel that has to come down to the individual. I can’t remove the influence Rowling and Whedon have had on me as a storyteller, and I still highly respect both of their talents despite taking major issue with their problems as people. And I’m not going go throw away all of my Harry Potter or Firefly stuff. Because that’s my stuff. It has value to me, it doesn’t represent the issues with their creators, and a lot of it was gifts from people who are dear to me. Though I do think it’ll be a long time before I return to either of their work, as I just don’t have the stomach for it now.

But I will be avoiding any projects they have in the future. I don’t want to put money in their pockets that might go on to support their toxic beliefs or behavior. And as for royalties for their past work that would also support the cast and crew of the Harry Potter films or those who worked on Whedon’s shows who do not deserve to lose money because we don’t want any of that money going to the creators? Er, that question is a little above my paygrade. I don’t know. You’ll have to all decide for yourselves. As for me, I still have a lot of thinking to do.

Regardless though, if I or anyone else is still able to enjoy their work, then it’s important to not divorce what these people said or did from the art they created, even if it makes enjoying that art less fun. It’s important to be critical about what we enjoy, to acknowledge the bad aspects along with the good, and open up discussion of those elements, because that’s what mature adults are supposed to do.

And as for JK Rowling and Joss Whedon, whose stories I love, whose talent I admire, and whose past good work I’ll happily acknowledge, I do hope they both experience some sort of realization and enter into a period of self-examination that leads to them getting help for their issues, for Rowling to get help in coming to terms with her trauma and realizing that she’s wrong about the trans community and a full apology, and for Whedon to also come to terms with his toxic behavior and how he treats people, for him to make no excuse for what he did and sincerely apologize to those he hurt and work on bettering himself, as well as them both examining some of the more problematic tropes still present in their works. Because despite everything, I do feel that they can still be a creative force of good, and it would be a shame if they let themselves self-destruct.

But if not, then if it comes down to choosing between Rowling and the protecting the trans community, if it comes down between choosing between letting Whedon continue to make shows and protecting actors and writers from his abusive behavior, then I know who I’m siding with, and it ain’t the two individuals this whole essay is about. No story, no matter how good, no matter how creative, is worth letting sacrificing vulnerable people in order for it to be made.

#jk rowling #joss whedon #harry potter #Buffy The Vampire Slayer #angel #firefly #justice league #ray fisher #charisma carpenter #kai cole #transphobia tw #abuse tw #toxicity tw #TERF tw #rant #TERFs don't interact I do not want to talk to you #same for abuse apologists

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mst3kproject · 4 years

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The Face of Marble

This movie has a zombie dog. It’s also got John Carradine from The Unearthly and Robert Shayne from Teenage Caveman, and was directed by William Beaudine, who brought us Design for Dreaming. But honestly, who cares about that when there’s a zombie dog?

On a storm-wracked cliff somewhere live mad scientists Dr. Randolph and Dr. Cochrane, who are trying to raise the dead but aren’t very good at it. Their first experimental subject, a drowned sailor, promptly dies all over again when lightning strikes the Frankenstein equipment. This was probably a lucky escape, because subject two, Mrs. Randolph’s dog Brutus, comes back to life as a bulletproof zombie with a thirst for blood and the ability to walk through walls! They get back to work on improving their technique, and when Mrs. Randolph herself later dies in a tragic matchmaking accident, the two scientists figure she may as well be subject three. It kinda works, and kinda doesn’t… but not in the way anyone expected, especially me.

I guess I have to explain ‘tragic matchmaking accident’. Elaine Randolph’s ethnic stereotype maid, Maria, wants out of this place and has decided that the best way to bring it about is to have her mistress and Dr. Cochrane fall in love and run off together, taking her with them. A combination of voodoo and persuasion seems to be on the verge of bringing this about when Dr. Cochrane’s pre-existing fiancée Linda shows up to surprise him on his birthday. Maria therefore sets out to murder Linda by releasing toxic smoke into her bedroom, but doesn’t know that Linda and Elaine have switched rooms because Linda freaked out when the ghostly Brutus wandered through hers in the middle of the night. It was much shorter to just say ‘tragic matchmaking accident’.

That probably gave you a pretty good idea of just what a dumb and contrived movie this is. The print is also pretty terrible, old and scratchy and with poor sound – and yet it’s actually kind of fun to watch. The Face of Marble is a bit slower than it should be despite being only an hour and a quarter long, and the ending unfortunately makes no sense, but the plot twists managed to surprise me a couple of times. Nobody here is a great actor but nobody’s really terrible, either. You can tell who’s who and what’s going on. For something I would watch, it’s a decent film

What I really liked about it, though, was the treatment of the characters. For all I’ve called them mad scientists, Randolph and Cochrane don’t really fall into that ‘type’. They’re not trying to create an indestructible army or Show Those Fools or anything, they want to save lives: Randolph talks about people who’ve drowned or asphyxiated, people for whom rescue came just a few minutes too late. Nor do they display the mad scientist’s typical lack of conscience. Randolph gets so caught up in his work that he euthanizes Brutus the dog, but he’s absolutely sure his process will bring the animal back as good as new. When this doesn’t work, he feels terrible about it and hides it from Elaine, partly so she won’t be angry but partly because he’s deeply ashamed of himself.

The incident also destroys his confidence in the project. When Elaine dies, it’s Cochrane who talks him into trying to resurrect her, since he has been working on the formula and he now believes it will work. Randolph almost refuses, saying he’d rather see Elaine actually dead than become some monster like the dog, and Cochrane has to do quite a bit of convincing. What we see in these two men is a folie à deux – each would be quite reasonable on his own, but when they can play off and encourage each other they end up doing unbelievably awful things. That’s kind of neat, and makes it more believable that they would try the experiment on Elaine even after their previous failures.

The two men’s relationships with the women in their lives also have some complexity. The backstory tells us that Randolph saved Elaine’s life by removing a brain tumor, and subsequently fell in love with and married her. Despite this, he doesn’t seem to spend much time with her, and she appears to be downright intimidated by him. Elaine is shown to prefer confiding in Cochrane rather than confronting Randolph about her fears, despite the fact that Cochrane’s reaction is invariably condescending. On the other hand, Cochrane is very tender with his own fiancée, Linda, and actually listens to her when she tells him she doesn’t like Randolph and thinks they both need to get away from this place!

Elaine and Linda are set up, both by the writers and by Maria the sorceress, as romantic rivals for Cochrane. You’d think this would lead to a lot of petty hostility between them, but the movie avoids that, too. They are fairly cool towards each other at first meeting, but quickly make peace after Linda’s sighting of the zombie dog. By the time they’re about to part they’re still not best friends, but they clearly don’t dislike each other. Linda has figured out that Elaine has a crush on Cochrane but as long as Cochrane isn’t going to act on it she won’t let it worry her. She could have been a villain in this story, as could Randolph and Cochrane themselves, but the writers avoid taking the easy way out.

Instead, the villain of this story is Maria. The situation would never have arisen if she hadn’t attempted to murder Linda, and later we see her use both the police and the zombies trying to get herself out of the mess she’s gotten into. Unfortunately, this is where the movie starts to fall apart.

A few days after the undead Brutus leaves the lab by leaping right through the wall, a detective shows up at the house to ask Dr. Randolph about a series of attacks on local livestock. Randolph identifies the culprit as an animal suffering from ‘hemomania’, or a need to drink blood. When Elaine comes back from the dead, then, we expect her to do so as a vampire. Everything we’ve seen so far seems to be leading up to that idea. When she comes to and appears to be tired, but all right, we assume the condition will set in eventually.

It never does. Instead, Maria is suddenly able to control the undead Elaine and Brutus! Dr. Randolph soon figures out that it was Maria who killed Elaine, and in his anger and grief he considers stabbing her to death until Cochrane talks him out of it. In order to save herself, Maria has Elaine stab Randolph, then go back to bed and forget it happened.

Where did that come from? We have never seen the slightest indication that Maria can do this. Whenever she has been working magic, such as leaving effigies under people’s pillows or preparing potions, we’ve never seen any evidence that she actually has supernatural powers. The love charms were suggestion and the poison was simple chemistry! The film-makers had ample opportunity to set something up here, by having her take control of the zombiefied Brutus through similar actual magic, but they didn’t do that. We just see Maria sitting in front of a fire waving her arms… then Brutus comes into Elaine’s room, Elaine rises in a trance, and Maria just hands her a knife and orders her to stab away, as if she has the woman under hypnosis. Did I miss something?

At the end, the cops get the real story from another servant (I’m tempted to insert a quip about how you can tell it’s fiction because the police listen to a black man, but we’re way beyond that being funny) and show up to arrest Maria, but she’s already committed suicide, and footprints in the sand show that Elaine and Brutus have just wandered off into the ocean. Okay. Does that mean anything? Are they gonna drown or just wander around on the bottom and fight sharks like in Zombie 2? Did Maria make her do it or not? Is Elaine even aware that there’s anything wrong with her? Earlier she didn’t seem to be, and nobody told her what happened… she seems to think she was merely ‘taken ill’.

The feeling I get from all this is that the writers didn’t know what to do with Zombie-Elaine. They were too chicken to have her go around tearing throats out because then she wouldn’t be attractive anymore. They can’t kill her because they’ve already established that the zombies are bulletproof and they can’t think of any other way to do it. So they just have her leave, mysteriously and unsatisfyingly, and completely squander several opportunities they’ve set up for themselves.

Elaine wondering what’s wrong with her, unable to help herself even as she’s horrified by her own actions, would easily have been the scariest thing in the movie. Randolph and Cochrane realizing that what came back isn’t quite Elaine, and having to deal with what they’ve done, would have been the most heart-wrenching. They could even have had the two of them, formerly unbelievers, go to Maria for magical help – only to have Maria refuse to do anything because she, as previously established in dialogue, really does love her mistress. The ending could have been really cool, but they just ran out of ideas.

I did enjoy about the first two thirds of The Face of Marble. By the time Elaine finally dies I was getting a little impatient to see some actual zombies, but the film then went in a totally different direction, in a bad way. The ending doesn’t feel like a plot twist, because a plot twist should be something that makes sense of things we’ve already seen. It’s doubly disappointing, because the attention paid to the characters and their motivations and relationships really made it look like writers knew what they were doing.

#mst3k #reviews #episodes that never were #the face of marble #poor john carradine #40s #everybody do the zombie stomp

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rvmmm21 · 4 years

Text

. unpleasant reminders (1.5) .

small note : i know what you’re thinking. great titling. seriously, why can’t i title to save my arse? like i’d pay someone to title my stuff for me. i didn’t mention anything about currency, so go wild. again, please heed my warnings before reading. and uh... remind me never to write this much dialogue ever again, yeah?

*you do not understand how Elated i am to finally be able to pin half of this onto you guys*

i’ve said this in the tags before, but please don’t use shock-collars. save them for this au, okay?

(also... i... i do write soft stuff too. um, j-just in case you forgot... it’s okay to ask me for soft things. i’ll gladly oblige. rvmmm21 isn’t just a yandere bucket).

[yandere!omega!irene x alpha!wendy]

tw : choking, bondage, violence, noncon, implied use of shock-collar. (a very, VERY toxic relationship).

...

Bae Joohyun doesn’t need to be an alpha.

She’s already in control.

And Seungwan isn’t the only one who knows things. Joohyun does too.

She knows plenty.

But if there’s one thing she knows best, it’s that alphas who love their omegas unconditionally do not bolt at any given chance.

And if there’s anything Joohyun considers worse than an alpha who is unwilling to accept that they belong under her, it’s an alpha who actively does something about it.

It is rather unfortunate that Joohyun, being an omega, does not possess those useful little pheromones alphas use to either overwhelm or calm. Life would be so much easier if she could just have Seungwan on her knees with a whiff of her scent. But when life presents her a challenge like an unruly alpha... a challenge like Seungwan, Joohyun would rather die than back down. She may have been cautious, hell, she may have even bothered to put on a coat before setting out after her fleeing lover. But it really doesn’t matter, not when Seungwan is as docile and harmless as a baby mouse.

It’s at times like this where Joohyun really doesn’t think her girlfriend deserves her alpha status, or any of those knee-weakening pheromones. It’d be a surprise in itself if Seungwan was aware she even had them, let alone know when and how to use them.

But that isn’t completely her fault. She’s a young pup. Which means she has a lot to learn.

Luckily for her, Joohyun is nothing, if not a well-meaning trainer.

…

Joohyun is standing over her when she opens her eyes.

Even through the blur, it’s creepy. The way she’s just… observing.

She’s calm. Far too calm for Seungwan’s comfort. Not that there’s anything remotely comforting about being gagged and cuffed to the floor. She wants to kick and scream, because she recognises her surroundings far too quickly.

The basement.

Or as Joohyun insists it is, the ‘Training Room’.

For a few seconds she does nothing but quietly stare at the metal around her wrists, the taste of old rags seeping into her tongue anything but pleasant. Finally, Joohyun sighs, bending over to run her fingers along the knot behind her head as she breaks the silence. “Gag wasn’t necessary, but… I know you hate it. And I did catch you doing something very naughty, so I think it’s only fitting, don’t you?”

She fiddles around with the fabric before dragging it down and tossing the damp cloth to the side. Seungwan’s jaw aches when she flexes it a couple times. Stray tears roll down from the corners of bloodshot eyes as she opens her mouth to form some sort of apology. But as soon as her lips are parted, four fingers shove their way into her mouth, as good as choking her in an attempt to keep her from making another mistake.

“Don’t you dare.”

The tears are welling up and she can’t help herself.

“You ran. Again.” Joohyun’s tone is somewhere between a drawl and a snarl. The smaller girl impulsively jerks forward when fingers thrust themselves deeper down her throat. She coughs, gags and tries to twist away, but Joohyun just follows her, never leaving more than a millimetre of space between them. “How many times this month, alpha?”

“No, no, no…” Seungwan tries to say, but it just comes out as incoherent mumbling around Joohyun fingers, all subdued and useless. And it doesn’t help that her head is still spinning. Holding onto a simple train of thought is proving to be harder than the force Joohyun must have applied to knock her out and drag her back.

When the omega pulls her fingers out with a skin-crawling laugh, Seungwan scrambles to defend herself, pointless as it is.

“I wasn’t trying any – wasn’t running, I–”

A foot embeds itself into her diaphragm and cuts off whatever the end of that sentence was supposed to be. The hot pain concentrated in her chest slowly blossoms down her ribs, stomach, and her head. The impact of her back shoved further into the cement she’s slumped against sends agonising jolts down her spine, and it’s that instinctive wince that reminds her that she truly is at the mercy of her sweet, sweet omega.

The added pressure behind the heel serves to better restrict Seungwan’s breathing.

“Puppy’s learnt to lie now, has she?” Joohyun sounds lethargic, and it’s nearly twice as scary as that look of pure, animalistic rage Seungwan had seen on her face not two seconds ago. “You’d better tell me where you picked this charming little habit up… or you’re not going to like what happens next.”

She sounds unimpressed and bored and it’s terrifying.

“P-please…” It doesn’t cross Seungwan that she’s speaking out of turn, that she’s not answering her omega’s question, that she’s not thinking straight. It’s impossible. She can’t think straight. Not when she’s in such a compromising position. “I-I promise it won’t happen again, please… I don’t want to run, it – it was a m-mistake! I didn’t mean to–”

“I didn’t mean to plan an escape, I didn’t mean to keep running when I was called, I’m so sorry, Hyun, please don’t hurt me, Hyun.” Joohyun taunts her, mimicking the panic in her alpha’s voice with a sickening light-heartedness. “How many times do you think I’ve heard that, hm?” She pauses to chuckle at her own awful reminiscing. “Pretty much the first day we started training. And how many times has it worked?”

She kneels down again and wraps her hand around her alpha’s throat. She squeezes, smile broadening when Seungwan whimpers and chokes out a weak – “… none.”

Joohyun smirks. “None.”

Tiny black dots speckle Seungwan’s vision as the pressure on her throat increases, turning her laboured breathing into ragged pants. It takes everything she has to force herself still, if only to keep from encouraging the irate omega, who’s growling at her now, sounding more like an alpha than she can ever hope to be.

“Don’t make me wait for it, puppy.”

At this point Seungwan’s reactions are more reflexive than genuine. “I love – I love you!” Her words are clogged in her throat, but she forces them out in short, sharp gasps. “I love you! I’m sorry – sorry I tried to run, please, please don’t… please Hyunnie, you’re hurting me, stop please…”

Joohyun just grins and uses one more final burst of strength before she relents, keeping her alpha pinned up by her shoulders as she splutters and wheezes and struggles to stop the tears streaming down her cheeks.

“Don’t think you’re getting off scot-free. Seems like I haven’t trained you well enough, puppy. Outbursts like that are very rude, and they will not go unpunished.” She finally lets her go completely to reach for something Seungwan can’t see. It should soothe her, however the lack of pressure on her neck and the lack of a foot in her ribs does little to do so. Quite the contrary. It fires every nerve in her body up, because if Joohyun’s hands aren’t on her now, there’s no telling where they’ll be next.

When Joohyun finally turns around, it’s the familiar little remote she has clasped in her right hand and device in her left that kicks Seungwan’s legs into gear, weak as they are. It makes her forget. She forgets she’s tethered to a U bolt in the floor, forgets that if her omega can singlehandedly retrieve her mid-run, she stands no chance if they’re in the same room.

She forgets her place.

Still, she springs into action, aiming to lunge past her insane girlfriend and head straight for the door. But she never reaches it. As soon as she’s on her feet, Joohyun is straddling her back, knee digging into the base of her spine and forcing her face into the cold cement floor. Seungwan sobs harder, one hand grappling pathetically out in front of her while the other stays pinned under Joohyun’s knee.

“Bad alpha, bad puppy.” The omega patronises as she fumbles around with the contraption she had intended to put on her lover ever so nicely. Of course, Seungwan had to fuck that up too, didn’t she? The battered alpha goes rigid when she feels deceptively soft lips against the nape of her neck, kissing her so lightly and so comfortingly that she almost mistakes it as forgiveness. But that hope is quickly suffocated when she hears the click of a buckle and a lock, when there’s that tightness around her neck.

She suddenly realises that –

“I’m tired of false promises, puppy. If you can’t tell me the truth, then I think it’s better you can’t tell me anything, don’t you?”

– it’s much more painful to swallow in fear when there are two icy iron prongs burrowing themselves firmly into your throat.

#red velvet #red velvet yandere #wenrene #irene x wendy #red velvet scenarios #red velvet imagines #irene #wendy #omegaverse #yandere omegaverse #kpop scenarios #girl group scenarios

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thejosh1980 · 4 years

Text

Don't you know that you're toxic?

I was in a toxic relationship...

In fact I have been in a few... But the last one is the one I can still remember in some detail...

The first few, well they were immature drunk and disorderly scenarios. They are not important in this story, other than you should be aware I was pretty repetitive towards my approach to relationships back then.

The story I would like tell is about the 7 year old relationship that ended in March 2019.

This particular relationship had the biggest effect on me, my well being, and my happiness. And even though I married an amazing woman earlier this year, that last relationship is still a reminder of the baggage I have held onto since my first relationship.

It's time I unloaded that baggage and shed my skin.... Even if it's just a little bit... You know, small steps...

So, lets call my ex “Grumpy”...

In fact that's a name an American girlfriend of a drummer of a band we were watching called her once in Germany, literally minutes after meeting her. I should have seen that red flag even back then...

Look, Grumpy isn't a bad person, deep down I think she means well... But she just hasn't been able to get past her past... She wont let go of any stubborn insecurities, learn new coping mechanisms, and she wont forgive herself, or you for that matter... At least that's what I've experienced with her.

It's like whenever things don't go her way, whenever she's frustrated or doesn't know how to cope, she'd revert back to a 14 year old girl, which is when she had troubles with her Mum.

I mean honestly, who didn't have troubled teenage years??

I'm not saying she doesn't have a right to feel pain about some significant event or trauma, but she surely can't hold it over my head and expect me to hang around, forever...

During our relationship, I explained to her, that when I went into therapy (which at the beginning she thankfully helped me do) I had no idea what to expect. But I knew I couldn't continue the way I was and expect a happy outcome.

It took a long time, but I processed many of the issues and events of my past, which in turn helped my current situation and had a positive effect on my future. I learned new ways on how to cope with current problems, insecurities and learn to take responsibility for my actions and choices in life...

I forgave my Dad for not being a good father. I understand, he just didn't know better and chose not to learn how later in life... It's no excuse but I find some comfort in knowing I wasn't the problem. These days, I can be comfortable in his presence, no longer hoping for the Dad I've always needed, but enjoy his company for what it is...

I forgave my sister for her misgivings. She's a tough cookie, and very jealous of me. I think she's very jealous of my relationship with Mum, but my sister hasn't taken responsibility for her actions, and therefore it will be a long road before I can trust her, but I'm totally OK with that. She has her problems, and they are not mine to take responsibility for, anymore.

My grandparents on both sides were hard work over the years. I thought it was my fault too! But really it was their lack of empathy and understanding that created an atmosphere of negativity. They had every opportunity to be a good example to an impressionable young me. Luckily I learned to forgive them, even if I didn't actually say that to them while they were still alive. I forgave them and myself for contributing to the escalation, rather than finding resolution.

Grumpy knew I did this (and more) in therapy, and refused to consider it.

Now in all fairness, I originally refused to entertain the idea of counseling too, as I had a negative experience in my younger days (just like Grumpy), but when I reached my first breakdown around 2014 in a foreign country, I knew I needed help and I asked...

You know, I know she's still hurting over her past...

How can I tell?

Because it's been 18 months since I broke up with her, and she continues to create drama, instead of “adulting” and talking to me about it.

She's had every opportunity to deal with these post break up problems we all have had to go through like an adult (you know, splitting up the household belongings etc), without fail each time she has deflected, ignored, created more drama, lied or done something else that shows me, she has not recognized her part in our story.

Let's face it, it takes 2 to tango...

I've come to realize she treated me the way she did during our relationship, because she took me for granted. She thought I'd never have the courage or strength to actually leave her. I sure proved her wrong, didn't I!!!

We started our relationship drunk, and continued like that for 2 or so years. Grumpy and I could drink a lot, and did... We both were a bit rounder then too! We were never fully honest with each other or ourselves. I would say, we probably should have just been a short term fling, because we both weren't ready for long term, but we dived in anyhow...

That journey got me here, and that's totally fine. I have no regrets...

In case you didn't know, I wasn't a very strong person back then. I had little self esteem, and little self worth. So it was easy for both of us to “beat on” each other verbally and not resolve any issues. That's easy to do when someone just can't listen without demeaning you, without taking your feelings and smashing them against the wall... I was always ALWAYS in trouble. She was too sometimes back then... We both were in trouble...

As time went on with my therapy I processed a lot of things, and became ready for long term... I also knew I wanted to move back home, down under, eventually. That would be a hard decision, with or without Grumpy. I just couldn't imagine piling on more stress on top of stress with that relationship. I came to realize there was no future there unless something changed. We had to listen to each other, we had to trust each other, we had to respect each other.

I know I am not perfect, but surely if I can forgive her for things, she could step my way a little... Couldn't she? Didn't she have the power to learn to forgive? I mean really forgive someone and love them for all their faults? Didn't she have the power to grow? Unfortunately she didn't... I knew she didn't process anything because she was bringing up stuff from 2 or 3 or 6 years ago...

When I sobered up and seriously got into therapy, I had no idea what road it would take me down... But after talking about all my family issues, social anxiety issues and depression, the last thing was Grumpy. It took almost 5 years to get to the point where I acknowledged I was unhappy, I realized I didn't trust her and I couldn't see a future with her...

I just couldn't talk to her anymore. We just didn't trust each other anymore... That's the point...

The day we broke up, I had written her a letter, and I read her this letter. I read out a letter I had spent weeks writing making sure my adult words were being used (because without the letter I knew I'd revert to something less mature and less communicative). I clearly stated after trying many times, trying for years to correct our problems, I had come to realize we couldn't go forward. I decided we would break up to save each other from unnecessary pain. I couldn't see any steps going in the right direction in our relationship anymore...

I loved her, but it just wasn't working out, and didn't show any signs of improving.

Her first words were “I knew it” with tears rolling down her face...

I didn't want to do it, but I made a choice... Based on the past, for the present, to better my future.

Honestly I don't know if she wanted to recognize any of those times I tried to talk to her. She didn't want to see the signs. When she got frustrated and yelled at me, and I sat quietly listened and did my best not to raise my voice back. When I tried to talk sense to her she'd react like I was talking crazy.

Maybe she was scared? After all, change is a scary thing.

I changed a lot in those years since I started therapy and stopped drinking, always hoping Grumpy would come my way a little... For several years I was a huge contributing factor to our fights, but as time went on and I learned and grew, I started to de-escalate those fights. (Which generally made things worse!).

Apparently she didn't get the memo...

And she continues to blame me for that mistrust, because that's the way it goes when you don't take responsibility for your actions... It's always someone else's fault... The world owes me...

Even though she's been in a committed relationship since the beginning of 2020, she still hasn't let go of any anger, hurt, or resentment towards me. Her actions clearly show she hasn't processed our relationship, start, middle, or end, and would prefer to block me or stop all communication with me, before dealing with herself. She'd prefer to tell everyone else how bad I was, what I owed her, what I did to her, than think about her actions and how they affected our relationship.

It's like history repeating itself... And I am finding freedom in the fact I am no longer a character in her story.

I'm quite sure she'll keep the narrative within her circle of friends to make her look good, and me bad. But I like my narrative more (who wouldn't?), I feel we both were a mess... We were having a negative affect on each other. How or why, isn't as important as learning that communication, trust, forgiveness and respect are the things that were missing...

In fact, I think she dislikes anyone who has shown personal growth... It scares her... I think she's comfortable in her denial... She blames her Mum or her grandma... She blames me... Not once had I ever heard in all her years of coming home from work, “Oh it was me...”, “I did something wrong...” or “I messed up, I better say sorry...”

So how could I stay with someone who didn't take any responsibility?? How can I love someone who doesn't say “sorry”?

I was heart broken during the time leading up to reading Grumpy that letter...

I went back and forth in my head, could I see a future??? But in the end I couldn't... The one thing I realize, that is so important in my relationships, is good ol' communication. We lost that, when we lost the trust... It all turned toxic... Manipulative.... Twisted...

I wish her all the happiness the world throws at her.

We all deserve happiness... But Grumpy, sometimes you gotta work at it...

I could spend my time blaming her for so much of it but in the end, it was down to me. I am the one master of my fate... Just as she is... Then and now...

Thanks for reading,

Josh

#toxic relationship #break up #ex girlfriend #moving on

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a-student-out-of-time · 4 years

Note

(Mod, can this anon just say I really appreciate how much self-control you have? When that Haiji defender showed up on your blog, you just said "get off my blog". This anon really appreciates how you didn't scream at them, accuse the person of secretly being a pedophile themself, tell them to kill themself or to choke on broken glass, encourage your followers to harass Haiji fans, etc. Today's generation of pop-culture-fandom could learn from your example.)

//Now that you bring this up, if you’ll indulge me, I’d like to talk for a bit about fandom toxicity.

//There is, in a way, a feeling of entitlement and ownership when it comes to characters or properties. That, because these things hold a special place in our hearts, that they belong to us and that our interpretation of them is the correct one and that anyone who disagrees is wrong.

//So when there comes creative decisions or opinions made by others with those properties, even ones by the actual creator of the work, that don’t match up to our own, there can come a feeling that these are a direct attack against us as well. With that comes a lot of the worst parts of fan culture: harassment, insults, bullying, threats, and even actual attacks on these people.

//But the truth is, these people were probably just expressing their feelings and emotions about the same work, because they enjoy it too. They were never trying to directly or indirectly attack you, they just simply had a different opinion. It’s important to keep that in mind: the people you talk to online are human beings with thoughts and feelings of their own, and those feelings are rarely going to be the exact same as yours.

//An unfortunate part of the problem are the inherent psychological biases that we all have, and confirmation bias especially. Where we’ll focus on information we agree with (even if it’s factually wrong) and ignore anything that conflicts with that (even if it’s factually correct). This goes beyond just fandom, but I’m going to stay on topic.

//There is not a single human being at any point in history who hasn’t been guilty of these biases. You, me, everyone you’ve ever met, we’ve all done it at one point or another. The issue is when these biases get us to leap toward intolerant conclusions about those whose viewpoints we disagree with. “You don’t have the same opinion as me, so you must be stupid/evil/bigoted/brainwashed/etc.”

//It can be so easy to draw those conclusions about people, especially when the arguments aren’t well-structured and you’re in the heat of the moment. But let’s be real: we’re never all going to 100% agree on everything. And that’s okay. Hell, if we did, that sounds more like a dystopian nightmare scenario where free thinking has been suppressed.

//And thinking is an activity I’ve always encouraged. Toxicity is ultimately at odds with critical thinking, where any dissenting opinion is hunted down and suppressed and anyone who speaks up is bullied into silence. That is not what my blogs are about. It does kinda make me sad that I’m being praised for not being a toxic asshole, because I don’t really feel like that’s praiseworthy. I want that to be a normal thing.

//Here’s an experiment: take your favorite DR character and ask yourself why you like them. What is it about them that drew you to them? Their personality? Their backstory? Their role in the narrative of whichever game they were in? When you have those reasons in mind, consider the following: what about this character is flawed? What about them is inherently dark or troubling? Why might someone else dislike them?

//And then work backwards from there: take your least favorite DR character and ask yourself why you dislike them. Then find all the ways why someone else might like them without diving straight into intolerant conclusions. Look past the surface and dig a bit deeper to see what exactly makes them tick.

//That’s not me asking for essays, that’s something I want you all to consider for yourselves.

//I’ll be the first to admit I really disliked Junko. I didn’t consider her all that interesting of a character or a villain, and she just cames off as very annoying and overblown to me. I considered everything that she sets in motion to be far more interesting.

//I have, however, seen a lot analyses and in-depth looks at her as a character and after going through those, I came away with a lot of insights I didn’t even consider before. My opinion hasn’t changed too much, but I can definitely see (DR3 notwithstanding) all the way she can and does make for a interesting villain.

//So the takeaway is, even if you don’t end up changing your opinion, you can at least say “I still disagree, but I’ve gained some perspective into why someone would feel this way and I’m better for it.” Critical thinking does not mean you have to give up your opinions, and there does exists a very wide middle ground between total agreement and toxic harassment.

//But critical thinking is at odds with the idea that it’s best to retcon, ignore, or fabricate details of canon that we disagree with to justify those opinions. This is why I got so mad at the anon who claimed Haiji was talking about fictional underage girls, something that is not at all substantiated by evidence in the game. You can’t simply ignore these details because you don’t like them.

//Critical thinking is about being able to either say, “Okay, I fully acknowledge that these details about this character I like are problematic and I understand why it might upset people, but they’re not the sole or central reason why I like this character”, or “Okay, after careful analysis, maybe I was wrong about what I originally thought about them.”

//Me personally, I look at these details and ask “Okay, but how can we build off of this? Can we tell a new story with it?” For example, while SDRA2 Chapter 0 left a bad taste in most everyone’s mouths, I didn’t want to just retcon it. Instead, thought Kokoro being regretful over her actions and wanting to reconnect with her daughter would make for a very interesting story.

//But the most important part of this that I’d want anyone to take away is that it’s important to listen to others and consider their viewpoints as well, and again without immediately jumping toward conclusions and talking over them before they make their case. Listen to people, ask them questions, and remember that on the other end of the conversation is another human being with thoughts and feelings of their own.

//Now, there is that invisible fear that “understand that others have different opinions” is shorthand for “just accept that some people are into r*pe/inc*st/p*dophilia and let them make content of it.” I promise you that is not at all what I’m suggesting here. I hope my previous angry rant about Haiji cemented that fact.

//What I am saying is that we need to be acutely aware of both the thoughts and feelings of others and those of ourselves. That it’ll be better for us as well as others to apply critical thinking and careful insight into our opinions, not taking them as inherent fact simply because we hold them, and understand that others will not always enjoy the same content the same way we do.

//And most importantly, being able to separate those who are willing to listen vs. those who’ll prefer to stay toxic, bitter, and unmoving is a very important skill to learn. There is no shame in withdrawing yourself from any sort of talk with a person who upsets people for fun, and it will be better for your health in the long run.

//Finally, let’s be real, what’s gained from arguing with people online? People who you never have and probably never will meet? Not much. But if someone is not going to budge and only wants to share their toxicity with the world, it’s better for you to simply walk away, block them, cut yourself off, and move on. Their toxicity is their deal, and it doesn’t have to be yours.

//But I also think there are people who are willing to listen, who may simply not know that they’re engaging in things that are hurtful or toxic. And some frank but kind insight as to why can change their opinions. A willingness to listen, not to just defend their position, is what’s important.

//I’ll be completely honest here and say I was in that position once. I’ve said and thought some awful things before, and I feel so fortunate that I met the right people who stopped me from going down that road before I got too far. Not with hostility or arguments, but honest and kind discussions and insights.

//As fans and as people in general, we can, should, and need to be better. That’s why I don’t want my space to be full of hate and bullying, but just storytelling and creative discussions, where people are welcome to express their opinions, and even if we disagree, that’s alright. We’ve at least gained some insight into each others’ views ^^

//Compassion and wisdom are what I consider the most important virtues, and being more critical of ourselves is how I think we can solve the issue of fandom toxicity. That’s what I’ve tried to apply here. My goal is just to tell a good story for you all to enjoy here, and I appreciate each and every one of you who’ve followed, liked, reblogged, or even just considered any of my posts worthwhile to read

//And if you made it all the way through this, I hope you’ll consider everything I’ve said here as well. You can’t change every single toxic person out there, but you can change yourself for the better and encourage others to do the same.

#mod talks #mod rambles #a student out of time #I didn't have any bad experiences recently I promise #this has just been on my mind for a while and I felt like sharing #Anonymous

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natsubeatsrock · 4 years

Text

The Hagakure Paradox

So, I’ve been going through My Hero Academia and... I figured I’d spend this last week talking about it.

A lot of my posts come from a place where I'm annoyed by the things people are saying. If I've had any reason to make posts like these at all, it's because people don't agree with me over things and I don't want to be seen as crazy for disagreeing with so many people. If I didn't think I was going against the mainstream with so many of my ideas, I wouldn't have started a series called "Opinions I'll Probably get Stoned For".

However, it's not often that I feel the need to make a post like this about something I don't particularly care deeply about. Toru Hagakure is nowhere near one of my favorite characters, either in Class 1-A or in the series as a whole. Last year, I called her de-facto worst girl of Class 1-A. A lot of what I could talk about regarding Hagakure could more easily be used to talk about Momo Yaoyorozu, a character I have much more personal interest in.

Though, I feel like the discourse surrounding Momo has been done to death. At this point, the trenches are in and you're on one side or another. And, while that's probably also the case here, I can at least empathize with the people I disagree with regarding Momo. I don't feel the same way about this.

I will be talking about stuff that happens in the manga in this post, so you...

You know the thing.

As I'm sure we're aware, this debate has to do with Toru’s hero costume. As it stands, her quirk makes her invisible. Unfortunately, she's not able to make other things invisible. When she wears normal clothes, she's not able to make them invisible. Her current hero costume is nothing more than a pair of boots and gloves, and often she's willing to take those off and work naked.

For much of the series, the problem was obvious. Horikoshi created a female character that has to run around naked to use her quirk properly. Even being invisible isn't enough to stop her from being involved in some awkward fan service moments. One had to wonder if he were to write a male character with a similar quirk if he'd handle them the same.

And then Lemillion came on the scene.

Miro Togata's quirk involves him being able to phase through objects. On the one hand, the use of his quirk also affects most of the clothes he uses. When he demonstrates his quirk, he passes through his gym uniform. So, that means things are equal, right?

Sure, if you don't count his hero costume.

His hero costume was made with his hair. He grew it out purposely to be able to create a costume that he'd be able to use his quirk in and not have to worry about doing his work naked. And, theoretically, all he'd have to do to fix it when it rips or is too small is send it in with more of his hair to account for what needs to be adjusted. Need I say more?

In my honest opinion, I don't think it's unfair to wonder why Toru's outfit isn't similar. I generally want to say he came up with the idea for Mirio's quirk and outfit long after Toru's were locked in his mind. And, considering she never sees him in his costume and/or doesn't know how it works, it makes sense she doesn't get the idea to make a similar outfit. Still, I do get the problem with her running around naked and wish that she was constructed differently.

Of course, that's a really important thing to keep in mind. This isn't just an issue of a character that runs around naked. This is an issue of how Kohei Horikoshi decided to construct a character. When I see a lot of people's redesigns for Invisible Girl's outfit, it seems like their only focus is addressing the "she's not wearing clothes" issue. If that were all that this was about then I'd probably talk about the general issues I have with the redesigns. I might have gone in on some of the more famous redesigns as flawed, though well intentioned.

But a lot of people who complain about this seem to be forgetting a really important fact in this: we don't know the full extent of Toru Hagakure's quirk. As it stands, we haven't been formally introduced to her quirk. We don't know exactly why her invisibility works the way it does or if turning things invisible is part of her abilities.

As it stands, we know that there has to be something else to her abilities than being invisible. As of the Provisional License Exam arc, we've seen her use abilities that involve light refraction which she’s working towards using more. That feels like something that will be important later on when we find out about her quirk. I'd be shocked if that isn't at least part of why he quirk is constantly active.

So, let's (actually) talk about why Horikoshi might have written Toru Hagakure the way he did.

Hagakure represents a special type of character arc among the students. With a lot of characters, we have a decent idea of what a quirk is and how they can improve their skills with it. For others, we're unclear how they can become better heroes because we know what their quirks are. But Hagakure's is about the only one where we have a path of growth for her despite not knowing what her quirk was.

Up to the Joint Training arc, Hagakure's strength was that she was invisible. That's not particularly helpful in a situation where physical ability is measured, such as the quirk evaluations or the sports festival. However, the stealth hero was able to avoid trouble when the USJ was attacked and her invisibility was crucial to her and Shoji passing their exam. It’s the thing that she works to improve during the summer training and light refaction doesn’t come into play until after that ordeal is over.

However, something happens in the Joint Training Exam. She ended up being caught in the joint training exam despite being invisible. To be clear, she was at a state of visibility because she was covered by mushrooms. They were removed and she became invisible. And she still lost despite not being visible.

If there's anything to be learned from this it's that Toru has to learn to be a good hero without relying on being invisible. How that will work stands to be seen. However, that will be dependent on finding out what her quirk is. Nothing I've seen in preparing to write this tells me that Horikoshi doesn't know what Hagakure's quirk is and isn't saving this up for just the right time. However, I'll definitely be interested to see what he has planned.

I think the best next step would be practicing control of this quirk. Not necessarily in the sense that she's able to stop becoming invisible. Rather, learning to turn other things she's directly touching invisible. I would like to see light refraction become a skill she uses to make things around her invisible, not unlike Marvel’s Invisible Woman whose hero name she pays homage to.

It's worth waiting to see how this will play out. My Hero Academia is a series that's in it for the long haul and it's not likely we'll get answers to these questions any time soon. As someone who's been through his fair share of long-running series, if and when Horikoshi actually gives us an explanation, it will make sense of the things we've been complaining about. Of course, if he doesn’t then you can complain about how much of a hack he is then. (Why does this sound familiar?)

For now, I do want to talk about the idea that she should have a similar outfit to Togata's. I get the idea behind it, but there are issues with it. On the one hand, we're not terribly sure if Hagakure has hair that can grow to the kind of lengths that could justify making an outfit, or if the technology of the universe is at the level it could synthetically replicate her DNA into a synthetic material. (inb4 “but Lemillion’s visor!”)

On the other hand, assuming either wasn't an issue, at this point in the series, the end result would be the exact same as being naked. Which is what she's already doing. Obviously the decency issue is fixed, but should Hagakure need help, it will be harder to find her if she’s invisible. When the League attacked the summer camp, remember that she was wearing normal clothes. They couldn’t find her during the USJ attack.

Personally, I hope that she learns to make other objects invisible and that we get something similar to Violet's outfit from The Incredibles. That feels like a good in-between of what people want and it's certainly better than "her outfit, made with her DNA, has better control of her quirk than she currently has". At this point, I just want an end this stupid debate forever.

In Conclusion:

Despite literally making the exact opposite claim multiple times in this post, I’m totally fine with Toru running around naked. The people who complain otherwise are needlessly prudish and there is no possible need for nuance regarding this topic. Anyone that disagrees with me ought to jump into a vat of toxic sludge and pray for a quirk in the next life.

#not fairy tail month: crisis on infinite fandoms #my hero academia #mha #toru hagakure #invisible girl #this sure was something #it feels good to use this format again #i've been refreshing on the series #i'm a bit behind where the manga currently is #though i know enough to make this post #mha is good

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peace-coast-island · 3 years

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Diary of a Junebug

Cozy knits, cardamom donuts, and turtledove butterflies

There's something so warm and inviting about hand knitted stuff. Maybe I'm biased because I'm a knitter, but there's really something special about knitting things. With needles and yarn, the possibilities are endless!

This gyroid event is a cozy knitwear theme, a collaboration between Daisy Jane, Tiffani, and Rowan. Collecting gyroids around the camp has been putting me in the mood to knit again, specifically a big project.

It's been years since I've made a sweater but I really feel like making one. Sweaters tend to be a hit or miss with me, which is why I rarely make them. Measurements aren't my strong suit but they're a big deal if you're making clothes. Constant counting as well because you have to make sure you have the exact amount of stitches or else everything's off. Also, it takes commitment to make a sweater, even a simple one, so that's another reason why I stick to simple projects like scarves.

I'm in the process of looking up simple sweater patterns so let's see how long this spark of motivation lasts. Making a sweater can be frustrating and time consuming, but it really is rewarding when it's finally finished.

Tiffani and Rowan are here with us at the camp to join in on the event as well as take a well deserved vacation. I feel like it's been forever since I've seen either one - Tiffani had dropped by the camp a couple years ago while Rowan's been out and about traveling the world. It was a pleasant surprise to find out that they've been working on gyroid designs with Daisy Jane.

I'm glad to see many entourage members thriving, especially after things went downhill with the university. Tiffani started her own fashion line called Stellar where everything's ethically made and a good portion of the proceeds go to charities that help abuse victims. Being a survivor of child abuse, Tiffani puts a lot of time and effort to use her influence to spread awareness and resources to help those who need it.

Rowan, a figure skater, is the co-founder of Stellar. He too grew up in an abusive household and is also an activist for abuse victims as well as the trans community. He's got an interesting story, one of victory as he and a couple friends were responsible for taking down a corrupt fashion design label.

In fact, he's working on a memoir tentatively titled "How I Destroyed Traynor's By Being Super Fake". The title alone sounds like an interesting read. People have approached him for years about writing a book, something he was considering as he had a lot to say about his father and stepmother. By now enough time has passed that his ex-family are beyond caring so he can freely talk about them without dealing with their associates threatening him.

Rowan always had a complicated relationship with his father. His mother died of cancer when he was ten and he never forgave his father for not letting him say goodbye to her. Not too long after that Wilfred married his mistress Caitlin and Rowan gained two step-siblings, Portia and Chad. Wilfred and Caitlin created Traynor's Fashion, an elite luxury label that developed quite a reputation.

Growing up in that household was torture for Rowan, so he left as soon as he could. He found solace in ice skating, an activity he and his mom bonded over. Rowan practiced for hours while his so-called family mocked him and eventually his efforts led to him getting a scholarship with a shot at a career in competitive figure skating.

Unfortunate circumstances and burnout forced Rowan to go back home, where he was known as the loser who couldn't kick it in the real world. Determined to get out, Rowan tried to work his way up in Traynor's, only to remember that hard work at a place like that won't get him anywhere, especially for someone like him. Rowan considered fashion design as a backup if figure skating didn't work out, but Traynor's was the absolute last place he wanted to start over. He only stayed for a few months before getting kicked out because of Portia and Chad.

Rowan would’ve been broke and homeless if it weren’t for aspiring fashion designers Victor, Ella, and Michele. The three were screwed over by Traynor’s and were trying to put together evidence to bring the company down. Victor used to work there before getting thrown under the bus in order for the company to save face. If it wasn't for that alone, Victor would've quit anyway because of the toxic environment and questionable ethics. Michele, another fashion designer, had her career end before it even started when Portia and Chad stole her work and accused her of plagiarism. Ella was the founder of Fairytale Castle, a small fashion company that ended up shutting down because friends of Wilfred and Caitlin were sent to harass her and sabotage her designs.

With Rowan on their side, exposing Traynor’s corruption became a reality. By disguising himself as a snooty fashion designer named Creighton Adcock, Rowan was able to infiltrate the studio. He wore a ridiculous getup and sported an exaggerated English accent - the more fake he came across, the more believable he was. It was pure torture, having to pander to his so-called family but it was so totally worth it.

The big expose took place on an important night for Traynor's and overnight the company fell. Spite and revenge had never been sweeter. Most of the employees as well as Rowan's ex-family were stacked with numerous charges like harassment, assault, embezzling, tax evasion, unethical practices, etc - they got what they deserved. Of course, there was backlash but once that died down, Rowan and the others were ready to move on.

Rowan went back to ice skating, though more for performance than competition - which was the reason why he almost quit in the first place. While posing as Creighton, Rowan had to sit through some shit, so to unwind, he would go out to the ice rink. Being on the ice made him realize how much he missed skating, though not the competition part. Rowan always says he's more of a performer than a competitor - the latter being the reason why he almost gave up because it took away the fun for him.

As for fashion, he does some design on the side like Tiffani. Then the two got together and launched Stellar earlier this year. He considers his relationship with fashion design as a sort of love-hate thing. For obvious reasons Rowan grew to resent it, especially when his father tried to force him into the business. He didn't hate it entirely, but when it's associated with people who failed to give you a good upbringing, it's hard to separate the two. Though since meeting Jamie and going back to skating, Rowan's slowly stepping back into the fashion design world after being on the fence about it for so long.

Joining forces with Tiffani and starting Stellar was unexpected. The partnership just came together and before they knew it, they were coming up with a bunch of ideas together. I honestly was surprised to hear from Jamie that Rowan was working on fashion designs. Then Stellar launched not too long after and it's actually been kinda therapeutic for Rowan and Tiffani.

I'm glad that both of them are out there living their best lives, far, far away from their abusers - most of whom are in jail, thankfully. They got lucky and after what they've been through, they want to do whatever they can to help other abuse victims. They're the kind of people who keep their word and they actively work to make the world a better place. No performative bullshit here.

Tiffani and Rowan have been here for a couple days now, enjoying the camp and all its lovely scenery. We've been collecting knit gyroids around the camp and checking in with OK Motors. Rowan had some car trouble so it was lucky that it managed to survive the long trip from Peace Coast to here. Since his car's pretty old, the repairs will take a while, which he doesn't mind. Beppe's also throwing in a free paint job so the car will be like new once it's finished.

Yesterday we went to the mountain trail, where not only we found gyroids, but also turtledove butterflies. They only show up around this time and after three years, I finally got to see them! I hardly venture around these parts because it's kinda out of the way but now I'm slowly expanding my horizons.

Turtledove butterflies are such majestic creatures. From the way they flutter about, their soft blue and white patterned wings contrasting nicely with the mountain view - like straight out of a lovely painting!

There's so much around the camp that I have yet to explore, I hope one day I'll know these places like the back of my hand.

Along the way and back we collected gyroids. Crafting gyroid furniture is always fun, seeing what kind of stuff we can make from them. I love the cozy knitwear aesthetic so much, it's easily one of my favorite themes! Tiffani, Rowan, and Daisy Jane did an amazing job with the designs. Given how much fun they had with the planning, there's likely going to be a second collaboration in the future, which I'm definitely looking forward to.

In between collecting gyroids and camp activities, we also got into knitting. That's why I've been in a knitting mood again. Rowan just learned how to knit last year and it's his new favorite hobby. He made a pair of leg warmers that look super snazzy, Tiffani's working on a cute beanie, Daisy Jane got started on a pretty lace scarf, and I just finished with a beaded headband.

Now I'm looking for sweater patterns and I already have some saved. Since I'm rusty with clothes, I'm sticking to something simple. The seed stitch ones are catching my eye as it's a simple pattern that looks nice, especially in pastel since that's what I've been into lately. Hopefully by tomorrow I have settled on a pattern so I can get started while I'm in the mood.

Today was a chill day where we stayed at the main camp. In between crafting, collecting, and camping, we baked donuts. I was kinda intimidated by donuts because it involves using the deep fryer but the whole process itself isn't too complicated. Making the dough was easy, using the deep fryer took some getting used to.

We made a bunch of different kinds - cardamom cream, apple cider, vanilla spice, and pumpkin pecan. The cardamom and vanilla ones are from Emilia Eats, the apple cider from Rustic Kitchen, and pumpkin pecan from Calico Bakery. They're all great, though if I had to choose, my favorite would be the cardamom cream. Pumpkin pecan comes a close second.

Since the donuts were a hit, we're thinking of baking cookies next. Tiffani wants to try out a black sesame recipe, Daisy Jane bookmarked a maple hazelnut recipe, Rowan has his eye on chocolate chip cheesecake cookies, and I always wanted to try earl grey shortbread.

Right now, we're enjoying donuts while knitting and crafting gyroids. Rowan's really becoming a pro at knitting as he wants to take on cables next. I kinda have a love-hate relationship with cables - they look good but take a bit of effort. I'll admit I haven't quite mastered them yet as I can't do a simple cable without having to refer to a pattern as a reference.

Warm, cozy knitwear and fresh baked goods - it doesn't get any better than that!

#animal crossing #animal crossing pocket camp #Diary of a Junebug #headcanon ramble

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