#and I'm only half kidding

[pretty--in--purple]

kabru as a psych student who KNOWS about ethics guidelines and KNOWS he's not qualified to make diagnostic statements and therefore spends every moment with laios grinding his teeth to dust because HOW DOES THIS MAN THINK HE'S NEUROTYPICAL!??!?!?

[thechekhov]

I would pay money for a tlt graphic novel adaptation by you

Thank you for the compliment! I'm sure there are plenty of more qualified artists but personally, I like to think I'm feral enough for the position.

Now what do I do? Email Tamsin? Send Tor books a strongly worded letter?

[iguessweallcrazyithinktho]

Dare I remind you people

[non-un-topo]

All it takes is a wee little nightmare to make you too scared to step foot outside for fear of Bad Things happening, like it’s an omen lol

[princess-from-another-galaxy]

Now that I'm interacting with the pjo Fandom, I've seen a lot of posts talking about camp half-blood, the weirdest thing about them is how most of you use "cabin mates" or some variation of it. Like... cabin mates??? Do you mean their siblings?????? The people they share a parent with????? 😭😭

[ninja-knox-ur-sox-off]

So I remember you saying how you headcanon that wukong despises oranges cause when he was a baby he bit into the skin, didn’t like it and hated it ever since, so i bring you: mk showing wukong orange juice, without telling him that it’s literally made from oranges (cause He thinks he already knew) and wukong actually ends up liking it, and asks him what it’s called

And when mk says that it’s orange juice, he’s shocked, SHOCKED I TELL YOU that they can make what he remembers as the most repulsive thing he’s ever tasted into something sweet. and he suddenly needs to lie down

only my burnout kept me from making this into an entire comic bFLSK;JFASDF

[destinyandcoins]

lmao i know it’s 2 seasons later but it just occurred to me: what if, at the beginning of s1, instead of deciding his funeral was the best way to get everyone back in one place, reginald decided to have a wedding instead

not only do we get the entertaining side-plot of this poor person reginald has bribed/blackmailed/begged to marry him For The Con, but the only reason any of the kids show up is because they got a wedding invite and immediately went “oh now this i gotta see”

[g1rlr0b1n]

What if my mind lived in a special place in the multiverse where Jon still got lost in space but came back only a year younger than Damian and they got to finish High School together, got to go to college together, got to celebrate every age milestone together, and never had to go through that awkward "this age gap feels huge" phase? Like, what then?

[write-it-motherfuckers]

As promised, an update now that both Bug and Bunny are safely back home from the vet. Turns out there's honestly not much to tell you. Bunny thankfully didn't end up having any more episodes or showing any worrying behaviours, and after checking everything over a second time, they're almost certain that the lizard or snake that she ate part of, was what caused the seizure in the first place. Something I honestly didn't know was possible, despite being aware that some reptiles are toxic for cats, but I guess you learn something new everyday.

Bug was his usual menace self while at the vet, and even attempted to make a move on an elderly cat that they were watching for the night, despite no longer possessing the necessary parts to actually do anything about his infatuation. Apparently she proceeded to give him a thorough enough verbal dressing down, with a few additional educational swats just for his sheer audacity, that he ended up sulking the rest of her stay. He went right back to being his usual dramatic yelling self soon after, and made sure to inform everyone of his ill fated would be romance on the train ride back home.

They've both since settled down for a well earned nap after the stress of the strip and the tiring ordeal of removing the scent of the vet from each other.

As an apology for my being such an insufferable stress head throughout this whole thing, please enjoy four straight minutes of the fluffballs noisily grooming each other after arriving home. Once again I apologise for the irritating screaming of my aircon, there's nothing I can do to fix it.

Enjoy 🖤

[hajihiko]

It's mostly horror stories which are the ones who actually get Told so I'm definitely confirmation biased, but just like ... Minors sneaking into the Adult channel. Adults being inappropriate in not-adult channels. Some Big Drama going down while you're asleep and everyone blames you because it's YOUR server and you weren't around to stop it. General drama at all in what's supposed to be a fun space but also you can't really say "good vibes only" when it's something Serious. Being responsible for minors in general. Just thinking about it is making me not wanna share anything ever lmao

[xdeerlybelovedx]

Some ipad doodle practice for my inevitable downward spiral in becoming an exclusive Lies of P art blog--

[doodlboy]

Hello, Neighbor!

[Transcript Below]

Pallomine

"The tiniest neighbor in Welcome Home, Pallomine Playful has plenty to learn! They never grew out of their baby-face, nor the curious and excitable attitude that came with it. While they may not always be able to sing along with their neighbors, their trusty crayons are there to spell out the rest."

According to uncovered scripts, Pallomine seems to be an infrequent visitor to Home. Something akin to a special guest character, not much is known so far.

In the show, it seems Pallomine was introduced to cover more sensitive topics such as getting hurt or a fear of thunderstorms. It is also of note that they are often depicted having a sweet tooth.

[the-red-thread-that-strangles]

Alright. Let's talk about Akai's and Furuya's fighting styles, control, and the ferris wheel fight, featuring some tangents on professionalism.

The second reason is the implied: Akai is (in general, probably not in this situation, because he is going along with the fight Rei wants) a professional, and professionals do not fight. A professional will either ambush or assassinate (you know, like the sniping Akai is so well-known for), and generally do everything in his power to avoid a fight. It's about gaining the advantage, pressing and keeping it, to maintain control over the situation. For comparison, fights are between people of roughly equal footing, and fighting follows rules. As a person who lives in the world of actual violence, Akai does not need the fancy dances of a fighting sport, he needs his rifles, guns, and a self-defense technique for when things go really bad and personal. (Incidentally, a professional will also plan, won't let his emotions get in the way, stay calm, and keep working in bad conditions - we also see these traits in Akai.) I can remember two instances of Akai fighting (there might be more)- the ferris wheel fight, and the one time he knocked out the people after Yumi (and arguably, they didn't really have a chance and it wasn't really a fight). Other than that, he's just coordinating and providing tactical support.

Akai using Jeet Kune Do for fighting is an interesting choice. It's not as well-known as many other fighting styles (hell, it's not even a fighting style, it's a self defense technique and really more of a philosophy or a principle), but it has a couple of key values that characterize him well. First off, it's hugely individualistic. Practitioner's are encouraged to find their own way, to find what works for them, which really is Akai in a nutshell, doing what he wants. Secondly, it is described as a highly efficient way to fight. There are few, if any, rules to Jeet Kune Do, you're expected to use whatever technique will help you the most in the moment. For this reason, it is also highly adaptable, and requires an appropriate mindset to use. This latter point, I think, really mirrors the approach the FBI has in the series - do what you need to in order to get the results we want, at whatever the cost.

The fact that it's a self defense technique is important for two reasons: one is the immediate one for our context - Akai's defending himself from an angry Rei on the ferris wheel.

With all that out of the way, let's get into the ferris wheel fight, and what we learn about them there.

For contrast, let's look at Rei. It's almost funny how little professionalism Rei has compared to Akai, when it comes to the world they're living in. Rei's choice of fighting style is boxing, and he's practicing a rather straightforward, aggresive version, with barely any defense, at great personal risk. That point about professionals not letting their emotions get in their way? Well, either Rei has never heard it, or he's deliberately ignoring it. Either way, it really holds him back from gaining and maintaing control.

(I would be remiss not to point out that boxing is also done for show, fitting for this show-off.)

Boxing might honestly be good for Rei in order get out his anger and to up his pain tolerance, but for the purpose of keeping him alive, it sucks. It's up close, it's personal, and it's dirty (that tagline might as well describe Furuya himself). A threat who's gotten into that range is already a problem. Sure, usually - though not in this instance - he's also got his handgun, with its limited reach, limited firepower. For his purposes, it might suffice - he's not supposed to be a fighter, and the advantage of his gun is in its concealability. I suppose he gets a couple points in professionalism for that choice, and for often bringing back-up, whether he's working for the PSB or the BO. For what it's worth, he's also likely trained in Kendo or something similar, as we see in Wild Police Story, but he doesn't really use it. We see Rei fighting rarely, but it happens; with Matsuda at the beginning of WPS, casually inflicting violence on a kidnapper, and now here on the ferris wheel.

It's so interesting to me how they interact here.

Despite both of them bleeding, it starts to feel like Akai is in control, or at least not dated by the fighting - he gets Rei good with Jeet Kune Do's signature One Inch Punch, but has enough presence of mind to casually grabs him so he doesn't fall to his death (which gets him shoved off with a foot. Give Furuya an inch, and he'll try to take your head). Furuya's meanwhile clearly enjoying himself, might have even entered the zone, a sort of battlejoy/trance, asking for a second round (here we go again, this is a fight, with certain rules, like rounds), and Akai, well, he's beaten up, but it doesn't look like he'd surrender to get Furuya off his back - despite it being an option that would end the fight early. We see both of them smiling at points in this exchange, and I think it speaks to both of them, inherently, being thrillseekers. Putting all they are into the outcome of this fight against a dangerous enemy is a thrilling brush with mortality.

Them fighting at all, on top of the ferris wheel, is stupid, plain and simple. They expect the BO to show up any minute, and they'd better be in peak condition - instead they indulge in this fight. Really, it's Rei launching himself at Akai, who's mostly dodging and defending where necessary (I say indulge, because he is armed, and could probably escalate/end the fight early). Fights happen for a variety of reasons, usually social (because otherwise we'd be talking about violence, not a fight), and this implies Rei sees Akai as roughly equal/wants him to have a fair fighting chance, following the social contract of announcing his presence. He launches the attack, takes the initiative but the distance is so large, and he telegraphs his intentions clearly enough that his advantage is minimal.

Akai has the distinct disadvantage of carrying his rifle case, protecting its contents, because he'll need them later. He is, as the series lets us know, a capable fighter (described stronger as Masumi, who can deal with Ran, an established capable martial artist), and we can see it in this fight. He's reading Rei's movements and blocking most of the hits - for what it's worth, Rei's style seems more focused on quantity of attacks over quality. He does get Akai with some unconventional angles of attack (like swinging up into a kick from falling), and mostly this initial struggle is about them fighting for control.

When we cut back to the fight, they're still at it. I find it interesting that Akai tries to talk Rei down throughout the fight. Because the presence of mind necessary to form coherent sentences in a fight is not nothing, and the fact that he at least tries to go for a different solution is noteworthy, even if it is ultimately useless.

Then Conan calls Akai. This is in a small pause to the fight, because, surprise surprise, fighting takes effort (another reason professionals avoid it). It is really funny to me how Rei respects the rules of a fight, but he also sees an opportunity in his opponent's distraction, and seizes it (at the cost of also throwing himself down into a chasm, the self-sacrificial bastard).

Only at this point does it feel like Akai is taking the fight more seriously. I'd wager this is a) because Rei has displayed the willingness to destroy himself to take Akai with him, b) due to the enclosed space - less space to dodge and c) because at least he is aware time is ticking. They're both injured, and the enemy is coming soon. This fight better be over quick.

They only don't fight each other to the death because of Conan's timely intervention. He calls to Akai for help, and just like that, the conflict is resolved, for now. Akai wordlessly rejects Rei's request for a second round, which Rei just...accepts. Allows Akai that level of control, and the control of the flow of information (namely, they don't tell Conan they've been at it). It baffles me, but then again, I suppose it is a fight, the fight has rules, and, clearly, something more important takes precedence. Then again, this whole damn exchange makes no logical sense. Rei has sworn bloody revenge on Akai, who just saved his life today, and instead of doing something about the BO they're fighting a little. Logic is nowhere to be seen, all of this is emotional. On both sides.

I guess bonus points in professionalism for working together for the rest of the rest of the movie, even if they're sharing intel with/depending on a literal child for the solutions to their problem. It's a very unusual set of circumstances indubitably not covered by their training, granted, so what can you do (I'd still love for the adults in this universe to do their job, sue me).

Last point of note for the movie, in my opinion, is Akai waiting after all the chaos is over for Rei to spot him. Is this a case of checking in and simultaneously showing that he, too, made it out alive? He is clearly noticed by Rei, and only then walks away. And Rei just lets him. Akai is in control, in the end.

[lagosbratzdoll]

thoughts about Laena and more

The statement “That show is disrespectful to its Black characters” is unfortunately applicable to almost every show ever broadcasted, which is a disheartening realization. In this instance, though, I’m talking about House of the Dragon. 

Laena's erasure from Rhaenyra's life to make room for a friendship between two white women that did not exist in the original source material. She is isolated from her family so that Daemon can be separated from Rhaenyra, which isn't what happened in the books. It's frustrating to watch Black characters isolated and used as plot devices.

The show's treatment of Baela and Rhaena is also problematic. There are inconsistencies in the plot, such as Daemon ignoring Rhaena even though he didn't have a dragon until later in life. Baela going to foster at Driftmark when it should be Luke and Rhaena. It's disappointing that we don't see more of Laena with her family on Driftmark or her claiming Vhagar.

Additionally, it's strange that Jaehaerys is depicted as white as snow when his mother was Black and his father was at least half Black based on show lore. The Targaryens have historically intermarried with the Velaryons, so they shouldn't be all white, at least not at this point in their history. It seems like the show may have made the Velaryons Black solely to push the Strong boys' narrative, without considering the wider implications. This is negligent at best and malicious at worst.

[puffin-smoke]

All this build up to us finally talking to William is actually Erik just trying to prepare us for the killer French accent he's going to do

[yangjeongin]

[115/??] GIFS FROM EVERY SKZ-TALKER: skz-talker go! thailand