#and also to and from work

[grubus]

99% sure i oversalted my food, yet i can't taste it

*squints* sus

[ahotknife]

the thing is that childhood doesn't just end when you turn 18 or when you turn 21. it's going to end dozens of times over. your childhood pet will die. actors you loved in movies you watched as a kid will die. your grandparents will die, and then your parents will die. it's going to end dozens and dozens of times and all you can do is let it. all you can do is stand in the middle of the grocery store and stare at freezers full of microwave pizza because you've suddenly been seized by the memory of what it felt like to have a pizza party on the last day of school before summer break. which is another ending in and of itself

[icewindandboringhorror]

(also feel free in the tags to clarify Why you made the choice you made!! :0c)

[fly-chicken]

A Pragmatic and surprisingly comforting perspective about the Trump 2nd Presidency from the ACLU

***Apologies if this is how you found out the 2024 election results***

Blacked out part is my name.

I’m not going to let this make me give up. It’s disheartening, and today I will wallow, probably tomorrow too

AND

I will continue to do my part in my community to spread the activism and promote change for the world I want to live in. I want to change the world AND help with the dishes.

And I won’t let an orange pit stain be what stops me from trying to be better.

A link to donate to the ACLU if able and inclined. I know I am

[complete-clownery]

Okay guys

[thetwilightroadtonightfall]

blorbo art should take zero effort and time to make. It should just manifest straight out of your mind whenever you want it to

[spooksier]

passages that make you whisper "oh my god"

[eydilily]

break like an artist.

--

a collab between me and @slashmagpie for hermitadaymay's Solstice Social Collaborative Event! make sure to check out magpie's amazing fic for this too :D

(alternate ver under the cut)

[seagiri]

when did this happen???

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[noodles-and-tea]

Last part whoo!!!

PART 1 / PART 2 / PART 3 / PART 4

[enidtendo64]

TW: Heavily implied Child Abuse

Stowaway AU where Pacifica becomes a stowaway on the Stan-O-War 2 after trying to run away from home to California. Things don’t exactly work out as planned, but at least she’s got a “Summer Internship” away from her parents now!

[muffinlance]

Consider: Post-canon Zuko wakes up in the body of his childhood self, the morning of That War Meeting. Would he still speak against the plans, knowing his fate? What do you think he would do differently the second time around?

"Turned away at the doors, Zuzu?"

"Shut up, Azula," her brother sulked. But sulked weirdly, after staring at her too long and too wide-eyed, not like she'd surprised him but--

But like he hadn't expected her to be there. At all.

He turned away. ...He turned back. "Hey, Lala? Do you think you could help me practice that one set?"

He didn't meet her eyes.

She narrowed hers. "Which set?"

"The one I'm bad at."

She scoffed. Pushed away from the wall she'd been leaning against. "That's all of them, Dum-Dum."

He didn't shout or stomp or yell about the nickname. His lips twitched.

"It's okay," he said. "If you're afraid you won't be a better teacher that my instructor..."

It was the most obvious manipulation ever.

Perhaps if he proved an adequate firebending student, she'd work on his courtly survival skills next. Honestly, it was good that not even Uncle Gets-Cousins-Killed had been fool enough to take Zuko into that war meeting. She could only imagine how terribly that could have gone.

"Keep up," she said, and turned her steps towards the training grounds.

He did. There, and during the katas she ran him through.

Azula kept her eyes narrowed.

"Hey," he asked, "do you know how to bend lightning yet?"

As if he could have missed it, if she'd been able to get more than sparks. "I will soon," she said.

"You will," he agreed, and flowed through his next set. The one she'd only just mastered.

Father didn't notice how weird Zuzu was being. Uncle never noticed anything. Zuko ate dinner and asked a servant for seconds and didn't stutter or flinch or lose his appetite when father asked, coolly, what he'd done with his day. Azula's shoulders tensed, because one mention of how she'd squandered her own training time teaching him--

"Azula hogged the training grounds. For hours," Zuzu scowled, exactly like a petulant thirteen year old.

Exactly like he hadn't been acting all day.

By the time Father was looking her way, Azula had her usual smirk in place. "I'm sure there would be room for both of us," she said, "you're not afraid of a little friendly fire, are you, brother?"

Zuko sulked. And ate his seconds, like he was enjoying each bite. There was something in his eyes, like a joke no one else was getting.

---

Father died that night. A heart attack. There were the faintest of burns to either side of the treacherous organ; the royal physician hypothesized that he'd grabbed at his chest, fingers burning hot in his final moments; so hot they'd only exacerbated the problem.

The royal physician would never have been brought any victims of lighting strikes. Those that occurred in the capital did not generally require a doctor in the aftermath.

Zuzu ate a hearty breakfast.

He didn't order seconds. Azula gave him points, at least, for not being tacky.

---

The sages named Iroh as regent.

They named Zuko as Fire Lord.

"No," the tiny Fire Lord in his perfectly miniaturized Fire Lord robes said, sitting at the head of his war council. "We're not doing that. And I'll be reviewing all recent battle plans, as well. What's this I hear about a division of new recruits being deployed to the front?"

He did not mention how he'd heard of the 41st Division. No one asked.

"Prince Iroh, surely--" one of the generals tried to appeal.

The young Fire Lord's regent was looking as startled as the rest of them, for a moment. Then he sipped his tea, and smiled.

"Your Fire Lord is correct, of course. A change in our leadership--a change the other nations may mistakenly view as weakness--will necessitate a change in our strategy."

"Now," said their lord, "what, exactly, is our overall objective in this war?"

War, the new Fire Lord decreed, was not an end unto itself.

---

The new Fire Lord continued to have time, to pretend to be trained by her. Azula watched him. Adjusted her footwork. Did not tolerate, and was not offered, any commentary on who was teaching who.

"What did you do with my brother?" she asked, as they flowed from one set to the next. As her hands, poised to throw fire, just so happened to be pointed his way.

He missed a step. It didn't look like an act.

"I'm, uh. Right here?"

She didn't bother to dignify that.

He didn't bother to look worried about her hands, one movement off from a true attack.

He looked around, then grabbed her sleeve, and tugged her further from any walls that may hide ears. The royal family's private training grounds were wonderfully large, and wonderfully open.

"It's me," he said. "It's still me. Just. More of me? Longer of me?"

She narrowed her eyes. A familiar expression, by this point. "Explain."

"...I found the Avatar," he said. "And this is definitely his fault, but--but I guess it started at a war meeting, when I was thirteen."

Azula listened. It was a very Dum-Dum story.

[northernfireart]

read the whole story> here by @clarionglass :)

[fisherrprince]

it’s not necessarily that I hate the themes most prevalent in fiction set in the real world and it’s not necessarily that I don’t like stories revolving around real people or relationship drama or interpersonal issues it’s more like im a dog who doesn’t recognize that a pill is still a pill if it has peanut butter on it. I need like the little peanut butter spoonful that is aliens or robots or monsters or time travel or something fantastical and not at all down to earth real life so that you can approach me and be like “this story is about how friendships can deteriorate over time and also how this guy feels bad for being a bad friend and causing his buddy problems with their girlfriend” and then look at me making a face at you and be like “AND! they’re all aliens who are doing all that across spacetime” and I’ll be like OHHHHHH OKAY YAY (shlop shlap shlup the sound of a dog horking down peanut butter pills) wow what a poignant story

[shanklin]

Sentient Mystery Shack, who is really biased towards Stan, so when Ford tells Stan he has to give it back after the summer it’s on sight.

Ford keeps tripping over nothing, nothing is where it's supposed to be and somehow he keeps running into closets when he tries to go outside.

But the worst part, the WORST part is that Ford's lightbulb just won't. Work. No matter what he does it keeps flickering and exploding.

Ford is spiraling. 

There is no reason why it shoudln’t work. All his trial runs work perfectly. He’s already checked the Shacks wiring three times and relearned this dimensions science from the ground up. 

Nothing works.

The Rift? Bill? The impending apocalypse? Eating? Sleep? Who cares about that. 

WHY. WONT. THE. LIGHTBULB. WORK???

It doesn’t help that Stan keeps laughing at him.

“Then you do it!” Ford eventually snaps at Stan.

Stan shrugs and with a little song under his breath screws his own lightbulb in. It works perfectly.

Stanford screams.