#and at first you think that the tragedy is all the people who die at his hands

[collieii]

someone probably said this already but in spiderverse i think it's interesting how when pavitr was first introduced everyone thought something bad was gonna happen to him bc of how confident and optimistic he was. and then in the actual movie we see that something bad was supposed to happen to him (police chief dying!) but it doesn't! miles stops it! and miguel berates miles for this, says it's going to cause the universe to collapse or whatever.

there's this idea that tragedy is inherent to spidermans growth, and while it's true that some spiderpeople learn important lessons through loss, no one stops to ask, is it really necessary? yeah, maybe the chief was supposed to die. but why does spiderman have to be formed through tragedy? why do we (as heroes) have to let people die? pavitr didn't lose anyone, and he's still a good spiderman! maybe, if he doesn't suffer, he'll end up better off for it!

so while miguel is arguing for all this big picture stuff about saving the multiverse he's lost sight of what it really means to be a spiderman, he's not looking out for the real individual people. yeah it's just one person who would die, but that one person means something to someone. shrugging and saying "stuff just sucks sometimes, we can't do anything about it" is the opposite of what superheroes do. pretty obviously, miles arc is also a reflection of the struggles people face in real life, working within unequal systems, where it's easy to shrug and say "that's just the way it is" and not ask "but why does it need be this way? can't we do something about it?"

miguel is arguing that you can't have your cake and eat it too. presumably, miles and co. are going to find a way to get around that and change things for the better (and maybe that's why miles has that line about two cakes in the advisors office!)

[thisisnotthenerd]

how does it feel to be the rat grinders in that final fight

building up to a ritual you've spent the last year on, angry and tired and expending effort on this one thing so that you might finally get the recognition, the accolades you think you deserve. being special for once, in the face of a party of legend. of oracles and saints, angels and devils, great wizards and bards, inheritors of family legacy and tragedy alike who all seem to skate.

having to work hard in the shadows because you took the easy path and yet have to catch up with these people who so easily belittle you. seeing them rake in the benefits of popularity, running on a platform of flimsy ideas instead of true policy and yet still they have the school dancing to their tune. it's for the ritual, but the ache of it stings as they call you out again and again, laughing in your face for wanting something.

so much work, so much research, traveling and hiding for months as the bad kids are lauded and pass the year with a bullshit exam that you fail to rig against them, catching you in a moment of chance even as they survive what would kill you easily.

seeing them (her) haunt your dreams and die on your front lawn, forever chasing after someone who never existed in the first place. they imitate what they've seen of you. she disappears and yet is there to strike you down because the girl you think you could love hates you with all of her being.

being used by your teachers against your rivals and yet somehow they are nicer, closer to them than to you. more angry about their success, more invested in their progress.

summoning your full force, putting your family in danger, finally getting one over on them (her) only for them to be struck from the sky and thrown in your face as an insult.

seeing them going to work simply to decimate you and strike you down, with less power than you but more tenacity, more stamina, more true experience earned in the wide world. not knowing what to do as they do so with ease, dancing through the lava and flames with nary a thought but your destruction.

seeing them survive and bounce back from the attacks that struck down lucy. they didn't need rage to get here. they didn't need a nameless goddess, or midnights in the forest with monsters, spreading crystals in the dirt for a pieces of a plan years in the making.

18 seconds in and three of you are dead. there's no rage crystal that can save you this time. there's only blood and fire on the floorboards and the bad kids coming in for the glory again. they don't care that you're kids in their class.

with every moment it becomes clear that you are no longer people to them, just obstacles, failed investments, minor villains in their heroic journey.

was it worth it?

[senblades]

I've had a realisation,

So, we all like to dunk on Akechi for having a stupid plan- which, well, yeah; but I think that a lot of people (whether they like Akechi's character or not) tend to miss the point:

That being, that the holes we all poke in his plan; "Why didn't he just kill Shido at the start?" "There's no way he'd live/be free after that," "His plan to ruin Shido's reputation would never work," are actually far more revealing as to Akechi's priorities, than they are of him just being 'stupid'.

For starters, "there's no way he'd live/be free after that." -as a fandom I think we've all already come to the conclusion that Akechi's regard for his own life is spotty at best. I wouldn't necessarily say that he wants to die by the time of the third semester, which really just adds to the tragedy of the whole situation, but I digress. Point is, the kid needs therapy, moving on.

"His plan to ruin Shido's reputation would never work," Ah, now this is where I think some cultural differences start to come in to play- I won't say much, since I'm relatively uninformed, but by the sounds of it, revealing that Shido has an illegitemate child is actually the kind of thing that would make a lot of people raise their eyebrows. And, more importantly, the kind of thing that would really throw his "easy election win" into some serious jeapordy. (AND, it's never exactly stated that "revealing himself as an illegitemate child" was Akechi's tactic to ruin Shido- more of a "hey, Shido, guess who it was that ruined you, you piece of shit?"- which, well, more on that mindset later)

Next, "Why didn't he just kill Shido from the start?" This is where I think a lot of people get tripped up. To my memory, there is not a single point in the engine room where Akechi says that killing Shido is the cornerstone of his plan (localisation differences notwithstanding. I'm sure someone will come yell at me (/lh) if this is the case). Now, to be fair, Akechi in the engine room is really just him giving a very desperate powerpoint while he sharpens his sword- so I don't doubt that he's skimming over a couple points. But, you'd think that Akechi would remember to mention that if that really was his main goal.

Okay, so Akechi doesn't want to kill Shido. Cool, follow-up question, "Why didn't he just give Shido a pshychotic breakdown from the start?" That's the kind of thing that would have ruined Shido's reputation, too, right? And, it would have been before he would have had the means to try and cover it up. Well, finally, I can get to my point:

Akechi needs Shido's disgrace to be loud, because he needs everyone else to care, too. Akechi's revenge isnt just against the man who left him and his mother for dead, but also against the society that continued to leave him for dead, again and again; the society that only lauded him as something special if he slapped some pretty wallpaper over the past he had absolutely no control over.

Looking at it like this does a lot of things:

First, it really amps up the whole "the PT's justice and Akechi's justice foil each other". Akechi's revenge is also a vehichle for revolution, since it is, in essence: "Look! Look at the man who you lauded as a saviour! Look at me, the man who brought him down. Aren't we both disgusting, in your eyes? Take a look at yourselves. Aren't we all the same?"

That leads pretty nicely into Akechi as a pawn for Yaldabaoth, too. Akechi wants to make sure he and Shido go out with a bang, and leave a shitshow in their wake. That's prime God of Control real estate! It's also prime "metaphor for Ruin" real estate; you get the point.

And, finally, an interesting point comes from all of this. That being, that, well- the only reason that Akechi's plan wasn't going to work, is that he placed too much stock in the idea that Shido has any concept of loyalty or gratitude. Shido, as we all know, is an absolute piece of shit- and still, Akechi had believed that maybe, just maybe, his father would feel bad for being terrible to his son.

(I'm not going to go on too big of a tangent, but that is an interesting insight into Akechi's idea of Justice, and into what his personas might represent. Contradiction, as ever, is the name of the game, and Akechi simultaneously believes that there's no way to get anywhere in life without force and violence, and that there is also a fundemantal truth of what is good and fair within human hearts)

The message of this, I'm pretty sure, is not: "Akechi failed because of that lingering belief in humanity" (wouldn't that be one hell of a heel-turn lmao), but rather: "Akechi, with his distorted (ha) priorities, was never going to be happy in any quest for vengeance, even if his plan succeeded entirely"

tl;dr, Akechi needs therapy. Wait- Maruki, no! Not that kind of therapy!

[batmanisagatewaydrug]

what compels you about the Lord howe island stick insect?

its supposed extinction was such a mundane tragedy, this entire population of insects on an isolated island wiped out by the unintentional introduction of rats aboard a ship. it's a fairly common byproduct of colonization, native species being outcompeted by rivals they never should have encountered at all. you so rarely hear about insects impacted by it though, because so few people care about insects even when they're dying out completely.

except they didn't die out. they were thought to be extinct for almost a century, until in 2003 researchers confirmed a surviving population on, of all places, Ball's Pyramid, a volcanic and inhospitable spire of rock twelve miles from Lord Howe Island. not an insurmountable distance, but pretty vast if you're a flightless stick bug. how did they even get out there? no one knows. but they were there, just 24 insects who were supposed to be dead all huddling under a shrub together.

researchers took four of them back to Australia to start breeding programs. at the Melbourne Zoo they've bred them in the thousands now, and they've started contingency programs at a few other zoos worldwide. they're still considered critically endangered, at tremendous risk of extinction, but there are cautious plans to start reintroducing them to Lord Howe Island, when it can be ascertained that the island will be safe for them. there are still European rats that need to be exterminated, and a fungus threatens the plants that the stick insects rely on. there's still a population on Ball's Pyramid, but it's perilously small. their future in the wild isn't certain by any means.

but they're alive, and there are thousands more of them than there would be if no one had gone looking for them. if all the stick insects on Ball's Pyramid get sick or drown or are eaten by seagulls tomorrow, there will still be Lord Howe Island stick insects in the world, and it's all because some people decided that these bugs deserve a second chance and dedicated their entire lives to giving them one. Paige Howorth, the director of invertebrate care and conservation at the San Diego Zoo, the first zoo to successfully breed the insects outside of Australia, said this:

My most vivid memory has to be the very surreal experience of flying back to the San Diego Zoo in 2016 with 300 critically endangered Lord Howe Island stick insect eggs in my backpack.... I’ll never forget counting out the eggs with the Melbourne wildlife health and care teams, who surface-sterilized them pre-flight, so that they could come home with me with a lowered risk upon hatching. The idea that we were finally bringing this incredibly rare species back to San Diego to make their global population a little more secure made me hug that backpack closer. And yes, I did take them to the bathroom with me on the flight. (x)

whenever people start rambling about how humanity is inherently evil or selfish or whatever I think about shit like this. a woman hugging a backpack full of 300 eggs close for a 13 hour flight, just to give some bugs a chance. imagine.

they're also called tree lobsters, which I think is just rad.

[dyns33]

Only wastelands

I will try to do this Cooper Howard x reader in three parts, but I like the Ghoul so much, I might want to write more

People said Y/N’s neighborhood was lucky.

After a draw, they were selected to join a Vault shelter for free, if something dramatic happened one day, allowing them to survive.

Y/N had received the news with mixed feelings. She didn't want to die from a nuclear bomb, but she also didn't want to think about the possibility of a nuclear bomb falling on their heads.

There was no reason for this to happen anyway.

China and the United States had resumed peace negotiations. The war was going to end and everything would be wonderful. The vaults would then be of no use.

That day, she was washing dishes in her small kitchen. She lived alone, having left her parents who were in another state to settle near Lors Angeles.

Of course, she had first dreamed of Hollywood, and then she had been reasonable, finding a normal job, to live a normal life.

First there was the light. For a moment, she blinked, wondering if she had fainted. And looking out the window, she first saw the smoke in the distance.

Her neighbors were out, she could see them in the street which also looked towards the city center, and no doubt they were talking, but Y/N heard nothing, all her attention fixed on the smoke.

It was just smoke. She watched without being able to move as the cloud grew, before the shock wave reached her house, destroying the windows and shaking the walls.

Screams were then heard, in addition to the sirens. Falling to the ground in shock, Y/N almost didn't get up, but one of the neighbors, instead of thinking selfishly, ran to see if she was still there, helping her to get up and taking her with her to the vault.

Everything happened very quickly after that.

Y/N vaguely remembered those smiling doctors, who explained to them that everything would be fine, doing several exams before putting what they called a pipboy on them, giving them a ridiculous blue and yellow jumpsuit.

"You are now the inhabitants of Vault 8. What has just happened is a tragedy, and we are going to need you to ensure the future of humanity."

They were taken to a large room, with human-sized tubes. The doctors explained that they would be put to sleep, kept in the cold, safe, and awakened only on the day when it would be possible to go out and repopulate the Earth without it being dangerous.

No one could have known that they were not safe at all.

When Y/N opened her eyes, she had a hard time understanding what was happening. There was no light in the vault, except for the one in her crate which had just opened automatically.

Most of the boxes in front of her were open and empty. Then turning around, she discovered decomposing corpses in those that had remained closed.

Her cries of terror brought no one to come, because there was no one in the shelter, just as there were no resources, no water, no food, nothing. Because no one was supposed to survive here.

For two days, Y/N cried, not knowing what to do.

Then she decided she didn't want to die, not like that anyway, and she tried her luck outside. She didn't know how long she had slept, or what she would find, but she had to try.

Her pipboy quickly told her that the air was breathable, despite the presence of radiation in certain places. But that wasn't the most important thing for her, seeing the desert surrounding the vault.

The bombs had destroyed everything, leaving only ruins and sand. Not being stupid, Y/N moved forward cautiously, trying to stay as covered as possible, even if it was difficult with her outfit.

On her way, she encountered two-headed cows, giant cockroaches, and other horrible creatures. No humans though, and she didn't know if that was a good thing.

With war, she knew that men could be much worse than beasts. Maybe they were all dead, from the explosions or all killing each other, or maybe they were still in the other vaults.

But life always found a way, even for assholes, and Y/N was attacked by three men while she was sleeping. Real savages, who talked more about eating her than anything else, laughingly ignoring her pleas.

“Now, that’s no way to treat a woman.” someone then said, stopping them as they were about to cut open her stomach.

"We found the bitch before you, pal ! Go get your lunch somewhere else !"

"Oh, but I think I found my meal. Mistreating a lady."

“You fucking ghoul !”

Too busy trying to get away, Y/N hadn't really looked at the man who had just arrived and was shooting at her attackers. Then, still too busy recovering from her misery, she took a while to raise her head, ready to thank her savior.

He didn't really seem surprised by her terror, although he grimaced as he watched her crawl away from him. She had to put her hand over her mouth to stop screaming.

It was impossible to tell if he had been burned or peeled, but the cowboy no longer had a nose, and his skin was in a catastrophic state.

As she stared at him with wide eyes, he watched her too, his attention settling on her pipboy.

"Ah. A vaultie. I understand the screams better. Never seen a ghoul before, sweetie ? Barely coming out of your little hole ?"

"… Sorry."

"No problem, sugar. You haven't insulted me or thrown things at me yet, it's quite polite."

At first, the ghoul was not very friendly. Yes, he had saved her, but he didn't want her to follow him into the wastelands. He didn't need a burden, and even less if it was a little rich girl.

But Y/N insisted, explaining to him what had happened to her, and the man looked at her with what looked like pity, muttering that she had ended up in one of the "bad vaults".

"I don't understand. What year is it ? Why is it only me who survived ? You… Sorry, what happened to you ?"

"Hey, honey. It's been over 200 years since everything blew up, thanks to Vault Tech. I imagine you and your friends were meant to serve as a pantry or an organ bank but like all their equipment, there's had a problem, and you were very lucky not to die like the others, and since you were there when everything happened, you should be able to guess why I am like this."

The Ghoul was gentleman enough to let her cry without comment.

The world was dead, and all because of money and power. Those who had sworn to protect them had killed them all. Nothing remained but an infertile, polluted, radioactive land, where the few survivors fought between factions instead of trying to find a real solution.

"Please… Don't leave me here…"

"You know, people didn't really like guys like me. It's not a good idea, sweetheart."

“They don’t like cowboys ?”

The question made him laugh. Maybe that was why he let her follow him. Or maybe because he wasn't as bad as he wanted to make out. Surely he felt lonely too, and it was nice to have someone who had lived in the same era as him , and who didn't judge him on his appearance.

Y/N didn’t understand ghoulophibia at all. Yes, they were scary, but that was no reason to mistreat these poor people.

"Okay, we judged on lots of things before, skin color, clothes, religion, but… Now, it's as if we were pointing at a cancer patient and shouting 'Look, he's sick Insult him !”

“It’s more complicated than that, sugar.” sighed the Ghoul, taking out a sort of hynalator to swallow its contents.

He explained radioactivity and the risks for him of becoming feral when they arrived in their first city. A chance for her to stay safe with people, their paths separating quietly.

But after three fights and an attack by Deathclaws, she preferred to stay with him.

So he taught her how to survive, use weapons, hide, follow a trail, earn caps. When asked why caps and not something else, he made a noise, saying he had no fucking idea, but men still wanted something to make business instead of helping each others for free.

After several months, he gave her a name. Cooper. Cooper Howard. He groaned when she asked him if he had anything to do with the old actor who did the Vault Tech commercial.

“Thanks for the bad memories, sweetie. An autograph ?”

“No thanks, never was a fan.”

"Ouch. Not even now, with my new look ? Do you think the cameras would like me ?"

“Let’s say that you will need less makeup for certain types of films, and a bag for others.”

Cooper laughed again, smiling at her with his slightly yellow teeth. It was obvious that it had been a long time since he had laughed like that with anyone.

He told her about his daughter after a year together in the wastelands. Handing her a photo, Y/N could see him as he was before, holding the little girl in his arms. They looked happy.

As she was about to give it back to him, he told her to keep it. It was the most important thing to him, so Y/N could keep the picture safe, and she would know that he would always come for her.

She muttered that she didn't doubt it anyway, putting the photo in her bag.

It was even longer later, when she had proclaimed herself the accountant of their small group, that Y/N noticed an inconsistency between the caps earned and the number of vials Cooper had.

“You should have five more vials.”

“Sugar, leave it.”

"No, really, I counted three times. I know the price by heart, you had fifty caps on your way to town, you should have fifteen vials. Is there a problem ? Has the price changed ? You… You Are you feeling well ?”

"I'm fine, sweetie. Sleep."

“But Coop…”

“Y/N, sleep.”

In the end, the price hadn't changed, Cooper was fine, but since they met, he had been spending his caps on non-irradiated water and food. For Y/N.

This discovery was a shock to her, who often watched him drink from puddles or eat human remains.

He didn't want her to do this. For her to become like him. When teaching her how to shoot, he added that it was just in case, because she wouldn't need to fight while he was there.

And now they were arguing about food, and he was ordering her to promise that she would continue to take what he gave her without question.

"You don't drink that dirty shit. You hear me, sugar ? Can you promise me ? You'll never drink that."

"… All right."

Their relationship was complicated. Cooper had probably told her everything, and yet he kept a distance. He didn't like her touching him, patting his shoulder or snuggling up to him to sleep.

Maybe he was afraid of making her sick. Maybe he thought she would rot on contact with him, and not just her skin.

Y/N really liked him anyway. They were both over 200 years old, even though she had been frozen during that time. They had spent a lot of time together. And even if she was still a little dizzy by his lack of nose, it wasn't the most important thing in a man.

It would have been two years when the raiders attacked. Far too many, so Cooper yelled at Y/N to run, to hide far away. He would come get her later.

Several days passed, and nothing. She was good at hiding, he had shown her, so it was possible that Cooper hadn't found her because she had become too good.

So she returned to the town where he came from, to at least find some informations. People did not easily forget the passage of The Ghoul.

But she didn't have to ask. She saw him in the bar, drinking and chatting with several guys.

Silent, discreet as a shadow, she came close enough to hear, thinking that he was in the middle of an business, and that she could surprise him when he finished with a beautiful reunion.

“You really don’t know where she is, Ghoul ?”

"Nah. Look guys, I know she was a real lil puppy that followed me everywhere, but I finally got rid of her, so I don't really care where she is. Not my problem. It was fun at first, but good riddance.”

She had seen the bomb fall, she had seen the bodies of her neighbors, but Y/N had never felt so bad as in that moment. She could feel her heart breaking in her chest, as Cooper and the others laughed together, mocking her.

Once, he had said that she should never trust anyone. It was an important rule to survive. But Y/N never believed that rule would include him.

With her bag and her weapon, she ran into the night, alone in the middle of the wasteland for the first time since she left her vault, and completely unaware of what she was going to do.

Only one thing was certain, she would never see Cooper Howard again.

[theminecraftbee]

Joel turns around. Martyn is standing there. His eyes are a burning red that gives Joel the heebie-jeebies. If anyone would know to be scared, it's Joel! He would! He'd recognize a mad dog if he saw one anywhere!

Anyway, all of that is to say that his high-pitched scream had been totally justified. "Oh my word Martyn what are you doing here?" he says, clutching his hand over his heart, several feet further back than he'd been thirty seconds ago.

Martyn snorts. "Is the sign not for me? Figured there was no one else it could be for."

"The what?"

"The sign."

Joel turns around. Outside his base, the other Mounders have hung a helpful banner: "SORRY EVERYONE YOU LOVE IS DEAD <3".

He'd told them it was kind of rude, hanging that up. Sort of made light of the whole thing, really. His wife and Mumbo and Jimmy had died, guys, don't be idiots about it. Bdubs had loudly told him that he was TRYING to be helpful, Joel, geez, why don't you appreciate his efforts? Pearl had shrugged and said they don't exactly make cards for this kind of thing. Joel's pretty sure they do, actually but...

Sorry everyone you love is dead. Hah.

"My wife is dead, Martyn," Joel says.

"Who, Lizzie or Jimmy?" Martyn says, weirdly dark. "Anyway, my husband's dead, so--"

"Your what?"

"Mumbo and I got married one time. Everyone forgets that for some reason."

Joel has to think about it a while. "Huh."

"Yeah. Anyway, you've still got the other Mounders, huh? Don't know what you're crying about. Thought the sign had to be for me. Thought I'd show up. Get cake. Kill some people. You know how it is."

"If there's a TNT minecart in my base, the first thing I do after I turn red is kill you," Joel says.

"That's not really how it works this time," Martyn says.

"Yeah, well, screw you," Joel says. "Also, they didn't make me any cake. I should ask them for that next. Hah. A cake."

"You know, maybe don't ask for that? Parties tend to go wrong in this game."

"And who's fault is that, huh?"

"Hey, don't look at me! Or, do. Since I'm going to kill everyone, on account of everyone I love being dead and all. Really convenient excuse for murder, that. I should use it more often, if it didn't involve the crippling grief," Martyn says.

"Oh, please. At least you tend to have people to love in the first place," Joel snaps.

"Oh, right, that is your curse, isn't it?" Martyn says. "Sorta broke it last time, but you do tend to get isolated and a bit crazy. Hey, I wonder if we're the ones who traded, actually what with the whole wolf thing."

Joel blinks. "What?"

"Oh, we're all cursed," Martyn says. "After all, They like it better that way. Hey, do you think Jimmy's curse transferred to Lizzie, got cancelled out by the fact Lizzie tends to die stupidly, or got broken? Personally, I'm thinking random fluke, when it comes to canary nonsense."

Joel stares at Martyn. His throat is dry. "What?"

Martyn stares back. "Hey, I'm the mad dog this time," Martyn says. "You probably shouldn't be the one growling."

"Well then, you should stop saying stupid shit," Joel says.

"Stupid? Please. It's obvious everyone is cursed. Nothing to be done about it but to play into the--"

"NO ONE IS BLUMIN' CURSED," Joel shouts, his vision suddenly red and blurry in a way it shouldn't be when he's still on yellow. "NO ONE IS BLUMIN' CURSED. THERE'S NO SUCH THING! YOU'RE JUST, JUST MAKIN' UP REASONS IT ISN'T ALL A TRAGEDY THAT EVERYONE I LOVE IS FUCKING DEAD, MAKING UP REASONS THAT IT--NO ONE IS CURSED! IT JUST HAPPENS! IT JUST HAPPENS! IT JUST FUCKING HAPPENS! AND WOULDN'T IT BE BLUMIN' NICE IF THERE WERE A HIGHER POWER BUT THERE ISN'T SO SHUT THE FUCK UP ABOUT CURSES!"

He's panting. Martyn is staring at him. He stares back, a snarl on his teeth, the echoes of wolves and of grief, grief, grief, grief playing at the back of his throat.

"Joel?" Martyn says, hesitant.

"My wife is fucking dead. My best friend is fucking dead. One of my new possible best friends is fucking dead. Sorry about your husband, I guess? Get out."

"Bold thing to say to the guy who can kill--"

"I SAID GET OUT!"

Martyn stares at Joel a moment longer, and Joel finds he's not scared of the madness in his eyes at all.

Martyn leaves.

Joel realizes he's crying. The tears turn into giant, ugly sobs. Sorry everyone you love is dead. Sorry everyone you love is dead. Sorry everyone you love is dead.

"I blumin' hate caring about people," he says to no one at all through choked breaths, and he kicks a rock at the banner for good measure. It pokes a little hole through it and bounces off the dick-shaped tower behind it.

"Someone really should have made both of us a blumin' cake, they should," he says next, and he sits down until Pearl runs over, having heard the shouting. His face is red and his vision is still swimming. She stares at him, gathers him in her arms, and cries with him, and for the life of him, he doesn't know if that's any better.

[mysterycitrus]

This is so stupid but I was wondering if you might have any Dick and Roy meta? I've always loved your meta posts about the relationships between the Fab Five and different characters and lately, I've been seeing a lot of those posts where people splice certain comic pannels with poems/sayings/inspirational quotes and things that match and I've been wanting to have more in-depth ideas of the relationship between Dick and Roy because they're just so interesting but I don't have the brains to come up with anything myself

when i think about dick grayson and roy harper i think about the trope king + lionheart — a burdened hero, and their loyal protector — and how they switch roles with each other. like two standout dickroy books are probably old friends, new enemies and outsiders (2003), and while they’re both initiated with roy reaching out to dick for help, his motivations are very different. i think that dynamic, and how they don’t fit solely into one role, is part of why i enjoy reading about them so much.

in old friends, roy is the king — he’s trying to track down chesire and find lian, and isn’t initially honest about his intentions. he’s struggling with his decisions, and his faith in himself. dick acts as the moral support, his backup, and also calls him out on his actions.

but their relationship is still loving. there’s a solid foundation of trust that makes dick want to support roy and protect his daughter, to the point that he and jade nguyen show a (very) begrudging respect to each other.

in outsiders, dick is the king — donna has just died, bludhaven is going to shit, and roy knows that he’s spiralling. roy is the solid support who convinces dick to lead a new team because he knows dick hurts himself through isolation. they’re both grieving donna and the loss of their team, but roy forces dick to reconnect again. he forces dick to care.

despite being the leader of the outsiders, dick is uncompromising in his loyalty in roy. he tells people to leave if they don’t accept roy’s authority in the team. after roy is shot, dick takes the same action as roy in the first issue — he brute forces his way into getting roy out of the spiral. he holds a gun to roy’s head and tells him to take it.

im a huge sucker for friends to lovers, but what i really love is two competent people with absolute faith in each other. i dislike the idea that bat-characters are like….. absurdly op and everyone is just in awe of them all the time, but dick’s reputation means that trusting someone the way he trusts roy is important. he watched his teammates die, he watched his sister die to save his life, and he still trusts roy to be there. roy historically has a bit of an inferiority complex about working with dick, but dick does not reciprocate. dick knows roy will be there when it counts.

there’s a particular kind of love that comes from mourning the same person during one of the worst times of your life.

the fact that the early tragedies in their lives are so similar, that they lost family and an idea of place at similar ages, were mentored by mortal men who wanted to do good, but still ended up so close but so different is really really interesting to me. u get to outsiders, and they really know each other in a really intense way.

truly like…. i would fall on ur sword because i trust u not to land the killing blow. to finish — something something gay people

[sugar-grigri]

What does the devil of aging want ?

Let's be synthetic for once (I'm sure I won't be able to). But this is surely the most philosophical chapter in the whole of CSM.

The whole chapter is an insult to what Pochita is. The greatest contempt that can be shown.

I'm going to ask you 3 questions, each of which calls for a philosophical answer.

Does the demon of aging really care about living?

Why does they want to be eaten by CSM?

Is Chainsaw Man really... messy?

The answer is actually in this line. Chaos.

What is chaos? I'm not going to play the expert on Greek antiquity. But I can say with certainty that the Greek chaos is in no way disorderly. Even if this may seem contradictory.

Greek chaos is not disorder, it is what exists even before the beginning. That which exists before the light itself.

Now I'm going to ask you, how can these old fogies teach Pochita a lesson ? Control chaos ? Hold the power of Pochita?

Fumiko always thought she had Denji. In itself, she got it. But the mistake she made was not only in thinking she understood Denji, but even more fundamentally in thinking she understood Chainsaw Man.

Pochita is basically chaos. Because he has the power to make disappear. He can either decide to start again, or to reappear and end. Its power allows it to precede existence.

When you were reading this chapter, did you ever wonder how many times things had disappeared and reappeared without you noticing? I'm not talking about disappearing into the collective unconscious. But to see something reappear without you even realising that you've lost it. What this chapter tells you is that Pochita's power is above all an opportunity. Everything that disappears and appears is part of his choice.

Holding a newborn baby. Having an idea. To create. They are nothing more than things whose existence we discover through our senses. The birth of a thing lies in the moment when something is brought to your attention.

What we have here is a power of creation rather than inhibition (to the Anon who asked me this question, I haven't forgotten you) . I had previously analysed the fact that Pochita explained his power by the disappearance of the hearing.

He continues to do so with the disappearance of the mouth. The second lesson Pochita gives you is that he is the beginning itself. Birth itself. Or the demon of birth.

Why would the demon of old age want to be eaten by the demon of birth? Because old age is obsessed with youth. The discussion in this chapter is your answer. Aging does not want to die. And the demon of old age is not looking for disappearance. On the contrary, what he's looking for is a rebirth.

But the demon of old age is a primal fear!!!!!! He's super strong, he's not scared of death.

Yes! But he’s terrified of being closer to an end than a beginning. That's what old age is all about.

In French, the chapter is called 'coup de vieux', which means feeling old, often because of the gap with the younger generation. This gap with the beginning of life is precisely what explains the objective of this demon.

I also don't want people talking about Denji or Pochita symbolically wanting to protect young people. This is not the case. Enough has been said to emphasise the fact that the very church that spoke of CSM as the hero of the younger generation did not resonate at all with Denji.

On the contrary, Pochita is the most.... Paternalistic of all in this chapter. You want to be young? So lose what allows you to scorn. Don't talk like an infant. Worse: keep quiet.

It’s fair to interpret all these elements as traumatic elements of Denji. I'm not here to explain each of them, I think that everyone can see through them a part of Denji's tragedy. And it's also very interesting to see analyses explaining that these are things that the reader is aware of, not Denji. (Denji fought Aki, the snowball fight was Aki's hallucination, so Denji wasn't aware of all that, for example).

But you have to take it all the way. What brought these elements to you? What are you holding in your hands? That manga called Chainsaw Man, right?

We said it here. What is born is nothing more than what is brought to our attention.

Continue to interpret everything in relation to Pochita. Denji is simply the key to understanding its mystery.

A devil carrying the weight of what precedes existence.

The trauma of birth.

[a-bright-comet]

Jade Shadows Thoughts

(NOTICE: I have edited this post after a few days and many lovely replies and tags giving me more insight and opinions, overall my view of this quest has gotten a lot more positive, thank you all <3) okaaayyyy I am utterly rattled rn lmao also made the mistake of looking at tumblr after doing the quest and as expected it seems to be a 50/50 of hating or loving it. so here are my personal thoughts, I am a little scared but talk seems to be civil thankfully. I can definitely agree on the sentiment that this quest needed more time, cause let's be honest the people hating this quest wouldn't be jumping to the things they're jumping to if Jade herself got more screen-time before the big drop, warframe's style has always been vague and never 100% straight-forward and I think that unfortunately hurt it a bit this time, as what they didn't show came off wrong to many people and while I sorta see why I disagree on some parts. I also feel like the quest kinda got a bit *too* hyped both by DE and the fanbase's theories, way too short, it deserved and needed to be a bit longer for it's special narrative. Jade kinda got a weird spot, both being the main focus alongside Stalker but also hardly explored. But let's be honest, most of the negativity is caused by this outside-circumstance alone. Now, what I absolutely disagree with is people insisting that DE was trying to say "bodily autonomy bad" or that Stalker didn't care about her and only the child, thing is I thought it was pretty fucking clear that she *wanted* the child in what little was shown and she was going to die no matter the outcome (thanks to the orokin to absolutely no one's surprise) and Stalker in his guilt for all she's done for him wanted to make sure that he at least kept this one promise to Her, cause She wanted it. she still had bodily autonomy in the fact She wanted this, she wanted the child no matter what. and she wanted stalker to protect her and the kid. And he did, like a true loving partner. DE has a long track record of being very autonomy-positive. A point they make time and time again is that ripping it away is *bad* and horrifying, the quest is a bittersweet tragedy, not a horror. Honestly there would be 0 issue if DE had given us a Jade-only quest before this one, I personally would've preferred it as well, she's cool as hell she deserves it. who knows maybe DE will see all of this and make prequel quests? we can only hope. I do not want to assume the worst of anyone or anything cause that's a miserable existence. Look I personally enjoyed the quest and get the feeling whoever wrote it did it out of some personal experience or sorrow, that's at least the vibe I got. It's a tragedy, but her choice was seen till the end, many women choose to still have a child despite knowing they won't make it, many also don't, that's why choice is important. and she did, she chose her child that she was having while likely forcibly infested and turned into a warframe. (also remember there are women on the team who likely looked at this.) there are some other iffy parts of the quest, (really should've been the drifter instead of the operator if they were gonna do that, but that's personal discomfort.) but overall I enjoyed it and open to explore the implications of a born-warframe-child and Stalker healing as they both grow together. These are my thoughts, and I can understand why people like or dislike this quest, but I think it's fine and just ended up in a very unfortunate spot due to outside circumstances beyond it's control. (sorry if any of this comes off as aggressive it is not my intention despite how riled I am by some folk online, I disagree with you but I do not hate you, I don't even know you.)

Her choice, His promise, Their light.

Thank you for reading my first ever text post about something I care about, not sure I'll be doing this again any time soon out of anxiety lol (Edit: and thanks to everyone responding to this post wonderfully, ya'll are great and have lessened my anxiety and have made me appreciate this quest more <3)

[rainyorca]

Flowers Don’t Bloom In Winter ❀ Logan Howlett x Reader

Content Warnings: F!reader, angst/no comfort, character death, kissing/make out, implied smut, mild gore, strangers to friends to lovers.

Summary: “Are you scared?” he asks, voice low but there's genuine curiosity in the gentle cadence of his voice. Your eyes meet his. “You could never scare me.” 

You'll wilt, all flowers die. But he'll bloom again.

Notes: I’ve been a wolvie fan since i was suppperrr young and I am so glad him (and hugh) are getting attention again. This is my second-ish time writing for him, I just got done rewatching the movies for the first time in a while so hopefully I did him a little justice. His hair in origins will forever be my favorite but in this you can think of him from any movie, there is no set one, no set timeline wolvie.

Words: 6,121

𖤣.𖥧.𖡼.⚘𖤣.𖥧.𖡼.⚘𖤣.𖥧.𖡼.⚘𖤣.𖥧.𖡼.⚘𖤣.𖥧.𖡼.⚘𖤣.𖥧.𖡼.⚘𖤣.𖥧.𖡼.⚘𖤣.𖥧.𖡼.⚘𖤣.𖥧.𖡼.⚘𖤣.𖥧.𖡼.⚘

You're not a weapon. 

You’re more human than everyone else.

Human was a funny word, to Logan at least. Being human meant a lot of things, mutant wasn’t one of them. Stuck as a mutant with the heart for a human, what a tragedy. Actually, did he even have a heart? Oftentimes he would spend nights trying to find his own heartbeat, a hand laying on his chest while he stared up at the ceiling. 

When he met you he wondered if you knew what he was, the way you stared at him when he came in and sat down at the bar made him curious. Most don't know, he looks normal on the outside, so how would you know? But he did have a hard time keeping his eyes off you too, you smelled human but there was something so sweet about your scent, it made you different from others. 

Wisteria, sandalwood, jasmine and maybe a hint of vanilla, he couldn't really pinpoint what you smelled like (however it reminded him of forests, nature, his old home) all he knew was that he wanted the scent to last forever, like a candle he could buy over and over again. He would only watch the stage when you got up there and when you're done, he would be too. 

You came to the bar shortly after to get yourself a drink, your eyes resembled a rabbit’s; innocence and beauty all in one, and they immediately found him. There was something else in your eyes, deep within like you were trying to figure him out. When you got closer to him your scent got stronger, so strong it was almost overwhelming. No human has ever had that effect on him before, at least not enough to make him physically react like he did, squeezing his glass a little tighter. 

“Hello,” you smiled brightly, like a blooming flower, voice gentle whilst you greeted him. 

“You must be new, I haven't seen you at the bar before.” 

“Just figured I’d try out a new place,” he responds, an attempt to try and be friendly despite his intimidating looks. You smile again, swallowing down the remains of your liquor and then putting the dish in the sink. “Glad you came to us,” your eyes travel down to his somewhat empty glass, “you want another?” 

Your kindness was obvious, but no one that kind is ever really okay. There was something off about you, something deep down was bothering you or maybe you just had some other problem he couldn't figure out. You're kind but in a calming way, not overwhelming. What's the word? Tranquil? That's what he thought of you. 

You knew Logan wasn’t human when you first met him. He looked human just like a majority of the rest of the mutants but you had a keen eye for finding them. It was a talent to some people, being able to point out who was ‘real’ and who was not. Logan was no exception, you could practically see that mutant blood underneath his thick skin as if you had x-ray vision. 

A human trying to befriend a mutant, what an odd thing to most of the world. You should be scared of him. People would say, many warning you to beware the mutants, stay away from the entities wearing human skin. He's only going to hurt you, stay away from him. 

Logan wasn’t an entity, he had a human heart just like the rest of them. But to you, he was a little more human than the others. To you, he looked like a winter flower, strong and capable of handling whatever comes its way, but flowers don't bloom in winter. He was too good to be true. 

You don’t really remember the details of how you met Logan (besides making small talk that first time), but what always stays in your head is what happened a few months later upon meeting him. 

There was a little dispute in the parking lot of your job. Being a dancer doesn't mean you do all the hard work at your job, that's up to the servers and bartenders. But of course you were always the one to go clean up after people. Your coworkers assigned you the role after you broke up a bar fight on your first night, so all the dirty work (dealing with rude customers or fights in and out of the bar) was left up to you. 

Kill them with kindness is an extremely real and full proof method, people find your kindness a little off putting (though you are unsure why). You don’t know what the guys were fighting about but it got messy quickly, they both started swinging at each other and when you tried to split it up suddenly you were the problem. 

Pushing you up against the car, threatening you instead of each other. Your coworkers who were once watching from afar were now safely back inside. You braced yourself for some hits, maybe you would get a cool scar out of the situation, a story to tell to your future children (if you even had any). But all that confidence from before was dropped as soon as the guy got on his knees, grabbing your injured face as you leaned lethargically against the car, making you look at him.

Your bare legs hurt on the asphalt, rocks digging into the softness of your skin, leaving marks. He held a knife up to your ribs, pressing and pressing until you felt a sharpness, the tip of the blade digging into your flesh. The other guy had run off, probably took his chance and instead let you take the beatings. 

You remember him getting ready to stand up, his face getting closer to you while he continued to threaten you, that was until he went silent. There was the sound of flesh ripping, or a knife sheathing you weren’t really sure. Blood splatters onto your face, the only thing you could hear was gurgling and a gruesome choking sound from the man. Slowly opening your blurry eyes, the sight in front of you almost made you scream if your throat wasn't so dry. 

The man had been silenced, three blades stuck out the front of his face, the tips of them so close to yours you could feel them poking into your skin. A shaky gasp escapes your lips when you see him move, his body lifting up. Standing behind him, the man's blood spilling onto his knuckles, was Logan (Haemanthus, in that moment). 

The look of fear on your face was clear in the dark, Logan could see it, hell he could probably smell it. You watch him toss the limp body aside and then he crouches down in front of you. Flinching away, you watch those metal claws slide back into his knuckles, the openings they tear closing almost immediately. Then he cups your face with that same, blood soaked hand, trying to wipe the blood that had splattered onto your face (useless, he was only smearing it). 

That was the first time you ever saw Logan use his powers and it was to protect you. What you should’ve done is run, call the cops or something but instead you stayed, you stayed in front of him, letting him pick you up and carry you back into your job. 

Humans are curious creatures, thirsting for an explanation of something they don't understand, even if that explanation could kill them. So, after that, you would stay after hours on your job, as long as he was there. After you got done closing you would ask him to show you, show you his claws so you could feel them, look at them. Maybe even worship them if you were that kind of person. 

“Does it hurt?” You ask, trailing your fingers up the blades. “When they come out?” 

“Every time,” he responds, watching you intently, no one has ever seemed to show this much curiosity over his claws, at least no human has. 

“There’s something sort of humbling about them,” you speak slowly, looking at your reflection on the blades, “the fact that you could so easily kill me, kill anyone, yet you choose not to.” 

Your fingers trail back down the blades until you stop at his wrist, wrapping your hand around it to feel them when they return into his body. You could feel his muscles move every time his bones shift to allow the metal to escape the cavity of his arm. His eyes stay locked on your face, watching every tiny change in expression. 

“Are you scared?” he asks, voice low but there's genuine curiosity in the gentle cadence of his voice. 

Your eyes meet his. “You could never scare me.” 

It was hard to say whether you really liked Logan after what happened, a part of you knows what he did was illegal, but he did it to protect you, maybe you could rule it out as self defense if the cops come searching. You took an interest in him honestly, this was your first time getting to know a mutant, your first time being saved by one too. 

But there was a part of you that wanted to protect him, keep him safe and out of harm from humans and mutants alike. Logan is stubborn but not as stubborn as you. You would do anything to keep him safe, even if it meant risking your own life, although he argues that you shouldn't do anything like that for him. Humans are much more fragile, at least that's what he would say to you. He compared you to a flower, prone to breaking, prone to destruction. He feared that he wouldn't be able to keep you safe. 

It's strange, just a few months into this little friendship and you already feel this instinct to take care of him, to nurture him, treat him like he's the most perfect piece of art in the whole world, and also the most breakable. Like he's the most precious, rarest flower you’ve ever seen. The type that you discovered, not some random traveler. Even a few months in he allows you to meet all the other mutants, the ones he calls his family. You hit it off with Storm pretty quick, she knew how to be your voice of reason, your help when it comes to figuring out your feelings for Logan. 

You also enjoyed staying at the mansion, being able to interact with all the students. This place was wonderful to you, but you didn't like having to stay behind when Logan went on missions. 

Every time you watch him walk out that door you feel like you're left with nothing but desperation, the desire, the need to go with him. All you want to do is help him. But you were also left with fear, strangely enough. No matter how many times he came back, everytime he left it felt like he was never gonna come back. They’re just missions, he’ll be back soon. That's what you always told yourself.

You don't know why you cared so much, you two weren't even dating. But you don't really know what to call the relationship you two had, you were much closer than just regular friends. Yearning was never your thing until you met him. Usually you try to avoid relationships, your fears always making it hard for you to stay with someone. 

I wanna be a part of you. 

You would tell him. Always touching him, that was your thing. He liked that about you, that you felt safe around him, comfortable enough to always be touching him, a hand constantly on his shoulder or fingers wrapped around his wrist. It was something you did every time you were with him, even if you were safe from harm. 

His most favorite thing was that scent of yours, it drove him crazy in all the good ways. He could tell when you had just been in a room and he could follow your scent out of that room if he so pleased. He remembers the first time Charles talked about you after you had left the room just a few minutes before he arrived. 

“She's quite a unique one,” he says, watching Logan adjust to your scent filling the room, “isn't scared of mutants, believes we are all equal. I'm glad you found her, Logan.”

“Yeah well, I knew she’d be good here,” Logan responds, leaning against the wall. Charles is quiet, but there's a growing smirk on his face. “What?” he asks a bit harshly.

“You like her,” Charles says, “I don't have to read your mind to tell.”

“Yeah well a mutant and a human won't really work out, so forget it,” Logan grumbles, pushing through the doors and leaving the room before Charles could protest.

The dynamic was weird (for a pair that wasn't dating), but considerably normal to the other mutants. Many seek him out for protection too, he's just the type of guy you gravitate to, despite that grumpy face and angry attitude. You know that's not who he is on the inside, he's much more gentle than what others seem to think about him (Hibiscus, a delicate beauty, Gypsophilia, pure of heart).

When Logan was out on missions, you would spend your time distracting yourself with flower hunting or spending money on bouquets just to make you happy. You would leave them around the mansion, around your work. 

You love seeing him in the audience when he returns, usually sitting at the bar. He leans against it, facing the stage, eyes only on you (Sweet daffodil, you're my only one. The sun shines when I'm with you). When you were done for the night you would run to him, wrapping your arms around him, finding so much comfort in those large arms. 

You imagine Logan would be a kind lover, gentle and caring. The type to freak out if he accidentally hurt you. The type to sit you on his lap during dinner even if there was a chair for you. You know he would take care of you, he's said it a million times before. 

“I’ll take care of you,” he says softly one night after you get off work. You're standing behind the bar, watching him drink the last of the whiskey. 

“You can't be near me all the time,” you hum, teasingly, unaware of his seriousness. You figured it was just him being a little flirty. 

“I can if I want to,” he responds, his smile often a little rare to see but present in this moment. 

He made it very hard for you to try and hide your flusteredness. Logan can be very flirty, more unintentionally than not. In all honesty, maybe you did want him, wanted to be with him. For once you can see a future with someone, something rare for you (usually trying not to look ahead). You could see the future where you live in a cabin with him, somewhere in the woods, probably in Canada or somewhere cold. He would get a normal job, you would make him breakfast and then kiss him goodbye before heading to your own job. Maybe it was a sad, pathetic thing to think about at night but you couldn't help yourself, it was the life you always wanted and you finally found someone to have that life with. 

The day you really realized it, was when he came back from a longer mission, longer than usual. For once you didn't work that week, taking a break to give the new dancer a chance to earn some money. You spent that week cleaning your place, organizing, doing the things you didn't usually have time for. That's when you received a call from the mansion, Ororo had called you, letting you know Logan was back. 

You’ve never driven so fast in your life, that long trip turns into a few quick minutes. The snow didn't stop you, instead it only made your adrenaline spike, your excitement. You practically slipped when you got out of the car, running to the front door of the mansion. 

When it opened to his handsome face you felt a tingle in your spine, electricity coursing through your veins. He starts to walk forward, snow starting to stick to his dark hair, his arms open waiting to catch you. 

In that moment, when you ran into his arms, feeling them wrap around you again and cover you in that familiar warmth, that familiar scent, you felt something more. More than fasciation, more than adoration, you felt love (A blooming orchid). 

“Miss me?” he asks with a smile when you pull away, your arms still wrapped around his neck. He sets you carefully back down on your feet.

“Always,” you breathe, tears pricking at your eyes. You don't know why you felt like crying, you blamed it on the fact of how much you missed him, or maybe you were just incredibly overwhelmed. 

You knew the problems with wanting to be with Logan. The major one you realized while rewatching Twilight (Ironic given your situation, Edward a vampire, Bella a human. You a human, Logan a mutant). Logan is practically immortal, honestly you don’t even know how old he is now. You’ll grow old, eventually succumb to your age or maybe even a sickness if you're lucky. Logan will still be living, just older, a little more grumpy. 

You’ll wilt, all flowers die. But he’ll bloom again.

But unlike Twilight, you won’t get your happy ending. Logan can’t bite you and turn you into a mutant like Edward does with Bella. His fangs are dulled, they don’t secrete any special type of life changing liquid. 

Unfortunately you’ll be human forever. What a curse it is to be human or to be living at all. 

… 

The first time you and Logan kissed was outside his place, surrounded by nothing but trees, fresh snow falling to the ground and sticking to your hair. You had embarrassingly fallen on your ass walking up to his house, he quickly rushed out to help you up, dusting you off and asking if you were okay. But when he picked you up you never let go, keeping your arms wrapped around his neck while he held you on your own two feet. There was that buzz in the air, the flutter right before a kiss, that tingly feeling in your spine knowing it’s going to happen. 

And when his lips graze over yours you practically shove his head down to kiss him, pressing your lips against his without even considering the situation. To your surprise, he kisses you back, wrapping his arms around you a little tighter and lifting you up so your legs wrap around his waist. 

It was like something out of a movie, just missing a mushy love song. You wished you could hold that kiss forever but your lips would get sore and you would probably get frostbite. 

When you pulled away he stared at you, eyes piercing into yours before he freed one of his hands. His fingers curl around the chain of his dog tags, and then he pulls them up and over his head.

Then he puts them around your neck, the jingle of them coming to rest on your collar bones makes you shudder, but from warmth, excitement. 

You hide them under your shirt most of the time, always toying with them to make sure they are still safely around your neck. It’s like he transported his warmth with them because they were always warm no matter how cold it was outside. 

Sometimes, if you see him before he leaves somewhere, he’d press a hand to where they hang, rough palm warm against your chest. It was like his little special way of saying goodbye, just in case he didn’t return (which you hated to think about). 

Logan eventually gave you the spare key to his place, allowing you to visit whenever you so pleased. And when he was gone sometimes you would curl up in his bed, inhaling his scent and usually getting the best sleep of your life. His scent brought you comfort, you always wanted to be surrounded by it, drowning in it. 

On occasion but rarely, he would come home to you still in his bed, buried under the covers and sleeping soundly. He’d pull the blanket back gently to see your face, sit down on the edge of the bed and stare at you while he waited for you to wake up. 

But usually you would be gone, his bed would be empty but he would always know you were there. Your scent would seep into sheets, the mattress drinking up your smell. He could smell you, like you were still present (Soft jasmine, beautiful wisteria).

Now the first time you two ever slept together was at his place of course, you were slumped from work, muscles aching, head throbbing. You’ve never been this tired before. You push through the door, unlocked as usual when he’s home. He’s already in bed when you're there, awake but he looks just as tired as you. He sits up when he sees you, turning on the lamp so you can see. You don't even say anything, instead you just drop your things by the doorway, tugging your shirt off over your head letting it pool on the ground. 

He doesn’t seem to care, instead he just watches you as you curl into bed next to him. “Rough day?” He asks a few moments later, turning the lamp off. 

“Don’t even get me started,” you mumble back, voice muffled by his pillow. You can already feel yourself relaxing, his scent like a calming drug (the smell of peaceful lavender).

He doesn’t hesitate, he turns to his side, wrapping his arms around you and pulling you into his chest. You let out a sigh, melting into his warmth. It started out as a normal night, sleep coming to you quickly. But it wasn’t until you felt Logan stirr, moving a little in his sleep. He lets out a quiet grumble, and then a louder one. 

Then you feel a sharp pain, agonizing, stinging, right in the back of your shoulder. You let out a yelp, jolting up, your movements pulling whatever it was out of your flesh. You look back, reaching a shaking hand back to feel the wounds. “Damn,” you groan when you see blood on your hand, Logan’s claws unsheathed, the tips covered in your blood. You can feel the warmth travel down your back, the sight of the blood trickling down your back and staining the sheets makes you feel dizzy.

Logan stirrs again, sniffing the air, eyes fluttering open at the scent of your blood. He acts as soon as his eyes land on your back, fear and worry clouding his head. “Fuck,” he curses, “fuck, fuck.” 

“I’m okay, I’m fine.” You breathe through clenched teeth, getting up to go to the bathroom. He quickly picks you up, carrying you to the bathroom. He sets you on the bathroom sink, maneuvering around you so he could clean your wounds. You open your eyes, staring at his face. He’s focused, brows furrowed, lips slightly parted as he continues to wipe the blood from your open wounds before finally getting them to stop bleeding. You watch as he slowly starts to wrap you up with the gauze and bandages. 

You reach up, softly cupping his face with your free hand, making him halt his actions. His eyes meet yours, your reflection so visible in his pupils. Unsure of how long you stared into his eyes, he had somehow finished wrapping you up without taking his eyes off you. You could feel yourself inching closer, getting closer and closer to his face until you can feel his breath. His lips graze over yours and you flinch back, as if you haven’t kissed him before. It’s been a few months come to think of it, but still you shouldn’t be nervous. 

Logan just has that effect on you. It only takes a few seconds until your lips meet, kissing him gently, your fingers finding their way to the nape of his neck. Fingertips brush the shore of his hair, almost like an invitation. 

And he takes it, kissing you with a little more vigor. His bloodied hand comes up to your face, smearing a little bit of your blood on your cheek. He’s careful with his movements, gripping your waist with his other hand to keep you up on the sink, to steady you. His kisses are starting to get more aggressive, pressing you a bit further back onto the sink.To make sure you don’t slip in, he reaches underneath you, his large hand coming to rest on your ass as he holds you still. 

You can feel that familiar heat start to pool between your thighs, and he can feel it too, or in other words smell it. Your legs clench around him, squeezing as if you're trying to pull him into you. He frees his hand from underneath you, feeling up the bare skin of your waist, his rough fingers leaving goosebumps in their wake. He pulls away, resting his forehead against yours while he stares down at your semi-bare body, debating on unclipping your bra to feel you more. His breathing is rushed but even, mouth open. 

“Logan,” you breathe, coming out more as a desperate plea. He hums, pressing your lips together again, open mouth kisses, tilting his head for better movement and access. There’s a thin string of saliva that keeps your mouths connected when he pulls away. 

He can see it in your eyes, the desperation, not only that but he could smell it too. Your scent was strong, if he got closer to your core it would be overwhelming, and he's not sure he’d be able to stop what he's started.. “You’re hurt,” he says quietly, “I don’t wanna hurt you anymore than you already are,.” 

“You won’t,” you respond, a smile on your kiss bitten lips, “Logan, please.” He kisses you again, slower and softer this time. “I can't,” he whispers against your lips, keeping them close even after pulling away again. 

“Why not?” you speak softly, scratching his scalp with your nails. He hesitates, his thumb rubbing your cheek. “You know why.” He smiles, gentle and small before licking his thumb and wiping the small amount of blood off your face. “C’mon,” he mutters, lifting you off the sink. 

… 

Logan gave you all kinds of nicknames but your most favorite came from you showing up to his place with flowers. You loved orchids, always have so you bought a small bouquet of them to put on his coffee table. He accepted gracefully, and then from then on he started calling you by that name. A simple nickname but it was lovely.

 Orchid, my little orchid. A nickname uniquely your own (Orchids, love, beauty).

It wasn’t long before you two had officially agreed to being in a relationship, having a label. And not long after that you decided to move in with him, a bold move but you spend more time at his place than yours anyways. At night the moon will shine through the windows, lighting up the room with its cool toned glow. You’ll lay your head on Logan’s shoulder, your hand resting on his chest. You’ll both lie awake in silence while you draw circles on his chest with your finger. 

Some nights you’ll sit on his lap while his back rests against the headboard, your hands cupping his face. On occasion, you’ll run your thumb over his bottom lip until he parts them for you, then you’ll feel his abnormally sharp canines, his fangs. You test them, pressing the pad of your thumb into the sharp point to see if it’ll make you bleed but he always stops you before you ever do. When you're asleep he’ll stare at your face till morning, gently rubbing his thumb over your cheek. He stares at his dog tags around your neck, always warm from your body heat and always safe. 

He admires your beauty, especially when the sunlight hits you just right. When you're hiking in that tank top and whatever pants you decided to wear that day, he stares at your backside, your silhouetted figure. And when you bend over to tie your shoe, looking back at him with a smile, his eyes not only fixate on your face, but your scars. The scars he left engraved on your skin. 

The scars you admired, the scars that comfort you, a reminder of him always. 

It’s past 11 pm, you’ve been in the bath for almost an hour now, the water starting to get cold. The room is dark, only lightened by the light seeping through the open bathroom door. You lean back, head resting on the edge of the tub, fingers toying with Logan’s dog tags.

The familiar sound of the front door opening echoes through the silent bathroom, Logan's heavy footsteps can be heard walking around, like he's looking for you. You slide down further into the bath, trying to hide yourself playfully, peaking over the edge while you wait for him. That's when he peeks into the bathroom, a smile creeps over his face when he sees you.

“Hi, gorgeous.” he says in that comforting gruff voice. He crouches down by the side of the tub, dipping his hand into the warm water. “Hi.” You smile, sitting up and resting your head on your hands, holding onto the edge of the tub. He brings a hand up to caress your face, gently rubbing the warm skin of your cheek. 

“What did you do today?” you ask, watching him reach for the loofa and dip it in the water. He grabs your arm gently, rubbing your skin softly with the item. “The usual,” he responds, staring at the suds on your skin while they wash away. You hum, sitting back in the tub again, making him let go of you and get further. “C’mere,” you beckon, tapping the edge of the bathtub. He complies, getting up and sitting down on the edge. He leans down so he could be close to your face. 

“I was thinking about you today,” he says softly, cupping your face, “I always am.” Smiling a little wider, you reach up with both hands, grabbing his face and pulling him down to kiss him. He kisses you back, much to your pleasure. You're quick to part your lips, giving him access to use his tongue. 

It's an aggressive kiss, open mouthed and borderline messy. He pulls away to say something but you block it out, too focused on the feeling of his lips to even notice. You try to pull him back down and you successfully do, he doesn't put up a fight or anything. The kiss becomes more vigorous, more violent but so passionate.

He slips, falling into the tub fully clothed, making the water rise and spill out over the sides. You laugh softly in which he responds with a small laugh too. He’s laying on your side, face inches away from you and just a little lower as he allows himself to slip into the bath more comfortably. Your lips graze over his again, his smile fades as he kisses you and then pulls away. 

You adjust your trapped arm behind his head, scratching his scalp as he gets closer and closer. Then he kisses you again, leaning his whole body forward and cupping your face with a wet hand once again. You close your eyes, but he opens his just slightly while his lips slowly slot against yours. Open mouth on open mouth, his lips never leaving yours. The only noise that fills the space is the quiet sound of water sloshing, soft breaths from the both of you while you kiss until practically sucking the oxygen from each other. 

Pressing his lips against yours a little rougher now, he eases on top of you. Your hands travel up and down his flanks and back, feeling him through his soaked clothes tight against his skin until you tug and pull at the bottom of his shirt. He sits back, breaking the kiss for once and taking his shirt off, immediately returning to your lips. A gasp escapes your mouth when you feel him press his hips against yours, his cock clearly wanting to be freed from the prison of his jeans. He can smell your arousal, your need for him. His lips move down your jaw and to your neck, kissing at the supple area while he struggles to grind against you. His fangs graze over your skin, making your body shudder at the feeling. 

Water spills out the tub with every erratic movement, but you can feel the warmth returning. He uses his other hand to hold the dip in your spine, making your back arch by habit, by command almost. Your eyes go all hazy and the more he presses his bare skin into yours you swear you feel like you're melting into his body. 

“I love you,” he whispers, into your neck. 

…

You loved flowers, always have. You loved what they represent depending on what type they were, you loved how colorful they usually work, how unique they are. You loved how they bloom again even after death, even after they've wilted and lost all their color. The petals turned into something wrinkled and rough, unlike their usual clear, softness. 

Even after they die, they still bloom again in springtime. Daisy, lavender, day lily, aster, they all bloom again. Flowers don’t mourn the dead, they respect it, embrace it. They become one with the dead, seeping into the ground and back into the earth in which a person is buried. 

To him, you were a flower. Delicate and soft, something he wanted to protect, to see everyday. Your color, he couldn't quite describe it but it was uniquely your own. Over 10 million colors and somehow when he sees you  and it's something separate from the million to choose from. When he thinks of you, that's the color he sees. When he thinks of you, he sees an orchid. 

But is a flower still a flower after all its petals have been ripped off, gored and left to rot and wilt on the ground. Is a flower still a flower after it's been torn out of the ground, roots ripped, its purpose gone?

You think of all the times you’ve woken up beside him, smiling when he opens his eyes, murmuring a soft “good morning” as he reaches up to touch your face. You remember the times where he would soothe you on your tough days, running a bath for you and gently rubbing the loofa on your skin. So many good moments, very few bad ones. 

Words of affirmation weren't your love language, at least not usually. But Logan had another super power, and it was exactly that. He knew what to say and how to say it at all the right moments. He was a generous lover, attentive, caring, when you were with him you felt like yourself. 

“Winter came early this year,” you hum, clutching the white orchids in your gloved hands, “my first one without you.” 

“I keep buying orchids for you, whenever I have the time. But even when I don’t you're always on my mind.”

You go silent, tears starting to bubble up in your eyes. “I just- I-” you stutter, voice breaking as you grip the flowers a little tighter. You fall to your knees, snow wetting your pants while your tears run down your face. Your sobs slowly pick up in volume every time you try to speak, only to get choked up and give up. “I just wanna see you,” you sob, pressing your face into the snow below, “I just want to see you.” 

You drag yourself further up the ground until you're met with the headstone, Logan’s name engraved on it, freezing to the touch. You press the flowers into the snow, laying down on top of them while your hands move to clutch his dog tags tightly around your neck. The snow and soil drink up your tears, and you can only hope they reach him.

 He was a flower, a dangerous one on the outside but oh so beautiful on the inside. But you seemed to forget one thing. 

Flowers don't bloom in winter.

𖤣.𖥧.𖡼.⚘𖤣.𖥧.𖡼.⚘𖤣.𖥧.𖡼.⚘𖤣.𖥧.𖡼.⚘𖤣.𖥧.𖡼.⚘𖤣.𖥧.𖡼.⚘𖤣.𖥧.𖡼.⚘𖤣.𖥧.𖡼.⚘𖤣.𖥧.𖡼.⚘𖤣.𖥧.𖡼.⚘

I don't know flowers that well so forgive me flower fans ahaha

[inthedayswhenlandswerefew]

1968 [Chapter 1: Ares, God Of War]

Series Summary: Aemond is embroiled in a fierce battle to secure the Democratic Party nomination and defeat his archnemesis, Richard Nixon, in the presidential election. You are his wife of two years and wholeheartedly indoctrinated into the Targaryen political dynasty. But you have an archnemesis of your own: Aemond’s chronically delinquent brother Aegon.

Series Warnings: Language, sexual content (18+ readers only), violence, bodily injury, character deaths, New Jersey, age-gap relationships, drinking, smoking, drugs, pregnancy and childbirth, kids with weird Greek names, historical topics including war and discrimination, math.

Word Count: 5.7k

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Let’s begin with a definition.

Disaster is a noun derived from Ancient Greek: dus, a prefix meaning “bad,” and aster, or “star.” In the time when humans worshipped Zeus and Hera, Hephaestus and Aphrodite, it was believed that tragedies resulted from the inauspicious positioning of celestial bodies: a volcano erupts because of Jupiter, a returning comet brings with it a flood. There is a certain helplessness inherent in this mythology. There is predestined suffering that lies in wait until all the jewels of the sky have malignantly aligned.

Have you ever met someone who made you ache to change the stars?

~~~~~~~~~~

Gunshots explode through the lobby of the Breakers Hotel in Palm Beach, Florida; you feel the wind of the bullets as they clip by, fragmented metallic rage. Aemond is on the marble floor, blood pouring down his face, blood all over the white shirt beneath his navy blue suit jacket when you rip it open, tearing a button loose. He’s reaching for you through the jostling and the screams, leaving crimson handprints on your mint green dress. And you think: He just won the Florida primary. He’s not supposed to die. He’s supposed to be the president.

“What happened?” Aemond murmurs, his right eye dazed and only half-open; the left has vanished beneath a cloudburst of gore. Perhaps ten yards away, people have caught the assailant and pinned him against one of the vast Venetian windows until the police arrive. They’re roaring at him in red-faced fury, their closed fists strike his ribs and his cheekbones, their knuckles paint him scarlet and indigo.

“You’re alright, you’re alright.” You brace both palms over the maroon stain spreading rapidly across Aemond’s chest and press down as hard as you can. Your fingers are drenched in seconds, warm fading life. He’s bleeding to death. You shriek through the turmoil: “Criston?!”

“Is he okay?” Aemond asks faintly. He means the baby; you’re six months pregnant with his first child, his greatest treasure, his Atlantis, his Holy Grail. Aemond has already decided that it’s a boy. Sometimes you fear what will happen if he’s wrong.

“Yes, honey, the baby’s fine, don’t worry. Criston!”

Aegon is here instead, sweating out rum and ruin like he always is, hair too long, veins full of pills, colliding with you and pawing at his dying brother with untrustworthy hands. “Aemond?!”

You shove Aegon away, splattering him with blood. “Get back, he needs air!”

“Where’s he shot?! Let me see—”

“I told you to get back!”

“Goddammit, you don’t own him! He’s mine too!”

Criston has battled his way to you and is yanking Aegon back by the collar of his frayed olive green army jacket, stolen from Daeron when he visited home after basic training, a uniform of embittered revolution worn by a man who’s never fought for anything. “Aegon, make sure someone’s called for an ambulance, then meet the paramedics at the door and help them find us.”

“But—”

“Go!” Criston yells, and Aegon scrambles to his feet and is lost within the crowd. You can hear Otto bellowing at journalists and hotel employees to make space for the fallen senator; there are flashes of cameras and prayers shouted aloud. Above your head are crystal chandeliers and a vaulted ceiling hand-painted by 75 Italian artists in the 1920s; swimming in your skull are visions of Jackie Kennedy in the pink suit filthy with her husband’s brains. It’s just before midnight on Tuesday, May 28th. Upstairs in their oceanfront Imperial Suites, nannies will be shaking awake the absent adults of the Targaryen dynasty, who retired with the children before Aemond made his victory speech in the hotel ballroom: Alicent, Helaena, Fosco, Mimi.

Criston’s hands—larger, stronger—replace yours over the gushing wound in Aemond’s chest. What did the bullet hit? His lung, his heart? He’s not speaking anymore, his right eye is closed. His bloodied hands rest open and empty on the floor. “Criston, he’s dying,” you sob.

“No he’s not. We’re not going to let him.”

“What’s the closest hospital?”

“Good Samaritan is just across the bridge on the mainland.” It’s Criston’s job to know these things, though he had been thinking of you when he plotted his meticulous notes in his day planner: in case you eat a bad cheeseburger, or trip on the stairs, or catch the flu and start burning up with fever. Aemond worries about the baby. Aegon has five children, Helaena has three, and Aemond will feel that he has been robbed of something if he does not swiftly procure a family of his own. He needs you on the campaign trail, but still, he worries.

Across the lobby, the police have arrived to arrest the aspiring assassin. He puts up a fight when they try to handcuff him and earns a nightstick to the gut, an elbow to the nose. He is choking on his own blood. Perhaps he is drowning in it. Good, you think.

“Don’t kill him!” Otto booms at the officers. “I want him alive for trial! I want him to ride the lighting up in Raiford, you keep that son of a bitch alive!”

“Aemond?” You thread your fingers through his blood-soaked hair. What happened to his left eye? Is it somewhere underneath all that carnage, or is it gone? “Please wake up. Please stay with me. We need you. The baby and I need you.”

“He’s going to live,” Criston promises, both hands still clamped over the bullet wound to slow the hemorrhaging.

“Aemond, please…” How can he be the president with only one eye?

An old woman in a yellow striped skirt suit is lumbering close with a homemade prayer rope clenched in her fist. “A komboskini for the senator!” For his last rites. For his soul.

“He doesn’t need it!” Criston says. “He’s not dying! No one is dying tonight!”

Still, you take the komboskini from the lady, each of the 100 knots a prayer unspoken. She is a devotee of Aemond, and you must show her gratitude. “Efcharistó, aderfí. O Theós na se evlogeí.” They are some of the few Greek words you’ve mastered; you’ve used them often since Aemond announced that he was running for president. Thank you, sister. God bless you.

The paramedics arrive, splitting the crowd like a laceration, white uniforms and a stretcher to ferry Aemond away. People are wailing, cursing, swearing vengeance. Aegon has returned and is peering down at Aemond with those large, glassy, muddled eyes, afraid to ask. “Is he…is he still…?”

“He has a pulse,” Criston replies. He helps the paramedics drag Aemond onto the stretcher and strap him to it. Your husband’s shirt is now drenched in red like garnet, like cinnabar, like the poppies that commemorate the boys butchered in World War I, like the wasted blood being spilled in Vietnam, men reduced to memory. “Good Samaritan?” Criston confirms with the paramedics.

“Yes sir,” the most senior one agrees. And then to you, with great deference, with compassion that transcends what somebody can harbor for strangers: “Ma’am, there’s a place for you if you want it.”

“I do,” you say, tear-streaked face, hands bathed in blood. “Thank you. Thank you so much.”

The ambulance is idling outside the main entranceway of the hotel. Criston grasps your hand to steady you as you step up into the back, and you take a seat on the red leather bench beside the stretcher. The paramedics are placing IVs, holding an oxygen mask to Aemond’s face, muttering urgently into their radio, abbreviations and code words you can’t understand, a secret language of organic calamities. High above the stars are crystalline and radiant in a clear sky. In your own chest—unshredded by metal, unpierced by rage—your intact heart is pounding.

The lead paramedic turns to you again and says: “We can fit one more person.”

It’s your decision. You are the senator’s wife; you were supposed to be the next first lady of the United States. You look through the ambulance’s open doors. Aegon stares back expectantly, his hair falling in his face, his arms thrown wide, petulant, combative, useless, drunk. “Criston.”

“Bitch!” Aegon hisses at you as Criston climbs into the vehicle. The doors slam shut, the engine rumbles, the siren squeals as the ambulance races westbound on Breakers Row towards County Road, which connects with Flagler Memorial Bridge and the mainland.

Through the rear window you watch Aegon as he stands in the white-gold hotel luminescence, becoming smaller and smaller until he vanishes, and all you can see are streetlights, and all you can smell is blood.

~~~~~~~~~~

Every story needs its cast of characters. Here are the major players in the summer of 1968.

President Lyndon Baines Johnson is in the White House watching the clocks tick towards November 5th, when his successor will be ordained. He has chosen not to seek reelection. Since his ascension upon Kennedy’s assassination in 1963, Johnson’s domestic focus has been unprecedented civil rights legislation and his War On Poverty, yet what has infected the media like blood poisoning is the war in Vietnam. On the television are napalm bombs incinerating Vietnamese peasants, caskets draped with American flags, riots being beaten down by police, college students torching draft cards and chanting “Hey, hey, LBJ, how many kids did you kill today?” Now the president is sick in body, in spirit, in heart, and this is not a metaphor: he suffered a near-fatal cardiac arrest in 1955 and another shortly after John F. Kennedy was murdered in Dallas, Texas. He will die almost exactly four years after leaving office. Had he sought another term, he would have been unlikely to survive it. The public eye is something like a snake bite; it sinks its fangs in and you hope the venom burns clean before it can curse you with clots or hemorrhages or paralysis, before it can drown you in the dark waters of infamy.

In the void left by President Johnson’s surrender, four factions have emerged within the Democratic Party. The old guard—the same labor unions, congressmen, and local political machines who have steered the platform since the days of Franklin D. Roosvelt’s New Deal—has flocked to current Vice President Hubert Humphrey. Humphrey is competent yet uninspiring, a mid-fifties Midwesterner who flinches at the unpolished fury of antiwar protests and sedately lectures Black Power activists on the dangers of “reverse racism.” He is not a threat. He is a sheep in sheep’s clothing, and this is the time for wolves.

Senator Eugene McCarthy of Minnesota is unapologetically opposed to the Vietnam War, a moral crusader, a reluctant warrior, a man who wears his lack of taste for the presidency like a badge of honor. He feels compelled to run, but he does not crave it. He thinks this makes him a saint; but Joan of Arc was burned at the stake and Saint Lawrence was roasted alive. Like Halloween candy plunked into a child’s neon orange plastic pumpkin, McCarthy has collected his own coalition, college students and posh urbanites who believe themselves to be the future of the Democratic Party. In 2016, people will conjure McCarthy’s ghost when drawing comparisons to a controversial left-wing senator from Vermont named Bernie Sanders.

If McCarthy is the future and Humphrey is the past, then former governor of Alabama George Wallace is downright archaic. He is the candidate of choice for Southern white supremacists, averse to Republicans since Lincoln and still reverent of Depression-era New Deal programs that kept them from starving to death. Wallace is best known for his promise of “segregation now, segregation tomorrow, segregation forever,” and pledges to end the chaos that has besieged America through strict law and order. Provided he loses the Democratic primary, Wallace plans to run in the general election as an Independent, hoping to peel away enough support from the major party candidates to force the House of Representatives to declare the winner and then leverage his votes to negotiate an end to federal desegregation efforts in the South. His devoted wife Lurleen just died of uterine cancer, a diagnosis which Wallace kept hidden from her for years; doctors are in the habit of informing husbands of their wives’ ailments and giving them carte blanche control over the treatment plan, which unfortunately in Lurleen’s case was nothing. She was 41 years old.

In his short-lived castle of red corridors like the marrow rivers of bones, President Johnson hides from the hippies who jeer and spit; Humphrey frowns at them, McCarthy tries to appease them, Wallace says the only four-letter words they don’t know are “w-o-r-k” and “s-o-a-p.” But Aemond climbs down from podiums to meet them like old friends. He is young, only 36. He has a brother serving in the swamps of Vietnam. He is focused, determined, insatiable; he devours every scrap of news that is printed about him and writes his speeches by hand. As the self-admitted runt of the Targaryen family, Aemond knows what it is like to be underestimated. He wants a better America, and he wants to be the president, and he wants these things in equal, relentless measure, each fueling the other until these ambitions become inseparable. He has grown up hearing slurs against Greeks and consequently has no tolerance for discrimination, which he contends is antithetical to the American Dream. He attends civil rights marches in labyrinthian cities, antiwar protests on college campuses, union meetings in coal mining towns of West Virginia and Kentucky and Wyoming, music festivals crowded with long unwashed hair and braless women, fundraisers flush with the deep pockets of the Northeastern elite. Aemond’s coalition grows each day, bleeding away strength from his rivals like a Medieval surgeon. Their flesh turns cold and anemic, while Aemond’s heart pumps scalding torrents of blood.

If Aemond wins the Democratic primary at the convention in August, his opponent will almost certainly be the Republican frontrunner Richard Nixon of California. Nixon wants the White House just as badly, and he’s much smarter than he looks. He was Eisenhower’s vice president for eight years in the 1950s and lost to the ill-fated John F. Kennedy in 1960 by a whisker; some say he did not lose at all, but instead was cheated out of 100,000 votes by Kennedy’s mafia connections in Chicago. But with the Democrats divided and their incumbent president floundering, Nixon’s timing has never been better. He was once a poor boy with two dead brothers who earned a scholarship to Duke Law. Now he will become whoever he needs to be to win the presidency of the United States.

1968 is the year of wolves. The fangs are sharp, and the bellies ache with hunger.

~~~~~~~~~~

A local deli has opened early and sent sandwiches to Good Samaritan Medical Center for the family and friends of the senator from New Jersey: ham and Swiss, cucumber and cream cheese, tuna salad, egg salad, pimento cheese, BLTs, Cubans. The lobby is filling up with bouquets of flowers and handwritten notes. You pace and count the knots of the komboskini over and over again as you wait; Aemond has been in surgery for hours. The nurses periodically bring you Styrofoam cups of hot chocolate, scalding watered-down sweetness to distract you from the fact that some surgeon is currently rooting around inside your husband’s ribcage.

Alicent—a convert to the Greek Orthodox faith just as you are, though far more zealous, far more sincere if you dared to admit it—is pleading for God to save her son as she clasps her own prayer rope. Helaena is seated beside her, eerily calm. Helaena’s husband Fosco is wandering around boredly and inflicting small talk upon the nurses, ogling out the third-story windows, playing with his red Duncan yo-yo. Otto is making a series of calls using one of the phones at the nurses’ station. Criston is there too, leaning over the countertop and speaking with Otto in low conspiratorial whispers.

Aegon is sitting alone and glaring at you. He takes a rattling bottle of pills—prescriptions that doctors are too afraid not to write for him when he asks—out of a pocket on the front of his green army jacket, spotted like a leopard with your bloody handprints. He opens the amber-colored, cylindrical container and pours two, no, three tiny white tablets into his palm. He tosses them into his mouth and washes them down with a swallow of his own mediocre hot chocolate, still glaring. You ignore him.

“How could this have happened?” Mimi says again from where she’s slumped in her chair. Aegon’s wife has a Snow White sort of beauty, but with a perpetual ruddiness in her nose and cheeks from the gin she sips constantly. You suppose it would make anyone a drunk, being married to a man like that. Her maiden name was Marina Marceline Leroux, but everyone has always called her Mimi, even the press on the rare occasions when she makes an appearance. Her children—Orion, Spiro, Violeta, Thaddeus, and little Cosmo, only five years old—are all back at the Breakers Hotel with the nannies, the same as Helaena’s. Mimi blubbers to nobody in particular: “How…? Who…? Who would want to hurt Aemond…?”

Someone needs to sober her up. You fetch a BLT off the platter of sandwiches and offer it to her. “Here. Eat.”

“I’m not hungry. Who on earth could be hungry at a time like this? I’m absolutely nauseated, I’ll never want food again—”

“Mimi, eat the sandwich.”

“Fine, fine,” she slurs morosely, then takes an unenthusiastic bite. She listens to you, all the women do. They listen to you, and you listen to Aemond, and the circle is closed and complete.

Criston is walking over now. You turn to him, needing good news, bad news, any news. “It was a Wallace supporter,” Criston says. From his seat, Aegon is watching Criston with his slow drugged gaze, listening intently. “Some bell pepper farmer from up by Jacksonville.”

“He’s been taken to the local jail for holding?” you ask, and then add: “Alive?”

“Yeah, and he already has a record. Assault and battery. His brother-in-law is apparently a Grand Dragon in the Klan.”

“What the hell is a Grand Dragon?”

“Well, it’s higher than a Goblin, but not as illustrious as an Imperial Wizard, does that answer your question?”

“Perfectly.” You smile at Criston, a pained, wry smile. He returns it and places a palm over your belly. You are still wearing the mint green dress Aemond picked out for you this morning, before he won the Florida primary, before he was shot twice by the disciple of a political adversary and laid at death’s doorstep. You are still covered in your husband’s blood.

“You’re feeling alright?” Then Criston smirks, knowing how ridiculous he must sound. “You know. All things considered.”

“We’re both fine. The baby’s moving around, I can feel it.”

“You can feel him, you mean,” Criston teases, knowing Aemond’s preoccupation with his unborn son; but you can’t bring yourself to appreciate the joke.

Aegon says to you suddenly: “How the fuck did you let this happen?”

“What?” you answer, stunned.

Aegon stands and approaches, lurching, raging. “You always have to be right beside him, in the photographs, in the headlines, in the soundbites, but you let some psychopath run up and shoot him? Twice?!”

“I thought he just wanted to shake Aemond’s hand, or maybe get a quote for an article—”

“You didn’t notice the gun?!”

“Aegon, sit down,” Criston orders.

“It happened in seconds,” you say. “You think you would have done better? You and your Valium, and your Librium, and your Percodan? You think your reaction time would have been so superior to mine?”

“Please,” Alicent moans, mopping tears from her pink cheeks with a handkerchief. “Please, don’t fight, not now…”

“We are all friends here,” Fosco adds in his thick Italian accent, yo-yoing by a window.

“You want to be the first lady so bad but you can’t handle it!” Aegon shouts, his voice echoing through the lobby. “You’re not some prodigy, you don’t have all the answers, you’re just a girl who stitched yourself to Aemond and then you let him get shot, he’s being operated on right now, maybe he’s even dying, and you still act like you’re so fucking perfect—”

“You’re mad because you know that everybody here is thinking the same thing,” you tell Aegon, cold and cruel. “That if someone had to get killed tonight it should have been you.”

Aegon’s mouth drops open; he stares at you with that slippery, opaque, stoned woundedness, pathetic, infuriating, illogically childish. Everyone else pretends they haven’t heard you. Alicent sniffles into her handkerchief. Fosco begins humming I Want To Hold Your Hand. Mimi chews sluggishly on her BLT. From the nurses’ station, Otto says, holding the phone to his chest: “It’s George Wallace. He’s calling for Aemond’s wife.” Then he waits to see if you’ll agree to take it.

Of course you will. You have to. You are acting in your husband’s stead. You go to the nurses’ station and grab the handset when Otto passes it to you. “This is Mrs. Targaryen.”

“Ma’am, I just wanted to offer you my sincerest condolences.” He has a pronounced drawl, born and raised in what he has praised as the Great Anglo-Saxon Southland. You animal, you think. You braindead bigot. “I do hope the senator makes a hasty recovery. I sure would like to beat him at the ballot box, but I have no stomach for anarchy. An act like this is repugnant to me, as it should be to any red-blooded American.”

“It was one of yours, do you know that?” you say, dripping venom. “One of your hateful ghouls.”

“I have no such knowledge. But if the shooter does turn out to be a supporter of my campaign, I disavow him utterly. He deserves a nice long sit in Old Sparky and then to meet his maker.”

“You inspire men to commit violence, and then you renounce them when they spill blood. I’m still wearing my husband’s. It’s on my hands, it’s on my dress, and I will not absolve you of blame. You are a gardener of discord. You grow it like roses or wheat. You tend to it until it blooms.” Otto is studying you, bushy eyebrows raised. “If you’d truly like to repent, perhaps dropping out of the Democratic primary would be a good start. And then you could find something useful to do, like drowning yourself.”

From whatever office he’s currently lounging comfortably in, his shoes kicked up on the desk, Wallace chuckles. “Aemond is very fortunate to have as ardent a defender as you, my dear.”

“Yes, a devoted wife is such a treasure. It’s a shame you killed yours.”

“Ma’am, once again, I just wanted to express how terribly sorry I am for your family’s hardship. I would never wish for an incident like this—”

“Maybe you shouldn’t be emboldening white supremacists then!” You slam the phone as you hang up.

Otto looks at you. He says: “Did it go well?”

The heavy double doors leading to the operating theater swing open, and a surgeon steps through them, still drying his hands with a dark blue towel. He has changed his scrubs and washed his skin, but you notice a spot he missed: a fleck of half-dried blood up by his temple. That’s Aemond, you think. That’s a piece of him.

Everyone rushes to gather around the doctor, even Mimi; she lists like a ship taking on water as she walks, gnawing at all that remains of her BLT, just a sliver of white toast crust.

“The senator is alive,” the doctor says, and Alicent cries out in relief. Criston rests a palm on her shoulder. “But we could not save the eye.”

“He’s half-blind?” you ask. There’s never been a half-blind president. There’s never been a Greek one either. And the only reason this is stuck in your mind is because you know it will consume Aemond’s.

The doctor nods. “We had to remove it. The bullet that struck Senator Targaryen in the head, fortunately, was more of a graze. It ricocheted off his skull and didn’t cause any trauma to the brain, but his eye was…” He hesitates, trying to find a more polite word than shredded, macerated, pulverized. “Destroyed.”

“You stopped the bleeding?” Aegon says, astonished. “He’s okay? He’s really okay?”

“The second bullet pierced the thoracic cavity and was lodged less than an inch from his heart. He was very lucky. We repaired the damage to the best of our ability, and I am optimistic that the senator will make a full recovery. He’s resting comfortably now, but he should be awake soon.”

“Oh, thank God,” Alicent says, glistening dark eyes raised to heaven. The salient points gathered, Fosco wanders off again, his yo-yo dangling from its string.

Otto asks: “When can he resume campaigning?”

The doctor is caught off-guard; it takes him a moment to answer. “That will depend on the senator’s stamina as he regains his strength. If he chooses to stay in the race at all.”

Otto scoffs. “Of course he’ll stay in. This is what he lives for. You really can’t give me a ballpark figure?”

The doctor is determinately impassive. “I would estimate a month or two before he can withstand the rigors of the campaign trail again.”

“California is June 4th,” Otto recalls, counting off dates on his fingers. “Illinois is the 11th, New York is the 18th…”

“Look, there are people outside!” Fosco announces excitedly as he peers through one of the windows. “Hello! Hello everybody!”

“Fosco, you idiot, stop waving,” Otto snaps. “Go sit down.”

“But they are cheering.”

“Not for you.”

Fosco, somewhat deflated, grabs an egg salad sandwich off the platter and plops into a chair to eat it. He’s dressed in a green plaid sport coat and tight white trousers, very chic, very European. You’ve never been able to imagine Fosco and Helaena being passionately romantic with each other. They’re both a bit too doll-like for that, closer to Barbie and Ken than flesh and blood, blank stares and vague ambitions.

“Someone should talk to them,” Alicent says softly. She means the crowd that is forming in front of the hospital: journalists, cops, local politicians, mutilated veterans, college kids, farmers, fishermen, women and children, the future and the past. Everyone turns to look at you.

“I’ll do it,” you volunteer. You will, you must. Aemond could have chosen a hundred similarly suited women to be his wife, but he chose you, and when he did your vows became a blood oath.

Criston accompanies you downstairs to where the crowd has gathered just outside the front entrance of Good Samaritan Medical Center. The night air is warm and humid, the stars bright. You had thought of so many things to tell these people as you’d stood in the elevator as it descended, but now your mind is empty, fearful. There are photographers with blinding camera flashes and apostles waiting with famished eyes. From the depths of injustice and poverty and war, they have come to pay their respects to the man they believe is destined to save not just themselves but their world. What should I say? What would Aemond want me to say?

“I am very pleased to share with you all that Senator Targaryen is out of surgery and regaining his strength.”

There are cheers and applause and prayers; you are still clutching the komboskini that the old woman gave you in the lobby of the Breakers Hotel. You see more prayer ropes in this flock, and rosaries too, Bibles and dog tags, copies of The Autobiography of Malcolm X and Joanne Didion’s Slouching Towards Bethlehem.

“We would like to thank you for your heartfelt support. Aemond and I are so very grateful, and he is looking forward to being back on the campaign trail soon.”

More clapping and whistling, and then the crowd waits. You aren’t sure what they want to hear as you stand in the glow of the hospital luminance; your hands are trembling wildly, so you clasp them together as you hold the komboskini. Criston glances over at you, concerned. You settle on the truth.

“The man who tried to kill my husband tonight is a supporter of former Alabama governor George Wallace and an avowed white supremacist. Any ideology that advocates for violence and prejudice is a threat to our bodies, our nation, and our souls. We will not surrender to it, not even when our lives are in jeopardy. We will not concede that hope for a better world is lost. We will press ever onward with the knowledge that God is on our side, and that the future of this country is worth fighting for.”

You are bathed in flashbulb lightning; your ears ring with the thunder of the applause. You are shaking hands now, nodding, beaming, Criston following you like a shadow as you move through the congregation. You stop to listen to a middle-aged woman in a floral dress who wants to give you marriage advice: never get bossy, don’t become selfish, remember that you are his safe harbor in the storms of life. It is your job to gift her your momentary veneration. You have beauty, but she has wisdom; or at least, that is the bargain that has been struck, that is the presumption everyone agrees upon. She must have some advantage over you, otherwise the decades she has spent in service of her parents and husband and children have been wasted, she has carved away pieces of herself to feed hungry mouths until she vanished like the doomed nymph Echo. In return, she tries not to envy you too much, not to dismiss you as foolish or frivolous or lustful. Sometimes you think that women are filled with such vicious, relentless self-loathing that it feels good to direct it at someone else for a while, to pick apart another body, to tally up the deficits of her spirit.

“Aemond is so lucky to have you,” the woman says. You can barely hear her over the roar of the crowd.

And you smile as you dutifully reply: “I think it’s the other way around.”

~~~~~~~~~~

There is a television mounted on the wall in Aemond’s room. The news coverage, the volume turned way down low, oscillates between his own near-assassination and the stalled peace talks in Paris. Representatives of the United States and North Vietnam cannot agree, and so each day more body bags are flown home to return the bones of the nation’s sons and fathers to Missouri, Alabama, Idaho, Maine, Wisconsin, Maryland, Arizona, California, New Jersey, everywhere else. Someone has to end it. Aemond will end it.

“I dreamed I won Florida,” your husband mumbles, and that’s how you know he’s awake, here in a hospital bed and wearing IVs like strings of Christmas lights around a pine tree.

“You did,” you tell him, gently smoothing back his hair from his forehead. His left eye—where his left eye used to be—is bandaged; his words are soft and labored. “Humphrey was second. Wallace got third. But you won. And you’re going to be okay.”

“McCarthy?”

“It seems you’re devouring his coalition.”

Aemond’s lips slowly curl into a grin, triumphant. “It is God’s will.” And this is what he always says. It is God’s will that he survives, it is God’s will that he wins the presidency, it is God’s will that you give him sons.

“Yes,” you agree, lifting his right hand to kiss his knuckles. Then you press the komboskini you’re still carrying into his weak grasp. It means more to Aemond than it does to you. “Yes it is.”

Aemond sinks into unconsciousness again, morphine and dreams that blur with reality. There will be pain soon, and plenty of it, but he is free from that impending truth for now. You rise from your chair to tell the rest of the family that Aemond is beginning to wake up. Alicent and Criston will want to speak with him.

When you open the door, Aegon is standing there: an eavesdropper, a trespasser. He glares at you with his large wet ocean-blue eyes, hazy with pills, glinting with resentment. Reluctantly, you step aside to let him in. Aegon wobbles as he passes you and has to grab onto the doorframe to steady himself, scrabbling like a trapped animal.

“You’re a disaster,” you say, caustic like acid, biting, repulsed.

Aegon whirls and jabs his index finger against your chest, bloodstained mint green wool bouclé by Chanel. “You’re a vessel. You’re a cow. And one day he’ll be done with you.”

You feel something hitting you like a bullet, cracking ribs, piercing lungs, tearing muscles and ligaments. Your lips have parted, but you can’t fathom words. Aegon has said many things to you—bitter things, belittling things, things in mixed company, things when you’re alone—but never this. For the first time since you met him two years ago, he has won one of your sparring matches. He has the upper hand. He has wounded you.

Aegon can see this, certainly. But he doesn’t seem pleased with himself. He looks a little shellshocked, like he can’t quite believe he said the words, like maybe if given the chance again he wouldn’t take it. But the moment is over now, and you can’t get time back, it is a thread that unspools until every inch is gone, spent, tangled in a thousand webs.

Aegon staggers into the hospital room. You flee from it. Out in the lobby the phone at the nurses’ station is ringing again. They’ll all be calling now to give their requisite sympathies. Humphrey counsels prudence, McCarthy prays for peace, LBJ offers the empathy of someone who has felt the cold gaze of Death in his own doorway, Nixon praises Aemond’s resilience and quotes the ancient philosopher Seneca: “There is no easy way from the earth to the stars.”

[batboyblog]

https://x.com/magi_jay/status/1812914966560973238?s=46&t=9ilK5pqP73XDblTtTbb4Qg

This post motivated me to try something different: namely, name a good quality about the Democratic Party and its candidate.

Biden’s most admirable qualities are his general wisdom and steadfastness in the face of great challenges. While I might not always agree with EVERY choice he’s made for a number of reasons, I do think he’s shown that he’s much smarter than people give him credit for.

Furthermore, he’s very firm without being either too standoffish or trying too hard. One of the things I hated about his predecessor (I refuse to name him) was just how anxiety inducing and chaotic he was, something that sucks for me since I’m a very skittish person even if I try not to be.

Biden is steadfast and (media aside trying to make a conflict on him) has never made me feel like I’m on unstable ground. He’s like a rock in the storm:

Stand by him, and we’ll weather through the chaos.

I mean in part thats why I do my weekly lists of what Biden et al are up to, because every week, EVERY single week its something huge and transformative, for the first time in my lifetime people can write "The Case for Climate Optimism" we have a government pledged to ending hunger in this country reduce homelessness by 1/4th by next year we are doing big things in this country

a few political speeches are the pole stars of my politics, the center of what I believe in.

Harvey Milk's Hope speech "I know you cannot live on Hope alone, but without it, life is not worth living" tells me and teaches me to always be for something not just again stuff, and to always be the happy warrior, gotta give 'em hope.

Ted Kennedy's 1980 DNC speech "the work goes on, the cause endures, the hope still lives, and the dream shall never die." to always get back up and get into the ring, its not never over till you give up, the Dream Shall Never Die how ever dark it gets if you hang into it with both hands

but most importantly is Ann Richards 1988 DNC Speech, if you've never heard it, you should:

I’m a grandmother now. And I have one nearly perfect granddaughter named Lily. And when I hold that grandbaby, I feel the continuity of life that unites us, that binds generation to generation, that ties us with each other. And sometimes I spread that Baptist pallet out on the floor, and Lily and I roll a ball back and forth. And I think of all the families like mine, like the one in Lorena, Texas, like the ones that nurture children all across America. And as I look at Lily, I know that it is within families that we learn both the need to respect individual human dignity and to work together for our common good.  Within our families, within our nation, it is the same. And as I sit there, I wonder if she’ll ever grasp the changes I’ve seen in my life -- if she’ll ever believe that there was a time when blacks could not drink from public water fountains, when Hispanic children were punished for speaking Spanish in the public schools, and women couldn’t vote. I think of all the political fights I’ve fought, and all the compromises I’ve had to accept as part payment. And I think of all the small victories that have added up to national triumphs and all the things that would never have happened and all the people who would’ve been left behind if we had not reasoned and fought and won those battles together. And I will tell Lily that those triumphs were Democratic Party triumphs.

It is always worth it to fight, however hard it is, however bitter it may feel in the moment to take half a loaf or a part payment, it is always always always ALWAYS! better to take a half step forward than not to move at all, because its not chess, its not a game, its people's very lives

as to what I like about Joe Biden? I could say a lot of things, he's a guy the world has knocked down a lot of times, a lot of struggles and personal tragedies that in someone else could make them hard hearted and cold, but I see a guy who always takes the time to listen

thats who is, always to see Joe on a rope line talking to people is to understand their cares are truly his, he truly and I promise you this wants what's best for people.

and just for a second remember who he's running against, who that guy is on the most basic level, saying he couldn't have raped that woman she's too ugly

so do you want a President who stops everything to tell a kid its gonna be okay, that that kids can do anything, and gives him his phone number and calls him to help, or you want the guy who tells your kids "when you're famous they let you do it, grab 'em by the pussy" up to you.

[egg-emperor]

Why I love how Eggman talks about Maria in the Shadow 101 + the connection that can be made to his feelings on Shadow:

I love this part so much and I wanna go into way too much detail and depth to explain why lol

The things this could imply are things I've thought about for a long time and to keep getting new official things that align with my theories on how he feels about Maria lately with Frontiers and now this is awesome!

First of all, I wouldn't say him taking Maria's death personally is an example of him having good standards or implying genuine moral goodness above G.U.N, considering he was cool with pointing a gun at Amy's head, who is around the same age as his cousin was who died via bullet, aboard the very place she died on.

He really didn't care about how he would've been no better than the soldier that killed his similarly aged cousin, with the same weapon, in the same place!

With the harshness of his threats and how he gets increasingly pissed during Crazy Gadget like "Sonic, if you don't come here, she WILL die!" and how he already tried to kill Tails and tried to kill Sonic and Tails again after this, his threats weren't empty.

So I'm seeing it as him taking it personally on the basis that she's a member of the family, the Robotnik family name, so an attack on a family member makes them a threat and enemy to him too.

Think about it, there's a conflict you're not a part of at all, you're just an observer but then two members of your family/your people/community etc become a target- that's when you go "oh this just got personal" because they're related to you, of your blood, and it means you're now a part of it too with your connection to them.

It's like that, except with Eggman's selfish nature, he's looking at it for how it poses as a threat to himself personally for his connection. They killed his grandfather and cousin in their slimy shady operations and they don't want to stop at them, that's when it became personal and a threat to him too and they have tried to directly take him out since multiple times in SA2 and Shadow 05.

Plus he's making Maria's tragedy all about himself with that in true Eggman fashion too, which we'll also get into.

And I want to note the very interesting difference in how Eggman acts on the subject of Maria when in private all alone to himself with his private memos, where he seemed to express absolutely no care about her tragedy and only expressed jealousy and resentment for how he feels he should've got all the attention instead.

He didn't expect anyone to ever hear these memos, he said many private things he'd never say to anyone else in them, a real intimate glimpse into his thoughts and feelings and that's what makes them so cool. He can express his bitterness and jealousy and resentment towards Maria to his heart's content.

Then compare that to how he talks about her in the Shadow 101- which isn't a private memo, it's a data log that he can present to someone else, us, the viewers. Which is why he talks like he's actually talking to someone else (Ex: The "treat him as extremely dangerous" part)

It's certainly very interesting difference to how he talks about her when people aren't supposed to hear at all in the memos huh 👀 After how much he heard "everyone" talking about her like she was so special, he knows what others want to hear.

And what comes right after this? Eggman's rant about how he was the one that released Shadow and he had to go ahead and be such an ingrate. This is very important to note because it works as him attempting to convince the viewer that Shadow not being on his side is this horrible disservice to him “after all he did for Shadow” and how he “cared so much about Shadow's only friend, my cousin” and he clearly actually finds the former amusing and scoffs at, by the way!

Two key things here, he's establishing Maria's importance to Shadow with her being his "only friend" and he's stating his own connection to Maria in being related to her as his cousin.

While he literally couldn't help but scoff at Shadow just wanting to live in peace with his only friend Maria, he still recognizes how he can use that in his attempted manipulation and argument for why Shadow should be on his side- and use the way that she's his cousin.

I'm related to his only friend Maria, I recognize how tragic her death was (because he heard everyone talk about her like she was special instead of giving him the attention he wants! He's putting it to use, eh 👀), I found and released him- these are all reasons he can feel and argue that he's entitled to owning Shadow

I'm also reminded of how Flynn said Eggman can be an unreliable narrator, which he specifically said when asked about implications to his past with the Egg Memo about Maria.

He's extremely biased and unreliable in his intended to be kept private memos, of course he's not going to be entirely truthful in his data logs and presentations too!

And his usual manipulative streak is very important to consider, especially on the subject of Shadow with his entitlement to him. It's his whole deal in the story of Shadow the Hedgehog 2005 which I've done extensive analysis of.

This 101 history video gave us yet another example of his "I'm entitled to him as a member of the family, I did so much for him, he's so ungrateful" attitude that he's always had towards Shadow. Behold, the entitlement compilation lol:

The first few examples are when he's saying how dare Shadow disobey him because he "made him" in lies and gaslighting. But in the route where Shadow knows the truth, even then he pulls the "it was MY grandfather who created you" card to express his entitlement. Literal emphasis on the MY:

He has always felt entitlement based on family connection, he can use both Gerald and Maria for this.

So he's still using a combination of that and now the way he was the one who found and released him as the reasons why he's still entitled to him now, creator or not.

And man the ME? ME! being the only word on his screen at the end of both sentences is perfect, really emphasizes how it's all me me me in his mind. Of course he's going to make everything about him, that's his whole mindset as the most egotistical self-centred narcissist of all time.

Of course he's gonna take it personally if something bad happens to a family member and he's gonna take even the smallest opportunity to make something about him. How can I make this thing about me, how does this affect me, how can this either benefit or harm me, etc. And whenever he can use it to his advantage, he will.

So yeah, I believe his words on the subject are very carefully chosen in this 101. He knows how to set up his case for why Shadow should be on his side, his weapon, his puppet, his property that he tried to trick and manipulate him into in Shadow 05 too. When lying about the origin of his creation with attempted gaslighting of him being an android doesn't work, he starts taking advantage of the truths.

I always theorized that Eggman would also try to use Maria's tragedy as a way to do so as well, if he were to actually mention her, many years prior to Frontiers. The way the only times he's cared to mention her was her name being the password in SA2, on the topic of his bitterness and jealousy in Frontiers, and as a precursor to his rant about Shadow- those are all under very interesting circumstances that are important to note. And boy do I like the implications hehe 💜

[the-bloody-sadist]

in case no one else has asked, please list your top 10 BL manga/manwha? 👀

i am. very interested in what other media you enjoy, especially BL

Combining these two bc I didn't wanna leave the second out!

(I wasn't a big fan of Blood Bank personally but I'm so glad it helped you with your world building Lil Whale!!)

I'm hoping some of these are unheard of for you guys because THERE ARE SO MANY BL/YAOI AND I READ THEM CONSTANTLY BUT NOT SO MANY ARE FANTASTIC AND MIND-BLOWING AND SPECTACULAR AND DEEPLY PSYCHOLOGICAL! I'm pretty sure I'll end up listing WAY more than 10, mainly because I want to highlight ones I feel like a lot of people haven't read. ALSO because I read so fucking many of them that I've collected a stash and NOW IS MY CHANCE TO YELL ABOUT THEM.

Just a disclaimer, these are not in any sort of order, as they're all about the same level in my head, just grouped. I'll list the "big name" BLs that I adore after these! First up are the ones that either have a quiet fandom or aren't well known! Since there'll be so many, I'm not going to say much about them, just know that usually no BL/Yaoi is perfect to me, since there are many bad psychology tropes here and there or unnecessary cruelties that aren't exactly realistic etc., but overall, I like the way that the story and characters are handled and/or love the art.

Here's the top five of my top ten that's not a top ten bc there are so many (I just said I wouldn't group them but I lied my ass off apparently):

Jealousy [Scarlet Beriko]: This is one of those that emotionally hits so hard that it will stick with me forever and I will usually tear up just a tiny bit when I think back to the moments that made this one so beautiful. A lot of times a story with major hurt, angst, and tragedy won't wrap up with enough to make me scream and cheer at the end. But THIS ONE DID. And I stopped reading for a while when a big event happened because I thought it would end horribly and I'd have to suffer three weeks of fiction-induced depression for a man who wasn't even real. BUT NAY. The themes you get in this one revolve around loneliness (huge draw for me, it always hits), mafia-connected characters and the rivalries from that, self-destructive prostitution, and characters who have difficulty receiving love without freaking out. Are those even themes idk. OH WELL. YOU GET THE POINT. I want this one on my shelf. You might've heard of it, but the fandom is silent so I never did. T_T OH ALSO THE ART ON THIS ONE IS GORGEOUS I FUCKING LOVE IT.

Hitori to Hitori no 3650nichi [Hitomi]: First of all, favorite manga artist. FAVORITE MANGA ARTIST. I'm never exactly sure if the artist is also the writer or if the writer is never the artist or...BUT IT DOESN'T MATTER. Anyway! I listed this particular title because it was the first that I found by this person - but then I discovered it was a part of a bigger series, and there are like I DON'T KNOW FIVE DIFFERENT MANGA?? OR SOMETHING??? Related to this one. I don't know which order, I just know that I read them all in a frenzy. THE CHARACTERS. OH! OH THE CHARACTERS! Oh my gods, it's so good. LMFAO. The arcs these characters have are fantastic, and I loved the fact that the abuser in one is shown to be the victim of abuse in a prequel story, and that his anger issues and other elements of his personality came about to affect him and destroy him. Just...I don't recall the details, READ IT. That's all. Spectacular depictions of nuanced trauma within abusive relationships.

The Beast Must Die [Lee Hyeon Sook]: This remains one of my favorite depictions IN ANY MEDIA of a psychopath, because it's SO accurate and I'm SO fucking proud of the author for doing their research and OH MY GODS YOU GUYS IT'S ABOUT TO GET A DRAMA CD LET'S FUCKING GO! This story is so good. It's so evil. It's so psycho-thriller. It's so WELL DONE. It features a dark academia-ish secret society within a college setting who hunt people for sport, sometimes. LIKE. Come on. And the psychopath (dark hair) IS THE MAIN LOVE INTEREST! You could literally hear the summary and go "oh this is for Sadist". And I don't get a lot of those that deliver this well. SOMETIMES the art makes me twist my head a little but YOU KNOW WHAT I DO NOT CARE OKAY? It's just SO good. There's murder, there's kidnapping, and - most importantly - a main character who doesn't just DEAL with whatever the psychopath does. He's smart, he fights back, he learns to understand psychopathy to determine if he should remain with the love interest...it's fantastic. That's all. I will stop. *BANGS THE WALL*

Aporia [Seontae]: ALL HAIL THE HEALTHY BDSM RELATIONSHIPS THAT STILL HOLD TENSION AND EMOTIONAL WEIGHT AND SPEAK TO ME!!!!!!! HELLO!!!!! This is my favorite BDSM-themed story. Everything is consensual, but is everything safe??? Not when it comes to the main character's emotions and tendency to sacrifice his wellbeing for a partner. BUT NOT TO WORRY, HIS SADISTIC LOVE INTEREST IS CONSIDERATE AND ATTENTIVE AND CARES ABOUT HIS FEELINGS!! This is, perhaps, one of my favorite depictions of a REAL sadist. A real one as in a realistic, irl BDSM-relationship sadist. Someone who is just as worried about taking care of his partner as he is about hurting him JUUUUST right. ANYWAY! THAT'S ALL! READ IT! HE'S LITERALLY ME!

Royal Servant [MasterGin, Chungnyun]: Okay, we were talking about healthy BDSM in the previous one, now let's talk about TOXIC BDSM-THEMES THAT I LOVE. Lmao. DO YOU LIKE MASTER/SLAVE DYNAMICS? DO YOU LIKE STORIES WHERE THE ARC LEADS TO THE ABUSIVE MASTER EVENTUALLY LEARNING TO NOT BE ABUSIVE AND LOVE THE SLAVE? YEAH ME TOO. I DON'T NEED TO DESCRIBE THIS ANY FURTHER. AUTHOR OF ANGEL BUDDY, THIS IS THE ONE THAT I KNEW HER FOR FIRST.

A bunch of other good ones you may or may not have heard of (I won't describe every one of these unless I have something particular to say, so enjoy the pictures from them that I snatched):

Love me in the Wilderness [Wang Tao]

Neon Sign Amber [Ogeretsu Tanaka]

Zetsubou ni Nake [Shinou Ryo]: Guys. This story is UNIQUE AS HELL. I had to say something about it. The premise is that a man who was raped turns around and goes back after his rapist and rapes him back, and then they fall in love. IT'S....the amount of times my jaw dropped was insane on this one. SOMEHOW IT'S WRITTEN SO WELL. SOMEHOW THEY NAILED THE STRANGE REALISM OF IT AND HAD ME TEARING UP OVER THE INTENSITY OF THE RAPE SCENES. VERY WELL-PACED, VERY TRAUMATIC IN A GOOD WAY. HIGHLY RECOMMEND. The way they come to love each other after this crazy foundation of mutual rape is IMPRESSIVE. Kudos to the writer.

Love or Hate [Yeongha]: This is a very well-known one but there's like zero fandom so I think it fits here. Also a lot of hate going around for it? Which I never understood, fuck those guys. This remains one of the most beautifully-written that I've ever read, and I mean that purely in like...the ACTUAL writing on the page. I'm talking poetry, purple prose. I just recall being blown away by that, and no manga before or since has ever reached its level. For once I felt like the writer was also a novelist because of the way that they put things, and had a clear voice in the style. Did the main boy end up with someone I didn't want him to end up with at the end? Yes. But I felt like it fit pretty well, and it was sort of a tragedy, and it was supposed to hit you painfully in the gut. A lot of people were mad at the main character for that and I don't really think it's fair. In any case! A beautiful story with complex characters and intriguing dilemmas. Highly recommend it.

Shangri La no Tori (Birds of Shangri La) [Ranmaru Zariya]

Two in Six Billion [Denzou]

The Pizza Delivery Man and The Gold Palace [Upi]: Great story and character-building so far! I will say that once it became porn, it dove a little too heavily into it for me. Like I only needed one scene of the porn, I was enjoying the panic attack scenes much more. BUT YEAH, IT'S ONGOING, SO WE'LL SEE WHERE IT GOES! But the panic attack scenes were the reason I read it and yes, I did tear up.

Sleeping Dead and Living Dead [Asada Nemui]: I RECENTLY FOUND THIS ONE AND ADOOOOOOREEE IT SO MUCH. I DO NOT CARE THAT IT'S AN OLD SCIENTIST AND HIS ZOMBIE PATIENT. NORMALLY THAT WOULD HOLD NO SWAY OVER ME, BUT OH GODS, THE ART IS SO PRETTY AND THE STORY IS SO GOOD. I LOVE THE LITTLE ZOMBIE MAN! I LOVE THE LITTLE ROMANCE THEY'VE GOT!

Private Lessons [ANCO, Mongya]: It's cuuuuute what can I saayyyyy it has BDSM and threesomes and I liked it. Very entertaining. Scratches the BDSM itch and the little SUB WAS SO CUTE. Anyway.

Kingyo no Ubugoe [Gontaku Nido]

From Points of Three [White Eared]: Threesome dynamics!!

Silent Lover [Qiang Tang, Bai Li Jun Xi]: I STOPPED THIS ONE AT A CERTAIN POINT BECAUSE IT DIPPED INTO WEIRD M-PREG AND STUFF I CANNOT READ. But BEFORE all that, I was deeply ingrained in this one. It has a main character who can't speak (a particular weakness of mine) and he's OH SO CUTE and he's given as a sex slave basically to the emperor (emperor? idk he's a kingly man, something like that), and the emperor is evil but learns to be soft and yet it takes a LONG TIME SO I WAS BAWLING HYSTERICALLY OVER SOME OF THE HEARTWRENCHINGLY PAINFUL SCENES IN THIS FOR THE POOR YUU-ER. A good read until it decided to go the omegaverse-by-magic-potions route. I didn't stay to figure out where it actually ended up.

Yoru wa Tomodachi [Ido Gihou]

Toumei na Ai no Utsuwa [Hitomi]

Re:Birth [Misuaki Asou]: The singular omegaverse story in existence that I actually liked. Hopefully that says a lot. Mostly because it's about the omegaverse elements NOT being present for the main character and him trying to fake it because he's lonely and afraid that his partner (an alpha *shakes off the disgusting label because who the fuck thought alpha was a cool word*) will leave him if he finds out he's just a regular guy (aka beta I guess? ABO is weird idc).

Sahara no Kuro Washi [Soutome Emu]: MASTER SLAVE MASTER SLAVE---

Haru ni Kaeru [Kunieda Saika]

Incorrigible [Bbong]

Well Done! [ANCO, Mongya]

Nemuri Otoko to Koi Otoko [Zariya Ranmaru]

Even If You Don't Love Me [Pando]: It dropped off SUPER hard (it's ongoing still) but damn was it good in the beginning. I am sick and tired of where it's at currently but the psychological manipulation and the horror of a certain twist in the storyline was CRUSHING to me. I only wish that it would have gone a better way after it happened, because it slowly destroyed itself and became like a lot of tropey rape stories. The asshole just keeps being an asshole and it's not really where the story seemed to want to go with that. But otherwise, it started off strong and I'll give it kudos for that.

Bigger titles I'm pretty sure everyone has heard of that I enjoy:

Saezuru Tori wa Habatakanai [Yoneda Kou]: Is it a little unrealistic that literally everyone in this story is gay apparently and wants to fuck one man apparently and/or rape him? Yes, absolutely. Does that matter once you're in the story and it's so good and all these unrealistic cruelties make a really strong bond between the main love interest and this self-destructive masochist who's probably not really a masochist but only interested in hurting himself because he doesn't know how else to handle his trauma from childhood? Ummmm yeah. Anyway! This one had a lot of inspiration and a lot of tears and a lot of obsession from me. I re-read it all the time, I watch the movie over and over, I listen to the audio drama and cry at my favorite scenes. Do I care in the end that it's a little unrealistic at times? No but I do laugh sometimes when I'm about to share it with a new person. Because BL is just like that generally and you've got to put up with a little of those tropes to find your favorite stories. THIS IS ONE OF THE TOP FAVORITES OF ALL TIME FOR ME BTW, IT'S ONLY SO LOW DOWN HERE BECAUSE PRETTY MUCH EVERYONE IN YAOI KNOWS ABOUT THIS ONE ALREADY, AND WE'RE ALL AWARE OF HOW GOOD IT IS.

ENNEAD [Mojito]: I will say that this is basically the best manga/comic/manhua...what's the Chinese word idk ANYTHING OF THIS MEDIA TYPE that I have ever read. It's not done, and people have been complaining that it's starting to fall into the common BL tropes but you know what I do NOT care. Mojito is a genius, Mojito is a master storyteller, Mojito is beautiful, Mojito is strong - I just love Mojito and this work. So much. The action, the horror of rape, the deep-set character conflicts and dilemmas and internal turmoils. Everything, nailed it. Nailed it. And not to mention it's set in FUCKING EGYPTIAN MYTHOLOGY AND THEY'RE ALL GODS AND THEY HAVE SUCH COOL BATTLES AND COSTUMES AND DUDE???? I'm so hooked. That's all.

Killing Stalking [Koogi]: OBVIOUSLY. I don't really need to say anything about this one except that yeah, some of the psychology is a little off and some of it is just super shallow. But I loved the characters and that's what mattered in the end. I fell in love with Sangwoo too and it ripped my heart out when I read the ending. I was depressed for like two weeks and it was the first story that had ever affected me that way, but I was also younger and this was one of my first yaoi/BLs and yeah. GREAT story though, fantastic storytelling, very lovable characters. Sangwoo was handled so much better than most "asshole/kidnapper/rapist" characters and I will never stop appreciating that, because a lot of writers tend to forget that your villains have to have redeeming qualities if you want us to like them (????). Jinx, I'm fucking coming for you. Suck my dick. KOOGI FTW.

Missing Love/A Married Man [In Hyerin]: Some of the DESCRIPTIONS of how trauma works especially of the sexual nature in this story are SO. SO. GOOD. However, I am beginning to grow VERY ANNOYED at where it decided to go with the most current updates of the story. The author did enough trauma to the main boy, now it's getting so incredibly excessive that it's overdoing it and the author's kinks are showing through. LIKE I GET IT. Okay? I do. But this one became too much and I need him to return to the actual story arc of going through that trauma so he can HEAL with the right person taking care of him.

MadK [Ryo Sumiyoshi]: I am into NONE of the kinks that would lead to me picking up this manga. I hate demons, I'm not a monsterfucker, I can't do extreme guro, and yet I SAW CANNIBALISM. THAT WAS THE ONE THING THAT I THOUGHT I'D GIVE IT A TRY FOR. And then accidentally I got obsessed because the plot is AMAZING and the writing is SO GOOD and who cares if I hate demons and monsters ALL OF THEM ARE BADASS AND HOT (??) AND IT CEASES TO MATTER. Good on the writer for making them appeal by personality alone and expressions and whatever else you signed a deal with the devil to make me like because it worked. Also the guro is beautiful, so it doesn't even matter. Hannibal levels.

Warehouse [Killerwhale]

Painter of the Night [Byeonduck]

Viewfinder/Finder [Yamane Ayano]

Given [Kizu Natsuki, Gusari]

Nii-Chan [Harada] (and basically every other work by Harada)

Sadistic Beauty Side Story [Geumsan Lee, Woo Yeonhui]

Dine With a Vampire [Pangin, Pinko]

Angel Buddy [Mastergin, Chungnyun]

My Partner's Tastes and Fetishes [Deok Hwa]

Interview with a Murderer [KJK]

On or Off [A1]

Steel Under Silk [Snob]

The Pawn's Revenge [Evy]: It was going to be SO GOOD! And then it dropped off harder than a boulder from a balcony and I have absolutely no idea why the author took it the way that they took it, but go off I guess. It's boring as hell now but it started off with promise and I enjoyed the art and character designs. Too bad, I suppose.

Caste Heaven [Ogawa Chise]: An old classic with all the sticky sometimes icky mostly ridiculous BL tropes but hey, it's cute. It's sexy. It's fun. I don't care.

Wet Sand [Doyak]: We're still in the beginning stage of this one but I'm excited to see where it goes! Plus the art SLAPS ASS like nobody's business.

19 Days [Old Xian]: I hate comedy, I hate fluff, I hate buddies that never become lovers, but none of that mattered when I picked this one up. The duality of man. Bite-sized chapters and ACTUALLY AN EVENTUAL ROMANCE that none of us thought we'd ever get.

Legs That Won't Walk [Black Apricot]: Although this one dropped off hard for me and I'm really just following it to see if it picks up again and does something interesting (it probably won't) I did enjoy it in the beginning. I just get tired of the "asshole just keeps being an asshole and nothing else but woobified slut keeps coming back to him??" without the strong and realistic undercurrent of Reasons Why Someone Would Come Back such as manipulation or threats or unhealthy attachment. Perhaps it was sorta there in the beginning with them but now I'm just like why are we still continuing this story.

Pearl Boy [Inking, Zoy]: *Awkwardly scratches neck* It's not the best okay? It's not. It's really not. I don't like half of the things that occur in this one, but the ART, bro. THE ART, BRO? That's what got me into it and what kept me into it, PLUS I do like little Jooha. I stayed for Jooha, too. Dooshik drives me a little batty most of the time and looks ugly for half the story to me, but when he's badass, he's pretty badass, so I can forgive him. I really don't know why he has such drastically changing appearances because I thought he was someone completely different for a bit LMAO. In any case, I have to admit I like the uhhhhh danger that Jooha gets himself into and the crazy things that make no sense but you know what he gets hurt and then there's comfort and rescue and they cry and I cease to care that it makes no sense. (Sorta, I don't actually cease to care I just laugh awkwardly and go okay sure that's how it works because it's so hard to find stories that don't do this LOL I'm beating a dead horse) BUT WHY DOES HE CUM PEARLS? WILL WE EVER KNOW? WHO THE HELL THOUGHT OF THAT AND WITHOUT A SUPPORTING MAGIC SYSTEM IN THE WORLD TO MAKE THAT MAKE SENSE? IT WENT DOWNHILL SO FAST AND THE ENDING IS TERRIBLE BTW. THE VILLAIN SUCKS.

That's it. I can't talk to much or I'll run out of words but HOPE YOU GUYS FIND SOME NEW READS!!

[suzukiblu]

do you have any kryptonians hcs that you think would be fun to see incorporated in more fics out there? like cultural stuff & biology

Ones I've seen before and really like:

Kryptonians purr

Kryptonians are built physically harder/denser/heavier than humans and don't have much "give" in their bodies

Kryptonians can tell that humans aren't the same thing as them, but humans can't QUITE tell that Kryptonians aren't the same thing as them; there is just the tiiiiiniest bit of uncanny valley there when they aren't deliberately trying to pass for humans, though

Kryptonians immediately just "recognize" other Kryptonians as being Kryptonian ( though maybe this one is at least IMPLIED in canon, though I've never been totally clear on that one--but like, a stronger version of it, if that makes sense?? )

Ones I've been slooowly forming myself for personal use:

Kryptonians have different voices and different hearing, in the sense that a Kryptonian has more tones/nuance in their voice and can HEAR more tones/nuance in a voice, and a lot of other species' voices sound flat or toneless to them because they lack those additional tones

"chiming" as a way for children to get their parent/caretaker's attention; basically a specific musical little sound that they make

Kryptonians typically only being physically expressive or emotive with close family members/friends, and vocal communication frequently being more emotive/descriptive for them than physical is

Kryptonians come in just sliiiightly brighter colors than humans do--eyes, hair, skin, etc

it takes a long time and extended time together to "learn" someone's heartbeat

food is generally served on specific complementing dishware, in terms of color/shape/specific meal

most clothes involve multiple layers, mainly a fitted undersuit that covers as much skin as possible, and then an overrobe or two that hide(s) the shape of their bodies as much as possible; specific cuts of drapery are a big thing in their fashion

wearing house crests is a Big Deal all the time and involves certain rites of passage/ages/etc

diet being fairly simple and minimalistic; they have rice but not really bread, eat more fish than red meat, and cuisine tends to concentrate on very subtle and natural flavors; there's not typically a lot of different things on their plate and they don’t generally use chemical preservatives in daily life

to a Kryptonian it'd be a LOT more normal that Kon and Match got made in test tubes than it'd be that Jon and Chris got made via natural births, and there would absolutely be a "is cloning worse or is just leaving your kid's DNA up to chance worse??" kind of argument going on there, culturally speaking

( also I could go on for a fucking MINUTE how Jon being a successful and healthy hybrid who is also apparently fertile enough to have at least one descendent alive and well in the thirty-first century is an insane and weird thing that makes very little sense that I DESPERATELY wish came up in more of the fics/canon that I see involving or mentioning him; seriously, Kryptonian DNA is so complicated that Bizarro syndrome is a regular thing in clones produced from it even by people who SPECIALIZE in cloning, but the kid who just got whatever random genes won the random race is the one who came out perfectly stable and healthy and has ZERO health issues/concerns? like, EVER?? hOW, canon. HOW. )

I will actually live and die on the hill of "Lex is more genetically compatible with Kryptonian DNA than Lois is" because fuck a) biological determinism and b) loving couples DO frequently have to deal with genetic incompatibility and that's just much more interesting to me narratively, and also I love the weird little not-quite-tragedy of that concept, both in how Lex refuses to be an ally to someone he actually is so naturally “compatible” with and in how Lois would have genetic compatibility issues with someone she loved so much and was loved BY so much

ONE DAY I will write the fic where Jon is actually NOT a healthy hybrid and has a ton of health issues from birth and can't even use any Kryptonian powers without having a freaking asthma attack or HEART attack, resigns himself to it just being an unavoidable Kryptonian-human hybrid thing and that he'll never live up to his dad or grow up to be "Superman"--and then one day an oblivious newborn bb clone Kon shows up out of the blue in perfect health with EXTRA superpowers and very publicly declaring that HE'S gonna be Superman someday, and everyone in the Kent family has to just deal with that and how they all feel about it. ONE DAY.

[slackerlifewhere]

Involving kids in battles

There are a lot of opinions about Cale Henituse, formerly known as Kim Rok Soo. Some readers love him and some readers don't. Some find him funny and some think he's annoying. Some see his selflessness and some judge him as selfish.

He's a very complex character that is just tired of the bullshit the gods did to a lot of people including himself.

But the one thing that some readers do not like about him is how he includes kids in wars and battles against multiple powerful threats.

I've made a post about female characters that slightly mentions this. It can be found during On's part in the post if you're curious.

So here's the thing about the kids in TCF, or rather, the kids in Cale's group. They're strong in different ways.

And most of them, excluding Lily and Basen, are not humans.

To understand why I think their presence in battles are okay, let me first bring up Kim Rok Soo's past to understand the way he thinks.

As we all know, at least the ones who finished the first book, Kim Rok Soo did not have the best life. His parents died from a car accident when he was young and he was left to his abusive uncle. He was mostly alone with no connections to other people (for reasons you need to read about if you haven't yet) until the apocalypse (when he was a young part-timer) happened where he had to survive by himself until he became a member of a team with different abilities. He was a member who had to fight and watch people die when he was young until he's 36 years old.

He doesn't have a normal life and childhood.

'Kim Rok Soo had once had to starve in the past. He did not enjoy seeing children looking so skinny. Although Lock had always looked feeble and his tall height made him skinny from the start, he seemed even thinner now.' - Chapter 234: Something Obvious (3)

So if a person who grew up under these circumstances is suddenly thrusted into another world where anyone can die easily, what would he do?

Basen and Lily

His first reaction to the idea of Basen being sent to the plaza where Cale knows a tragedy might happen, is to agree with Deruth's idea of replacing Basen, knowing full well that his younger brother will not come back completely fine, especially since he's a normal kid. He chose to sacrifice his safety for a brother he barely knows since he recently just got transmigrated in this strange world. Basen is more fit to help in their territory than to fight in battles. And he does not see this as a weakness.

When Lily asks for a sword instead of a normal toy a child of her age would normally want, he easily agrees. This is a kid who wants to learn how to fight. He knows that there will be war coming to Roan Kingdom and their territory will be the first to face this danger. So the idea of her learning how to fight, with the mindset of someone who survived in an apocalypse, made him agree without complaints.

Raon Miru

Fast forward and he gained the trust of three children who are harmed by a tribe and a cruel noble. He pities them but also understands their pain at the same time, especially after everything he went through. He knows coddling them would not make things better since they already know how harsh the world is.

Raon is a baby dragon but he's stronger than all of the people in his group, except Eruhaben. He's a kid who easily talks about destroying the world if Cale doesn't wake up after fainting. He's a kid who wants revenge against Venion and he never let go of that anger even when he was freed by Cale and his group. He knows he's stronger than Cale and does not want to leave this "weak" human despite the strong enemies they face.

But Cale, even with this thought of "putting him to use" at first, told him to hide himself in all battles and when around strangers.

Even though he knows Raon can fight, it's obvious the little dragon will face potential problems if everyone knows there's a dragon in the group. Arm would do everything to get Raon and bring him to DHB, the nobles would probably become greedy, a lot of people will rely on him for things he shouldn't even need to do, and Raon will never be truly free from all the expectations placed on him.

He could leave Raon with Elves and Eruhaben but considering what Arm did to the elves, Eruhaben's lair, and Olienne, there are no safe places to leave him.

Cale gave him the freedom of choice. He can live freely as a dragon without trusting a human. He was fully confident that Raon will not follow him. But he did. So Raon is his responsibility now.

I made a post about liking both Cale and Reigen Arataka and I can honestly see their similarities in this part. They know the kid with them is stronger than them but they also know that fully placing all the responsibilities and expectations on this kid will ruin them.

He, like Reigen, tells his kids that it's okay to run when facing a strong opponent. That it's okay to rely and let the adults handle the hard part of the battle. He respects and relies on them when necessary and pulls them back when they face real danger.

When the White Star first appeared, Cale's first instinct was to hide Raon in his arms and to defend themselves from the man. He was also prepared to fight until Eruhaben appeared. No matter how much Raon wanted to fight, Cale kept hiding him and was genuinely scared for the dragon.

So yes, he cares for the kids in his own way but doesn't treat them in a patronizing manner.

On and Hong

Like I've mentioned in my other post, On and Hong also did not have a great childhood. They were chased from their tribe who wanted to kill them because they're "useless" and mutants.

They did not trust anyone until they met Cale who says one thing and does the opposite. They placed their trust on Cale who may appear indifferent and cold but seems to care for them by giving them bread, medicine, and meat without having expectations from them.

Some readers might find it distasteful but it's obvious that they want to be useful, no matter how small their contribution is to the fight. I think the term "useful" makes it cruel but for them, it's something to be proud of. When he first uses this term, it's when they were saving Raon. But his next instinct was to check if they're okay after infiltrating the cave.

Is it bad to let these kids fight after they escaped death? Yes and no.

They should be safe, away from harm or danger. That's normal to think about children and I agree they need safety like normal children. But once again, these kids aren't human and they are in a different world from us. They grew up in a tribe that expects them to be strong so in every opportunity, they look for ways to be strong.

That's not exactly a normal kid's way of thinking.

And again, Cale's initial indifference to everything around him is the extension of what his former life did to his psyche. He's not a normal person either. None of these characters are normal. Oddly enough, the most normal are Litana and Valentino.

And in all honesty, knowing how he thinks and respects someone's needs and wants, if they want to stay away from danger or stop fighting, there is no doubt he would accept their wishes and let them hide somewhere far away from Arm. But like Raon, they want to fight back against the tribe who wants them dead. In a sense, they also want revenge and to prove everyone that they've become strong.

Lock and the Wolf children

Lock is still a young boy, no matter how much he shoulders after the death of his tribe. I still see him as a kid like Basen.

When Lock was having troubles during the war, Cale did not scold him. Instead, he encouraged him to eat since he noticed how Lock hasn't been eating since he first learned he can't use his berserk form. He told him that he did not need to fight. His only role was to stand and protect Raon. Simple but it made Lock feel relieved and happy that Cale didn't get angry at him for being weak.

I see it as Cale just wanting him to step back and get stronger, to rely on the rest of the adults and to not worry about regressing. I can only imagine what Kim Rok Soo went through to be so wise about this kind of situation.

This part is one of the most memorable to me because of what happens at the end of the battle,

'I am the adult.

I am the guardian of these two children.

I need to take full responsibility since I chose to take them in.

I need the Super Rock's power.'

Cale, despite all his inner complaints and initial reluctance about how he's suddenly involved in a group of children's safety and protection, finally admitted how important it is that he takes full responsibility of those he took in. And the way he does it is by "sacrificing" himself.

When Lock finally overcome his fear and was about to protect Cale, Cale got annoyed and said,

"Children grow up so fast" with a pat on Lock's head.

He sounded like a father or an uncle who was proud of Lock for overcoming his obstacles. This one scene among multitudes of others made me recognize how much he cares for these children. It's happening mid-battle but it doesn't detracts the emotional value but only increases it. It was another reason why I find Cale Henituse so interesting and mesmerizing.

Conclusion

Cale Henituse, for all his self-hatred and low self-esteem, does not bring down a child or person's confidence. He gives them the choice to become strong and protects them when they're weak.

He does not force them to do anything they can't or don't want to do. He knows what he went through as Kim Rok Soo is bad and he doesn't want them to go through the same thing.

Reading between the lines made me see that there's something deeper than what Cale shows.

___

I'm not gonna lie, I sound like Clopeh at some parts whenever I write like this. I felt the same when I was writing about the female characters lmao

I'm sorry if this is so long 😅 I became too passionate about this topic. I understand the people who are worried about the kids but this is still my opinion about it.