#and at the beginning of sentences

[my-chemical-cas]

Dean coming out to anyone else first << Dean coming out to bobby

Dean is drunk off his ass because it’s the only way he could manage to do it. I imagine it’s Stanford era dean? And he’s like, HEART BROKEN confessing this to Bobby. Like he’s telling him he just murdered a bunch of innocent children. And Bobby is mad, at John. For filling deans head with such stupid shit. And tells dean such. And then pulls him into a real, honest to god bear hug. And deans hiccuping, drunk, probably crying a bit but they mutually decide not to mention it. And Bobby tells him about some hunters he’s known over the years. How fine they are, how people in the hunting community tend to not give each other shit over it. And then they never speak about it again. However Bobby does remember finding a teen magazine in his house one time, with hearts and little doodles drawn around Patrick Swayze/Patrick Dempsey/Harrison Ford. It was never really a surprise.

[kazraza]

lmao doesn’t even mean “laughing my ass off” anymore it’s just “lmao”. she is like a brother to me

[shepscapades]

I…. I d. I don’t…. I don’t..

[yet-another-haven-of-dollya]

N.N.N is over, it's time for D.D.D

[redactedcrowart]

508674490205402479706314796864630680869369077811119428391436709549024497908162273368108540422084022079569335651244898

[i-might-be-a-simp]

Honestly from the beginning there was something so off about Cale who did not even flinch at the sight of corpses, gore and just the overall massacre that was the Whipper Kingdom when he headed there for the first time.

I'm so happy the author didn't pull the "well he transmigrated! he is just kinda tough headed from the beginning" card that i usually see in these types of stories? it always frustrated me because no, a normal person would not be able to see a battlefield and be okay with it, I really like it when there is a reason and its not just an odd characteristic/ plot hole. I kind of brushed over this moment when i first read TCF and it really goes to show how I just gave up in trying to find a reason for things in transmigration manhwas.

So big big props to Yoo Ryeo Han for always being so iconic and making me look out for twists and revelations. The author perfectly used the situation to hint at what kind of life Kim Rok Soo had lived on earth.

Like this is NOT the face of someone who was a loner reading novels at home. This man has been through SHIT.

{ch69} hehe nice

[kidovna]

🤝🏻 part 1 (next)

[happyheidi]

[khaire-traveler]

There is a greatness in the names of deities that, when uttered from my lips, fills me with a momentary sense of awe. A quiet and unspoken power that lies within them.

·° ★ *·

Hestia. A humble energy that is both the First and Last of all the deathless Olympians. A welcome comfort in times of trial that brings with her the love of a sheltering home. A soothing warmth that can be found without the presence of a kindled fire, for her arms are open to all and to all she provides an internal flame.

Zeus. An unmatched power that shakes the skies and brings the most indomitable beasts to their knees. A hardy will that bends the sturdy hands of the fates and dishes out blessings and curses in equal measure. A mighty presence that cannot be overshadowed nor overcome by any other, though it is a brief encounter when the name is merely spoken.

Hera. An elegant strength that is carried with the grace of a lioness, royal in nature with a silent yet undeniable authority. A razor-sharp gaze that can cut through the hardiest of stone and pierce the heart of any person who dares to question her rule. A confident presence that knows when to show compassion and when to assert one's power, certain of her worth and limits.

Poseidon. An earthshaking presence that commands the respect of those brave enough to traverse the crashing waves. A nurturing caretaker who oversees the health and wellness of every underwater denizen. A flowing energy that rolls in and out, rising and falling, ever-changing as the tides of life itself.

Demeter. An ever-caring mother of the very land we tread upon, the soil that squeezes between our toes. An unyielding mountain of power that provides for every manner of creature that roams the earth. An ever-changing force with the variability of the very seasons themselves that plants the seed of transformation within every person she encounters, simply by her nature.

Haides. The gentle yet sturdy ruler - the king who rules us all, in the end. The certainty of an ending paired with the uncertainty of the details. The warmth of burying your feet beneath the earth and watching plants grow over them. The curiosity of change in all its forms, and the subtle comfort that comes with its acceptance.

[pixiest1cks]

i'd like to think no matter where he's at in his life, dottore likes to ramble as he works.

no matter if he's prime, or the more ill-tempered scholar from the akademiya or even omega build, dottore quietly mumbles as a habit when he's working.

some things he says aloud are just to commit certain details to memory. in the grander scheme of his plans, the details seem small-- but they hold a crucial grip on the entire project. because of this, dottore reasons that the habit holds its merits.

sometimes, he makes sarcastic remarks when something doesn't go well. short, choppy words that mostly go unheard even by those in his general vicinity. when you first worked under him, he had mumbled to himself like usual (it was second nature at that point). what he hadn't expected though, were your responses.

"stupid thing tightly screwed--"

"do you need a wrench, sir?"

before he could respond, you had one held and ready to hand to him. from then on, you would help him out here and there in his more foul moods and dottore would be lying if he said the additional assistance wasn't helpful.

the mad scientist had found an adequate assistant.

work went by smoother, toning down a good portion of his irritation. it's almost as if having someone to support you (even if it was strictly for work purposes) provided more benefits than he had originally thought. of course, he would never admit that. the most he would do is thank you here and there when you proved to be extra useful.

work continues the same for a while. the interactions grow more frequent and so his musings change from your responses. instead of talking to himself, he talks to you. he asks you for your input, for you to pass him whatever he can't reach from his other desk, he asks for you.

that is, until you're gone one day.

dottore doesn't think anything of it. he's worked alone for his whole life, what's a few days without you? but his segments have been more irritable as of late, resulting in lackluster performance as a whole not only from his segments, but his troops. the fatui are fearful of the doctor, but even more so of an irritated one. you'll turn up eventually and everything will be back to normal, he reasons.

but as the days go on, you are still nowhere to be found in the cold, desolate laboratory. he finally pauses in his work to think about where you could be.

something must've happened. something outside of his jurisdiction. it's not like it's his problem. you might've proved a useful assistant to him, but his work holds utmost priority.

yes, work. back to work.

and dottore mumbles as usual, but it's not the same.

by habit, he calls out for you to hand him something--

but you're not there.

dottore is a scholar first and foremost. all it takes to find you is a little bit of research, so he does exactly that. he finds out you've been working somewhere else, somewhere closer to home to better support your family.

well, that's no problem. he'll have his assistant back as soon as possible, no matter the cost. all he needed to know was your whereabouts.

[lingerdingdong]

Marc Revelado Documentary clip and English transcript

[hedgehog-moss]

I was reading a book of musical anecdotes written by un pernicieux rosbif an Englishman not very long after the last Napoleonic Wars and you can tell relations between our two countries were still somewhat tense 😔

At one point he goes on and on for a whole page about how gorgeous the Paris Opera is, "sumptuous", "magnificent", the interior décor is "one of the finest in the world", "a chandelier of the grandest order", and the painted ceiling!, and the blue velvet in the boxes!, and you're like "he's saying nice things? about us? 🥺" — then he concludes with:

"the opera in Paris is top-tier in every respect except if you want to listen to good opera"

[coquelicoq]

if you're wondering what the big deal is about the louis-philippe sentence in les misérables, it is, in the original french, 760 words long. the subject of the sentence doesn't appear until 95% of the way through, at word #711; the main verb is word #712. the sentence contains 91 commas and 49 semicolons and is almost entirely a list of laudatory adjectival phrases describing the erstwhile king of france. this is perhaps especially notable because les mis is, shall we say, not known for being particularly gung-ho about the monarchy.

this sentence copied and pasted into Word takes up more than one page single-spaced. in the 1800-page folio classique edition, it is fully two and a half of those 1800 pages. that means that les mis is 0.14% this single sentence. more of les mis is made up of this sentence than earth's atmosphere is made up of carbon dioxide (0.04%). if the page count of les mis stayed the same but every sentence was the length of this one, les mis would consist of only 720 sentences total.

incidentally, guess who named hugo a peer of france 17 years before the publication of les mis?

[froschli96]

You know what, fuck it, I have to speak my truth! (this is gonna be a rant, so anyone who actually likes assassin's creed revelations and/or the secret crusade, be warned or maybe don't read this at all)

remember how altaïr talks to king richard at the end of ac1, and richard is like "[humans] come into the world kicking and screaming, violent and unstable. it is what we are. we cannot help ourselves."? and how altaïr answers "no. we are what we choose to be." and how that ACTUALLY has meaning bc he himself was "violent and unstable" at the beginning of the game but he has learned and is now CHOOSING to be a better person who cares about others and humanity at large? remember how his calmness and gentleness was something that he ACQUIRED over the course of the story?

and remember how in revelations they then suddenly had a PRE-AC1 altaïr say about the first of his targets "no man should pass from this world without knowing some kindness." and be all wise and calm and collected during a nice little chat with al mualim, who suddenly acts all fatherly? (like, this is suddenly supposed to be a positive relationship? what??)

also, during the confession the target says to altair: "you put too much faith in the hearts of men, altaïr. [...] humans are weak, base, and petty." and altaïr answers: "no. our creed is evidence to the contrary." KJASJFJDKL???? like, it’s almost insulting how close this exchange is to the one with richard. you know, the one that was actually earned after a whole game of character development. like WTF??? cool congrats now that development means nothing. like, apparently that was just altaïr reverting BACK to being the exemplary assassin who understands and believes in the creed that he was apparently just born as. (i also hate how having a young inexperienced altaïr saying this implies that altaïr's faith in humanity is a sign of naivete instead of a sign of the wisdom he has gained after being confronted with counter arguments for a whole game, and also something that distinguishes the assassins from the templars who use humanity's supposed wickedness to justify controlling them like in AC1, but whatever)

altaïr’s development in AC1 mattered BECAUSE he is not NATURALLY a good person, it actually said something about humanity's capacity for both bad AND good and how humans don't have to be forced to be good through mind control bc they can by their own free will choose to be better when taught how and when allowed the freedom to grow. but no. apparently altaïr has just always been calm, wise and gentle. and he just sort of forgot about that during AC1 bc…. ? bc of adha?? bc of abbas???

oh don’t get me started on the whole abbas thing. (it doesnt even make sense that abbas is so hung up about his father and "his family’s honor", like what about the whole point of al mualim not allowing parents to be close to their children bc it would make them weak? like, my dude, you’re not supposed to HAVE any family aside from the brotherhood)

they used the throwaway character that had like 5 lines and made him into altaïr’s main antagonist in revelations… like, abbas wasn’t supposed to be this ONE dude who had personal beef with altaïr, he was just supposed to show how while altaïr’s revered by many, a lot of his brothers also hate him, bc 1) altaïr is a shitty person at this point and 2) bc there’s no real feeling of community and family in this version of the brotherhood, but just a pervasive sense of competition and jealousy — these assassins don’t care about their goal of safeguarding humanity bc they’re too hung up on petty squabbles and divided by rivalries (you know, the things that made malik hate altaïr even before solomon’s temple and that he overcomes in the end which enables him to forgive and to reconcile with altaïr so they can work together and stop al mualim? (you ever just think about "we are one. as we share the glory of our victories, so too should we share the pain of our defeat. in this way we grow closer. we grow stronger." and cry? bc i do. all the time. malik, the man that you are))

and now abbas is altaïr’s childhood best friend turned lifelong enemy?? like, bowden bent over backwards to come up with an explanation for why altaïr is an arrogant ass at the beginning of AC1, when the explanation is right there: he was raised to kill without asking questions and was constantly praised for how good he is at murder, which resulted in him becoming arrogant and disregarding human life. like, it doesn’t have to be some shakespearean family feud type shit. and guess what, this "simple" explanation actually plays into the story’s themes, who’da thunk!

(like, abbas might not have been a "fleshed out" character in AC1, but he had a specific function and now that function is gone. mr bowden, mr mcdevitt, you know characters are allowed to simply exist to tell us something about their worlds and the systems they live in and sometimes that’s more important and also more interesting than having every single character have a detailed backstory to explain all their behaviors, right?)

with all of this revelations loses all nuance in regards to the levantine brotherhood and also the creed in general. like, altaïr being a master assassin at the beginning despite being a terrible person and not actually understanding the creed is a criticism of the brotherhood and the creed itself. like, it said something about the order that someone like altaïr was able to get that high in rank, simply bc he's good at killing, which also tells us what is considered important in the al mualim era assassin order. when you make altaïr’s arrogance the result of his personal conflicts instead of how we was raised by a brotherhood that only valued one's ability to kill, you lose that characterization of the assassin order itself!

and by suddenly making al mualim a semi good "father figure" you also downplay his manipulation of not only altaïr but all those under his care. (altaïr says something about al mualim being "as a father" to him exactly twice in the codex, but he doesn’t mean by that that he WAS a father to him, what he means is that he was the CLOSEST THING he had bc HE DID NOT HAVE PARENTS, not because his mother died in childbirth and his father was executed when he was young btw, BUT BECAUSE IT WASN’T ALLOWED, like his parents actually lived but weren’t allowed to be close to him, he says he came to view al mualim’s "weak and dishonest" love as enough and even better BECAUSE HE HAD NOTHING ELSE, BECAUSE AL MUALIM ISOLATED HIS ASSASSINS FROM THEIR FAMILIES. al mualim "loved" him bc he was good at killing people for him! hm, i wonder if this could be trying to say anything about cults and indoctrination and the inherent contradiction in fighting for peace and free will by taking children away from their parents and raising them to become killers?? like, altaïr wasn't ~the special orphan boy~ taken in by al mualim bc his father died a hero's death, it was "the way of the order" to have al mualim be the closest thing to a parental figure for everyone to ensure absolute loyalty! altaïr saying al mualim was like his father is not supposed to make you go "oh, he must have actually been a good guy for altaïr to consider him a father", it should make you go "oh that's kinda fucked up that he considers the dude who made him into a killing machine and who manipulated him a sort of father figure"!)

and then in revelations they suddenly portray that relationship as positive and healthy??? like, it would be one thing to give it some nuance by delving into the psychology behind al mualim’s "love" and maybe showing how al mualim did care about altair in a complicated, fraught sort of way (like, you know, there’s a lot of interesting things you could say about al mualim at several points addressing altaïr as "my child" in AC1 and how that parallels Garnier referring to the people he drugged and abused as his "children", and what that says about how the templars view the people who they say they want to save and in whose best interests they supposedly act (in any case, al mualim doesn’t use that phrase because he has any real parental feelings but rather to patronize and to invalidate any objections, like in a "mother knows best" way))

but they even fucking DARE to parallel that relationship with that of altaïr and darim in revelations, by having the reflection in the puddle of darim hugging altaïr showing altaïr hugging al mualim…. like their relationship wasn’t inherently abusive but just tragically cut short because al mualim was just "corrupted by the apple"… like WHAT???? so it’s not the very real problems like grooming, manipulation and indoctrination and the hierarchical structure of the brotherhood itself (all of which are antithetical to the assassin ideology), it was just the evil apple all along. great. that’s DEFINITELY a lot more interesting.

god im sorry i really dont want to spread negativity but this is driving me INSANE. like, somebody please tell me im not crazy bc i feel like somehow most of the fandom is in agreement that revelations and the secret crusade have better storytelling and characterization than ac1.

SPEAKING OF WHICH, can we talk about how, even IF we completely ignore AC1 and treat revelations altaïr as his own character…. the narrative still doesn’t really work?

basically, the whole point of his story in rev is that "he gave his whole life to the brotherhood", this obsession led to him not using his time with his family which has him ending up dying alone in a dark library and this in turn makes ezio reevaluate his life choices…. except. he doesn’t? neglect? his family? or whatever? like, his devotion to the assassins is sort of painted as this tragic flaw that leads to a lonely death bc it supposedly comes at the cost of his family, but… his wife has joined the assassins, (at least) one of his sons is in the brotherhood and even when he goes to protect the assassins against the mongols, he takes his family with him (except for the son who stays behind bc he has a family of his own and who, ironically, ends up dying bc of that)… like, you can’t describe altaïr as a good husband and father in the database and have his son tell him that "everything that is good in me began with you, father" when they say goodbye, and then want to make us believe that he put his family behind the brotherhood and that that is a character flaw that leads to his tragedy.

because you HAVE to have a character’s tragedy be the result of a character flaw. like. that is how tragedies work. otherwise it just becomes tragedy for the sake of tragedy which is… boring bc it has no purpose. and we know it is SUPPOSED to have purpose bc ezIO FUCKING QUITS BEING AN ASSASSIN AFTER WITNESSING IT!

it’s like they want to have their cake and eat it, too — they didn’t want to actually make altaïr a bad husband/father, but still wanted to make his life a tragedy where he loses his family which is why instead they outsource all responsibility to abbas who now has to be the reason for ALL the deaths.

like, they try to make at least maria’s death kind of sort of the result of altaïr’s rashness or whatever but like… these guys KILLED THEIR SON and TOLD HIM THAT ALTAÏR HAD ORDERED HIS DEATH. like, altaïr losing it in response to that is not rash, it’s fucking logical and justified! if anything the scene made me angry at maria for trying to stop him. like, GIRL, he was YOUR son too??? but god forbid we give female characters actual real emotions, she has to fill the role of "voice of reason who dies for altaïr’s man pain" i fucking guess.

like, it’s this weird mix where his tragedy is simultaneously painted as his own fault but also not really bc abbas is the one responsible for all the shit that happens. it just… it just doesn’t really go together.

the only way to make his story make sense narratively and to give it actual purpose is by looking at it in the context of ezio’s story, bc the things he sees in altaïr’s memories are supposed to be a revelation (ha!) to ezio specifically. and i guess that’s maybe the crux of it all — altaïr’s story in revelations was conceived of first and foremost to support ezio’s story and development. which is probably also why many people maybe don’t notice bc, having skipped ac1 and started with ac2, the majority of people mostly care only about ezio and only really appreciate altaïr’s story in as far as it serves to push ezio forward. (tho i’ve also seen a few people say that ezio is also written kind of weird in rev, but i’ve never really been an ezio girly myself so i can’t speak to the truth of that)

like, altaïr dying alone in the library doesn’t really have to make sense for his character, i guess, bc it’s only really supposed to be a cautionary tale for ezio.

so, i guess, for once, they actually had a MAN dying for another man’s character development, which is pretty woke actually. ubisoft, i take everything back jksdsfjhgdsahfhsdhfghfdsgjhsdgjh

[whitehairedanimeboyfriend]

Conversations on here will basically be like

"Hey these new reproductive rights issues are affecting trans men too so let's make sure we include them in the conversation, instead of calling it women's health issues."

"Would you stop complaining? Trans women have it worse than trans men. TERFs want to kill us but only detransition you."

"If living as the gender you are not is so easy why would you transition in the first place? Obviously trans people transition because they can't live with existing as a gender they are not. Obviously "just going back" isn't an option because we often fail to behave the way we're expected to anyway. Forcing any trans person to detransition is a death sentence in and of itself."

"Why are you always speaking over transfems when we talk about transmisogynistic violence???"

[xdraonarts]

His curiousity alone would probably make Aelric the emperor's nightmare dream drow bf i think