#and being three times my age

[voidsaps]

ballistic's ballistics.... <3

[moeblob]

Happy Birthday to Ferdinand von Aegir!

I actually made 33 emotes, affectionately known as Aegirglyphics to some, for my own personal use on discord. However, I figure why not share some of them! They're free to use for discord servers/icons/pfps or whatever. However, my only request is Do NOT use them as subscriber emotes on Twitch. You can make them free follower emotes but you are not to make them locked behind a paywall.

[b4kuch1n]

weather's turnin' cold

transcript

[bowieisbored]

If you know me irl, please pretend you don’t see this. I’m talking SPECIFICALLY to you, E.

Anyway, this was supposed to be a list of head canons but I got carried away and it turned into a Drabble.

OMFG WHEN I POSTED IT LAST NIGHT I DIDN’T INCLUDE THE FIRST HALF OF IT IM SO SORRY (to the three ppl who read it)

Only proofread by me, and I’m tired.

Pure fluff.

Hannibal Lecter x Artist!reader

E, I TOLD YOU TO GET LOST!!

Artist!reader and Hannibal sitting together in bed, reader is tracing every detail of his face as Hannibal gazes into their eyes, almost trying to read their thoughts. Artist!reader will gently place their fingers under his chin and press their thumb against his cheekbone, then run a finger down his nose that seems to curve out ever so slightly, only to finally graze over his thin, pink lips and their prominent cupid's bow. They’ll feel his lips pull further into a straight-line smile under their touch and immediately notice how one side of his top lip rises a hair higher than the other. Artist!reader will finally look back up into Hannibal’s double lidded eyes, trying to imagine how they’d replicate the color of his irises. A writer might get away with throwing them under the vague category of “hazel”, but an artist has to find a way to actually replicate the dominant shade light chestnut, and shadows alluding to the same pale green of dried moss.

Hannibal would simply put a hand on the back of their neck and pull them into him so that he can briefly take in the scent of their hair, and the feel of it against his skin before pressing a lingering kiss to your forehead. He’ll have you look back into his eyes so he can tell you, “Goodnight, my darling {reader}.” Then he’ll snuggle back into theposition of their head nuzzled into his chest, his face buried in their hair, and his other arm under their head in place of a pillow.

“Guh’night.” Their words are muffled against Hannibal’s chest, but he understands them fine.

He knows they’ll dream of him. Everything they’d consciously memorized had been packed up into a suitcase for their subconscious to take into its own world to keep safe.

Hannibal will dream of them, too; the look of adoration in their eyes, how delicately they treat him, the way they seem completely entranced by him, and him alone.

I’m such a hopeless romantic dude kill me. >:[

[megumi-fm]

.

[vanlegion]

After careful thought...

I am now convinced RVB is, in a nutshell at its core, two twenty year long dimetric slowburn romance tropes comprised of viewing each from the lens of 'I'd die for you/I'd live for you' while accounting for the repercussions of those choices on the lives of those around them while also examining at the same time the 'Inability to let go/ever start' and how it ultimately locks your mind in a perpetual state of 'What if?' without taking the risk of DOING all by asking the simple fucking question

Ever wonder why we're here?

[kingtuna]

Me waiting patiently for someone to upload the new TBB episodes to someplace where i can watch them without needing disney plus, so I can see my baby boy(s):

[hand-face-chan]

I'm only halfway though Hbomberguy's new video and I dont know if this is a universal experience but my main horrified takeaway from hbomb's plagiarism video so far is that one of my highschools TAUGHT AN ENTIRE CLASS OF 13 YEAR OLDS TO PLAGIARISE. LIKE, ON PURPOSE.

I ended up moving to a much better highschool, but my first highschool essentially taught us to "write" essays by reading what someone else had written and then write what they said again but putting it "into your own words". Which in practice was teaching us to change, for example, "the works of Shakespeare were regarded by many as the first popular art form" to "Shakespeare's plays have been said by some to be the first example of popular media". One teacher actually told us that the process of writing an essay was "saying what the people you've researched have said, in a way where it sounds like you said it".

Like. The tactics that actual plagiarists use to hide the fact that they were stealing. An actual teacher tried to teach me to do that.

[andthebeanstalk]

If media has taught me one thing, it's to never own a paperweight capable of causing traumatic brain injury.

My dad owned a heavy glass paperweight once that tapered into a sturdy sharp point on the top, and the fact that no one was murdered with this at all before his retirement from the lawfirm is the surest proof I have that this reality is in fact not fiction.

[slightlytoastedbagel]

actually On Your Feet gave us two good things (well. three if you like Realize which I do). Kohane's "it's frustrating" line and the great crack fic idea of Vivid Bad Squad getting cancelled online for skipping school to yell at The Kotaki Taiga as he was about to go back to America.

[iwonderwh0]

If there's one thing to thank anti hankcon discourse it's for the folks around their thirties gathering to tell the teens that they are, in fact, adult enough to decide for themselves who to fuck with and that they do, in fact, find older people attractive.

(And also collectively asking folks in their teens-to-early 20s to stop using the word p*dophilia when talking about literal 30+ years olds.)

Like really, throwing this words in relation to adults downplays its actual weight in its actual fucking meaning, and this is really scary. Age gap might be a controversial topic but not anywhere near it is a matter of comparable scale to what the word ped*philia stands for. Don't turn this word into a buzzword, I'm begging you.

[sqlmn]

Ananza is the wind deity, though she's not the first with that honor. Originally the elder gods selected a man as their wind deity but after he witnessed Oh and Fulj being punished he requested to relinquish his role. Basically asking them for a mortal death rather than immortality. They obliged since the deities exist to help humans and a miserable deity won't do the job properly so no need to keep a deity bound to a task they don't want to do.

So Ananza was selected as a replacement. Fulj has no recollection of the first wind deity and Ananza has already been told by the fire deities that it wasn't Fulj's fault but she was the final straw for the former wind deity. So, Ananza doesn't hold any dislike towards Fulj and actually really likes listening to her talk. Ananza loves to dance and wander around her city so when Fulj stops by to visit, she listens to Fulj's adventures while they roam the city.

Because there are two fire deities and one can stay in their city while the other wanders and because Fulj no longer has a city to be focused on, the three like to visit the other cities to check in. Ohime and Ohiwe really like to visit Ananza while Fulj prefers to visit Ymber. While Ananza likes Ohiwe, Ohime, and Fulj, she really isn't fond of the ice deity or Ymber. She doesn't like to scramble for topics and ice/Ymber don't start conversations enough so it's a bother to Ananza to try forcing friendliness. She loves light hearted stories though and Fulj and the fire deities excel at that type of story.

(Ohime and Ohiwe sometimes call her Nana and on that note it's lore in the tags time)

[dancedance-resolution]

i started a supercorp portrait of a lady on fire au like three years ago. i'm never going to finish it, but the writing style is pretty cool, so i want to share it. so um enjoy the prologue and a bit of chapter one?

---

Prologue. Bonnelles, France. 1786.

“First, my contours,” Kara said, her voice soft and level. She looked out upon the dozen or so young women, their eyes darting back and forth from their papers to Kara herself. “The outline,” she continued. The increasingly swift sound of scratching charcoal prompted Kara to further instruct, “Not too fast. Take time to look at me.” She paused. “See how my arms are placed.”

At that moment, Kara saw the painting.

She swallowed and took in a breath; she schooled her expression before letting out the air with a pathetically soft “My hands.” Her students’ gaze followed her verbal direction, now observing as Kara’s fingers curled with remembrance. Their own hands now began to sketch the slope of hers—the slope that had once coaxed breathy moans from a lover, the slope that had once created that very painting in all of its hollow longing.

Kara felt her heart rate accelerating, and her attempts at calming deep breaths only made her shoulders shake unsteadily. “Who brought that painting out?” Her eyes darted around, landing on each possible offender, as she tensed her core and adopted a stern countenance.

Every student dutifully turned to look at the work.

It was an especially young girl who finally lifted her hand. “I brought it. From the stock room. Should I have not?”

Kara’s “no” felt like a brick, its weight threatening to pry tears from her reddening eyes. So Kara took another swallow, a handful of blinks, a few more steadying breaths.

“Did you paint it?” the girl asked innocently. Nia, her name was? She stared at Kara, oblivious to the flood of sound overwhelming Kara’s mind and echoing in the cavern of her heart.

“Yes,” Kara uttered softly, the word barely audible as they fell from her lips. “A long time ago.”

Nia’s head snapped back to examine the painting once more. It stood on an old but sturdy easel, tattooed and scarred but still standing. The artwork itself was brooding, with a white sun bleeding into a dark vignette. Heavy clumps of clouds occupied the sky and caged some of the sun’s rays, so the fire burning behind the woman was bright enough in comparison to create a dragging shadow of her figure. The flames crawled up the back of her windswept dress, bringing sharp tension to an otherwise lulling, melancholy landscape.

“What’s the title?”

The sound of the sea began to swell in Kara’s head. Her lips trembled. Her body unwittingly swayed slightly. “Portrait of a Lady on Fire.”

---

Chapter I. The island of Brittany, France, and the surrounding sea. 1779.

Kara squinted into the distance, her face scrunching up a bit as she desperately tried to shield her eyes from the harsh glare of the sun on the water. For all its gorgeous teals and sparkling peaks, it certainly did make her wish for one of those brimmed hats the rowers were all wearing. With every one of their paced paddles, the cork-like little canoe bobbed haphazardly. Kara rather felt as if she were in the wine glass of a thoroughly drunken Marie Antoinette.

At least she wasn’t prone to seasickness.

She still felt quite unsteady, though, being thrown about and forced to pathetically grab onto the boat’s low walls. She leaned forward, trying to regain her balance and ground herself despite the absence of ground.

The wooden pallet holding her canvas was, apparently, as unstable as she was, and the next thing Kara knew, it had been lurched off of the boat like vomit from a drunkard. Kara watched helplessly as it thrashed among the choppy waves, the sea carrying it a few feet from the boat.

The chief rower met her desperate look with exhausted resignation; he ceased his paddling as Kara shed her overcoat and placed a precarious foot on the edge of the canoe.

With a strained creak from the boat’s wood, she jumped into the water, dress billowing behind her. Her first gasp for air upon emerging from the water was audible; she could feel the effort in her throat. Her arms moved in laborious little arcs as she slowly made her way towards the floating pallet and finally made a desperate reach for it. Kara’s fingers grasped onto a wooden board, and she pulled herself up onto it with a grunt.

---

The incessant wind upon the sea was certainly not helping Kara. Dripping wet, she wrapped herself up in her overcoat in a pitiful plea for warmth. She held the edges of the garment up to her lips, the sensation of the dry fabric bringing her some comfort as she closed her eyes and left herself to the mercy of the mighty sea.

But the interminable rocking of the feeble boat wouldn’t allow her any rest.

Kara wasn’t very religious, not anymore. Yet, the sight of the cliffs and coast of Brittany moved her to relieved prayer.

---

The sun had already begun to set as Kara trekked up the sandy coast. Her legs ached with every stumbling, unsure step—maybe she was a bit seasick after all—and her hands were tired of having to grip her full skirt to keep it out of her way.

She paused on the rocks, taking a moment to manually wring some of the water out of her skirt. She filled her lungs with an arduous breath before slinging the rope holding the pallet over her shoulder. Next came the fabric sling, which housed her trunk of personal items—she positioned it on her back with careful poise.

The journey up the cliffs and towards the trees was exhausting. Kara’s skirt required repositioning every few seconds, the rope was digging into her shoulder, and the pallet and trunk slammed into her back with each wobbling step. By the time she reached the straight path up to the residence, her breaths were heavy and pained, and the sun was nearly fully hidden beneath the horizon.

A soft light emanated from the windows above the mansion’s door, helping Kara feel a bit more secure as she knocked. A short blonde woman answered her summon and introduced herself with a flat “I’m Eve.” She opened the door a bit wider and gestured with her body for Kara to come in.

Eve held a small candle as she guided Kara up the stairs, the sounds of their shoes echoing through the grand yet starkly undecorated hallway. The walls of the stairwell were cement bricks, and the wrought iron bannister was rather plain and geometric.

They came to a stop in front of a similarly void room, bare save a few heavy curtains and a daybed. The raised panels along these walls matched the white-painted wood of the window frames, and they gave the chamber some elegant character.

While Eve entered the comparatively less intimidating room, Kara stayed back a moment, taking in the shafts of muted blue light from the windows and the contrasting warm glow of leaping flames from the central fireplace.

Eve crouched down to poke at the fire as Kara set down her belongings. “It was a reception room,” Eve explained. “Though I’ve never seen it used.”

The fire crackled pleasantly. “Have you been here long?” Kara inquired.

“Three years,” Eve answered, directing her attention back to the fire.

Kara peeled off her overcoat and draped it along the wainscoting. “Do you like it here?”

“Yes,” Eve said simply as she stood up. She turned to Kara, meeting her eyes now as her hands smoothed over her skirt. “I’ll let you get dry.” And with a nod, she was on her way.

Kara watched her every step.

Once the door closed, she hastily began removing her overskirt. It fell to the dark herringbone floor with an unglamorous thud.

---

There was no method or grace to the way Kara wrapped her hand around the rusting crowbar, but with a few jerks, she’d managed to successfully pry the top off of the pallet.

After setting down the wood cover, Kara extended her hand, letting it fall clumsily onto the slick canvas in front of her. It was still wet, and her hand’s small circular movement caused moisture to pool at her fingertips, as if her touch had beckoned the water. So her hand withdrew, and Kara slid the canvas out from its container. Her eyes danced over the surface as she considered how to dry it, holding it in front of herself like the Communion host of an evening Mass.

---

Kara decided to accompany her drying canvas, which was now positioned next to the fireplace. Stripped naked, she sat in front of the fire and pulled her legs towards herself—she was vulnerable, sitting there bare and in a new environment, and the action made her feel a bit more small, compact, and safe.

Kara set down her candle so she could light her tobacco pipe with the flames. Her large, smoky exhales grounded her, in a way, with the familiar sight and smell acting as a sort of sedative. And she stared forward, expression blank but unmistakably worn.

---

Kara walked barefoot along the cement floor, making her way through the hall and to the pantry room wrapped in nothing but her robe-like smock.

[opens-up-4-nobody]

...

[sleepy-bear-tm]

Dimitri in Three Hopes watching Edelgard and Claude radically change their countries in Fodlan while his hands are tied with having to protect the church

[ostentenacity]

.