#and he tries to explain its not the same thing

[teehhhhhhhhhhh]

haha finally debuting my magical girl marvels au! i was thinking of a manga cover while making this; i really wanted it to have a kinda hyperpop and sailor moon style.

So! In my version of this AU, the Marvels travel through different dimensions to fight the forces of evil to balance the multiversal scale! They do this, via train! The train is usually a subway, but it magically adapts to the dimensions they are in. (Ex. Submarine Looking Train for a mainly water dimension, an old style train for a dimension with a earlier timeline.)

Billy Batson is a Train Conductor! I based his outfit on those train conductor uniforms and I really like it. His main base powers are, of course, lighting, and the ability to make portals! He uses the portals in his fighting style, dodging with portals instead of blocking attacks. Billy can only teleport to a mirror dimension without the aid of the train, so he actually teleports to the mirror dimension in fights when he dodges, then portals back to the og dimension. The train boosts his powers so his ability to travel to the mirror dimension is enhanced, and he can travel to other dimensions when using the train. (Other then that, its a basic portal power lol)

Mary’s design was inspired by fairy tale princes, which is actually really random but I made it work. I wanted the three of them to be different genres of magical girls, but still fit look like they are in the same style. Her base powers in this AU is basically charisma (yes, literal charms), and lightning. So, her charisma powers are pretty much just that people will be more inclined to do things her way; she lets off an aura of power + confidence that no one can say no to (besides Billy and Freddy, they are immune). She also will look extremely intimidating to people when she wants to. So in a nutshell, her power is to change the way people perceive her, and use that to her advantage. Mary often uses this to do undercover work, or info gathering about the dimension they are in.

Freddy, is a mermaid based magical girl. He can shift between having a mermaid tail and his legs. His base powers are hydrokinesis (ability to control water) and (can you guess it?) lightning! Though not shown here, Freddy actually uses water to float himself around. The water is thinly covered over his body and he uses that to get around without his crutches. He learned how to do this after seeing how he can float in the water when swimming. Freddy doesn’t do this all the time because it requires a lot of control and it can tire himself out. He used to do it all the time, but once in a battle, he shifted all his focus into the fight and lost control of the water that makes him float. Freddy learnt to not completely rely on his powers all the time after that. I’ll go more into this specific event later bc I think this scenario would really impact how Freddy sees his disability, and how he learns to accept it. I imagine this Freddy is more recently disabled and that he still has bitter feelings about it. The thing with Freddy’s dad in the boat still happened (they got attacked by one of Billy’s enemies), and that’s when he got his leg injury. He met Billy that way and got his powers. (Basically just how CM3 got his powers.. idk why im explaining it)

The thing is that I, myself, am not disabled so I need a bit of help understanding what that would be like to accurately write Freddy’s struggles with his disability. 😭

Another thing is that I’m not sure what their hero names would be? I tried doing those precure names like ‘Cure Marvel!’ but that would only work for one of them and I would still need names. Marvel *insert something here* or *something* Marvel is an idea but I wouldn’t know what to put.

yeah, theres my au lol maybe i’ll post more about it

[artbyblastweave]

One interesting thing about The Hulk's role in the Hickman Ultimate Universe is that he's close to an inversion of his character in the original Ultimate Universe.

In the original Ultimate Universe, the gag surrounding Hulk- and much of what went into The Ultimates should be understood through the lens of a gag- was that his uncontrollable rage and homicidal toxic masculinity made him a millstone around the necks of the rest of the roster, their first major deployment being to get him under control after he loses his shit and kills 800 people in New York while trying to kill and eat Freddie Prinze Jr- an embarrassment that gets hushed up after the fact. In the grand finale of the first volume they barely, barely manage to get him aimed at the invading aliens by telling him the aliens called him gay, and then he still nearly eats Hawkeye before the tranqs kick in. He's less a part of the team than a barely directable bomb, emblematic of the fact that the Ultimates, collectively, do not have their shit together-it's a rotten idea to the core.

In the New Ultimate Universe, he's the one member of the classic Avengers lineup who's thrown in with The Maker, again standing in opposition to the rest of the team, but for the complete opposite reason. He's very visibly a road-not-taken of the Ultimate Hulk- same color scheme- but he worked his shit out, he found a self-help book, he became less insecure, less self-absorbed, altogether more functional. And it turns out that a "functional" version of that hulk comes out the other side as an Adrian-Veidt style of holier-than-thou Compassionate-enough-to-Kill-thousands-for-the-greater-good kind of figure, who callously tests the mutagenic effects of gamma exposure on isolated indigenous populations on the side. Fucker built nukes for the army- were we expecting a saint?

Anyway, this sort of leads into a thought I've been having about the comic in general, which is that with superhero comics it can be genuinely really hard to judge the dividing line between something that's cleverly meta and something that doesn't have the strength to stand on its own as a narrative without being composed of one million billion deep cut references. All the best cape comics are about cape comics. The actual stated project of The New Ultimate Universe is to create something so inextricably embedded in batshit comics continuity that no MCU adaptation is at all plausible, so, uh, mission accomplished? I tried to explain this specific Hulk-inversion beat to a non-comics-reading friend the other day and by the time I'd gotten through all the requisite context I was giving real Charlie Kelly without even the dignity of a good conspiracy board as a visual aid.

[weirdly-enough]

anyway I think willow used to call hunter caleb sometimes the same way he calls her captain. she stops after halloween.

[thedisablednaturalist]

It's awful when I'm on the job and an elderly person asks me for help bending over/picking something up especially when they ask so nicely.. I haven't been able to find a polite way to refuse. It's hard being the designated young person when you're invisibly disabled

[puppyeared]

Atla live action 😐

[liquidstar]

a friend who'd wait :)

[wheelchairtetris]

I need to stop watching medical dramas. It hurts to see doctors trying everything they can to figure out someone's symptoms when that really doesn't happen in the real world.

[factorialsotherfandoms]

Pac: Maybe there's an explanation

Philza: There's no explanation for his kid sleeping in the grass

[platonicallylovesick]

Of fucking COURSE i like My Hero Academia Every other character is either neurodivergent, has relatable family issues, OR BOTH.

"They're not autistic-" YES TF THEY ARE let me explain

First ofc, Midoryia. He is CONSTANTLY muttering about random stats, he takes picture perfect notes on every superhero he's seen since he was six, and he has a large case with row upon row of mint condition All Might action figures, along with the All Might merch in every other square inch of his room. Plus he's constantly staring off into space thinking, and is was picked on and othered for his entire childhood. Yeah its bc he's quirkless, but the symbolism still hits. He also definitely has overactive empathy. Bro seriously demolished his entire body pretty much just to get Todoroki out of his slump bc he looked sad all of like ONCE. He's noted to have a terrible knack for getting to the root of someone's issues just by looking at them.

Then, Ida, who is really the most obvious of them. He's a strict rule follower unless he's fully convinced its for a good reason. He has the abnormal vocal qualities, he has a pretty rigid cadence and often has the same tone. He's uber smart, always prepared and studying. His room is super neat and tidy. He has several full bookshelves and all his books are categorized.

And then there's Todoroki. First of all, he is constantly making this face 😭

Constantly. He too has a pretty rigid voice, though he's much lower energy than Ida is. When moving into his dorm, he remodeled it in a single day to match his home environment. Its a Japanese minimalist setup complete with soft lighting and bamboo mats that he notes feel better than the hardwood floors. *aHEm sensory issues* WHAT WHO SAID THAT. Communication is notably a lower point for him, he tended to form a plan that worked for him and then kinda just explains it and commit to it, forgetting to take other people's opinions into account. His social cues are not the strongest, and he tends to be very blunt.

[rainingincale]

No one:

Me: so funny how the origins of many of my tags were very random and have ended up sticking and also influencing the tags i made afterwards-

[sayakxmi]

Did we ever actually acknowledge that Rufioh started cheating on Damara before the game. They started playing Sgrub at the same age as the Beta Trolls. Which is somewhere around 13 years old. So they were, like, 12-14 when it started.

It was still awful of him, but also, he was literally a kid, so it’s possible he really didn’t know better.

[mewtwo24]

You know reading vol 5 of mdzs before all the rest (don't ask me why I'm a clown and there were Circumstances) has to be the craziest experience of my life. Because it took all of ten minutes of wwx talking to literally hit me so hard in the gut I had to sit down and listen to really loud music for a while to calm down.

Who needs therapy when mxtx is alive and writing, I guess????? 🤡

Can't wait to get to the actual tragic parts I just know I'm gonna be that "help" frog phone meme

[dallonwrites]

More than anything, he wants to smoke, but he can’t, knows he can’t, so he presses his head against the wall and tries to remember how to distract himself. What the books he borrowed said to do, the ones that he forgot to finish but hey, at least he had cigarette savings to spend on library fees. He needs something tangible, productive, keeps his hands busy, which trying to think of something makes him want to rip his hair out, which he can’t do because he just washed it and the soft curls are probably his prettiest part.

this man’s internal voice....

[superchat]

Havent even gotten my first paycheck yet and this job is making me feel dead

[todayisafridaynight]

It's been wonderful being able to talk about these things for me too! I haven't really had the opportunity since Y7 came out, so I'm positively buzzing. And no worries about the tone of your post about Daigo's article haha, I appreciate it when issues are pointed that I might've missed otherwise since that's at least something actionable.

But I'm obviously not going to stop anyone from venting frustrations with the wiki or with Fandom as a platform; I frequently find myself frustrated too! It's one of the things that keeps people editing the wiki. I'm honestly fine with whatever as long as it's not accusing us of being fujoshi for the billionth time lol, but for better or worse I do like to clarify what we're trying to do if there's any confusion.

Speaking of, Mine's relationship tags are kind of a funny story! So a lot of them have these dotted underlines and question marks, right? You're supposed to be able to hover over underlined terms to see a short definition (on desktop) and click the question mark to see an article with all the definitions on mobile, since hover actions aren't possible on a touchscreen.

But since the article was and still is under construction, Fandom doesn't show the link to logged-out users. So I had no idea it just looks like we're saying the tag is ambiguous lol. It's up now though, so it's hopefully easier to understand what we're trying to do!

I just found it funny I specifically added that feature to reduce confusion. Half the grief we get over Mine's "romantic interest" tag is because people assume we're saying it's mutual (we chose the term to try and avoid the "mutual" connotations of "love interest," but I guess that didn't work out). I also thought it might help with somewhat esoteric tags like "co-parent" (which was put in place for Jo and Arakawa and then I kept thinking of others) and "surrogate son." Turns out it's tough to boil complex relationships down to one term!

I definitely have SO many questions about New Year's Day and I probably always will; for the space of only one night, it's a huge blank. I certainly do have to wonder if shipping Masato off to America was decided then and there. There's a lot that could possibly be expanded on in RGGO (further interactions between Arakawa and Jo included lol), so I've got hope for that too now that we're back to random events. I'd be really interested to see how you'd portray it someday!

Talking about Nakai and Tsutsumi reminded me, Nakai mentioned he read the whole script in a day so he "wouldn't do a disservice to Arakawa or Sawashiro's characters." That kind of stuck out to me precisely because there are so few scenes between them compared to like, Arakawa and Ichi, and they're all relatively low-impact in comparison.

Of course, it could be marketing on account of him and Tsutsumi getting to co-star again, or the scenes could simply have stood out to him more for that reason, or he could've had a different impression of the ratios having read the script rather than played the game. But the part of me that makes me want to go Off The Deep End speculating is kind of wondering if there were other scenes planned?

And absolutely! I'm not able to reblog often because the post editor's been crashing whenever I try to tag my posts, but I hope you know I love your work and I'll support pretty much anything you put out! I'm very excited to share my findings as well.

A lot of it's to do with Mine's relationship to Western culture vs. Japanese culture (his "westabooism," basically), so that's specific to him, but there a lot of interesting concepts and theories in Japanese psychology regarding familial bonds, met and unmet emotional needs. They work as an explanation for his probable feelings of alienation from Japanese culture, but I feel they would make for an interesting lens to examine the Arakawas through as well.

I actually hadn't ever considered the similarity with regard to Mine and Jo's dads, but that makes so much sense! If I were to take it a step further, I think feelings of "abandonment" by their fathers have had long-lasting effects on both them and Masato. Jo we've been talking about, his father was technically still "there," but he wasn't in his corner, which feels much the same as abandonment to a child.

I think Mine's internalized a lot of the same feelings even though his father never meant to abandon him (I guess Jo's may not have, necessarily; alcoholism can destroy a family whether the individual wants that to happen or not). Like, unfairness, displacement, lack of control, the loss of the only support you have and so on. I think dwelling on that is what sent Mine's mental state spiraling, and what made it imperative to just believe Daigo was "dead" to try and move on as soon as possible. He didn't want to be hurt the same way again.

It's also probably what he was projecting in his ridiculous villain speech during The Orphanage Scene; the reason offering kids support in the way Kiryu does is a form of "victimization" in his eyes, at that moment, is because that support can be ripped away from you at any time. The scene is kind of hilarious to me because it's like, "okay we need Mine to have a kick-the-dog moment, his actions have been too understandable," but I do get it from that angle.

Similarly, I think those feelings of abandonment are why Arakawa faces the brunt of Aoki's abuse, because it's like, "YOUR negligence is why I had to go through all of that." So I get why Jo, like your sister, wouldn't want the finger pointed at him, but at the same time… damn. Perhaps if Arakawa had never had that talk with Masato, things might've been different. I get the impression he wouldn't be able to endure keeping things to himself for as long as Jo, though, given things like the letter he sent Ichi in prison.

Oh, yeah, Jo is CRAZY protective of Masato too! "If anything happens to him, killing you a thousand times would be insufficient!" I think part of his overreaction to having Masato's money is also that if Ichi can't listen to orders that fundamental, who's to say he listened to the orders to keep Masato safe? I guess if you see Ichiban as incompetent to the point of almost being a malicious actor, you might think that.

I'm sooo so glad you've noticed the rest of those similarities haha, I've been rotating them around in my brain like a cube for ages. A Venn diagram would be so fun to see! That's such an insightful look at the differences between Mine and Jo's offices too. I was a little confused about the placement of the social spaces, or even that they're there, but if you look at it as clearly separate from his personal spaces, it does make sense.

Also, not to harp on the books in the offices too much, but I compared the textures a little earlier. Mine's are basically all (very expensive) encyclopedias and language phrasebooks in English, Italian, French, and German, in contrast to Jo's discrete hardcovers and series of art history books. They're probably all stock assets lol, but I think they're surprisingly good fits; Mine dumping considerable time, money, and energy into his fascination with Western culture and Jo being the type to not want people to know what he's reading totally works for me.

But yes! It's kind of funny, because Yokoyama wasn't much of a Mine fan in his early days, but I hope he and the others keep on writing characters like him. I think of it as Mine's "legacy" in a series where past characters aren't acknowledged too often; the most I can recall are that Hakuho mention in 4 and the fencing around the Touto roof perimeter.

Speaking of, I love Mine's missed shots in the finale specifically because he's an excellent marksman in his Okinawa character story. Why? How? Who Knows, He's Perfect. (Probably not as good of a shot as Daigo though lol)

And yeahhh, there are other interviews, but it ain't the same! It was the most in-depth one I know of. I think this is one of the only remnants, and I shall entrust it to you.

But yes, exactly! And I'm also glad Y7 introduced more people to them (myself included), Tsutsumi's my favorite actor of all time and Nakai's brilliant. They make a great combi! Of the things I've seen where they co-star, I think Princess Toyotomi and Hero SP are both solid; the latter is a special for a longer show, but I honestly didn't even notice lol. Musashi I wasn't personally able to get through even though I've read the book, so I'm not sure how it plays out between them.

Also I DIDN'T KNOW TORU DIED IN PURE??? That came out of nowhere oh my god T___T But if you're ever looking for anything rare, feel free to ask! I might know a guy (gender neutral) with a stash, Fly, Daddy, Fly included.

OH MAN MINE'S WIKI ENTRY I've definitely made my opinions about it known, but now knowing the truth behind it it's kind of funny and still so unfortunate. I'd almost want to recommend a section dedicated to the topic since it's such an integral part of his character, though I also understand wanting to keep the wiki strictly to factual information and to exclude speculation (or "speculation" anyhow- it's definitely more of a concrete situation, especially going off of the information provided in your pinned post on the topic. If anything, that sort of information would belong to the "Trivia" tab wouldn't it- but again, it's such a deep situation it can't really be summarized in one or two sentences) and the topic being too niche to have a page dedicated to it. It's nice to know that the subject isn't trying to be brushed under the rug though and it's just a matter of awkward formatting/incomplete work!

Furthermore on The New Years Event, I would LOVE RGGO to expand on the topic since they've been so liberal with the stories they make and the depth those stories add to the characters. Honestly, I was expecting Masato's card to have that as its accompanying character story, so it's unfortunate that he doesn't get it or any story as far as I'm aware (or maybe he does have one and my poor pull luck has just prevented me from getting the card to find out myself, but I've looked as much as I could and couldn't find an upload of it). Oh well, I guess it's the old "if you want something done you gotta do it yourself-" not that anything I could make could ever be up to scratch, so I'm glad I do have people interested in what I have in mind :)

About Nakai, I wouldn't feel wrong trying to accredit his comment to a time before he knew the full plot or saw the full game and was just debriefed on the general story/character relationships, and I also wouldn't put it past RGG to have deleted scenes/ideas (if those do exist, RGG please let me in your vault I'd like to take a peak...)!

The psychology of Mine is another topic I've been wanting to officially tackle for a while now, so I'm glad I have this chance to share some of what I have mental bullet points for.

Moreover, Mine's dad and how he "left" Mine undeniably impacted him significantly beyond physically leaving him alone, and it definitely manifests in The Orphanage Scene and his idea that killing Daigo would be "putting him out of his misery". In those instances, he sees Daigo and the orphans as victims of an unfair reality, Daigo being comatose, and the orphans having the endure the struggles of being orphans (and that added-on, projected anxiety that their comfortable lives now could vanish at any second like it did for Mine). Mine's mustache-twirling villainy is funny for its absurdity, but I also genuinely appreciate it since it lets us peak into his warps philosophy better. It doesn't justify his actions by any means, but it explains to us why he can justify his actions as from a place of love or pity as opposed to thoughtless evil.

To add on, Mine's relationship with his father, from what we're allowed to gather, was healthy and positive. Because of their positive relationship, the removal of such adds credence as to why Mine's desperate to get that love again. It especially makes sense considering Japan's horrendous attitude and negligence towards orphaned children that was even demonstrated during Mine's childhood while his father was alive.

And as an inverse aside, Jo's relationship with his dad was toxic, whether it was due to blatant abuse or combined negligence. It's fair to assume that Jo never got to experience genuine, secure love growing up, so as a result, it's not something he actively seeks out. He's been without it long enough that it's not something he necessarily craves like Mine who used to have it until it was taken from him.

Masato certainly makes it clear he felt isolated despite the efforts Jo and Arakawa repeatedly went through for him, and it's apparent it's an unfortunate side affect of internalized ableism. It definitely doesn't help anyone's case that Masato had seemingly been informed of the night of his birthday's events (from Arakawa's point of view, obviously), and it's clear that knowledge gives ammunition as to why he resents him.

You're right on Jo potentially seeing Ichi as a bad actor, it's not as if he has disdain for him for no reason! Like even if Ichiban hadn't taken Masato's money the way Jo could have imagined, the idea that Ichi can't be responsible in one avenue can easily lead back to Ichi having the potential to look after Masato, especially when he seems to be the one who predominately looks after him when he's tasked to.

I've already got my program open to make my little chart and have my reference pictures ready, so hopefully I can have that silly thing out soon haha- I'm glad you're interested in seeing it, and I hope other people will like to see it too! Jo and Mine really are my favorite antagonists, so it's funny (and I guess not surprising) that they have parallels to them.

To add on to that though, I think it's fun to look at the extra details, no matter how small; I'm probably more happy than I should be that you looked at their office's books, but I can't help be a fan of the details you found (whether they're generic models or not, I'm running with them- I've done more with less before lmao)! Mine having language books is definitely in-line with his interests, but Jo having art history books is weirdly endearing (and dare I say another point for "these are the same picture" comparing it to Mine's own love for art). Jo being so private to the point of blocking out the binds of the books he owns is so accurate to him and his secrecy, and the concept that he likes to read about art in his spare time is a new favorite concept for me.

Mine really isn't acknowledged much after 4; in comparison to Ryuji and Nishiki, he's remembered throughout the series the least (you can argue the same for Ryuji, but considering he gets a whole new life in Dead Souls, I think it's fair to say that makes up for the mainline series forgetting about him. Though I guess the same could be Mine getting a prominent role as Hijikata in Ishin... Definitely not as cool of a spot as to be a playable protagonist with a machine gun arm if I'm honest). In that, it's great that his likelihood can exist in future characters, and I hope they continue the trend of phenomenal antagonists in LaD8 and onward!

I'm eternally grateful for this frame you've gifted me thank you so much- Nakai's smile is such a blessing honestly, I'm glad if anything survived from the interview it can be this shot at least.

I've got Princess Toyotomi and Hero SP added to my watch list, DEFINITELY something I'll be excited to check out as a reward once I have all my important business taken care of this week! Honestly, I haven't seen Musashi either: while I was looking through their filmography I saw it was a project they did, but I've always been bad at watching long series so I didn't take the time to see their performance together.

For things I have seen though... yeah he dies SORRY IF THAT WAS HOW YOU FOUND OUT </3</3 Honestly I didn't expect myself to love the series as much as I did (admittedly it was predominately because of the leads and their relationship), but when it happened I was both- dare I say crushed- a little humored a little funny in a dark-comedy way.

And if you do have access to harder-to-get films, I'd absolutely be interested in hearing about it. One of Nakai's movies Good Morning Show has been haunting me for weeks: it sounds like such a fun movie yet I can't find it anywhere </3

[kresnikcest]

Julius’ view of Ludger could have been so sinister if it weren’t for the fact he hates himself too much not to be self-aware about it. Especially when you think about how eerie it is for Ludger to look after Julius and cook for him when Julius loved Claudia for that exact same caring role in his childhood and that doesn’t even get into Julius using Ludger’s watch and keeping him in the dark about literally everything about their family.

If Ludger were even just less willing to mother Julius or if Julius was more overtly controlling I think Bisley would have discovered Ludger’s existence a LOT sooner after Ludger finally snapped at his overprotective paranoid older brother and ran off.