Ice king is a really good character because they intoduce him and you're like "haha what a freak what's wrong with him" and then the show goes "oh! You want to know? Let me show you :)" and you end up just sitting there like
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A detail I don't see mentioned about the confrontation between Blitzø and Stolas is that while Blitzø is understandably angry and lashing out, he also ends his rant with an invitation to Stolas, imploring, no, demanding he meet him at his level, to get as angry as he is, to FIGHT HIM, right then and there.
We've seen frequently that imps are violent in general, they're originally native to Wrath, and we see that most of their bonding rituals often involve violence and/or bodily harm (just look at how much Millie and Sallie May messed each other up at the end and while being able to laugh about it; a broken bottle fight and broken bones is their version of a light-hearted pillow fight)
While Blitzø is also very self-destructive, even by Hell's standards, it should be noted that he's technically begging for Stolas to connect with him in this moment, to speak a language he understands. "At least respect me enough to fight me! If you care, why walk away? Get real with me, if we can't get physical with our genitals, then at least let us get physical with our fists!"
Unfortunately, Stolas has had the exact opposite cultural upbringing, having been taught his whole life that emotional outbursts are unseemly and improper, so his main go-to for conflicts is avoidance. He avoided confrontation with his father, he basically avoided Stella as much as he could even when she was openly shitting on him at parties; and ONLY just recently has he managed to stand up for himself and when he finally does, it's not to strike back, but simply stand his ground for once, emboldened his new-found love for Blitzø and the knowledge that his daughter isn't fooled by the act anymore and will soon be of age anyway.
It is not currently in Stolas' nature to be confrontational the way Blitzø desperately needs him to be.
Blitzø says: "Please, if you ever actually cared, you'd fight for us Get mad, show me that you care!"
What Stolas hears is just the most literal interpretation with zero subtext, because he isn't attuned to the subtleties of arguing and especially not what it looks like for imps, i.e. he focuses on the "I always hated you" interpretation.
Both gave the other an opening, but only heard dismissal, because it wasn't spoken in a language they were familiar with.
I'm not saying either handled things well here, Blitzø shouldn't immediately respond with anger and Stolas shouldn't default to walking away, that's my whole point.
I just thought it was an interesting angle that their differences aren't just societal (privilege/wealth/respect) but also cultural in how it influences how they each handle emotional confrontation, or, in the case of Stolas, how they don't.
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"blumhouse when they ship the final movie and then realize they forgot to give the killer a fucking motive" his motive is that he wanted to kill people💖 hope this helps
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but all might's characterization drawing so much strength from mother figures. his victory pose, his laugh, from his earliest memories with his mother. learning to smile and be strong from nana. thinking of nana in his worst moments and gaining strength- i thought of her as my own mother, being formed as a person by nana's life and death. i dont know why hori specifically chose to make the seventh holder a woman (shigaraki's story would have worked if nana was male) but i love that toshinori yagi is a mama's boy.
so much of the media i love has cool male mentors or emphasises fathers, male mentors, or if women are a source of drive or inspiration they exist in that capacity as lovers; but to have an Incredibly Powerful male hero that goes "yes, i derive all my strength from my mother-figure mentor" is so dear to me. his earliest memories of his happy childhood featuring his biological mother.
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emotionally devastated rn by thinking about hazel living in that little shack in alaska where she is so fucking miserable and has no friends and her mom is possessed by gaea and the only comfort she can find is her sectioned off corner of their house with her drawings of new orleans
^ MFW HAZEL LEVESQUE
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Just finished Time Bastard and I can’t get over how Ted and Pete’s romantic arcs parallel each other but their fates are polar opposites.
Like, they both fall for girls who they see as ‘too good’ for them, and they’re both challenged with accepting themselves as they are. The difference is Ted changes himself to be loved by Jenny, but that’s what drives her away and gets her killed. Pete, on the other hand, accepts who he is and refuses to change who he is just so he’s ‘good enough’ for Steph, and that authenticity was what made Steph fall for him in the first place.
Ted inadvertently ruins his life because he couldn’t accept himself, but Pete’s self-acceptance helps him get the girl (and low key saves his life, but that’s just a theory, A FILM THEORY)
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