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#and i had never heard the song before
merlinemryspendragon · 4 months
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“Don't need to see it to believe it, no need to wake me up 'cause I'm not dreamin'” - Gabrielle Aplin, “Magic” [insp.]
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doyeons · 2 months
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seohyun + don't say no (+ magic) era ↳ for @ashmp3 ♡
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gleniferskydays · 5 months
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one day i will wake up from the dream and the meaning of it all will be revealed to me
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seochangbingifs · 6 months
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FAVORITE CHANGBIN DANCE MOMENTS 12/∞: Would you like to see Changbin dancing to Sherlock sung by Stay? via zoodae15_ on twitter
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crabsnpersimmons · 8 months
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This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!
Inspired by @bamsara's “Solar Lunacy” fic.
If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!
so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:
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and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!
you thought the animatic itself was sad?
*writing muse laughs maniacally* IT'S ALL A METAPHOR
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Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.
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Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.
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Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.
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Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.
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Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.
Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.
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Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.
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Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.
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Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.
The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.
This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.
(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)
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Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.
The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.
From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.
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Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.
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Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.
There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.
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Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.
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Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?
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Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.
The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.
Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)
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Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.
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Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.
But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.
Thanks for reading and watching!
We'll be back to our regularly scheduled fun and games shortly!
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yaoigovroom · 3 months
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Marc Marquez - U Love It
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edit: i changed some parts a little, OOP
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riemmetric · 16 days
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30 DAYS MUSIC CHALLENGE: 2024 edition by @hauntedwhispers Day 4: A song you know all the lyrics to The Phantom of the Opera by Andwer Lloyd Webber, but I much prefer the Nightwish cover over the original
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prachelley · 23 days
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based on the request I got: "dark magician girl breakdancing to distract the enemies"
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prontaentrega · 24 days
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no but since when do they play tswift in gay bars/clubs i swear this didnt happen before. invasive species get that shit out
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waywardspicy · 3 months
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u know motherfuckin well these bitches wanna sound like TINA 👊💥
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cjskribblez · 1 year
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You said if you can see me it's all in your head
But it feels real to me now, it felt real to me then.
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dootznbootz · 7 months
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Odypen definitely and equivalently adore each other BUT I weirdly can't see them as the type to actually say "I Love you".
They still definitely vocalize their love for each other but it's more so in "My Joy", and "Extraordinary Woman", "Strange Woman/Man", etc. And very cheesy lines (both say some cheesy shit in the Odyssey, and he definitely does in the Iliad as well. "Joy like a drowning sailor seeing land" bit???)
I could see "I adore you" but even then, that's probably during very specific moments but the actual "I love you"??? I just typed it just now for fic shit and... It weirdly just didn't feel right and I don't know why. 😅
Idk maybe it's kind of because I see them as over the top in ways, they love wordplay and riddles and I think they'd almost think "...That's not good enough >:( " about it??? I don't know???😂
#I wrote this last night. I'll do the asks I got later. don't worry! :D#I am the cheese god remember?😅#I think these two would try to “out-cheese” each other and whoever is left speechless first loses#“I would forget my own name before I would ever forget you” bullshit. CHEESY#And yes. “I sleep in our nest with you or outside on the dirt” stupidity >:D#I plan for Odysseus as a beggar to ask why she waits so long. As he's been gone a longer amount of time than the time they had together#(Simply asking as reassurance. He knows his answer. Calypso asked him. but what about Penelope?) but she gets mad at the#“Beggar” and pities him as he must be telling the truth about having a miserable life if he never got the chance to know such devotion#How what they have could never be sullied by#something as trivial as distance and years. How the years with him were the best in her life. Only made better by their son.#'My dear Joy made songs and poems about love a reality as that was simply the life we shared. Even separated our 'song' will always echo#no matter how long it's been. I'LL make sure it always does. And I know he's doing the same... That strange man used to say that#even if he died his corpse would drag itself back to us before he'd ever give up.'#...I'm not one for 'odyssey zombie au' but when I first heard it yeah. :'D Came up with this back then#“His eyes as hard as flint or horn-” Bullshit! The sad lil fuck is hiding sobs with coughs and telling her to keep away for fear of her#catching whatever “illness” he has. The nice thing about being disguised as old means sickly old man works.#...#I'm noticing that Odysseus has a lot of silly oneliners while I write Penelope with a shit ton of set up :'D#They are so silly and I love them so much#...I wrote a lot :'D#Mad rambles#shot by odysseus#my headcanons#odypen#yahoo!!!#sometimes I wonder if I should tag this with more things but I don't want to taint the regular tags with my bullshit :'D I KNOW I'm insane
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kaboomthepossum · 1 month
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Pink and Blue Drawing
Hello there tumblr friends! That’s right!! It’s finally FINALLY time for your newest instalment of ‘Kaboom drawing TMG songs for the vibes’
I’m so so sorry that it’s been so long since the last one (what like.. a month?!!!)
I’ve had art block and I’ve been pretty busy but I wanted to get back into drawing so
I am actually super proud of this one! This song is so beautiful and I hope I was able to do it justice
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wixhing0nastar · 2 years
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One of my favorite Raeda-related TOH headcanons is that following their break up, Raine accidentally became a famous one-hit wonder with a song they wrote and recorded about their breakup which was why Eda already knew things were okay between the two of them when they reunited in Eda’s Requiem.
Raine, of course, only ever produced the one song before disappearing from the public eye (not that they were really in it to begin with cuz: stage fright) and no one really connected the obscure pop artist from 20 years ago with the new head of the Bard Coven.
I imagine Luz and co find out at some point and hilarity of some sort ensues.
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darcyolsson · 3 months
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everyone always talks about the salley rooney-taylor swift-phoebe bridgers roadmap but who's going to make the charli xcx-taylor swift-the 1975 roadmap
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o2studies · 7 months
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༻`` 18 Feb 24 — Sunday
100 days of productivity 48/100
Another slow but good rest day.
I managed to completely finish my coursework and I'm almost finished making physics notes up to date. I'm also nearly finished reading Iron Flame and I also drew more today! I always surprise myself with my skill whenever I actually take time and put effort into a piece, even if small 💕
🎶 - Daisy Bell by Max Mathews
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