#and i was fighting literally every second of them

[littlemissmentallyunstable]

Nash Hawthorne & Libby Grambs Headcannons:

(bc my babies are far too underrated and they need some love)

tag list: @bewitchingkisses @whatsamongus @wish-i-were-heather @inmyheaddd @never-enough-novels @sweetlikeanangel @midiosaamor @sweetreveriee @emelia07 @f4iry-bell @zaraaaabear @thoughtdaughter3 @benny1989fredd @elysianwayy77 @maybxlle @sheisntyou @anintellectualintellectual @aleatorio1234 @adalia-jaycee @off-to-the-r4ces @lyra-kane @reminiscentreader @lyrakanefanatic @imaseabear @elizaa31 @loveinalocket

- they decorate cowboy hats for all occasions and match

- it’s actually one of their favourite things to do on a date

- sometimes they do things like swap every ten minutes/try and design the perfect hat for the other/ choose a theme and design off of that

- nash 100% writes songs about libby and plays them too her on his guitar as well as singing

- nash has such a good singing voice and libby finds it really soothing

- sometimes libby will ask nash to give her two random flavours that she has to somehow incorporate into a cupcake

- nash learns how to dye libby’s hair when she wants to change it so he can do it for her

- similarly he also gets libby to teach him how to do different hairstyles (like braiding etc)

- he’s awful at it but libby thinks it’s so cute

- they are defos the biggest animal lovers, so they’d have a cat and a dog bc they couldn’t decide between the two

- I really feel like they’d have a horse as well (or maybe a few horses?? who knows??)

- and tell me they wouldn’t go horse riding into the sunset together wearing their matching cowboy hats

- they’d go in late night drives and blast Taylor Swift in the car

- libby is a passenger princess but nash loves that

- when Taylor released new albums they’d literally be the first in the store to buy it and then know all of the songs by the next day

- libby is a sucker for romance movies and always begs nash to watch them with her, he always complains but secretly he loves them too

- nash ALWAYS cries at the end of notebook and titanic

- libby finds this absolutely adorable

- nan loves libby and constantly tells her that she’s too good for nash

- once libby suggested they play strip bowling and nash literally blushed so hard

- nash tells libby so many crazy stories about him and his brothers and now she has so much to blackmail them all with (but she never will because she’s a literal ray of sunshine)

- libby has this notebook and when nash really likes a cupcake flavour she’ll secretly write it down so she can remember what he really loves and then surprises him with it a few weeks later

- every month the two of them aim to read a book together to talk about it

- nash sometimes uses cake-inspired nicknames when talking to libby, for example ‘sprinkle’, ‘cupcake’ and ‘jellybean’

- his brothers mock him for it but they shut up when nash glares at them

- nash is petrified of spiders but libby refuses to let them be killed, so whenever there’s one in the house libby has to pick it up and take it outside, whilst nash hides in a corner

- libby is the deepest sleeper. EVER. like this girl could sleep through three earthquakes whereas nash is a really light sleeper

- libby snores and nash thinks it’s really cute but he will never tell her

- nash loves painting her nails

- they rant about what they’re passionate about to the other and the other will literally just stare at them lovingly for however long

- they rarely ever fight and when they do they both absolutely hate it and end up just apologising and cuddling

- nash would literally do ANYTHING for this woman… like she wants random sour gummies at 3am? he is out the door. she needs an extra bag of flour mid cake-off? he’s the man on the job. she doesn’t want to go out? he already has a list of excuses and a second list of things they can do instead of going out…

- nash absolutely loves to have libby in his arms

- though she never really admits it, when libby sees nash take his helmet off after a motorbike ride she blushes so freaking hard

- she turns into an adorable little tomato

- libby hates being in any sort of limelight, interviews and paparazzi make her really uncomfortable so nash makes sure she doesn’t have to deal with it

- she never does any interviews and he’s very protective of her when approached by paparazzi, putting an arm around her and shielding her face in his chest, walking away quickly as he requests the paparazzi to stop

- it is also important to both libby and nash that when they have kids they don’t grow up with all the pressure of the media. they don’t show their kids faces or reveal that much about them, until they’re old enough to do it for themselves and consent

- nash is actually a really good cook but a horrible baker

- libby tried to teach him how to make a cupcake once and he managed to mess it up

- and don’t even get me started on when he tried to ice a cupcake… that was an abomination

- but they often plan nights where nash cooks the meal and libby bakes desert and the two of them enjoy it together

- nash really cares deeply that libby always feels safe and happy and loved in the relationship because of her last relationship

- he checks with her every once in a while

- libby finds this so sweet and is so touched that someone cares this much about her

- they’re not massive on PDA, nash likes to have his arm around her usually

- that said, they’re not afraid to kiss or show affection if people are around, they just tend not to

- nash gives the BEST massages, they’re to die for and libby adores them

- no one makes libby laugh harder than nash does

- and he loves the sound of her laugh

- like grayson, libby is also REALLY ticklish so nash often starts tickle wars with her

- one of their daughter’s first words is ‘yee-haw’ (CONVINCE ME OTHERWISE!!!)

- nash is such a natural dad because he had so much experience literally raising his brothers

- when libby sees this it makes her really emotional and she thinks she’s a bad mom

- but nash reassures her that she is literally the best mom in the world and that their twins are so lucky to have her

a/n: I just found these headcannons at the bottom of my drafts so I’m posting them?! I don’t even know how long ago they were written but I hope you enjoy anyways. I’ve decided they’re in honour of the libby and nash cards coming out (omg I’m obsessed)

also let me know if you don’t want to be tagged in headcannons in the future, I just tagged everyone I normally would but if you don’t want to don’t be shy to let me know <333

TIG masterlist

[twinsarekeepers]

I’m curious as to your honest thoughts on the show? Like I love pjo and all but the show was a bit of a let down writing wise. There’s always the point of “it’s an adaptation, not a carbon copy” like yes but this new writing isn’t exemplary better than the book just because it’s rewritten by the author himself

I think the show is well-written not because Rick is attached to it, but because I actually like the way the writers are approaching adapting the source material. I have a lot of issues with the original books in terms of writing quality because frankly speaking, I don’t think Rick is a very good writer. He has a lot of interesting things in those books that he never explores or drops within the first two and this fandom gives him and the books too much credit imo.

This is why I’m not very moved when people try to ascribe meaning to a certain scene or choice he made in the books to get mad at the show for changing. As an example, one of the main things people were upset about was the kids “knowing everything” in the show when they were getting tricked left and right in the book. Many posts were dedicated to how the book version is superior because it illustrates how they’re just twelve years old kids so of course they’ll make mistakes and get tricked by monsters.

That’s a perfectly fine interpretation but I was twelve years old when I first read tlt and I was able to anticipate almost every single trap, despite being pretty gullible and naive at that age. My knowledge of Greek mythology consisted of Disney’s Hercules, maybe two Google searches, and my second grade teacher’s reading of the kid friendly version of the Odyssey. No where near the level of Percy who’d been learning for a whole year in an established class on the topic with Chiron or Grover who was literally a satry born into the world or Annabeth, who spent the majority of her life dedicated to studying specifically quests and Greek mythology and was also on the run fighting monsters for a good portion of her childhood. Like twelve year olds can be dumb but those three stumbling into every trap was asking me to suspend my disbelief too far. I remember being upset that they weren’t able to figure it out because it was obvious that Rick wasn’t making that choice to show any personality flaws or character dynamics (because he would’ve had them learn and grow but they never did they just kept being not smart), he just wasn’t able to figure out a way for them to fall into those traps organically so he had to dumb them down.

I think the show was able to get across the characters’ childishness without compromising their established backstories. Yes, Annabeth knew it was Medusa right away because that makes sense for a kid who has experience with running into monsters. But, she still acted very much like a child in her interactions with her (and throughout the episode and season). She lashed out and called her a liar and wouldn’t listen to her side of the story because it painted her mother in a bad light. That’s peak twelve year old behavior.

Yes, Percy figured out Kronos was behind everything, but it makes sense because Percy knows Greek mythology and where Kronos resides. He still very much acts like a child when he asks Hades to give him back his mom in exchange for nothing because it’s the right thing to do.

There are dozens of examples like this for a lot of complaints of the show. And this is not me saying that the show is perfect: every single show has flaws. For me, I wasn’t the biggest fan of the dialogue or the exposition dumping. It didn’t hinder my enjoyment though because I don’t think it was egregious (and wrt the exposition dumping, I expected it because the book did it and there’s really no way to “show not tell” Greek myths). I also didn’t like that we didn’t get to really see the huge clashes between Zeus and Poseidon in the weather (we got references to it through news reports but I would’ve liked something more). I was able to look past it because I really liked the storytelling and the themes the show was pulling out of the original source material.

I loved Medusa-Sally parallels and Medusa-Annabeth parallels. I loved the juxtaposition of Pan’s quest to manifest density. I loved Percy and Annabeth’s opposite trajectory in respect to their relationships with their godly parents. I loved exploring Sally’s choice to send Percy to school instead of camp. I loved explicitly coding Annabeth as autistic. I loved Luke’s backstory being brought earlier into the story. I loved the deadline passing and Poseidon surrendering to save Percy. I loved Persues-Andromeda and percabeth parallels. I loved fleshing Grover out. I loved glory vs home seeking being the central theme of the show.

And lastly, I was able to understand that with a limited number of episodes and run time (due to the nature of child labor laws!), they did the best they could and I feel like they did a pretty good job for a first season.

These are not ALL of my thoughts on the show because that would be a very long post. I gave one detailed example of why I think the show succeeded in something the fandom tries to ascribe the books and it was like three paragraphs lol. Anyway this is not the post to try and convince me that the show is bad for whatever reason you have cooked up. I’m not going to change my mind and I doubt I’ll change yours. Here’s to a season 2 that builds on a solid season 1!

[wolfnight2012]

So is the fandom at large still characterizing "Open Arms" as the ~pacifism~ song or have we gotten past that?

Like, I don't know how keen Polites was for violence as a soldier in the Trojan war, since we meet him after the fact & lose him soon after.

But "Open Arms" doesn't tell us about his capacity for violence. It barely tells us about his thoughts on violence as an option.

The most we can infer from "Full Speed Ahead" and "Open Arms" is that Polites doesn't believe violence is the only option (or the one they should jump to first.)

But that's not even what "Open Arms" is about (not really)

"Open Arms" is about Polites noticing Odysseus' trauma & trying to help his friend heal.

The first lines of the song are:

"I can tell you're getting nervous, so do yourself a service"

Here "nervous" isn't being used to mean "scared" but rather "anxious" or "tense." I think Polites is calling out the fact that Odysseus is going 'fight or flight' mode despite everything being calm/no threat in sight.

He then tells Odysseus to have hope.

"Think of all that we have been through, we'll survive what we get in to"

He then starts to call out Odysseus a bit more explicitly (and notice how Odysseus does not contradict him. After his first [and unconvincing imo] "I"m fine, Polites" Odysseus doesn't speak again until the lotus-eaters show up)

(Btw, if you wanna read my breakdown of Polites & Odysseus' relationship [as explicitly depicted in EPIC], I wrote a post about it here)

"I know that you're tired of the war & bloodshed" <-We the audience also know this: "Will these actions haunt my days/is the price I pay endless pain?" (Plus killing Astyanax messed him up)

"Tell me, is this how we're supposed to live?" <- Must we remain in that kill/be killed mindset, always on alert, always warriors first, men second?

"Look at how you grip your sword, enough said" <- I think we can infer that Polites is either calling out the fact that Odysseus hasn't let go of his sword since they left the ship (aka always in 'warrior mode' aka "is this how we're supposed to live?") OR that Odysseus is white-knuckling his sword, (aka he is nervous/ anxious/stressed about a potential attack despite no visible threats)

Either way, in Polites' eyes, this mentality is detrimental to his friends' mental and/or emotional health.

Then we get to the point where I think the misunderstanding started & ended up overshadowing the rest of the song:

"You can show a person that you trust them, when you stop and lower your guard" <- I think we can take this literally (lower your sword until you actually have need of it) or figuratively (be ~emotionally~ vulnerable by asking for help.)

"This life is amazing, when you greet it with open arms" <- It doesn't have to be "endless pain" Life can be beautiful, but you have to stop closing yourself off/seeing everything as a threat first

Polites is arguing that the world is not always out to get you. Sometimes people are decent. Sometimes they are willing (or want) to help you.

It's a bit of "Try extending your hand in greeting before reaching for your sword" (Not everyone will be friendly, but you won't know if you are aggressive from the get-go.)

And a bit "Life is what you make of it" (if Ody treats every stranger like an enemy, then that is what they'll be.)

"We'll be fine if we're leading from the heart" I talk a bit about this in my response here. TLDR; Odysseus is lying to himself when he says he can "Lead from the heart & see what starts" in "Luck Runs Out" because that is not what he is doing,(and his reward is the windbag betrayal) MEANWHILE he does successfully "lead from the heart" while warding off Circe's advances & it's what saves his men/gains Circe's sympathy.

"No matter the place, we can light up the world, here's how to start" <- Again, life is what you make of it. You can make it a good one; not everything is an enemy/potential threat. Stop being a warrior first & go back to being a man

Of course, this doesnt immediately work, because Odysseus greets the world with his sword when the lotus-eaters show up

(Tbh, I find it hilarious that the lotus-eaters' FIRST word is "Welcome" and Odysseus responds to a Friendly Greeting by drawing his sword)

Like, Odysseus is genuinely seeing a threat here, he IS scared "nervous"

His first words to the lotus-eaters is a demand/warning for them to "stay back" (and both their cute voices [going off audio only] or their canonical fluffy designs tell us these are tiny things. They have no weapons, they haven't indicated any aggression, but Odysseus is so high-strung he sees something he might need to fight anyways)

THIS is what Polites has been refering to. THIS is why he's so concerned about his friend. That is not healthy and Odysseus is buckling under the weight of living in "survival" mode/always being "on"

"My friend, greet the world with open arms" <- this isnt Polites horrified Odysseus is responding with aggression/concerned for the innocent lotus-eaters, THIS is Polites (knowing Odysseus is tired of war & bloodshed) reminding his friend that he doesn't have to put himself through this. There IS another way. These creatures could be friendly, "Maybe they'll share some food, who knows?" Maybe, maybe not, but they won't know until they extend a hand first & ask.

And Odysseus does it by half measures *cough* just like all his actions after "Just a Man"*cough*

He lets the lotus-eaters know of their plight "We're only here for food" and threatens them in the next breath "600 men are waiting/stay back, I'm warning you/my men will turn this place into blazes"

He doesn't even ask for food/help, he simply lets the lotus-eaters know they're searching for food, then immediately piles on three additional threats to make sure they don't try anything.

Then of course the lotus-eaters offer food, but not food they can eat & Odysseus becomes dejected (which I think implies he was [sorta] listening to Polites, or at the very least, is so tired/stressed/wrung-out that he was secretly hoping it could be as easy as Polites claims.)

And Polites tries one more time.

"I'd like to show my friend that kindness is brave" <- I've seen so many people call Polites naive. That his optimism is too extreme/and not fit for the world (or at least the world of EPIC) but i would disagree with this common interpretation as well.

Why is kindness brave? If Polites believed greeting the world with open arms would help them find ONLY friendly strangers (instead of hostile ones or outright foes) then why would kindness be brave. Wouldn't it simply be? After all, what's brave about a sure thing? What's brave about having a get-out-of-danger-free card?

Kindness is brave because sometimes you WILL be met with hostile strangers/foes. But you extend your hand in peace first anyways. You don't know for certain if you will be met with friend or foe. But that does not mean you walk around, one hand on your sword, seeing enemies at every turn. You greet the world with open arms & give strangers the benefit of the doubt first, THEN use force if necessary.

I see Polites' philosophy as similar to Waymond's from EEAAO in that regard.

Polites, like Waymond, is choosing kindness. Is choosing to be optimistic. Not because he is naive to the ways of the world, but in spite of them. That is how Polites fights against darkness & despair. He is not naive.

When Polites tells the lotus eaters he'd "Like to show my friend that kindness is brave" he knows he's taking a risk. That's why it's brave. He is extending his trust to these creatures in the hopes they'll help/they have no ill intent, BUT being Well Aware he could be met with the latter.

Just because he's optimistic about the outcome doesn't mean he doesnt understand the risk. To refuse to dwell on the negative doesn't mean you're unaware of negative possibilities.

Then Polites reiterates his advice "This life is amazing, when you greet it with open arms" because it doesn't have to all be war & bloodshed & stress. You CAN find goodness in the world, and you'll feel much better if you don't assume everyone & everything is out to get you. And he lets Ody know he's aware of what he's going through/what's upsetting him.

"I seen in your face there is so much guilt inside your heart" <- I genuinely don't know if the crew know Odysseus dropped Astyanax, every time Odysseus references the infant, it's vaguely or as an aside. But even if Polites DOESN'T know Odysseus killed an infant, he still has 10 years of war to draw from (plus the wooden horse/killing sleeping Trojans bit.) Like, Polites is aware of what Odyssues has done, he knows what Odysseus is grappling with. This is not a simple/superficial/naive call for Odysseus to 'cheer up!' Polites knows of the darkness weighing on Odysseus' shoulders & he's telling Odysseus he's allowed to put it behind him.

"So why not replace it, and light up the world" <- He's allowed. It's over. It's behind them. Polites does not want his friend to torment himself forever. Whatever he did, he can move on. He can be a better man that what he was forced to become while at war/Troy (remember, Polites is well aware Odysseus is "tired of the war and bloodshed".)

And how can Odysseus begin to heal from his guit/trauma?

"Greet the world with open arms" <- stop seeing every stranger as a potential enemy/threat. Open yourself up to the possibility that good things happen sometimes. Sometimes, people are kind

"Greet the world with open arms" <- and Odysseus begins to tentatively open himself up to the concept & take Polites' words to heart

"You can relax, my friend" <- you're allowed

Sidenote: I told myself this post would ONLY be about Open Arms (and this ended up being SO Much longer than I anticipated) but I have a few more things to say, so I'll try to be brief.

Warrior of the Mind:

I'm convinced Athena pops in when she does because Odysseus is listening to Polites. He's been eaten by guilt since Astyanax & shyed away from violence in Full Speed Ahead. His nervousness is not very "warrior of the mind" of him. YET Athena doesn't come in to scold Odysseus at any of these points.

It's only when Odysseus sings Polites' chorus back to him, signaling he's opening himself up to the concept of open arms that Athena makes her entrance.

Polyphemus:

I'm not asserting this, but I think the argument can be made that Odysseus checks out the cave because of Polites. Like, either:

A.) He's giving Polites' advice a try here & now by trusting the lotus eaters/that they mean no ill-intent OR

B.) (less likely probaby??) His friendship/affection for Polites is the sort where he wants to please him. Polites is set on trusting the lotus/showing Odyssues "another way" & Odysseus will humor him because it's Polites asking

(Tho obviously the other explanation is that they are just THAT desperate for food & Odysseus doesn't think they have time to go searching for yet another island when this one (the lotus eater one) already turned out to be a bust

Underworld:

I feel like the general consensus for Polites' section of "Underworld" is that Polites died still seeing/believing in the good of the world OR that his dying wish was for Odysseus to chose nonviolence/pacifism???

(But as you can tell from *gestures at this entire post* I don't subscribe to the idea that "Open Arms" is about nonviolence. THEREFORE)

We know Polites last words/action in life was calling for Odysseus. And, imo, Polites' dying wish was for Odysseus to heal. If "Open Arms" is about Polites' calling out Odysseus' stress/trauma & trying to coax Ody to approach life differently so he can start to move on from the horrors of war.

Then that means, in death, Polites is stuck hoping Odysseus heals. Over & Over Polites sings for his friend to let go of his guilt & try to build a life worth living (not just one have to survive in)

And THAT imo is 1000x sadder than a call for pacifism. Because Polites' dying wish doesn't come true. Odysseus' mental/emotional health grows worse & worse. He pushes everyone away in the Ocean Saga, to the point that his crew of 10 years starts to doubt him! He already "can hardly sleep" in the Circe Saga. The Underworld Saga almost destroys him and it only gets worse from there!

In the Underworld Odysseus is confronted with Polites' love for him. His desire for him to get better. His hope for Odysseus to find peace/happiness.

Polites loved him soooo much, his Final Thoughts were concern for his friend. (Then Ody gets to hear from his mom, who loved him so much she died waiting for his return)

No wonder it breaks him.

[Anyways, if you wanna see my (much shorter) post over how the Wisdom Saga basically argues for/confirms Polites' philosophy Was RIGHT, you can find it here]

[numberoneredriotfan]

Rodydeku headcanons part 1 :)

I'm going insane over these two hggggg-

(this screenshot from the movie makes me cackle everytime-)

• Rody fell first, no questions asked. Deku fell a bit later when he actually had the time to consider his feelings when he WASN'T fighting villains and dealing with vestiges every three seconds.

• Before they parted after the humarise crisis, they exchanged numbers so they could still talk. And, I kid you not, as soon as Deku got home he called Rody immediately. Rody played it cool like-- "damn, miss me already hero??" As if he hadn't been staring at Deku's contact for the past ten minutes wanting to call him but not wanting to seem like he missed him or anything (he really, really missed him).

• From then on, they pretty much call each other every other night when they're free, giving each other general updates (or just to hear each other's voice) (Rody's like kicking his feet and twirling his hair during these calls-)

• Rody's contact for Deku is "mass murderer (heart emoji)" the heart emoji was added a little later on when Rody worked up the balls. Deku's contact name for Rody isn't anything special, just his name with a little ":)" on the side.

• Rody's crush is soooo bad. He definitely keeps up with anything hero-related on the news just so he can talk about it with Deku during their next call.

• I think Rody's voice helps Deku relax a lot, even if he doesn't realize why (keep this in mind, it'll come into play later).

• Rody thinks about the time when Deku spiderman-ed him around Otheon. A lot.

• Deku told everyone is class 1-A about Rody, more than he talked about the actual humarise crisis.

• During Rody's visit to Japan (in the spin off "team up missions" manga), I like to think he started developing a bit of an inferiority complex to Deku's friends.

• Like, who was he to Deku compared to all these friends that had been through so much together?? Compared to them, he was literally just some guy he saved the world with once.

• It didn't help hearing all the stories about Deku solving villain crisis after villain crisis with said friends.

• Of course Deku didn't think that way, and considered Rody a friend just like he considered everyone in class A a friend (with something a little extra there but he hasn't realized that yet).

• Deku once sent a picture of him and Eri during a little playdate to Rody the backflip his heart did when he learned that Deku was good with kids-

• Also, seeing Deku get along and be sweet with his siblings almost killed him.

• Sometimes, Pino will steal Rody's phone and send a random cluster of emojis with ninety percent of them being hearts. Deku was a little confused when this first happened, but after Rody (frantically) explained it was Pino, whenever it happens Deku just goes "hi pino!"

• Deku grows to be able to read Rody pretty well, even when he hides Pino from him. Although, having a friend with a built-in lie detector is pretty convenient.

• "Have you been missing me at all??" "Pssh, nah, you cause way too much trouble for me-" *distressed chirping in the background* "PINO." "I miss you too Rody :)"

• Rody pokes fun at Deku for the mass murderer incident all the damn time. "I don't know man, do I really wanna hang out with a mass murderer??" "Oh no, please don't hurt me mister mass murderer."

• Deku going on hero rants and Rody going on plane rants and both of them listening to each other with full attention :( <3

• Okay let's get into the more angsty stuff.

• After the war, and after all the villains escaped tarturus, and planes stopped getting to Japan and stuff, Rody was kinda worried (he was VERY worried).

• He was at work when all the commotion was on the news, and he completely froze when they mentioned UA high school. As soon as he got home, he tried to call Deku to make sure he was okay, but he got no answer. Because by then, Deku had already left UA high.

• Deku didn't want Rody to worry about him, so he pretty much ignored all his calls (feeling incredibly guilty as he did so) (also for the sake of it let's pretend he still had his phone).

• Rody tried so many times to call him, wanting to pull his hair out every time he was sent to voicemail. He was losing sleep just worrying about him, and Rody's siblings noticed. They tried a lot to try and get Rody to cheer up, which he did appreciate despite still being worried.

• He wasn't picking up his phone, and leaving a text just wasn't enough. So, eventually, he decided to leave a bunch of voice messages, as some way to make himself feel better.

• They started off with him trying not to sound too worried:

• "Hey, Deku! It's been a little while since I've heard from you. I know you're probably busy with everything happening in Japan right now. Call me back when you get the chance."

"The past few weeks at work have been exhausting. People are acting like the world's gonna end, but I'm sure things'll be alright. That's why we have heroes like you, right?"

"I was able to take Roro and Lala out yesterday, I sent you the pictures. Did you know Roro grew a whole inch?? Soon he's gonna be as tall as me!"

• Until they eventually grew more and more concerned and desperate:

• "Hey, I saw the news this morning. Japan is in really bad shape right now. Is everyone in UA alright??"

"You are getting these, right? If you have, please at least send me a message saying something. Roro and Lala have been worried, you know."

"Deku, I know things have probably been rough for you over there. For you and everyone else. I know I don't know you as well as your friends at UA, and I know that in the end I can't understand what's happening over there. But whatever you're dealing with right now, I'm willing to listen. So...please. If you're getting these- if you're even alive- just let me know. I'm worried, okay...?"

• At some point, Rody gave up on trying, only hoping that somehow Deku was okay, and that maybe he just wasn't getting his messages.

• But Deku was. And he listened to every single one, resisting to the urge to send him something, or call him. But he told himself it'd cause Rody more trouble if he responded, so instead, he just listened to each voicemail over and over, finding comfort in Rody's voice (he also looked at pictures of him with his friends for comfort as well but this isn't about them/j).

• After class A dragged Deku back to UA by the ear, once he was finally able to rest, he couldn't help but think about Rody and finally responding to him, but he wasn't sure what he would say, and he had a bunch of other things to worry about at the moment, so it slipped his mind.

• But eventually, as Rody was laying in bed thinking about Deku (as he had been doing for the past few weeks), he decided to try calling him again cause god damn it why not. He wasn't expecting a response, but at least he could say he tried.

• And to his surprise, Deku answered.

• At first, Rody just kinda sat there in shock, trying to process the sound of Deku's voice. And finally, weeks worth of emotions came spilling out and he just started ugly sobbing while yelling at him and questioning where he's been. Deku tried to calm him down a little, which only made Rody even more upset because how DARE you tell him to calm after you up and disappear for weeks without any sort of communication!!

• Knowing Rody's anger was justified, Deku told him he'd explain everything. And he did.

• He spent the next hour explaining everything that had happened to Rody. From the very beginning. How he was originally quirkless, how he got one for all, one for all's vestiges, the league of villains, All for one, Shigaraki. He explained everything, feeling a weight lift off his shoulders as he did so. Rody, though confused and confounded, listened intently.

• Once he was finished, Deku apologized profoundly for not telling Rody any of this, and how he just didn't want him to be put in danger. That's when Rody realized just how big the burden Deku had been carrying all this time, all by himself, truly was.

• "You've already put me in danger once before, hero." Rody said jokingly, trying to lighten the mood. Deku let out an weak, involuntary laugh. "You didn't have to hide this from me...you listened to all voice messages right? I meant it when I said I was willing to listen. You really don't have to carry that all by yourself..."

• Deku really couldn't help but sob once again at the support he got from one of his dear friends. And hearing Deku cry, Rody said he was a crybaby while also starting to cry as well.

• Just like that one time, both of them started to laugh together while still crying.

I love them so much :(

[pastelwitchling]

I have an angsty prompt that has been on my mind for awhile.

Alex blames himself for Jesse ruining Michael's hand.

So, when he loses his leg it feels like some sort of karmic retribution. Alex feels like he deserved it. Michael finds out that Alex feels this way and loses his fuckin' mind.

@ashleymarie1684

***

Alex was a very protective person. It had taken Michael a good few years to notice that, while he and Alex had been keeping a distance between them that neither of them had wanted, Alex had been fighting like hell on the sidelines to make sure Michael was always safe. It was like a splash of cold water to find out that Alex’s reenlistment, his entire year dismantling Project Shepherd, his whole fight against his father and the courage he’d built to do it in the first place had been for Michael.

He should’ve been smug and basking in the attention, but it was humbling to know how much Alex dedicated himself to him.

“Tell me what you want,” he said one morning into Alex’s hair. They were having their usual lazy Sunday, lying across the couch while an old Disney movie played, with Alex stretched out on Michael’s chest, his ear against Michael’s heartbeat and his eyes fluttering as he gently dozed off to the warm autumn morning.

"Hmm?"

Michael smiled against Alex’s crown. He rarely got to see his love this relaxed, and it was so gratifying to know he could only do it because he was so at peace here, in Michael’s arms. Michael tightened his hold on him, and buried his face in Alex’s hair.

Alex chuckled sleepily. “Are you smelling me?”

“What? Like I’ve never done it?”

He burst into giggles. “That’s not an excuse!” but he cuddled deeper into Michael’s chest anyway, tightening his arms around his waist.

Michael closed his eyes and held him tight. He loved him. He loved him he loved him he loved him, he loved him so much it hurt. He’d felt this intense, overwhelming need for Alex since he was seventeen, but he’d thought that after getting to have him in every possible way, he’d thought that after marriage, that need would dim or be a little more manageable. Instead, Michael felt suffocated by it, like no matter how much he kissed Alex, how hard he squeezed him, how much he worshipped his body and mind and heart and soul – there was never going to be a release. He hoped there wasn’t.

“Tell me what you want,” he repeated. “For your birthday next month, Alex, tell me what you want.”

Alex groaned under his breath. “Who cares?” he mumbled.

“I care, smartass,” he said, and Alex’s body shook with quiet laughter. Michael was going to die. “Tell me. Whatever it is, it’s yours.”

“Okay,” he said. “You. I want you.”

Michael dug his fingers into Alex’s ribs. “You already have me. Pick something else.”

“No.”

“Alex, just tell me what you want.”

“You.”

“You’re such a bastard.”

“I only want you.”

“Pick something else,” he said, “or I’ll stop cuddling you.”

Alex scoffed, completely unthreatened at Michael’s bluff. “Yeah, okay.” He squeezed Michael tighter anyway.

“I’m in a good mood,” Michael said, slipping a hand into Alex’s hair and trying not to moan at the soft strands. “I will literally give you anything you ask for. Think.”

Alex thought. Michael wondered if he would just refuse to answer, or maybe he would insist on his original response, but slowly, Alex looked up at him, folding his hands on Michael’s chest and resting his chin there.

“Anything?”

He was still smiling, but some of the humor in his voice was gone. Michael knew that whatever he said next was going to be important.

He traced a hand down to Alex’s jaw, and his heart thrashed in his chest when his husband’s eyes closed and he followed the touch. Michael bent down to briefly press his lips to Alex’s.

“Anything,” he swore in a whisper.

Alex’s eyes were still closed, and he took a second to swallow before he said, “I want you to forgive me.”

Michael’s brows furrowed. “For what, baby?”

Alex’s shoulders fell, like he didn’t think he would actually have to say it, but he covered Michael’s hand on his cheek, side-eying it pointedly. Michael’s heart fell into his stomach.

“That’s not funny, Alex.”

“Michael, you don’t have to do that,” he said quietly, looking down onto Michael’s chest, his hand still holding Michael’s own. “You don’t have to pretend anymore.”

“Pretend?”

“That it wasn’t my fault,” he said. Michael stopped breathing. “You don’t have to pretend you don’t blame me –”

“Did I ever say anything to make you think that?”

Alex clenched his jaw, and shook his head. “N-Never mind, forget it.”

“Alex –”

“I – I was kidding,” he started sitting up, terrifying Michael. “Just forget it.”

“Where are you going? Don’t get up,” he said, grabbing Alex’s arm and pulling him back in against him. “Don’t pull away like that.” He cupped his cheeks. “C’mon, just talk to me.”

“There’s nothing to talk about, I’m sorry I brought it up.”

“I’m not,” he insisted, taking Alex’s chin between his fingers and forcing their gazes to meet. “Alex, why would you think what happened to my hand was your fault?”

Alex shrugged, and for a second, he didn’t look like he would say, then, so quietly that Michael almost missed it, he murmured –

“That’s why we were apart so long, wasn’t it?” Even quieter, “That’s why you chose Maria?”

Michael stared. He wanted to reassure Alex that he had never chosen Maria, that everything he’d done had been for him, that he had never for a single second blamed Alex for what his father had done.

But was that the truth? When Alex had come back to Roswell after ten years away and he’d revealed his lost leg, all Michael had wanted to do was hold him and kiss him until he forgot his injuries and beg him never to leave again. Instead, he’d been too used to being angry. Too used to grieving and emptiness. He’d been bitter and cruel.

He searched his memories for moments of kindness, moments he’d shown Alex how much he loved him and wanted him there. That whole time, he’d only thought of wanting to forget, wanting to leave the darkness behind, wanting to stop the nightmares that had always come tied to Alex. He hadn’t spared a single thought to how Alex might’ve felt.

“It was because of me,” he breathed, shocked to only now discover what seemed so obvious. “You . . . you blamed yourself because of me.”

Alex frowned, like he’d thought Michael had already known this a long time ago. That they were past this. He’d always been so much smarter like that.

He did sit up this time. “I forgave you for Maria already, Michael,” he promised. “I forgave you a long time ago, that’s not what this is.”

“I never thought of it,” he admitted, sitting up as well because he needed to touch Alex. “I never thought of how you would feel when I walked away like that, I . . . I always thought you were too good for me anyway, I thought you knew you were too good.”

“Michael,” Alex said softly.

“That’s why I did what I did, Alex,” he swore, desperately grabbing Alex’s hips to keep him close. “I was so scared that you would see how far ahead you were. I was scared you’d realize that I’d never be good enough for you.”

“Stop it.”

“I couldn’t get past what your dad had done,” he confessed in a whisper, and Alex fell silent. “I couldn’t get past it because I hated him, Alex. I hated him and I thought he was a monster, and I hated that you kept listening to him. I hated that he mattered more than me.”

“Michael,” he said, aghast, “he never –”

“I know,” he shut his eyes. “I know that. I’ve always known that, baby. But knowing that and admitting it are two different things, and admitting that you loved me more meant admitting how much I’d failed you. It meant admitting that I’d abandoned you to him because why would you want to stay with someone who was too scared to give you a home? Jesse commanded you to stay. I never even asked.”

Alex didn’t seem to know what to say to that, and Michael reached up, cupping his face. “I didn’t blame you for wanting a dad, Alex. I could never blame you for that. I wouldn’t have blamed you even if you’d loved him. I’m not forgiving a damn thing because it wasn’t your fault. Say it, say those words.”

“Michael –”

“Say it, Alex,” he encouraged gently, despite the whirlwind of emotion in his chest. “Look at me, and say it.”

Alex searched Michael’s face, as though searching for the concession and secret resentment. When he didn’t find it, his eyes turned glassy and he swallowed, his lower lip trembling, and suddenly, Michael saw the weight he’d been carrying on his shoulder. Had he been in this much pain all this time?

“It . . .” Alex started, the words choking his throat, and Michael held him tighter before he tried again. “It wasn’t . . . my fault . . . it wasn’t.”

A tear rolled down his cheek and he heaved a long sigh, that weight finally lightening. Michael forced himself to stay strong and steady. Alex needed him too much now.

“It wasn’t my fault,” Alex’s voice broke, and he shut his eyes, his cries silent but making his whole body shake. Michael pulled him in and held him tight, running a hand up and down Alex’s spine, his other hand fisting his hair.

Michael pushed his face into the strands and breathed in his scent, content to hold his husband for as long as it took, even as his own eyes burned.

“That’s my boy,” he whispered. After a long few minutes, he promised, “It’s okay. I’ll let you pick something else.”

The choked out laugh he got in response went right to mending the cracks in his heart.

***

Turns out writing fic is just about the only writing I can manage when I'm stressed out about homework. So uhh. Yeah. Anyway, if you have any prompts, please send them through my tumblr inbox. I need all the fics I can get right now.

[roundandroundandroundandroundan]

I got bored waiting for my laundry to laundry, so I started rolling an incorrect quotes generator with various dominion smp characters.

(AS PER USUAL TO THOSE OF YOU WHO I KNOW ARE ON THIS WEBBED SITE I APOLOGIZE IN ADVANCE FOR ANY HORRID MANGLING OF CHARACTERS)

-

Sneve, standing with their back turned: I’ve been expecting you, Legundo. Legundo: How did you do that without turning around? Sneve: ... To be perfectly honest, the first couple of people I did that to were not you.

-

Sneve: I can explain. Legundo: Can you? Sneve: If you give me thirty seconds to think of a lie.

-

Viking: Man, I only ever see you awake, do you ever shut down or stop running? Legundo: Oh, I’m always running Legundo: The question is from what

-

Legundo: Can you please be serious for five minutes? Sneve: My record is four, but I think I can do it.

-

Legundo: What if the 'g' in 'gif' is silent? Viking: Go the heck to sleep Legundo: What gif I don't want to? Viking: No.

-

Legundo: Where are you going? Viking: To get ice cream or commit a felony, I’ll decide on the way there

-

Legundo: Violence isn't the answer. Viking: You’re right. Legundo: *sighs in relief* Viking: Violence is the question. Legundo: What? Viking, bolting away: And the answer is yes. Legundo, running after them: NO-

-

Sneve: I was born for politics. I have great hair and I love lying.

-

Sneve: Physically, yes, I could fight a bird. But emotionally? Imagine the toll.

-

Viking: Goodnight moon. Viking: Goodnight tree. Viking: Goodnight ghosts that only I can see.

-

Sneve: I think we're missing something. Legundo: Teamwork? Shadow: Cohesion? Joy: A general sense of what we’re doing?

-

Sneve: Is stabbing someone immoral? Legundo: Not if they consent to it. Shadow: Depends who you’re stabbing. Joy: YES?!?

-

Cop: You’re receiving a ticket for having three people on one motorcycle. Sneve: Sh*t. Joy: Wait, three? Cop: Yeah? Shadow: OH MY GOD LEGUNDO FELL OFF!!!

-

Legundo: I currently have 7 empty notebooks and I have no clue what to put in them. Suggestions? Sneve: Put spaghetti in it. Legundo: I'm currently taking suggestions from literally anyone but you. Shadow: Put spaghetti in it. Legundo: I'm currently taking suggestions from anyone but you two. Joy: Put spaghetti in it. Legundo: I'm no longer taking suggestions.

-

Legundo: How did none of you hear what I just said? Joy: I’ve been zoned out for the past two and a half hours. Shadow: I got distracted about halfway through. Sneve: Ignoring you was a conscious decision.

-

Sneve: On a scale from “damn Daniel” to “fre sha vaca do”, how are you feeling? Legundo: In between “it’s an avocado, thanks” and “how did you defeat Captain America”, but as a solid answer I would say “I don’t need a degree to be a clothing hanger”. How about you, Shadow? Shadow: Probably “road work ahead”. Joy: I speak many languages, and this is none of them.

-

Sneve, setting down a card: Ace of spades Legundo, pulling out an Uno card: +4 Joy, pulling out a Pokémon card: Jolteon, I choose you Shadow, trembling: What are we playing

-

Sneve: *Posts a super low-quality image to the group chat* Legundo: If I had a dollar for every pixel in this image, I’d have 15 cents Sneve: If I had a dollar for every ounce of rage I felt in my body after I read this text, I would have enough money to buy a cannon to fire at you Shadow: Actually I did the math, Legundo would have $225, not $0.15. Legundo: Fam I’m right here.... Joy: If I had a dollar I would buy a can of soda :) Sneve: while you’re there could you buy me an apply juice please? Joy: Sorry I only have a dollar Sneve: :( Shadow: Hey I just realized my friend is right, Legundo would have $22,500 because it's a dollar for every pixel, not a cent Joy: If I had $22,500 I would buy a can of soda and an apply juice Shadow: You can buy anything you want with $22,500 Taneesha: Yeah and they want soda and apply juice Shadow: Apply juice to what Viking: Directly to the forehead Legundo: Great chat everyone

-

*The squad right before Legundo's wedding* Sneve: Well I have to go, I have a wedding to attend. Shadow: Wait... Oh! I have a wedding to attend too! Viking: Oh, I have a wedding to attend as well Taneesha: I THINK WE ALL HAVE WEDDINGS TO ATTEND Joy, panicked: I THINK I HAVE A WEDDING TO OFFICIATE

-

Legundo: I CAN'T DO IT! Sneve, laughing: I CAN'T EITHER! Legundo: I CANT DO IT ANYMORE Shadow: WELL I'LL TELL YOU WHAT, YOU CAN EITHER GIVE UP NOW, OR YOU CAN FIGURE IT OUT. BECAUSE WE CERTAINLY CAN'T DO IT WITHOUT YOU, AND WE KNOW YOU CAN'T DO IT WITHOUT US. Legundo: Legundo: I appreciate it, Legundo: BUT LOOK WHAT WE'RE DEALING WITH- Joy: Legundo- Legundo: YOU GOTTA DRAW THE LINE SOMEWHERE! Taneesha: Legundo we gotta- Legundo: YOU GOTTA DRAW A LINE IN THE SAND. YOU GOTTA MAKE A STATEMENT. Legundo: YOU GOTTA LOOK INSIDE YOURSELF AND SAY 'What am I willing to put up with today?' Legundo, motioning to Viking: NOT THIS

-

Sneve: Rules are made to be broken. Legundo: They were made to be followed. Nothing is made to be broken. Shadow: Uh, piñatas. Joy: Glow sticks. Taneesha: Karate boards. Viking: Spaghetti when you have a small pot. Sneve: Rules. Legundo:

-

Sneve: Dumbest scar stories, go! Legundo: I burned my tongue once drinking tea. Shadow: I dropped a hair dryer on my leg once and burned it. Joy: I have a piece of graphite in my leg for accidentally stabbing myself with a pencil in the first grade. Taneesha: I was taking a cup of noodles out of the microwave and spilled it on my hand and I got a really bad burn. Viking: Viking: I have emotional scars.

-

Legundo, walking into their house: Hello, people who do not live here. Viking: Hey. Shadow: Hi. Joy: Hello. Taneesha: Hey! Legundo: I gave you the key to my place for emergencies only! Sneve: We were out of Doritos.

-

Sneve: Time for plan G. Taneesha: Don’t you mean plan B? Sneve: No, we tried plan B a long time ago. I had to skip over plan C due to technical difficulties. Shadow: What about plan D? Sneve: Plan D was that desperate disguise attempt half an hour ago. Joy: What about plan E? Sneve: I’m hoping not to use it. Legundo dies in plan E. Viking: I like plan E.

-

Sneve: There are seven chairs and ten kids. What do you do? Legundo: Have everyone stand. Shadow: Bring three more chairs! Joy: The most important ones can sit down. Viking: Kill three.

[mittenlady]

found some custom brushes for medibang paint

[milimeters-morales]

ATSV Miles: i only recently learned to use my palms to amplify my venom-

Comic Miles about to summon a venom-saber, send out concentrated energy beams, throw lightning balls, and just generally fuck around: hola mi nombre es Spider-Man y esto es Jackass 💯⚡️💥💥🔥🔥

[tacagen]

one of the things that fascinate me about thawne: yes, he CAN be normal with kids! surprisingly normal!

((not at all times, though. his mental illness still spills through and as usual he, in trying to manipulate or hurt others, spits out at them the exact stuff that would hurt him (or have in his childhood/barry's rejection interpretation) the most in the first place lmao))

but at the same time. his like second instinct when doing his bullshit is FUCK THEM (as) KIDS

(and, well. whatever this classifies as)

[jasontoddenthusiastt]

The compelling thing about Jason as a character is that I never doubted that he cared about the world just because there weren’t panels of him being overly zealous about “restorative community care”

I’m not coming after anyone who wants to see that kind of stuff, but I do think seeking | that | as confirmation that Jason cares about the world is pretty narrow

[bylertruther]

yk. the resistance ppl have to so much as considering the idea that mike might not jump to immediately and enthusiastically engaging in obvious n indisputably gay shit with will publicly is kinda funny in a puzzling way when season three and season four, where he does exactly that the entire way through, are literally right there for us all to watch on netflix.com. like. Okay ❤️

[batsplat]

from the stuff i’ve heard marc’s former honda teammates (dani jorge and pol in their media careers but joan also i guess) say about him now that they’re racing is generally quite positive, both on a professional/riding level but also seemingly on a personal level? i’m wondering what you make of that given that, yeah, marc doesn’t seem like a very good teammate (unless you’re alex who i’ve left off this list). like MARC wants to separate on and off track stuff and it seems like all of these guys are willing too at least in retrospect, so he can’t have truly burned bridges with them. do you have any thoughts on that

(x, x) most riders are quite good at not burning bridges with each other! it's not like marc's competitors don't know that this stuff is kinda part of the game. I mean, all of marc's past teammates were also trying to assert themselves within the internal hierarchy... you can say that certain teammates engage in 'worse' behaviour than others, but, like, these people do understand they're supposed to be fighting each other! a baseline degree of nastiness is factored in and will be accepted to a greater or lesser extent by your rivals - especially when it comes to asserting yourself in intra-team power struggles. you might hate the other guy in the moment, but generally speaking once the active part of the rivalry is done with... you will probably get over it. marc's fellow riders are aware of how ultra-competitive marc is - and to a certain point they do respect it, not least because they're aware that this is part of the reason why marc has ended up with all those titles. it's like dani said, right, it's marc's strong suit. and in general, you do have to say that there's relatively few teammate pairings that devolve to the level of toxicity that it completely destroys the interpersonal relationship. you might need some level of preexisting animosity... most of the purely competitive sins can be healed with a little time

on the 'separating on-track and off-track' thing... well. this is kind of a question of how you define these things, you can say that marc generally speaking isn't going to massively hold grudges over isolated on-track incidents or whatever... but he doesn't just leave his fighting to the track, and personally I've also never felt he can entirely separate these things out in his mind. can you really say his professional and private relationships with other riders are completely detached from one another? mostly, he's opted to be pretty disengaged from his fellow riders as a collective, and obviously that's a good way to not take things too personally... it's all part of the game, isn't it? sometimes it's good to go with the straightforward approach: marc tells you he will make your life hell, he does indeed make your life hell, and then you both move on with your lives and can maybe actually have a pretty amiable relationship with him in years to come. he's not really defying your expectations at any point here, is he now? it's still a question for each of them as individuals as to whether they think that kind of behaviour is above board and acceptable or not... but everyone by now knows that marc plays these games, so it's not like they're going in blind

and it's not like other former teammates are constantly badmouthing each other. I mean... look, let's just cut to the chase here and bring in valentino as our reference point (as he is for the sport as a whole, which by the way does also help create a certain baseline of acceptability for marc's antics - maybe goated riders are just supposed to be dicks who knows). vale's premier class teammates were 1) nobody (2000-01), 2) tohru ukawa (2002), 3) nicky hayden (2003; 2011-12), 4) carlos checa (2004), 5) colin edwards (2005-2007), 6) jorge lorenzo (2008-10; 2013-16), 7) maverick vinales (2017-20), 8) franco morbidelli (2021), and 9) andrea dovizioso (2021). of these eight men (let's just exclude 'nobody' for now), do you know how many had serious complaints at any point about valentino as a teammate? that's right, it's one guy. one. some of valentino's other teammates, like hayden, checa and edwards, were even quite actively positive about their whole experience. this is the thing - you do need some specific circumstances for teammate rivalries to escalate from 'being kinda bitchy every other month' to 'actively fantasising about stabbing each other'. not accounting for natural interpersonal animosity, let's list some circumstantial factors that you need to get a bridge-burning-worthy level of feud:

you need a competitive bike. it is possible to beef about development direction when you're in the trenches (cf late 2010's yamaha, 2020's honda)... but generally speaking this is going to be quite low-level petty stuff, not actual war

you also need something that approaches competitiveness between teammates. if one teammate is unquestionably stronger than the other one, then it is very unlikely that you are going to get any open hostilities. the tension comes when the two sides are close enough to each other for the internal hierarchy to actually be a contentious issue (this is also basic self preservation... if you're the far weaker teammate then you do not want to make the situation troublesome, because then you will be the one to be fired)

following on from those first two things... well, it doesn't hurt to have a title fight in the mix. there are also other ways you can generate competitive stakes, like, for instance, if you and your teammate know that one of you will be out of a job soon. basically, it helps to have something to squabble over

it is maybe easy to forget how rare it is this century for teammates to be fighting directly for a title, let alone over the course of multiple seasons. only two 1-2's since the year 2000 and they're both for the factory yamaha's (though 2006, 2011-13 and 2017 did all prominently feature two factory hondas). which means that for valentino, the prerequisites were met just the once in his premier class career... and yes, the results were pretty memorable, but (topic! for! another! post!) it's worth pointing out that even that relationship was pretty much 'fine' whenever there was a sizeable disparity between the two of them performance-wise (2008 and 2013 are the most clear cut examples). I think the way I'd frame it with marc is that he has a bunch of mildly dubious strategies up his sleeve to assert himself within the team, which don't really deviate that far from what you'd expect from a rider of marc's calibre and only need to be escalated under specific circumstances. that doesn't mean he doesn't have the potential to be ruthless, but up until now it's mostly been a fairly 'acceptable' level of ruthlessness on the intra-team level... and not something that is likely to make other riders actually hate him

taking marc's teammates one by one... dani was the closest to meeting the bridge-burning prerequisites, though he was only a title rival in marc's rookie season. and marc did go further with him than he did with anyone else, and dani has made some pointed comments about marc's style as a teammate... but yes, he is fonder of marc these days. partly I'd just emphasise again that this is a fairly natural progression when you've stopped directly competing for long enough, and partly it's also just a question of individual personality - dani's not massively into holding grudges. then there's jorge, who... I mean, they might as well not have been teammates, given that jorge was either too slow or too injured to even be sharing any track space with marc. you have to put that one down primarily to circumstance, seeing as jorge's own track record on the teammate front isn't exactly spotless. marc and jorge beefing in 2019 would have been pretty dumb and also a massive waste of everyone's time in a year in which marc singlehandedly won the team's championship. even those two needed more to get things going

moving on to the dark years, pol and marc had an extremely stop-and-start partnership on a honda that was generally pretty uncompetitive... so the only stuff they could get ever so mildly irritable about were riveting incidents like 'marc saying pol wasn't the biggest championship threat' (neither of them were) or 'pol saying he'd copy marc's set up' (which proved entirely useless). not exactly title decider territory, is it now, and marc very much had pol covered as a challenger throughout their partnership. also, those two do have a longer history! they've known each other since they were kids and hold a pretty significant place in each other's careers. now that pol's more or less retired, it's natural there'll be quite a lot of sentimentality there - which will paper over any small cracks that appeared during those two years. and joan was a one year teammate at a time in which the bike was consistently close to offing them both. they only managed to start a sunday race together as teammates on thirteen occasions. it would take some serious effort to engineer a feud with that little opportunity, and, really, why on earth would you bother. maybe if honda had gone for rinsy rather than joan for the factory seat, it could've been a bit more prickly, but it's unlikely that it would have escalated beyond that

this is the thing, right, the only one of these partnerships that would have been worth burning bridges over was dani, and even there marc pretty much had him handled after the first season. in general, marc has been pretty clear on how he's not interested in making friends with the other side of the garage while the teammate relationship is ongoing... which is fine! there's some prominent-ish teammate pairings that are actually good friends, some teammate pairings where one of them is actively helping out and advising the other one, but some riders prefer to just keep their distance. it would have been a little silly of marc to start a feud with a teammate who is galaxies away from being a competitive threat, let alone a title rival, but generally it is possible to toe the line between 'attempting to suppress your internal rivals enough to stop them from becoming a problem for you' and 'taking radical enough action to make your internal rivals despise you'

especially in the post-dani era, marc never really had any need to push things too far... and, let's face it, how many of your teammate relationships end up with burnt bridges is also quite frankly a question of luck and circumstance. do you want to guess which top rider on paper has the worst track record this century with premier class teammate feuds, in terms of a) how many they've had, and b) how little public reconciliation there has been since the end of the rivalry?

yes, that's right, it's the first name that comes to mind when you're thinking of toxic and conflict-prone riders: andrea dovizioso. that old devil, constantly causing trouble. just couldn't stop undermining his poor, innocent teammates. can somebody please stop this ruthless bully before it's too late

I think you get the point. I would personally suggest that dovi is not in fact the worst teammate it is possible to have in a motogp top team. he just happened to find himself in a situation where he was teammates with two separate guys he did not click with at all, in situations that involved a pairing of riders who were (or had the potential to be) competitive with each other, as well as some proper stakes attached to the rivalry. in general, situational factors are going to determine this stuff more than anything else... and marc more often than not does have a reasonably good feel for picking his battles. he's flirted with the line, but he's mostly avoided crossing it. he hasn't had to

[maddy-ferguson]

using intersectionality to discredit feminism and downplay its reach and essentially weaponizing it when it was coined to describe black women's experience of racism and sexism is nasty work...

[turtlespancake]

me when i write a character who is prone to dooming themself and then they run off and doom themself. core traits are stubbornness and a willingness to disregard their own humanity gET BACK HERE IM NOT DONE WITH YOU

[katierosefun]

y'know, i do think that actors are probably the closest that humans will ever get to a shapeshifter because sometimes i'll go through an actor's filmography and be totally taken aback by the sheer range of roles they've played and how violently dissimilar one role is from the other, so much so to the point that i'll literally forget that they played someone else and oh my god

[hauntingblue]

Will I ever get over garp's scottish accent....