#and line and color and render it nicely

[milkbreadtoast]

I WANTED TO DRAW SOMETHING IN TIME FOR THE MESSAGE BOOK TO GIVE TO AUTHOR SOOKYM BUT I DIDNT FINISH.... but thats ok bc im proud of this sketch and now i can finish it leisurely and not have to rush🫡🥹

[feelo-fick]

I WANT ENDLESS BLISS!!!

HALF-AWAKE, HALF-DEAD, HALF-LIFE CRISIS

ALL NATURAL POMEGRANATE PULP.

FERMENTED TO PERFECTION, SAVOUR YOUR SAVIOR.

Q: What's your favourite food? A: THE ALE THEY SERVE AT THE TAVERN!

other versions : )

[theproblemcallednight]

finally homr from the weekend trip! heres to the best pretty boi!

[shiqingxuanz]

ranwan wip

[otaku553]

Muscle memory

(Spade Pirate Sabo AU Masterpost)

Other title I considered: Blunt force trauma💥 (When you dine and dash from the wrong restaurant)

Some notes for this time around!! I played around a lot more this time with poses and zooming in and out and I'm honestly super proud of how it turned out :DDD Coloring took a long while so it might not be feasible to continue doing this amount of rendering for every comic I do,,, but we'll see, I'll continue to experiment with it I guess

I tried my best this time around to use the color blue sparingly to show Tage's shift in personality from generally warm and amicable to just cold and ruthless when fighting. You can see that blue thaw out a little with the victory pose he does and when Ace checks if he's injured. Also the colors for Ace's little reminiscing panel are borrowed from the 1015 luffy/roger dream segment because I always think of it when I think about the three of them as kids...... the colors of the sunrise,,,

I also for some reason had Such A Clear Image of how I wanted the beat up marines to look. One of those very nice moments when what you envision lines up well with what you end up drawing haha

I think I forgot to draw sabo's ponytail more often than I forgot to draw his neck scars this time,,,

[marauder-misprint]

happy 500 followers i’m so happy for you!!

can you write 62 for the dialogue prompt with remus? maybe she’s james’ sister and a flirt just like him. bc jealous rem ✅✅ they’re dumb for each other but sooo oblivious

Thank you for the request ❤︎

I definitely had a moment writing where I was laughing to myself. You flirt with Remus for years: James has no problem. You say one flirtatious line to Sirius: James asks what's wrong with you.

What you need

Remus Lupin x Potter!reader

2.9k words

cw: fluff, mutual pining, angst

You and James were dual threats. Quidditch stars, academic weapons when you chose to be, friendly, attractive and flirtatious. He had his sights set on Lily and you had yours on Remus. Your methods, however, differed. While James showered Lily with compliments and asked her out daily, you had a more gentle approach. You were drawn to Remus, plenty happy to just sit in his presence. You showered him with compliments as well and made him the center of your world, but you felt that, like Lily, he didn’t reciprocate your feelings. 

You didn’t let it deter you though. You knew he was more reserved than the rest of the Marauders. You decided you would play the long game and wait. He would ask you out. Eventually. 

You collapsed next to Remus on the couch in the common room with an exaggerated sigh. You leaned your head on his shoulder to see what book he was reading.

“The various color changes in the wiggenweld brewing process are essential to the process and without them, the potion will be rendered useless. Substitutions, while appropriate in other potions, will drastically reduce the effectiveness,” you read over his shoulder. “Merlin, Moony, what are you reading? I know Slug didn’t assign this.”

“Just reading up on healing potions. Never know when you’ll need one,” he said.

You hummed and adjusted your body so you were closer to him. 

“Must be something more interesting going on now, though, right?”

“Prongs, Padfoot and Wormtail all have detention.”

“I know,” you laughed. “Maybe we could do something! You know, just the two of us!”

You tried to not sound too excited at the idea. It was a rare opportunity that the other three had detention while you and Remus got off scot-free. 

“Oh, well, I was planning on reading…”

“You could read out loud?” you suggested, desperate for some attention from him. “Maybe I’d learn something.”

“No good at reading out loud,” he mumbled.

“It’d be good practice, Moons. You know I won’t judge. Plus, you have a nice voice.”

Out of the corner of your eye, you could see his face turn a pink hue. You nudged him gently. 

“Come on, read to me,” you sang softly. 

Remus, feeling flustered, stood up.

“Please excuse me,” he said, leaving you on the couch alone.

You watched him retreat to his dorm with a frown on your face. Once again, it hadn’t gone as you had hoped. This wasn’t the first time you had alone time with Remus and he left just after you made him blush. You grumpily moved over into the spot he previously occupied. It was warm and faintly smelled of him; it was the second best thing right now. 

It didn’t take long before Lily sat down in the squashy armchair near you. 

“Why the long face Potter?” she asked. “Missing brother dearest and the troubled gang?” 

You made a face at her, earning you a laugh. Oh, how James would’ve smiled and stared if he were here. 

“They aren’t all in detention, Lils,” you told her.

“Well, you’re not. That would be at least one.”

“Ha,” you said dryly. “No, um, Remus is upstairs. Reading.”

“Huh. Doesn’t he usually read down here when they aren’t around?”

“Mhmm.” You took a deep breath. “He was for a bit.”

Lily nodded. “You’re in his spot, aren’t you?”

“Maybeeee,” you replied quietly, turning your face to look at the fire. “Smells like ‘im,” you added in a mumble.

She laughed again. “Potter, you’re doomed.”

You looked back at her so she could see you roll your eyes and then you returned your gaze to the flames. You knew you were doomed. You would follow Remus to the ends of the earth. You sat next to him whenever you could. You knew how he liked his tea and which quill was his favorite. You knew his ranking of tables in the library, the ones best for studying alone, studying in a group and prank planning. You knew which sweater was the comfiest because he wore it after every full moon. You adored him and he couldn’t seem to stand to be alone with you for more than a few minutes. 

“So, what’d you say to him?”

“What?” Your head snapped back to Lily.

“He was reading in that spot and now he’s not. What made him go upstairs?”

“I asked him to read to me.”

“That all?” 

You nodded, with a confused look on your face. If Lily thought it would’ve taken more to chase Remus away, perhaps something was up with Remus that you didn’t know about.

“Bit strange. I thought he would read to you,” she said lightly. Then she pulled out her own book and waved it in front of your face. “I could read to you if you want.”

“Not the same and you know it. But, if I were James…” you teased. 

“If you were James, I’d be up in our dorm avoiding him.”

Like Remus is doing…

“You read. In your head. I’m going to the pitch... I need air.”

---

When you went to the pitch alone, you used it as a time to think, to clear your head. Did you need to practice because Gryffindor was playing Slytherin this week? Yes. But you also need to think. You’ve loved Remus for years and, well, something clicked while you were flying. He just didn’t like you that way and you had to make your peace with that. 

You started small. You didn’t sit next to Remus at breakfast although you still had his tea ready for him when he arrived at the table. A look of confusion passed over his face when he saw you sitting between Sirius and Mary. He didn’t say anything about it, nor did anyone else. 

Your next step was more direct. You sat next to Otto Bagman in your first class instead of Lily. That caught the eye of some people. Even more so when you let your hand linger on his shoulder longer than you should have and flashed him your brilliant smile. You laughed loudly at his lackluster jokes. 

During the next class, you chose Stubby Boardman. And Gildeory Lockhart in the next. And Gideon Prewett. And Bertram Aubrey. Each got your flirtatious treatment. None made you feel like Remus did, but it was nice to have their attention. 

At dinner, you pulled a move that none of them were expecting. You sat between Sirius and Mary like you had at breakfast. But you sat closer to Sirius than you usually did. It was a closeness you reserved solely for Remus. 

The boys were discussing their next prank and determined that they would need to sneak into Slughorn’s private stores first in order to pull it off.

“I think Sirius should be the distraction. He’s got something super captivating about him, don’t cha think?” you said, leaning forward a bit. 

You flashed him a soft smile as you rested your hand on his shoulder. If you hadn’t been looking at Sirius, you would’ve seen the glares that he immediately received from both James and Remus. 

“Don’t know if Slug is particularly captivated by me, love,” Sirius said, looking down at you and matching your soft smile. Then a wicked glint appeared in his eyes as he turned back to the boys. “But, running in yelling about an exploding potion down the corridor? See how fast the old man can run!” 

James’ expression changed in a flash. He slammed his hand down on the table.

“Brilliant, Padfoot!” 

Remus, on the other hand, let his glare hold longer, only dropping it when Peter addressed him, asking him to repeat what they needed to get from storage. You remained close to Sirius for the rest of the meal as you offered your ideas for getting past Slughorn and for the actual prank. When you excused yourself after you finished, James followed you out of the hall and walked with you back to Gryffindor Tower.

“You know you can tell me anything, right?” he asked.

“Obviously.”

“So then, what was that back there? What’s going on with you and Sirius?”

You stopped walking in shock. You spend years flirting with Remus and no comments from James, but one comment toward Sirius and now he’s suddenly concerned with your love life? James turned to fully face you and you frowned at the concern on his face.

“Nothing. There’s nothing between me and Sirius,” you said, sounding a bit incredulous. 

“Then what the bloody hell was that comment at dinner? He’s like super captivating, he he he,” he mimicked in a falsetto.

You took a calculated step toward James while reaching for your wand.

“I do not sound like that.”

“What was the comment for then?” he repeated the question for the third time. “You don’t flirt with Padfoot.” 

You clicked your tongue and rolled your eyes. 

“I had… a moment of clarity. Obviously, Moony isn’t right for me and I’ll get over him with whoever I need to.” 

You huffed before stalking away from your brother. He stood there and watched you leave, utterly shocked by what you said. Obviously was a strong word in his opinion. He thought the obvious thing was the effect you had on Remus; Remus was hopelessly in love with but too insecure to do anything and you were waiting for him to make a move. 

You continued to flirt with the boys throughout the rest of the week, with Gideon being the main recipient. Being a fellow Gryffindor and on the quidditch team gave him an easy foot up over the rest. James didn’t say anything more to you, really just being glad it wasn’t Sirius but still showing his concern nonverbally from across the room. 

When he could, Remus would find an excuse to leave whenever you were with Gideon. He couldn’t dismiss how sick it made him feel. Somehow he had been the one receiving your attention for so long that he didn’t realize how much of his day was actually spent with you around, and he didn’t realize how cold he’d feel without your warmth. Instead, he now had to watch Gideon bathe in your compliments and subtle touches. Remus hated it. 

When the weekend came, the whole school descended on the quidditch pitch for an exciting game. Gryffindor versus Slytherin always brought excitement. Every student donned either green or red, even the Ravenclaws and Hufflepuffs. The game was a compilation of incredible plays and dirty moves. In the end, Gryffindor pulled through as your seeker caught the snitch. Usually, after a Gryffindor win, you’d search for Remus’ arms the moment you landed, but this time was different. You immediately found Gideon and let his arms be the ones to wrap around you and spin you around. He pressed a kiss to your forehead. You didn’t mind that it wasn’t Remus; it was nice to be the one receiving the doting for once. 

Gideon’s attention followed you all the way back to the common room for the party that ensued. You knew you had eyes on you - you could feel them. In the past, after a win, you’d have one drink in your hand and you’d nurse it while hanging around the outskirts of the party with Remus. You’d maybe do shots with James because no win was possible without the Potter Twins. This time, however, you were not standing around the edge of the party with Remus. Nor were you nursing a singular drink. 

You were multiple drinks in and dancing with Gideon. His hands were traveling your body and you made no moves to stop him. You just kept moving to the music and taking sips of your drink. 

Remus felt like throwing up at the sight. He had half a mind to walk up to you and tear you away from the ginger. He knew you could do better than Gideon, but if asked who, Remus would want to say himself, but was he better than Gideon? Once again, Remus let his insecurities get the best of him; he retreated to his dorm unable to watch you dance like that with another guy who wasn’t him. 

You finished your drink and felt Gideon lean into your ear. 

“Do you want to celebrate somewhere more… private?” he whispered. 

You smiled at him before saying, “Refill first!” 

James had been keeping an eye on you and Gideon for a while. He didn’t like the way that Gideon was touching you, just as much as he didn’t like how much you were drinking. You were certainly not in your right mind. He intercepted you on your way to the drink table.

“I’m cutting you off,” he said curtly before leading you to the stairs. 

You pouted but allowed yourself to be ushered up to his dorm. In your head, you planned to sneak back down to the party the instant that James left you in his dorm. Once inside, he brought over to his bed and you sat down, crossing your arms. 

“You need to sober up a bit. Um, here’s a water. You know extra blankets are in my trunk. Loo’s over there. Got your wand? Need anything else?” 

You groaned in annoyance. “I’m fine, James,” you slurred. “But you know what I actually need.”

“Hm? What’s that?”

“To get over these damn feelings for Lupin!” you basically spat. “Can’t very well do that if I’m up here, can I? He won’t ask me out, won’t kiss me, can’t stand to be around me. Why you stopping me from moving on?” 

“I-I…” he stuttered, trying not to look over at where Remus was sitting on his own bed with wide eyes. “I’m preventing you from making a decision you might regret.”

“James… James, James, James. I’m fine. Just let me get over being in love with Remus.”

James can’t help it. His eyes flickered to Remus. Yours immediately followed where his went. Remus was staring at you with a faint blush on his cheeks. Because why did you just say that you needed to get over being in love with him?

“Shit,” you muttered, falling back onto James’ bed. “Now I’ve said too much.”

“I’m… going to leave… and let you two… talk,” James said slowly, trying to sound casual and topping it off with snaps and finger guns.

“You’re… in love with me?” Remus asked nervously.

You made a noise that’s a mix of a scoff and laugh.

“Only been bloody head over heels for you for years, you twat.”

“You’ve been,” he muttered, not quite believing you. 

“A girl can only flirt so hard,” you said with a heavy sigh. 

“You were flirting?” 

“With you. For years. Keep up, Lupin.”

There was a slight pause before he said softly, “You don’t call me Lupin.”

“I didn’t when I was in love with you.” 

“Was?”

“Moony, Merlin’s fucking beard,” you exclaimed, propping yourself up on your elbows briefly. “Did you not just hear me tell James that I’m trying to get over you? You clearly don’t like me back so stop making it harder!”

You let yourself fall back onto James’ bed with a ‘humph.’ You stared up at the canopy. Then you felt the bed sink next to you and you don’t need to look over to know that Remus has joined you. 

“You actually like me?” he whispered. 

“If I have to say it one more time, I swear, Moony, I will curse-”

“You like me.” This time it was a statement. Remus doesn’t believe it yet, but he didn’t need you to finish your threat. “And it’s real. Not a prank or cruel joke or anything?”

You rolled onto your side so that you could see him.

“Stop pretending to be dense. It’s been hard enough coming to terms with you not liking me like that.”

“No!” 

You blinked at him with a confused expression.

“Um, I… I do like you. Like that.”

“Remus… don’t tease me right now. You can’t stand to be alone with me for more than a minute.”

“Because I don’t trust myself to not kiss you.” He swallowed and allowed his eyes to flick down to your lips. “It’s easier to control myself when James, or anyone else, is around. But when it’s just you and me, and you say those sweet things… I just…”

“Those sweet things,” you repeated with quiet laughter. “You mean my flirting?”

“Yes. That.”

He stopped talking for a moment. He reached out to caress your face. 

“I just thought you could do better than me.” 

You scoffed at the idea that someone was able to be better than Remus.

“But seeing you with Aubrey, Lockhart, Bagman… Prewett…” Remus sighed. “It was hell.”

“So, what you’re saying is you’d like me to keep flirting with you and only you?” you asked softly before your teasing nature returned. “I don’t know about that, Moony. I might need something in return.” 

“Anything.”

“Ask me out?”

“I… I can do that.” He cleared his throat. “Would you do me the honor of going on a date with me? Hogsmeade, next weekend?”

“Of course, you idiot,” you said before placing a quick kiss on his lips.

“Oh, and one more thing.”

You hummed.

“Never flirt with Prewett again. It was nauseating.” 

You laughed. “Just kiss me until my brother comes back, Moony.”

[n0tamused]

I am the one who asked if you write for Phainon, and since you said yes, I shall request. First of all, congratulations for hitting 1500 followers! May your acc continue to flourish since your writings are so good.

For the event, may I request action 3 + fluff 22 for Phainon? And if it's okay, may I give context to the story?

Yk the sun birthmark on his neck? It would be nice to see reader checking him for any injuries after a battle but was distracted by it and impulsively kiss it, making Phainon shudder a little and flustered, but reader was a bit late to realize their action (that's when the line for fluff 22 begins) since I feel like he'd be the type to awkwardly act as if their action didn't just render him speechless.

˖ ࣪⊹Of bruises and kisses

Prompts: 3.A kiss to a scar, birthmark, injury, or other marking + 22.“You’re blushing.” “Yeah, so? Never seen anyone fall for your charm before?”

A/n: I'm really sorry for the long wait </3 I have suddenly gotten very overwhelmed by uni and some personal matters. I do hope you enjoy this regardless, thank you for your patience and thank you for joining me for this event and for your kind words! <3

Contents: Phainon x GN!Reader, just fluff

Words: 647

Ko-Fi |  1.5K followers event(closed)

Candle smell permeates all around you, making the air feel stuffy and too heavy with the faint scent of orange and lavender. An odd mix, yet that didn’t stop Phainon from lighting them up all at once.

You had found him rummaging through the drawers for a wash cloth, limping on one leg - he didn’t return home long ago either. You had dropped every thought and went to assist him, listening to him ramble about how this is not as scary as it looks, he is fine, he didn’t actually get his leg hurt during sparring but he actually twisted his ankle going home! You couldn’t hear the rest of it, hands working on ridding him of his various layers to get to bare skin.

He had quieted by then, sitting down on the nearest chair you saw and led him to.

His hands were on his thighs, eyes lost somewhere in the distance, not looking at you, meanwhile your gaze ventured all over him, cutting him open in search of any injury, any bruise. To your great relief, there was nothing serious waiting to jump out at you under his shirt, only a few faint bruises in the blooming.

“One of these days you will give me a heart attack, with this fashion you just come and go” you scold as you got a cold cloth to dab press onto the most offending bruise, located on the upper part of his chest. He snorted lightly at your words, his head dipping backwards before it straightened, a daring look cast at your own gaze.

“I am a warrior of Okhema, I must always be ready for a battle” he replied, tone light but dripping with amusement. “I mean not to make you worry so much, you know I wouldn’t carelessly throw myself into Thanatos’ embrace”. His statement earned a scoff from you, a quick roll of your eyes, but Phainon faltered not.

“And besides, I think this makes me look even better, wouldn’t you agree?” 

He chuckled, his fingers flexing on top of his thigh as you took his chin in your hands to tilt his head back, turning it slightly to the side as a little red line caught your eye.

You ran your fingers over it, collecting the red color on your fingertips. It was a scratch, a nasty red looking thing. You brought the washcloth up over it, cleaning the area of any dust that may have been lost to your sight. Phainon felt the light sting of water and cloth, but no complaint came from him as he looked across the walls and the tapestry that seemed to stare back at him. It made him lose himself in the moment, humming a low tune as you fussed over him.

His mind only snapped back into the moment once he felt your warm pair of lips on his neck. Chills ran up his spine. He could feel your hair tickle his skin, your lips lingering on the mark of the sun tainting his skin. 

You had moved away by the time he had come to his senses to move, looking at you with, what he hoped was, a smug expression.

“You are blushing”

His cheeks were undeniably..warm feeling. There was a fire crawling under his skin. And maybe he was clutching onto his thighs a little. 

“Yeah, so? Never seen anyone fall for your charm before?” he grinned, but the expression only made the apples of his cheeks grow even more red. His eyes were smiling too, and you’re sure he would be wagging his tail if he had one. Phainon doesn’t share in your amusement when you begin to chuckle, and then to laugh, although he chuckles along with you. He is hoping to play it off. 

“Charm? Why I am happy you say you’re so easy to charm, Warrior of Okhema”

Ⓒ n0tamused/jarttavia_. Do not repost, translate, edit, and/or copy any of my works. Likes, comments, and reblogs are appreciated.

[2balt]

Recent commission for @corvibug ! Being able to draw more toony is always a nice change of pace from my usual rendered work.

I've been calling this commission category "Lined + Flat Colors" for a while, though I've started adding minor shading to recent works just because it's fun.

[marzipanny]

omg HARLZ..........

where are your horns and fuzz !! ft. my @marzipanny ☆ ⋆.˚જ⁀➴

[anneliis18]

Hi I love your art and I was wondering what brushes you use on clip studio to paint/draw? :3

thanks!! been staring at this wondering how to even answer. besides the line brushes covered in this post, i dont rlly have specific brushes that i consistently use , i have some favourites that i keep going between like the ones below but even then i sometimes just find a random interesting brush from brush packs i dont remember where i got and go like :O i also use the airbrush on flat colors or lighting layers in addition to these just to give some variation, always nice to break up a flat color with some gradient even if its subtle, have fun with it.

usually you'd think of g pen as a lineart brush but somehow it's ended up as my current favourite rendering brush, very time consuming tho. also selection + lasso fill, my beloved <3

[myebi]

art vs artist 2024 ✨ can't believe we're here!

i've been thinking about this year a little bit these past few days, with the holidays being under special circumstances for me. the past month passed quickly but very gently, which I'm grateful for all things considered. i think it's now safe to say that after some reflecting 2024 was one of - if not the - best year of my life. I've never experienced such a whirlwind of gratifying experiences in the span of twelve months: i met so many new and nice people, had my first con experiences in amazing settings and my first job opportunities in a field i wanted an experience in for a long time, traveled the world somehow, got 10x more attached to my characters than i already was - and I'm quitting the year with just as many projects as i did when i entered it. granted, new problems came up and still persist, but with every year that passes i get one step to catching up with the anxiety and fears that hold me back, and it's that one step that each time allows me to surpass fear and welcome something new. every leap of faith partially led to the beautiful things i experienced throughout the year like a ripple effect (partially). it's gratifying and humbling in equal measure. so cool!!

art wise, i'm a lot more satisfied with the direction my art is taking than i used to be in the past two years. i came up with brush settings that shifted my line dynamic and i discovered a new rendering technique i really enjoy that allows me to balance time-efficient with textured together. i think my art has been getting a lot more expressive and while sometimes it makes me feel like I'm straying away from a more sanitized, thought through illustrative style, maybe it's worth it for the feelings to be conveyed the way i want them to. i haven't gotten to a point where i'm experimenting with my shapes, compositions and palettes in a way that shakes up my habits in a good way, but I'll get there.

I've also come to realize while making the meme that i actually have very few finalized personal works to show this year! i made most of my personal work posts on a time rush (they usually were made for specific days). I've been working on a set of drawings that required some tweaking and a few days to sketch properly, but the result is worth it, I'm so proud of them!! i wanted to get them out before the NY but it convinced me that rendering had to take its time as well, i don't always want to rush things nowadays. being on a time limit and taking all the time necessary are both good drawing exercises nonetheless.

lots of rambling, but i had lots of thoughts. I'm so grateful that some people are still in my life as we inch toward the new year. to my moulin squad, to my tol staw, to all the new friends i made this year, to my kitty, to my family. i love you like the world. and of course, to all the people who follow my work from up close or from afar, thank you so much. to know i bring a bit of inspiration, thought and color into your day has a lot more worth to me than you can imagine. thank you for manifesting your interest and your support whenever you do!! 🙏

i hope you all have safe and healthy holidays 💛 drive safely and tell your loved ones you love them. my thoughts are with Ukraine and the people of Palestine.

[dreemurr-skelememer]

Hello :D

I have been following you for the last year or so (a few days after I got my Tumblr lmao) and I absolutely love your art!

I have been wanting to study your art style for a while but don't really know where to start,,,

Could you please show me a small portion of your art process, if it isn't too much trouble of course. Thank you and have a nice day!

hello. oh my god. this took forever to find.

im sorry it took 2 WHOLE FUCKING MONTHS for me to respond to this but i wanted to put it off until i felt happy with my art process again, so here it is

my fall 2024 rendering tutorial!

(this will be very very long)

FLATS AND WHATEVER YOU WANNA DO WITH LINES GIRL. then make sure to recolor the lineart to better match your base. trust me it helps, bold dark lines are Not your best friend when rendering. wait for that post-rendering

i start off with a doodle or a sketch, and then filling it in with flats and other details such as blush

FIGURE OUT YOUR LIGHT SOURCE. FIGURE IT OUT GIRL YOU CAN DO IT you can make it as simple as possible, make it as big as possible, dont even THINK about the details.........just make it really fucking big so you at least know where the shadows and the light goes THEN add smaller shading details LISTEN TO ME. LISTEN TO ME OKAY!!!!!!!!

my key point with this is for you to learn lighting fundamentals.

it's SOOO ANNOYING but alas......they are all correct. it helps a lot.

one thing i also really want to point out is that i like creating a big shadow shape first before fixing up the little details (such as folds and whatever) because it helps me focus on the way the lighting actually works instead of tunnel vision-ing into making the shading make sense on the clothing.

contact shadows (i dont remember if thats what theyre called okay) theyre fucking ugly because im not actually thinking sorry 💔

okay so basically:

contact shadows (if that's what they're called) are the spots in shading and lighting where light will NEVER hit.

shadows are still influenced by the colors and lights around it (it's why a blue shadow and a yellow shadow feel completely different, despite both being shadows) so it's not always COMPLETELY dark.

BUT! there are small points in shadows where light never hits, and they're almost always super dark or pitch black.

it's hard to explain shadow and light so briefly for a tutorial, but you'll notice it when watching fundamental studies and when trying it out for yourself

YES i unclipped the multiply layer YES its ugly and terrifying but it makes coloring the multiply layer easier okay the colors merged w multiply so now it looks cool and has depth overlaying colors that actually make sense

so basically what i did was color the multiply layer that i used to shade the overall drawing

adding a band of red/orange/yellow around where the light hits, and blue where the shadows get big and wide, gives it a fake ambient occlusion effect in the way that a person would get if they stood under the sun with a clear blue sky

the colors don't have to make sense, especially because i never draw backgrounds, but coloring the shadows really help it give a sense of depth and extra subtle detail and effect that just helps make the painting look nicer

around the end, i also put in colors (in an overlay layer with a low opacity brush) that actually make sense in context of the drawing, which is the lit cigarette and the yellow eyelights

mostly because none of the colors were making sense and i needed to actually make use of the lighting that DOES exist in the drawing lol

adding a muddy golden yellow pin light layer (opacity turned down to like 40-50%) to make the light colors less ugly lol

i SWEAR by the fucking pin light layer style. it's so useful and so so underrated.

i used an almost brown-ish gold color on stop of all the layers, and with the pin light layer, it helped make the bright (almost blue-ish) white colors more warm and more yellow. it just helps make things more warm (something i prefer)

i could probably show what it looks like without adjusting the layer opacity to truly show off what i mean (like in the coming section) but i sadly forgot to do that lol

make a layer on top of your drawing with this color in these ranges YES the drawing is fully merged NO don't be afraid, the base was fucking ugly anyway 💔 make this layer into an exclude/exclusion layer style TRUST turn down your exclusion layer opacity from a range of 10% to 40% literally until you're happy with the contrast and the way the color over the drawing. use your eyeballs. i know you can do it im so proud of you

this is pretty self-explanatory instruction-wise, so i'll go into why i do this instead

i really like art that seems like it has low contrast, with almost mid-gray shading and lines. i don't personally use dark and bold lines and shading, unless i find it necessary for the tone of the piece, so using this method helps lower the contrast of the art and make it look "pleasantly muddy" in the way that it's easier and softer on the eyes.

the inverted blue color also helps makes things warmer!

the exclusion layer style is still a bit of a mystery to me but i really like the effect it gives, even if i don't completely get how it works lol

if you want an alternative method to this, and if you have access to it (because i primarily use sai and sai only),

i absolutely encourage you to play around and experiment with gradient maps.

there are so many out there you can make yourself or even get from others that just give the painting an extra amount of depth and color variation. they're SO fun.

personally, if sai2 gets a gradient map update, it's over for y'all it will literally be so over no one will be able to stop me

then i merged everything and actually adjusted the contrast back up because it was looking too muddy for me 💔 but the color adjustments are still there so all hope is not lost here's a comparison of the adjusted contrast in black and white (adjusted on the left) (newly merged layer without adjusting the contrast on the right)

as you can see, i actually turned the contrast back up (despite talking all about how i liked things with less contrast lol)

i wanted to demonstrate that doing adjustments should be done in moderation, and is why i adjust layer opacity often when making color effects

you are free to play around with colors to help your style, but don't lose your initial idea and colors along the way.

you still need to trust your own colors and intuition!

along with that, i just want to say that it's completely okay to change your mind mid-painting, and it's okay to make somewhat drastic changes.

don't be afraid to change things you don't like or change your mind about certain aspects way later on

that's basically the whole thing of this!!! don't be scared!!!

now im gonna hold your hand when i say this..........but you need to learn how to render by yourself. it seems like i can teach you but i literally can't, because rendering is different on every piece and depending on how clean your base is. i have to render A LOT because of how fucking ugly my sketches are LMAO to simplify it, think of it as obsessively cleaning up every detail you can see, but with a color picker and a clean, hard edged brush. if you have shit lineart, you don't have to redraw it cleanly over and over, just paint over it. that's basically what rendering is

THIS especially is where you need to be brave and stop being scared.

like i said, i can't teach you how to render, and it's something you have to discover yourself because rendering is something that will always be personal to every single piece you make. the way you render on every piece is different.

on one piece, you will barely need to render, and on another, rendering is more than half of your ENTIRE process.

don't be afraid to paint over your old art.

rendering is a process that's both very perfectionist yet also very careless.

find your balance and just go for it.

and then that's it……..u did it………..now yuo know how to paint and render. it's literally just layering shading and lighting knowledge until you think it makes sense and looks okay lol additional note: since i render in only one layer (you don't HAVE to do this, but it'll be harder for you…), i also made slight adjustments with the transform (and liquify, if you have it) tool to make things more proportionate. (i drew the head too big lol)

if you compare the finished piece to the final unrendered base, you can see that a LOT changed, including a bit of subtle proportion adjustment.

particularly, the sleeves changed A LOT (because i really didn't like them)

but it's also over all cleaner and more coherent, instead of having haphazard colors and shading just thrown about.

rendering is when you finally use all 100% of your brain to finalize and figure out where the shading should go, where to clean up your lines, where to ERASE or ADD BACK in lines, and make sure all your colors look coherent.

it's not as intimidating as it seems, i only use a hard edged brush with a little bit of color mixing and my color picker.

it's like dragging and dropping colors to cover up mistakes, it's really quite fun when you get used to it

i wish i could explain it clearer but it's hard to describe without visuals!

i hope this helped, and i hope all my yapping isn't annoying (art as a special interest beloved)

have fun studying and trying to render in my art style!

[picklesplitz]

This is the third time I've had to repost this pls pls workk

Pls leave a like they worked really hard on their drawing 😢😢😢

little creature versions of my favs.... Lesbian quartet ™️. Ig LMAO... They're just comfort versions I can draw on a whim cuz they're simple... I'm not scared to post them on the tags anymore.. they'll all get poorly sewn plushies too eventually grahhh

I got. Three hours to work on this in class instead of my norm two. So I took extra time into just. Having fun with it! And no rushing...

Process under the. Read more!

I LOVE MY PROCESS ITS SO FUN G4AHHH

First of all. Ms paint doodle I made before I even decided I was gonna make something . I ended up using this as a reference for how I'd draw all of them ...

Then I just hop into lineart! My sketch is my line art. It's more fun this way lmao. I don't worry about my art being wonky or perfect

I didn't like how Tisha was looking, decided it was better to have her cuddle like the rest of them, so I changed that

Then I just. I start rendering!! I didnt do too much of that on this piece but the process is still the same. I do this without color first because I just find it easier to understand and work with! I make adjustments as my brain seems fit at this stage as well.

And last I use blending modes to add all that lovely color!! I don't use one layer I use like. FOUR so that I can get a nice variety of shades n such... I don't color pic either I just slap colors I think fit... I usually merge everything at the end and draw on top on a normal layer to add finishing touches!

And that's pretty much it!!!

[neiptune]

it’s valentine’s day, you clown

cw: 1.2k wc, blank blogs don't interact, something something your volleyball superstar boyfriend tooru flies home to surprise you only to pass out on your bed, this is my first ever hq fic and it's a complete coincidence that it's about him please be nice and don't make any assumptions

thank you @moondust-lore for reading this 🤍

His breathing stays regular and quiet as you crawl onto the mattress. Your bed is still somehow comically small and far from ideal to accomodate that unique ensemble of long limbs, sturdy muscles and swooping brown hair. Yet his sleep is serene, features relaxed that fill your chest with warmth that almost prompts your fingers to run through smooth locks. How have they not been rendered thicker or dry by the sea salt yet?

You’re careful as you snuggle closer to his broad back, not really wanting to wake him up. A small smile creeps onto your lips at the thought of how tired he must’ve been, couldn’t even bother to properly slip underneath the covers, knocked out in seconds. Flying all the way to Japan, travelling for almost 24 full hours to surprise someone must do that to a person.

The shock has worn out, the sensation of your heart being one second from bursting and exploding into a million golden confetti has dimmed. Now your head feels clear enough for your mind to be focusing on the important stuff, the mundane thoughts you didn’t have the luxury of dwelling on for months are a messy but colorful vortex. Would he like the usual for dinner? Does the uniform or any shirts need some ironing? Yes, yes, Tooru favors dry cleaners because they’re practical and he’s rich but you desperately want to contribute. You want proof that he’s home, actually home. With his big designer suitcases and wrinkled shirts and ridiculously expensive glasses and a smile that still shifts your world’s axis.

You allow yourself to scoot closer, until your nose brushes against his shoulder. He radiates a comforting  warmth and smells nice as always. Of sunscreen, beaches, the cologne you have bought for his birthday. As you shut your eyes, memories from the previous night start slowly blurring the edges of your consciousness and lull you to sleep.

“Shit! Fuck!” you jolt awake at the unexpected profanities, the last thing you remember dreaming about including tanned skin and a much more peaceful scenery made of rolling waves and golden, powdery sand.

“What… what’s wrong?!”

Oikawa Tooru is looking at your with what could be only defined as a glare. Eyes squinted, accusatory worry lines and all.

“You let me sleep? Why were you sleeping too instead of waking me up? It’s late!” his pitch gets higher with each word and by the end of the fully formed sentence you’re grimacing. The awfully old digital alarm clock on your nighstand flashes a red 11:05 PM.

“I’m sorry!” you panic “I didn’t mean to fall asleep! I know it’s late but I can probably put something together for dinner anyway? Are you that hungry? Wait, actually, let me get something delivered and…”

Now he’s staring with an openly outraged look on his pretty face, which makes you think finishing the thought probably isn’t the smartest idea.

“You… don’t want me to order in? I mean, fine, you can pick any local restaurant or takeaway, I don’t really ca-”

“Are you stupid?”

Ok, well. That feels unfair.

“I already apologized for falling asleep, no need to be a jerk” now you’re squinting your eyes at him. One eye. The other is being relentlessly rubbed.

“You’re right” he sighs and his massive shoulders slump, head hanging low like a wounded animal “it’s not your fault. I’m the dumb one. Couldn’t even set an alarm”

“I think you’re blowing this out of proportion, we can still eat something. If you’re worrying about your sleep schedule, I’m sure I can find some sleeping pills or…”

Oikawa looks at you, exasperated.

“That’s definitely not what I’m worried about”

“What the hell are you worried about, then?”

“It’s valentine’s day, you clown”

You blink back your surprise, his fond eye roll not easing the heat that takes over your face as realization finally dawns on you. “That’s… that’s why you flew here?”

Tooru leans forward to lightly flick your forehead. A car passes down the street, the light bleeding through your shades brightens the room for a moment and you catch the sincere amusement in his eyes.

“Yes, darling dearest. That’s exactly why I flew here. I was also supposed to make plans, take you out on a proper date, rob a flower shop from the inside out instead of passing out and drooling on your favorite duvet”

You stare back at his comical frown for a few seconds more before falling back into your pillows with a chuckle.

“Glad you think this is funny and not irredeemably gross. Stop giggling, let me think. I’m gonna go buy the most expensive champagne bottle and pick dandelions along the fucking sidewalk if I have to, and then-”

“Tooru”

“What?” he’s already swinging one leg over the edge of the bed “I’ll be quick”

“You’re here”

Oikawa snorts.

“Yes, I’m still here. Now, if you could kindly let go of my shirt…”

“I don’t want any of those things. You know I don’t want them”

He huffs and air comes out of his nose. “Yeah, I know. But I wanted it to be special” his tone is petulant but you recognize the real thing vibrating underneath, the genuine disappointment.

“It’s already special because you’re here. The only thing that could make it extra special is you filling this cold, empty spot next to me” you pat the covers with a lenient smile and Oikawa allows himself three seconds, three entire seconds to sulk and flash you those big, wet, sopping eyes with a pout that makes him less of a volleyball superstar and more of a kicked labrador puppy.

You welcome his painfully heavy body on top of yours, sharp angles and hard muscles that somehow melt perfectly in your embrace. He’s holding you so tight, head buried in the crook of your neck, soft hair tickling your cheek.

“I’m sorry” Tooru murmurs the apology quietly and seals it into your skin. You know he truly is, devastated as he always gets when something doesn’t go according to the plan. Always one for grandiose gestures and loud displays of affection, chasing whatever it takes to validate how he feels just in case the other person needs proof, always additional proof heaven forbid they feel neglected or get bored. His confidence wavering, his mind always running 100 miles an hour. Am I doing enough? Am I still enough?

“I love you” you reply for good measure and his arms tighten around your body.

But do I deserve it?

“Thank you for flying across the planet to get to me” you smile into his hair before kissing the side of his head “I missed you”

“I’d fly across the solar system to get to you” he’s smiling too, it’s in his voice.

“Corny” with a grin, you pinch his cheek until he looks up with an exaggerated, pained groan. But before he has the chance to protest, you take his disgustingly pretty face in your hands. 

“Wherever you fly from, I’ll be there to welcome you home”

Tooru smiles into the kiss, chases your lips when you relax back into the pillows.

And I’ll spend my life trying to deserve it.

Good thing he has at least five different Havanna Alfajores variety boxes somewhere in one of those suitcases. And two tickets to fly back to Argentina.

[mossy-paws]

Get in the fucking biograft, Shuriken. (EVANGELION/PHIGHTING!)

(og screenshot’s/cover under text!) Why hello there to my tumblr followers, it’s been a awhile /silly

ANYWAYS!!! Guess who recently finished the EVA franchise minus the rebuilds and has been in a horrible chokehold over it, this anime ruined my life but hey at least its intro theme is nice……

Well, I wanted to draw some stuff for it! All together these pieces took exactly 48 hours and 20 minutes… with the cover-piece taking ~35(?) of those hours. These were… very, VERY time costly safe to say LOL,,, I am super, SUPER proud of how the cover came out though, everything on it was drawn, colored, rendered, edited, whatever, BY HAND stroke by stroke (as you can see below)

The text, the lineart, the shadows, the colors, the snowflakes on the bio and Shuri, EVERYTHING was done by hand, it was horribly time costly but it did come out very, VERY well in the end I would say (fun fact! I also didn’t originally have the textless version of the cover, and I had to trace all of the lineart for bio’s tophalf by just guessing what line when where and what the hell was going on /silly)

this was a very, very hard project to do all together, but it was also a really nice learning experience too, I’m happy i did it that’s for sure :3!

(og screenies + cover)

[cardo-de-comer]

Currently in game dev as a student and I’ve been looking over your art and concepts for a little bit now—I’m FLOORED. I haven’t checked on your art in a while and had forgotten just how much it inspires me.

Your style holds so much identity, and your skill bleeds through every brushstroke! The way you do silhouettes, the insanely unique and beautiful choice of colors, the ferocity in some of the expressions, the quality of your brushwork, again the USE OF SILHOUETTE AND FORM OH MY GOODNESS!!!

You have SUCH a striking visual style and the way you incorporate similar themes to tie character designs together in your world is incredible! I was able to pick out what I believed to be symbolism and understand it a few seconds after asking the question (it may have been explained in the text and I missed it, but the fact that I was able to draw a conclusion that quickly says a lot about your skills as a designer and artist!).

Please forgive me if this has been asked before by the way, but what program do you use? I have a number of them and am trying to work out how you managed to get the line quality that you do on the brushstrokes (they’re like. Creamy looking??? Does that make sense? They blend together very nicely but don’t blend so much that it muddies the contrasting colors you put on top.)

Anyways as I was reading the game idea you have, I was actively trying to envision how it would look and was immediately feeling a 3D-2D mixed style, especially since your artwork has a very clear visual identity that would benefit from being the focus rather than something like plain or simplistic 3D models.

And then I immediately stumbled onto the low poly model you made and fell in love. I had already thought a Disco-Elysium inspired + low poly (less development time, plus requires less budget for an indie project) would look amazing especially considering how your brushwork means that high-poly models might not benefit nearly as much from it. And I think it might be the right call to continue with that!

What perspective (2D/platformer, 2D platformer with depth [Ex. “Paper Mario”] top down, isometric, 3rd person, 1st person, etc.) do you envision when you think of your game idea?

Personally I feel like it’d work as a 3rd person perspective 3D game, but using extremely low poly buildings and set pieces that let the textures do the work. But keeping in mind that if every character is 3D and rigged, it can and will still take monumentally more time to make.

I could also see it going the direction of having flat 2D characters in a 3D environment (Like “Smile For Me”) which would take less development time and save more energy to focus on good gameplay.

I’d love to hear more about your ideas, and think that you should definitely give more thought to making that game a reality!

Just as a word of advice though, start small. ;^^ Don’t begin with your dream project, make some goofy little games first to get your feet in the water, then dive in once you have that experience. And don’t get too wrapped up in it either, take breaks and divert from the project every so often to regather your creative energy. Like doing game jams for example!

o7

first of all thank you for such a LONG text oh my god T_T I cannot express in words how much this means to me and even if I knew English well, I still wouldn't be able to tell you... I use drawpile a lot for sketches and light stuff like doodles! And Photoshop for more complicated works and render. If you need brushes I have them in this post on my side acc. As for ynstbh, well... Here goes the rambling haha. I was thinking about it being either 2d platfomer /LISA was my main inspiration at the start/ or isometric 3D thing. Isometric still wins in my head because it gives some space for movement in different planes, if that makes sense, my favorite example of it being player is walking through the City and at some point you see a tower on a foreground plane just getting up and running off the screen to ambush you later haha (yes, the City is like that. nothing unusual here). When this game idea first appeared in my head, I also wanted it to have some kind of frame, medieval-inspired, around the gameplay, that would change drawings depending on the location. But now I think that's gonna be too much visual noise. And I would love to make cutscenes because I like my 3d models and I like to animate stuff, although it would take an abysmal about of time to make backgrounds.. Also ynstbh would probably have a lot of dialogues, since I really love to show characters through their interactions with each other. Notably the Devil, who loves to break the 4th wall and look right at the player in his portraits.

Either way yeah, I know about starting small. Right now I only have experience in drawing, 3d, just a little bit of code (I think I forgot everything actually lol) and I'm just really good at googling problems. I hope somewhere in the future I will have enough energy to start. My lore and characters became really important and dear to me so I really hope to make sth with them. :) If game doesn't work out, I'm thinking to give an animated short a chance, I need to put this world somewhere or I'll probably go insane. Once again thank you and good luck with your studies! thanks for letting me ramble about ynstbh haha <3