#and maybe better writers and more time to develop stuff

[vikingpoteto]

my favorite part of the Green Arrow lore is that Ollie constantly tells his kids to shoot him. If they're being mind controlled, confused or for any reason, his go to strategy is to go "sweetie, would shooting me make you feel better? if so, you can do it, it's fine" and it always causes the kid to snap back to reality. Ollie is the og "the real you would never pass a chance to die" and his family is always so repulsed by the idea of hurting him that they come back to their senses.

[nanowrimo]

How to Use Meal Scenes to Develop Characters, Relationships, and Your World

Worldbuilding can sound complicated, but why not make it a little more simple by focusing on food? It may be the domestic touch you need! NaNo Participant Lacey Pfalz talks about using meal scenes to develop your world and your characters.

There’s one thing that remains a universal human truth: we love food! While our perspectives on food might differ, people all across the globe gather together during mealtimes — and thus, mealtimes are made memorable.

Meal scenes can also help your story in a few key ways, especially if it’s fantasy, science fiction or historical fiction.

Meal Scenes for Worldbuilding

If we’re using food for worldbuilding purposes, does that mean we can say we’re worldcooking?

Just kidding! Worldbuilding, especially in historical fiction, science fiction, and fantasy, is an integral part of what you must do as a writer (In truth, it’s also important for writers from other genres, but we’re specializing in these three today).

Meal scenes can be an important part of the worldbuilding process. Food is intrinsically tied to a culture or a country, or even a small region. That’s why it’s important, when building your own world, to take time to figure out the bare minimum of what your characters will be eating.

Let’s do an example. Your world is fantasy, your kingdom set beside a wide river. Perhaps your capital city, where much of the action is located, is surrounded by wetland.

If this is the case, what types of food would likely grow there? Seafood, fished from the large river, might be your characters’ staple proteins, while rice might grow better than another grain because of your kingdom’s wetlands. Fruit, perhaps even coconuts, might be the sweet stuff your main character loves to devour.

Remember that your world directly affects what types of food your characters will be having: is there coffee in space? What about in Byzantine Turkey or your new riverside kingdom?

Shannon Chakraborty does a phenomenal job with this in her fantasy series The Daevabad Trilogy, which is set in the eighteenth century across the Middle East. Her first book, The City of Brass, is especially good at showcasing the often-fragrant dishes of the various cultures across this region of the world (some copies of the book even have a short list of recipes from the book that foodies can try whipping up for themselves).

While her book is set within the fantastical world of the Djinn, her food is based upon recipes that have been preserved for centuries.

There’s one small reminder with all of this: it’s important not to get too caught up in describing each dish so much that you end up taking the focus away from the characters in a meal scene. Meal scenes can be breaks from fast action, but they should also continue the plot.

Meal Scenes for Developing Characters & Relationships

Character development can be hard, especially if you have a handful of characters that you love! But in order to make your readers love them too, you have to show them interacting with the world around them.

That guy we love to hate? Maybe he’s a loner who has grown up eating by himself. Having him forced to sit and eat with a group of people who have known each other for years might be an awkward moment for him, but it helps readers to learn more about his own worldview — and it might just help get him out of his shell, or at least off the love-to-hate list.

Besides helping you develop a single character, writing meal scenes with some of your characters can also help readers learn more about the relationship between your characters.

Let’s say you have your main character, MC. MC leans over and steals a French fry from her best friend. There’s no issue, right? That’s because they like each other, and the best friend has likely eaten with MC before, and knows she enjoys stealing food from other people’s plates.

But when MC tries it again, this time with the guy sitting next to her, he whacks her hand to stop her from stealing. This sparks an argument that seems, at least to everyone else watching it, pointless, but readers will know from the rest of the story that they’re the enemies-to-lovers trope. This argument is just one of many before they finally acknowledge their feelings towards one another.

See how that worked? A meal scene wasn’t useless; it pulled the story along by giving readers another taste of the enemies-to-lovers trope that so many enjoy reading.

If you need a more visible example of how this can play out, try watching a movie like Pride & Prejudice, (the book is amazing, but I’m suggesting the movie as a visual aid). The movie does a great job showcasing just how different the members of the Bennet family are individually, how they act around each other, and how they act around company.

There’s often little action in meal scenes, so they’re not meant to be overused. The plot should also still be there — take the cringey proposal scene between Mr. Collins and Elizabeth in Pride & Prejudice, for example, which follows directly after a meal when the rest of her family abandons her. In this case, the plot (and Mr. Collins’ advances) ruin her meal.

Perhaps your meal scene is the much-needed respite in between battling fierce aliens for planet Earth, or the first time your main character’s enemy-to-lover has entered her home. Either way, meal scenes are an important way to immerse your readers in what kind of world they’re imagining as well as showcasing how your characters act and — more importantly — how they act around each other.

Lacey Pfalz is a travel journalist by day, hopeful author by night. She belongs to the class of graduates she dubs the Class of COVID-19, having graduated with a double major in history and writing at Wisconsin Lutheran College in 2020. Her writing passions include fantasy, science fiction and historical fiction (with a little bit of romance, of course!). As someone with a physical disability, it’s her dream to write a fantasy series featuring a main character like her. Header Image by Jack Sparrow

[thatdeadaquarius]

imagine if reader is given an ancient scripture from around the time humanity founded out how to write and do the alphabet (somehow it was preserved so well that you can still see the words with no issue)

and it's the most heart wrenching, soul crushing, tear inducing, hyperventilating, sanity disappearing angst, misunderstandings, hurt/no comfort, it gets worse but never better, major character death, unrequited love story to have ever existed in teyvat.

and after reader goes through the whole thing, they can barely talk or breathe properly with how much they're crying.

(even better, it was smut not angst and reader is staring ar the scripture, jaw dropped to the floor with shaking hands.)

STOP- I avoid fanfics like that at all costs 😭 id stop reading it after the first angsty event LMAO

Im like... too emotionally affected by fanfics, esp angst ones 💀

Its just, ppl who write closer to my generation or just very psychologically honestly, are like fucking deadly writers. Got my day ruined and shit w/just fanfics 😭

LMAO THE GIF IS JUST YOU ON THE SPOT NOT EVEN HALFWAY THRU-

☆

Sun: Gender Neutral Reader (you/they/them)

Orbit: Short! Headcanons-ish

Stars: my first of the Fontians!! Fontainianes? Fontainains?? u get it

Comets & Meteors: Content Warnings: sobbing, discussion of vague smut/NSFW book at the end, okay for Teen/Mature audiences, & Trigger Warnings: none known.

no but it’d be hilarious if u got this crazy like hand-width deep tablet for each “page” of the book, like how every novel or info in genshin is like one page at a time 😭

Sumeru and other international academics are literally constantly harassing politely requesting your translation of these and sending them to you in whichever country you’re visiting at the moment

Fontaine was even more complex and pretty in real life than it could ever be in game and i can def see you at like Neuvillette’s office or a nice french fontaine cafe and just WHAM

huge ass tablet bc as much as the fic tortures you, you have to know what the fuck happens to these miserable idiots

Neuvillette, Clorinde, and Lynette are all the type to immediately try and dissuade you from reading it again, bc from their point of view you just pull out this huge old rock and start sobbing quietly about 10 mins into the read every time 😭😭

(unsurprisingly, Neuvillette would even go so far as to get the Marechaussee Phantom to sneakily steal ur most recent tablets of the story to hide them, which sucks for you LMAO)

Freminet, Wriothesley, Navia, Lyney, and Furina,all frantically try to distract you, and also theyre in order of who would be the most dramatic w/it lmao

NO BC I JUST HAD THE THOUGHT-

Ur tears absolutely are top priority to Neuvillette and Furina so when they inevitably find the memories in them (and the traveler too maybe)

of what the story is about, except its like all the feelings and stuff, so like its the best “translation” they get of the book so far, u best believe it rains for a week straight

it started out as a light drizzle, but as Neuvillette “read on” in ur tear’s memories if got worse HAHA

mans is out here trying to convince himself like, “this is a classic tragedy from eons ago, its about a human romance, im definitely unaffected, though im glad i could figure out what ails My Majesty so”

meanwhile the story gets worse and its just like that meme “ohHHhhhHH its got a little kiicckkk”

Neuvillette nearly floods the streets by chapter 5 when the miscommunication happens and then they cant get in contact with each other to fix it lmao

LMAO I JUST HAD A VISIONNN

ur in fontaine and while yes drinks were popular (like obv fonta)

business is rlly booming bc now everyone you know (like the Vision-users or archons Neuvill, etc) all have develop this habit of having a water bottle or drink on them to offer you when u start reading to rehydrate you 😭😭😭

Navia, Clorinde, Neuvillette, Wriothesley, Lyney, Lynette all have a handkerchief on them at all times too 😭😭

Good God-

the moment you translate the now instant Shakespearean-level tragedy classic, it is a known tear-jerker thruout all of Teyvat,

like theres trigger warnings and age limits and shit 💀

◇

on another note,

if its smut,

ur desperately combing thru all the tablets and wall carvings and cave paintings to try and lowkey cover it up LMAO

and its not like a story with a smut scene either, its like what anon said,

just fully like the ao3 tag “Porn What Plot/Porn With Plot”

STOP

not u yanking the tablets out of Neuvillette’s hands when he curiously picks them up one time lmao

(he is now invested in getting these translated too bc of ur reaction lol)

☆

consider supporting me with an iced coffee? :0

Spooky Season! Spooky Season!! Spooky Season!!!

still not dead btw

just got hired at my new job so ive been training and busy!! :)

im a host at Olive Garden lol its weird and kinda hard, my feet hurt a lot and i havent had a full shift yet ;-; its a brand new one so it opens the 23rd

dw that eldritch one shot is still coming btw, just talking with betas and editing it now lol

hope if you read this you have a great upcoming weekend!!

Safe Travels Anon,

💀♒

☆

If you wanna join a taglist, DM me what for! "Pspspsss, please tag me for [All SAGAU posts, Only SAGAU Language AUs, diff fandom, etc.]!"

(If you ever wanna drop, just DM me! "No more taglists/[specifically this AU/fandom] please!")

☆

♡the beloveds♡

@karmawonders / @0rah-s / @randomnatics / @glxssynarvi / @nexylaza / @genshin-impacts-me / @wholesomey-artist / @thedevioussmirk / @the-dumber-scaramouche / @chocogi / @fallen-starr / @areaderofbooks / @devilangel657

[spockandstars]

I think that a lot of people take issue with the way the Spock/Chapel/T'Pring love triangle is presented in Strange New Worlds, but that sometimes this is dismissed as fans just being bitter spirk shippers. So here are a few reasons why I believe people are iffy on this plotline. (Disregarding the fact that we're disappointed that the showrunners didn't, and most likely won't, take the chance to do something really cool with Spock's legacy as a queer coded character...)

Firstly, it takes time away from other characters to address an element of Spock's story that has already been explored beautifully. (I will get into how this treats Chapel and T'Pring later...) Spock's struggle with his humanity and his anguish over the depth of his feelings for others (particularly Jim) is a focus in TOS and the movies, and if you're going to keep on talking about it, at least do it in a more creative way? This isn't to say that it shouldn't be acknowledged at all, seeing that it is a lifelong struggle for him, but by making it such a focus of the series they're not giving other interesting characters as much of a chance to develop.

Additionally, it has traditionally been understood that Spock coped with his inner turmoil by repressing his feelings. Over the course of his lifetime, he learns to embrace his human side more to become a more balanced and healthy person. SNW takes the approach of "young Spock was more human and horny!" which isn't necessarily bad, but they better be giving us an explanation for how he transforms so dramatically to the extremely repressed character he is in TOS. Maybe this is reaching too far, but this whole approach of young Spock just feels like an excuse to get hot ladies into his bed and to fulfill the fantasies of nerdy men who project onto him. This is the same Spock who scoffed at the idea of going to see dancers at a bar, who was immune to the charms of the sexy ladies in Mudd's Women, who only entertained women when drugged or when he needed to do so for a mission...

Furthermore, I believe it's a disservice to Chapel. On one hand, it does make her love for Spock seem more grounded in reality, which I appreciate. In TOS, it's pretty clear that Spock doesn't share her feelings and her crush is only really ever used as a means of ridiculing her. There goes silly Chapel again, trying to win over her unrequited love! It's not cool. But on the same token, making Spock the focus of her character yet again only further reduces her to nothing but that. Why can't we let the girl breathe and do other stuff? Sure, she does get some of the AOS Uhura treatment where she gets to be a generic cool badass lady, but this is in a way that is lacking in any real depth. Chapel deserves better.

I also don't love the way it treats T'Pring. Was it really necessary for her to be Spock's eye candy wife that he gets to bang and cheat on? In Amok Time, it's heavily implied that this was an arranged thing and that they hadn't seen each other since they were seven. If they really felt the need to include this relationship, it would have been so much cooler if they had explored it from that angle, with neither of them truly wanting to be together but being forced into it by societal expectation. Which of course, results in T'Pring using her intelligence to gain her freedom in Amok Time.

So yeah. Those are my main gripes with this whole thing. Overall, I think it's lazy writing that allows the writers to benefit from the nostalgia of legacy characters without developing them in actually meaningful or revolutionary ways.

[nenilein]

Hello! Apologies for sending an ask out of the blue but considering your familiarity with localisation differences in persona 4/golden, I was wondering if anything comes to your mind regarding this aspect and how the game depicts queerness and queer themes? Thank you!

Heya! Don't worry, I was thinking people would probably ask stuff like this. After all, I already replied to somebody's tags asking this same thing previously, but I know not many people saw that, so let me use the chance to go into more detail:

Unfortunately, Persona 4's treatment of queer themes is not a result of the translation. The only things that were down to translation choices were small things, such as which pronouns are used in which situation (because Japanese does not at all have the same concept of third person pronouns as English, and the way first person classifiers that mean "I" work is very complex and a lot more vibes-based than actually tied to gender.)

But for the most part, everything is pretty much the same. Kanji's reaction to Chie mumbling about something being "off" about how he interacted with Naoto that first time, the tent scene, Yosuke's extreme insecurity in his own sexuality in addition to everyone else's... I think maybe the only thing that's a biiit better in Japanese is that Teddie is kiiinda genderfluid in Japanese, with the artbook outright stating that he doesn't necessarily consider himself "male" when he's in his bear form, unless it's necessary for a joke.

A lot of this can be traced to the really odd relationship the game's director, Katsura Hashino, has to queer themes. In interviews about Catherine Fullbody (a game which infamously has a rather weirdly handled gay romance route which, however, is notably also the only romance route in the game that cannot possibly result in a bad ending), he talks about how he's always admired queer people for being "strong" and wanted to write queer stories, but couldn't really do it until Fullbody because Atlus higher ups were afraid of backlash from the fans.

Traces of this are actually seen in Persona 4 Vanilla's data, where remnants of a surprisingly well done romance route for YOSUKE, of all people, are still present. That route made it far enough into development to have voiced lines in both, English and Japanese. However, it was dummied out in the final game and its script content was removed. Yosuke STILL has the "girlfriend flag" in the code that all the female romance options also have, but in the finished game it only checks whether you can hug him during his social link or not. Everything else was dummied out. You can still find the voice files on the cutting room floor if you want:

And yes, the "I like you" line is unambiguously romantic in Japanese. His wording is very hard to misinterpret.

However, in the finished game and the rest of the franchise Yosuke's bisexuality was reduced to an in-joke of the developers. It's most poignant in Persona Q (the first one), where if you get the "marriage" scene with Yosuke in the second dungeon, his reactions differ WILDLY depending on which Protagonist you are playing as, far more than other male characters. With Makoto Yuki he acts nonchallant and deadpan about it. With Yu Narukami he acts like a blushy Tsundere and panics constantly. So, yeah.

Okay, so, if the director had interest in writing queer stories since before Persona 4, why is Persona 4 the way it is then?

Well, because - and there's no way around it - he sucks at it.

Katsura Hashino has to be one of the clumsiest "gay activists" I've ever seen in my whole darn life. He finds queer people "cool", but seemingly never had any queer writers or sensitivity readers on his teams and it's caused enormous blunders in how these themes have been handled. For example, when after Persona 3 it was pointed out to him that the writing of the female characters in interaction with the male characters was bad, he immediately hired more female writers and gave them free reign for how to handle the female characters from then on out. But apparently the same thing never happened with his mishandling of queer themes. He wants Catherine's Erica and Rin to be empowering figures for trans women and gay men, but makes a lot of blunders in how he has other characters interact with them to the point it buries his good intentions. Erica's boyfriend having gay panic upon realizing she's trans is treated as "funny and cute", even by Erica herself. Rin technically being a monogender alien really undermines his story of becoming more secure in his sexuality. It goes on and on like that.

The intention with Naoto's story was to point out the extreme sexism in Japanese society and how it forces female nerds to find alternate modes of self-expression, but the clumsy choice of including surgery themes in Naoto's dungeon completely buried that for especially western queer audiences. Most people don't even remember Naoto's dungeon was outright modeled after a Kamen Rider villain hideout. They completely shot themselves in the foot with this one. Additionally, the way Naoto is handled AFTER the dungeon makes her (I'm using that pronoun because she calls herself a "woman" in Japanese in the game) seem more like someone who's on the verge of discovering they are X-gender (the japanese word for "nonbinary") than a repressed girl. Like, right down to how she has Rise help her experiment with clothes in the canonical drama CDs only to realize she really is uncomfortable with skirts and go for an androgynous but less restrictive look going forward. The way she dresses in the Golden epilogue and P4D is pretty X-gender core if you ask me. If they had leaned into that they could have genuinely have had something AMAZING, while also presenting the themes of sexism they wanted to explore, but the lack of queer sensitivity readers kind of ruined it.

Same for Kanji. The way they write him makes it seem like he's bisexual or pansexual, rather than straight, but they kinda shove that part of him aside after his dungeon is done, leaving his actual orientation up in the air and wasting a really good chance for representation. NOW, given what happened to Yosuke's social link, it's quite possible the original intent WAS to explore this more and it got cut, but as it stands, we'll never know. The huge problem of the internalized toxic stereotypes his Shadow presented never being reflected on and put into their right context in the rest of the game, when his social link could've given a great opportunity for that is also a huge shame.

All of this happened because of Atlus being unwilling to let their writers go all out with queer themes in fears of alienating a cishet audience AND because Hashino never sat his writing team down with any actual queer writers to sort this shit out and learn how to get across what the team was ACTUALLY trying to say. Now, given, Persona 4 was far from the only Japanese media property with that exact issue at the time, but it hurts especially much in its case because of the game's themes of exploring the truth to its logical conclusion, as well as psychology. These are issues that a remake REALLY would do well to address and correct. I feel like they actually will HAVE to do that, because sensitivity readers have become the NORM in handling these themes now in Japanese media, rather than the exception. You can thank trail blazing mainstream works like Zombie Land Saga for that.

All in all, Persona 4's handling of queer themes is an exercise in frustration that I hope is corrected soon.

[burninblood]

guys, I sense a lot of tension about this whole buckynat situation XD ... there is even some hate going on on "X" saying they should have stayed broken and stuff... and, listen, I understand, this kind of reunion wasn't what we was hoping for after all these years (10 years?!?!) and of course we had better scenarios in our mind and we were hoping for more good character work (or any characters work at all!), and we want to hear Nat's version (eheh) and these writers are, let's say, uhm, not so good...

BUT

these are american superhero comics for you in 2024. No greatly written for most part, action focused all the time, little or not at all character development, aiming to reach big sales or them get cancelled, flowing with the MCU synergy and stuff. And I tell you as someone who has read comics her whole life (and I had a loooong life, ok XDDD): bad moments in comics come and go, and poor characters run through a lot of shitty writing, and this happens all the time.

Are Lanzing and Kelly good writers? No. HELL NO.

Do I think Cold War was the worst thing written in the media in the maybe last 5 years? YES with a cherry on top! 100% YES.

Is Thunderbolts a good mini series? ... Well, not really. Better than SOL and CW, but still, we're not quite there yet. It was basically random, with a stretched plot that I can't even recall, and really not a team book since it doesn't focused on any of its characters for real. 'Cause you know, I said it before: no character work, just action action and more action.

Is Bucky written by L&K good? No. He isn't. But to be honest he wasn't good in a lot of other comics too, sadly. He has been worse, he has been better. He will improve at some point, that's the cycle.

All this said, am I happy they brought buckynat back? YES. I AM SUPER HAPPY 'cause it opens for possibility!!!

If they gain some more audience as a couple there are more opportunities for them to get more exposure, to be feautured into other comics (in the current cap run written by Straczynski for example?) more and better content, not only together but on their own too! I think them both didn't have a good comic since... 2018??? Nat even earlier probalby, but it's important they somehow stay relevant in the stories 'cause this is how this whole circus works (sad): the characters who sell better get more stories, more comics, better comics from better writers (... hopefully!)! It's bad, but that's the comic market guys.

Idk, it just feels so sad to me that we have waited for so long for buckynat reunion and when it happened finally it left us with just a bittersweet aftertaste... I think this is inevitable 'cause we had so many hopes and we pushed it bigger than life into our heads, and this is reality XD...But realistically speaking, I was never expecting their reunion to be that different from what we got in the end.

It's good to be disappointed, it's right, but let's turn this into a good occasion then, let's try to stay positive and maybe try to exorcise the bad in it by taking a creative angle on the matter: let's write meta about Natasha's pov, let's write fics, let's do edits, fanarts, let's discuss it. But wishing it never happened and dragging them badly...

I know we all feel like they deserved better, and I agree, but let's consider this just THE BEGINNING. It's a starting point and we should keep our fingers crossed for something good to come!

Let's not give up!!!

I'm sorry if this is so long and a whole lot of useless blablabla bhubhubhu, but some of the stuff I'm reading around is starting to be really depressing and a bit too negative considergin the whole situation, and it's a shame 'cause I feel like we should be at least a tiny bit happier here around <3 :D

Let me know what you think of all this mess (or not, lmao) if you want! <3

[outtoshatter]

Author spotlight for today is @sugareey-makes-stuff ! They joined the sterek/teen wolf fandom in 2022 and already have so much stuff to choose from!!

Bite sized stories:

Dancing Shadows from Behind | T | 500 tags: urban legends, demons, spark Stiles, alpha Derek Summary: Derek pulls Stiles closer to his chest as more shadows appear. Stalking, taunting and dancing around them. Ready to strike again at any moment.

[Or: Derek has no idea what to do when the Pack is trapped by daevas. But something ignites a Spark, and that's enough.]

Pink Lemonade | T | 600 tags: road trips, adventure, slice of life, established relationship Summary: “Stiles?” Derek murmurs, watching him closely. Almost hesitantly, as if Stiles might bolt at any second.

“Holy fucking—oh my God,” Stiles blurts out instead. He most definitely flails while staring at Derek in awe. “Why have you never told me about this place before?”

[Or: Derek surprises Stiles by taking him to one of his favorite spots for an early morning picnic.]

Memories Bring Back You | G | 200 tags: developing relationship, reunions, fix-it, post-movie Summary: It’s surreal to see Stiles flipping through the pages of his precious journal, soaking in every single word and drawing he’s documented over the years.

“You’re a dumbass, Derek,” Stiles declares plainly.

[Or: Derek tells Stiles how he really feels about him after all these years apart from each other. Because it's written down on paper now, and it's about damn time.]

It's Enough for Now | G | 300 tags: autumn, cold weather, sharing body heat, monster of the week Summary: “You know, I could get another blanket,” Stiles points out, breaking the silence. “Or let me grab my hoodie from the couch—”

“It’s fine,” Derek interjects in a low voice. He tugs the blanket gently, pulling Stiles closer. “Stiles…”

[Or, Stiles and Derek end up sharing a blanket after coming back from the pack's latest supernatural adventure.]

Over 1k:

[Art]Molten | E | 27K with Wolfspurr tags: friends to lovers, canon divergence, mutual pining Summary: "Stiles, is that you?"

He recognizes that voice. He doesn’t know why he’s hearing it here though, in whatever cold, dark cave he’s found himself in. The owner of that voice is supposed to be miles away, back home in Beacon Hills. Unless Stiles is the one that’s ended up further from home than he could possibly have predicted.

"Derek?!"

[Art]Brewin' up Love | E | 30k with wanderingeyre tags: alternating POV, getting together, fluff & angst, the pack ships it Summary: The Pack runs Moon Tower Fermentarium, a popular brewery in Beacon Hills, and they are a refuge for supernaturals that need it. Stiles is happy to be Scott's Emissary and loves being the head brewer. His life is great. If only he could get over his feelings for Derek.

Derek finally feels like the Pack is settled and he is proud of what they've built. He doesn't need anything else. He has Stiles in his life as his friend and that's more than he deserves. If he wishes for more in the dark of night, that is between him and the moon.

OR The one where the Pack owns a brewery and Stiles is on fire with the puns. Also, there is angst.

The Walls Came Crashing Down | T | 4k tags: canon divergence, hurt Stiles Stilinski, hopeful ending Summary: “Stop thinking so hard, or you’re going to bleed.”

Surely it couldn’t be—wasn’t his Pack supposed to be duking things out with vampires right now? But a very solid and reassuring hand squeezed his own. Grounding him. Holding on, as if to drain away his pain.

There was only one person who always did this whenever he got hurt.

“Derek?” Stiles whispered, his voice raw and scratchy.

*

[Or: A mission goes horribly wrong, and Stiles finally figures out where he stands with Derek.]

Feel You Breathing | E | 8k | 3 chapters tags: porn with feelings, unresolved sexual tension, writer Derek, bartender Stiles Summary: Derek: So, you need a distraction.

Stiles: Maybe Stiles: It’d be better if you were here to help me with that. Stiles: ;D

[Or: Sexy things start late one night when Derek gets a text from Stiles and escalate from there. A few secrets are revealed along the way.]

Made from Scratch | T | 2k tags: alpha Derek, spark Stiles, family feels, fluff & angst, teasing Summary: Derek missed Stiles. He hadn’t realized how much…until now. Something had to change. But where did he even start?

[Or: That one time Derek makes dinner for Stiles, thanks to inspiration from a family recipe and some nudging from Cora.]

Go check out all of sugareey's fics on their AO3 page! Don't forget to mind the tags, leave a kudos, and maybe even drop a comment!

[gulmoregirls]

Motivated by my own 21st birthday yesteday, I decided to (re)watch the famous episode in S6 in which Rory turns 21.

Looking at it now, I can't help but feel like she was, indeed, so young. I get the entire "rory gilmore downfall" thing and agree that that version of the character was just... off. However, I really feel like they could've made an entire arc about rory losing herself and then finding herself. After all, is what she deserves as one the leads of the show.

Now being her age, I understand better how weird it is to be in your early twenties. Expectations, endless possibilites, the burden of having to actually make the choices for yourself. Rory's in a different environment, questioning the lables that were very prematurely put on her. She's not living the life she had envisioned for herself, turns out she's not good at the one thing she thought she had, all of her friends are doing stuff for themselves - while she, who was always on a pedestal, feels lost.

In a sense, taking Rory from that pedestal was key to her character and to the show. Making her have a identity crisis while entering adulthood and the real world makes absolute sense. It doesn't make her spoiled, or terrible, or mean. It makes her a confused 20yo girl, and speaking as another teenager in my twenties, it does get weird!! I just hate the way everything happened, and how she had little to no insight on it, no meaningful conversations with peers, how under developed it was - to the point that it felt like an individual flaw of rory's character, when it could've been so powerful to a young women audience to have someone relatable get lost but find herself again.

Again, I'm not the show writer, and, as much as I wish Rory had been done better, I can only stick to what is canon while annalizing the episode. So here are my biggest thoughts (as if this text is not long enough)

I feel like there's a reason why they wrote Logan as unaware of Rory's birthday, specially because it plays no role in a fight, or has to do with a lack in their relationship. It's not that Logan forgot, or that he should've known. It's purely that Rory didn't tell him.

In my opinion, it symbolizes what becomes a theme during this part of the show, which is "past rory" vs "current rory" and which one is the "real" one, if it's one of them. Logan not knowing about her birthday equals Emily throwing her a big birthday party with a drink Rory doesn't like but that has her name, or inviting random people she doesn't care about. Equals Logan getting her a Birkin bag, a symbol of power, when she didn't even know the brand existed. The parallel between the dream she used to have with her mother (the trip to vegas, playing 21, buying 21 things) and the reality of their fallout and rory surrounded by exactly what lorelai ran from. Money not being able to buy traditions.

Adding to that, the next episode is the famous one, in which Jess shows up and does more than delivering a passionate speech that, almost twenty years later, would become a tiktok trend. He actually wishes her a late happy birthday. He remembers it. Either intentionally or not, it adds another layer to the amount of parallels rory is facing.

Obviously, Jess knowing something Logan didn't doesn't make him better, nor it changes anything. But in a way, it shows a gap between past and present in a different way (one maybe even more intersting than just comparing "study freak" to "yale dropout", because people change over time), once we're talking about the relationships she's building, and how she wants them to be.

On a side note, I theorize that an explanation could be that Rory and Logan's relationship is very present/future-oriented. "Future" not in the sense of building a future together, a far away future. But "Future" as "the next adventure", "the next challenge", "the next trend". The way his character was introduced already shows that, and it was very important for Rory to let go a little, but I feel like it became easy for her, amidst her twenties-crisis, to live too much like logan, trusting that things would fall into place, relying on priviledges she had never had before, forgetting herself in the process, because actually thinking about the situation would make her spiral.

I guess my point is that talking about Rory's past was not a priority - symbolized about how he doesn't even know her birthday. It worked well for them, as Rory was unconsciously doing it herself, hiding it because remembering meant actually getting in touch with who she used to be, and how things were changing, and questioning everything. Once she was able to taste how living was like for Logan - both because of him and because of her grandparents, that shared similar values and priviledges - it was easy ignoring the past, exactly because it was a big contrast that, maybe, meant that she needed to take a step back and to really think about what version she wanted to be.

(not that it matters, but it almost feels like their talks, ideas and challenges were very logan-coded, once rory was eager to ignore aspects of her life and he was eager to show her the perks and fun of his. on the other hand, her relationship with jess was very rory-coded, because everything in stars hollow brought her memories and stories she wanted to share, whereas jess was the one who wanted to escape himself, always failing to communicate, guard always up, even for small things)

In her party episode, Richard, Emily and Lorelai discuss about Rory, and have different views.

To Emily, they haven't failed her - not until she repeats Lorelai's story, showing up pregnant. Until that, there's still time and efforts. She doesn't care Rory is unhappy, or lost, or confused. She just cares about keeping her under her watch, thinking that, by doing so, she won't become like Lorelai.

To Richard, they have failed her by giving her everything she needed to run away from her responsabilities and her old self. He says something similar to what Jess later tells Rory, about how it isn't her to drop out of Yale and be in the DAR. However, he feels like that can be mended with the right incentive - a new car, a new house, in exchange for the old Rory back.

Lorelai, very wisely, knows that if the "old Rory" is bought, it is actually not her daughter. She knows the problem is not Rory not being in school, but Rory not even *wanting* to go back.

Still, none of them actually say any of that to her face. Having Jess be the one doing it is one of the few nice parts of that season, because it makes sense. He knows her, not an idealized version, but the flawed, real one she showed him. He returns exactly to show her he made something for himself exactly like she believed he could, reminding rory of how she can trust her own judgment, and how she can make something for herself as well. He doesn't hesitate in comparing how different the two versions of her are, even if he might be wrong or sound jealous. Mostly, he points out that it is not normal for rory gilmore to ignore her mom. Everyone from her past could see it, and someone needed to say it. For some reason, Lorelai, Lane and even Paris couldn't, and Jess checked all the boxes.

[idkiwasntsupposedtobebackhere]

what i would do if i was a gilmore girls writer:

april storyline:

i feel like instead of the april storyline liz could have given birth a bit earlier and and luke and lorelai would have to step in to help raise doula a lot. first of all we’d get to see them with a baby, which is cute. but there’s also a lot of room for conflict in deciding how to handle the situation. aka conflict that makes for good TV (”should we even have kids together if we can’t even do this?”, ”we have to make these decisions together, we’re getting married!” etc.) but isn’t life altering enough to ruin the couple. it also draws parallells to the jess storyline (which was a huge part of the earlier seasons), luke’s established family issues and his earlier disagreements with lorelai which makes luke’s character arc and the show as a whole more cohesive and satisfying. i could see this drama lasting for all of season 6. in the end because these characters have grown, they would actually figure it out somehow. and then they’d have season 7 to settle down and be happy. i actually do love april but they could have made her a young sheldon type of guest character at yale and paris could have developed a soft spot for her or something.

literati in season 3:

so i feel like they wanted to show us that this is rory’s bad boy phase. they made their relationship about dean a lot and most of the episodes centered around them were like ooooh jess did this sucky thing and dean never would have. and i get that maybe they needed to try something new and didn’t want to just recreate the boyfriend storyline with a new guy (aka see how he fits into her grandparents world, saying i love you for the first time etc). they already did the good stuff with dean so they decided to make this rory’s bad decision and only came up conflict to show us. but they didn’t even fully commit bc rory didn’t change with jess the way she did with logan. that was her bad boy phase, literati was always supposed to be something more. so instead of showing how bad of a couple this was compared to dean/rory, they could have drawn different parallels. because dean/rory was not a perfect relationship and they could have shown how in some ways why this is better for rory. what does she want? not her grandparents and not her mom. after all the buildup literati was the audience’s favorite and most anticipated couple, so i really think painting it as an unexpected but positive change of direction in rory’s journey would have been worthwhile.

like show us how when they go on dates they want to do the same things (as opposed to donna reed or rory just watching dean’s games). show us how they both want their alone time and them not calling each other every day because rory wants to study and jess has to work can be an OK thing (as opposed to the infamous 14 calls a day). show us how jess maybe doesn’t fit into lorelai and rory’s flow as well as dean did BUT how that’s also ok because rory is getting older and going off to college so this makes sense. but then also show us some god damn character development and lorelai and jess actually learning to get along (pls make that an entire episode’s storyline actually. have them be funny together and make it emotional). and show us nice scenes with luke, lorelai, rory and jess. where was all of this when they were dating??? nowhere to be seen. although i would have liked for luke not to kick jess out (i will make another post of how i would handle jess and luke’s relationship in season 3) i know it had to happen because milo had to leave. and i wouldn’t change major plot points like that because i like jess’ arc too much. but if they had shown everything i wrote here, literati’s realtionship would have canonically been stronger and jess would have at least told rory about not graduating and his dad showing up and why he felt like he had to go before he went.

dean cheating on lindsay with rory:

actually i would have had lindsay push him in the lake luke pushed jess in but oops plot twist, dean can’t swim

[crystalyssa35]

A General Guide to Writing Well, Now, & Consistently

In all my years writing, I have struggled with keeping writing as a fun and healthy habit. It took me five years (and many instances of writer's block and giving up) to actually have a basic set of guidelines to keep my writing going...

And I would like to share these "rules" with you all today!

Now, a bit of a disclaimer: developing the quality of your writing skills comes with time, research, and thinking. It may sound frustrating to hear, and you may hear it often, but the only way to get better at writing is to write and read often. Many times, just by jotting a silly thought down or reading fanfiction, you can spawn ideas without realizing it.

Now, to the list of tips that (I hope) will help you on your writing endeavors!

If you are not having fun writing your story, your readers will not have fun reading it. It sounds silly, but it's true! If you're enjoying your writing, you're more likely to write more and input more ideas into it!

Even if you have people to check your works, reread them on your own anyway. This may be a little frustrating tip for some, but let me tell you: I used to HATE checking my own stuff. The worst way I learned that personally checking it is a necessity was when my aunt checked it and pointed out tens of mistakes within my grammar, storyline, and characters. Check yo work, it will save you a LOT of embarrassment in the future.

Write anything. Read everything. As ambiguous and obscure as it will sound, it makes sense with context. As I mentioned before, the only way to get better at writing is to write and read often. Write anything your mind desires, that's simple enough. But read EVERYTHING; not only books, blogs, and articles, but also games, texts with friends, billboards, pictures with text, and (sorry, students) even homework as well. You'll be surprised how much your vocabulary expands when you actually pay attention to anything that is written (for me, it was video games. Seven-year old me knew vocabulary that I was taught in seventh grade because of it). And on that note...

Research what you don't know. Please, this one is genuinely important (I'm biased because it's one of my pet peeves). This includes words you don't know the definition of, spelling, and even generic, real-life information you want to add into your stories (e.g. I actually spent four hours researching how gemstones are categorized for my sci-fi story: Eco-Adstrum). Unfortunately, sometimes researching and fact-checking your ideas before writing them down can prove to be unmotivating, especially when you're wrong. But, it's always good to stay optimistic and be creative enough to twist the actual fact to mold it to your stories. Unless you're writing non-fiction, then maybe don't do that last bit.

If you have no ideas, keep wiggling your pencil. To those that recognize that phrase, yes, it is not my own. This is a piece of writing from former Tumblr user "officialtheonite" (I was only able to find the post because it has been reblogged multiple times) and their fifth grade writing teacher. Essentially, even if you have no ideas, keep writing. Write ANYTHING, even if it doesn't make sense. You will always be able to double-check it later and you will save yourself a lot of wasted time sitting around trying to stir the soup in your brain.

Balance the usage of your names and pronouns. To this day, I still struggle with this. I tend to use an abundance of pronouns when I'm referring to a character, so much so that sometimes, it becomes unclear on if we are still talking about aforementioned character or if we're talking about a different character entirely. Use names when the focus or action of a character is on stage; use pronouns if we are still talking about said character (even if we are talking about the same character, make sure you at least reiterate their name when there's a new paragraph).

I'll be editing and reworking this list as time goes on. I hope these tips can be of use so some of you all. Feel free to ask me any questions if needed. Enjoy writing and keep at it! I believe in you all!

[winchestergirl2]

March Reading Recs

To show some love and appreciation to all the amazing writers here on tumblr, here are all the fantastic fics I've read this month. 💖

Many of these fics and blogs are 18+ only, and NSFW please heed the author's individual fic warnings and requests regarding no minors. I am not responsible for your media consumption.

2023 Reading Recs | 2024 Reading Recs

Supernatural

Sam Winchester

You're On Your Own Kid Part 2 @my-proof-is-you

Authors Summary: You’re used to being on your own. You’d been on your own as long as you could remember. Could Sam show you that it isn’t the only way to live?

Don't Worry About Me @my-proof-is-you

Authors Summary: Anon Request: hi! could you do a sam imagine where he’s been really stressed with work/researching for a big hunt, y/n can’t sleep and sees him still awake and tries to make him feel better? maybe some hidden feelings for both of them?? just really fluffy cute stuff please!! thank you! i love your work!

Requited Love @uhohnotthisagain

Authors Summary: Sam discovers his love for you in a not so clean dream, he doesn't realise his actions following the realisation would effect you so much.

10 Inch Hero

Boaz Priestly

The Miracle Man @zepskies

Authors Summary: The first time you met Priestly was both the worst and best night of your life. He gave you a Miracle.

Centerfold Dance Party @just-a-touch-of-sass-and-fandoms

The Boys

Soldier Boy

The Bet @quin-ns

Authors Summary: butcher leaves you to keep an eye on soldier boy and things become interesting when a deck of cards gets involved

Let's Dance @impala-dreamer

Authors Summary ~If there's one thing she knows, it's that she fucking hates Soldier Boy. If there's one thing he knows, it's that he can change her mind.~

I'm A Ruin Part I | Part II | Part III | @anundyingfidelity

Authors Summary: After the events of the Seven Tower, you present Grace Mallory a new secret project you're working on already to develop a cure to Compound V. The only problem? You need Soldier Boy for that.

Billy Butcher

And So It Goes (Masterlist) @zepskies

Authors Summary: As Madelyn Stillwell’s personal assistant, Helena Flores finds herself caught between protecting her job — and more importantly her life — and helping Billy Butcher bring down the supe who killed her best friend, Becca.

Big Sky

Beau Arlen

Take Me Home Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | @zepskies

Authors Summary: You are another lost soul at Sunny Day Excursions. You’re aiming to settle in Helena, Montana, where Beau Arlen is the new sheriff in town. But you’ve both got a past you’re running from. 

Jurisdiction @waynes-multiverse

I need your hand but I don't want to burn it Part 1 @thebiggerbear

Authors Summary: You receive a phone call letting you know a family member has passed. The news rocks your world, especially when you find yourself flying back home for the services, returning to a place you'd rather forget. As your best friend, Beau is trying to be there for you but you're determined to go it alone. But since you've known him, when has Beau Arlen ever not had your back?

[raifuujin]

“I just don't like Gosho's use of ideas nowadays” do you have some examples? I’ve been feeling the same but I still don’t have like articulate thoughts on it

Well, 'nowadays' has been for. About ten years, ish? The most glaring example that always sticks out in my mind is the Sun Halo MK chapters, with the complete and utter waste of the very common fanfic tropes of 'Aoko gets suspicions' and 'Kid gets injured around someone'. But it kind of matches the general problem I have with his writing that I don't think used to be this bad: He's trying to stuff too much around the strict case-by-case structure (or for MK, introducing the heist-by-heist structure) without actually giving anything focus. (And for MK it's so much worse because he writes it so rarely, that he makes everyone cameo every time but they tend to just get hand waves to whatever drama plot gets instigated by Kid having his next heist.)

For DC, it's the whole. 1) Overarching plot with the BO and suspects and 'here's the available suspects for who's involved with the BO that we introduce one at a time at the end of cases and then maybe leave more clues about them during future cases'. 2) Dangling character or relationship progress and then constantly pulling it away, usually as a joke. 3) When we do occasionally get some of the major plot, it's all at once and then maybe mentioned once in the next case, but otherwise completely dropped. (Amuro and Akai and Kudo tea party tease also lingers as a 'Gosho is just evil at this point'.) Basically rigid structure that doesn't allow for much of the subplots aside from breadcrumbs.

For the current situation, it's also tied into interview comments. Which. have no bearing on the story until he actually uses them. But instead of even that, the movie gets exciting stuff instead and puts it in a giant limbo of is it meant to be canon or not, because no one has been able to settle on that for any movie, even as some details get connected back to the manga more and more.

It's bad writing. Gosho has been a bad writer for a long time, and it's kinda just getting worse. It's my opinion that it's because he tries to have his case after case after case (because mystery manga), and then stuff little bits of everything else in the seams, whether it works well with the case he's writing or if it's a good delivery or (more usually) it's just. Kinda tacked on.

It's partially because of time investment, partially because I have low standards of entertainment, and partially because I want to see how it all ends that I stick with DC. MK is. Similar, but hurts more because I really hate how it morphed into the DC structure when old MK had more you could do with it. Gosho will never drop his rigid case-by-case structure at this point, but it really would be better if he did at this point. Things need development that they're not allowed to have. Or at least smooth out the lines between his hints. And stop with Heiji and Kazuha, just. God. Stop. Is this how people felt about Kid appearances? I feel like at least when people were mad about Kid, they knew nothing was going to happen from the get go, the romance 'tease' is just painful.

[duchezss]

Honestly I think jwcc is gonna be roman empire forever, more specifically S4 and 5, because of how much the writers ruined all of their characters arcs and growths.

I think S1-3 were just perfect. Ok maybe they weren't actually perfect, but for they were setting out to do it was superb. The writers were establishing dynamics and relationships and conflicts, external and internal, so well. It's almost hard to believe that such a grounded brilliant story fell apart in the last two seasons. I generally cannot fathom how they were the same writers. For example, in S3 Ben and Darius have this long arc about forgiving each other and coming to understand each other after the monorail. It was beautiful and slow paced and just a great character study. So when the end of S3 happened, and Darius and Kenji were clearly fighting, I figured they would kinda do the same thing for them. Instead the two forgave each other in less then five minutes and then they just never speak on it again. I can't be only one that just finds that so odd?

Another thing I think really ruined the show was the forced romance between Brooklynn and Kenji. It was out of left field, it didn't make sense, and it completely undermined their characters. To me, the show always presented their bond as brother and sister, but honestly if the writers had done it better maybe (MAYBE) I could've gotten behind it. They just made it so hard to route for them. First of all because of the romance, the two of them weren't really allowed to interact with the others. Like yes they did, but not in meaningful ways like they had before. Also something that irks me to no end is them playing off Kenji so vigorously trying to save Brooklynn at the end of S3 only because he had a crush on her. That's such a misinterpretation of his character, because S3 Kenji would've acted like that if ANY of the crew were in that situation. They became the only family he ever had, and to say that all of that was just because of a crush? Oh don't get be started. Also it just made Brooklynn a shell of the character she once was. I was so upset in S5 when the only thing she got to do was mope about Kenji's betrayal. She deserved more development and screen time, and just everything really. Their romance did a huge disservice to them both.

Third point, I really hate how they played off everyone not having PTSD, especially Darius. I was very happy that Yaz had that arc in S5 and how they showed how it really got to her. But when the rest of the group said everyone was fine, especially Darius? The same Darius that felt endlessly burdened with leading? The same Darius that had nightmares about his father and Ben after he lost them? The same Darius that let everything get to him even when he knew it shouldn't? THE SAME CHARACTER THAT WAS ALONE ALL OF S4 AND THE WRITERS DID NOTHING WITH??? Ohhhh one day these writers will pay for the way they sidelined THEIR MAIN CHARACTER. Darius deserved that arc, and he deserved an arc that allowed him to step out of the leadership role. Like yes that was technically S4, but it was handled in such a bad way and it really didn't present any growth for him or the crew. Just a wasted opportunity.

I think at their core, the problems with S4 and S5 lie with the direction the writers wanted to take it. As soon as the group ended up at this highly technological island I knew it was over. Not to say advanced stuff is bad, the hybrids were always sick, and I even thought the mind controlling was a good moral dilemma, but everything else? It was so tiring and frustrating, like damn I don't care about the brads or this island, or these random ass characters you introduced. I think the writers just really lost sight of what made the show so great in the first place, the main characters. Yes the plot was amazing, but the brilliant cast of characters and their ever changing dynamics and lives was what really brought it home. When you erase all of the development you've been building up for three seasons in favor of a incredulously complicated and over done plot that side lined your main cast what can you expect? It seems voltron was in fact a harbinger for this show. One day dreamworks will learn how to not fall off mid show, but it appears that's not any time soon.

[amidnight--dreary]

20 Questions for Fic Writers

Thanks so much for the tag @zsparz !!!💖

1. How many works do you have on ao3?

166!

2. What’s your total ao3 word count?

2.013.111. I write when I‘m stressed, can you tell?

3. What fandoms do you write for?

Mostly the MCU. Frostiron my beloved 💕 I recently posted a Huskerdust fic, though, and a couple years ago I posted some Good Omens stuff! I have another Good Omens wip brewing, but I haven‘t worked on it in a while.

4. Top five fics by kudos

First one up would be Your Call, a multi-chaptered ABO Frostiron thing that‘s sadly unfinished because I‘m not happy with where it was going somehow. Then Corners of Reality, my baby, Yes or No, Dereliktion and last but not least Vita Nova!

5. Do you respond to comments?

God I try. I’m so bad at it though. On long fics I always answer comments on the last chapter when I post the new one, but I keep forgetting to reply to comments on older chapters or oneshots😭 They all mean the world to me though.

6. What is the fic you wrote with the angstiest ending?

Ohh I wrote a few angsty oneshots but it‘s been a while. Maybe Here, that‘s the most recent one. Of the older ones I remember all my light most clearly. Tony is dead or dying in both of these lol, poor Loki.

7. What is the fic you wrote with the happiest ending?

I like to think the happiest endings in stories are ones you had to fight for a little bit, so maybe Dereliktion. That was a long ride filled with angst and messed up relationships lol. I think Haywire (my first and so far only Sentinel/Guide fic, I love that trope a lot akfj) also has a pretty fluffy ending, and I have some oneshots that are pretty much all fluff!!

8. Do you get hate on fics?

Occasionally? Just the other day I got another anon ask on here complaining about my recent stories. Makes me extra thankful for everyone who takes the time to tell me they enjoy my stuff!!💖

9. Do you write smut?

I do! Pretty much all the time lol. I love writing Dom/sub relationships!

10. Craziest crossover?

I don‘t think I‘ve ever written one before?

11. Have you ever had a fic stolen?

Yesss. I‘m not sure if they just didn’t know any better though, they deleted the copied parts as soon as I told them.

12. Have you ever had a fic translated?

Yes!! I‘m always so happy when that happens!!

13. Have you ever co-written a fic before?

Also yes. One year I did a whole Frostiron Advent calendar with @rabentochter (do you remember this????? How did we have the time??????? Insane) and we wrote a few more collabs beyond that.

14. All time favorite ship?

Frostiron!!!!!!!!!!!! I love my sassy messed up geniuses lol

15. What’s a wip you want to finish but doubt you ever will?

Uhhh I‘ve got a few. I‘d like to finish/rewrite Your Call. Once I also had the cracky fever dream of Loki doing random standup comedy shows in New York because he‘d KILL that. Can you imagine the sarcasm. The gallow‘s humor. Anyway I started that and then realized I Cannot Write Standup Routines at all. So there‘s that.

16. What are your writing strengths?

What I like to write the most is character and relationship development, so hopefully I‘m decent at that? Also dialogue, I hope, but that kinda comes and goes depending on the conversation.

17. What are your writing weaknesses?

I kinda suck thinking of longish plot that goes beyond “will they kiss?? Will they FUCK???” so I’ve been trying to practice that. Also scenes with lots of action😭

18. Thoughts on dialogue in another language?

I like it. I’ve been wanting to write a fic where Tony can properly show off his language skills but I don’t know enough languages to pull that off lol

19. First fandom you wrote in?

The VERY first was Dracula, back when I was 13 or so. I had a big thing for van Helsing back then. My first fandom on ao3 was Once Upon a Time!!

20. Favorite fic you’ve written?

Ooohhh. That would be Corners of Reality, because I worked on it for years before I even started posting it and I love how it turned out. It’s a slow burn time travel enemies to friends to almost lovers to enemies to friends to lovers to enemies to allies to lovers fic. I had SO much fun writing it I still think about it all the time😭😭

I’m just gonna tag some writers I know are on here: @endlessstairway @xottan @izhunny @arabesqueangel @bouncydragon no pressure though!! And if you see this and you’re a writer please consider yourself tagged!!💖

[theerurishipper]

do you think Zoe as a character is a necessary for the plot?

I lover her design but as far I can see her character doesn't seems to be necessary for the story, at all. I thought at first she'd be a challenge for Chloe to finally become better, especially after the play they did in Queen Banana. I thought with Chloe break of her friendship with Adrien that would be the time for her to slide in and try to be a sister/friend for her which will create a positive characrer development for Chloe.

But as the story progress I feel like she doesn't seems like to make impact on Chloe's life and it seems like she doesn't even interact with Chloe much, she instead hang out with Marinette and end up become another generic character added for the sake for increasing Marinette's harem and I don't know, a better bee holder who wouldn't talk back to Ladybug or demanding thing from her perhaps? Because this show has allergies toward character who challenge Marinette's morality.

I mean if the reason why they added Zoe is just for the sake for a new bee holder, I don't see a reason why they can't use Aurore or Mirriele since they already have unique model. Being from different class doesn't stop Marc to be a miraculous holder after all. If she's added for the sake of lesbian representation, we have JuleRose already. So why is she here?

Honestly? Zoe is one of the most useless characters in the show. She only really exists so that the writers can fit her into whatever role they need to progress the plot, because she doesn't have any established characterization. I do like her design, but that's really about all I can say. She's just such a non-entity to me.

Her first episode was actually quite interesting to me personally. A character who tries to hide her true self and lies in order to be accepted by her peers? Interesting stuff! I dig characters like that. Her being all nice and friendly with Marinette at first and then switching instantly to becoming mean and cruel? How intriguing! What a good way to establish a character! This could be the start of a really good character journey in which Zoe learns that she doesn't have to put on these roles to be accepted, culminating with her earning the Bee Miraculous as a fully established character!

But there was no character arc. There was no arc, no nothing she just... got over it thanks to one speech and got the Bee Miraculous in the next episode and then descended into obscurity. She could have been so much. Imagine how it could have been if we had gotten to explore her character. Like, maybe she could have caused the akuma on her first day instead of being the one to be akumatized. This could have set up everyone else disliking her while leaving Marinette wondering why she seems so different from before, and it could have started Zoe off on the path of realizing she didn't want to put on an act to please bad people and be accepted by them because she didn't want to hurt other people, actually.

Over the course of the season, maybe we could learn about what exactly happened in her old school through a proper backstory and not just an exposition dump. We could learn about why she is the way she through exploring her relationships with her father and her mother. We could have her grow through her interactions with others and her observing Marinette with her friends, and we could have watched her slowly realize that she maybe doesn't want to put on an act anymore and that she just wants to be accepted for herself. This way, we could actually get to see her act this way and understand why she is the way she is, and have her motivation be revealed in a natural and compelling manner, instead of just having it all be dumped onto us in her debut episode.

Then we could have the obligatory akuma, which lets Marinette know that there's more to Zoe after all. Maybe Marinette tries to reach out to Zoe after that. Maybe this leads to Zoe learning what real and true friendships are really like and leads to her finding people whom she can be herself with and who will accept her unconditionally. Maybe we could actually see her hanging out and bonding with everyone and actually watch the scenes with stuff like Rose and Juleka helping her dye her hair instead of it being relegated to an end-of-the-episode montage. They could have used those sneakers of hers more. Those were an interesting and compelling aspect of her character, considering the fact that she would write down the nice things people said about her on it. Maybe we could have a scene of her doing that with her new friends. And maybe after this, she gets the Bee Miraculous, and being able to help Ladybug like this inspires her to help others the way Marinette helped her, which makes her reach out to Chloe, thus letting her true self shine through completely, and this could also prompt a gradual change in Chloe.

I'm just throwing out some scenarios here and I don't claim that I'll do a better job of anything, but I really do think that the reason Zoe's character suffers is because of the abysmal pacing. They set up something interesting with her and then resolved it in one episode, which made her character dull and boring for any other time she's on screen. If they had stretched it out over the course of the season, she would have been way more interesting. As it is, she has nothing going for her.

From a writing perspective, Zoe has the most generic personality ever. She's nice and kind, just like every other character in the show. Any interesting facets to her character or any meaningful conflict she could have faced is fixed in her introductory episode and never seen again, and she herself only ever appears in the background of other episodes along with the rest of Marinette's classmates, contributing nothing of value. Her relationship with Chloe and her promise to always love her? Forgotten. Her conflict about not wanting to put on an act? Somehow, she just... got over it in one day and was always just her authentic self from then on. Like, name one character trait about Zoe that you can't say about anyone else. Even the rest of the class, obscure as they are, have more defined personalities and quirks than she does.

Zoe is literally just there, and the writers pity her sometimes, so they give her stuff to do. And you can't really say any of them don't make sense for her character, because she doesn't really have one beyond the base traits of nice and good. So you need a replacement Chat Noir? Zoe. Need representation? Zoe. There's no real reason for any of this to be her, it just happens to be her... because. Like you said, this could have been done by characters who were already here. We could have had our lesbian rep from Julerose, we could have had Nino for the Black Cat. There's nothing of value that Zoe as a character brings to any of these things, it just so happens to be her because she has nothing else going for her, and because her personality is so underdeveloped and practically non-existent that anything goes. And also Kagami would have been a better choice for both of these things no seriously this is Kagami erasure this is Kagami slander justice for Kagami.

And it really does suck, because Zoe could have been an interesting character. Her character premise was genuinely compelling. But then she just got reduced to another classmate who hangs around helping Marinette confess and to another one of Ladybug's team. All her scenes are just comparing her to Chloe and going "oh Chloe bad Zoe good." There is nothing Zoe has going on for herself. She's really just there to be a replacement for Queen Bee. And this would have been fine if the writing organically and naturally inserted her into the role by fleshing out her character and relationships with Marinette/everyone else. But she has virtually no development or character and most of her scenes are used to beat it down our skulls that Chloe is Evil and Zoe is Good, so root for Zoe, guyz!

They are so insistent on shoving the Zoe is the Good Chloe agenda down our throats that they have characters act OOC just for that. Somehow, being talked down to in front of the school doesn't make Marinette doubt Zoe in any way, shape or form. Instead, the blame is placed on Chloe for corrupting her. Andre suddenly decides to grow a spine and stop enabling his daughter, and once again Zoe is supported and praised and Chloe is condemned (I'm not saying it was wrong for Chloe to be told off, just that it coming from Andre of all people just makes it part of the problem because it's so OOC). They even had Plagg go out of his way to compliment Vesperia over Queen Bee like, five seconds after he's seen her for the first time, even though Plagg never compliments anyone so quickly or so much, not even Adrien. They had Plagg spend the whole of Deflagration kissing Zoe's feet and praising her constantly even though he would never do so while he offers to Cataclysm Chloe! He would not fucking say that.

Honestly, when it comes to others interacting with Zoe and the conversation actually being about her instead of about Marinette, it just results in more comparisons to Chloe and how Zoe is sooooooo much better than her. Even the episode focusing on Zoe and her feelings has a Chloe subplot that basically takes over the whole thing so that they can be compared.

And I am self-admittedly not a Chloe stan. I am not particularly fond of her. But I also don't like being told what to think, and I don't like how the narrative tries so hard to make us hate Chloe and like Zoe without developing either of them or letting us come to our own conclusions. Zoe isn't given anything of her own. Either she is being whatever the writers want her to be or she is being Chloe but Good or she is being Marinette's newest wingman. They could have explored so much about her. They could have fleshed out her struggles and her backstory. They could have done something with that set up in Queen Banana between Zoe and Chloe's relationship. They could have explored Zoe's new relationships (the Zoe/Lila parallels practically write themselves, as does the Adrien-Zoe friendship). They could have elaborated more on her dream of being an actress. But they didn't. They just kept comparing her to Chloe whenever anything had to do with her, and her character suffered for it.

Zoe could have been her own character in her own right, and she did not need to be bogged down by being forever labelled "Chloe's replacement," but the show didn't let her grow beyond that initial label and now it's pretty much stuck forever. Honestly, she deserved better.

Thank you for your ask!

[justatalkingface]

what's your opinion on the big 3? When I was hyperfoxed on this series they were the thing I care Abt the most (I enjoyed season 4, obv I'd change some stuff now but I still remember it being atleast ok)

I hate how dirty they did my girl nejire, as far as I'm aware they didn't even do anything with her after the whole pagent thing she just got a small backstory about how she was sad (don't know all of it I haven't been keeping up that well w the manga)

mirios not having a quirky and having to save eri (a girl who I can't imagine would be that skilled at the age she is and has been training on lizards to give his quirk back all together, I'd imagine it taking a few more months but bnhas time is shit so) and coming back in the war arc to punch one person and then basically do noting iicr

The only decently written one was amajiki, I wish they had more going on I think they have a fun dynamic (w them helping taking care of eri and me rlly liking idk what it's called but I love the fluff it brings) :(

Lots of mixed feelings, in all honesty. Lots of mixed feelings.

I'll admit, a big part of my mixed feelings about them is they showed up as the latest, 'Stomp on Izuku's everything' at the point in the story where it was becoming obvious that there was always something stomping on Izuku, and that gave me a bad first impression on them I've never been able to shake... which isn't helped by how they're connected to the clusterfuck of Nighteye, of all people, which is kind of my whole thing with Mirio (warning; I am biased):

As a person, he's obviously nice, but as a character, basiclly his entire reason for existing was, 'give Izuku an existential crisis' and I don't think I've ever forgiven him for that, really. His entire character is just bigger, stronger, older, happier, more capable, more confident, more successful, more loved Izuku, who had a Quirk his whole life and only had to dig deep to find out how strong it, and he, was all along.

Unironically. It's....

It's a really bad look, to be blunt; he feels kind of like a bad fanfiction character written by a bad writer who wanted to put their super special OC in the story, except he's canon.

Since we've never seen him even think something unheroic, there's really nothing that distinguishes him from that impression factual statement, which, again, makes it hard for me to give a shit about him, or even remember him... which is a problem Hori seems to share, lol. It doesn't help that I loathe Sir Nighteye and that most of his development time is spent admiring him, to boot, and that his parts of the story are either empty or focused on a living plot device I can't quite like no matter how hard I try because of how blatant the emotional manipulation is about the biggest story breaking, SOD shattering plot device until Stars and Stripes showed up.

If he ever got any kind of development to flesh him out a human being rather than being either Izuku and/or a heroic archetype, it'd help, but beyond all of that his biggest personality trait is liking jokes, and that barely even comes up. Or, rather, considering both the Final Arc and his response to Bakugou's name, along with Nighteye's own tendencies, 'jokes', maybe.

He doesn't deserve it, I admit it, it's not his fault, but I just can't get past that. He also doesn't deserve to just be forgotten until his big moment of a butt joke, but... MHA, everyone. In all honesty, I'd just like him better if his entire story arc didn't exist in and as some of the worst parts of the Overhaul arc, but he's tainted by that fact.

I freely admit that I am unfairly biased against him, so take all of that with a mountain of salt.

As a side note though, god, the story doesn't seem to realize how badly Nighteye is using the poor kid; Mirio thinks Nighteye is training him because he's worthy, while Nighteye mainly seems to be doing it because he's the closest thing to an All Might clone he can get, bar him actually cloning All Might, even if he grew to like him for who he is. I'm not sure Nighteye ever thought of Mirio with just his Quirk as anything more than a temporary situation; even at the start of canon, when on his own merits he's rising to fame with how successful he is, Nighteye's overall focus is still about getting AFO into the kid.

I almost wish I could see Nighteye explaining how all of his training came down to getting All Might's Quirk, just to see MIrio react and tear Nighteye down a peg about it, except Hori's history of handling these kinds of things means he'd never be allowed to be properly offended on his own behalf, the poor bastard.

Moving on, Tamaki. Out of all of them, he's had the biggest of an on-screen story arc, and in a intellectual way his Quirk is easily the most interesting. Unfortunately, while he has a personality, it feels so bland at times that he's far easier to remember for his Quirk than who he is.

I liked his story, really, but at the time it was overshadowed by Mirio and his everything, and by the time he showed back up it was clear how irrelevant it and he was, so it was more about how (admittedly, very) cool he get his Quirk to be than it was about him, and with some brutal honesty, it's probably because his Quirk is so interesting that he even got that much focus beyond that initial arc by Hori.

And... Nejirie.

In a combat sense she's easily the best of them, really; Mirio is almost purely defensive, which limits him (especially if he's not surprising someone with it) while Tamaki's Quirk, while flexible, is so conditional in ways that can easily hold him back (we only ever see him fight with full preparation; if he's not gearing for a fight he'd be easy to ambush), and like a lot of things in the Final Arc, his big laser canon thing is.... questionable.

Nejirie, though, is just simply powerful. In a setting where everyone has one power and one main application of that power, where you either fly or blast things, but not both, she's the closest I've seen to a 'traditional' super hero, like you'd see in Marvel or DC.

At the same time, though, out of the three of them she least has a story, for obvious reasons, and it's a disgrace, really. If Hori had just spent some time on her, on the her backstory that apparently exists (yeah, I'm not sure where that is either), she could have been so interesting... but really, all she is is the Girl Teammate. Her personality traits are The Girl Teammate's personality traits. She's just The Girl Teammate stamped over all of the interesting stuff, and it's such a waste, it really is.

And finally, as a unit? The Big Three is a shiny toy that Hori forgot in the corner somewhere as soon as he got bored with it. He spent a few minutes oohing and aahing over them, focusing really hard on developing interesting powers, how they could be used, and how strong they were, only to start to lose interest as soon as those powers were established, and he was writing the three of them off before their introductory arc was even over.