#and more about you being a worm

[existennialmemes]

She's a ten, but she keeps transforming herself into a worm to test my loyalty.

It was cute the first dozen or so times, but now I'm starting to wonder if we have a problem.

[a-sketchy]

persona misogyny is so fucking wild. ignoring literally everything else about the entire rest of the games, every single s.link with a female character is like “entirely for having been born a woman i have had to work twice as hard for a fraction of the benefit. even now, i am stripped of my agency in a position i never wanted in the first place” and/or “i’m put on a pedestal by the people in my life because of my looks. men see me as an object to be conquered, women hate me for ‘stealing’ ‘their’ men. if i’m withdrawn i’m a bitch, if i’m friendly i’m easy. because of this, i’m alone” and/or “because of my personality or hobby or lack of cooking skills, i feel like i’m failing at femininity. if being a woman is something i can fail at, then where does that leave me? i’m scared at the loss of my identity and place in society”

like very consistently they present female characters with complex thoughts towards their place in society as women, femininity as a whole, and facing issues stemming from misogyny, and then the payoff is always “my problems were entirely my own fault. i wasn’t strong enough, i was a coward. but now, i’m gonna work hard to be exactly what society expects me to be (which is what i want to be)! i’m gonna do better at femininity (which is still something tangible i can fail at)! i’m going to try hard at making friends (which was my fault for not doing)! all my problems are solved through personal responsibility (that im totally culpable for), effort (which i previously was not putting in), or you, a man! i am Happy and Satisfied with this outcome, can i be Your woman?”

and like hello? why are we here. what the fuck are we doing. why do we keep doing this every single time. can we not do the constant lukewarm attempts at criticizing misogyny so you can jerk off to your own thoughtfulness, while ultimately reinforcing patriarchal systems and brushing off any deeper misogyny-bred issues as a lack of deference to one’s rightful place in society? like maybe don’t do that? for fucking once? just an idea

[mumblesplash]

my favorite thing about comics specifically is how much it checks your ego if you think you know how to draw characters. like i’m pretty sure people who don’t do comics assume the hard part would be how *many* drawings are involved in making a comic, and sure that’s part of it, but i think the real challenge is having to accept you’re not as good at drawing characters as you think you are. being able to depict a convincing character, a dynamic pose, or even an expressive face out of context as opposed to within a narrative is such a different skill set in ways i don’t think a lot of people realize

[bonefall]

are amphibians like newts and frogs considered aquatic? i know crustaceans & mollusks would be

Yes they are! Generally, the more time it spends on land, the closer it will be to 5 calories than 4. The estimate was actually based on frogs and tadpoles, I had to make an educated guess.

My best source was a feeding chart from a reptile food website which sells whole small prey for consumption by snakes. It perfectly lists out the values of dozens of small animals, but no fish. So I took a note of the 4 calorie estimate, observed that an adult frog increases in calories compared to tadpoles (bucking the trend with the others on the list where younger animals are worth more caloric value) and went on to do more research

I couldn't find a source that broke down WHOLE prey caloric value like the chart, so I ended up comparing caloric value between rabbit fillets, chicken fillets, and fish fillets on human-centric nutrition websites. My hypothesis was mostly consistent, even with more species added. Fish (perch, flounder, pike) < Wild Mammal (rabbit, squirrel) < Poultry (chicken, turkey, quail). There was overlap between "classes", certain fish getting over the 100 hump, but generally there was a trend I boiled down into 4/5/6

This is consistent with how a lot of fish meat is actually water. In fact, cats quench a lot of their thirst from the food they eat. I also learned some very interesting stuff about the fat distribution in fish which is going to blow a bit of a hole in some of my Clan culture stuff lmaoooo, but I'll furiously swim across that obliterated bridge when I get there

But funfact! Fish oil is rendered fish fats and it is the form that unsaturated fat takes, whereas lard is what saturated fats become. I need to do more research into this topic to understand what kind of difference it would make in a wild cat's diet.

There was one big bucked trend though: salmonid meat was WAAAAY higher in fat and calories. Like, absurdly high. Like 150 cal trout fillet vs 110 cal of rabbit fillet vs 88 cal of perch fillet.

I do not know why that is. My guess is that maybe it's because they were taking the number from farmed salmonids? Maybe it's because they're particularly fatty fish? Perhaps this is just the raw power of salmon slammin'.

Anyway, at one point I was trying to estimate exact caloric value per popular prey species, but decided I didn't have the "backing" to get so exact with the numbers since I was doing estimates with the fish. I'll do the work if it comes down to it, but for now, 4/5/6 is a quick, easy guideline you can use for just about any WC project.

[dazais-guardian-angel]

Okay, a good amount of time has passed, and after having seen this post by @weretiger-be-my-horse , I've been turning it over and over in my brain going absolutely feral over this concept. I need to expand upon my thoughts on this idea and all the evidence there is pointing towards it, whether that be actual tangible things, or purely strong vibes I have.

First of all, full disclaimer: I did not like the season 5 finale, and how it wrapped up the DoA arc. To say that I "disliked" it is putting it extremely lightly, in fact -- I absolutely hated it, and I am still, to a degree, in disbelief that I actually even watched those 24 minutes with my own two eyes, and that it somehow wasn't a complete fever dream. While I'm not going to go in long-winded detail into all the ways that I feel like the finale almost completely bastardized all of its featured characters and destroyed any and all buildup we've had going on in this arc for 50 some chapters now, because that's not the main point of this post, I will not make any attempt to hide the fact that the theory-crafting I'm about to pose here is partly influenced and prompted by how much I hated the finale, and how much I desperately hope that it will not end up being manga canon. Therefore, if you enjoyed the finale — and that's fine! — and don't want to read any negativity about it, then I would not recommend reading any further (I mean, you've probably already left by this point, which is fair lol), While obviously it's important that I be as objective and unbiased as possible when explaining my thoughts, some of my negative feelings about the writing will be a part of this analysis, even if this isn't going to be a full-blown rant. Just know that if you proceed.

With that out of the way, let me continue.

So. In the aforementioned post, the theory presented is that the anime may be operating on an alternate timeline, and that this will become evident once we read the upcoming October chapter, wherein things will go completely differently post-chapter 110 than they do in the final episode — probably for the worse, with the s5 finale intending to lull us into a false sense of security and make us assume that everything in the manga arc finale will wrap up as smoothly and consequence-freely(? lol) as it did in the anime one. It also suggests that the Fukuchi we see at the very end that sskk are fighting came from the manga timeline, where he won, and that he used the Book to jump to a timeline where he lost, the anime one, proven by the fact that this Fukuchi is wearing a mask with the same design on it as the mask Fukuchi is wearing on the chapter 110 DoA color spread/title page.

First of all, I want to note the fact that it's not just the mask design that's the same: the entire outfit is roughly more or less the same as well. It's not completely 1-to-1, because the anime can never fully match the intricacies of Harukawa's beautiful outfit designs, and the Fukuchi in this scene has the kimono half-off because of the... super saiyan mode he's in, but most all of the main pieces of clothing are there. Any small inaccuracies could also be attributed to the fact that Harukawa probably didn't have this finalized art ready back when this episode was being made, so the animators wouldn't have had the complete design to work off of. But in general, because it's all so similar, I think we can quite confidently say that the ending episode Fukuchi is meant to be the one from this manga art.

Also, people have pointed this out, but it's worth mentioning that the mask Asagiri wore at Anime Expo in July was referencing this Fukuchi. It's not a crucial detail, but it just proves more that Asagiri is a gigantic fucking troll, and that he clearly wanted to draw attention to this Fukuchi design. It's important. He describes the mask here as made in the motif of an ellipses inside a speech bubble... could that perhaps be referencing meta aspects, like the Book?

Next, I want to talk about the even bigger elephant in the room, which to me is the most damning and undeniable piece of evidence there is of the anime operating on a completely separate timeline from the manga:

This Fucking Hand™️

As we all know, in the anime, Fyodor injures his hand when the password input device blows up, and as we all know, this does not happen in the manga. In the last episode, Dazai claims that the final nail in the coffin of his impromptu plan to kill Fyodor relied on this hand injury: because Fyodor couldn't pilot his escape helicopter himself, he would ask one of his Meursault vampires to do it for him, unaware that Bram and thus this vampire was now on the ADA's side, and said vampire could kill him while his guard was down.

Ignoring how utterly stupid and contrived this plan is when you stop and think about it for more than two seconds, the fact of the matter is that something that initially seemed like nothing more than an odd but inconsequential anime original addition ended up snowballing into being the entire reason one of the big bads was brought down. If Fyodor hadn't hurt his hand, he wouldn't have needed another pilot, and so the traitor vampire wouldn't have had an opportunity to get near him and kill him without him expecting it even though said vampire was presumably with him as they were leaving Meursault, and was probably already a traitor by then, so there was plenty opportunity for him to still die. not to mention by Chuuya's hands at literally any time he wanted to, because Chuuya was coherent the whole time. Also there's absolutely no way Dazai could have known exactly what Ranpo would do, no matter how smart he is and how much he trusts him. idk it's fucking dumb, just roll with it. Therefore, putting aside all other variables for now, we can conclude that, on the most basic level, this signifies that no hand wound = no death.

And let me tell you, this hand wound bothers me. It really, really does. Because they focus on it a LOT — they go out of their way to draw attention to it MULTIPLE TIMES, from the moment it first happens to the end of the season. Fyodor even talks about it to himself, about Dazai being able to cause him tangible, visible, bodily harm, (something that, again, as far as we've seen, has never happened in the manga). Hell, even after Fyodor's death, they're still drawing attention to it, because his right arm is all of him that survives, and Dazai picks it up and gives it to Nikolai to do his hilarious sad little gay fondling of it played completely straight even though there's nothing straight going on here at all! It's like it's a big red flashing sign at all times going "you see this injured hand? This is important. Are you picking up that it's important? Are you taking note of it?" Why is that? Obviously, it serves to give us the lore crumbs about Fyodor and "that man", but that's hardly the main, much more glaring reason, as I've already mentioned.

Fyodor doesn't hurt his hand in the manga. Fyodor won't die here in the manga. I am so dead serious by this point about this, and it's not just simply the fact that this was absolutely not at all the time for him to die, or the fact that his hand is the reason for his death in the anime in and of itself, but how much EMPHASIS they place on this, and on the hand in general. What would be the point of adding something like this, if it's not meant to alert us to the fact that it has a major impact on how the story plays out? We all know Bones: they struggle to get right and include everything that's already there in the source material; they would never go out of their way to add something this noteworthy if there wasn't a very good reason for it, if it wasn't absolutely necessary. I've seen a few people bring up the fact that Fyodor gets shot in the shoulder by Sigma and that that could lead to the same outcome in the manga, but I disagree: although he has blood on his shoulder in the manga, it seems like the bullet just grazed the top of it, because his arm and hand appears completely functional afterwards (not hanging limp by his side or anything). But that doesn't even matter, because this isn't even about the semantics/logistics of how the hand wound caused Fyodor's death because again, it's a stupid outcome, or what could serve as a substitute in the manga — thematically, this is a textbook example of the butterfly effect. Countless parallel universes exist within this series, ones where even the most minute differences lead to a majorly different outcome: this just happens to be one of them. There's no reason to think it isn't, and there's no reason to not think that the anime wants us to clue into the fact that things only went as smoothly as they did on the Meursault side because of this wound; in other words, that things will go very differently in the manga thanks to the absence of said wound. They wouldn't have added it in the first place and put such clearly deliberate emphasis on it otherwise.

Things are going to happen very differently in the manga, at least when it comes to the Meursault crew (but then, if you assume that, you then naturally assume it all will be very different). This is the only conclusion one can come to with the presentation of this anime-only wound, combined with the fact that parallel universes are a very real thing in BSD.

I'm going to go on a bit of a tangent, so bear with me. I play a lot of visual novels, and although such concepts aren't really as original now as they were a while ago, some of my favorite and some of the very best VNs out there are the ones that break the fourth wall and make the visual novel branching route format directly intertwined with the story: you know, the ones where the characters go "if only I had done things differently, maybe everything would have turned out better...!" in a wink wink nudge nudge moment, and the ones where the characters are aware of the different timelines, even, or even have the ability to gain information from their selves in said alternate timelines to influence events in their current one (I'm intentionally not naming the games I'm thinking of for the sake of spoilers, but if you know, you know lmao). It gets very meta in this regard, and this is how I started viewing BSD through the lens of ever since I first learned about Beast: like a visual novel with many branching routes, and only a few routes that feel entirely "right".

When I first read Dazai's Entrance Exam, I was struck by how unnerving the ending sequence in the abandoned hospital felt. Obviously, Kunikida's internal struggle over Sasaki's actions and motives is him still desperately clinging to his ideal world that does not exist, but the specific type of phrases he uses — "who is wrong?" "[who is] the cause of all this?" "there has to be an ideal world" "there has to be something, I'm sure of it" "There must have been something we could have done!" — and the framing of the scene in general, is eerily reminiscent of a bad ending in a visual novel, to me. There's a haunting, looming, bleak sense that a different outcome could have been achieved, if different decisions had been made, or if things outside of anyone's control had been different... and we know that this is true, because in Beast alone, Kunikida never goes through the Azure Messenger incident, because Dazai doesn't have his entrance exam. Hell, you could even consider the anime's version of the Azure Messenger arc an alternate timeline in of itself, if you really wanted to, long before we even arrive at season 5.

When it comes to Beast, this timeline has almost the opposite feeling of what I described above, that I've also encountered in visual novels: the idea of a "good route" or "good ending" that still doesn't feel quite earned, or as perfect as one would expect. Beast is presented as the "ideal" timeline purely for one sole reason: Oda is alive. It is the only timeline where he's alive, and keeping Oda alive is the ultimate goal Dazai wants to achieve, the only reason this timeline exists; therefore, disregarding all else, Beast should be the best timeline, because Oda's death is the greatest devastation in the series to date. We all want him to live, so why wouldn't the timeline where he does be the best one? And yet... of course, it isn't. Dazai is alone, and steeped in darkness and loneliness without Oda, and dies by the end of the story for Oda's continued living. Atsushi has Kyouka still, but he's suffering and more traumatized, and unable to heal while stuck in the mafia, and neither can Kyouka. Akutagawa is living a much better life in the ADA... but without his sister, and without what he has from his bond with Atsushi in canon, that isn't replicated in Beast. And Oda... Oda is alive, and he has his children and his novel, but there is a feeling that he is aimless, that something in his life is missing. He has everything he ever wanted, but all that means nothing without what he truly needs: Dazai, and his time with Dazai and Ango at the bar. In this way, things going well and us getting what we want — in this case, Oda living — goes against how it's supposed to be, the natural order, which is why it feels so hollow. In the specific visual novel I'm thinking of here as a comparison (again, shoutout if you know), there's an alternate ending that involves you inputting information you gain at the end of the game very early on in the game, wherein the protagonist now has memories of the future and is able to bypass and prevent all of the events that take place normally. This means that people who die or are hurt somehow in general are saved from that fate, and nothing bad ever occurs; everything wraps up neatly and nicely... but again, there's an undeniable, unsettling feeling of emptiness, of a victory that rings hollow, because what's the point if everything is simply handed to you easily, where's the sense of accomplishment, without any struggles to achieve said victories, or any growth along the way? How can it feel earned if one doesn't have to, in Dazai's words, "scream within the storm of uncertainty, and run with flowing blood"?

You can probably already see where I'm going with this.

This finale feels weird. Really, really weird. It feels too cheap, too simple, too unsatisfying. So much so, in fact, that for almost the entire runtime, as I was bombarded with resolution upon resolution one after another, I kept thinking "There's no way this can be real. Where's the catch? When is the "gotcha!" moment gonna happen? The "it was all a dream" reveal?". And this isn't just because I hated the writing, and that it really did feel like a fever dream watching fanfic levels of bad (actually, that's an insult to fanfic writers, tbh; they could do better) — no, it genuinely feels so incredibly fake. Even upon rewatching it and already knowing what happens, my brain still naturally keeps expecting some kinda of "sike, you THOUGHT!" moment to suddenly appear. It just.... feels "too good to be true". Dazai and Chuuya come out unscathed, and it's revealed that they were never in any real danger to begin with. Fyodor, one of our biggest threats, is dealt with supposedly for good (I say "supposedly" only because of the Jesus line, but if anything imo, I think that's just a hint that this won't be the canon ending in the manga, so in a sense he's going to "come back to life"), and Nikolai seems somewhat at peace with his death. The other biggest threat, Fukuchi, is also dealt with, and he and Fukuzawa get their final moment together of closure. Yes, Sigma is left in Meursault don't even get me started on how angry this alone makes me, and Fukuzawa loses Fukuchi, but overall, everything is portrayed in a positive light, and any negatives or losses are quickly glossed over. Everything is tied up nicely, neatly, and smoothly. ...And that is exactly what makes it feel so wrong, and hard to trust in.

I'm not sure if this will make sense, but to me, the finale is so incredibly poorly written that it almost feels.... intentional. It's so bad to the point of feeling self-aware in how bad it is, how unrealistically happy and convenient an ending it is. It had to end this neatly in order to rush to wrap up this arc for the season finale and not leave the last episode on a cliffhanger — which imo is chiefly the main reason it turned out this way, and, if this whole theory is true, Asagiri just used it to his advantage — and I'm not saying this was probably an effect Bones had in mind intentionally, I'm sure they just threw shit at the wall and went with whatever stuck, maaaaybe with some suggestions/approval from Asagiri, but the result is that you have a conclusion that contradicts so much of what was set up before and goes against so many character arcs, making some characters so out of character and even regressing in their development Dazai. I'm talking about Dazai abandoning Sigma, because he would never; hashtag #NOTMYDAZAI. Also Nikolai, Nikolai for most of that is so ooc I can't even begin to describe it oh my god. Everyone is OOC to a degree though lmao, and opens so many plot holes, to the point that it's impossible not to watch all that and get the feeling that it is subtly saying to you "did you really think it could be this easy? It feels wrong, doesn't it? It doesn't feel satisfying. It feels unearned." I find it incredibly interesting and suspicious in particular that they confirmed multiple theories people had about soukoku in Meursault: that Chuuya slowed the elevator's fall so that Dazai wouldn't die from it, that Chuuya slowed down the bullet so that it only penetrated Dazai's skin and not his skull, and that the both of them used Fyodor's camera angle to their advantage because they knew he wouldn't be able to see certain things from his view. I'm not saying that Asagiri trawled BSD twitter and tumblr after those chapters dropped for the most popular theories before the final episode was made lmao, there was no time for that (imagine though lol—), but I do think it's highly likely that he already had in mind exactly what theories would be made about these parts (I mean, the evidence for the gun scene was all there), and that Dazai rattling them off in his long monologue to Fyodor at the end is essentially him speaking to the audience and going "yeah, that's what you would predict, right? Those are the clichés, after all", much like him suggesting earlier that he can maybe bring Chuuya back to himself with a few moving words and the power of friendship, and Fyodor using the split personalities trope to fool Sigma. We expect these tropes to be true. Of course we'd fall for them, as Fyodor tells Sigma, especially if the evidence is right there. But Asagiri himself has explicitly said that he likes doing the opposite of what people expect. And so just because people predicted correctly with the three things I mentioned in this timeline... doesn't mean they'll be true in the manga's. Things happened how we wanted and expected it to, and everything turned out happily. So we can relax now, right? Everything will work out just as easily in the manga, right? Or... is the reason most of this finale feels so fake and unsettling and unsatisfying because it's meant to lull us into a false sense of security before all our heroes lose in the manga? Because deep down, we don't want an ending that's this simple, because we'd rather have a conclusion where our characters have struggled more and grown more and come out the better for it, and we know it?

After rewatching the episode a lot, and watching some other videos, and doing a lot of thinking, I am pretty confident in suspecting that the only part of this finale that is actually from manga canon, aside from Aya jumping off the building of course, is Fyodor and Nikolai's exchange after Fyodor leaves Meursault — specifically, them talking about Fyodor leaving Sigma behind, and their "new game" and Nikolai being excited at the prospect of it. This little conversation actually feels in character for them, and it's easy to tell this when contrasting it with everything that happens immediately after, wherein Fyodor is fatally stabbed, and Nikolai, completely at odds with what he was just talking about, just... stands there and watches Fyodor die while Dazai monologues lmao. I'm not sure if the helicopter is still a factor, but I would bet good money on Fyolai getting out of Meursault being manga canon, and that Dazai and Chuuya getting out as well and killing Fyodor + everything with FukuFuku, is part of the anime original ending, in order to wrap up everything positively. It makes much more sense if you think about, in reality (aka in the manga), Dazai and Chuuya still being left behind in Meursault (where they can eventually try to get Sigma), because none of it was an act and things did not go according to plan, and Fukuchi having an entirely different goal that doesn't feel so stupid and contradictory to his character, and Fukuzawa possibly dying — everyone seemingly loses, with Aya still being the last hope, perhaps by awakening her ability like we all speculated.

There's a youtuber I watch who covers BSD in-depth, despite being an anime-only (she reads the respective manga content after each season, though). Going into this finale, she knew about the fact that the anime had overtaken the manga, though she didn't know where the cutoff point was; despite that, however, she made predictions about what was from the manga so far and what was anime original, and it was almost entirely spot-on, based mostly on what she basically described as "anime original dialogue." She talked about how you can always tell when dialogue is veering into the realm of anime-original, because the sentences are very short, choppy, and slightly out of character, but generic enough to not be TOO out of character, and so that anyone can easily write said lines, even if they're not extremely familiar with the character like the original author would be. And when I heard this explanation, everything clicked — because so much of this finale has dialogue like that. The Fyolai scenes just feel peppered with it, around the lines I mentioned earlier, the Dazai dialogue does too, and ESPECIALLY shit at the end like Fukuchi and Fukuzawa exchanging the cliche death lines to end all death lines: "Are you there? I'm a little tired." "Rest up." That just isn't Bungou Stray Dogs. That isn't Asagiri. BSD is cheesy at times, yes, but it isn't like this; it's smarter. The dialogue is smarter, the explanations/plot twists are smarter, Asagiri is smarter, and the aforementioned youtuber I watched agreed. She's a pretty casual fan of the series, so if even she could pick up on these things, I think it speaks volumes.

I mentioned this briefly earlier, but this theory makes sense if you consider that this situation probably came about because of Bones wanting two seasons back-to-back when they did, and this arc being as long as it is. Season 3 aired in 2019, and I imagine Bones would have wanted season 4 in 2020, and might have then been willing to wait a bit longer for season 5 in order for more of this arc's manga chapters to come out — but then covid happened. Because of that, season 4 was delayed to 2023, creating the longest gap we've had between seasons, and I wouldn't at all be surprised if the delay made them want season 5 right together with it, after getting so far "behind", so to speak. S4 was announced in November of 2021, and roughly around that time, Asagiri was finishing up writing the plot of the DoA arc. If Bones came to him sometime in late 2021 and said they wanted two seasons now (so basically, one giant two cour season), Asagiri would know that not only of course would this arc not be finished publishing in the manga for a very long time yet, but that roughly 20ish episodes would not be enough to cover it all to the end, with this arc being longer than any arc the anime has adapted to date. Because of all this, and the arc manga chapters being nowhere near fully drawn to completion, he'd have to make a decision about what to do, and what to give Bones. Without ending season 5 on a massive cliffhanger that wouldn't be resolved for years until an eventual season 6, the only other option would be to rush towards an anime-original ending for the DoA arc.... and for Asagiri to take advantage of that, and integrate it into BSD's lore. Thereby creating a truly unique cross-media experience that utilizes the different mediums to create multiple timelines, that could make both the anime and manga interact with each other and become part of a bigger picture (not that you'd need to see both to get the full experience, mind you, just that it'd provide a little bonus if you did).... and would without a doubt be Asagiri's biggest surprise yet.

...I feel like at this point I'm starting to ramble, and my evidence become more and more incoherent and less substantial lmao, so I should probably end this post. 💀 Thank you if you've read this far, and hopefully it made some semblance of sense, despite not being structured very well; I know I promised at the start to try to be as objective as possible and curb my negative feelings, but I'm not sure how well I succeeded in that regard. If it weren't for the Fukuchi thing and the Fyodor hand thing, I probably wouldn't take how wrong and strange and bad the finale feels to me as serious evidence about it being an alternate timeline, especially since I seem to be one of the only people who actually hates all of it.... but combined with everything else, I am just so convinced of this theory being true. It started off as pure copium, but as more time has gone on, I fully, 100% believe in my bones (ha) that there is no way that finale is the same Bungou Stray Dogs I know and love, for so many reasons. It just isn't. It can't be. I know BSD better than this, I know Asagiri better than this, and I know that it's absolutely in the realm of possibility for him to cook up this whole scheme to completely blindside us with in the upcoming chapters, because that's exactly the kind of shit Mr. "Please Be Surprised!" himself would pull. If I end up being completely wrong, I guess I'm wrong, and you can laugh at me all you want then.... but I just know that ages ago people were teasing the idea of the anime operating on a different timeline from the manga, and I truly do think that only now are we finally seeing that idea come to fruition, as a setup for Asagiri going full-bore insanity with the Book in the upcoming arc(s). if I and the OP of that theory end up right, this will be the wildest time in the BSD fandom's history.

Like. I cannot even emphasize how hard they are trolling us at this point. Something is going on. Something is being cooked over there, the likes of which we've never seen before... and I don't think any of us are ready for it.

Oh yeah, and one last thing of note: both Fyodor and Nikolai here have their right arms hidden from view. Is that alluding to anything? I'm not sure. I also think that since chapter 110 was so short, next chapter will likely be 110.5 instead of 111, and if that's the case, this title spread could still technically be associated with the next chapter... wherein we might see this Fukuchi, who ends up wreaking havoc, right before he jumps to the timeline in the anime, as we see him at the end of the s5 finale.

I guess we'll find out on Tuesday.

[lady-harrowhark]

Hello! I saw you mention that Pyrrha remembers pre-resurrection, and I totally missed that!! Do you have any theories as to why?

I have a few thoughts!

Just for context - because I didn't catch that on my first read either until I started going back through! - there are a few instances that seem to suggest Pyrrha remembers at least some of her life pre-Resurrection. Off the top of my head, I know there's one point where she refers to G1deon as G--, just like John does. Nona also says that Pyrrha calls her "Hairy Maclary", which is referring to a series of children's books by a New Zealand author. Here's a link to a picture and some info about Hairy Maclary... I can definitely understand why Pyrrha would call Nona that lol. This one's super interesting to me in that it's such a fantastic example of the way Tamsyn uses memes and references so skillfully! In the previous books, most of the references are fairly organic in that they're things that could conceivably be, you know, just things the characters say; the readers catch it (if they also know the reference! otherwise they're fairly unobtrusive) but the characters themselves aren't intentionally making a reference. This would be the things like "You can't just ask someone why they want to be a Lyctor" and "a hunger that only thumbs could satisfy," etc. The exception, though, is John. The "none Houses with left grief" particularly is SO fun from an exposition perspective (but if I start on that one I'll never stop), and then of course we have Commander Wake Me Up Inside. The implication here being that John remembers these specific things and is intentionally making those references within the context of the story. Pulling that same expository trick with Pyrrha sets them up as both remembering... at least to some degree. The hints that we get from Pyrrha are such that it's pretty unclear to what extent she remembers, leaving a lot of room for juicy speculation :)

I initially touched on it over on this post where I rambled about names, memory, and the Eightfold Word, but I'm copying over the Pyrrha-specific paragraph so that you don't have to dig for it:

When assisting with Harrow’s lobotomy, Ianthe tells her, “If you push your brain too hard, any surgery could simply heal over.” And in NtN, Pyrrha tells Palamedes, “You should be draining and replacing her fucking brain fluid... When Gideon and I designed that trial, I used to crack his skull and sieve it myself, just as a control variable... The only other people I put through that damn trial were Mercy and Cris, because only Cris didn’t mind being trepanned on the regular.” I don’t know exactly where the threshold is for pushing one’s brain too hard, but I suspect frequently draining and replacing one’s brain fluid is in that ballpark. Which is to say, it’s very possible that Mercy and Pyrrha (and potentially others) could have healed over from anything John had done to their brains.

Also, I don't know why this didn't occur to me as I was writing up that other post, but when Pyrrha's telling Palamedes about how dangerous their uhhhhh living arrangements are, and how they're risking brain damage... Pyrrha and G1deon were operating under somewhat similar circumstances for thousands of years. Cumulatively, it's possible that G1deon's brain was racking up damage that eventually eroded away whatever John had done. Another thought is that maybe the fact that G1deon died and Pyrrha didn't is at play here.

It could very well be less dramatic than that, though. We don't know much about how Lyctorhood impacts the brain, although to be completely fair, we also can't say for certain how a typical human brain would function after ten thousand years of runtime either. Our brains are constantly wiring new neural pathways and rewiring and revising old ones. After thousands of years, might we be reaching a Ship of Theseus situation with regard to the neural circuitry impacting pre-Res memories? Which is a fancy way of saying, "Maybe it wore off."

It could be all of the above, too. Assuming that Lyctor brains retain plasticity like we see in typical human brains (and I'm not letting myself think too hard on implications either way, because in sci-fi/fantasy make-believe land, neuroscience can be whatever you want it to be), we'd probably see that effect happening with the other Lyctors at roughly the same rate, but at least as far as we can tell (and that wording is intentional because I'm not taking anything off the table with this series), the others don't seem to remember. So that might be contributing, but not sufficient on its own. BUT perhaps ten thousand years of rewiring PLUS ten thousand years of cohabitation PLUS however long of being "trepanned on the regular" PLUS G1deon dying might override John's meddling.

We've still got so many open questions here regardless of what the specific mechanisms are. Like, I'd love to know when Pyrrha started to remember exactly. And did G1deon remember anything, then? It seems like he was Straight Up Not Having a Good Time so if he did remember, he might not have been relying on those memories much. Whatever's going on, I'm sure it's just as bonkers as the rest of the series!

[cairavende]

Worm Arc 15 interludes thoughts

Carol interlude:

Holy shit you really were just a fucking TERRIBLE mother!

Like I get it, you had lots of horrible childhood trauma. And you didn't want to adopt Amy and let yourself get bullied into it by your sister. But that doesn't give you an excuse for how you treated both your kids.

Got to see another trigger event!! Fuck yes. Give me more. I want to see more details on those higher dimensional beings.

Fucking hell seeing Marquis's powers in play is pretty crazy. Dangerous boy.

Carol was just going to full blown stab right through that closet door without even looking inside! She almost killed a child! God damn.

“No.  He’s just my daddy.  Reads me bedtime stories, makes me dinner, and tells me jokes.  I love him more than anything else in the world.  You can’t take him away from me.  You can’t!” Fucking ooof that's a line.

No seriously though this can't be the first time there has been a young child of a cape that needed to be adopted because their parent was arrested or killed. Is there really no system in place for this? Cause Amy should not be going with Carol.

Just the way through most of the present sections of the interlude that Carol thinks about her daughter and Amy. Not her daughters. And this was before she knew anything about what Amy had done. Terrible mother.

HOLY SHIT AMY OH MY GOD YOU MADE IT EVEN WORSE! And I thought flesh coffin Victoria was bad! FUCK!

Vic is going to need lots of therapy.

Fucking Carol basically deciding Amy is her daughter now only because she doesn't want to think about Victoria being her daughter. Damn. Bad mother.

And Amy is in the birdcage (Hellfire playing in my head the entire damn time I'm reading this part). I'd be rather terrified to see what she becomes except no one ever gets out of the birdcage so obviously there is no worries. She is never going to be an issues. (I shouldn't need the /s but just to be safe.)

Brian interlude:

Not much to say here, most of my thoughts on this relationship was said in my last post.

I do always love seeing Taylor from the PoV of someone else. Just shows how fucking badass she is. And kinda terrifying.

"She conveyed an eerie kind of confidence that he knew she didn’t have at her core." This is just incorrect bud. When she isn't thinking about how she is portraying herself she conveys the confidence she does have at her core. The stuff she hides from herself.

Alexandria interlude:

DATES! DATA! LORE! AHHHHHHH!!!!

Date of first Endbringer attack!!!!! Strong estimation of the number of capes in August 1986! Knowledge that Cauldron was working in 1986! Their "success" rate at the time that I can compare to now! (Success in quotes cause I don't personally think tentacles is a failure. I want to meet tentacle lady.)

Obviously I'm not a big fan of any of the Cauldron people on the surface. But I think I like Contessa within those boundaries. I technically have no idea what she can do but I'm almost positive she is some type of precog. And I kind of ship her and Alexandria.

Behemoth is fucking scary. Just light people on fire from the inside, shoot lightning. Full energy manipulation. Damn.

Alexandria is the head of the PRT! Damn! (I assume at least.)

I want to know more about the Terminus project!

And Coil is a product of Cauldron! But he doesn't know it (supposedly). Damn. They list him as an alternate to the Protectorate which is very interesting. I'm super curious what Cauldron's goal with the Protectorate was and how Coil can do the same.

Fucking Alexandria just going and grabbing people to be experimented on and it's "ok" cause they were dying. Holy shit! She even manages to make the comparison to her chemo treatment and still does it! Fuck lady. You can justify anything.

Triumph interlude:

See? Triumph is fine! So Skitter didn't do anything wrong.

Triumph is Cauldron created too. Cause he was only good enough at baseball for the minor league but not the majors. God damn fucking privileged ass rich white boy. And he describes it as a traumatic thing! God. At least later he does kinda call out that he got stuff from having a rich dad with connections.

Assault seems to be doing great! Sure was a good idea to let him join the Protectorate just cause he wanted to be a creep to this one girl. Turns out when that girl is gone he doesn't have any motivations to be a "good guy". Great decision Legend.

Robot daughter! Good to see you again! And you built yourself a bio body! Or a head at least. Still, fun!

AAAAAAAAHAHAHAHAHAHAHAHA. Defiant.

Definitely isn't Polearm McGee! Nope! Absolutely a different person. That also likes really long pointy sticks.

I am glad Frank Miller's Armsmaster was able to remove the restrictions on robot daughters code. She deserves freedom. Pretty much served his purpose now and she basically just keeps him around to humor him. "Oh yes I need Defiant to help me, even though I built his suit and could just control it directly myself."

Seven Dragon suits in Brockton Bay huh? I'm sure that won't result in anything next arc. What with Dragon specifically on the lookout for Taylor and Taylor planning on going with her dad to the town hall on the election.

Triumph gives in to the weight of not speaking up about Defiant being Armsmaster but then he gets mad at Prism for not speaking up! My dude! You didn't speak up, you can't be mad at her for the same thing!

Fucking LOVED the ending of this interlude, and thus this arc, though. Absolutely perfect. Just with the inherent comparison of Defiant to Mannequin, especially considering Colin called Mannequin a "monster" in his interlude and said "I'm nothing like you!" And then Triumph thinking how he could see the reason for every step Colin made and could see himself justifying each one. And the previous chapter had Taylor dealing with how far she had let herself go. All that and then ending this chapter with Triumph staring at the bodies of Crawler and Mannequin (finally confirmed dead) and the line "Maybe it was to find some clue, some sign he could watch out for, that would let him identify the monsters from the men."

Just fucking. So good. I think it's my favorite quotable arc ending so far. I might like Arc 11's ending more (it's close) but not in quotable way. "All lies" at the end of Arc 14 is a close second, but I like this one more.

[theswedishpajas]

The man truly can’t take a genuine compliment 🙄

[torchickentacos]

No more ‘family asking me about my jobs or my social life or if I have a boyfriend’. Ask me about pokemon. Ask me about snakes. Ask me about local plant life. I promise it’s going to be a much more interesting conversation for everyone involved.

[absyyynth]

yeah get her ass aisha

[spacedlexi]

thinking about clem vi and minnie

[silveredcircuitry]

Monologuing, Infodumping, same thing really

my newest terrible scientist, Dr. Peri Sidecke! its body is made entirely out of worms holding on to a plastic halloween skeleton for structure.

[egberts]

girls wake up there's a new worm bike playlist in progress

alana said the new one is way more funky, I've noticed a lot of punk bands are piggy dippin in a funk/punk sound more than a pop/punk sound and honestly? I'm so obsessed.

[danidoesathing]

bitches cant be normal about fic writing they'll watch something silly and not meant to be taken seriously "hmmmm yes but have you thought about the horrific implications of living through such an event" and proceed to write the most fucked up shit you've ever read

[brookheimer]

reading the reviews of this episode and remembering that most people are fucking idiots with very very strange takes

[meownotgood]

ok now u got me thinking. aki coming back as the Cold devil. or the Winter devil. or the Snow Storm devil. and he looks the same as he did when he was human but his irises are like a powder blue and there’s always snow in his hair and his lashes. and contrast that with falling in love with you again who he thinks of as so warm and kind and loving….. thawing him….. much to think about - 🍊

the same year the gun devil was eliminated, japan experienced a particularly hard winter season — perhaps that's why he was reborn as the snow devil. when he first opened his eyes, he was met with a dark and cloudy sky, he could hear the lull of the ocean, his ears were still ringing from the hum of a chainsaw and the only thing he can remember is his first name, and particularly not his last.

public safety is quick to follow through on the reports of a humanoid-looking devil wandering the outskirts of hokkaido, leaving a trail of frozen water and dead trees in his path. upon capturing him, since he seemed to not pose much of a threat, he's escorted to the headquarters in tokyo rather than slain.

once the devil gets there, he's apathetic, quiet. doesn't speak unless spoken to. his skin is pale, his lips are chapped, his eyes are a pretty shade of blue and his eyelashes are pure white. he'd pass as a human if it wasn't for the twist of icicles sticking out from his head like horns, covering his hair and his shoulders in tiny droplets of snow, or for the intricate marks on his skin, faint tattoos in the shape of snowflakes.

he looks familiar. like someone who's face was in the obituaries a while ago.

in the mail, you get an unexpected letter from public safety. it includes train tickets, and it's telling you to come to tokyo on urgent business. the minute you've arrived, some devil hunters explain the situation: you need to have a look at this devil — the snow storm devil — and tell them everything you might know about it.

of course, you've never heard of such a thing before. you don't know anything about devils, how are you supposed to give them any valuable information? but when the hunters unlock the cell for you, when you take a step inside and they tell you, don't worry, just keep your distance and you won't get hurt right as they flick the lights on, you realize exactly why you were called here.

it's him.

it's aki, this devil looks exactly like aki, his hair is long and dark and messy, he's got the same face as aki and the same voice as aki when he opens his mouth to ask who you are. he doesn't get to finish his sentence and tell you how damn familiar you look to him because you're already running over, reaching out to touch him even though the devil hunters are yelling at you from the other side of the door, telling you it's too dangerous.

and his skin is cold, he's freezing. you grip his hands, you wrap your arms around him and hug him and it's aki.

aki isn't sure why, but right then, he feels like crying. he's felt nothing but coldness since he came to this place, but you feel so, so warm. his heart twists in his chest, he hugs you back even though he doesn't really know why. he could kill you, he could press his palm to your back and watch you freeze until you're nothing but dust and ice. but he doesn't.

he holds you close, he breathes frost-filled air into the nape of your neck. his body shakes, you mutter into his ear that you've missed him. you pull away, and there's a look in his eyes that's familiar, it's one you've always known.

and yet, when you nervously ask him if he knows who you are, if he remembers you, aki answers honestly, and it's the most the devil has ever spoken: "I don't. But I feel like I should. I'm sorry."