#and not only because we're massively suffering

[hel7l7]

Are you anti self-dx entirely?

To be honest... I don't know. There's so much nuance to make on the entire subject...

And everything I say about this feels wrong. I just hope everyone is careful with it all.

( Edit: half of the tags on this got deleted bcs apparently there's a max tags you can add... anyway enjoy the ramble if there are any more questions please ask them bcs I do not want misunderstandings or anything ;))

[saixpuppy]

we've been archerlikers and emiya enjoyers for something nearing 5 years now, so it's not like we're ever really encountering new information, but

more and more recently we keep running across things and having moments of "oh, shit, shirou really might fit the profile for schizoid"

[grinchwrapsupreme]

RIP to the theatre industry in the US apparently, the Canadian theatre industry is just built different I guess

[barrenclan]

sorry if this is spoilers bc we might learn more later. I'm super confused with Rainhaze's thought process. When he was saying its pointless. like. I get not wanting to go back bc he killed his mom. but what did that have to do with Asphodelpaw? Couldnt he just walk away? Did he see her and decide he wanted to be part of Defiance? And this was the tipping point to prove it? I'm super confused. Was it because if she left she'd tell someone? I assume we'll get a better explanation later?

Absolutely! I've actually been waiting for a chance to really dig into this. Like Rainhaze himself, his issue is written with a lot of confusion and uncertainty, and it's not very straight-forwardly, so I understand why his motivations are easy to miss. So here it is!

Firstly; Rainhaze as he existed in BarrenClan and Rainhaze as he is now are two very, very different beasts. Obviously he's still the same person, but he's gone through a mountain of trauma, violence, and was forced to confront the fact that if pressed, he would kill a family member - even his own mother. Sure, in the moment he was threatened into doing it, but it opens the possibility that he'd even do that. Maybe he would've done anything to protect his family then, but it's been a long time.

Then, over many months, he's subjected to propaganda, murder, and terrible treatment. His mental state from where he was when he killed Dustfeather is massively changed. He's depressed, listless, and much more willing to kill. Not only that, but Defiance propaganda has worked on him.

(Issue 24)

With so much constant killing in his life, and being constantly vulnerable, he begins to see death as a good thing. Something that ends suffering, something that doesn't really matter in the end.

(Issue 28)

So now we're at Issue 31. Rainhaze is in a "doldrum", like Ranger says (a period of inactivity or lethargy). He's so torn between his new life and new beliefs, and his old regrets and old connections to BarrenClan, that he's basically attempting to end his own life through inactivity. Ranger doesn't want this. Here's his plan:

Ranger knows that BarrenClan lives opposite the forest, across the prairie. He specifically orders Rainhaze to "kill something", planting that idea in his mind. He's hoping that Rainhaze will find one of his Clan members, and make the decision to kill one of them. This would push Rainhaze over into whatever full breakdown Ranger wants, and solidify his ties to Defiance. And that is what happens. So why did Rainhaze make that decision?

We already have the basis of an incredibly traumatized Rainhaze. He views himself as he is now, and who he used to be, as different people. And he belives that's completely beyond redemption.

Yes, all those months ago he promised he was suffering in Defiance for his family and Clan, but it's really hard to hold onto those noble morals when you're being put through hell every day. Rainhaze hasn't even seen his family in months. They don't seem real to him anymore.

Then he is finally confronted by Asphodelpaw, the symbol of everything he's put himself through torture to protect, and all he wants to do is go back to Defiance. And here we go, getting to these lines;

Rainhaze is a coward.

He's separated from Deepdark and Ranger, by at least several days. He could absolutely come home with Asphodelpaw and warn all of BarrenClan - they could evacuate in time, be far away by the time Defiance arrives on their territory. But then he'd have to face his family, face his sister whose mother he violently murdered. Have to stand there and have them look at him and know him and see the scars on his body.

When he says, "this is vile, pointless, irredeemable, monstrous", he understands that killing Asphodelpaw is a disgustingly cruel action. He knows that. He understands that he's choosing Defiance over her, and over them. But that's the choice he feels he needs to make to protect himself. He's not thinking about his family any more.

So he does something so completely vicious and irredeemable that he is forced to choose Defiance. Because there's no way that any BarrenClan cat would forgive him for this. There's no way he would forgive himself for this.

And thus, Rainhaze figures himself out, and burns every other bridge entirely. He makes his choice.

[comicaurora]

What are your thoughts on guardians vol.3? (If you have watched it) I went into it, expecting it went to the garbage like the rest of the mcu, but I was pleasantly surprised by its creativity, trope subversion, and how it wrapped up the previously unresolved arks of its characters.

That's what I've heard!

The thing is, Guardians 3 could be the most transcendent work of cinema ever made, and I'd probably still feel little to no motivation to watch it at this point. It's not Guardians's fault - it's just suffering from the same problem that superhero comics have been struggling with for decades: no matter how good an individual arc or run is, absolutely nothing good lasts or matters in the long term, and the stories are shaped in such a way that "the long term" is the only thing anyone gets to build towards.

Whenever I complain about the MCU I get a handful of people loudly complaining about my complaining, with the general thesis that if I don't like it I shouldn't watch it or talk about it - if I'm not having fun, just stop engaging with it. And the thing is, I have. I am intellectually interested in why this massive franchise is fumbling the bag so hard, which is why I still check in on it sometimes, but I've long since stopped turning to the MCU for uncritical entertainment. And even the good movies or shows with a lot of interesting ideas - good character arcs, fun concepts, interesting planting for future payoff - don't draw me in anymore, because they're hooked into a massive moneymaking machine that will scrap and squander anything if they think it'll make them more in the quarter. It doesn't matter how good the writing is, because the writers are not allowed to tell a complete, finished story, and they have no control over what happens to their characters outside of their own script.

Captain America's arc was set up from literally minute one to answer one burning question at the core of his character: does a world without a war still need Captain America? After that incredibly basic tee-up at the end of First Avenger, half a dozen movies failed to come up with a reason to say "yes," and now Steve is retired for good after getting fumbled through four different storylines that couldn't even pretend that they needed him (the unused Chekhov's Phone from the end of Civil War still haunts me). The foundational arc of his entire character never happened because nobody bothered to keep track of it past a single movie.

Taika did something interesting with Thor in Ragnarok - take away Mjolnir, force him to recognize what it means to be the god of thunder, give him a very Odin-y missing eye - and the very next movie undid all of it. Just kidding, never mind, here's an eye and a new weapon and also his old weapon again, and in one more movie we're even gonna give him his hair back, probably as an apology for all the completely unironic fatphobia we're gonna slather him in for two and a half hours. I'm not even surprised Love And Thunder was such an overblown mess that barely took itself seriously - why would Taika bother trying to give Thor another arc when the powers that be will just roll it back in six months anyway?

I hear Rocket Raccoon has a fantastic arc in this movie. That's great, and demonstrates that he's being written by a writer that deeply cares about him. But he's part of the MCU, and the MCU doesn't let anything end, so if current patterns hold, Rocket is going to continue to serve as quippy plushie-bait for the next dozen movies and none of that depth is going to come through in the long term. Hell, since they're making Kang noises for the Next Big Threat and Kang's entire gimmick is rewriting timelines, literally none of this is guaranteed to matter. By next year, it might not have even happened anymore.

The MCU has successfully shaped itself into a paradigm where the bright spots of good writing are overridden and lost as soon as the writers room turns over, and that makes it really hard for me to muster up the enthusiasm to watch even a really good movie that's locked into the exact same grist mill as everything else. I'm glad people liked it, I hope it gets to stay good this time - I just have no desire to watch it.

[inhuman-obey-me]

The Authoritarianism of "Father's" Celestial Realm (NB Season 2)

OKAY, life got crazy for a while, but we're finally all caught up on Nightbringer's main story, and PHEW we've got some things to talk about. So let's dive right in, starting with one of our favorite topics:

God and the Celestial Realm actually kinda suck in the OM universe!!!

(spoilers up to NB lesson 38!)

Now, this been a consistent pattern for most of OM's story and lore, but we're going to be focusing here mostly on Lessons 37 and 38 in particular this time, because they had a lot to talk about in that regard.

In Lesson 37, we are introduced to the underworld, specifically Cocytus at the very bottom layer of it.

One interesting note, however, is that this region is territory of the Celestial Realm, despite it being geographically in the Devildom, and the Celestial Realm is the one that doles out punishments relating to it -- usually. We'll dive more into that whole conspiracy in another post, but it's certainly an interesting geopolitical fact of the Three Realms.

As for the underworld itself, the idea of multiple layers of hell is a common one which originates from Dante's Inferno, the first section of the Divine Comedy, and we see that Cocytus here is taken pretty directly from that as well. Just like Dante describes in the Divine Comedy, Simeon informs us that there are four regions that make up Cocytus, made up of four concentric circles of growing intensity according to their corresponding offenses. Specifically, each layer of Cocytus is related to a type of betrayal: of family, of homeland, of guests, and finally, as the very worst type of betrayal, of "him".

The design of that is immediately very telling about how the Celestial Realm views these offenses. Other offenses may land a person in the underworld in general, but these specific types of betrayal are the worst. And among those worsts, betraying God is the ultimate offense, absolutely beyond anything else one could ever do.

Now, these levels of Cocytus almost directly match Dante's Inferno take on them -- with one major, interesting distinction. In the Divine Comedy, Judecca is for "traitors to masters and benefactors." In OM, it is traitors to "him." Considering that the rest of the levels are a direct match, this suggests that, in OM, their father is the master who must never be betrayed.

And as Mammon notes, that's exactly what our beloved demon brothers did, with Lucifer in the lead.

That brings us to the present situation, with Lucifer chained and suffering at the very center of the bottom of the underworld. The worst of the worst offenders.

Simeon, Luke, and MC arrive to find Lucifer in a screaming rage, noting that same fact. Lucifer is in such pain and rage that he's creating dangerously massive gusts of wind, and as he worries about MC and then his brothers, it only gets worse. Suddenly, Raphael appears to read Lucifer his charges. And then, we get this conversation:

There's a lot going on there, but to go piece by piece, Luke is obviously distraught upon hearing the brothers' decreed fate. He wants to protest it and argue against it. Simeon stops him because Luke absolutely must not say another word -- as a reminder, arguing against Lilith's punishment was the catalyst for the whole rebellion that ensued, which is the entire reason Lucifer is being punished like this now!

Simeon, however, has recently been demoted. We know he was a seraph at the time of the rebellion; the official Nightbringer website specifies that he was demoted for "covering for" the brothers, though we don't know the specifics of what happened there. Simeon has always been a little daring on speaking truth to power, and considering he's already been demoted, it seems he's willing to take the potential consequence of speaking up again here. So he does, expressing his questions and concerns about the whole situation going on. And, finally, he calls out Raphael on also feeling the same as he and Luke both do.

It is perhaps the most telling moment we've gotten to date of how Raphael has felt about this whole civil war between the angels. In the past, he's been fairly consistently strict about the Celestial Realm's rules, which essentially boil down to always obeying their father, and Michael by extension. And he holds himself to basically the same standards, obediently doing whatever Michael tells him to even as he's disgruntled or frustrated by the myriad requests. But when it comes to seeing Lucifer punished this way, he can't accept it either. It's wrong, and he knows it.

But he can't question decisions that come from on high. Even doubting is considered wrong.

We've heard the same from Lucifer once before -- that he questioned one who was never to be questioned. That is what he has been punished for.

This is the reason Luke must not speak up. This is the reason Raphael is crying. And it's the reason for Lucifer's current punishment. Simeon, Lucifer, and Raphael all know it implicitly -- what comes from on high is absolute. Questioning is unacceptable. Doubts are unacceptable. And rebellion is unacceptable -- the absolute worst thing that someone can do.

Anyway, now throw all that out though, because apparently Lesson 38 wants to attempt to bring us to a completely different conclusion!

Let's be honest here -- OM is a bit jumpy on its writing sometimes, and sometimes makes wild left turns. But we ended Lesson 37 feeling pretty excited because it's revisiting a common theme we've had hinted at throughout both games about what kind of leader their father is and what kind of place the Celestial Realm really is under him. And what we've seen, generally, is this: it is a very strict place, unforgiving of those who step out of line, where their father's word is absolute, and even feeling doubt is a grave offense. We even know that Simeon's greatest fear is their father!

So imagine our shock and disappointment when Lesson 38 suddenly decides that, no, actually, this punishment and everything else is actually God's love for them. What?!

New theory: exactly one person on OM's writing team is actually super religious and keeps trying to make this game about dating demons into a message that God is good. These lessons were not written by the same person.

Lesson 38 starts with a rather chaotic scene -- Lucifer has broken free of his chains and is lashing out in rage and despair, not thinking straight. Diavolo makes his appearance and tries to subdue Lucifer, though the two end up going into an all-out brawl as Lucifer lashes out at Diavolo as well. MC eventually intervenes and the brothers show up to protect MC from both Lucifer's and Diavolo's attacks. Lucifer is taken aback seeing that his brothers are all okay and present in front of him, and as MC approaches him to further calm him down, the Ring of Light glows and Lucifer momentarily transforms into his angel form, inspiring awe from everyone around at the sight of the Morning Star once more.

Earlier, Lucifer was begging to be shown some kind of sign from his father, of what it was that he wanted from him. Simeon comments that this might be Father answering that call for a sign -- a sign of his love. Lucifer seems to accept this, though with some bewilderment. But we have Lucifer straight up tell MC later in the lesson that he "must have forgotten" that Father loved them all along! That all he ever did was give, and never ask for anything in return!

Except for blind, unwavering loyalty. Something that Lucifer has actually forgotten about in this moment.

For that matter, why does Simeon automatically assume it's this grand sign of their father's love?! He himself just stated his own doubts and called Raphael out on his.

It's a huge 180 that gave us some intense whiplash for sure. But this isn't the first time we've seen that more religious trauma view from Simeon; we've seen it before in OG season 4, where he has obviously been deeply affected by being demoted out of being an angel altogether but tries to reassure himself that their father does everything for a reason, "even this."

However, even aside from the very sudden turnaround, this explanation leaves a lot to be desired, because it doesn't actually answer anything!!!

We just got told that Raphael was crying from the cognitive dissonance of obeying orders to read the charges against Lucifer while feeling deep down in his heart of hearts that this is wrong. Luke has been stopped from saying anything that could be construed as going against their father! Even harboring doubts is wrong, but somehow we are supposed to suddenly believe that it's because their father loves them?

If that's God's love, it's sure sounding like God is an abusive helicopter parent, because that's not a healthy loving relationship.

Think about it -- this is a scene of punishment. Lucifer isn't just chilling down here for fun; he is actively in pain when we find him, and it only escalates his torment at the thought that his brothers are being punished similarly. And even as we are told that Little D. No. 1 couldn't take material form because their father "just loved them so much," is it really a healthy form of so-called love to hold on to a piece of Lucifer's soul without his knowledge, even after casting him out?! We wouldn't say that a parent who throws their own child out to be homeless while keeping their old room intact is a good, loving parent; why should we think this is any different?

Plus, this is the case for Lucifer -- but what about the other brothers? Though they all managed to get free, Cocytus itself seemed prepared to punish each of them for their various transgressions, and as Mammon points out, all of them were guilty of treason against their father. Yet, it's only Lucifer whose Little D. was never able to take form. It is Lucifer specifically who is targeted for this Cocytus punishment, and the others would likely have been left alone if not for the fact that they came to save him. Lucifer is the one who, for that one moment, regains his angel form.

And what does this mean, if this is God letting go of the last of his grip on Lucifer? That he still loved his favorite son but is casting him away for real now? We know Lucifer has said that God would never forgive him in particular, and though he's been accused of just being stubborn himself (and make no mistake, Lucifer certainly is also stubborn too), it does seem in line with everything else we've been shown about their father. Does this mean that their father no longer loves Lucifer, from this specific point onwards?

And, if their father loves them so much -- then why did they need to rebel for Lilith's sake? The implication here is truly bizarre: their father was going to obliterate Lilith entirely from all existence so that not even her soul would remain, but he also just loves Lucifer so much, but is also so authoritarian that Lucifer trying to talk it out with him was met with a complete shutdown so that Lucifer felt he had no other choice but to start the war. Of course, conveniently, this lesson also just chooses to completely disregard the whole Lilith thing, both her existence at all alongside the brothers before the war and her punishment, so apparently none of that matters!

It's completely out of line with the rest of everything we've ever really been told about the Celestial Realm, and frankly, we don't like or accept it. This so-called love that's suddenly used as the explanation in Lesson 38 isn't a true or healthy kind of love, and we don't want it.

So in conclusion: God is gaslighting us but he really does totally actually suck. We're just supposed to suddenly believe now, out of nowhere, that he doesn't. But he definitely, really does.

Anyway so, Lesson 37 is 10/10 and 38 is -10/10, would not read again. Merry Crisis!

[marveltrumpshate]

As we said in our closing message at the end of this year’s auction, we've become something bigger and better than we ever imagined we could be when our journey began in 2018. As we mark half a decade of Marvel Trumps Hate, we want to share a few milestones with you starting with this year's auction results, so if you're used to our auction results posts…well, this one will look a little different. 😉

This year, 152 "Marvel"-ous creators came forward to offer 264 auctions.

And this year, we raised…

Back in 2018, our first auction total of $19,262.52 blew our minds—and this is over $16,700 more than that! 😮💖🎉

This was a quieter year than most (surely we're not the only ones suffering burnout because this has been A Year), so we're extremely grateful and proud of what we accomplished together. We broke records, some of which we were aiming for and some which we weren't. Of the ones we didn't expect, the record for the highest amount donated to a charity, which we smashed in 2021 ($6,349.98 to Planned Parenthood), was shattered with a whopping $8,039.99 going to Médecins Sans Frontières (Doctors Without Borders). We also had the biggest amount raised by a single auction this year: an unbelievable $2,101.67. All hail the power of pods!

And the biggest record of all that we set in 2023…

Drum roll, please…

With the help of 923 unique creators offering 2,217 auctions over the past five years, we raised a grand total of…

WE RAISED OVER $200,000, EVERYONE! No, we can't believe our eyes either. We're floored to say the least although maybe we shouldn't have been surprised. Every year, you manage to surprise us and set records, and this year was no different. You came out of the gate running and somehow you blazed right past our expectations, continued to make us adjust our stretch goals as bids and donations came in, and hit a number we weren't sure we'd reach even as we began to hope for it.

It’s been an incredible journey, with the mod chat pinging at all hours with excited gifs, effusive heart emojis, and inarticulate keyboard smashes as we expressed our love for the wonderful people in our fandom. It’s been very hard not blurting out the milestones as we reached them when we desperately wanted to share these amazing results with you all.

Creators, we couldn't have started this auction without you. We loved seeing so many veteran creators sign up again and were pleasantly surprised by how many new faces showed up to the party.

Bidders, as crazy as it sounds, most donations were small ones including a lot of those crazily high winning bids—so many of them were the result of people pooling their five dollars together! This has been consistently the case since MTH began. It just goes to show how much of an impact you can have when you’re part of something bigger than yourself. Each donation has a ripple effect, and enough ripples can cause a wave. You matter, and you can make a difference.

We also owe our success to our amazing signal boosters. There can’t be an auction without any participants, so to every fandom community Tumblr that agreed to reblog our posts, every Discord server mod who let us post announcements, and every person who shared our posts and encouraged their fandom friends to sign up and/or bid, thank you so much! Together, we reached hundreds of fantastic creators and bidders from all corners of the Marvel fandom, many of whom we didn't know and some who were hearing about us for the first time.

We’re so touched by the massive number of people who donated above and beyond their pledged amount, creators who took on multiple auctions and offered multiple winner slots, and bidders who accepted their second-place wins with such eagerness! We also had people make donations in the spirit of MTH even though they didn’t win an auction, which was beyond generous.

In addition to the astounding amount of money we were able to raise for charity, MTH was successful in other ways. We strove to be as inclusive as possible, determined to make this event a fandom-wide effort. Considering that the auctions covered over 381 unique platonic and romantic relationships and character-centric options (if we include "all ships/gen"-inclusive relationships, this number is even higher) across 36 universes within the Marvel multiverse, we can safely say that we accomplished our goal.

This spirit of inclusion also applies to our auctions and charities. Every one of 264 auctions was bid on, and every one of our 30 supported charities received donations. We’re in awe of your commitment to supporting all our creators and charities and thrilled that you spread all the love around, bidders!

Here’s our breakdown of the donations (to enlarge the image, click here and hover to see the donation amount per charity).

We’ve also listed the amount raised per charity on our 2023 auction results page.

From the bottom of our hearts, we thank you for helping us turn our sixth Marvel Trumps Hate auction and the celebration of half a decade of MTH into such a fantastic experience. We cherish every single message of love and support that we received and continue to receive on our Discord server and through DMs, Tumblr messages, emails, tweets, etc. THANK YOU ALL SO MUCH! We wouldn't be half as good at this—we couldn't have done any of this—if we weren't doing it with you. And that's the truth. ❤️

To remember or learn why we created this auction in the first place, please check out our 2018 "thank you" post to all of our creators, bidders, signal boosters, and supporters.

If you'd like to stay updated on all of the 2023 Marvel Trumps Hate fills, follow us and/or check out the "mth 2023" tag on our Tumblr. You’ll also be able to find works posted on AO3 in our Marvel Trumps Hate 2023 collection and links to fills in our Discord server, which you can join to brainstorm prompts, chat about fills, and find out about other fandom events.

Thank you once again to everyone who volunteered their services, time, money, and platforms to spread the word. These are tough times we live in, and it's easy to believe that there's only so much you can do as an individual. But as Tony and Natasha realized throughout their years as Avengers, we become something more than ourselves when we're part of a team.

We may come from different walks of life and hail from different parts of the world. We may be part of different fandoms within the Marvel multiverse. Many of us don't cross paths except this one time of the year. But despite our differences, we share a common goal and because of our differences, we're capable of making the impossible possible. And the only way to do that is, as Steve and Tony learned over their years of knowing each other, together.

And with that, MTH 2023 has officially come to a close. We're so beyond grateful to you all and can’t wait to see all of your fanworks over the coming year! But first, we’re going to follow baby Groot and take a moment to relax.

Lots of love and gratitude, Your 2023 MTH mods

[am-i-the-asshole-official]

AITA for debating hiring outside help for my husband and I's house because we can't keep up alone?

For context: My (26 Fae ftm) husband (28M) live very happy and healthily together. While I'm unable to medically transition due to a bunch of reasons we'll get to, he has been nothing but a solid rock in my life and the one person that has always been on my side. Through dragging me out of an abusive household to helping me with my chronic illness, he's been an absolute angel despite dressing like the devil himself (he's goth). So I don't want any hate on him.

He is ADHD and I'm Autistic. Yes, hello, we are that couple~♡ This does cause us some issues tho as he is unmedicated and I'm just struggling in general with sensory issues for certain chores. So far we keep each other some what afloat, having him do chores that my sensory issues can't handle and my doing ones he can't focus through.

However, as previously mentioned I'm chronically ill. I won't get into many details but it's basically I'm internally bleeding at random intervals. And before people think I'm talking about just my period, no it's so bad that I have once had to go to the ER for a blood transfusion due to this internal bleeding and had times when I was bleeding for over 4 months straight.

My husband and I because of this condition are pretty much struggling financially. I can work but it makes me extremely fatigued since I'm essentially working with constant Anemia. It gets bad enough some days that he can't wake me up without over an hour of effort, even after I've slept 10hrs. The fatigue is REALLY bad. He works just as much as I do, sometimes more because his work is so shortstaffed and he likes to pick up extra shifts to try and save up for the surgery that would hopefully fix everything.

This has culminated though in us both being extremely exhausted near 24/7 for the last year-ish but we have finally hit a break. I recently got a huge pay increase (nearly $200 a week increase) so we are hopeful for the first time in months. We're starting to pay down my extreme medical debt and being able to just go get dinner when he doesn't want to cook.

Here's where I may be kind of TA... Despite this hope, my condition recently did get worse. I've now gone another 3 months still bleeding and having to suffer my Anemia symptoms and medication. This has caused me to fall massively behind on what should be my chores, and while my husband doesn't begrudge me it, it has caused our home to start becoming very, very unhygienic. As someone who grew up with a clean freak mother, it kinda upsets me. He's focusing more and more on me and less on the house so even his chores are falling behind too.

None of that is his fault. He loves me so much he wants to help Me first but it has gotten to where we are both going "we really need to clean the house..." but neither of us have enough battery to do so. Me becuz of my condition and he becuz he's stuck caring for me.

We have enough that we might be able to afford to hire a cleaning service to help us out, but it would cost us some of the freedom and paying down medical bills. I think it'd only be a temporary thing, once I recover from my current episode, we can probably get better... but I don't know how long it will be.

On top of this I'm worried paying for this service will further put off my surgery as we struggle to save up for it again... We've already had to tap into that savings cuz my current episode lost me 2 days at work.

Is it unfair for me to ask to use our new extra money for essentially my not wanting to have to bother doing basic chores? I know I'm tired but I've lived with it so long I could and should probably just push through.

What are these acronyms?

[bonebabbles]

Snake Gets Done Dirtier

In The Blazing Star, Book 4 of DOTC, Snake turned against Clear Sky because he allowed One Eye into the camp against all warnings.

Clear Sky came to take his power and authority back after he massively fucked up, and Snake didn't want this. He didn't accept a bullshit apology, and attacked him.

Here is the passage again;

He turned against him because CLEAR SKY allowed a cat into the Clan that CARVED A TATTOO INTO SNAKE'S FLESH.

NOTHING, NOTHING about this interaction implies that Snake was upset that One Eye got killed. He was NOT loyal to One Eye. He did not WANT the mark. He's angry that Clear Sky "LET THIS HAPPEN" because he got a permanent brand cut into his paw.

Snake is the ONLY character who didn't accept Clear Sky's return. When he hears "We're all family here :) I risked my life to get my dictatorship back which is totally atonement :)" Snake calls it for the bullshit that it is, gets dog-piled by his sycophants, and leaves after refusing Clear Sky's "MY way or the HIGHWAY" ultimatum.

This is incredibly meaningful for the character of Snake, actually, because he was an extremely loyal minion for Clear Sky.

Described as "ugly" and "stinky" for the first books of his appearance sell him as one of the most eager, violent cats in Proto-SkyClan (interesting that the erins immediately attack appearance and hygiene to show a character is 'savage'), Snake eventually carries out Clear Sky's orders to murder cats indiscriminately at The First Battle. Everything he does for his leader is done without question. So, standing up against Clear Sky here is a REAL rejection of what Snake used to be.

Snake's RIGHT. Clear Sky DID let this happen! He's WHY this entire Clan suffered under a bigger, badder tyrant. Clear Sky ignored all the warnings he was given, and even got SO offended to hear them that he threw a fit and called his disabled brother (no, the OTHER disabled brother) a broken cat!

But the writers can't let anyone have a point that Clear Sky is a horrible leader who shouldn't be trusted with a goldfish, let alone an entire Clan. So it's time to throw that out the window and say that, ackshually, Snake was loyal to One Eye the whole time and that's why he didn't immediately bow down to Clear Sky.

In Book 6, Snake is a different character.

He's just evil now, serving the most evilestist character they can imagine.

Snake stood up against Clear Sky because of his BAD JUDGEMENT. He did not like One Eye. Snake was done with tyranny, and that IS a redemption moment. The start of a REAL redemption arc. Not whatever bullshit the Erins think a "redemption" arc is, where consequences are so mean because guilt is enough :(

Nope! Retcon two books later. Either intentional malice because they can't have a reasonable character STAY MAD at Clear Sky, or such utter incompetence that they can't keep the motivations of their characters consistent within their own arc.

[chaifootsteps]

Hey I saw someone on Twitter saying you’re transphobic because it said in your Twitter bio “IDW Arcee is still a guy” even though the character is canonically trans. What’s your take on that? I’m not attacking you or anything I just genuinely want to know the context of all that.

Oh boy. Strap yourselves in kids; time for Chai's villain origin story.

So basically, IDW Arcee made his debut under the pen of Simon Furman, the dude who created Arcee in the first place. Simon Furman has a small massive chip on his shoulder over the notion of girl robots, but we're going to be talking in mostly Watsonian terms for now. IDW Arcee as he comes on the scene in Spotlight Arcee is the victim of a nonconsensual forced sex reassignment, we see right off the bat that this destroyed his life.

He's wracked with trauma and dysphoria over this, on a do-or-die quest to take out the mad scientist who did it (he succeeds and tortures said scientist for seven years straight), and is implied to suffer chronic pain.

This got a lot of criticism, but Simon Furman insisted it wasn't meant to be transphobic, just the opposite. When someone pointed out that this was a story about how traumatic it was to be assigned a gender you didn't feel was the one you should have, Furman agreed with this take.

Eventually Furman was shooed out and John Barber was brought in as writer, and nobody seemed to know how to deal with Arcee's backstory. So they just kind of...didn't. They wrote around it for eight whole years, never really acknowledging it, but frequently alluding to how traumatized he was from it. The only person to ever roll up their sleeves and tackle it head on was Mairghread Scott, the only person IMO to ever do justice to IDW Arcee.

By the way, this panel made me weep. This issue also includes a fleeting, but notable moment where someone refers to Arcee with they/them pronouns, and at the time, I was extremely excited for this.

Shortly after this however, the comic came to an end and John Barber decided -- in the very last issue -- to bring in an expert. And by this, I mean he found some trans lady on Twitter and let her write Arcee. The last issue has Arcee concluding that the whole sex change was consensual and the violent murder spree was the result of, I quote, "bad meds."

Yeah, basically Arcee killed all those people because the Spiro was a little off.

I got into a lot of internet fights with people over this back in the day, criticizing it for being worse than what we started with, but also frequently pointing out that it wasn't Twitter lady's fault, as she wasn't the editor-in-chief at IDW and that there's a very good reason professional writers aren't supposed to do this sort of thing. In return, I got accused of hating trans women and still get some real ugly things in the inbox about it to this day. It was the first taste, bitter as wormwood, of what I as a trans man could expect from my own community.

Regardless of all that, Arcee is probably the most important fictional character to ever enter my life. He helped me realize I was trans, got me through some dark days, got me through heartbreak and top surgery. He saved my life a few times, and every so often he continues to. I owe so much to him.

If writing a very gentle fix-it fic where Arcee has a long talk with Anode (one of the trans lesbian bots from the vastly superior sister series James Roberts wrote) makes me a transphobe in these peoples' eyes, so be it. I don't care what they think. They never reached out to baby trans Chai and held his hand and kept him breathing.

Arcee did.

[normal-thoughts-official]

Okay. It's official. I fucking hate the way Choices is dealing with the "MC gets kidnapped" shit

They're focusing on the plot to the detriment of any emotional stakes, which is always a bad move but it's a particularly bad move when we barely understand what the threat is this time but have been missing these characters and wanting to see them again for three years. Every expression of feeling over MC's kidnapping feels rushed and squeezed in, like they're trying to get it out of the way so they can get back to the Valax shit. Imtura, Nia, and Mal made up in five seconds without us even understanding how exactly this awful fight went down to begin with. MC explains what happened while they were in captivity and they all just go to sleep. Not even a "holy shit MC, are you okay?" or "we will end her" or anything. We don't even get a general line of how they reacted like "they were horrified" "they were angry" "they were sad" "they didn't give a flying fuck" or something.

Even Imtura's grief, while definitely the best written one out of the four, felt like it was dealt with in seconds (I'm yet to play with my Imtura-romancing MC in my other acc so I'm not sure how it goes with her in the bathhouse but it shouldn't take romantic involvement for the grief to last). Even when Valax shows up a second time it doesn't feel like they're as terrified of the idea of losing MC again as they should be

There are some pretty good angsty lines and moments but they always pass so quickly it feels like they're brushing it all off. It almost feels like fanservice. "See, here, your LI kisses you as if pouring all the longing of a year into it. And then you go to sleep. Happy?" No, actually. For fuck's sake, you have to dig deeper than that

The only moment we had that wasn't plot related was bathhouse scene, which was cute, but felt entirely out of place. They just made up, they still don't even know what happened to MC, if MC's okay, they barely had the time to catch up and they're just carefreely dunking each other in the water? It could have been played like a cathartic "finally having fun after so long of suffering" sort of deal at least and then it would work, but it simply wasn't written that way and it just feels like their entire dynamic is botched and weird and we're supposed to forget that for the last year MC was gone and Imtura had a massive fallout with the rest of the group. They keep alternating between these super dramatic declarations and lines and acting as if nothing has happened, and it just doesn't work. Take the time to deal with the emotional consequences of the LITERAL INCITING INCIDENT OF THE STORY, then you can jump into battles against the big bad hot gorgeous goth woman. This just feels like they don't want to deal with it and are just throwing some lines here and there so we don't complain

Don't get me wrong, I'm generally enjoying the story and I'm happy to have the gang back, but PB's not doing their own plot justice, especially considering they've supposedly been writing this for three years. The emotional stakes are always what carries a story, even a fantasy/action one. We have to care about the characters, which we do because we have since book 1, but it doesn't seem like the story does and it gets more and more disappointing every week

[genericpuff]

(disclaimer, this is coming from a heartstopper fan! i love heartstopper this is not hate!!)

i think at least part of the annoyance with heartstopper isn't just that isn't a light fluffy ya series, it's also that its another example of how the queer media that gets the most mainstream attention tends to be this kind of light fluffy ya stuff that focuses on two conventially attractive queer boys or men and it also tends to be written by people who aren't queer men on top of that, so not only can it feel very samey but it can feel like other queer people are relegated to side characters in the stories of cis gay men. and as someone who loves heartstopper i get that on some level.

btw by "written by people who aren't queer men" NOT saying that isn't not written by queer people. alice oseman is genderfluid and aroace, becky albertalli is bisexual, etc. and while i think the point is still valid there is a misogyny element in that a lot of the focus is put on things that are written by women or people they perceive as women while tumblr darlings like good omens and ofmd (written by presumably straight men) don't get the same treatment.

nah y'know what, that's fair, I can get how frustrating it can be for a lot of popular queer stories to feel samey, I've definitely gotten BL-fatigue in the past on platforms like WT and Tapas because many of them ARE the same and feel like they're just piggybacking off trends for the sake of clout (and this is a problem in the heterocis romance stories too, don't get me fucking started on how dark romance has turned into torture porn where vulnerable women are constantly being victimized by rich powerful men and we're just supposed to root for that ??), but it's one of those things where like, what might be seen as just more corny shit could very well be the revelation another person needs that they're gay / trans / etc. that the story helped them realize. there's just a point where i see these arguments against cheesy popular queer stories that teeter dangerously close to being queerphobic and, as you said, misogynist, simply because "it was written by someone who i perceive as a woman so that makes it BAD!"

and I didn't mention it in the original post because I didn't want to @ OP in any way but in the comment section they literally said "i dont think heartstopper itself is all that bad but it has pretty much aimed the direction of all mainstream gay comics towards wholesomeness instead of anything more interesting so i want to destroy heartstopper to destroy heartstopper clones" and that gives me massive ick because it implies their sole reasoning for including it was "chill and happy queer stories bad, if a character doesn't suffer enough then they're not interesting"?? why can't LGBTQ+ audiences have more 'vanilla' stories that aren't all sad and angsty all the time? are we not entitled to the same corny romcom vanilla shit that the heterocis are entitled to? why do LGBTQ+ characters - and by extension, people - have to suffer to qualify as being 'interesting'? You're already interesting, you're you! like i'm sorry, are we trying to scare people straight??? 😭 shit, that's even a plot point that's touched on in Heartstopper itself where Nick is questioning his sexuality and he starts googling shit and it's just ALL the terrifying news stories of queer kids being ostracized / bullied / murdered / etc. and as much as it's important to be aware of the ongoing issues so we can keep fighting for our rights, we ALSO need to find balance and remember to celebrate the stories that AREN'T that because we need something to be hopeful for, something we can find peace in. I don't think Heartstopper is some deeply profound piece of work, but it also doesn't seem like it's trying to be? It's a low stakes celebration of the LGBTQ+ experience that's very warm and comforting, especially for those who are the same ages as the main characters who are often being persuaded by the grown-ups around them that it's a death sentence to be gay / trans / etc.

and it's not like we HAVEN'T had popular pieces of queer representative media that explored things outside of cheesy BL, like are we forgetting about Nimona which explored both the gay and genderfluid experience in a very accessible and fun way while still being mature and not pandering to its audience over how society has made monsters out of queer people?

(and even then I'm sure there are folks who would argue "actually, here are the issues with Nimona" , and that's fine tbh, we can like media and appreciate what it brings to the table while also discussing what it lacks in, such as what we're doing now with Heartstopper! progress is a never-ending journey!!)

and also okay, not me trying to be argumentative in the slightest BUT I don't really get the argument that 'other queer people' are being sidelined for the main characters? unless there's something I'm missing here lol (I will apologize for that because it's admittedly been a while since I've re-read Heartstopper so I should probably go do that to refresh myself on it). like i say that in the sense that Heartstopper is clearly meant to be about two gay male teenagers. just like how Nimona is about a shapeshifter who is not a girl or a boy (they're Nimona!) and a gay man who are both trying to change the system that's other'd them for years for the better. that is the story Heartstopper is trying to tell and it achieves that. it also has a trans character plotline that I could see people arguing feels sidelined but I think there's a massive difference between 'sidelining' and just having a B plot ? my honest take with that is not every piece of representative media is going to be able to cover every single topic, it's just not doable for one piece of media to be a monolith for everything, the same as how one person can't be a monolith for an entire community of people. BUT that doesn't mean works like Heartstopper and Nimona can't inspire others to also lend their voices into the medium and create that representation that's needed. That's why we need ✨variety✨ and Heartstopper is part of that variety by offering a more vanilla cutesy story full of good vibes for people who want that sort of thing.

IDK, I think there's just a lot of nuance that's being missed in that poll, and in the difference between Heartstopper inspiring more people to write happy cozy BL stories vs. implying that it's had an actual negative influence on modern art and media in the same way that series like Homestuck and LO have to the point that people think it needs to be destroyed, like wtf LOL Like they're not even comparable IMO and a lot of the arguments I see people making about why it is just feel a little backwards, and those arguments obfuscate the real issue which is just "popular thing is popular and people like to piggyback off popular shit". That's a fact for basically any niche and genre, these trends come and go. Even if the whole cutesy BL trend passes one day (which it will) it'll be replaced by something else that people will also inevitably find samey and boring after a while. This is not a concept that's unique to LGBTQ+ media, it's universal.

Balance is important and I think finding that balance is as much a responsibility on the shoulders of the consumer as it is on the creator. And I don't think Heartstopper deserves to be put into the same camp as stories like LO which literally straightwashes its canonically queer characters and gives those queer identities to nothingburger characters who are easy to shoo out of the plot to make way for the heterocis ones (while still parading itself around like it's actually 'queer rep' which... it really isn't.) Like all three of the comics in that poll are vastly different, serving different audiences, with different goals and intentions. It's comparing apples to oranges to pineapples.

The worst Heartstopper has to offer is just a low stakes plot that might not appeal to everyone or feel 'samey' which yeah, valid, but in the grander sense of whether or not it's had a negative effect on queer media just for being... cheesy? And inspiring other people to write stories like it? I don't get the argument, it feels like it's severely missing the point of what we're fighting for here - to live happy little unbothered lives - but that's just me ╮(￣ω￣;)╭ I'm definitely not trying to be a dick about it in any way and I don't want anyone to think I'm not open to the opposing points here, I do agree with you on the oversaturation of samey BL stories, but it just rose some massive red flags to see Heartstopper next to frigging Homestuck and Lore Olympus LOL

[sapphirelass]

In my Blood ~ Will Solace x Sister!Reader

Hi you guys! Wow, it's been over a year😅 I'm still working toward my uni degree (physics, maths and upper secondary school education for those of you who don't know), spending time with my boyfriend, hanging out with friends, and visiting my family as often as I can. I promise I have done a fair bit of writing this past year, just not finished anything... But, here we are! Really looking forward to the PJO-series, but while we're all waiting, here's a Will imagine because Will is great <3

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To read as xOC, click here

Words: 2500 ish

Warnings: injury, blood, wounds, angst (normal demigod stuff really, but you know)

Please note that English isn't my first language! I have studied it for over a decade, and speak it fluently, but there might still be some grammatical errors and a mix of British/American expressions - thanks for understanding :)

y/n - your name

y/n/n - your nickname

she/her reader

Enjoy! :)

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“Get down!” she shouted, as a giant, angry, terrifying cyclops approached them. “Listen closely now; do you see that huge pine tree over there? And the statue? Run past them, and you’ll find people who’ll help. I’ll try to buy you as much time as possible!”

The two seven-year-old half-bloods that had just been saved and brought to camp (well, almost anyway) sat off towards the border, as (y/n) Solace, daughter of Apollo, stayed behind and pulled her sword out. She was a way more advanced archer than swordfighter, but the one bow she had brought with her had fallen out of her firm grip as she jumped behind a boulder for cover. She had made an attempt at getting it back, however, that just resulted in her body coming crashing to the ground as the cyclops’ hand collided with her chest, while the bow ended up in between the hard ground and the monster’s massive foot… (Y/n) threw her head back and sighed at the sight of her trusty old weapon in pieces, and it wasn’t until she tried to push herself back up on her feet that she noticed a terrible pain spreading through her left arm from her elbow. It hurt badly, but since she didn’t have much of a choice, (y/n), suddenly feeling slightly dizzy, pushed herself back up with her other hand and looked for another road to victory. 

After a few minutes of trying to attack the monster with her sword, but repeatedly failing since getting close enough without getting hit herself proved to be very difficult, (y/n) quickly ran in a circle around the monster causing him to stumble - if only for a second. She wasted no time launching herself at the cyclops with her sword and - *SPLASH*. The sharp, metal blade bore deep into the slimy eye, and the cyclops staggered backwards, slowly disintegrating. (y/n) was just about to take a deep breath when she felt a stinging sensation in her abdomen. Briefly glancing down, she winced as she realized what had happened. The monster must have grabbed one of her arrows from the quiver she had thrown onto the ground, and, rather violently judging by the amount of blood oozing through her orange t-shirt, pushed one into her side. 

Being a demigod, (y/n) had obviously suffered multiple injuries before, though never quite ones as bad as this. The bottom half of her shirt was now more red than orange, and she could feel the world spinning slightly. Groaning, she sat down against a tree and inspected the wound carefully. She wanted to pull the arrow out, but her twin brother Will had always strongly argued against doing something just like that. A vague memory of him saying something along the lines of “the weapon possibly being the only thing keeping you from losing too much blood”... Sighing, she started to slowly make her way toward camp but didn’t make it very far before stumbling over her own feet and falling forwards on the cold hard ground. (Y/n) coughed up something that looked like a mixture of spit and blood before pushing herself to her feet again with the help of her sword. It wasn’t a speedy process, but she kept walking in the direction of the infirmary, stopping to catch her breath every few steps.

---

“(y/n/n)?!” She only had a few hundred meters to go when two of her closest friends - Travis and Connor Stoll - came running towards her with worried faces. Typically when the brothers approached someone together in this way it was with mischievous smiles on their faces and usually followed by a prank of some sort, but not this time. “What in the name of the gods happened to you?”, Travis asked, as Connor carefully placed (y/n)’s right arm across his shoulders to help support her. “We ran into some new kids who said you’d picked a fight with a giant?”

“Oh hardly…”, she demonstrated. “If anyone picked a fight it was him! And besides, it was just a normal cyclops, and not even a very big one.” She winced slightly when Travis smiled and grabbed her other arm, but started walking more steadily thanks to the brothers. “But my bow broke, and - friendly advice - don’t try to take out a cyclops with nothing but a sword.”

“You should put that on a T-shirt.”, Travis joked but shut up quickly when (y/n)’s knees buckled and she stumbled again. He sent her a worried glance as Connor spoke up.

“So, what happened? How bad off are you really?”

She told them the story as they walked slowly down the hill and across the volleyball court. They were right by the big house when (y/n) finished the story.

“Gods…”, Connor mumbled, changing his grip around his friend’s shoulder to give her even more support. “You know Will’s gonna kill you himself this time, right?”. (Y/n) was about to answer him when someone opened the door to the infirmary and beat her to it.

“Who do I have to kill? I swear, if Nico is shadow travelling like a madman agai- Oh Gods!”, Will interrupted himself, a look of horror on his face as he was met with the sight of his twin sister barely able to stand up, and covered from head to toe in blood, mud, and dirt. “(y/n/n), what happened?!” He examined her quickly before holding the door open so the Hermes boys could get in and slowly lay (y/n) on one of the bunks.

“It’s a bit of a story, and I don’t know if I feel like repeating it again right now”, she said weakly, wincing a bit as Will swiftly pulled her worn jean jacket off, “but the short version is that a cyclops punched me and I have an arrow through my stomach… And probably a broken arm too. And I might have hit my head when I fell… it, eh, hurts a bit…”

“Gods…”, Will sighed, “Well, do you feel nauseous? Disorientated? Can you see clearly or is anything blurry?” 

“Eh… a little dizzy maybe, and a weak headache, but my sight is fine and I’m not feeling sick.”

 “Right”, Will mumbled as he wiped a small amount of blood from his sister’s forehead and briefly inspected the small wound. “Something positive I suppose…”. He put a small bandaid on it to slow the bleeding down at least momentarily, before moving to look at his sister’s arm which was indeed bent in a rather weird way. “Well, head-related injuries are always scary, I’ll have to examine it further to know how bad it actually is. The arm is absolutely broken - annoying, but fixable - though this arrow…” He grabbed a pair of scissors and cut through her T-shirt so that he could get to the wound.  “Jeez, (y/n/n)… How long have you been bleeding?”

She took a deep breath before answering. “I’m not sure, it feels like an eternity, but an hour maybe?”

“AN HOUR?!” Will tried to stay calm, but his now pale face told another story. “Holy… Okay, eh, (y/n/n), I’m gonna… I have to get the arrow out and stop the bleeding as fast as I can, you- you’ve already lost way too much blood. Let's just hope that it missed anything vital.”

He whispered the last part, but (y/n) hardly heard the rest either, as she slowly but steadily started drifting off to sleep. “Sure thing… You do that, I’m just gonna doze off for a quick sec…”

“Oh no, you’re not!” Will dropped what he was holding and grabbed her shoulders to shake her gently. “(Y/n/n), I get that you’re exhausted, but you have to stay awake. As I said, you lost a lot of blood, and you may have a concussion. Sorry, I’m not even gonna argue with you - you’re not falling asleep.”

He turned back to the brothers who were watching from afar, wanting to know what happened but also not being in the way. “Connor, Travis, you have to keep her talking while I work, okay?”

“Sure”, Travis nodded, as Connor grabbed (y/n)’s right hand again. “Wanna tell us about the new kids?”

“Yeah”, Connor added. “They seem cool!”

“They are…” (y/n) moved a bit, carefully letting Will remove the piece of her T-shirt that he had cut off to get to the wound. “Only seven years old, fighters both of them. They ran away from different orphanages in Vermont and took down a basilisk together in Albany and have taken care of each other si- AHHHHH.”

She let out a harsh scream as her brother swiftly pulled what was left of the arrow out of her chest, and would probably have rolled off the bed if not for the Stoll brothers holding her down as Will apologised profusely. 

“I’m so sorry, (y/n/n)”, he mumbled sadly, as he handed Travis a big piece of ambrosia, “but that was the worst of it. You’re doing really well, just hold on. You should try to have some ambrosia now that the arrow’s out.” She struggled to take a few shallow breaths as the extreme pain slowly began to fade again, but nodded and accepted the small piece of godly food Travis was offering her. The pain instantly lessened even more as the flavour of her mother’s gingerbread cookies combined with a touch of magic consumed her whole being. (Y/n) finally took a really deep breath, but when she exhaled it felt as if every single drop of energy she had been grasping onto left her at once. She allowed herself to close her eyes and immediately began drifting off to sleep, the worried voices of Will, Travis, and Connor simply fading into silence.

---

(Y/n) was desperate for a few hours of peaceful rest, but unfortunately sleep and nightmares tended to almost always go hand in hand for demigods. She relived the last 24 hours in her sleep, everything from leaving camp in the early morning feeling excited to bring some new kids back to the exhausting battle that could have ended badly if not for the cyclops’ inability to stay on its feet. During the actual fight, it had happened so quickly that she hadn’t even noticed it at first, but this time she could clearly see how the monster roughly yanked a sharp arrow from her quiver and began making his way back towards her. She lay flat on the ground, desperately trying to move out of the way, but she couldn’t. It was as if all her muscles suddenly decided to to take any more orders from her brain. The cyclops lifted his arm, getting ready to deliver the final blow, as (y/n) closed her eyes, starting to accept her fate.

It felt as if time itself stopped. All she could hear was her own shaky breathing - until suddenly it wasn’t… There was a also voice, far away, sure, but still clearly there…

“(Y/n/n)? Please wake up! C’mon!”

It sounded familiar, but she couldn’t pinpoint who it belonged to. She focused and tried to listen for the voice again, but she was so exhausted… Giving in to the darkness felt so inviting… And simple. She could do with simple for once.

“No, no, no!” The voice cracked, panic and desperation shining through. “Don’t you dare give up now! C’mon, (y/n), I’m here, I’ve got you! Don’t give up… please…”

She was so close to slipping away, but something about that seemed wrong, and the reassuring words plus the comforting feeling brought to her by the sound of the familiar voice gave her precisely the boost of energy she needed. Shaking herself out of the nightmare, (y/n) inhaled sharply before shooting up, her eyes darting around the room until someone gently placed their hands on her shoulders, causing her to meet their gaze.

“(y/n)!”

She blinked a few times, shaking violently as she began realizing where she was. “Will?”

“Oh Gods!” He hugged her tightly, perhaps a bit too tight, but it didn’t matter in that moment - the 16-year-old was just so incredibly relieved to see that his sister was alright. “You’re alive!”

(Y/n)’s breathing evened out again as she leaned into her brother. “I’m sorry, Will. I’m so sorry…”

He didn’t let go of her arms, but moved back slightly and sent her a questioning look. “What do you mean?”

“I… I just… I didn’t mean to worry you.”

“Gods, (y/n/n), I always worry.” He moved closer again. “I’m just happy you’re okay! I mean, it’ll be a while before you’re back doing quests of course”, he sent her a serious look, “but the fact that you woke up is a good sign”. 

(Y/n) accepted the ambrosia piece Will offered to her before answering. “All thanks to you.”

“Well”, he shrugged, “your body did most of the hard work...” (Y/n) shook her head at Will’s modesty before starting to push herself off the bed to stand up.

“Whoa, whoa, whoa!! Stop! What do you think you’re doing?!”, Will exclaimed, swiftly pushing her back down. "You have been unconscious for over four days and lost so much blood, and that’s not even mentioning your head, arm or other random scratches. You’re staying here at least until Friday, no discussion.”

(Y/n) rolled her eyes, secretly feeling very lucky to have a brother as caring as Will. "Okay, I'm sorry. I just need to stretch my legs for a second, please? Help me out?" 

Will didn’t look too happy with the idea, but understood how stiff she must be feeling after so many days and nodded. It wasn’t like (y/n) wanted to get up and run, she still felt really tired and weak. However, after that horrifying moment of helplessness that she experienced in her dream, just the confirmation that she could in fact still move her arms and legs was incredibly comforting. When everything felt normal, she tried a few careful steps and immediately stumbled, but didn’t fall thanks to Will’s support.

“Light-headed?”

“Yeah, a bit…”

“Alright, that’s enough, back you go.” He guided her back to the bed, and she lay her head back down on the pillow.

"There we go!", Will smiled, "can I get you anything?"

"A cup of tea, please? Red, no honey?"

"You’ve got it!"

Five minutes later Will returned, balancing two cups of tea and a cheese sandwich on a tray. "Who ordered the tea and sandwich?", he asked jokingly as he sat the tray on the bed. He placed some pillows against the wall and slowly helped his sister sit up against them. “That would be me", she smiled. Will also sat down on the bed and put an arm around (y/n). She took a small bite of the sandwich and leaned her head on her brother's shoulder. The siblings drank their tea in silence, enjoying the feeling of being together and safe, if only for the night.

<3

//L masterlist

[imakemywings]

Hey, are you still bitter about the treatment Thingol gets in the fandom? Because I am, even if it's 2023. The fact that people have such visceral reactions and threw a huge hissy fit in response to Thingol banning Quenya as if his banning is equivalent to a mass slaughter when said mass slaughterers are claiming lands in Beleriand and mocks Thingol's kingship is funny to me. And the fact that people mock and shit on Thingol for being pissed at the kinslaying at Aqualonde because he wasn't even there, like hello? That's his brother's people tf? Who wouldn't be pissed when you find out your brother's family legit got slaughtered? He has flaws but like so do many characters in silm, yet he gets so much hate and is never written with justice because he's against the noldor/feanorians.

Am I still bitter about [X]? yes. The answer is always yes.

People's attitudes towards Thingol in this fandom are a perfect illustration of character-centric morality: the things the Feanorians do are excusable because they're liked, and anything Thingol does is worthy of scorn because he is not liked. That's how you get people acting like the Quenya ban is on par with literal mass murder (and no, I don't think his asking for a massive number of foreign troops coming into the area to show him respect as the local ruler, as a display of good faith if nothing else, was unreasonable).

Look, I get why Thingol is not a big fan favorite. He suffers from "show not tell" where although Tolkien tells us he was a wise and beloved king, most of what we're shown in detail are things he fucked up. He also plays the King Triton role with Beren and Luthien, and no one likes a guy who stands in the way of ~true love~. Additionally, some of his most likeable moments come in Children of Hurin, which is, of course, not a part of the core Silmarillion. We get a lot less detail in Silm about Turin's time in Doriath, which is when we see a lot more of Thingol in CoH and where we see his attitude on mortals make a complete 180 (he is in fact the only Elf lord to ever foster a Man). But even within Silm, it's rarely acknowledged that in the end, he does support Beren and Luthien's marriage.

"And it seemed to Thingol that this Man was unlike all other mortal Men, and among the great in Arda, and the love of Luthien a thing new and strange; and he perceived that their doom might not be withstood by any power of the world. Therefore at last he yielded his will, and Beren took the hand of Luthien before the throne of her father."

He seats Beren at his left hand--it's hard to overstate the significance of that.

"Then Thingol's mood was softened; and Beren sat before his throne upon the left, and Luthien upon the right, and they told the tale of the Quest..."

I think it is relevant to remember that in accepting Luthien's marriage to Beren, Thingol is necessarily accepting her death--the death of his only child, whom he holds dearer than all the land and wealth of Doriath. That doesn't make his actions in B&L right, but I think it makes them understandable.

Later, when the forces of Doriath go to hunt Carcaroth, Beren and Thingol hunt together.

"...Huan leaped from the thicket upon the back of the Wolf, and they fell together fighting bitterly; and no battle of wolf and hound has been like to it, for in the baying of Huan was heard the voice of the horns of Orome and the wrath of the Valar, but in the howls of Carcaroth was the hate of Morgoth and malice crueller than teeth of steel...There they fought to the death; but Thingol gave no heed, for he knelt beside Beren, seeing that he was sorely hurt." (Emphasis added)

But also, simply because he repeatedly comes into conflict with the sons of Feanor, he was doomed to be recast as a villain by the fandom because the sons are so popular that anyone who dislikes them is going to get shafted by the fandom. Hating on Thingol is so accepted in this fandom people don't even seem to regard it as character bashing to come onto posts or fics about Thingol and share how much they don't like him/think he's an asshole/whatever.

I really don't think there is an overreaction to hearing about unprovoked mass murder. I really think most of us would react very badly to finding out that someone we'd had dealings with had slaughtered a bunch of people, whether or not we were related to the victims. It's been said before but I'll drag it out again: Thingol had to do something. As king, he did not have the option of not reacting to that--that it happened, or that the Noldor tried to conceal it. The Quenya ban was arguably a mid-level response (Furthermore, it was a pretty deft display of Thingol's soft power--Maedhros scoffs at his claim to be king of Beleriand, yet look how instantly and totally the Sindar adhere to this directive. With this one move, Thingol displays for the Noldor how far his power reaches. If they were thinking about armed conflict with Thingol and Doriath, they now know how many of the Elves of Beleriand they would have to deal with.) It's not like Fingolfin was going to turn his people over for a trial, and accept whatever punishment Doriath's court ruled on, not least because Fingon himself was a significant part of the Kinslaying at Alqualonde. The Noldor, hand their crown prince over to a foreign justice system? Not gonna happen.

I will link to my tag for Thingol metas, if you want to see more of what other people have stated more eloquently about his character and his actions!

Long story short: I like Thingol, flaws included, and it's kind of laughable that of all the characters in the book, THIS is the one people find irredeemable.

[rawliverandgoronspice]

Okay so this has been on my mind for awhile and I wanted to get my thoughts out there. Regarding the topic of Rauru and Ganons relationship, I feel like rauru has kinda been bashed? people seem think that rauru in memory 6 (I believe) had a bit of a god complex, and that he was disrespectful. I feel as if rauru kinda had a right to act the way he did.

Rauru had wanted to become Allie’s with the gerudo. Not necessarily because he wants them to serve him but more for resources. Or more likely knowing Ganon he was attacking hyrule. The reason why I suspect this is because during the molduga incident rauru and Sonia seem to be very familiar with theses types of attacks. So it’s likely Ganon had ordered monster attacks on them before. Likely the attacks were getting to much for rauru and Sonia to handle; on top of establishing hyrule, rauru sent out messages for Ganon to join the kingdom in order to stop the attacks. Or another reasoning is that the gerudo were likely suffering. Ganon has been shown to not always prioritize his people. And knowing from past games the gerudo desert doesn’t have much resources. We can kinda see this in Totk they seem to only have hydromelon and voltfruit (I highly doubt that the gerudo had men at the time bringing them food from hyrules fields). If you’ve talked to rauru on the sky islands you’ll know that rauru is actually a very sweet and sympathetic guy, so I believe this could be a possibility.

Moving forward to raurus attitude during their meeting.Now rauru wasn’t exactly the nicest during the meeting, but I don’t really blame him. Rauru probably annoyed that ganon has been ignoring his letters and putting his people in danger. Also Ganon was very sketchy during that entire meeting and was rude in his tone.

Why did Ganon bow? Ganon and rauru are not equal, yes they are both kings but rauru has massive amounts of power and has a much larger land mass. (and zonia are kinda gods) but I don’t think the reasoning for Ganon bowing is because he less than or non equal to rauru. More like he was apologizing and giving rauru respect for the countless times he’s ignored him or tried to kill him.

More of raurus tone in the meeting Again I think he was really fed up with Ganon and rauru seems very non confrontational (he apologizes in the sky islands that the constructs attack link, and ask link not to be angry because they can’t understand) rauru likely wanted it to get into ganons mind not to attack the kingdom again because rauru had a lot of Allie’s and power and will attack Ganon if he pulls a stunt.

Ganon vs the gerudo. This part is a little off topic but, lots believe rauru is low key kinda racist towards the gerudo. But if this was true why was gerudo sage working with rauru? I don’t think that the way rauru acts is how he acts to all gerudo. The sage of lighting very obviously doesn’t like Ganon. The reasoning  could be my first point. And later on after the imprisoning war the gerudo still stuck with hyrules side.

That’s all I have for right now, sorry if it’s all jumbled up I tried to make it coherent. Anyways I appreciate you for reading this :3

-🔺

Hi, thanks for the lengthy ask!! I'm sorry for the lengthy answer this beckoned, but I think this conversation is pretty important --even beyond Zelda and this specific case. We're talking themes and tropes and framing!!!!

I will try to reply to all of this in a way that kind of threads through several layers of why people have been bashing Rauru, me included. I will try my best to explain why I dislike this character, and try to parse out why I am this miffed by Tears of the Kingdom's storyline overall.

The long story short is: I don't dislike Rauru as a person (I mean, I also would tbh), I dislike him because of what he represents.

I think the waters did muddy a little in the "discourse" recently, and it's a good thing to take a step back and re-explain where I'm coming from (me personally, not going to speak for anyone but me here).

Also, before jumping in: this is not a condamnation on anyone who enjoys this story or these characters, nothing is unproblematic, it's fine, everybody does what they want, all of the things. I like the game and I keep playing the game in spite of being harshly critical of the ideas pushed forward. Also: it's fine to digest this and come back later (or not at all) if that feels like a lot, or if some of these ideas don't immediately click. But it's also partially why I think it's important: this game is aimed at a young audience, and one who might not have all of the keys to decipher what's going on, which is why I think it's quite irresponsible (which is the charitable interpretation) on Nintendo's part.

Anyway. Too many words underneath the cut.

The Story

So, first of all, I want to say that I believe you completely and fully read the situation as Nintendo intended it to be read. This is the text of the game (aka, the story taken at face value). You picked up on every single safeguard put into place to have Rauru and Sonia act in the most justifiable way possible, and have Ganondorf, on the other hand, act as a duplicitous, power-hungry and downright insane as they could have made him. In the reality of their universe, and only taking into account what is given to us through the narrative, trusting it comes from a neutral place and isn't influenced by anything, everything you said is 100% correct.

Rauru and Sonia WERE acting in self-defense, and were even kind not to turn their incommensurable power against the invading army.

The kingdom Rauru built as a demigod IS a paradise and they WERE very generous to invite neighboring nations to bask in their wealth and its technological and natural blessings (and the results of their extensive mining and why are there killer robots everywhere if this world was such a peaceful paradise uhh let's not ponder about this too much). That Ganondorf was too prideful and envious to accept IS a sin that rests solely with him.

Rauru IS a brave hero that sacrificed himself to seal the invader that killed his beloved wife.

Every single Sage IS extraordinarily devoted to protect both Rauru's lineage and their own lands, and gleefully pass down that duty to their ancestors --all thanks to Zelda, heir of that blessed royal line who returned to the past and made them promise to fight alongside Link to seal the Evil once more.

The gerudo WERE (apparently) oppressed, as they decided to fight under Rauru's authority freely (so against their own chief??) and, also, must make amends for having put Ganondorf in this world in the first place? ( I think we are already starting to see some contradictions --were you always victims or did you start this conflict in the first place? what is your place in all of this? why don't we ever get to know?)

This IS the story of Tears of the Kingdom. A story of a great sacrifice that happened in the golden mythical past (confirmed as unquestionable truth through the archeology motif), done by benevolent godly figures of royal blood and immense power they would never abuse, giving their everything to bring Light into a broken world corrupted by the degeneracy of Evil, echoed by the devotion of nations who swore fealty to that divine being and must now renew their vow in the present to defend their lands and Hyrule at any cost. Also, the impossible and magnificient suffering of the princess, whose tears lead to a trail of truth into the very land, informs the current population about why they're fighting now; she's at once a hero of the past and a martyr in the present, completely incapable of acting on her own, carrying with her the blade that will slay the crushing and violent sway of Evil for good and bring eternal peace into the land (Evil who uses her own appearance to cause chaos and violence against her own people --the blasphemy!!). The title of the game reflects this too: the Tears of the Kingdom are hers. Zelda is the kingdom here, and her pain/the pain of that mythical past is what is centered.

Also Ganondorf IS green so it's not racist okay let's stop right here and unpack all of this mess, because BOY oh boy oh boy oh boy.

oh boy.

The History

Now comes the time to point out the obvious, but that bears being repeated: this is a fictional story. It's a story crafted by a very powerful game company set in Japan. It's a story crafted by a huge number of people, who debated for years how to best tell it, why, and what for. Every single choice made in the narrative is purposeful, has been weighted against other options, and was picked over what could have been virtually anything else. Again, I want to state that I don't know if any single person took these decisions, probably not entirely, and it's even possible Nintendo didn't realize (I doubt it heavily tbh, but I'm sure there are people in the team that didn't get it or didn't see the issue), but a certain kind of story was crafted in the end, and it's the one we got.

One word that has been tossed around a lot as far as TotK's story goes is ✨ imperialism ✨, and I want to pause and take a second to analyse exactly what we mean by that and why I think it's painfully relevant here (and, honestly, I think another word would be very very relevant here also, but it's the kind of word you keep for after you're done with your argumentation not to scare off the unconvinced audience --but, to anyone who reads and might have picked it up already, yeah.)

In our real world of Earth 2023™, we have seen quite the number of extraordinarily powerful nations becoming gradually larger, engulfing neighbors, breaking apart, and leaving the buds of new future empires behind them. Hell, there's a number of them existing right now, even if they don't call themselves empires and don't have literal emperors at their head anymore (though Japan does, and it is important here). Of course, no nation, especially nations striving for expansion, worldwide legitimacy in culture and power, and their own understanding of "greatness", would ever call themselves anything but enlightened and justified. After all, the Roman Empire brings aqueducts and infrastructure to the lands they conquer, China unifies disparaging regions struggling under constant barbaric attacks, France and Spain converts local populations of the "New World" and save their souls from eternal damnation (wow thanks guysss), the British Empire brings industrial revolution uhhh everywhere please don't ask what was the cost, Africa sure loves everybody ripping their culture and lands apart and were so super glad to receive whatever "civilization" is supposed to mean when their literal people were being pillaged away to keep on building said empires using their blood as mortar, the URSS protects neighboring nations from the Evil Capital/West, fascists want to purge the world of anything they consider impure, the US brings freedom to the world and the whole world is grateful forever!!!

Everyone always has an excuse, and everyone is always kind of semi-mandated by God (in the largest possible sense; divine responsibility would perhaps be more appropriate, it's kind of the idea that with great power comes responsibility, while defining what responsibility means and inflicting their conclusions to conquered lands to squeeze even more value out of them) to do whatever the hell they want to others, claim their lands, their bodies, their minds, their culture --and demand gratefulness on top of it all to avoid having to feel bad.

There is a large body of fictional works that are dedicated to boister the image of the Empire. Every single empire has a number of them; their goal is often to mythologize, in some form or another, the story of their expansion. It often flattens every nuance, paints the actions of the empire as the natural order of the world and its opposition as morally malignant, their leaders are charismatic, benevolent, powerful and self-sacrificial. Often, it invokes previous empires to cast the current one as inheriting a grace that was tragically lost and must be restored through war, hard work, and healthy natality --I'll dip into the forbidden comparaison but Nazi Germany loved its greek myths of Sparta and Athens (and modern day fascists still do), or the Napoleon Wars so they could retell the story of their own empire by invoking a legacy of moral diligence and ethnical greatness being restored. But the pattern is often very similar: we used to be Great, a tragic event due to both external invasion and internal corruption precipitated our golden age into chaos and degeneracy, and now we must fight off current day corruption to restore the Glory of the old times we lost --all of this under the benevolent gaze of our leaders, whose mission is a direct or indirect intervention of divinity into mortal lives. It is righteous and glorious to fight/die for the nation (and its leaders) and protect it from the uncivilized, who are inhuman and exist solely to trick us, corrupt us, attack us and assimilate/destroy us.

Are we starting to notice some similarities here :) :) :)

The Narrative

There's two conversations running in parallel here.

The first one is the least important in my opinion, even though it's the one we tend to focus on a lot as theorists/enthusiasts/enjoyers of media: is Rauru oppressing the gerudos, and does that inform Ganondorf's actions?

Honestly? Textually? Probably not.

There are arguments to be made (and that deserve to be made) about the insane power imbalance, there are a lot of suspicious aspects that deserve to be picked apart like the address and deference of Ganondorf towards Rauru, the whole mining thing that I don't see being discussed much but could be a huge part of it --there are ancient mines in the gerudo region after all; since when? what's the history here?-- the strange masks the Sages are to wear when Zelda, as a direct descendant, isn't wearing any, etc etc. Lots of other posts have been made about the million tiny red flags that litter the game, but I think that if we take the game at face value, they barely matter. I would love them to have been placed with intent (and they maybe were as a desperate attempt by an employee trying to inject grayness back in the equation and if that's the case I SEE YOU random gamedev and I love you and you did the best you could <3), but to me that's more a case of wishful fan thinking (including mine tbh) that any concrete argument that the story is secretely about Rauru being imperialist and this costing him everything. There are some hints of a more nuanced world (the Horned God, the Bargainers, that some NPCs are invested in monsters are creatures worthy of study and awe --tho almost all of them ridiculed in some form), but these demand that you go out of your way to collect them and make the connection yourself. Can this even qualify as subtext? As in: the story under the story? As much as I wish this was the case, I don't think so. We can't make the case that it's a simple story for children that isn't trying to say anything grand while also demanding people to make insane mental gymnastics on their own, without any help on the game's part, for it not to be a blatant endorsement of imperialist thinking.

(especially not the kind of game that repeats 3 different times back to back that Sidon didn't talk to Yona because he was afraid to lose her like he lost Mipha --honestly what's up with this writing I don't get it, BotW didn't act like its players' brain was this unplugged, ANYWAY)

The story is about Ganondorf being duplicitous and monstrous and destroying the beautiful kingdom of the past, and us preserving our modern day kingdom from its corrupting influence by recruiting allies and friends in that fight. We are given a plethora of situations that paint him as inhumanely cruel and chaotic, and none that breath even the suggestion of a critique towards our heroes. He's evil: we must stop him.

Now comes the second conversation, and one I think is more important: is this entire storyline built off imperialist tropes that were created to oppress and exploit marginalized populations in real life while justifying the violence inflincted upon them?

In my opinion, yes. Undeniably so.

I am not so much invested in Rauru being racist towards Ganondorf; I am invested in the real life Nintendo videogame being racist towards the idea that Ganondorf represents: the scary foreigner that will lead to the fall of civilization if we let him in.

(and perhaps this was Rauru's hubris all along: to believe he could let a scary (male) foreigner in and then trust him to remain docile.... a little too much. And then he reaped what he sowed.

checkmate liberal.

This makes an uncomfortable amount of sense and I kinda hate having made the connection tbh)

This is especially true when it's the second time around that this exact storyline is represented, and I believe it to be much more insidious this time around --because now, gerudos are our friendssss and feel great shame and personal responsibility towards that aspect of them that once rebelled. Meanwhile in OoT, a majority of them were onboard with Ganondorf as their leader and explicitely did not want to be assimilated in the kindgom (Nabooru being specifically painted as one of the exceptions). I go more in depth about all of this in this pre-TotK post about gerudo culture. We had plenty of conversations about orientalism and islamophobic representation in videogames since; it was A Thing at the time, the turn of the century was particularly egregious in that regard. But It's not 1998 anymore, and I personally believe it's pretty inexcusable to rethread that same ground beat by beat without batting an eye at any of its implications (especially since they have done better since; even Twilight Princess, who gave him very little grace overall, dared to criticize hylians through Midna, Zelda and even Zant --and Wind Waker towed the line rather beautifully between the part of him that was human and the part that was monstrous, and the tragedy of these two cancelling each other out constantly). I was expecting much, much better than what we got --I didn't even dare to imagine they would just double-down on that aspect and make a worse version of Ocarina of Time to reintroduce the character.

This is also partially why I'm so uncomfortable with the green skin situation: can you imagine how this scene would have felt like, with the single brown-skinned guy having a central role in the game kneeling in front of a white old man with a droopy mustache (which was Rauru's first iteration in the series, and the one I always keep in mind when having these conversations) and his blonde wife, and Zelda being "hmmm he's evil for sure"? And then he 100% is, with no justification or reason beyond an urge to consume the entire world --even this, which is not uninteresting, remaining completely unexplored in a 150+ hour open-world game that decided to focus on everything under the sun EXCEPT Ganondorf's motivations and his relationship to his own people? Can you imagine how obvious of a racist caricature Ganondorf would have been just by keeping his skin a normal brown (not to pretend he's not already super coded as Foreign in every possible way)? The man is intimidating, uncomfortable to be around, he's greedy and power-hungry, he's insane, he comes for our lands and our women and oppresses his own and also corrupts everything through either infiltration or literal disease. Also he's uhhh the Devil, for good measure.

As much as we can rationalize and embrace these parts of who he is as fans, there's no ignoring how icky this entire situation really is.

So, to tie everything together.

There are three readings of this game competing in my head.

The first one is: the textual interpretation. Rauru is self-sacrificial and a victim, Zelda is deeply brave and an icon of the empire's longevity and deep-rooted history, Ganondorf is utterly inhuman and must be destroyed at all costs. What the game says it is --and what it is.

The second one is: the critical interpretation. That this story sounds awfully convenient for the prosperity of the Empire (here the empire being Hyrule), paints Zelda, the current leader, in a weird fanficky way by literally sending her back to the past with her super cool ancestors and allowing a military victory in the present while also being a martyr to the cause and being much more of a symbol than a person, and nobody even bats a fucking eye in the direction that Hyrule might have been questionable in any way --everyone is so happy to be a vassal, see? Let's not unpack why the king of the zoras prefered hiding himself than facing the consequences of what would happen if Zelda really did attack him out of the blue (this plot point is insane, but its potential is too good so therefore it's illegal and immediately dropped). Let's not unpack the absolute insane amount of abuse false Zelda gets away with by virtue of acting as the princess of a sacred bloodline (but she's nice, right? because that's how you want to make a sure a ruler won't hurt you: praying they will be nice). There are enough red flags to doubt this world, its reality, the complexity of these people's inner lives. The rejection of the notion that any sort of flaw or problem could exist within the system makes it borderline dystopian in my opinion (especially when compared with BotW's Hyrule, which had problems who led to its own downfall and were the fault of nobody but their own actions as Ganon is portrayed more as a natural event than an actual, malicious person), and this is the first reason why I don't like Rauru: the entire world revolves around this goat-kangaroo-furry man's chiseled navel. Everyone is, quite literally, a faceless tool in the glorious and tragic story of his lost empire (or they're women here to become sacrificial objects serving the fights of men; or they're Ganondorf, who's a non-person and an antagonistic object lacking any interiority or humanity, and the narrative being completely uninterested in that), and only his bloodline and his vision for the future really matters. Not that Rauru thinks like this --but the game does. And so, it's hard for me not to see him as either the most narcissistic person ever if we accept him as the narrator of this story, or a flat propaganda machine built for an even greater cause (Hyrule, the Empire).

And then, the third one: that Nintendo would put out a game that is so deeply embedded in imperialist and orientalist language and tropes, so invested in its traditional and patriarchal values, so uncurious about the Other and so critical of it while refusing to look inward, is not neutral (yes even if the game is super fun and has other great qualities, I do believe this game is a monumental achievement in game/level design and in optimization/tech art while also being a trainwreck in quest and narrative design). This rethoric is not neutral, especially when addressed at the West at large --especially right now, with such a global uptick in traditionalist values overall, and Japan not exactly being spared. I won't pretend to be knowledgeable enough about Japanese history and culture to pick up all the little nuances of what is going on here, but I know enough to recognize that such stories do play out a certain understanding of this country's history, its fears and its difficulties to reconcile with its own (very recent) past as a colonialist empire --both the terrors it unleashed on others and the terrors that were unleashed upon it as it was dismantled. Instead of exploring that subject, every potential for nuance and conversation and self-criticism is slammed shut immediately, often at the cost of their own characters and the depth of their quest design/writing. The unearthed past agrees with its current understanding of itself; there is nothing discovered that leads to being questioned and reconsidered. Everything wrong is the fault of a single, corrupting entity that can be identified as Foreign and Other. There is a literal Heaven (zonai and civilized, Rauru's) and Hell (monstrous and corroding, Ganon's). None of this is neutral. Especially when infused in a game targeted for a young audience lacking context.

So I hope this very verbose answer helped a little to parse out what is being criticized at which level! Thank you for giving your thoughts, and I hope mine were clarifying to a degree.

I understand it can get a little confusing; but a lot of the urge not to take this scene at face value is born from the knowledge that nothing is ever that simple in real life, that these sort of self-serving narratives often hide horrific amounts of systemic harm underneath its perfectly curated presentation, and that, well. Some Zelda fans, especially the older generations that were invested in these characters and their re-imagining, expected Nintendo to be less..... like this.

And the wake-up call stings a little more than we would have liked.

(again obligatory disclaimer that I'm not saying TotK is Bad or should be Cancelled or that you're Bad for liking it --but it's still important to explicitly talk about how themes like these are being utterly glossed over when I don't think they would have been if they'd come out of a new IP, and not with the huge nostalgia cloud that envelops The Legend of Zelda and has people being extremely uncomfortable at criticizing the ideas the series can sometimes champion --though the series never veered in that direction nearly as hard before in my opinion)

[whatitshouldvebeen]

GUN has really shot themselves in the foot with TCM recently. I'm going to rant beneath the cut, feel free to let me know your thoughts too.

I main family (Johnny, Cook, Nubbins, or Leatherface if our team needs it) with my husband and we absolutely hate going against 4 man squads. They bully the shit out of the family and then act like they won the Olympics as they t-bag at the exits until we come to watch their asses grind the dirt.

If they get the valve on, someone has to camp it the rest of the game. Often, two people have to guard it in case two victims team up to chain backstab the poor guy.

Now that they've hidden groups and levels, I feel really ambivalent about playing family anymore. I used to enjoy playing with lower level victims and giving them a fun game, letting them get away, and generally ensuring they aren't turned off from the game. Or playing against non-teamed high levels for a fun challenge. Now I have to treat every game like I'm going against the aforementioned t-bagging Olympic athlete Navy seal 4-man team and it isn't fun for me to try hard every goddamn game. But if I don't, and they do turn out to be a 4 man squad of level 80+, then I've fucked myself going easy on them. And you can be assured they will act high and mighty about beating me.

But it isn't even just four man squads. Let's face it—Texas Chainsaw maps are puzzles and most victims have them figured out. Now the entire game is patrolling doors and if you somehow miss them on your patrol they're out and you're fucked. You can't re-lock doors. You can't guard almost opened doors like you can generators in Dead by Daylight until they regress. And dont even think about going into the basement as anyone other than Sissy and Nubbins because they'll disappear into any one of the cracks never to be seen again and while you're fruitlessly chasing them, Connie has blown a lock and escaped.

And now they're nerfing Cook's ear stacking even though while he's stacking it he's literally standing still AND you can counter it by 1. Stopping running or 2. Clear all stacks by going into a freezer/dresser.

It takes minimum TWENTY MINUTES to find a match now, even if one of us plays Leatherface. And even though there's 1 family player per 50 victim players, the victims still treat us like they're hot shit and we're piñatas there to be beaten up for their entertainment. And that's not even to say we're bad, we're actually quite good at family. But when we do win, victims have some shit to say.

Not all victims are shitheads but so many of them are and I'm sure you non-shithead victim players have had to listen to your teammates rant at the family in the end game lobby.

And GUN is not making anything better. They could, idk, make it so only ONE fuse and ONE valve spawn on the map so at least the victims have to look a little bit longer. They could give the family a fucking mini map so we have knowledge of our own property. They could give us shirtless Johnny all-fucking-ready.

But no, we must instead suffer not knowing what sort of victims we're going against and completely annihilating newer players just in case they do turn out to be those four man 99 squads we so dread. As 2 players with a random, we just can't coordinate well enough to properly face off against a 4 man. They should make lobbies for full squads to go against full squads so solo q and duos dont have to be shit on, on either side.

Idk man. I love Texas Chainsaw. I have almost 300 hours in it. And I still have a MASSIVE crush on Johnny Slaughter. But... I think I'm going to quit. I'll come back and play for a week when new maps come out so we can all enjoy the freshness of no one knowing what's going on, but the moment that map is solved, I'm not gonna deal with it. Playing family is hell, most of the time I feel like the victim.