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emblemxeno · 12 days

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If we're being honest, I got a lot of issues with Ingrid because I feel like she has the wrong character development

Her support with Dedue is realizing that she shouldn't apply her negative view of Duscur onto every Duscurian indiscriminately

That kind of thing works for Oboro because Nohrians really did kill her parents

But, Duscurians didn't actually cause the death of Lambert or Glenn, so her development should've been to learn that all those years of hatred were misdirected, and she hated them for no reason

It also didn't help that Dimitri states multiple times that Duscur didn't commit the crime, and Ingrid is still ignorant about it

I have this unhinged hatred of the Faerghus Four as a concept because every time, it's like they're consciously refusing to acknowledge the importance of Dedue in Dimitri's life in the present "Oh, these are Dimitri's childhood friends. Of course, they're close." Yeah, sure.... They're totally closer to Dimitri than Dedue is in the present.... *Internal screaming*

Combining these because my answer to both is similar!

In my opinion, it showcases how 3H's writing philosophy is ultimately shoddy in its foundation. The backstories, supports, and character-to-character dialogue itself is great in theory, but execution it clashed with what both FE usually tries to do and what 3H desperately wants to do.

FE typically has characters join chapter to chapter, with important ones having plot moments, while side characters fall to the background once their designated chapter is up. But this isn't at the cost of character interaction, pre-established relationships, and the micro-to-macro worldbuilding precisely because they're not overly important. You can have canon romances, friendships, familial relationships, etc. because that's all supplemental side material.

3H was written in a way in which the characters were all connected to its grandiose world, to the point where Fodlan itself can be almost considered a character. Multilayered backstories that infer key points in the narrative, each character no matter how trivial having opinions on how the world works, shifting dynamics, etc.

The problem though is that these two philosophies clash already at base, but also run into the problem of FE's gameplay integrated story elements.

None of the Faerghus Four can meaningfully comment on their relationship with Dimitri during a story cutscene because they can die. Ingrid can't meaningfully change her perspective on Dedue or Duscur beyond her supports because she can die. Therefore, all you get are (admittedly pretty good) supports, the monastery dialogue, and other tidbits intentionally disconnected from one another so as not to be important enough to write around potential death. The comments they do get in cutscenes were intentionally written in a way to be surface level and easily replaced. Look at the FEdatamine site for example, where conclusions are reached by Byleth, the lord, the unkillable retainer, and other important story figures, with numerous possible instances of "if X character is alive they comment this, but if X character is dead this line is skipped."

That is proof of how sloppy 3H's writing is in foundation when you think about it long enough. The game that has such an intricate world, thorough details, and fascinating story beats, is actually extremely bad at delivering a story, especially an FE story. Being the judgmental and petty cunt that I am, 3H gets a pass most of the time a) most don't care or bother to care about actual stuff like this and b) the game has the aesthetics of being a down to earth, gritty, serious narrative. The foundational issues don't matter when you have Edelgard yapping about "THE CREST SYSTEM", dark character circumstances, and intriguing mysteries to solve in part 1.

People want the appearance of sophistication, especially after Awakening and Fates bent a lot of rules to fuck around with their respective stories. It's why Engage, despite not having nearly as many basic issues at conveying its plot and is actually extremely good at being a Fire Emblem story (e.g. more character being able to actually die, pre-established relationships, chapter to chapter joining, not nearly as much centering on Alear as the ultimate decider on a character's fate compared to Byleth), is panned because... why? Its bright aesthetic? Its good dragon vs evil dragon plot? Its softer or humorous moments?

Hell, even its call backs to past FE games is called cheap, soulless, or a gateway to gacha (one video I saw even described it as something like "when art becomes obligation" or some such nonsense), despite it LITERALLY being the prime anniversary title. The main character is the Fire Emblem, and the writers-through Lumera-wish a happy birthday to Fire Emblem!!! What about that is lacking heart and soul?

But yeah, again, I preface that I'm a judgmental asshole who proudly proclaims that the audience (at least the western one) has for years been too obsessed with yearning for darker serious aesthetics of FE's past (despite said past being wackier than they remember), that when a new game has them in overflowing spades, the many fundamental video game writing issues do not matter as much anymore.

Aesop for the day: Serious tones and aesthetics are not automatically better than lighter, heartfelt, or funny ones. You still have to write well for a story to be good.

EDIT: Funny enough this is also why Three Hopes is a more comfy environment for the Fodlan cast's in terms of tangible development, because the things the writers want to do with that game's story complements its gameplay. Because KT is better at making Warriors plots than FE plots.

#fire emblem discourse #fire emblem engage #fire emblem engage spoilers #I've heard some say that perma death should be ended to include more canonical story growth #but not only is that removing a big staple of FEs gameplay and story integration #it's much easier to just write a damn story that continues to compliment that aspect of the series instead of one that #twists itself in knots trying to write around it #it was a BIG relief that the only characters avoiding death in Engage were Alear Veyle Vander and the elder royals #because that means it's less weight on the writers accomodating for 20+ instances of characters possibly needing to survive

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sciderman · 4 months

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im so happy for you that you have a possible reason/cause for your brain itch!!!! i hope the tumor removal goes superduper smoothly. Do they know how long its been present/growing???????? how did you find out??? <- you obviously do not have to answer these personal medical questions lmao im just!!!! so curious and excited for you.

from what i've discussed with the docs it's been there for a LONG time... they say this sort of thing might take up to a decade to develop - it doesn't happen overnight!

i think i started noticing symptoms about maybe... 7 years ago? literally as soon as i started working full-time, maybe. my first job stressed me out so much and i cried underneath the tables at 8pm because i couldn't leave the office, i still had so much to do. i was leading up an entire ass animation department at 20 years old. bad. awful. that's when i started depending on things to get me through the day. my body started feeling awful. i thought it was anxiety, or me just being weak, i guess. i don't know if stress created the tumor, or the tumor created the stress - (well, it's the latter now) i think it's probably both, but all the research i've done and what the doctors have said is that there's just - some people with a genetic predisposition for it.

it's funny - i never miss a deadline, and i'm really really good at my job, always. i never let anyone down, ever, at the cost of my own sanity, and i seem to always, always have it put-together when i'm dealing with people - i have the constant consensus from everybody around me that i'm the most cheerful person to work with on this here planet earth - but apparently, my body was falling apart underneath it all - which i failed to recognise, because outwardly i was holding it together so well, and figured it was just normal to cry all the time when nobody was looking.

i started really noticing it after taking on a lot of freelance work on top of my day job – i was really doing very hot, and did these amazing projects for some really amazing clients who sought me out for being amazing (i am amazing) - but naturally, had consecutive nights of no sleep, and quick deadlines - and INVOICING... screams. and just, realised - after taking those jobs that - my heart did not stop pumping afterwards. my heart was still racing a mile a minute, even after all those jobs were done and dusted and ever-so-loved and appreciated by very happy clients. my heart. wouldn't. stop.

i figured it was MAJOR anxiety, and sought out some counselling sessions, hoping they'd help. i relayed my woes. i said i'm worried i'm not resting enough. i'm not sleeping enough. my heart rate won't go down. they said "oh. not everybody needs 8 hours sleep, don't worry about it. everyone's different." - for some reason that reassured me. i thought it was okay. okay. i don't need rest. maybe my body's just different and doesn't need rest. maybe that's why i wake up at 6am every morning without fail. i just don't need sleep, i guess. (bad advice.)

so – everyone is telling me i'm okay. i should just get on. you're barely sleeping? that's fine, you probably don't need it. your heart is pumping? that's healthy. your heart SHOULD pump, idiot. get back to work.

i felt very unhappy at work - i felt like i was stagnating - so i moved job, last year. i moved job to one that was so, so much more fast-paced. i thought the excitement and change would do me good - but i've been facing maybe - 3 deadlines a day? vs my previous one-deadline-a-month arrangement. and i think it broke me. i needed to depend on so many unhealthy habits to get me through the day. i needed like 6 energy drinks, 3 coffees, i'd have the shakes, i'd have the jitters, i'd feel like i was going to fall apart every single day.

and then, one day, i did.

one week last year i doubled over - my body was in so much pain that i couldn't sleep, i couldn't eat, and worst off - i couldn't work. it was the first time i'd taken sick leave - i couldn't function. after being on antibiotics that didn't work, i eventually went into the emergency room because i just couldn't sleep. i couldn't do anything. i didn't care if they put me down, i wanted the pain to end.

she was a kidney stone. her name was sharon (sharon stone) - i suspect it was all the energy drinks that made her. i've dealt with her now. but during the process, the doc pulled me aside, and he said "dear. do you have any pain in your other kidney?"

i said... no............... why?

doc said "ah. problem for another time."

so, once sharon was dealt with, obviously i had to chase up on that doctor's ominous warning. i said "WHAT'S WRONG WITH MY OTHER KIDNEY!!"

you have a tumor, dear. his name is lamar. he's on your right adrenal gland, and we suspect he's messing up all your hormones.

i did my own research, and turns out all these crazy, mysterious symptoms i've been having all line up - so i chased, and chased, and chased.

the doctors didn't take me seriously at first. because i guess i'm not in pain, and i handle it so well. i'm still so strong. i'm a fighter, i guess. whatever. but, turns out...

it's worth it to chase. your life might depend on it. i'm so glad i did, because there's an end to my suffering (dear god, i hope) - but, guys, if your heart won't slow, and you chronically can't relax, and you feel like there are bees in your brain - that's the time to do some research. it isn't normal, actually. and sure - it might not be a tumor, but - kid, you need some support. you need some help. you need to ask some questions. it's not okay for that to be your baseline. your body needs to rest. it needs to rest. even if i have to force it to. it has to rest.

right now i'm in a major stressed way, and i broke down and cried. i'm in the middle of a freelance job, and in the middle of an interviewing process for a new full-time job, and still working my current full-time job with 3 deadlines a day, and my surgery is next week. and i feel like crying. all the time.

i can't wait for rest. i hate that i literally have to be hospitalised to get it. but, i'll get it. i'm going to rest so fucking hard.

#sci speaks #sighss.... sighshss.#im going to cry some more now i think. it's a stress relief thing.#i say “i don't have anything to stress about” but fact is. i Do actually always have something to stress about. under capitalism.#it's no wonder i have a stress tumor. it's no wonder. in this economy??#and i know i have it so much better than other people do. so how do other people survive???????????????

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angeart · 4 months

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hhau rescue rambles - part II

>> part I here // hhau masterpost here <<

The hermits are here to take Scar home but Grian is gone and Scar can’t leave without him, even if the others would promise to look for him. (They won’t find him, they won’t, they won’t. Scar knows how vast these forests are. He knows how many hiding spots there are tucked away if one knows where to look.) (They don’t know where to look.)

They’re not listening to him. He’s half-feral and panicked and desperate, barely making any sense. He keeps saying he needs to find Grian, but he looks half-crazed, clothes stained by a huge amount of blood and—

If it looks, a little bit, like he’s just in frenzied denial of some grief? That maybe something happened and Grian isn’t here anymore? The world is permadeath, after all. The rescue party isn’t sure what to think.

Of course they promise to look for Grian. Of course they’ll try. But first, let’s get you somewhere safe, Scar.

Scar panics and backs away and says he isn’t going anywhere until they find Grian. He’s so so afraid they’ll take him away and he’ll never find him. (He keeps imagining that wretched scream he heard that very first day he found Grian, a year ago. How close of a call that was.) (He thinks of finding him after the mimic incident, barely surviving. Wounded and bloodied and ready to collapse.) (He thinks of Grian sobbing as he begs Scar to never leave him again.)

He can’t leave him behind. He can’t.

He won’t.

He’s done everything he can up to this point and if this is his last fight? Then damn it, he’s going to go out swinging. He is going to find Grian. Even if he has to fight his saviours. (They’re enemies if they’re trying to separate him and Grian—)

He growls and lashes out and his vex magic comes through. The hermits are stunned and a little bit afraid and a whole lot confused. They’ve never seen him like this, hair white and claws ready to tear. (Cub, especially, is terrified of this development. Knowing that if Scar pushes himself too far in his vex form, he could die.)

They try to placate him, calm him down, reassure him. They try to get the damn teleportation bracelet on him. They keep telling him they can take him home, it’s okay, Scar, it’s okay.

It’s not okay.

He isn’t leaving without Grian, and he isn’t trusting anyone else with this.

So he runs.

He runs from his friends—from people he loves with all his heart; people he thought he’ll never see again. Runs from the promise of home and safety and this hell being finally over.

He runs, because he can’t take the salvation if he can’t share it with Grian.

Everything’s a bit of a blur as he rushes through the forest, looking for something to tell him where Grian is. He’s fully in his vex form, senses sharp and heart panicked, calling out, desperate for Grian to reply.

There’s no answer.

Scar sees it, then: a handful of ripped-out feathers and blood.

His heart jumps into his throat, but he laser-focuses and starts following the trail. The world feels askew around him, his steps urgent, his breaths hovering near growls that want to threaten the whole forest if anything dares to hurt Grian more. (He hopes Grian’s still out there.) (He has to be. He has to be—) (Why is he not replying to Scar’s calls, then?)

Scar’s aware that if he can follow the trail of blood, so can others. He needs to be better than them. Faster. (He needs to be a better hunter than them.) He knows that if he’s following the trail now, maybe someone already followed it. (He tries not to let that thought in. That he might be too late.)

He’s trailed by the hermit rescue party. They scramble in his wake, trying not to lose him. They lag behind, losing sight of him, but Cub staggers to follow his vex bond with Scar, like a tether, trying to hold down the swell of warning anxiety at the fact that Scar is in his vex form. Scar looks feral, he lashed out and ran from them, clothes stained by blood and hair white—

Them following just makes Scar feel hunted. His instincts go haywire and put him more on edge.

He keeps going.

He keeps calling out, too. Uncaring that he’s attracting every hunter in the vicinity. He can take them. He will happily attract them to himself if that means they won’t go after Grian instead. (The fact that he’s searching for Grian gets a bit tangled up in him. The fact that if he succeeds, he’ll just be bringing the hunters to Grian fails to quite register. He’s not thinking very straight.)

Hermits hear those wails, echoing through the forest. He sounds like a wandering spirit.

Inhuman.

Lost.

Grian is hurt. Hand pressed against the spot on his side that bleeds, he sits curled up, pressing himself into some bushes for a moment of reprieve—just a moment, just a little bit, please, please.

He hears Scar’s calls from far away. He hears them, and his heart tears itself to pieces.

He is terrified and hurting, and it feels dangerously close to a despair-filled memory.

He tries to shield himself from it. There’s a reason he ran. There’s a reason why Scar should stay away from him. He can’t— He shouldn’t— He—

Scar draws closer. Grian can hear his sobbing and heaving. His pleading, so heartrendingly desperate. “Grian please. Grian answer me.”

Grian finds himself cautiously standing up, every muscle taut. His heart is rabbity fast, fear clogging his throat.

He doesn’t mean to answer. He really, really doesn’t mean to. (He needs to keep Scar away.) Yet a distressed chirp slips through anyway, like a terrified call, begging for Scar.

The sound of it pitches something in Scar. His sobbing changes to panic and dwindling hopefulness. “Grian…?”

There’s a tinier chirp then. Scared. Still involuntary.

Grian is so so afraid and he should know better, but a part of him is desperate for Scar.

The moment he sees Scar, though, the futility rips through him. No. He isn’t meant to— Scar shouldn’t be near him. Because Grian’s been gone so shortly and yet the hunters have already found him. He’s already gotten hurt. He is a beacon.

He can’t stay near Scar. It’ll get Scar hurt.

It’ll get Scar killed.

(Everything good that stays near Grian dies—)

He needs to get away from him.

He backs away. Tells Scar, in a wobbly voice, not to approach.

Scar doesn’t care. He needs to get to Grian. He needs to get to him, they can go home, this can all be over.

Running on some faulty reasoning, Grian tries to get away. It’s useless, he is in no state to outrun Scar—he can’t bring himself to fly and he’s bleeding, dizzy on panic—but he feels like he needs to try, anyway.

His feet feel heavy beneath him, the world unsteady. Scar is behind him and Grian’s heart begs him to stop, turn around, and burrow into his arms. (He can’t he can’t he can’t—)

It takes only a couple of steps for Grian to trip over some roots, the world as cruel to him as ever, sending him plummeting harshly down in a rough tumble of leaves and limbs and feathers. A pained, fearful yelp gets punched out of him on impact.

Scar’s next to him in an instant, kneeling down and gathering him in his arms. Crying as he buries Grian in a hug, terrified he might try to run again. Frantically telling him, “Grian, it’s over, it’s over, we can go home— Please—”

Grian’s sobbing against him, held in place, unable to understand what Scar is saying. He just wants Scar to get away from him and stay safe. (Grian can’t be safe. He’s been doomed from the start. He’s been doomed this whole time.) (He’ll end up like that bird. Dead, with wings ripped off—)

The words “it’s over” mean nothing to him. All he manages to choke out is, “There is no— There’s no home anymore.” They’ve had their safety ripped away from them over and over again. They’ve been showed that they can’t have a home anymore; this world will not allow it. Nowhere is safe. Nowhere is safe, as long as Grian’s wings are bright violet and attached to his spine.

Scar insists, a series of reassurances, words tripping over each other as he tries to keep his hold on his voice. He says they’ll be okay. He says they don’t have to run anymore. Please, Grian, we can go home.

But it’s not a concept that exists anymore for Grian; it refuses to register in his mind, words sliding right off him, incoherent.

What he knows is this: he failed to protect Scar, and they don’t have a home to go back to, and Grian is sure the hunters are about to show up, any second. He’s so tired and terrified, and he needs Scar to be shielded from this fate. He needs him to be safe.

Scar isn’t letting go of him. His grip is firm as he continues to plead with Grian. He doesn’t want to be rough, he’s never been forceful with Grian, but he can’t let go now. Even as Grian paws at him and tries to push him away.

Grian’s crying so hard; his efforts to get free are all frantic and urgent, yet half-hearted. (He wants to give in and bury himself in the protectiveness of Scar’s arms.) (He wants all of Scar’s promises to be true.)

And yet something tips askew.

Because Scar’s never been forceful with Grian.

He was always so gentle. He’d never grab him like this, with so much force. So much insistence.

Grian is hit with a dizzying, nauseating thought. Is this a trap? Is this a mimic?

Grian starts chirping. More of those distressed, scared noises as he can't get free of Scar's grip.

It’s the first time ever that Scar won’t heed Grian’s requests to be let go. Not even if Grian says it hurts. He won’t let go he won’t he won’t. He’ll drag him home if he has to.

Grian’s scared and confused, all his thoughts are jumbled, running on rampant trauma responses and unadulterated panic. He can’t deal with any of this. He keeps trying to wrangle free and push Scar away (is it even Scar???), begging him to let go, but it’s so horribly weak. It’s almost nothing. He just chokes on sobs and hyperventilates. (He feels caught.) (He feels like Scar will get killed because of him.) (He doesn’t know what’s happening.)

It’s awful. It’s wrong. It’s— It’s not what it’s meant to be.

This should be easy. This should be the best day ever! They can go home!

Instead, it’s like a panicked final showdown and Scar feels like it’s him against everyone. The hermits weren’t listening to him (Grian needs him, he needs him, he needs him), and now Grian isn’t listening to him either. (He can’t comprehend what Scar’s saying at all, and isn’t that so heartbreaking?) (Scar is desperate to get through to him. To calm him down enough so that this could be anything more than Scar forcefully holding him as Grian chokes on panic.) (The kind of panic he should never feel in Scar’s arms—)

Voice breaking, Scar pleads, over and over again. Please, Grian. Please. It’s okay. It’s okay, we can go home, we’ll be alright. It’s me. It’s me, I got you, we’re gonna be safe.

It’s the kiss he presses to Grian’s hair that tips the scales a little, just enough for Grian’s chirps to mute, his sobbing drifting off into softer cries. He goes limp under the affection, still terrified, still trembling and choking on air, but now he’s pressing himself against Scar instead of trying to get free.

“G, do you understand what I’m saying?” Scar begs in a wavering voice, unbecoming of his feral appearance. He holds onto the magic prickling along his skin, alert for any sort of danger, anything that so much as tries to approach and hurt Grian. His hands are still clawed. His hair is still white. His veins are still stuffed with unending desperation.

Nothing is over yet.

It should be. It should be, but it isn’t.

Not yet, not yet.

The hunters find them before the hermits do.

-- part III here

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cream-and-tea · 2 months

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[ID in alt]

our paige.

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incorrect-ikevamp-quotes · 11 months

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Oh we are so BACK

When I tell you I saw this and died. HELLO?????

I keep hiding my face lahshjsdhjgfsaf HE HAS NO RIGHT. NO RIGHT AT ALL BEING THAT SEXILY INTENSE AAAAAAAAAAA

Anyway, I should probably try to make some attempt at describing the event since. If I don't I'll just be barking/crying/hiding my face for the next twelve hours.

Basically--and I'm not sure this is going to be across the board, but it held true for Napoleon and Sebastian at least--each suitor has a birthday event this year instead of a separate story. Comte's won't be released until tomorrow, but they have posted a preview.

From what I gather, he talks a little bit about himself and reveals parts of his past that haven't come to light in the game yet. There wasn't really enough to convey a coherent narrative beyond attending a party, but the line displayed here does get across the larger theme:

Comte: (I don't need momentary pleasure or ephemeral affection any longer. Now that I know love, there's nothing but you.)

He talks about how the aristocracy have thrown parties and extravagant celebrations for his birthday for most of his life. But none of it has ever really made him happy, largely because he knows that they are attempts to strengthen and broadcast power relations within high society. While I don't think he means it's entirely devoid of well wishes, I do think he sees it as a nexus of influence--and thus, by nature, impersonal. And honestly, I don't think he's wrong about that; the higher the echelon in social standing, the more it requires performance to maintain the position.

That being said, there is a fascinating flashback where he remembers a pureblood telling him about how falling in love with a human is an experience of another caliber entirely. My understanding is that Comte was still a fairly young vampire at the time, so he didn't really understand what the person was getting at. It seems like the other pureblood was trying to convey the difference in feeling, perhaps the fact that humans are more grounded in accordance with how they live--the reality and necessity of change.

After reading this--and the recent 5th bday story--I can absolutely see how change is something Comte has a complicated relationship with. He's known a certain way of life for so long, has constructed a sensibility of distant, rational maturity. After all the heartbreak of his youth, and two very acute traumatic events in his life, I can see why he'd be so afraid of broaching any kind of proximity with another person. Because on some level it's so much easier not to put your feelings on the line, to never have to fear devastating loss. And that's to say nothing of the worry of being unable to measure up on behalf of another person, of letting them down.

I'm so excited to see the rest of the contents, but something about the preview made me equal parts giddy and enamored (all I do is kick my feet with excitement LOL). I think what gets to me with Comte is that he truly does love companionship as a place to rest, a place where he can be honest about himself and his feelings without fear of ridicule (and the same goes for MC). In a world increasingly obsessed with surface level performances of power, status, and emotion, it's hard not to feel his exhaustion to the core.

Also, because these lines at the end more or less destroyed me in the best possible way:

MC: ...The you who had nowhere to belong no longer exists. In much the same way...Abel, I belong to you. Comte: ... Comte: I wish I could say to myself all those years ago, the me who kept indulging in such paltry things. Comte: Until you meet MC, you will never know love... The warmth of MC in my arms filled me with such joy I was near tears. (I don't need momentary pleasure or ephemeral affection any longer. Now that I know love, there's nothing but you.) The moment my lips found hers, the sweetness lit a fire deep in my body. Comte: These cute lips that melt against mine, the heat of your skin, the love that envelops me in your embrace--always leaves me so deeply in love with you.

#ikevamp #ikemen vampire #ikevamp comte #ikevamp saint germain #ikevamp spoilers #LETS GO ABEL UNPACKING ALL THOSE COPING MECHANISMS #**pats the couch next to me** CONFIDE IN ME #but in all seriousness i really do love how raw his relief and happiness feels #to have spent all of those years trying to subsist on emotional crumbs and numbing himself #and mc is so real for just gathering him in her arms and holding him tight QUEEN MOOD!!!!#i really really really love that general recurrence in his stories too #of how he always feels so isolated and out of place even when he's surrounded by people #yet all it takes is mc saying 'you belong to me--just as I belong to you. you're never truly alone :>'#to make him both overjoyed but also unhinged with so much love for her--to feel alive #also man........MAN.....#him looking back at who he used to be vs who he is now #im so caught between memeing like 'you know what that is? growth!'#but also lowkey weeping from the fact that he feels loved enough to look back and fully admit it wasn't quite happiness #that he was just surviving the only way he knew how--not really living #ABEL THE THINGS YOU DO TO ME #CMERE LOVER BOY #comte propaganda #fangdad propaganda #baguettosaurus #literally october was always my favorite month but its even better now that it just becomes a comte-loving festival for me #truly all the joys of monsterfking all tg

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