#and personally i think she has kind of become the co-protagonist in her own right

[princesssarisa]

Sometimes I'm still annoyed by Little Women analyses that take take demeaning, ableist views of Beth's character in the name of "feminism," like...

"Beth has to die because she's too fragile and self-effacing, lacks ambition, and represents an outdated, stifling model of femininity."

I wonder exactly why those readings seem more popular nowadays than, say...

"Beth shows that even a shy, unassuming, chronically ill person, who is never able to leave her parents' home or live a 'normal' adult life, and who eventually dies young without having 'achieved' anything, can still live a wonderful, precious life of enormous value to others."

...which I'd like to think is closer to Alcott's intent.

I wonder if it's because some people think they can't view Beth's life as precious and valuable without it leading to this:

"Therefore, Jo needs to give up her ambitions and become a gentle, self-effacing domestic angel like Beth was."

Personally? I don't think that's what the book aims for. It's what Jo temporarily thinks, yes: at first she does renounce her ambition and dedicate her life to caring for her family the way Beth did. But that's not the end of her story. If the ultimate goal of Jo's character arc were to teach her to be like Beth, then she would stay in Beth's place as a saintly housekeeper for her parents; Alcott writes that if Jo "had been the heroine of a moral storybook," then that's just what she would do. But she doesn't. Instead she starts writing again, finally finds success as an author, and later opens her school with Friedrich. Beth's kindness and unselfishness will always be an example for her, but she's still allowed to be her own active, achieving self.

Yet that fact doesn't mean we should belittle Beth either. Her way of life was just right for her, just like Jo's is just right for Jo.

Maybe this dilemma would be solved if critics would view all four of the March sisters as co-protagonists for a change, rather than just viewing Jo as the protagonist and treating the other three as if they only exist to serve Jo's character development.

[siryouarebeingmocked]

Carter and Lovecraft, by Jonathan L. Howard (2015)

I really wanted to like this book.

I've read a few Lovecraft novels and stories, and I liked them. So when I saw this on my friend's bookshelf, I borrowed it, and read it.

Tried to.

The first real fly in the ointment? NYPD protag sees his partner take a 9mm retirement in front of him on a creepy case, and becomes a private detective. Mysterious lawyer shows up at his office one day and says there was a bookstore owner in Providence, Rhode Island, who has been missing and just declared dead.

The protag gets the bookshop. He's not sure why.

Protag goes to the bookshop. Owner's niece, Emily, is there. She's been running the shop alone since the owner vanished, and she co-ran it when he was alive. Also, she's biracial. Would be played by Zoe Kravitz in the movie, he thinks.

Her name is Lovecraft.

As in, she's a descendant of ol' Howard Philips.

She notes the irony; a black-ish "mulatto" descendant of an anti-black racist.

"Okay," I think, as I checked the publication date. "You've gotten that token bit out of the way. Now, can we move on?"

Apparently not.

As protag starts looking into the disappearance and other weird stuff, he decides he needs to get his eye in. So he goes to a gun range, where he needs to sign up for the NRA first

and ends the session by "re-engaging the safety" on his Glock.

Fun fact: stock Glocks don't have manual safeties, AFAIK.

In the next chapter, protag thinks about how he used the gun. He hates the NRA and the whole "gun fetish" thing, but he needs the iron, just in case.

Two strikes. Three if you count the safety thing.

Yes, I know an NYPD cop might be a bit bigoted about the issue, especially considering how his partner died. But it really feels like the writer's opinion.

In fact, let me just-

Yep. The writer is British. This sounds awfully familiar.

It was about this time that I realized something. The protagonist has no traits that aren't directly related to being a cop or detective. Absolutely none.

I don't think we know what he does in his off hours. No friends. Nothing but the job.

Heck, Miss Lovecraft has more personality than him, and she takes up a lot less screen time.

Protag decides to give Lovecraft half the business, so he can become a silent partner. People start dying in physically impossible ways - like the dude who drowned in his dry car in a parking lot - our hero looks into it.

He also ends up learning about a local family, the Waites. Rich, keep to themselves on their own land, been around since before the area was officially settled, apparently.

The local who tells him about all this says the younger ones are oddly attractive. The family has distinctive big eyes.

Anyone remotely familiar with HP Lovecraft just went "Oh, right, they're fishmen. Got it." I've seen this trope done better before, like in the comic Shadowgirls.

Hero looks into the archives, finds records of a racist Town Council rant by an early Waite, back when they were still into trading. Including slaves. Specifically, patriarch Newton Waite went to a council meeting and said black people should serve others, and shouldn't have self-determination.

The archivist intern says it's was "a different time", and that's just how people were back then.

Of course, he adds "People who talk like that now - no pass for them."

End scene.

Like this extremely mainstream, boring opinion is some kind of

In the next scene, protag chats about the fit he had near the Waite place. Learns about another mysterious death. When he chats about it with Emily, he suddenly realizes she's hot.

Then the narration tells us that he was a racist bigot in his teens, though he thought he was being sensible at the time. He now knows he was wrong, but he still feels sparks of it when he reads about some black kid doing some stereotypically black thing, which gives certain white people "a hard-on of righteousness".

And, of course, his time spent walking away from "instinctive racism" means his dating pool opened up. Like Emily Lovecraft, for example.

The most stereotypically black thing would probably be crime. Or being a single mom or deadbeat dad.

 Sadly, I know of plenty of black people - from my black majority home country - who fall into one of those categories. Or two. Three if you include "poverty", but we're Developing, so that barely even counts.

Also, this basically came out of nowhere. Not Emily being hot - I mean, look at Zoe Kravitz - but his unsolicited thoughts on racism.

All of these issues have also been issues for many concerned black people. For decades. The 'stereotypically black things' might be bad themselves, not because they make racist white people feel smug.

This is precisely where I closed the book for good. I would've put away the bookmarks, but I needed the page so I could write this rant.

Honestly, writing all this made me realize that I should've given up long before I made it halfway through the book. But I just kept hoping it would get better.

Doing the same well-worn cliches in a modern setting doesn't really make them interesting. Neither do the little 'racism is bad, mmmkay?' bits.

[chocolate-cream-soldier]

-

[metalandmagi]

Winter 2021 Anime Worth Watching!

Since 2020 basically sacrificed itself to give us the most stacked anime season of all time, I’m currently buried under the weight of almost 20 shows airing per week. So for anyone who’s looking for some anime to watch this winter, here’s some first impressions! I’m speed running my list this time by only talking about the new shows...because otherwise this would be my great American novel. 

If anyone’s interested, I have master lists for both 2020 anime and 2019 anime, because there’s no shortage of fun things to find. 

New Shows!

And before anyone asks, So I’m A Spider, So What? isn’t on here, because CG spiders freak me out.

Cells At Work Code Black: This...less comedic spin off of Cells At Work (made by a different studio) takes the wholesome concept of Osmosis Jones meets cute anime girls and turns it on its head. In this much more depressing version, we follow a rookie red blood cell who works in the body of an overly stressed, alcoholic smoker who puts every strain on the body imaginable. I love Red Blood Cell AA2153 and his co-workers, but man am I glad we get the regular Cells At Work airing this season too, because I need something fun and uplifting after seeing my sweet son go through hell every episode. 

*Heaven’s Design Team: Have you ever wondered how God came up with some of the weird ass animals that live on this planet? Like, what’s the deal with giraffes? And why can’t we have dragons and flying horses? Well this is a comedy about the engineers and designers in heaven creating the new animals that are going to inhabit the Earth. That’s it, that’s the show. It’s kind of in the same vein as Cells At Work, having comedy blend with a surprising amount of educational information. If you want something light and funny, this is the show for you (though I don’t think it needs to have full length episodes). I’m just hoping there’s an episode about how the hell the platypus was created. Also it’s the only new one available on Crunchyroll.

Horimiya: A romantic comedy about a girl named Hori who fits the image of a perfect queen bee and a quiet bespectacled boy named Miyamura who never makes an impression at school. When the two meet by chance outside of the classroom, we see that Hori is practically raising a younger brother by herself, and Miyamura is actually a sweet guy who happens to be covered in tattoos and piercings. This show is an exercise in breaking down the images people have of others in their minds, and it’s a concept that really hits home in a fun and meaningful way. Honestly, this has become one of my immediate favorites. The characters have great chemistry, and I can’t wait to see more of them!

Monster Incidents (Kemono Jihen): When big shot Tokyo detective Inugami is called to a rural town to investigate a series of strange animal deaths, he finds a mysterious boy with the nickname Dorotabo who has been shunned by the other children in town. As the detective gets closer to Dorotabo, he discovers that there may be more...inhuman secrets to the boy than he realizes...and Dorotabo discovers that Inugami has some secrets of his own. This is a hard show to sell without spoiling the first episode, but it had twists and turns that kept me engaged from start to finish. I’m really interested to see where the plot goes, because I thought this was going to be something totally different just from the PV and series summary. If it plays its cards right, this could be a great paranormal detective show!

Wonder Egg Priority: A psychological drama about a girl named Ai who starts having dreams about a mysterious egg that promises to give her what she wants most in the world...a true friend. Before long, she begins to see how the dream world and reality are tied together, and trippy antics ensue. It’s hard to say more without spoiling anything, but I had to go back and add this one in because I made the mistake of thinking it was an OVA when it’s actually a full series. And what a series it’s starting out to be. This anime has all the psychological discomfort of a Satoshi Kon product with the beauty and style of something from Kyoani (even though it’s made by Clover Works). It’s really one of those anime you just have to see to understand.

Sk8-∞ (Skate the infinity): An original skateboarding anime from Bones, featuring a typical sports anime protagonist who takes a new transfer student who has never skateboarded in his life under his wing. Together they compete in dangerous races and take the skating community by storm. The character designs rival Appare Ranman’s in outlandish creativity, and I can smell the main characters’ ship dynamic a mile away (considering they’re exactly the same as the protagonists from Robihachi). If you’re looking for some wild and crazy fun with top notch skateboarding animation, don’t skip this!

2.43: Seiin Koukou Danshi Volley-bu (Seiin High School Boys Volleyball Club): Yes, it’s another volleyball anime. And no, it’s not just a clone of Haikyu. This story follows Yuni Kuroba, a physically built but emotionally weak teenager who finds out his childhood friend Hajime is moving back to their hometown for high school. Yuni discovers Hajime has become an exceptional volleyball player and they join their school’s volleyball club hoping to turn the unknown team into a rising star. If anything, this anime is much more like Stars Align or Free, where the sport is a backdrop for letting the characters explore their personal problems. Or at least it seems that way after the first episode. I went into this show ready to throw it in the trash because how could anything compete against my beloved Haikyu, but I found myself really enjoying the dynamics of the main duo and I’m curious to see what the rest of the team is like.

And speaking of sports anime rip-offs…..I can’t believe I’m including this but…

Skate Leading Stars: The show where the animators clearly wanted to design another throw away idol anime but saw how popular Yuri On Ice was so they decided to make whatever the hell this show is instead. It revolves around a fictional team sport called skate leading, and we follow the world’s most insufferable main character, a former figure skater named Kensei who wants to return to the ice and join his school’s skate leading team after he finds out his childhood rival is going to compete in the sport. Look, this show is just trashy enough to get a certain type of audience hooked, and it mainly has to do with the best boy of the winter season, Hayato Sasugai, the aspiring team “coach” who pulled most of us into watching this show with his punk appearance, snide comments and smug personality. He’s basically the lovechild of Izaya Orihara and Shizuo Heiwajima in a high school sports anime setting. The show treats itself with the perfect amount of sincerity to get away with being absolutely ridiculous most of the time without making you feel like you’re watching it from a dumpster...like Try Knights. You will know after one episode whether this show is for you. All I can say is, Hayato is worth the watch, and I haven’t seen any 3D animation used for the skating scenes (yet) so that’s a win for me. 

Honorable mention:

Jobless Reincarnation ( Mushoku Tensei): Yet another isekai where the main character is hit by a car (big surprise) and gets reincarnated into a fantasy world...but he happens to remember his previous life and narrates himself growing up as a jaded adult. I’m only including this because it looked amazing animation wise, and I love the opening where getting hit by a car and dying is actually traumatic. And I love the protagonist’s parents (who are retired adventurers who just want to bang all the time). But honestly...the main character is the fucking worst, and I don’t know if I want to keep watching it because of how creepy and weird he is. Like...he’s the hit on your fantasy mom as a baby kind of creepy and weird. But for anyone who wants a cool looking isekai that had an amazing PV, it’s worth checking out. 

Continuing Series!

Because the real gold of the season is in all the established anime getting their next seasons, I’m just going to list some of the things that are also amazing and definitely worth checking out if you haven’t already (because I’ve already talked about most of them at some point and don’t know what else to say).

Attack On Titan season 4

The Promised Neverland season 2

Beastars season 2

Log Horizon season 3

That Time I Got Reincarnated as a Slime season 2

Re: Zero season 2 (second cour)

Dr. Stone season 2

Cells at Work season 2

Osomatsu-san season 3 (second cour)

Higurashi New (second cour)

Jujutsu Kaisen (second cour) 

Not to mention all the shows I don’t watch that everyone else loves...like World Trigger (which I have seen quite a bit of, but long shounen shows are too much for me now) Quintessential Quintuplets, and Non Non Biyori. 

So there’s just some of all the anime airing this season. Hopefully, someone can find something they like. Here’s to a great year...well, of anime at least...

[xgryffinwhore]

Hey! Can I request a jaeden martell x reader where basically their charters are dating on a tv show and they are really really good best friends in real life and they they both go on the Jimmy fallon show and he keeps on asking if they’re dating because everyone thinks they are and when they say no he obvi doesn’t let it go lol and it ends up slipping up that jaeden did/ does have a crush on reader and they maybe end up sharing a kiss in front is Jimmy & audience & stuff😶just an idea i had 😂:)

i love this idea wow, thinking i’m going to put my own little twist on it but i think you’ll still be pleased ;)

just friends

warnings!: suggestive topics, fluff

word count: 2.1k

five

your face was being touched up with powder, the cotton pad dabbing at your nose as the white powder absorbed into any oil your face may have had.

four

you look over at jimmy, this wasn’t your first talk show, but it had been the biggest one with the most following. it was intimidating, you bounced your foot up and down and played with your hands.

three

behavior jaeden had grown to recognize. he knew you better then you knew yourself, your anxiety was worse then you put it out to be. “you ok?” he questioned, “fine, i’m fine” you painted a small smile on your face. but he wasn’t easily fooled.

two

he grabbed one of your hands and rubbed circles into your palm, this sent vibrations of relaxation down your spine.

one

his eyes locked with yours, you swore they were a different color each time you saw them. sometimes more blue, sometimes more green, sometimes dark with mystery, sometimes light and playful.

‘aaand where on air’

you wiped the hand that was interlocked with his off on your dress, it was clammy. the curtain came up fast, and your vision was soon flooded with bright lights and silhouettes of bodies.

making out the faces in the sea of people was impossible, but you knew your friends were out there. they had flown out to see you, a) they could go see new york and b) you were on national television, and they wouldn’t miss it for the world.

jimmy was talking, you knew that much, but your nerves took over and honestly you weren’t registering a damn thing he was saying. the crowd cheered, you snapped out of your daze.

“and here tonight, we have jaeden martell and y/n l/n from the new HBO tv series: turning tables”

he turned to both of us, and gave everyone time to clap. he tired to speak over the loud hands, moving on with his show, but the crowd made that difficult. eventually the clapping died out and he could continue.

“now, i’ve watched all of the episodes but, for the people who haven’t seen: can you explain what the show is about?” he looked a jaeden, you let go of a breathe you had held in.

“s-sure” jaeden turned to face the audience more, he was soft spoken and shy, so it was important he projected as much as he could.

“turning tables is a teen drama. it’s about families of poverty in the seattle washington area and how they struggle to go to school and work. my character, jennings cooper, is the main protagonist. the show is mainly from his point of view, and how he struggle to support his family.”

jimmy nods and smiles, he looks pleased with his explanation. i’m truth the show wasn’t that simple, he knew that. but, it would take so long to explain.

“and y/n, who do you play?” he knew the answer to this obviously, but you were becoming a crowd favorite. everyone loved your personality, and you were an up-and-coming a list celebrity.

“i play parker marlow, jennings girlfriend” you blushed at this statement, the crowd giggled and ‘ouuu’ed. jimmy rubbed his hands together, getting excited at the upcoming topic of discussion.

“so, your romance on season one was steamy” you thought back to the scenes you did together. all of the kissing, which felt normal at this point. he wasn’t a bad kisser, in fact- you didn’t mind it at all. your romance through the season built up to a sex scene, your mind flashed through the memories of filming it.

filming those scenes isnt half as steamy as you think it is. it’s awkward, you laugh a lot. you had never felt that exposed in your life! however watching it was different, it looked so real, so perfect.

you blurred out your thoughts, mr. fallon still speaking on the subject. “can we expect more -“ jimmy searched for your ship name, it was on the tip of his tongue. the combination of your first names on the show didn’t make an attractive combo. it was either jarker or pennings. your last names matched a little better.

“-carlow” jaeden finished for him. jimmy nodded and smiled “yes- carlow- can we expect more carlow next season?” you both looked at each other and smiled. the writers for the show already had the next four seasons laid out. you knew that carlow was a continuing relationship on the show.

“yes, you should expect more of that sort of content from us” you stated. the people in the crowd had a positive responce to this, the applause lapping until it died out once again.

“right, your characters have so much chemistry in the show. two struggling teens just trying to break even.” jaeden agreed “yes, our characters balance each other out, and being from the same background helps them associate. jennings is kind of a bad boy-as the ladies say- he’s a felon, he steels cars and sells them to counterfeit manufacturers and dealers for money. parker, y/n’s character, has a job at a diner. she shows him the light at the end of the tunnel if he chooses to go down a good path.”

“yes, parker gets jennings a job at the diner with her, and he falls for her sweet disposition even after everything she’s been through” you add.

jimmy licks his lips and pops another question: “so id imagine the chemistry in the show heightens the real life thing?” he cocked an eye brow, the group gasping at the intrusiveness.

“jaeden and i are just friends” you blurt out, your nerves working up again. it was hard, you liked jaeden ever since you had your first kiss with him.

“y-yeah” he stutters, he obviously wasn’t expecting this either “friends” jimmy shakes his head and puts his finger on his lip “recently, you both have been showing a lot of pictures of you two together on social media.”

the audience ‘awwwed’ at the photos that displayed behind you. on the screen, there were pictures of you and him that were on both of your instagrams. you two at gardens, getting food, even watching movies at each other’s houses.

“for just friends, these photos looks intimate , wouldn’t you say” a bunch of ‘yes’’s and ‘mhm’’s came from the crowd as both of your faces became red.

“we’re just best friends, honestly” jaeden laughed nervously, he fixed his hair with his hand has he always does.

“right right- can you tell me when this photo is from?” jimmy asked, the last picture flashing on the screen. it was of you both, you had just filmed your first scene together.

the first scene you filmed together was episode two, he saved you after you fell into ice cold water. it was how the characters met, and it was filmed at a cove on a windy august day.

the picture was a little blurry, but it added character. he had his arm around you, both of your hair soaked, and you share a huge towel. you remember how cold you were, your teeth chattered so rapidly. his hair was stuck to his forehead and more small pieces went up. and your lips were almost purple, half from the makeup, half because you swore that was the coldest water you had ever went in.

“that’s from when we first started filming, it was the first time we met in the show” you recited, re living the memory in your head. you remember jaeden pulling your head into his chest when the wind began blowing. you remember his thumb trying to create friction on your back to make you just a little warm.

“yes yes- you two look so adorable!” jimmy squealed, he was the most teenage-girl-grown-man you had ever met. his hand opened one of the drawers in the faux desk he sat behind, pulling out a small blue camcorder.

the camcorder.

you know how on tv shows, there is special footage? sometimes it’s just behind the scene specials but sometimes- sometimes - it’s footage the actors document when they were just having fun? yeah it was one of those camcorders.

the camcorder was brought in by the two other co hosts wyatt oleff and finn wolfhard (i know this cast is sooo original not really) they played jaedens two best friends on the show. while they weren’t filming, they’d dick around and talk about stupid stuff. you’d never seen what they filmed, but you had been featured quite a few times; their by them pranking you, or invading your personal space.

you looked over at jaeden, you watched his adam’s apple bob and a thin layer of sweat flush over his face. he bounced his leg slightly, a habit he had picked up from you.

“let’s just review our material here” jimmy teased, his tongue darting out between his teeth. the video began to play, the sound was loud; assumingely for jaeden quiet voice in the tape.

the video started with wyatts unsteady hand, him and finn were running around set, they stopped at jaeden, he was playing on his phone in his trailer.

“jaeden wesley we have come for you” finn yelled. you could see jaeden shoot up from his chair. “hey guys” he waved. they talked for around a minute, jokes and all. then finn started to giggle, wyatt zoomed in on jaedens face.

“so jaeden, how’s y/n?” he chuckled, jaeden blushed “she’s ok i guess dunno.” wyatt stopped zooming in when the only thing in frame was jaedens head. “the kiss was good hm?” wyatt asked. jaeden continued to play on his phone, he nodded. “yeah, she’s pretty cute too.”

the video cut to another segment, this was filmed after the sex scene. you knew because jaeden laid on the bed you, in the same underwear that he wore during the scene. the boys were jumping on the bed, and jaeden took the camera and talked to it.

“this is for memory and memory ONLY! h-hey y/nnn” he was talking to the camera like it was you “you’re amazing and cool” you could hear finn explode into laughter as he stole the camera back and started running “yeah! and he wants your babies and loves you so much-“ “SHUT UP FINN!!!” and jaeden chased him around.

the video was taken off the screen. your face had become close to ghostly white. it was weird, it was almost like he was dumb enough to think finn wouldn’t give jimmy this blackmail goldmine. you looked at jaeden, he hit his bottom lip until it was red, he itches his neck and laughed it off.

“yeah ok-ok jimmy, maybe i liked her back in the day” jaeden tried so hard to be casual, but jimmy hit him with a heart stopper: “but mr martell, the last clip was filmed less then a month ago!”

your mind flickered with memories and ideas of him.

your first time meeting, how good his hand felt in yours. when you wiped icecream off his chin, and him dotting icecream on to the top of your nose. the way his hair always fell perfectly above his eye brow. and SHIT how he always smelt so fucking good. how he let you fall asleep in his arms and how he never complained when you put on some stupid romcom and-

“y/n?” jimmy questioned. “huh?” you spaced, come on y/n you gotta stop doing that. “i asked how you felt about all of this.” “well, there isn’t a right word i can use.”

jaeden took this has a bad reaction, he did a small wave to the crowd and stood up to get off the stage.

you stood up, grabbed his hand, and laid one right on him. kissing him felt normal, but now that there was emotion behind it, it just felt so right.

you both stopped for air, the crowd went wild. jimmy was clapping too, you could barley hear them, your heart was pumping throughout your whole body. you swore jaeden could hear it.

after the show, you sat in your dressing room for a bit, contemplating the events of tonight, and how they were all broadcasted for your embarrassment. but it was only the beginning. only the beginning of what was to come for mr. and mrs. jaeden martell.

[narutakijune]

About ATLA Relationship Arcs

So, this is me, finally trying to write some meta after lurking in my little tumblr corner for months! Hi!

Although I’ve tried to tag properly, if you are a Kat*anger and just want to enjoy your favourite couple in peace, this might not be the post for you. I am not trying to bash characters but I do have a lot of critical stuff to say about the writing.

Anyway, you have been warned and here is my story about my personal first Atla experience: I watched the show this year for the first time, and after the end of Book 1 I decided to look up spoilers, because after what happened to Yue, I wanted to make sure that Zuko and Iroh would be ok. So I knew what was going to happen: Kat*ang endgame and absolutely no Zutara at all. Still, by the end of Book 3, I was convinced that I had read wrong - that there would be an epilogue with a different ending or at least that Aang would only get together with Katara post-show- in that Korra series or something - because anything else wouldn’t make sense- right?

….

After I got over my shock and surprise, I went online and found out about that decade-long aggressive passionate ship war and how even the showrunners got involved.

And then I really worried that I might have missed a few points. Apparently ”Aang and Katara were the DNA of the show”, according to the creators themselves, and “Zutara could never have happened”.

Another popular anti-ZK argument I found was: Why do you always go on about Katara and Zuko? Just look at Zuko and Aang! They are the hero/ anti-hero and each other’s foils, their relationship is much more meaningful!”

So I tried to find out what it was that I apparently couldn’t see.

(Another disclaimer: I love analysing stories (like many Zutarians apparently) and this will get long and rambly. If you get bored to tears when people start talking about “narrative structure” you will probably not like this.)

Talking about narrative structure, I do believe that, in order to let your story, your characters and their relationships really shine, a good basic structure is important. There should be a recognizable development and individual parts of the story that build upon each other and lead to consequences and change, until there is a completed arc - because it is all about the journey that takes you to a satisfying ending, right? So that’s what I tried to do, with my personal Kat*ang vs. Zutara take, I tried to look at the structure and development of their relationship arcs.

The argument that threw me off track for a while is that compared to Aang and Zuko, Zuko and Katara’s relationship is not supposed to be that relevant for the plot. After all, Zuko is the foil, the anti-hero, the deuteragonist to Aang, who is the hero protagonist.

This is all true of course. But then why is it that in every finale, Zuko’s main opponent (and later ally) is not Aang but Katara? Why is it that their sun/moon, red/blue, fire/water dichotomy is so obviously highlighted?

I think one reason why Zuko and Katara are paired off so frequently in the story - as opposite elements, as opponents and as allies - is that they BOTH are Aang’s deuteragonists. While Zuko also acts as antagonist and Aang’s foil/mirror, Katara takes over the more traditional deuteragonist role of confidant / best friend/ narrator.

Protagonist Aang is what connects them, although they are on opposite sides: Both need Aang because he represents their hope to save their world. Very simply put, Katara protects him, so he can make the world a safer place again, and Zuko wants to capture him, so he can go home and be safe again. That rivalry between them is already established in the first episode, even before they meet each other: Katara, who hopes that the Avatar will return (as she tells everyone in the intro), and Zuko, who seems to be obsessed with finding him for more sinister reasons.

And just to make sure, I am not talking here about the characters’ feelings and emotions! This is just about the abstract roles they have been assigned within the narrative.

When regarding Zutara’s special connection to Aang and their rivalry with each other, it makes absolute sense to stress their “same but different”ness as well, visually and metaphorically: Red and blue, fire and water, sun and moon, arguably Painted Lady/Blue Spirit, and, when you put into account their story arc, also Oma and Shu.

With this basis, which puts them together and sets them apart simultaneously, their relationship already becomes very dynamic and interesting, even before you consider any romantic potential.

And here’s another thing, Zuko and Katara also have their own story arc within the main plot. Although they don’t have many scenes together before Zuko joins the Gaang, when they do meet there is always a new shift in their relationship and in quite a few cases their interactions are important for the main plot as well. If you just look at their “end fights” at each book’s finale, there is an obvious and consequential build-up, like any decent story arc should have:

Book 1 starts with Zuko as the powered-up enemy and Katara as the weak newbie waterbender. Both are battling over Aang. At the end of Book 1, they are finally established as equally powerful fighters but still fundamentally different (You rise with the moon, I rise with the sun!)

In CoD at the end of Book 2 happens the next step: they realize that they are not different at all! But Aang still doesn’t represent the same for them and they end up on opposing sides of the war again.

In the Book 3 finale, when Zuko has completed his own (anti-) hero's journey and Aang represents the same “hope” for both of them, they do not only join forces: Their “same but different”- traits make them such a uniquely suited match that they are even able to save each other’s lives during their fight with Azula (who in turn happens to be Katara and Zuko’s antagonist/mirror/foil).

And in addition to their own story arc they even get an individual recurring theme, which also appears in every book whenever their relationship status changes: The lost mothers, especially Katara’s mother.

In Book 1, Katara’s necklace (the symbol of Kiya) plays not only a major part in two of Zuko’s capture attempts, it is the reason for their very first one-one one encounter in the story.

Their first friendly connection in COD in Book 2 happens because they start talking about their mothers. And in Book 3, their final reconciliation (sealed with a very cathartic hug) happens after their life-changing trip which is, of course, all about Katara’s mother.

Again, I am not even trying to analyse their characters and motivations within the story - there are many metas that have already done that much better, more detailed and with screenshots. This is just dry structure and tropes and themes. But I think people recognize and connect with a well-structured arc, even subconsciously, which is one of the reasons that makes Zutara such a compelling couple. They complete and contrast each other, their relationship dynamic constantly changes, builds up, falls apart, reconnects. Such a setup is the perfect playground for a lot of creative takes on what-ifs and alternative scenarios and of course, shipping them romantically is extremely tempting - think of all the possibilities! It’s no wonder that the Zutara fandom is still so active decades after the end of the show. And it’s also no wonder that the Zutarians are known for “over-analysing everything”. You can only over-analyse if there is anything that gives you enough food to analyse to begin with. Which brings me to

KAT*ANG

I just go right to the top and take the quote from Br*yke themselves:

Kata*ng was in the DNA of the thing from the start…. [Zutara] was just dark and intriguing.

If you read this quote and then start watching the show, I would (grudgingly) agree that:

Aang and Katara understand and complement each other really well. Aang gives her the chance to have fun and go on adventures and in turn, Katara is his fiercest supporter from the very beginning, something that he really needs after he lost all his people AND has to find out that the world thinks the war is sort of his fault. In turn, the journey to the North Pole is as important to Katara as it is to Aang, because it is her dream to learn waterbending properly. That’s what she literally says when Sokka & Co try to banish Aang: (Sokka: Where do you think you’re going? Katara: To find a waterbender. Aang is taking me to the North Pole.) In that way, they are friends who give and take equally and are equally taken care of. They even have the last Airbender/ last Southern Waterbender status that connects them. The few times they have a fight, Aang does something in the end to redeem himself (perform some heroic feat) and Katara sees that she is right to believe in him.

Aang has this very sweet crush on her and it will be very sweet and wholesome when Katara will return his feelings at the end of their adventure after he has hit puberty. On the other side, there is also some heavy shipbaiting with Zuko: I save you from the pirates. The betrothal necklace. June and her excellent shipping taste. But in the end they are enemies, they barely know each other and, come on, it would be too dark and intriguing! There is no real threat against friends to lovers Kat*ang, the soft heart of the story. It’s very straightforward and there are a lot of simple “the hero saves the day” scenes for Aang but that’s fine! It’s not really my kind of ship but that’s not the point, it works for the story they want to tell.

End of Book 1.

In my - probably harsh- opinion, everything you really need to know about the Kat*ang relationship has been told by this point. If you want to be really mean, already by Book 1, episode 3.

That explains maybe why many (not all! but many) pro-KA arguments sound as if their shippers have not watched Book 2 and 3 at all. The Book 1 synopsis also perfectly sums up Bry*ke’s quote above. But then Book 2 and 3 are still there and I don’t know what happened but it seems as if they somehow decided that the Kat*ang story does not need any new and lasting input. Maybe because they were afraid that too much new development and change would stray too far away from their original Kat*ang vision. But there are still 2 more books and more adventures and Kat*ang somehow has to be kept apart until the finale.

So the tension in their potential romance is based largely on the question whether or not Katara will return Aang’s feelings. In general I don’t have a problem with that will-she-won’t she-technique. It works well in books where the love interest is not a POV or in shows/ movies where the love interest is not one of the main characters. But Katara is not only the female lead but also arguably the narrative voice of the whole story! As a result, this kind of writing makes Katara look as if she doesn’t have any agency in their relationship, which is not surprisingly a very popular anti-KA criticism.

Additionally, since her dream - learning waterbending - has been fulfilled by the end of Book 1, the relationship work becomes a bit one-sided. Of course Aang is the hero and his journey is the heart of the story. But in order to highlight their special connection it would have helped to give Katara another personal agenda, which Aang could have supported in some way. She is still the last Southern Waterbender and he the Last Airbender but this is not really explored in the Kat*ang relationship. And her other personal agenda, her mother, is already reserved for the Zutara arc.

Instead, in Book 2 and 3 the Kat*ang story is somehow all over the place. Of course there is new conflict and a few romantic scenes as well. But obstacles are either introduced too late or just dropped when not needed anymore, conflict is not resolved and their flirty, romantic moments never lead anywhere- and if they do, they lead to more conflict that is not resolved (yes, I am looking at you, EIP Kiss!).

Take for example Katara’s very sudden argument that they cannot be together now because there is a war going on. We hear her saying that for the first time in the very last episode (EIP) before the 4-part finale. That is too late to have any impact! That she has these kinds of thoughts was never even alluded to before. Not once.

Or the pattern Aang runs away/ is flaky - Katara is upset - Aang comes back and does his hero thing - Katara is relieved. In regards to their relationship arc, nothing changes here between Book 1 and the finale, only the stakes for Aang’s heroic performances get higher.

Or Katara being the one who is able to calm Aang down when he cannot control the Avatar state (which, in my personal opinion, is neither romantic nor healthy). This is also connected to the problem with the seventh Chakra, that Aang needs to let go of his attachment for her. I will be angry forever with how they wasted this for a possible relationship development! That Aang has to decide to either do his duty or save his forever girl (because let’s be fair, he did try to let go and only ran when he had the vision of Katara in danger) - that’s a fantastic setup!

But no, it doesn’t have any real consequences for Kat*ang at all. Instead there were only half-baked attempts – Aang does lie about his failed practice with Guru Pathik but the ultimate reason why his chakra is blocked is Azula, not his decision to run. Aang does try to let go of Katara for a little bit but then Azula shoots him. Nothing in Book 3 shows any change in his feelings that could have been a result of his instant let-it-go. If anything, he gets weirdly obsessive - which could have been used as a side effect of his blocked chakra but – again, no, nothing happens.

I suspect the whole thing was just introduced to create temporary drama for poor Aang, but it is never explained why Katara holds him back, what aspect of the attachment is blocking him or what would happen if he did let her go. Maybe they tried to make a statement about how love is more important than Avatar rules – which would have been fine but it’s also never properly explored. Instead, as soon as that plot point becomes inconvenient it’s simply dropped like a random rock™.

Compare all that to the Zutara arc, where both characters’ feelings about each other are always very much in the open, and where every interaction causes lasting effects in their relationship. Yes, it is unfair to compare that to Kat*ang, because up to the end of Book 3, Zuko and Katara almost never meet, while Aang and Katara spend almost every episode together – of course they cannot do meaningful things all the time. But on the other side, with Kat*ang, there would have been a great chance to show a subtle, gradual build-up instead.

It also doesn’t help that the Zutara arc seems hellbent on sabotaging every romantic moment Aang is allowed to enjoy:

There is Kat*angs first maybe-kiss in the dark before the background of the Oma and Shu legend. But it does not lead anywhere. Instead, Zuko and Katara almost reenact the legend itself in the Book 2 finale as two real enemies to almost-friends, including a glowy rocks-backdrop and the right costume colours, just so nobody misses the message.

In Footloose The Headband, Aang and Katara have a really sweet dance together, and everybody can see how they almost intuitively know each other's moves. This could be a great hint on how well they will fight together in the finale. But is it plot-relevant? No, because the final tag team is Katara and Zuko! While Aang gets paired off with random rock™.

Then there is Aang’s riding off to battle- kiss in DotBS, which Katara is not even allowed to enjoy, because keeping her feelings vague is apparently more important than character development at this point. It is the only romantic moment that gets mentioned again, but in a way that sinks the former cute and wholesome ship into the deep ocean, and the reason is - Aang is jealous of Zuko!

If all of this was only done for the sake of shipbaiting, then it really went out of control at some point.

In the end, the showrunners still had their reasons to choose Kat*ang, maybe because that corresponded more to their own vision, and there are still enough people out there who agree with them. Which is absolutely fine! In the end, what matters most is how you personally connect to the characters and nobody needs to defend their personal taste. But the typical anti-ZK claim, that all the Zutarians with their crazy analysis and rambling meta essays are reaching and delusional and that they desperately try to construct something that isn’t there, is not only a very lazy argument but simply not true.

And I’d claim that in spite of the canon choice, Zutara is technically the better written relationship. By far.

[makeste]

BnHA Chapter 314: ...Or You Live Long Enough to See Yourself Become the Villain

Previously on BnHA: Some random assholes were all “let’s throw exploding spears at All Might and see if it activates his Conqueror’s Haki” and SURPRISE, MOTHERFUCKERS, IT DID!! Elsewhere, Lady Nagant confusingly tried to capture Deku alive by shooting him in the stomach, but to be fair I guess that’s what happens when you send an assassin to do a bounty hunter’s job, so yeah. Deku was all “ouch”, and then because this is a shounen he basically just straight up forgot about it, and did a big fancy Smokescreen thing, and then activated his mildly incomprehensible new ki-blasting quirk which he got from the Third. En and the Third were all “hey Deku maybe let’s not just impulsively activate all this shit in the heat of battle when you don’t know how to use it yet and you’re already injured,” and Deku was all “thanks for the quirks guys but I’ll take it from here” and snuck up on Nagant and grabbed her arm and so now what’s going to happen I wonder.

Today on BnHA: Nagant is all “[shoots Deku again]” because of course she is lol. Deku is all “tell me about AFO!” and Nagant is all “why would I tell you anything?” and then proceeds to tell him her entire life story which is FILLED WITH SO MUCH MURDER, YOU GUYS. Holy shit. So basically she was an assassin for the HPSC, which we already knew, but somehow it’s one thing to know that, and another to actually see her running around capping dudes in the forehead and being covered in more blood than the elevator from The Shining. Anyway, so you’ll never believe it, but all that murder had a negative impact on her psychologically, and eventually led her to question everything she believed about hero society, and so she killed her creepy boss and was promptly sent to Tartarus. This extremely fun chapter ends with Overhaul showing up all “HI, HELLO, I’M STILL HERE”, because for some reason he is still here. Why are you still here, Overhaul.

“the beautiful Lady Nagant” oh you know your audience don’t you Horikoshi

well all right then! so I’m guessing this means that she is not, in fact, going to roll over and die just because Deku’s out here all “GOT YA!” like they’re playing a game or tag or something. ffff may the manga gods have mercy on our young suicidal protagonist

lmao so Deku is all “GOD I’M SO SMART, WHAT A GOOD STRATEGY I HAD, CAPITOL JOB THERE OL’ CHAP, CAPITOL” and lol, okay. I mean, it was a good plan though. but I’m still waiting for the other shoe to drop here

“I’ll make you give me information on All for One” well there you go, lol. Deku Angst arc still fully engaged. still no light in his eyes either of course. just a lil chaotic ball of sleep deprivation and rage

lol, fucking THANK YOU though

oh my god what the hell did she do to him lol

did she shoot him with her elbow??? fucking look at this?? THIS IS WHY WE LISTEN TO HAWKS oh my god Deku are you dead

WHAT’S HAPPENING, IS THIS GOOD OR BAD, WHO’S WINNING

things that I wish I could tell from this panel which I unfortunately cannot tell

did she stab him or shoot him?? can you imagine if it was the former lol. why does Horikoshi keep stabbing all my kids. look Kacchan now the two of you can match

did she actually hit him or did he get away??

or did she hit him and then he jumped away?? just, what

well anyway, so now Deku is asking her why she sided with AFO, but he seems a lot more pissed off than when he was interrogating Muscular, though. probably because she shot him three times. fair enough

oh my god

does Lady have a blog here on tumblr dot com?? -- does Horikoshi have a blog here on tumblr motherfucking dot com?? why do I suddenly feel like this man is out here sneakily reading up on all our discourse

oh my god Deku it’s almost like getting up close and personal with someone who can shoot custom bullets from any distance and any position with deadly accuracy was a terrible fucking idea

IF ONLY SOMEONE HAD WARNED YOU NOT TO ENGAGE WITH HER AT ALL COSTS. IF ONLY SOMEONE HAD HAD THE FORESIGHT TO DO THAT sob. can you imagine how much shorter this series would be if characters actually listened to Hawks. Hawks, and Momo. why do we even let anyone else run the show ever

OH MY GOD

DEKU, RUN

OH MY GOD WHAT IS HAPPENING

this looks a lot like what happens to me whenever I play One’s Justice. those fucking combo attacks that you can’t fucking escape from and so your character just has to stand there getting their ass whalloped repeatedly while you wonder why you paid $40 for this

but anyways though. so Lady who did you kill?? I bet they deserved it, don’t worry I forgive you

(ETA: ANYWAY SO FRIENDLY REMINDER THAT LADY NAGANT DID NOTHING WRONG EVER IN HER ENTIRE LIFE. aside from murdering all those innocent people and shit. but there were CIRCUMSTANCES, and THEY WERE EXTENUATING, OKAY.)

-- holy shit

looks like the HPSC arc is back on the menu boys

so are we about to learn that the HPSC was going full Hydra on people’s asses? secretly dispatching anyone they deemed a threat to society?? “taken care of” as in you fucking shot them??

so then was the “hero” she killed actually one of the guys who was giving or carrying out these orders?? holy shit Lady, up until now I’ve mainly just been stanning you for your flawless eyebrow game and metal af quirk, but this shit could actually get real very quickly, and I am prepared to genuinely and sincerely love the shit out of you depending on what we learn next about your backstory

oh my god?!?

so wait, hold up. am I reading this right?? basically the HPSC started murdering vigilantes because they were worried they were gaining too much of the public’s favor?? holy fucking shit???

oh my GOD oh my god

“it’s been a while since I scarred you all with the dead dog and the graphic slaughter of an entire innocent family, huh,” Horikoshi says thoughtfully. “anyway so what do you all think of my new creation, the Spaghetti Bullet.” well, Horikoshi, so you know that squished-up face that Kermit the Frog makes sometimes? yeah. that’s what I think, if you must know lol

holy hell the juxtaposition

I’m actually kind of surprised to learn she had a lot of fans? what with her M.O., I was expecting her to have been an underground hero like Aizawa, but apparently not? then again I still have absolutely no idea how any of that works. I really need to read Vigilantes already

oh snap

nothing like a sweet dose of assassin trauma to finally round out our BnHA Trauma Bingo!! well done guys, we finally collected all of the traumas! hooray!

noooo Ladyyyyyyy

holy shit what a fucking chapter. like, this man promised us an assassin, and went and fucking delivered. I was not expecting it to be this dark, lol, but holy shit I am here for it

you know, at some point you have to start questioning the logistics of this, though

I mean, how do I put this... her quirk isn’t exactly subtle. that murder scene from a few pages back looked like the first season of Dexter for fuck’s sake, that’s not exactly “disappearing” people now is it?? and I mean, her bullets are literally made from her own fucking hair; it seems like it would be impossible not to leave any evidence behind. did no one start to wonder who the fuck was going around murdering all these people? or did the people who asked too many questions wind up getting conveniently “disappeared” themselves??

and hey, speaking of asking too many questions

holy shit is he blackmailing her??!? or no, wait -- what the hell is he reaching for in his pocket boy you better not

(ETA: what exactly was this man expecting fdslkjd. “uh oh my unstoppable hair trigger assassin who is literally always armed is asking questions, better announce that I am going to shoot her and then reach into my pocket veeeeeery slowly while she stands there all of two feet away.” how did this guy ever function as the head of a shadow government with these decision-making skills, I’m genuinely baffled.)

OH MY GOD LADY YES

this. right here. is why “run the fuck away” was damn good solid fucking advice. oh shit. but my god did this dude have it coming

so wait lol has she just been narrating all of this out loud to Deku this entire time

okay but can we just stop for a moment and appreciate the fact that they’re having this deep conversation about the dark secrets of hero society right in the middle of their intense mid-air sniper free-for-all lol

holy shit you guys, Nagant’s the one that should have made the tell-all video. I mean, no offense to you, Dabi, I’m sure you worked very hard on your video and did a ton of crunches every day so that you would look good with your shirt off while you told the world all about how your dad was a jerk. but seriously...

this is already like 100x more convincing than what he put out. also, gasp, is it another flashback

yes it is oh my gosh

so the HPSC Chairladyperson whom ReDestro killed used to be this guy’s direct subordinate, huh? I wonder if she kept the whole assassin program going after she took over. can’t say I was feeling any particular kind of grieving way about her death before, but certainly not now lol

but unfortunately Nagant has finally lost me at the same place where all of the villains inevitably do, which is to say when they somehow make the dubious mental leap from “society sucks and is bad” to “let’s just be openly fucking evil lol, worth a shot.” because when heroes murder innocent people and cover it up, that’s obviously bad (and I mean, it absolutely fucking is lol, don’t get me wrong); but when villains murder innocent people straight up out in the open without giving a fuck, they’re righteous revolutionaries? just -- is there really no non-murdery middle ground here?? I guess that’s what Deku and co. are for, hopefully

anyways oh shit Deku seems to have spotted something?? and he’s doing something weird with Blackwhip what

oh, he spotted her, I guess

lmaooooo

new favorite Deku panel right here. a masterpiece

oh my god you guys our little boy is starting to grow up before our eyes

you love to see it. and you can tell with those elipses that he’s gearing up to say something really cool and determined and badass like the shounen protag he is, yes please, Deku ilu so much please do your thing

ahhhhhhhhhhhhhhhh

IS THAT A TEENY TINY LIL EYE SPARKLE THERE OMG. still not anywhere close to his usual standard, but that’s some clear resolve there in his eyes there at long last! it always shines the most clearly when he’s being true to himself and his ideals, so I love that it finally shows up again here, when he’s reaffirming his resolve to help others no matter what

uh oh so what’s Lady going to do now

is it time for a trump card?? kinda sounding like it’s time for a trump card

???

I lied btw, this is my new favorite Deku panel. but anyways what is she up to now lol

ohhhhhh, lol

why does she seem shocked, lol. here I thought this was part of her plan, but apparently she forgot all about ol’ “Look Ma, No Hands” back up there

and so I guess that’s it for this week! so we’ve learned basically everything now about Lady and her quirk and her history with the HPSC and why she agreed to work for AFO. pretty much the only question that still remains is why the hell she decided to drag this asshole along for the ride! because I still cannot figure that out dsklkjlkf

(ETA: actually now I’m kind of wondering if they maybe have some past connection we don’t know about yet. when exactly was Nagant sent to Tartarus? is it possible she was ordered to track down and kill Overhaul at some point before that, but never got around to it? or something else along those lines? idk but now I’m curious.)

anyways Deku, I know that your empathy has no bounds and that you’re on a “saving villains” kick right now, and good on you... but also, if you decide to just like, skip all of that shit just this once, absolutely no one will hold it against you, I’m just saying. just, all I’m asking here is maybe let’s think twice before we start trying to reform guys who imprison and torture little girls for profit. I think maybe that’s a good place to draw the line. next week is going to be a very interesting chapter lol

[ayuuria]

Yashahime Translation: Animage October 2021 Issue

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The Beast King’s Daughter

“Hanyō no Yashahime” depicts the battle of three princesses who carry the blood of a demon king. In ‘The Second Chapter’ which broadcasts in October, the one who holds the key to the story is another princess who makes a new appearance.

With overwhelming strength, Sesshōmaru and Inuyasha’s father, the Dog General, was known as “The Beast King of the Western Lands”. The three (girls) Towa, Setsuna, and Moroha inherited the said beast king’s blood.

Despite being inexperienced, Towa and the others have constantly grown in battle. In episode 24 of ‘The First Chapter’, an evenly matched battle unfolds between Towa and Moroha, enraged by Setsuna’s death, and “The Beast King of the Eastern Lands”, Kirinmaru, who is equal to the Dog General. Though Kirinmaru was injured, he successfully landed a single stroke.

Starting from ‘The Second Chapter’, another daughter of a beast king appears before Towa and the others. Her name is Rion. Surprisingly, it is said that Kirinmaru also had a daughter. Rion is an existence who for 600 years has been sealed in Mt. Musubi, which is said to be where the Dream Butterfly is. Exactly who sealed her and for what purpose? Just like Towa and the others, within her is likely an inherited strength of a beast king but her powers are unknown.

There are still many mysteries surrounding Kirinmaru’s daughter, Rion. While it is not yet known whether she is an enemy or an ally to Towa and the others, if she is willing to lend her strength, she will likely become a reliable existence to them as they shoulder many difficulties.

Character Bios

Rion Kirinmaru’s daughter who has been sealed within the barrier of Mt. Musubi for 600 years. It seems her meeting with Towa, Setsuna, and Moroha will move destiny but… …?

The Dream Butterfly The butterfly of the dream world. A spirit. It is said that when they appear in the real world, they devour people’s dreams and those who have been devoured become unable to sleep or dream entirely.

Higurashi Towa Sesshōmaru and Rin’s daughter. She fights with Kikujyūmonji, a demon sword with a blade created from demonic power. The attack she unleashed when she became enraged from Setsuna’s death took on the shape of two blue dragons.

Setsuna Sesshōmaru and Rin’s daughter. In episode 24 of ‘The First Chapter’, despite wounding Kirinmaru during their battle, the tables turned on her and she lost her life.

Moroha Inuyasha and Kagome’s daughter. When she puts on rouge, she goes on a rampage that ends quickly but when Setsuna lost her life, she managed to fight without losing her composure.

Kirinmaru The Beast King of the Eastern Lands. It appears he spares some leeway with the Yashahimes such as naming Towa’s technique ‘Twin-Headed Azure Dragon Wave’, but?

The Parent Needs to Pull It Together More!

Kirinmaru has considerably complicated child rearing. In contrast to that, Rion is a girl with a straightforward upbringing. I can’t say the specifics yet but when I see parent and child, as a father of a daughter in her 10s myself, I think “The parent has to pull it together more” and I also get a sense of “I guess even if the parent complicates things, kids will grow up on their own.” By the way, Fujita Saki plays the role of Rion. She also took on the role of the mean heroine in my previous work “Fairy Ranmaru~ Anata no Kokoro Otasuke Shimasu~”. Just when I thought I finally defeated her in “F Ran” (Shortened name of said previous work), I meet her again in “Hanyō no Yashahime”… … I felt a mysterious fate (laughs).

- Director Hishida Masakazu

I Felt Destiny from the Lives of Towa and Co. Director Hishida Masakazu 

Synchronizing With His Own Life?! Empathy Towards Towa’s Situation

— In the previous issue’s interview, Director Hishida, you said that you felt that “it was fate that I should accept” the offer for this current work which was memorable.

Hishida: I worked at Sunrise’s Studio #1 for a long time, but I started to do work for Tatsunoko Production in 2008. From there, I mostly worked at Tatsunoko but now Sunrise has called me back for the first time in 13 years. Just as I’m wondering what sort of work it’s going to be, they tell me it’s a work that carries on the world of “Inuyasha”, (the work) that taught me the foundation of production. Not to mention, the protagonist, Towa, is a girl who was flung from the feudal world where she was born and raised, to the modern era, and then returns to the feudal (era) again after 10 years. I felt Towa’s situation synchronized with mine and all I could think was that this was fate.

I’m about the same age as the director of ‘The First Chapter’, Teruo-san (Director Satō Teruo), and our careers are just about the same too. Teruo-san worked at Studio 1 for the longest time while I on the other hand, got thrown outside and came back… … I thought that aspect felt similar to Towa and Setsuna’s life (laughs). That’s why watching Towa and Setsuna’s relationship in “The First Chapter” was very tough. Like, they were such close sisters so why doesn’t she remember… …

— To change it to your position Director Hishida, it’s like “You returned to Sunrise for the first time in a while but the people you used to get along with have forgotten about you” kind of a situation.

Hishida: It’s exactly that! The current staff of Sunrise’s Studio 1 don’t know me, and they don’t thank me (laughs). You see, I was the one who revived the steppingstone for the “becoming a producer by being a production assistant” route that came to an end at Studio 1! There weren’t many before me but afterwards, there were a lot of people that took that route and flew the nest like Fujita Yōichi-kun, Watada Shinya-kun, and Kyōgoku Takahiko-kun! No one is really grateful so Fujita-kun and Kyōgoku-kun would always say to me “I should’ve crushed you back then!” (laughs). As I watched Setsuna not remembering Towa, I ended up remembering that.

— You seem to have an unusual attachment to Towa and Setsuna’s relationship (laughs). Well then, what sort of impression do you have of Moroha and Sesshōmaru?

Hishida: Moroha has a brilliance to her. It’s amusing that she inherited Inuyasha’s mischievous side, and she’s got a similar silhouette to Inuyasha as well, so I feel that she is a real eye-catching character. When Towa and Setsuna take center, the story becomes heavy no matter what, so it’s fun to watch Moroha soften the place up.

Then, regarding Sesshōmaru in this current work, I felt “He’s a father”. I bet in his own way, as a father, he wonders how to interact with his daughters. Even while carrying out a strict “trial of courage and cowardice”, he still concerns himself with his daughters which I feel is a little human like. I’m also a father of two girls so I can relate to him somewhat. In the last (scene) of “The First Chapter”, he purposefully hands over a broken Tenseiga to Towa but he wouldn’t do that if he didn’t care about them. He just gives a pass like “Do something about it with this” and I think that is also (a form of) training in a sense.

Also, drawing wise, the pattern of Sesshōmaru’s kimono is still brutal (laughs). “Inuyasha” was an analog cel anime back then so (drawing) that pattern was even more difficult. At the time, the suggestion “Let’s omit the pattern on Sesshōmaru’s kimono” was made but Director Ikeda Masashi opposed it. I didn’t understand why Director Ikeda was so fixated on that pattern back then but thinking about it now, I think it was the right call. Since it could be said that Sesshōmaru’s existence is one of two wheels in the work that is “Inuyasha”, he probably didn’t want to make him plain wherever possible.

The First Attempt At ‘The Second Chapter’ Storyboard Was Like A “Trial of Courage and Cowardice”

— Next, please tell us about Kirinmaru’s side. In ‘The First Chapter’, many of their actions were puzzling so by all means, any hints to their activity in ‘The Second Chapter’!

Hishida: At first, I couldn’t quite understand Kirinmaru, but once I heard he was a father with a daughter, I understood. While he is a person who’s thinking “I want to surpass the Dog General”, his feelings of admiration towards that man and wanting to show his strong side to his daughter are feelings that I completely understand now. Kirinmaru has had many mysterious aspects up until this point, but I’d like to depict his emotions in ‘The Second Chapter’.

Just like her younger brother, Kirinmaru, Zero has also become obsessed with the Dog General. In any case, she lives on her “love”. Zero’s womanly heart is a little complicated, but I also feel that seeing her persist with her earnest feelings for the Dog General is cool.

Also, I think the parts of Riku, who’s neutral towards Towa and the others, that were difficult to see up to this point will become clear in ‘The Second Chapter’. How he feels about Towa will be brought to the forefront, so I told Fukuyama Jun-kun who plays him, “In ‘The Second Chapter’ please go with a slightly handsome boy feeling route” (laughs). By the way, Fukuyama-kun was the one who played the main character in my director debut work “Onmyō Taisenki”. The name of the role (character) was ‘Riku’. ‘The Second Chapter’ is a story about the ‘fate’ that connects people together, and I also felt a mysterious fate from that.

— What did you think of production for episode 25 (episode 1 of ‘The Second Chapter’) which continues from the shocking last scene of Setsuna’s death in ‘The First Chapter’?

Hishida: It was such shocking last scene that I was overcome with the feeling of “Why are you passing the baton to me at such a difficult spot!?”! I truly thought this was a ‘trial of courage and cowardice’ (laughs). I did the storyboard for episode 25 myself, but coming into the work midway, it took me some time to understand the story, so I really struggled. Until now, the record holder for storyboard that took me the longest was episode 13 of “Gundam Reconguista in G” with 2 months. However, this time, it took me 3 months.

— To say that it easily overtook that “G Recon” (shortened form of “Gundam Reconguista in G”) that you struggled so much with (laughs).

Hishida: Yes. My worst record was brilliantly made new! However, on the reverse side, I thought with ‘The First Chapter’ ending like this, there’s no doubt you’d want to see the continuation. In that sense, they passed the baton in the best way so I should meet up to that (expectation). It was tough but I put my all into it!

— ‘The Second Chapter’ is loaded with things to be curious about aside from what will happen to Setsuna like Rin who’s sleeping within the Tree of Ages and Inuyasha and Kagome who’ve been trapped within the black pearl.

Hishida: I can’t talk in detail about that yet but I will say “There’s no way it would end like this!”. I would certainly like for everyone to look forward to October.

In the new key visual for ‘The Second Chapter’ that is overflowing with lively motion, the three princesses show gallant expressions with weapons in hand. What exactly is beyond Towa’s reaching hand… …? Also, when will we get to see ‘Sesshōmaru & Rin’ and ‘Inuyasha & Kagome’ standing side-by-side together as shown in this picture?

[ashdumpsterpile]

I know you talk abou st*cky in the interracial ships stuff, but can we talk about st*ny? Iron husbands is literally right there, but I also always sees Rhodey as Tonys moral support only. And ik Tony is very shippable with most characters, but the fact his ship is Rhodey is one of the lowest ships in ao3 (ironstrange, winteriron and god forbid stark*r all had more fics in ao3).. It's pretty telling this side also has racism problems...

I'll go ahead and answer this here, but letting y'all know that I do have a marvel sideblog if you want to hit me up there (@themarvelarchives).

Hey, I'm going to ramble for a good minute.

So after I posted my very incoherent, controversial take on St*cky vs SamBucky, there were a ton of ppl who came onto anon saying that St*cky shippers were racist. I think I only answered a few, but y'all were pretty insistent on it. I personally have not observed that St*cky shippers are so I'm not calling anyone out on that side of the fandom for that.

I also did not call out anyone on this side of the fandom bc that's not what my meta was about. I think I mentioned maybe once or twice in the whole post that there was underlying racist in the fandom, but since you asked, we can talk about it here.

Covert Bigotry In Fandom Spaces.

To understand what's going on in the MCU, we have to first look at what I call "woke-queer" fandom.

So "Woke-Queer" Spaces is the phenomenon where certain fandom members like to call ppl out on their bigotry, while covertly harboring their own queerphobia/racism/etc. An example of this that we're all familiar with is TERFS and how they like to claim that they are progressive and woke, while also claiming that trans women are fake and trans men are sexist.

How this translates to fandom, however, is the hypocrisy that is cancellation and callout culture.

For example, Supernatural in particular is a fandom that likes to call out the writers on their homophobia and racism, and yet, somehow, the fandom is chalk full of homophobia and racism. If you want to read more about this, here is a truly excellent article from the perspective of a queer woman of color.

Moving on, I've also talked in a previous meta post, on the internalized acephobia that exploded in 2019 after Good Omens was released. Rather than reiterate everything I said in that post, I'll just leave it at this: the controversy in the Good Omens fandom can be summed up by the fact that queer audiences are claiming that Ineffable Husbands is the wrong kind of queer. The hypocrisy oozes off the screen, doesn't it?

A final way this viably translates to fandom, is in how the Doctor Who fandom evolved over time.

So Steven Moffat takes over as head writer and showrunner in 2010. It's a new series, a new Doctor, a new Tardis, and new branding. He steps up the action, changes the color grating, and raises the stakes. Women are sexier, the Doctor is smarter (and more of an asshole, but that's another meta post), and every companion comes with their own impossible mystery that makes them Special™.

Series 5-10 got tons of woke points for having lesbian characters, an episode where the Doctor is homoerotic with James Corden, and an underlying trans narrative with the Master's reincarnation. What a lot of people forget, however, is that his series was incredibly sexiest, incredibly lesbian/biphobic, and basically turned the Doctor into everyone's fantasy sex-object.

This, unfortunately, brought out the worst of the fandom. There was RTD Era vs Moffat Era wars exploding in certain corners, TenxRose shippers vs ElevenxRiver shippers.

What does this have to do with covert racism in fandom cultures though?

Hnnngng ok, so back in RTD era's we get Martha Jones, the Actual Best Companion On The Entire Show. Except for the fact, of course, that she is written to be in love with the doctor. She's a brilliant character--smart, sassy, flawed, funny, flirtatious--and her entire plotline is reduced down to a school-girl crush on a white man.

She doesn't do well with fans, they scrap her after one season.

We move on to Donna Noble (The Other Actual Best Companion On The Entire Show) and RTD's era ends with them scraping her too and regenerating David Tennant's Doctor.

It will be five more series (not seasons, SERIES) until Doctor Who will have another black companion--who gets extra points for being gay--only to fall victim to "bury your gays" at the end of the season (but not really bc no one stays dead on Doctor Who).

The fandom's reception of Martha Jones was historically bad. The comparisons to her predecessor, Rose Tyler, were rampant and everyone was finding a reason to hate her.

The fandom's reception to Bill Potts was also historically bad, as everyone was screaming that she was being written for more "woke points" and that they wanted Clara back.

Fandom has a historically bad reputation of being problematic and, I would argue, the majority of it has to do with these toxic undertones of bigotry that slip under the radar. "Woke-queer" spaces, as I call them, are these instances above where spaces that claim to be inclusive of gender/orientation/race are covertly bigoted.

Marvel and Cancelling

Now is an excellent time to talk about the MCU.

Anthony Mackie (Sam Wilson) has recently come under a lot of criticism from fandom members for shutting down shipper speculation.

"The idea of two guys being friends and loving each other in 2021 is a problem because of the exploitation of homosexuality. [...] something as pure and beautiful as homosexuality has been exploited by people who are trying to rationalize themselves."

I can't find the rest of the quote, but Mackie goes on further to say that it was important to him to portray "a sensitive, masculine figure" without insinuating that there was romance involved.

Woke culture lost it's shit. Everyone was suddenly claiming that Mackie was calling them exploitative for shipping a gay ship as a queer audience, which could not have been further from the case.

Mackie actually makes some very excellent points in that sensitivity is not gay/queer. Woke culture loves to rag on Toxic Masculinity, but the minute someone plays a character who is loving and sensitive with no queer narrative in mind, they are immediately canceled.

What Am I On About

Okay, let's actually address what your ask was about, Nonnie. You pointed out--rather truthfully--that it is unfair to call-out racism on one side of the fandom, while ignoring it on the other side.

Well, I've gone back through my St*cky vs. SamBucky analysis (which is incoherent at best, I apologize for that) and I see maybe once instance where I called out fandom members for being racist. Here's what I had to say about racism:

"[...] Iron Husbands is a rarepair, probably because it’s an interracial ship."

"[there is] nothing wrong with shipping two white men, but it does become a problem when you ignore/bash POC/interracial ships to the determinant of your own white ship."

And then there was the post you brought up where I addressed interracial ships in the fandom. That one is probably more relevant to this topic, to be honest, as I actually addressed fandom racism there. I assume that your reason for bringing up Stony is because it's a ship that is more relevant to my side of the fandom, HOWEVER, the reason I highlighted Stucky instead was because I was comparing the fact that they've both been around the same amount of time and are relationships that feature the protagonist and their best friend.

You brought up St*ny in the ask, however, so I'm going to talk about St*ny for a minute.

As someone who never has nor will ship St*ny, it never even occurred to me that some of the problem behind the Iron Husbands tag being so small is because everyone ships the white, boring ship. You brought up a very valid point, but because I was never in that part of the fandom, I can't really speak to any possible underlying racism there, besides what I've already said above.

I would be interested in hearing a St*ony shipper or ex-St*ony shippers thought on this, but sadly I don't know any. If you have any more thoughts regarding this, Nonnie, pls drop back into my inbox.

You do make some excellent points in this ask though, and I would like to talk about racism on my side of the fandom.

So back to Mackie and his Twitter cancellation. Notice that Disney made him address the rumors and not his co-star, Sebastian Stan. Anthony Mackie is put on blast and made to answer fan demands and receives backlash, while Sebastian Stan gets to fly under the rader. This is not, by the way, a criticism of Stan, but instead of the blatant racism Disney has been displaying over the past few years.

How this ties in with the rest of my post has to do with my "woke-queer" spaces bit. The outcry across the MCU fandom over Mackie was swift and unforgiving. He was cancelled on charges of homophobia and bigotry--all the while these same fans turn a blind eye to any queer interpretation of other interracial ships and discourse in their own fandom.

The racism that I'm speaking about, of course, is an almost passive racism. Of course if you don't ship a specific ship for reasons other than their race, it's perfectly fine. It's okay not to ship Iron Husbands or SamBucky or any other interracial fandom ships. However, the distinct lack of shippers in the fandom IS telling because there are people who would ship that exact ship if not for the fact that one of men is black.

I don't have much more to say about this except to thank you for bringing it up and for listening to my long rambling post.

(Feel free to bug me about Tony Stark, MCU ships, MCU Meta and anything you want to talk me about on this blog and @themarvelarchives.)

[fadedneonzzz]

What (Most) Cinder fans want out of a Potential redemption

Now I obviously can’t speak for ALL Cinder fans, but based on my opinions and the ones I have talked to, there seems to be a lot of confusion among RWBY fans who don’t understand what I and many other Cinder fans “want”.

First let’s get some misconceptions out of the way

Do you think Ruby and co. will forgive her for everything she has done?

In short, no. Hell in my opinion I don’t think they should even forgive Emerald, redemption isn’t the same as forgiveness. Cinder has done too much to them on a personal level that no one would blame them for never forgiving her at all.

It’s not the heroes responsibility to save or redeem Cinder

Right you are, if Cinder gets on the path of redemption it will be her choice. However, she will need help for sure whether that comes in the form of Ruby, Emerald, or possibly even Jaune helping her then I don’t see the problem with it.

She doesn’t deserve redemption, she has done too much and is irredeemable.

That’s not up to you to decide when a character is considered irredeemable. Going back to Emerald, who murdered Tuckson in V2 and bragged about it, willingly took part in the Fall of Beacon and the Battle of Haven, and before her change of heart she willingly assisted Cinder in doing irreparable damage to Amity was still considered redeemable. There is no threshold for redeemable and irredeemable, especially in fiction, it only becomes more and more difficult to look past those acts as time goes on. Also if Mercury and Neo are still redeemable in your eyes, but Cinder isn’t, that’s not really fair.

She doesn’t want redemption

Yes, for now. That doesn’t mean Cinder won’t want it in the future. And as of right now why would she feel the need to be redeemed? In her mind she is justified in her actions. She only paying society back for her terrible and traumatic upbringing. There’s also the possibility that Cinder thinks she doesn’t have a choice but to be “evil”.

In short, we’re passionate Cinder fans, but we’re not stupid or apologists. We are well aware Cinder is pretty bad.

So now time to answer the big question: Why do Cinder fans want redemption? That question is mostly up to the individual Cinder fan and I cannot speak for everyone. But what I can tell you is my stance. For me personally, I’d find it very dark and depressing for Cinder’s story to end with her dying still a slave to Salem. For a story that has a lot of characters break the cycle of abuse, why should Cinder be the exception? I’m also very invested in the character, I find her to be the most interesting character in RWBY so far. She’s not exactly my favorite character, but she is the character I tune into RWBY for. I would like for her to reach some kind of positive conclusion.

Many of the Cinder fans that I have spoken to want her to heal from her trauma and learn that the world isn’t a cesspool of selfishness and cruelty. Killing her with brute force will only prove her right. That power is all that matters and she was right to pursue it by any means necessary. If they want to prove her wrong, then one of the best ways is for them to spare her if they have the chance to kill her. Cinder is a broken person who’s trauma lead her to where she is now, and most fans want her to be healed. Add on the fact that she isn’t that enthusiastic about serving Salem, she’s only in it for her own gain. She’s not in it to end the world.

In my opinion, Cinder is the main protagonist of the villain side. Salem is without a doubt the main antagonist, but Cinder is like the main character if we were watching RWBY from the “Dark” side. She is also the longest lasting villain and has shown up in every volume of RWBY thus far. Clearly, the writers have invested a lot into her character. She isn’t another villain waiting to be killed off, she is a main character in this story and as such it just feels right for her to have a satisfying conclusion by the end of the series. It’d be wasteful to kill her off just to advance some else’s character. To me, her dying tragically to Salem or being killed in cold blood by Ruby or Jaune also feels wasteful,  especially when all characters I listed have developed nicely and wouldn’t really benefit from the accolade of killing Cinder.

In general, we rarely see villains go through a character arc and receive just as much screen time as the protagonists. And if she has a tragic end, what are we supposed to learn from that? Should she have just accepted her place in the world and be an abused child slave? Why was she not allowed to have anything good happen to her? This does not excuse her actions by any means, but she is a victim of a system that failed her. A system that was supposed to protect people like her, but it didn’t. In a sense, she never had a chance, all the hope she had was destroyed when Rhodes tried to arrest her. She has lived her whole life believing there was no hope for her even if she wanted to be “good”. Cinder might think that she never had a choice, so she might as well embrace her “evil” side.

In conclusion, Cinder is a very tragic character, and it would be very depressing if she couldn’t find peace and live the rest of her life at least in a better place than she is now. No one has to or should forgive her, she should atone for what she has done, but let her have a second chance.

[sometipsygnostalgic]

adventure time wizard city liveblog

 well here we go

my last adventure time liveblog, i havent actually done one of these in MANY years... probably not since 2014

this takes place at the same time as obsidian?

DID-- DID CHOOSE GOOSE JUST DIE

DID BUFO JUST KILL CHOOSE GOOSE

yeah i know that’s bufo, they only made it enormously obvious, tsk tsk

@spaceacepearl​ joked about us seeing choose goose get sent to hell but i diDNT EXPECT IT TO HAPPEN

This music is i assume by one of the many musical artists Adam Muto listed on twitter, it rocks. It’s not as hardcore as Obsidian’s intro, but it’s suitably chill for the scene. 

“get offa my bus kid”

Those wizards in the left and far right groups appear to be new! 

OH MY GOD--

HELP?????? NEW PROFILE PIC TIME

HAHAHAHAH

THE MUSICAL CON DID ME GOOD, I DID REALLY LOUD AUDIBLE LAUGHTER

i bet hanna and co had fun making these signs

my favourite is the cat with “FAMILIARS HAVE RIGHTS”

cadorka..... wow

We’re not even four minutes into the ep and peppermint butler has already killed someone in front of a large group of witnesses

“this smells of DARK MAGIC” “yall kids know thats illegal right” peps watches the other kids nod before later joining in, LOL

i cant believe pep started the great gum wars and got killed by golb

SOMEONE has been playing Overwatch... 

i-- i still cant believe choose goose is fucking dead

how long was he stuck in hell for, or was that recent to together again after new death showed up 

i have to admit im not a big fan of spader, too perfect, and not in that funny way either. i hope they give him some characteristics that make him stand out. 

im getting flashbacks to OK KO and Owl House here...

Cadebra using music is a reference to Abracadaniel’s love of interpretetive dance in Play Date. 

“they only laugh because youre different” “i know” “SO STOP BEING DIFFERENT” oh my god it’s like talking to my own parents cadebra is actually... a LOT like me, less in her hyperactivity but more in her nonchalant enthusiasm and almost acceptance of the inevitable bullying because it means more time in people’s consciousness

ahhh - it’s quietly revealed here that she is responsible and a skilled magician, she is just bored of magic! i like that she parents abracadaniel instead of being downtrodden by his ramblings. 

PEP NO--- oh i see the problem, he hasn’t got his Bug Milk... sorry Martin Olsen fans, no Hunson today. At least we get one more Phil Face for the road! 

candy people in their natural habitat

Ahhh that’s Doctor Calidoneus! The voice actor was at the recent Distant Lands panel alongside Pep and Blaine’s actors. 

“pretty sure hes just trashcandy” - i like you, sassy antler lady

the mystery of how he gets clothes

and once again spader is proving to be the most irritating distant lands character of the lot, there is no subversion here. where is the subversion?  

NANI

what is going on here? are pep and peppermint the same person or not? im sure they must be, but there is something going on here with peppermint butler’s soul being trapped in the body of his child self who hasn’t got the same memories. 

OH, HYNDEN WALCH DID A NEW LINE yes this is what im here for, special over 

peppermint butler cursed himself... of course he did - Shado was correct!!!

AAAAAAAAAAAAAAAAAAAAA WHAT THE FUCK

AAAAAAAAAAAAAAAAAAAAAAAAA WHAT THE FUUUUUUUUUUUUUUUUCK

ROCK STUDENT, BLESSED ROCK STUDENT, WAS THAT POOR GUY WHO LOOKS LIKE A JAWBREAKER

love the reference to astral plane, of course pep cant astrally project because cursed pep is still inside of him 

wow, blaine, wow

they have a crush

LITTLE DUDE! COLE SANCHEZ!

i love the dynamic between cadebra and abracadaniel, imo so far it’s the heart of the special. im not really gripped by peppermint butler’s school troubles. i imagine someone else probably will be but i want to run past that shit as far as possible. 

TRDGFYGHJH

WE

WE MADE  A PREDICTION THAT WAS JUST LIKE THIS

PEPPERMINT BUTLER GETTING TURNED INTO THE FOUR COMPONENTS OF PEPPER MINT BUTT LURE WAS IN THE WIZARD CITY PREDICTIONS ART DRAW THAT HASNT BEEN POSTED YET

ILL SHOW YOU WHEN NICK POSTS THE VIDEO and then ill tell you who made the prediction because i... think it was nick himself, insanity 

who plagiarized finn’s signature???

turns out pep really DID take over wizard city!!!!

i love this band

i understand your pain peps

you probably have a bit too much in common with your mother, and i imagine it isn’t easy being turned into a kid and not being able to do stuff that came so easy. you’re disappointing yourself! (he’s literally disappointing himself)

I’m less than halfway through the special, what the fuck. I wasn’t wrong when I said Wizard City had a lot on its plate. It’s noit that I’ve been particularly gripped up to this point, though to be fair I didn’t pause at all during the other specials barring Obsidian. 

that... that poor kid is still a rock

and then the preview happened and bufo casually revealed to the audience that, yes, he killed choose goose

i dont know whats happening with pep but it seems he needs to be exorcised of... pep. which is a shame. i hope they learn to coexist. 

i have to say the background work in this special is really good! like, really damn good. 

WH

WHAT

DID SPADER JUST DIE

IS THIS WHY PEOPLE THINK PEPBUT KILLED HIM 

oh thats right - abracadaniel is cadebra’s uncle! this must be abracadniels sister. sorry, folks, he doesn’t fuck. 

Where are they? Is this anywhere near Wizard City? It’s an unpopulated prewar wasteland. 

THESE ARE JUST HUMANS

OF COURSE SHE WANTS TO PERFORM TO MILQUETOAST HUMANS

my child

is this an art style choice or did they get the people from that one studio to make this

HANNA FINALLY GETS TO FULFIL HER DREAM OF INSERTING KANEDA INTO ADVENTURE TIME

the red jacket he wears and his head pill shape is a big kaneda reference actually, which i suppose makes sense considering he’s a rival to our protagonist, but it’s a bit on the nose

bufo killed one of his own students? but why????

“MY UNCLE’S A COP”

“no one likes a rat”

i actually really like blaine, though im confused. did their VA change halfway through the special?

HOW NATURAL, NO WASTE, IT IS AN ENDLESS CHAIN

did doctor caledonius steal the trophy,,,? 

EVIL SNAIL EVIL SNAIL

MONMSTER HUNJTER DISCOVERY NOISE, this time it’s a tetsucabra

AAAAAAAAAAAAAAAAAAAAAAAAAA

I HAVE QUESTIONS

god i wish this is what this special was about, i miss adventure time

these remind me of the comics with their art style :) i wonder who designed them? the one on the right with pb and pep, in particular, very comics-y. 

fdgfhgf because he’s like 500

“pep can be kind of a jerk but he wouldn’t kill anyone”

sorry, cadebra, i have news for you

is doctor calednoius the true villain? if bufo’s out of the picture, she MUST be, 

ANTS

oh no, he might gbe stuck in wizard city :( 

HELP

the writing on the wall...

SPADER LITERALLY FUCKING DIED OH YM JESUS CHRIST

PEPPERMINT BUTLER’S OWN CULT????

THIS IS JUST OK KO NOW

okay im not surprised all the teachers at wizard city are cultists in worship of peps, maybe they killed spader and bufo because they bullied peps T_T

wait no, they thought spader had the potential, but sadly not

HE FUCKING KILLED HIMSELF

sorry, i was distracted by the pretty dope fight sequence and now the special is over????

fucking jesse, hes probably at least partly responsible for the cult nonsense

This credits art is by Maya Petersen!!!! Holy shit it’s adorable!

LRETGFDRGTFGMHGFHFG

LEAF MAN

DO YOU THINK THEY PUT HIM IN RETROSPECTIVELY

DO YOU THINK MAYA PETERSEN DREW THIS AND ADAM PUT IT IN THE EP RETROSPECTIVELY

HE LIVES

MAYBE THIS IS WHY CHOOSE GOOSE WENT TO HELL

okay, it’s over :) 

first thoughts out of the way: not a big fan of this special. it’s like watching a completely different show. it’s not got the PZSHAHH of the normal wizard city stuff and there weren’t a lot of funny jokes or even hearty moments in the thing. 

it suffers from a lack of invested character interactions, much like BMO did. there was not a single main cast member in the whole thing! and like i said before, much of peppermint butler’s character in the show is based on his very sweet relationship to his mother, princess bubblegum, so when they showed a single (hilarious) photo of them together it made me sad we didn’t get any scenes with them together. it would have STOLEN this episode. and they teased the hunson golf photo, and death!!! and jake appeared in a photo T_T last jake appearance. 

it also suffers because Peppermint Butler is clearly not himself, imo he was way more entertaining in the Together Again special, where we seem him back to his “normal” self. 

i dont think peps being a dark wizard was something to “kill off” exactly. i wonder what was going on there? was that actually peps, or was that a spirit he cursed himself with based on himself? we at least know in the future he does become a dark wizard again, and even princess :) this special didn’t answer those questions but lol. 

THE GOOD STUFF, because yes, there was a lot of good stuff! 

God, I’m with Aracle and Maya on this - I LOVE Cadebra and her relationship to Pep. I wish she was even in more of this - I would love to watch the adventures of Cadebra and Pepbut in their first year of school, like in the end credits.

That, imo, is where the heart of the special lay - Peppermint Butler’s attempts to impress himself, versus Cadebra’s self acceptance and desire to follow her dreams of being a goofy goober, no matter what other people thought of her. 

It turned out that Cadebra is a responsible student and family member. I really liked that. Her scenes with Abracadaniel were, somehow, my favourite in the entire special! 

I like that theres a lot of cool magic towards the end of this special, and a lot of HORRIFYING DEATH. It wouldn’t be adventure time if you didn’t randomly kill off child characters. Poor Spader, I hated you but damn, what a grim fate. 

I like that Bufo and Caledonius had this crush/hatred thing going on, but they were part of the same cult in the end. 

I didn’t like the giant peps scene at the end, the monster was extremely milquetoast compared to the madness we usually get in AT. Obsidian, for example, had the awesome Larvo design. Nemesis had some INSANE dark magic!!!!  I wish they drew more from that episode. 

Considering how much Steve Little appears in this special, I do feel bad for Mace (little Peps). He said he would have really benefitted from coaching, but recieved none. He had to re-record his lines 3 times! Judging from his description of events, Wizard City was a hard time for him. 

The wizard school did remind me, heavily, of both The Owl House and OK KO. Personally I was hoping AT would offer me something more insane, but I do love both of those shows, and I know Wizard City was on a really tight schedule. 

I think they should have spent less time on the school bullying plot, and skipped straight to MURDER. 

We did have a cold opening, not on par with Together Again’s at all, but damn!

I am wondering where I would put this in the watch list? I do think it should sit after Obsidian as the third special. The intro scene makes it clear this takes place at the same time as Obsidian!!!

Well, that was it, the last ep of AT for the next few years at least T_T

i think together again was the better finale, definitely. but wizard city feels pretty detached from AT for me, despite the familiar characters it tonally isn’t like the show other than the awesome brutal death scenes. I thought the last 11 minutes was easily the best in the special! Which, honestly, is how it should be, though I do wish it gripped me more. Maybe I’m just not the target audience for Wizard City? It feels like something I would find very compelling if I was a bit younger! 

[masterhandss]

Hi, im just finishing vol 1of hamefura LN and... am I reading wrong or Katarina has considerably internalized homophobia? She describes keith falling for Nicol as a tragedy and going astray, and her view of girlfriendship.... does this continues in future novels?

Uggh that's kinda hard to say, and I feel like I might not be the right person to ask about something like that hgjsdf

I don't remember Katarina saying that Keith hypothetically falling in love with be a "tragedy", did she use that word? The only thing I remember is that she said that although she'd prefer it if it Keith didn't fall for Maria, falling for Nicol might be dangerous for him. When I read it, I guess I kinda did get the idea of Katarina thinking that marriage between two men must be taboo, but not necessarily that she disapproves of it. Since she knows she's in Fortune Lover, she's assuming that same sex is the norm given the game, setting and time period. I feel like she meant it with good intent, for all she knows maybe Keith would get kicked out of the family is he pursued the son of the prime minister instead of focusing on becoming the next duke qwq.

Also, Katarina mentioned that it'd be bad for Keith to fall for a handsome boy, but when she assumed that Nicol might be in love with a married woman or man during her birthday party, she didn't seem to reject the idea (I guess because it's Nicol, charmer of both genders lmao), moreso just worried if her friend's feelings will ever bear fruit if its someone he felt like he couldn't attain. Maybe she was only open to the idea because it's Nicol, or maybe she's actually okay with it in general, who knows?

I think Katarina just has a heteronormative way of thinking rather than her having internalized homophobia (unless the two of those are the same?? I don't know I'm not socially aware enough for this qwq).

I've heard things about Japan is a country that's still sort of behind the times, still using old technology and is still pretty heteronormative to some extent. I doubt she had any opportunities to identify her sexuality or the kind of partner she wants when she's just living her life to the fullest and having fun. She didn't even get into anime and manga until middle school, only thanks to Aachan's influence.

From Volume 2, we find out that Aachan's taste in light novels and manga is the kind where she can project herself onto the protagonist in order to imagine herself having fun adventures with friends of her own, so probably a lot of shoujo or shounen series. Plus by high school, Aachan was really into otome games. I'm basically saying that not even media could have influenced Katarina's way of thinking, considering that Aachan (who is the one to provide and suggest the series they get into) seems to just only read NL content. Katarina knows Sophia reads BL novels when they both got older, but mentioned while she isn't completely disinterested in them, she feels like it's a dangerous rabbit hole to fall into. She was even a little bit transphobic to her co-worker in the magic ministry Laura (who is a transwoman) but not because she didn't approve of it, it was just kinda new to her because she didn't encounter things and people like that in her previous life.

We can only really grow to accept and understand feelings and perspectives like that by getting exposed to it, so you can't blame Katarina for being mostly heteronormative when she's never encountered stuff like that before.

I don't know, I feel like a lot of people in their youth these days are really able to identify or have courage to bring themselves out there thanks to the encouragement of the people around us and the influence of the media we consume. If Katarina doesn't have those media to help her, then she'll have to rely on her own self-discovery and the encouragement of her peers.

When it comes to her views on girlfriend-ship, we already know that Katarina adores and loves her friends regardless of gender (Maria being the biggest example), and whether or not she's just extreme in her appreciation of others or if it's a sign of her attraction to girls depends on the reader. Her worldview probably won't change unless her female friends finally become forward about their feelings instead of waiting for Katarina to figure it out on her own, if we get a clear stance on Sorcier's view of same sex marriage and relationships, or if we see a same sex couple in the story through Katarina's eyes. As the reader, we know/can speculate that Katarina likes both men and women, but she herself doesn't know that yet.

Since she's someone living in a Fantastical Middle Ages where the country is lead by a monarch, you gotta give her some slack for not assuming everything gets an OK in this new life & setting of hers.

Whether or not this is something that continues in future novels is something I can't really say. She maintains the same way of thinking that she does right now in the manga and anime as she does in the novels, nothing really changed aside from the fact that maybe she had picked up one or two tame BL novels due to being forced to by Sophia.

Again, I'm probably not the right person to ask when it comes to something like this. If I said anything wrong or insensitive, feel free to correct me! I'm not socially competent nor analytical enough to dig deep into Katarina's psyche qwq

Thank you for the ask! qwq

[aislingyngaio-games]

The Tifareth Balance

I think this goes all the way back to the gnostic tree, and how everything has to be brought into balance to achieve Final Heaven.

Introduction: Where the Characters Begin in FF7

At the beginning of the story, Aerith was treated all her life as special by certain individuals - Turks, Shinra/Hojo, Elmyra, Zack. This gave her a very young Queen Victoria levels of self-importance and obstinence, very self-centered world view if you will, and that's why in OG she's always asking Cloud what he thinks about her etc (which actually implies she's rather confused that she isn't already the center of his world somehow) during dialogue options. This is also I believe partially why she seems to sense Ifalna, Elmyra’s husband, and Zack enter the Lifestream, yet seems inured when two reactors, a plate, and the related mass loss of life occurred. Surely she should have been overwhelmed by the sheer number of souls passing back into the Lifestream, yet she seems perfectly deaf to this mass upheaveal and more concerned about her own earthly affairs as she meets Cloud? Sounds oddly cold for a steward of the planet who could hear its cries, however faintly. There’s no Obiwan-Alderaan moment for her at all. Her starting point is that she misses the forest for the trees.

Meanwhile, we have Tifa, who though in her youth was the center of a circle of friends, we learn during the Lifestream that none of them actually understood her, esp obvious during her grief over her mother's death. For an introvert, this is actually a deeply socially draining experience, and since then, given how one by one her social circle deserted her and the village for job opportunities, she is left to believe she's simply a cog in the Grand Scheme. She's always had to suppress her own self and think of others before her. It doesn't matter that she probably wants to leave the village that's been emptied of her peers - she's the chief's daughter so she must stay. It doesn't matter that she disagreed over the reactor bombings, for the Greater Good Avalanche must do something to save the Planet, so she had to acquiesant against her own wishes. It was she who worried and grieved most for the two reactor bombings and the plate fall and its associated loss of life, even though she still had Cloud with her, and realistically couldn’t actually hear the cries of the Planet. Her starting point is that she misses the trees for the forest.

In other words, at the beginning of the story, Aerith is too selfish and Tifa is too selfless. And as author Rick Riordan once wrote, "The most dangerous flaws are those which are good in moderation. Evil is easy to fight. Lack of wisdom… that is very hard indeed." (Athena, The Titan's Curse)

Aerith’s Character Arc in FF7

Over the course of the story, we see Aerith, even while leveraging her position and her blood against Shinra's encroachment, was equally afraid of her own powers. She ignored and hid herself away from the problems of Gaia, hiding under the protection of Elmyra for as long as she could. She disregards opinions and feelings of others like when she totally misjudged how to handle Barret's raw emotions over Corel at the Gold Saucer. She was not at all oblivious to Tifa's feelings yet still attempted to monopolize Cloud's attentions in front of her. This behaviour can be traced back to her need to stand firm against the Turks’/Shinra’s persuasions, though when used on regular people like the team, it is very offputting, abrasive, thoughtless and likely was what actually alienated her peers from her growing up. Ultimately, she made the fatal mistake of believing she knows what's best for the group in merrily skipping off alone into the Forbidden City (I mean, sure, we all know Cloud was unstable from the Jenova manipulation but there were 7 other sane party members who could have been consulted and split up before she skipped off unprotected?), and ultimately her fatal flaw of arrogance and selfishness caused her death. Not because she meant to die, knowing it will protect the planet, because she'd always intended to return to the team ("She talked about the future more than the rest of us"), but she died anyway because her arrogance and selfishness were her fatal flaw.

I think it is only in death, though unaddressed explicitly by the game story itself (which of course remains on the living party members, and therefore is the story of life, and how life still moves on after death), that she truly grasped the littleness of who she is. That ultimately, back in the Lifestream with all the other Cetras, she was finally able to understand that in the end, she was just another Cetra in the great battle against Jenova. Sure, she was the Cetra who summoned Holy, but it was actually doing more harm than good by itself. It was only with the collective power and force of the Lifestream, of all who were born of the Planet and all who returned to the Planet, that Meteor was able to aid Aerith (Holy) in pushing back Meteor. In accepting her ordinariness among the Cetra is when Aerith truly becomes the mother of Gaia, even if nobody other than the FF7 team will ever remember her name. Her legacy lives on in Gaia, along with the legacy every other Cetra died to preserve.

Aerith's character arc is to temper her selfishnes with selflessness, to care for the welfare of all instead of the welfare of a few individuals, and to recognise that she is but a small part in the greater plan, that it is ok to not be special. Her special blood didn't stop her from dying, nor was she alone the only saviour of the Planet. In the end, I believe that Aerith's journey in FF7 is her journey to understand that no matter how special she seems to be, in the end, the Planet will still live on without her too, with Nanaki as the probable successor to her decimated race's role as the new steward of the Planet.

Tifa’s Character Arc in FF7

As for Tifa, her character arc is the complete opposite: to temper her selflessness with selfishness. How odd a concept for a protagonist! Except it goes right back to the balance necessary to achieve Final Heaven ("The most dangerous flaws are those which are good in moderation"). Tifa is shy, she is reserved, she always puts the needs and wants of others above her own, even if she disagrees. She didn't challenge Barret when she disagrees with his methods. She didn't challenge Aerith even when her own feelings were hurt, yet still she was kind in the face of such unkindness (intentional or not). She suppressed her own feelings for Cloud and tries only to behave like a friend to him even though she feels more. And most damning in her character arc, she didn't challenge Cloud over the knowledge that "I waited... but Cloud never came." It was the only piece of the Nibelheim incident she could recall clearly, but because she was too insecure in her own memories (though the rest of the Incident could be chalked up to the trauma caused by her almost dying by Masamune, Cloud's alleged absence at Nibelheim wasn't, because she had pinned her hopes on his arrival and her disappointment was palpable) she allowed what she knew to be false to stand in between them for the sake of Cloud's mental stability.

I have posited in another post that Tifa is not only the heroine of FF7 but the co-protagonist as well, or at the very least the deuteragonist. It is very telling that 10 minutes after Aerith's death, the team went snowboarding, whereas when Cloud and Tifa were both broken emotionally by Sephiroth and had their joint Heroic BSoD moment, the game experienced a timeskip. How odd that the permanent physical death of a valued party member didn't stop the game dead but the death of Cloud and Tifa's trusts in their own memories did? Yet it is important to mention as too many times already Tifa has simply been dismissed as unimportant, as simply the crutch, the guide to Cloud's story and nothing more. This could not be further from the truth. Tifa's story does not simply inform Cloud's. Tifa's story is ENTWINED with Cloud's. Even as their stories run parallel to each other's, crossing the same events, their arcs are both independent AND interdependent on each other's. Tifa is not simply a plot device or the narrator or whatever one calls Tifa in an attempt to dismiss her role in the bigger FF7 story. (And I mention this because even some Tifa fans forget this in their desire to whitewash Tifa's culpability in the Northern Crater affair, which is actually a key turning point in Tifa's hero's journey)

Someday perhaps I will write a full breakdown of Tifa’s hero’s journey (because it’s honestly frustrating to see claims – even from Tifa fans – of Tifa needing a character arc of her own when it’s always been in FF7 all along if only players will take off their protagonist/Cloud-tinted glasses) in greater detail, but for the sake of the discussion of her arc in the context of the gnostic tree and the role of balance within oneself, I will simply say this: that it is only in the death of her trust in herself, and in seeing the emotional death of the one she holds most dear (Cloud’s mental stability shattering at the Northern Crater), that she learns she cannot simply stand passively by even in the face of what she knows to be wrong, just to protect someone else’s feelings and wants. She learns that even inaction has consequences. That she has to be brave enough, assertive enough, just selfish enough to place her own needs and desires, her own thoughts and beliefs, on an equal importance to the rest of the party, even the Planet’s. That just because the world is ending, it doesn’t make her personal struggles any less important than the world’s problems, it doesn’t mean the problem can be ignored or that it will simply go away, or even that it’s unimportant in the grand scheme of things.

She erred, she fell, she “died”. And she learned, she grasped the second chance with both hands, and at Mideel, she stood firm and said, “This is where I want to be. Being with Cloud. Caring for him.” It wasn’t revenge she pursued any longer, or high-minded abstract ideals like saving the Planet. She still would help save the Planet if she could, but for once in her life, she put her foot down and make clear her own priorities – to be by the side of the one she love above all else. And she could make this decision without jeopardizing the Planet because of her ordinariness. She wasn’t imbued with special powers or special bloodlines or special keepsakes and her absence will most likely not affect the Planet’s safety or lack thereof. Even in her absence, we are sent on story missions that still ended in failure – heck, even after Cloud and Tifa rejoined, the Huge Materia space mission still failed anyway, because the point is... just because one wants to save the Planet doesn’t mean one can (after all, summoning Holy didn’t work either, at least not at first).

This is also paralleled with Tifa’s caring of Cloud: there was literally no guarantee that Cloud will ever recover from his Mako poisoning – he could be a vegetable forever, and yet this is still Tifa’s choice. This isn’t just about Cloud, but about Tifa asserting her desire to be with Cloud even in the face of both world destruction and his permanent vegetative state. This is who Tifa wants to be, who Tifa chooses to be. This isn’t something being pushed onto her as part of some “greater good” that she should ignore her own wants and needs for. (And to all those who deride Tifa as being weak for making her choices all for one man, remember that feminism isn’t about a “strong independent woman who need no man”, it’s about having the right to choose who we wish to be without being forced by any societal expectations of us. “Life doesn't make any sense without interdependence. We need each other, and the sooner we learn that, the better for us all." — Erik Erikson. If anything, Tifa choosing to stay by Cloud’s side is the very definition of feminism – it’s not about what we do, rather, that we have a right to choose without being shamed for what we choose to do)

Yet in the Lifestream is when she truly finds herself together with Cloud. She learns that, though she believed she is too ordinary to be special to anyone (remember, though she was the center of her group of friends in her youth, none of them really looked back when the time came for them, or at least she thought none did more than mere talk anyway), she was actually the reason for Cloud’s entire journey, that he reciprocated special feelings for her, that he always intended to return for her. She learned that, just as Cloud’s impetus was her reason for taking up martial arts (one of the few acts of “rebellion”/assertiveness in her youth where she was probably pressured to stay in the village either due to her father’s position or her gender), she was the reason for Cloud’s desire to be a hero too. Tifa was special in her ordinariness. She meant enough to someone who meant enough to her.

Tifa’s arc is to recognise that though she won’t ever be important to the Planet as an individual, she was important enough to the one that mattered most. It is not wrong or “selfish” to find individual love and prioritise it equal to the needs of the Planet. And in the end, it was this revelation and resolution of both her and Cloud’s mutual feelings for each other that gave Cloud the strength he’d previously only accessed from despair five years ago, the strength to defeat Sephiroth. And it was only with Sephiroth’s defeat that Holy was unleashed, and only when the Lifestream joined its chorus that the Planet was ultimately saved. In the end, it was the importance Tifa “selfishly” placed on her own wants and needs that saved Cloud, and by saving him, the Planet as well. If she’d been told that Cloud’s predicament, a single individual, was nothing in the face of the end of the world, if she hadn’t been just that little bit selfish in the face of her extreme selflessness, it might have simply brought them nothing but destruction.

Conclusion

In this sense, I believe that Aerith and Tifa were indeed developed to be two halves of the same whole. They started off as two extremes in terms of personality – Aerith was self-centered, assertive and intransigent, while Tifa was selfless, passive and insecure. Yet these are only negative traits when taken to extreme, and by meeting each other, by learning from each other, tempering and moderating each other’s behaviour, by Aerith learning to be more considerate, more humble and more persuadable (because my god, was Aerith utterly brattish and unbearable in Remake before she met Tifa), by Tifa learning to be more assertive, more confident, to take pride in herself, the two halves of a whole bring each other to balance and become better versions of themselves for it.

"The most dangerous flaws are those which are good in moderation. Evil is easy to fight. Lack of wisdom… that is very hard indeed."

P.S. tagging @enigmaphenomenon as it was your twitter thread that inspired this post. A lot of the thoughts in this impulsive post probably definitely needs a hell lot more refining by more critical minds but I hope this is a good starting point for discussion.

[lassieposting]

Bit late and random but it's the anon you leave food out for here to give away I am also bi and I think exactly the same as you about bi val pretty much, every time Derek offers me representation my reaction is to slowly, hesitantly take it and say "thaaaaaaaaanks..." while rolling my eyes, in much the same way one accepts their least favourite flavour of sweet from an annoyingly enthusiastic uncle-type-individual. Ironically I feel I had more in common with her before the bi shit started up.

What I find really amusing is that Landy actually did reasonably well at representation when (and only when) he wasn’t trying. 

Oh god, this got long, anon, my ass rambled.

tldr; I'm glad actual bi people dislike bi val (or how Laundry handled bi val) as much as me, this will probably offend at least one person but i don't really care, Dirty Laundry wrote better rep when he didn't mean to write rep at all, and if he ever starts trying to "represent" groups I'm part of I'll take him out back like a dying horse and shoot him.

Like, yes. He had stupid and potentially offensive shit - I say potentially because what offends one member of a group won’t necessarily offend all of them. His attitude to mentally ill people is, frankly, disgusting. We’ve had “Skulduggery can’t be abused, he doesn’t have feelings”. We’ve had “eVeRyOnE iS bI eVeNtUaLlY”. We had Ping, who seemed to be pretty much universally offensive. And that's what's always going to happen when a straight, cis, white, wealthy, male author tries to write marginalised groups he doesn't know shit about, because inevitably he's going to fall back on stereotypes.

But we also had:

SEXUALITY REP: Phase One's nonstraight characters were treated like the straight ones, and like, isn't that the whole point? There was no need for a massive Coming Out Story TM to grab for those sweet sweet Woke Points, because sexuality isn't supposed to be important to mages. I never understood why Val needed that whole Coming Out Panic storyline. Like...Des and Melissa are ridiculously supportive, encouraging, loving parents. They accepted you dating a ~19 year old when you were ~16. They accepted you revealing you could do fucking magic and that you'd been lying to them for like seven years. They took your undead buddy in stride and the most pressing question your dad had was whether magic toilets exist. There is zero reason to think that "I'm bisexual" is gonna be the thing that makes them flip and throw you into the streets in disgrace, Valkyrie. Come on.

Tanith had girlfriends and it was just mentioned casually, because it's normal.

China had massive UST with Eliza. That was an opportunity right there to not only include a f/f relationship, but also to bring back one of the few precious surviving characters from Phase One, using characters and a relationship that already had several books' worth of setup and tension and interest from fans.

The Monster Hunters have a casual conversation about which one of the Dead Men they'd date.

Ghastly has a conversation with Fletcher about the pain he's been through being in love. He never uses any pronouns.

It was confirmed at one point re: the Dead Men that at this point, after 300-odd years, everyone's been with everyone else at some point.

Thrasher is gay, and while Scapegrace's...everything...is treated as a joke/comedic relief, Thrasher's love for him isn't. He's completely devoted to Scapegrace, and that in itself is not played for laughs, even though the rest of the scene usually is. Thrasher's description of their first meeting is essentially a love-at-first-sight situation for him.

"ABNORMAL" RELATIONSHIP REP: Age gap relationships are normal for mages. Off the top of my head, using only canon, canon-implied or almost-canon ships:

Ghastly/Tanith (~350 year age difference)

Tanith/Sanguine (~250+ year age difference)

Tanith/Saracen (~350 year age difference)

Caisson/Solace (~250 year age difference)

China/Gordon (~400 year age difference)

Kierre/Temper (~500+ year age difference)

If you include fan ships, there's also things like Mevolent/Serpine or my Mevolent/Vile, which are both ~600 year minimum age gaps based on the timeline, or Valdug (and its variations) which is ~400 years.

Now, whether you consider this kind of rep positive or negative is up to you, but it’s there.

MENTAL ILLNESS REP: more like "Which characters in this series don't have a mental illness or a personality disorder?" I have some of these issues, but not all of them, so this is just how I read it, but:

ADHD: Skulduggery

Dissociative Identity Disorder: Skulduggery & Vile

Dissociation: Skulduggery again, most notably in DD and DB

Schizophrenia (or similar): Valkyrie & Darquesse, Valkyrie "seeing" Darquesse's ghost thing in Phase Two

Impostor Syndrome: Reflectionie

Autism: Clarabelle

Trauma/PTSD/CPTSD: Skulduggery, Valkyrie, China, Ghastly, Erskine...pretty much everyone has a believable, understandable, morally grey trauma response in this series. People struggling with trauma are spoilt for choice of characters to see themselves in.

TRAUMA REP: This series is a trauma conga line, but everyone has a believable, understandable, morally grey trauma response in this series. I see little bits of myself in more than one Phase One character.

Childhood Abuse (of varying degrees & types): Skulduggery, Carol & Crystal, Omen, Fletcher, Ghastly, China, Bliss, Sanguine...

Estranged Family: Skulduggery abandoning his crest, Fergus & Gordon, China & Bliss

Bad Romantic Relationship: Skulduggery is also very clearly an abuse victim. He’s got a solid history of romantic attachments to women who manipulate, use and gaslight him for their own agendas.  There's a whole paragraph in SPX about how Abyssinia broke him down, isolated him from his friends and preyed on his desperate need to be loved, all classic abuse tactics.

And I’m personally a huge fan of this backstory for two reasons:

1) Society likes a plucky victim in media. The "My suffering made me stronger" type of victim. And it's not always like that in real life. Not all survivors come out of their abuse stronger or kinder or more understanding. Some of us come out cold and fucked up. Some of us end up as emotionally stunted, bloodied-nails-and-bared-teeth survivors, broken in ways that can't be fixed and sustained by enough rage to power a small sun. But society doesn't like to tell the story of that kind of survivor, because we're not usually a likeable protagonist. When we're shown in media, we're usually the sympathetic villain, or maybe the antihero. But Skug is someone who's done awful things and lost pretty much all his faith in humanity and been burned more times than he can count, and he still makes the conscious choice to try and be the good guy when he could so easily go Evil Supervillain on the world, and I don't know about any of y'all, but I've modelled myself on him in that. I've made the choice to do something good when all I really want to do is just become a horrible, shrivelled ball of nastiness and revenge. And that's because I saw him do it and realised that I could do that too.

Skug is an incredibly capable, strong, masculine Man's Man. He gets in fights all the time, and he usually wins. He's military, an industry that's Really Bad for stigmatizing weakness and mental illness, and he's right up at the top of the hierarchy. Almost everyone is afraid of him. He's a straight up cold-blooded killer. Skulduggery Pleasant is precisely the type of person who's not normally portrayed as a victim of anything. Nothing about him screams "victim" at all. But his abuse history is insidious. He's so conditioned to respond in a certain way to abuse from the women in his life, probably from a very young age, that despite all that strength and capability and stubbornness and ego, he just goes along with it. And it's an established pattern going back hundreds of years. He keeps going back to China, even though he knows she's bad for him and his friends keep telling him to stay away from her. Abyssinia latched onto him when he was traumatized and vulnerable and weaponized it against him to make him easier to control - and when she reappears, hundreds of years later, she jumps straight back into using, tmanipulating and gaslighting him and not only does he let her, he doesn't even seem to realise that behaviour is abusive. He thinks it's normal! That's how he's always been treated by his long-term girlfriends, with the notable exception of Wifey. Even when Val is being fucking nasty to him in the first couple books of Phase Two, sniping and lying and blaming him for everything under the sun, he just takes it. There's no attempt to tell her she's being unreasonable, no telling her to fuck right off and give her head a wobble, no defending himself even when she's bitching over something that isn't even his doing. And this is a man who has an absolutely gleaming steel spine the rest of the time; Skug has no problem saying no to anybody else, but he can't get past the way he's been taught to treat the important ladies in his life. Skug is a walking reminder that anyone can be a victim of abuse, even the ones who seem least likely to be susceptible.

GENDER REP: This one is the most iffy out of the bunch and definitely was not done very well in the eyes of the people who matter most, but I'll include it anyway because it mattered to some.

So there's Nye, who's...agender? Genderless? And uses "it" pronouns? Nye was generally considered horrible rep because it's also a war criminal and experiments on people and I've seen people say "Well I don't want to be seen like that" but? It's still possible to be a war criminal and also genderless. I never saw the two things as being related or relevant to each other.

There's also Mantis, who's in exactly the same gender/pronouns boat as Nye and always seems to be forgotten about, which sucks because Mantis is a war hero. It fought for the Sanctuary during the War and they never lost a battle when it was in command. It's called out of retirement to fight for the Supreme Council in LSODM, ends up fighting alongside Skulduggery during the Battle of Roarhaven, and ultimately dies attempting a very brave, very risky strategy. Mantis is, unreservedly, one of the good guys. It was also my introduction to sentient beings using "it" pronouns, and did it in a way that felt natural, so when I met my first person online who used "it" pronouns and hated to be referred to as he/she, it was...weird, but not as weird as it would otherwise have been, because I was like, "Oh yeah, like the Crenga. Okay."

And then there's the Scapegrace sex change plotline, which...I might have an unpopular opinion on this one. From what I’ve seen, trans people don’t seem to think was handled well or with any sensitivity at all. I’m not trans, so if the trans community says he was being offensive to them, I’m not going to claim otherwise. But...I first read the Scapegrace plotline as a young teenager in a tiny rural school with zero diversity, going through a period of being deeply confused about my own gender identity. He was more or less my first introduction to the idea that genitals =/= gender. I was relieved, at that point in my life, to read someone having a lot of the same thoughts I was having about being in the wrong body. So while it may have been badly done and yeah, the series would probably have been better without it, it did make at least one kid suspecting she might not be cis go “Huh! So there are other people who feel like this.”

Thrasher is also implied to be legitimately trans/gender-questioning, and that's not played for laughs either.

So? Phase One, while it absolutely had faults and issues and things that were just "Oh god why", was actually full of rep, at least compared to the other series that I read as a child/teen. But? As soon as Dirty Laundry started trying to be woke? He fucking sucks ass at it. Aside from confirming Phase One's hints that Skug has a background of abusive relationships, every single attempt at shoehorning rep into Phase Two is Bad.

The painfully OOC, forced, badly-written awkwardness of Val suddenly being rabidly horny for women out of fucking nowhere. The stilted, forced cringiness between her and any of the women she's flirted with - contrast that with Sorrowscorn's interactions, full of natural chemistry that had us all like 👀 I mean, I never shipped Val/Melancholia, but I could always see why people did - they had miles more chemistry than Val/anyone in Phase Two.

The fucking mess that is v*litsa, because if someone says "I'm really not interested in friendships/relationships right now", clearly the route to true love is to bulldoze their boundaries and forcibly insert yourself into their life and proceed to treat them like a delicate soft uwu flower, completely ignoring the horrible things they've done, while gleefully damning their best friend as an irredeemable monster for the exact same things, which is. You know. Gonna affect your so-called love's self-confidence and self-esteem because she knows she's no different to him. Y'all know I love an angsty ship, an unhealthy ship, a ship with fucked power dynamics, but I literally cannot roll my eyes any further back in my head at this shit. I never read Demon Road, but from what I've heard from friends who did, it does seem like every time Laundry tries to write an f/f ship, he comes up with a cringey abusive/manipulative caricature and tries to call it rep, and he needs to Stop.

Val's Mental IllnessTM arc. It's funny how he wrote Skulduggery as a wonderfully complex character with deep-rooted psychological damage and long-lasting trauma, but believes he wrote a character with "no feelings" - but when he tries to delve into the damage the world of magic has done to Val, he turned her into a weak, whiny drug addict who treats everyone around her like garbage and is so selfish and dislikeable that I? Honestly can't even reconcile Phase Two val with Phase One val. They're two completely different people. He's shown on Twitter that he doesn't have any respect for mentally ill people, and it shows. Other mentally ill people might see it differently, but the whole thing just makes me go "yikes".

Never, who has no personality outside of being genderfluid, and whose pronouns make no sense. I'm sorry, I have never met an nb person who insists that you change from male to female pronouns multiple times in a sentence, every time you refer to them. It's confusing as fuck. Now I have been told that Never has apparently received some character development in the last couple books, and if so, fair play, but I quit reading after Midnight, and Never and the rest of the personality-less new characters introduced in Phase Two who just seemed to be 2D Stereotypes to snag Woke Points were a big part of why, so. Development too late, I'm afraid.

(Now, if anyone is looking for a well-written genderfluid character, I recommend the Tawny Man trilogy by Robin Hobb. I have a lot of issues with her as a writer, and unfortunately I hate her POV character which puts me off the series as a whole, but she wrote the Fool/Amber/Lord Golden and their gender identity/approach to sexuality with so much more respect and realism. That is the kind of rep nb people should be getting: 3D, complex, realistic characters whose gender is only a tiny fragment of their personality, not the be-all-and-end-all of their existence. You know. Like cis people get. Nobody wants to be represented by a 2D cardboard cutout stereotype.)

Anyway idk how much sense this makes it just really amuses me that Laundry would include all this rep completely unintentionally and then go on Twitter and remind us all that actually he's a massive asshole via insensitive/offensive tweets about the groups he'd actually done a fair job of including (i.e. Skulduggery has no feelings, mentally ill people should find another series to read, the bullshit about Val being "heteromantic bisexual" on Twitter and then spouting all the "the woman she loved uwu" shit in the books (proving he has no idea what he's talking about), eVeRyOnE iS bI eVeNtUaLlY. He can only write half-decent rep when he's not trying and he inevitably outs himself as having a really shitty attitude towards those people anyway, proving that ultimately it's all either unintentional rep or performative wokeness.

[zuckarr]

My thoughts on Arlo the Alligator Boy!

Just finished watching Arlo the Alligator Boy, I loved it overall, but there are a few things that they could've fixed easily in my opinion! I'll write down a quick list before the hype fades and I forget:

!!! SPOILERS FOR ARLO THE ALLIGATOR BOY !!!

-Bertie is a GREAT character, finally a fat character that everyone can relate to and isn't just a funny sidekick! But she never said the word 'fat', why? There is nothing wrong with being fat, I'm fat, and saying it out loud is a revolutionary thing to do. The movie is super strong against fatphobia because they weren't afraid to give dignity to a fat character, by letting her be a co-protagonist + by letting her dance and by showing her fat limbs, but It would've been great to hear her say something like 'I'm fat' and Arlo responding with 'so what? I'm green and we're still best friends!'

-I don't really understand why Arlo would even need to go meet his biological dad, considering the amazing adoptive mother he has. Don't get me wrong, I understand wanting to go out and see the world and meet people and find out where you come from, but the feelings of emptiness concerning a biological parent are a bit unclear to me. This is probably something only adopted kids could understand. I'm trying to think it could also be about finding yourself, but to me, blood will never be thicker than water. I'm a person who was traumatized and abused by my own biological mother so I would honestly die to have a good mother, no matter if it's a step-mother, adoptive mother, mother figure... I'm probably biased, but I am glad that a lot of adopted kids will relate to Arlo and see him get a happy ending nonetheless.

-They didn't do a good job with worldbuilding... are half-animal people judged by society? Am I just supposed to guess it? Why would Arlo's father risk everything just because his son looks like an alligator more than a human, when there are fish-people, cat-people etc. all around and they seem to be doing fine? Is it a metaphor for disabled children who 'don't come out right' and their parents reject them? (God this feels disgusting to write, I'm gonna puke if I just think there are actually parents who do that to their kids)

-SORRY BUT I AM ITALIAN AND I HAVE TO SAY THIS... TONY WENT CRAZY OVER PEPPERONI PIZZA BUT PEPPERONI PIZZA ISN'T EVEN A POPULAR THING IN ITALY!!! THE POPULAR ITALIAN PIZZA IS *M A R G H E R I T A*

-Why was 'the beast' just a muscly furry dog who looks like he's from Beastars and WHY DIDN'T WE GET TO SEE BERTIE VS THE BEAST OMG I WANT TO SEE HER KICK BUTTS

-What's with the random adult jokes... they kinda feel out of place, were the authors trying to make adults laugh? I'm an adult but I didn't really laugh to be honest! I was overwhelmed with the cuteness of this movie and it was just so fucking weird to suddenly see a cow and a cat making out??? Also the 'get a room' joke was so... bad????

-No capitalist would be like Arlo's father... because you just can't become a billionaire by being a decent human being. I'm not justifying him, he's made mistakes (good job at throwing your son away), but he's clearly still kind at heart. Wouldn't get him far in the rich world lol, but I'll accept it, it's nice to think a rich person could be a nice one.

-I find Arlo's design a biiiiit not-as-cute-as-it-could've-been? Idk I feel like they could've improved it, but this is just my taste!

-The songs are kickass, I love them ALL

-This is a wonderful movie and you should all watch it!! 🐊💚

[cinderelliee]

My final character opinions before Chain of Iron...

Just finished my reread of Chain of Gold ahead of Tuesday’s release!!! I am posting my thoughts/opinions of the main cast so that after Chain of Iron I can see how or if my feelings change. Spoilers: most of my opinions are going to be that I don’t know enough about them lmao. I love the big cast of characters, but that unfortunately also means less time is spent on each one.

Disclaimer: I know that I love some characters that people hate and vice versa. My intention is not to start anything, but more to be more open about what I think about the characters. It’s okay to disagree and just because I say I don’t like a character, it does not mean I believe they are badly written...

Alastair Carstairs:

One of my favorites of the series, and possibly TSC as a whole (let’s see how the series goes first). I love him so much and I can’t wait to see how his story goes. I love that he keeps everyone at arms length and pushes everyone away, but he would also go to any length for the people he loves. I think he has a gift of being able to see people as they are, and notice things others don’t. Probably why he was the one, not Cordelia, who saw what was wrong with his father and kept it from his sister. I’m sure he used to look up to his father like Cordelia did, but instead suffered great disappointment when he learned the truth. And then when he went to the academy, finally having some time away from it, all he found was more disappointment. He did what he thought he had to to survive. And I think along the way he sort of lost himself.

I do think Alastair should make amends with the Merry Theives, but less for their sake and more for his own. I think his journey is more about finding and forgiving himself. There are other ways to live and survive than hurting anyone who gets too close to you. I think he started that journey in Chain of Gold when he dyed his hair back to black and broke up with Charles. But fixing yourself is easier said than done, it’s not one choice, but something that you strive for everyday. His journey actually reminds me a lot of Matthew’s; they have a lot in common and I think their paths will parallel each other’s. I also think Thomas will be a catalyst for Alastair’s growth, as well as a helping hand.

I can’t wait to see his dynamic with the characters this next book as he tries to return to his true self. It’ll be interesting to see how his relationship with Elias plays out too.

Anna Lightwood:

I really like Anna so far. I think she’s very unique and exciting. I love how dedicated she is to being true to herself, but at the same time cares deeply about her loved ones and shows it. Often times I feel like characters like her often act like they’re above showing affection towards their family, so I was pleasantly surprised when she wasn’t. This is probably because her parents love and support her, so she never had to scorn familial love.

Romantic love is a different thing. Now, my two pieces about her life style is: why don’t we all just have a good time. I know there’s some people who didn’t like that she called her many partners ‘conquests’ and that she had a little black book. But I didn’t really see that criticism until recently and I’m confused as to what people thought Anna was doing? Would they rather her not keep track and forget them all? It’s perfectly healthy to explore your sexuality as long as you aren’t harming yourself or others. I know Anna is seen as older, but she is still only 19 (I think? 20 at most right?). She’s still on her journey to figuring out who she is. She is a bit self-centered and definitely privileged (see her relationship with Ariadne), but if she didn’t have flaws there would be nowhere for her to grow from. I highly doubt Anna will be living her seductress lifestyle by the end of the series

Personally, I cannot wait to see how her relationship with Ariadne plays out. Hopefully Anna will have some healthy confrontation with how she reacted to her heartbreak and why. Anyway, Anna is definitely one of my favorites.

Ariadne Bridgestock:

She seems like an interesting character, and I like how she’s not afraid to go after what she wants. I’d like to know a little more about her past and motivations. I also think she’s in a really difficult situation with her family and who she is/wants to be. I think she made a really understandable choice when she engaged Charles, and I support her journey in winning Anna back (I don’t not agree with the people who judged her for not backing off from Anna. She is fighting for who she loves and we are all fools in love). I think she has a lot of potential, but I can’t quite say that I like her yet since she’s probably the character we know the least about.

Charles Fairchild:

No opinion. I don’t love or hate him. No feelings whatsoever. The only thing I care about is the possible drama he will cause for Alastair and Thomas or the Clave as a whole lmao

Christopher Lightwood:

This boy is great! I have no complaints about him at all. He is precious. Honestly I’d just like to see more from him! His lines always make me chuckle. Also I’m not convinced that he would be able to create a antidote before the Silent Brothers would’ve been able to. But whatever, it’s just a story so who cares.

Cordelia Carstairs:

I just think she’s really neat. She is a fantastic protagonist and definitely on her way to becoming my favorite TSC lead, other than Tessa, obviously. I love her strength, kindness, relentless resilience, and how headstrong she is. I think it’s hilarious how straightforward she is. There’s so many scenes where she just says exactly what she’s thinking and just surprises everyone around her because they underestimated her or never expected her to so forcefully share her opinions. I adore her relationships with everyone. Her and Lucie are adorable. Her relationship with Alastair is so sweet and watching them rebuild their relationship was one of my favorite parts of the book, and definitely something I’m looking forward to. Matthew and Cordelia’s relationship is one of my favorites from the book; I love how they challenge and surprise each other (I think they could learn a lot from each other). Her interactions with the Merry Theives in general are perfect.

One thing I will say is there just wasn’t enough of her. I was very surprised when I read it that James and her were basically co-protagonists. I didn’t expect James to have such a prominent role, usually the split between the girl and boy lead is 60/40 at most, but this felt more like a 50/50 split. I just would’ve prefered more from Cordelia I guess, but that’s just me.

Grace Blackthorn:

So at first I was neutral towards Grace. I didn’t care about her at all, but after I came online and saw how many people hated her and acted like her was a villain, I started liking her more. She obviously is a victim of her mother’s manipulation and she doesn’t want to do what she’s doing to James. It’s clear to me that she is doing what she can to survive and to help her brother, the only person she truly cares about. Since she is also one of the few characters that it’s unclear where her story is going to end up, I am curious to see how her story goes.

I know there’s some people who just wanted her to be a villain, and I totally get that. But I feel like if she was, we would get a less complex character. Cassie’s villains, with the exception of Jonathan perhaps, tend to be one dimensional (which is fine because that’s not the reason I read her books anyways!). I also don’t really think she needs much of a redemption arc because she’s just trying to survive.

James Herondale:

This is where I’m going to get a little unpopular. I don’t love James, BUT I don’t hate him either. I am just not interested in where his story goes at all. I think I get what Cassie’s goal was with his character. He doesn’t have Will and Jace’s dark past and he’s not a morally grey bad boy like Julian. James is caring and sweet and noble and has a good family and I can totally see why people like him. For me, he still fills the same exact role that I’ve seen, not just from Cassie, but other YA books as well, and I’m just tired of it. His motivations are doing whatever he can to protect his loved ones and doing things because they are the right thing to do. He is willing to lay down his life for the greater good. I just can’t see anything about him that feels new. The only times I’ve felt anything towards him is when Jem, Cordelia, or Matthew were making me feel something for him.

It could be because I don’t really care for Cassie’s plots and his arc is so heavily involved with all the Prince of Hell stuff. And the bracelet just pisses me off in a bad way. The solution to it is so simple that it just frustrates me, but does not intrigue me at all. I will say I like him better with the bracelet off so I’m hoping in stays off this next book so I can enjoy his POV a little more. I really want to like him, but I just don’t connect with him at all. I wish Cassie had come up with something other than the bracelet as well.

Jesse Blackthorn:

Imma be honest: at the moment I don’t really care about Jesse either. I don’t know enough about him. But it seems like we’re gonna get more from him this next book so I’m reserving my judgement until then. In Chain of Gold I noticed most of his scenes were pretty expository or he was passing along information, but we never really got to know much about him. Hopefully I will like him in Chain of Iron though!

Lucie Herondale:

I really like Lucie so far! My favorite part about her is that she is so practical, but also able to loose herself in whimsical fantasies. She is totally 100% Tessa and Will’s child!! I don’t have much to say other than I love what I’ve gotten from her so far, but I just need a little bit more to connect with her. I’m hoping Chain of Iron really explores her darker side and her motivations. I kinda have a feeling this next book will either make or break my opinion of her.

Matthew Fairchild:

Anyone who has been following me for a while now could probably guess that Matthew is my favorite from TLH. I don’t know what it says about me, but I relate to him on a personal level. Although I haven’t made the same mistakes he has, (thank heavens for that!) I do know how he feels. I do know what it’s like to have something happen, that’s completely your fault, and have it change your life into something completely different than you thought it would be. I have made a lot of posts about him so if you want more in depth details, they are on my blog.

I’m just going to say that, very similar to Alastair, I think that Matthew has a lot of amends to make, to everyone in his life. And his journey is what I look forward to the most. He’s made a lot of mistakes, huge ones, and I know it’ll probably get worse before it gets better. But I hope his story isn’t going to be as sad as everyone believes, (I don’t think it will be, since a vast majority of Cassie’s characters eventually get happen endings) it just means a lot to me that his character doesn’t end up a tragedy. Like I said before his relationship with Cordelia is something I am really looking forward to. And his relationship with his family as well.

I love him your honor. *if I loved him less I may have been able to talk about him more*

Thomas Lightwood:

I really like Thomas!!! I favorite thing about him is that he can so easily see the beautiful and worth in everyone and everything (which makes him perfect for Alastair!). I love how gentle and kind he is. So far what I have seen from him has been so great. And how he was able to carrying on despite his sister’s death and then Christopher’s illness was really admirable. But I’m going to say for him as I’ve said for most: I want to see more from him!!! I have faith that his and Alastair’s relationship with be the best part of the book, so I have high hopes!

Okay!!! I think that’s everyone!! Let me know what you think?? Do you agree or disagree! I would love to get into some discussions with people to pass the time until the release!! If anyone wants to make their own post, please tag me!! I’d love to see!!! Do you think I have enough ‘!!!!!!!!!’?