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#and the fact that if this is how the series will end
eclipsiolos · 1 day
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BF!CHRIS x OVERTHINKER!READER headcannons
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summary: what’s it like to be chris’s girlfriend, who is a really bad overthinker :)
warnings: contains smut!
ᯓᡣ𐭩 SFW
bf!chris who..
always makes sure to give you his undivided attention, hanging onto every word you say like it’s his first time having a conversation.
“mhm.. and what happened next, baby?”
“i’m listening, keep going.”
bf!chris who..
is always so patient with you, always making sure to be gentle and soothe you. reminding you that he’ll always be by your side.
“i’ve got you, ma. m’right here.”
“y-you promise you won’t leave?”
“never, baby. i love you.”
bf!chris who..
drops everything and runs over to you when you cry, not taking his eyes or arms off of you for a second.
“oh, my baby girl. c’mere..”
bf!chris who..
always texts you in the mornings, letting you know where he is at all times. and always keeps his location on.
chris ❤️:
hey beautiful
heading to some burger spot with matt & nick
call me when you can, i’ll be at yours at 3
bf!chris who..
is always so quick to reassure you when you’re having negative thoughts about absolutely anything.
“no, don’t ever say that fucking shit again, y’hear me?”
“wh—what?”
“you’re fucking beautiful and i’m yours, always.”
bf!chris who..
has any girl who isn’t a really-close friend blocked. who makes sure to delete any girl in his phone at your request, and doesn’t follow any unnecessary girls.
“who else, baby? this one? matter a fact—i’m blocking all of them.”
bf!chris who..
always shuts down any mentions about you not ‘deserving’ him, or breaking up.
“no, nope—we are not doing this.”
“we can work—we work, baby. you are mine, no matter what. end of the story. now c’mere.”
bf!chris who..
is constantly affectionate with you in public, making sure everyone knows that you’re his, and his only. he either has you in his lap, or has his arm around you while he makes out with you at parties & events.
bf!chris who..
kisses you in every place you feel insecure about, holding you in his arms as he reminds you constantly how beautiful you are.
“where else, baby? here?” he murmured as he placed open mouthed kisses on your face. “mine.” he added.
bf!chris who..
always cuddles with you when you guys go to sleep, holding you in either his arms, or he’s in yours. and never lets go, insisting he needs to have you close.
“mm.. no.. not moving..”
ᯓᡣ𐭩 NSFW
bf!chris who..
always makes sure to be constantly intimate with you, so he can remind you that he’s yours.
“c’mon, pretty. do y’feel it?”
“just for you…”
bf!chris who..
constantly praises you during sex. wanting you to know how good you’re doing for him
“oh—god—chris..”
“doin’ so good f’me, ma. so.. perfect.”
bf!chris who..
absolutely loves missionary, or any type of sex that involves you face to face with him. oh—and he loves when you ride him.
“y-yeah.. baby. ride me just like that. oh my god..”
“am—am i making you feel good?”
“so good, my love. g’na fill you up, yeah?”
bf!chris who..
hates it when you cover your face or muffle your moans with your hands. and is quick to remove them, wanting to see & hear you.
“no, ma. lemme see you. need to see how good m’making you feel..”
bf!chris who..
is perfect at aftercare, only for you. always taking his time with you, cuddling you & smothering you with kisses as he rubs your back.
“my beautiful baby.. you doin’ alright?”
“m-mhm.. just—tired..”
“get some rest, pretty. m’right here.”
💌 definitely making this a series, and my next blurb will be matt i promise 😭. if this is too short, lmk
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yazthebookish · 13 hours
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Maybe I'll spoil you guys and talk about Gwynriel and ACOTAR5 and anything related to it overall. I recently finished my HOFAS reread and have some fresh thoughts. I'll let my thoughts guide me and some of these points I've already addressed in my insta stories yesterday. I just rather share a lengthy post here since I'll only tag under #gwynriel.
I often see arguments about how Gwyn and Azriel can't move the plot forward because the series is centered on the Archeron sisters.
First, that's not true because Sarah is following what she called "a traditional romance route". She's following the same patterns of Nalini Singh, Kresley Cole, and Lisa Kleypas where they publish multiple books in the same series following different couples.
This is fitting for a series like ACOTAR because it's romance-centered. And Sarah have already said that each couple is getting one book and there will likely be more books beyond ACOTAR6.
Saying that doesn't dismiss the importance of the sisters to the story, Feyre already has a trilogy centered on her. The spin-off just follows different characters including the sisters.
I won't try hard to convince people on this because I've already posted almost everything Sarah said about the spin-off series and what's it's about. So if the next book is not centered on an Archeron sister, that's for Sarah to bamboozle the fandom with.
One thing that stuck out to me is when I compared the ending of ACOSF with the scene of Bryce giving Nesta Gwydion and seeming like she left Nesta with a new quest.
First, this is what the text says, and this is Chapter 80, the very last chapter in ACOSF:
Succeeding in the Blood Rite didn't mean the training stopped. No, after she and her friends told Cassian and Azriel most of the details of their ordeal, the two commanders had compiled a long list of mistakes that the three of them had made that needed to be corrected, and the others wanted to learn from them, too. So they would keep training, until they were all well and truly Valkyries. Gwyn, despite the Rite, had returned to living in the library.
1. The Valkyries are not yet a unit.
2. SJM only and specifically highlighted that Gwyn, despite the Rite, returned to living in the library. It was like "hey, remember all the talk Gwyn did about wanting to leave the library after two years? Yeah that's on hold a bit but keep that in mind". She didnt even add Emerie or the other priestesses to that sentence.
With Nesta being left with Gwydion to find out why the 8-pointed star was tattooed on her, I don't think the next book will start with "hey Elain take this sword and deal with it". Who are Nesta's main companions now? Gwyn and Emerie.
I'll be back to the Valkyries but let's just talk about Azriel for a bit.
It is so painfully obvious to me that Azriel is being handed the Illyrian plot on a golden platter. How big or small of a plot it is depends on SJM, but it's important based on the fact that she fleshed out the Illyrian's origins and tied them to the crossover AND making Truth-teller the knife of Enalius.
That is a big deal for an Illyrian like Azriel.
And I quote my friend Lacie on this, it is very poetic for Azriel to be the owner of the knife that originally belonged to the person who freed his own people from the Daglan's clutches, perhaps because he saw his people are more than just slaves to the Daglan—how powerful would it be for Azriel, who loathes his own people, to parallel Enalius.
And for years some people were against Azriel dealing with this plot because he shouldn't make peace with his "abusers", its true his own family and some Illyrians failed him but he is condemning an entire population. Good people like Emerie and Balthazar. Even Rhys's mother, who had valid reasons to hate her people especially as a female, still made sure to make Rhysand connect with his Illyrian heritage and he even goes on to say that his mother didn't forget what they did to her but still loved her people.
If both Cassian and Rhysand (and by extension the author) continue to flag Azriel's hatred of the Illyrians as an issue—then it is a damn big issue for it to be addressed repeatedly.
Okay so to address my final point about Gwyn and Azriel and how they can move the plot forward.
Now I didn't detail out much about what the next book will deal with because that's another post (and I already have a post on that).
All of our theories and predictions are based on information that is available to us. Saying Azriel and Gwyn cannot move the plot forward does not make any sense because the central plot is tied to multiple characters, Archeron or not.
If SJM wants to make a character move the next book's plot forward, she can do it because she's in control of the story. She's in control of the narrative. She's in control of the characters.
The characters are puppets and this is an unfinished story. If some characters would add more value and make for a more interesting story before the others, she can decide on that. If she wants to make Eris the protagonist of the next book, she can easily do that whether the fandom wants it or not.
Let me give you an example of minor characters that pushed the plot forward and became main characters: Yrene Towers and the Hind. These kind of arguments could've been used for them in HOEAB or HOSAB and Pre-TOD. Before HOSAB/HOFAS and TOD, could we have predicted that they would have played a crucial role before those books? Not likely because they had minimal appearances and were not part of the main cast. This is what I'm talking about.
You can't know how a character will contribute to a story until you see how it all unfolds. We can make guesses on the information we have which is why I believe three characters are likely to join the main cast: Gwyn, Emerie, and Eris.
Why is it so easy to accept that Emerie might be sharing a book with an original character like Mor but it's hard to comprehend the fact that Gwyn could also share a book with Azriel? Because Emerie showed up in ACOFAS? To me that's not really a strong argument based on Sarah's writing and what we have in the books, she doesn't really pick based on who showed up the earliest. Here's a good example: Hypaxia, who showed up earlier, didn't even get her own chapters but the Hind did.
And there's one argument I recall about how I need to rely on Nesta to have a plot focused on Gwyn or the Valkyries in the next book. Nesta's arc is clearly not over based on HOFAS, but does that mean she's getting a POV? Not necessarily. I don't think she is. Gwyn is the perfect candidate for us to see what's going on with Nesta post-HOFAS and how they all deal with the Valkyries and whatever Sarah will set up with them.
There is this whole Valkyrie/Illyrian conflict that could be triggered as a result of the Blood Rite, with Ramiel definitely being an important location to explore in the next book, we also have the Pegasi and the Prison and the implications of the crossover. It makes sense to have an Illyrian and a Valkyrie POV to deal with some plots in the next book.
"Gwyn contributes to nothing" we can't know until the book is out. How sure are we that maybe SJM won't connect her to the crossover by making her mysterious father a Worldwalker? Or Prince of Hel? Or an Asteri? Maybe I'm right maybe I'm wrong.
"But Koschei! And the Human Queens!" Koschei will always be a background player pulling on the strings until the final book as it's obvious he is the big bad in the series, unless someone even worse is revealed. But no one is dismissing Koschei or the Human Queens messing around.
Literally what's the point of the story or the fun elements of surprises or plot twists if you need Sarah to list down everything that the next books will deal with. That's not how a story develops to me. I don't need to know everything in advance to just know how it will go. That's like knowing spoilers early on and checking off with each book what happened and what didn't happen. I feel like it's close to how a lot of readers were disappointed with not having enough ACOTAR in HOFAS, because Sarah implied half of the book would be set in Prythian. So by the time the book came out and it wasn't that, people were vocal about it.
In my opinion, SJM set a good foundation for Gwyn's arc to build up on in ACOSF and her arc is not over. We won't get mentions of her still carrying the guilt of her sister's death or not leaving the library after she said she's sick of being there for two years without us seeing resolution for that. She wouldn't be in Azriel's bonus chapter if she is not involved with him.
To conclude, my reread still affirms to me that the next book with an Azriel/Gwyn book. Azriel is clearly being set in the forefront.
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ahgasegotarmy116 · 23 hours
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Just Take It | Jeon Jungkook | Part 7
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Summary: Your friend "date" with Jungkook is interesting but thankfully the events from this morning don't prevent you from having a good time. Pairing: Inexperienced f!reader x Best Friend's Dad Jungkook (20 year age gap) Word Count: 3.8K (I'm sorry it's short but I wanted to get it out since it's been way too long) Warnings: No real warnings other than slightly jealous and possessive Jungkook (but we all know that's a good warning 🤭) a/n: It's been fucking four months I'm so sorry 😭 It's been so hard for me to update my series recently since my attention span literally sucks right now so one shots have been a lot easier to get out but hopefully some of you guys are still around to read this story 🥲 p.s. the last third of this isn't edited at all so please ignore any nonsense 😅
After Jungkook and I finally agree on an outfit for me to wear we head off to whatever mysterious location he's taking us to. 
"You gonna pout all the way there?" he teases, pointing out my crossed arms and legs and the fact that I haven't spoken to him since we left. "I told you I hate surprises" I grumble, the feeling of the unknown making me uncomfortable. 
"You've gotta live a little Darling" he teases and goes back to driving. He hands me his phone that's plugged into the aux as a sign for me to put on a playlist and that brings up my mood right away. He chuckles when he sees me put on my favorite song since he knows that music always lifts my spirits.
"You're never gonna get tired of this song are you?" he sighs, this being the twelfth time he's asked. "Nope" I answer, popping the 'p' at the end. "This song came out when you were two years old" he chuckles, trying to clue me in but I don't pay any mind to it. "All the more reason to like it!" I argue back and he shakes his head.
"Perfect Man by Shinhwa is a masterpiece and I will accept no arguments" I say, making my statement on the matter final. 
There's a quiet air that's hung between us for a couple moments before when both bust out laughing. "I swear we never fail to have the same conversation every time I play this song" I point out and he smiles.
"That's because I love watching you defend something with your whole being. It's cute" he says and my throat gets dry. 
This being the first semi flirty comment he's thrown at me since everything happened. Well, besides commenting on how I look because who wants to be told nothing after putting on a cute outfit, even when he's the one who's chosen it. 
His comments have been nothing but respectful so there's no harm in letting him do as he pleases but it's just making this whole friends ordeal a lot harder.
~~~~~~
As we pull up to the place he had kept a secret from me I realize why he had me wear this specific outfit since from the looks of it we've come to some sort of ropes course. 
"I've never been to one of these" I say, marveling at the zip lines, ropes, ladders and pulley systems that are strewn about this forested area.
"Do you wanna give it a try? We can always just go to the restaurant they have here but I thought I would still offer it since I told you I had something fun planned for us" he offers, leaving the choice up to me but I nod my head immediately, really wanting to try it out. 
"Yeah?" he chuckles when he sees my excitement grow. "Yes! Come on let's go!" I say, grabbing his hand and trying to drag him along.
"Wait a second Bunny" he chuckles, holding me back and I watch him as he opens the trunk and grabs a big hoodie for me to wear. "So we don't mess up that pretty little top you're wearing" he says and the playfulness around the statement making my heart skip a beat. 
"I could've brought my own" I say but he shakes his head in protest. "It's easier this way so you don't have to worry about it getting dirty, now arms up" he says and I furrow my brow. "Jungkook I can put it on myself" I laugh but he doesn't find it amusing. "I know, arms up" he orders and I do as he says, laughing at the no doubt comical sight of him struggling with it. 
"You know now that I think about it it's a lot easier to take your clothes off than it is to put them on" he casually says, making me wack him in the arm once the hoodie is on properly. "Friends Jungkook. Or I can go back to calling you Mr. Jeon" I say with an arched brow and he chuckles. "Friends" he agrees and closes the trunk.
"So can we go now?" I ask, glancing over at the course before looking back to him for approval. "Yes Bunny go ahead" he says, giving me the go ahead and following after me as I make a bee line for the equipment room. 
"Hi!" I say excitedly to the guy at the counter when it's my turn to check us in. "Hey, first time?" he chuckles, me looking around at everything with a childlike wonder in my eyes. "Yeah! I honestly didn't even know a place like this existed around here" I admit, Jungkook again taking me to a place I had never been before. 
I guess he really is determined to take all of my firsts. 
"Well I hope you'll come around more often then, there's a whole lot more to experience than just these ropes" he says and in my awestruck state I don't notice the suggestive tone behind his wording. 
"You find something you like?" he asks, my sight going past him and looking at all the harnesses. "I have a friend that's coming in a second so do you think you could get us two?" I ask while pointing at them. 
"Sure, is your friend as pretty as you are?" he asks and before I can even think of a response someone is interrupting our conversation. "I would think so" I hear a deep voice say behind me, his hand placed on my hip in a slight possessive manner making my breath hitch. 
The boy's eyes widen a bit, looking at the dynamic between the two of us and doesn't exactly know what to make of it and decides to go find harnesses for the both of us. 
"What was that?" I ask, whipping around and glaring up at him. "What? We agree to be friends for a little while and suddenly you're ready to jump ship?" Jungkook says, crossing his arms and watching as the boy not so casually glances over at us. 
"He was just being friendly" I scoff, knowing for a fact that he wasn't but playing into this oblivious act I had accidentally fallen into. "Right...friendly" he says in a monotone, not wanting to get into a senseless argument and taking the high road. I don't miss the way his hand balls into a fist for a second before relaxing it once I've decided to drag him over to look at the little souvenirs they have in the shop. 
"Alright here's a harness for you, and one for you sir." the employee says, a flirtatious tone in his voice when he addresses me and a more strict and professional voice when he addresses Jungkook. 
"Did you want some help putting that on?" the boy asks, clearly just taking it as a chance to get closer to me since Jungkook's slight display of possessiveness of me wasn't a big enough clue that we may...or may not be together. "Oh no that's okay, I'm sure you've got other things to do" I deny, stepping into it on my own and in true y/n fashion I end up tripping over one of the straps. 
"Careful Darling" Jungkook says, steadying me on my feet and when I look back over at the boy he's awkwardly frozen with his arms out, having intended to help me but decided against it since he was smart enough to realize that it might not be the smartest idea. 
I look between the boy and Jungkook and see how Jungkook hasn't stopped glaring at him no matter how uncomfortable the boy is. "Looks like you've got other customers to help" Jungkook says, nodding towards the people at the counter, clearly looking to check in just as we did. 
"Right, well let me know if you need anything" he responds, his focus completely on me as he relays his message. "I will" Jungkook jumps in and the boy nervously glances between the two of us before heading over to the counter and helping the group of four that just came in. 
"Was that really necessary?" I ask, my arms crossed over my chest as Jungkook tightens the harness on me, making sure I won't need any 'help' with it later. "He was trying way too hard and he clearly couldn't get a clue about us" he says, his glare still prevalent in his direction. 
"Jungkook there isn't an 'us' right now okay" I say and he sighs. "Keep on telling yourself that" he mumbles quite enough that I couldn't make it out when another crowd comes in. "What was that?" I ask but he quickly brushes it off and herds me out of the store before it gets even more crowded. 
As we wait for the group to now gather in the waiting area outside neither of us have spoken a word to each other, stealing glances every so often since we just can't help it. We're attracted to each other and from my point of view I don't think that's gonna change anytime soon. 
"Alright everyone can I get you all gathered over here?" that same guy from inside the shop calls out and we all do as he says with Jungkook cursing under his breath. "Fucking fantastic, he's our leader" he grumbles but I grab him by the arm and drag him so we can catch up with the group. 
"Come on I thought you said this was supposed to be fun" I say and he sighs, collecting himself and slowly changing his attitude. "Alright I'm sorry Darling" he says, not dragging his feet or sulking anymore and putting that nonsensical jealously out of his head...at least for right now. 
"Alright welcome welcome everyone to BranchBound Adventures! How's everyone doing today?" he asks and we all let out cheers of excitement but what I don't notice is the way that Jungkook looks at me with a soft smile when he realizes again how much I'm loving this already. He takes a mental note to bring me here again soon so he can watch that same childlike excitement bloom again. 
"Excellent, looks like we've got a fun group here today! Well my name is Jayson and this is Kimberly and we're gonna be your BranchBound Buddies, sound good?" he says and I can't ignore the way Jungkook snorts at the title they've been given but it's only loud enough for me to hear thankfully. 
"Behave!" I scold, not wanting to turn this into some sort of immaturity contest when he knows damn well he's a grown ass adult and he should not be acting like this. He holds his hands up in surrender when he sees my glare but can't help but smirk at the fact that Jayson as we've recently found out his name is watching our exchange. 
As the day goes by and we're close to the end of our little ropes course adventure Jayson decides it's now or never and decides to make another move. 
"You've done a great job today! Didn't know you would be so good with ropes" he says, not hiding the fact that he's probably imagining using these ropes on me in a completely different context. "Yeah I didn't know I would be either" I chuckle and look over and see Jungkook glaring daggers into Jayson's forehead while he hooks me up to the zip line.
"Did you want to go nice and slow or fast?" he asks, his eyes drinking me in but I don't pay him any mind as I just watch the way that Jungkook is reacting to our exchange. "Y/n?" Jayson asks, breaking me out of the trance I had been lost in, thinking about what Jungkook would do to me after this if we were together. 
"Sorry what?" I ask and I can tell that he's pretty much starting to get the memo at this point. "Nothing, just tuck your legs in close to you if you want to go faster" he explains and I nod my head and wait while Jungkook gets hooked up to the other line thats parallel to mine. 
"Wanna race?" I challenge him since I know he would never back down from one. "What do I get if I win?" he says with a smirk.
"Whatever you want..." I say nervously and I have a feeling I'm going to regret that. "...but I want ice cream if I win!" I say to wipe away the tension but he brings it right back with his claim if he wins.
"I want a kiss" he says and when he clearly sees the way that I'm gearing up to protest a simple cock of his brow silences that. "You said that I could have anything I want right?" he asks I sigh and nod, my energy to go back on my word dissipating. 
It's just one kiss right?
"Deal" I agree and he can't hold back the smile and vote of confidence it gives him. "Get ready to lose" he says and before I have a chance to argue back Kimberly is counting us off and in my semi scattered state Jungkook takes off before me giving him a ten second head-start. 
"No fair!" I call after him when I'm finally able to catch up and he let's out a hearty laugh. "You're the one who proposed this whole race Bunny" he says making me look away, 'his timing with that nickname is always impeccable', I think to myself as I hide my blush.
"Hurry up!" I hear him call out as he is suddenly a lot further down the line than I am. "Hey!" I laugh, deciding to put that thought away to not sour my mood and just focus on there here and now. 
Once I finally get to the end Jungkook has already gotten unhooked from the zip line and is standing victorious waiting to claim his prize. 
"You only won because you're taller than me" I grumble as if I'm actually upset that he won when in fact the thought of him putting in effort just to kiss me make my heart beat faster. "I thought smaller things were supposed to be more aerodynamic" he teases in response but I huff and stand in front of him, clearly waiting for him to claim his reward. 
"I didn't say when I was going to kiss you" he teases and walks away and back toward the shop where we had first come from since our time is up. "Hey!" I protest again, not liking the slight embarrassment he caused me. 
"Oh come on you'll be okay" he teases as he takes his harness off and then helps me out of mine after. "Whatever" I huff and something behind me catches his eye and before I'm able to turn around he's knocking me off my feet and giving me a rather over exaggerated kiss if you ask me to the point that people are whistling and hyping us up.
I hit on his chest when I'm finally running out of air and he carefully puts me back on my feet and when I catch the sight of Jayson staring at us with an unreadable expression on his face I know now why he did that. 
"You're insufferable" I huff and fix my rumbled clothes from his breathless kiss but he doesn't seem bothered in the slightest. "Interesting response after receiving a kiss that made you blush but I'll take it" he shrugs and we both head back into the gift shop for the last time so Jungkook can no doubt flaunt the fact that from Jayson's point of view we're together. 
Honestly I could care less and I won't deny that it was hot as fuck watching him get angry with the very minimal interactions Jayson and I had but I won't let him have that satisfaction. "Didn't realize you were so insecure" I taunt and make sure his eyes are on me before I look over to where Jayson is still clearly watching us and give him a flirty wave goodbye with Jungkook hurrying to usher me out. 
"I wouldn't be insecure if you were mine already so until then you'll have to be patient with me" he says through gritted teeth, a reaction I was hoping for from that little stunt I pulled. "I can manage" I say and walk off towards the only restaurant here where I'm sure he was planning on taking me and when he follows me and has a hand placed low on my waist to guide me there my suspicions are confirmed. 
"Reservation for Jeon" he says to the host at the front desk and while he looks for it Jungkook's demeanor is a little softer, that soft maturity coming back from having us in a controlled and relaxed environment. "Right this way Mr and Mrs. Jeon" the host says and I practically choke on air at that, the title mistakenly given to me sending my heart into overdrive. 
"Don't worry she's fine, come on Honey" Jungkook reassures the waiter as Jungkook encourages me along to follow him to our table. 
Once we're seated our waiter comes by immediately to bring us water since I had clearly caused enough of a spectacle to garner a hurried solution for my coughing fit. He gives us our menus as well soon after and leaves us be, allowing me some more space to compose myself. 
Jungkook can't hide the smile he's had since my reaction had started and has turn slightly smug at seeing the blush it had caused me. "Shut up" I grumble and take another gulp of water having traded his glass for mind since I had practically drank mine in one go after that. 
"I didn't say anything" he chuckles leaving me glaring at him. "But your face did" I say after having put my almost empty glass back down on the table. "Oh yeah? And what is it saying now?" he asks, leaning forward as if he was giving me a better look at it. 
"It's saying that you're enjoying the fact that I'm still squirming over the thought of being called Mrs. Jeon" I say and he sits back, proud of my intuition. "Impressive Bunny. Better get used to it though" he says cockily and I narrow my eye at him and scoff. 
"You're pretty confident for someone I technically haven't agreed to date" I say but his smirk widens before throwing out a playful 'Yet' and our waiter is back at our table before I have a chance to argue back. 
After the waiter has taken our order and a little while after is bringing out our food our conversations have gone back to what had been seen as normal for us. A slight flirty edge to his words which I not so subtly glare at in response always making him chuckle but it's getting harder and harder for me to want to do that.
Why should I scold him? It's not like I don't want him too...
As we finish up the day with the ice cream I technically did not earn we start to make our way back to his car where he opens the door for me and make it a point to put on my seatbelt so I can still enjoy the cone I'm almost finished with. 
"Thanks Dad" I tease after he's buckled me in like a child and I'm granted a sarcastic smile in return only making me smile harder. He closes the door and gets in on his side and soon we're on our way back to the house...
~~~~~
The ride back is quiet, comfortable but quiet with the only sound being the hum of my playlist coming through the speaker and the gusts of cool air coming through the vents but it's soon broken by the question he's been wanting to ask. 
"Did you have fun?" it's a simple question but I know thoughts of what had happened earlier today are coming back to him as we get closer and closer to the house. "I did, a lot actually. You're not too shabby at planning dates" I confirm and he glances over with a smirk. 
"I thought this wasn't a date?" he counters and I chuckle. "It wasn't until you kissed me" I say and he shakes his head. "A kiss equals a date, got it" he says quietly, tucking that information into his back pocket and I can't help but smile as I see a soft one still rests on his lips. 
~~~~
When we finally pull into the driveway and he turns off the engine I hold onto his arm for a second, asking him to stay in the car for a second so he does and sits back and keeps his eyes on me, waiting for what I have to say.
The thing is is that I don't know what to say, I don't even know why I asked him to stay in here but he just watches me fondly, not rushing anything and waiting patiently for me. 
"I don't think we can be friends" I say, looking down at my lap so I can't see the expression he has on his face. "What do you mean by that Bunny?" he asks, that nickname making my heart skip a beat like it does every time and I shake my head, still looking down at my lap. "I mean, I don't wanna be friends" I say hoping he'll understand and when he lifts my chin I expect him to ask me to explain what I mean but instead I'm met with his lips on mine.
They're not full of passion or lust or anything of the sort. Just pure longing and understanding, understanding of the want to go about things at my own pace, an understanding that he's okay with going slow and that's all I need. 
"We can go slow" he says after we've broken the kiss, audibly confirming what he had physically displayed and I bite back a smile and nod before placing a soft kiss on his lips. 
"Thank you" I whisper and he pulls away to get a better look at me. "Whatever for?" he asks in such a cute way I can't help but laugh. "For not forcing me or making me feel bad about my indecision" I say and he smiles and cups my face, brushing his thumb along my cheekbone, a sad smile on his face at the thought of what I might've gone through with Jared that would require that sense of relief from his actions. 
"I'm sorry about this morning" I say even softer this time and he nods, "I know" and those two words bring me comfort in ways that he couldn't understand even if I told him.
I was scared shitless that I had messed things up, that I had done something that could've damaged us beyond repair but his words and actions from today told me nothing of the sort. 
His maturity shows that he knows what he wants and I want to open up and show him that in return...but I just hope I won't regret it.
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Snapshots of Desire (a Chemical Override minishot)
Ewan Mitchell x actress!reader
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a/n: unanticipated yet again, and you all have this anon to thank!
series masterlist ▪︎ main masterlist
Ewan finds himself in the throes of desire. For better or worse, it will always be you.
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August (after the nocturnal file, and before part five)
That dream was driving him insane.
He had awoken in the wee hours of the morning, the sun not having yet risen, and succumbed to his depravities. There was no way he was going back to sleep after that.
At least he was having an early head start. He jumped in the shower right away, because he was restless, but mostly due to the fact that he had to clean himself up.
He had been covered in his desire for you, so to speak, his seed coating the surface of his lower stomach. He felt shame - what would you think if you saw him like that? Would you turn away in disgust?
Or would you watch?
You would purr, Whatcha got there, baby?
He would reply, I'm all ready for you, darling.
Would you use your soft, delicate fingers to pleasure him? They would look so pretty, squeezed around his...
Fuck. He was standing in front of the bathroom mirror, a towel haphazardly wrapped around his waist, thinking that maybe he needed to jump back in for another cold shower.
He took a deep breath, a piss poor attempt to quiet his thoughts. You still flooded his mind no matter how he tried to spin things.
For fuck's sake, he hasn't even kissed you yet, and you were already the one and only object of his lust.
Only two days, and then he will see you again.
Only two days. Damn it, he needed to get a grip.
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December (during the 'chemistry read' in part six)
He knew it was you before he even turned your way. He didn't know why exactly. Maybe it was the particular swing in your step, the smell of your perfume, the shape of your body which he recognised even from the periphery.
This was a set up. His heart was lodged right in his throat, his mind going awry. He had not seen you since that night, and craved you so badly.
He often thought about it - what he would say when he sees you again. If he could even say anything. He was supposed to feel cold, wasn't he? It wouldn't be right for him to want you back.
You sat next to him. Well, at the farthest end of the couch.
He gave you a cursory glance. You looked nervous, your hands fiddling with the script pages on your lap.
Still so fucking beautiful. How could you not be?
"They're all in on it," he blurted out. That's it? That's the best you can do?
She's not everything. Not anymore.
Your responses were cautious, almost shy, as if you didn't want to annoy him. He realised how unpleasant he must be acting when you even offered to leave for his sake.
Please don't go, darling. He started to reach for you, but caught himself at the last moment. "Stay."
Stay forever.
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January (just before part seven)
Ewan was grateful for the holiday season. Time spent with family. Time off from work. Time to regroup and hone his craft for his upcoming projects.
Time to be with you. When his family questioned why he wanted to head back to London so soon after Christmas, he told them he had work commitments.
Your arrangement had started just before he went back to Derby, and it was all he could think about since then.
It was unfair to you, and it was wrong. But you felt so right against him, beside him, underneath him. You felt so fucking good all the time.
He always left afterward, right when he sensed himself growing weak and those three words were at risk of spilling out of him.
Would they even mean anything to you? He can't let you win. Not this time.
When you would reach for him after sex, searching for comfort in his eyes, he would turn away and pretend not to notice.
Once, you rolled onto your side away from him, your body unmoving except for the slight, occasional trembling of your shoulders. Ewan could swear you were crying. Because of everything.
Because of him, and what he demanded from you.
Suddenly, he felt like breaking. Breaking everything in sight. Travelling back in time to that meeting in New York and breaking Bruce's fucking jaw. Breaking down and pulling you snug in his arms. He wanted to whisper sweetly in your ear, I'm sorry, darling. I'm sorry. I love you.
He stood from the bed, going through the motions of putting his clothes back on, each one like the lash of a whip. Don't leave, you idiot. Hold her.
"I have to go," he said, the words mechanical and meaningless. It was always that.
I'll call you.
This was great.
Sorry, but I have to be somewhere.
He felt hollow. If he had a heart, it was no longer in his chest, with how cruel he felt he was being.
If he still had a heart, he was leaving it with you.
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March (the club scene in part ten)
Jenna held on to his arm as they walked the red carpet outside the nightclub. When the photographers had gotten their fill and they were finally cloaked in the shadows of the venue, she went off to find her friends.
She understood the arrangement, and played her part well. Ewan liked that she seemed just as irked with the whole thing. That she didn't expect more from him.
That she didn't expect anything real.
Ewan went through the motions, wading through the crowd and introducing himself to people whom he has only seen onscreen before. The elegant masks blurred together, none of them holding his interest for long. His mind was elsewhere, tethered to the entrance, waiting for you to arrive.
And then, there you were. His darling.
Ewan's breath caught in his throat. Your gown hugged your body in a way that made his pulse quicken. Your hair done up to perfection. Your smile was confident, your movements graceful.
You hadn't seen him yet.
You were the only one in the room, the only one who mattered.
When you approached him, he felt elated. You were taking time off. You both needed to figure things out. You couldn't be seen together. It just wouldn't work.
But there you were, seemingly drawn to him as he was to you. Walking towards him like a glowing mirage.
When you kissed him, he couldn't get enough. It didn't matter how many times you touched him or how often - it would never get old. He would always need more. His fingers would dig in the flesh of your hips, and he would crumble. Your tongue would slip past his lips, melding with his own, and he would cling to you like a vice.
He was an addict, and you were the substance.
Your dress was so fucking tight, it left little to the imagination, clinging to every dip and curve.
How easy it would be to lose control. To push you against the wall, lift the hem of your dress, and claim you in the shadows, away from the eyes of the masquerade.
No one would notice. No one would care.
The temptation was unbearable, your body practically begging for him to abandon his inhibitions.
But he couldn't, could he? Not there.
He almost felt like screaming when you were interrupted, even in the supposed privacy of the smoking room.
When he finally has you again, there will be no holding back.
Addicts need their fix, just as bodies crave warmth. Just as hearts thrive off of love.
Just as Ewan desires you.
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gothamhappiness · 2 days
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Being in a relationship with Bruce Wayne: a journey - Nothing official, right? IV
It's a big series about an afab!reader who doesn't like Bruce Wayne and who still falls in love with him (he fells quicker and harder)
Reader's origin story // Part 1 // Part 2 // Part 3
Warnings: no proof reading, wild cat!reader, mentions of sexual activity, soft!Bruce to you, you like to gently bully Bruce.
You knew that even if you had told Bruce that you wanted nothing serious, your relationship was actually shifting to something a lot more official.
Everyone was gossiping about the fact that the rich playboy of Gotham seemed to be only spending time with one girl lately. And you were pretty certain that indeed Bruce hadn’t had any kind of romantic or sexual relationship apart from you. You hadn’t either because no one really interested you. It didn’t mean you wanted to be “his” girlfriend.
You were still worried you would lose your credibility now everyone knew Bruce was seeing you. After all, the “son of Gotham” was always followed by paparazzi and you couldn’t hide your relationship forever.
At first, you heard whispers around you; you were just another girl to fall for Bruce. But you kept writing articles about the elite of Gotham and you kept pointing things out. When something was about WE, you simply informed Bruce you were going to publish an article about his enterprises. You kept doing your work. And the man never stopped you from doing so, because he loved that about you. You were ruthless to him, and he was finding it way too attractive for his own good.
The whispers quietened down.
Bruce took advantage of the situation by freely gifting you absolutely gorgeous dresses and jewels, without having to worry about “bribing” you anymore. He was inviting you to his favourite restaurants as well. 
But he was also eager to follow you to little cinemas and places you enjoyed and in which you were more at ease. You always ended up in a hotel room or at your place. You didn’t necessarily have sex, even if he often ended on his knees and in between your legs. At least until Batman was called for duty by Gordon or his kids (he made sure to finish you off before running away). 
After his missions, he almost always came back to you, and you always took care of his wounds and bruises. You were his safe place. His haven.
You never asked questions about what happened. You knew who he was and it was enough for you. You also knew Gotham’s media would soon enough talk about the last adventures of Batman. He was grateful you never interrogated him because he could forget about work when he was with you. 
His children, Alfred and even the Justice League noticed how his mood changed lately. Of course, he was still a grumpy bear but some of his usual anger and despair seemed to have died down. He was more relaxed and even more open to discussion. After all, when he was with you, and that you thought Bruce or Batman should have been better, you always let him know without sugarcoating it. He appreciated it even if it was quite a humbling down experience for him as well. More than once he hinted that he would love to have you working at Wayne Enterprises by his side, but you didn’t want to date someone who would also be your boss. Bruce didn’t answer back that if you were getting married one day, he could easily make you co-CEO.
After a few more weeks, Alfred told Bruce that maybe you could come over to the manor. Bruce hadn’t brought you at first because he knew you would have felt uneasy and judgemental there. And then, he wasn’t too sure he wanted you to meet his family. He had no idea how his children would react to you. 
And even if he loved them, he didn’t want anything to ruin your current relationship. Especially now it was getting obvious to everyone that you weren’t a one night stand, you weren’t just a girl Bruce fancied, you weren’t just some fun for a little while. It was obvious that Bruce Wayne was falling in love. Hard. 
And everyone was whispering about it behind his back, sometimes teasing even him right in front of him (but his deathly stares always made them shut up).
More importantly, everyone was curious about you. 
Of course the children easily found you and followed you around to discover who you were. They hated to admit it but you did seem like the perfect match for both Bruce and Batman. You were fearless, you were intelligent and kind. You were a true detective yourself.
They learnt about your past. They felt like you could understand them too. You knew poverty, you knew violence, you grew up with bad people surrounding you, and yet you decided to be a good person. You decided to stay and to fight for Gotham, even though you could have ran away. And they loved to read your merciless articles about Bruce and Wayne Enterprises. Of course, you calmed down once you started this relationship, but gosh they found some pretty good punchlines they loved to use against their mentor.
During the day, Bruce called you and offered to eat at the manor for once. You understood it meant that your relationship was getting even more serious than you thought, which worried you a little bit. It wasn’t your fault if you were a wild cat. You asked if he was going to introduce you to his family and he laughed.
“I didn’t have time to tell them how to behave around you, so not this time, love. Just you and me.”
“To behave around me?” you asked
“I’ve never presented anyone to them before. Not officially at least.” he explained
“But you want me to meet them?” you hummed
“They ask a lot of questions about you, and they love your articles, so I’ll guess at some point we’ll have to.” Bruce replied
“Sounds good to me… I just need to get ready for meeting all of them. You really need to stop adopting children, Bruce” you teased
“Can’t promise anything” Bruce admitted and you groaned
Unfortunately, the night you were supposed to eat and sleep at the manor was a very busy night for Batman. Alfred was kind enough to start chatting with you. He finally sat down next to you as you both enjoyed some tea while waiting for Bruce. You went along quite well and Alfred went to bed that night, very grateful for whoever sent you on his master Bruce’s path. You were some fresh air in the manor.
It was late in the night when Batman, Nightwing and Red Robin went back home.
Dick and Tim absolutely wanted to greet you and they sneaked into the dinning room as Bruce was quickly showering and taking care of his wounds. Tim was observing you with interest as Dick was being his charming self.
“So you’re the girl” Dick said
“People generally call me Y/N” you replied with a raised eyebrow and Tim chuckled
“Haven’t you read what she wrote about Bruce and Wayne Enterprises, Dick? Be careful, she might kill you with her words” he teased and you laughed
“Do you still stand by what you said despite the fact you are now dating Bruce?” Dick asked with a tilt of the head
“Oh yeah, Bruce is still a rich traumatised guy with a saviour complex, who adopts too many kids each year. The Brucie persona is complete bullshit and I still roll my eyes when I hear him use that voice” you nodded
“That voice?” Tim asked
“The “I’m the good son of Gotham so let me help you” voice” you replied with a roll of your eyes “Gosh, what an actor” you added and both the boys started laughing.
They instantly liked you.
“Why are you with him then?” Dick asked and you hummed in thought
“Despite everything, it seems that Bruce is actually… likeable and interesting”
“You seem disappointed?” Tim commented
“In myself? Yes, very much. In Bruce, well I’ll give him some time” you winked
The boys laughed again but they hoped Bruce wouldn’t actually disappoint you. You were such normalcy, fun and happiness in the man’s life. They were certain you could bring a lot of joy in the family too.
They knew you cared about him a lot more than you were saying when they saw how you got up and checked on Bruce when he entered the room.
“I’m sorry I’m late… Well I guess you were doing well without me” Bruce arched an eyebrow at the four of you; Dick, Tim and Alfred were smiling.
“Oh yes, I was just speaking ill of you, hon” you teased “All good?” you asked and he nodded
“Always when you’re around” he whispered to you before kissing you. 
It was the cue for everyone to leave the two of you alone. Bruce and you forgot about everyone else anyways.
--
PART 5
--
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Taglist for Bruce Wayne <3
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Taglist for this series <3
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ameliemaaaee · 2 days
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The Silent Witness - Oneshot Series
Series Masterlist
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People believe that the dead can't talk. They can, but only if you're willing to listen.
Y/N is used to the dead, she relishes in the cold hard facts of any case placed on her desk. She separates the world inside her lab from the one outside. but when the BAU whisk her away into a new world of psychology, where people's stories are at the forefront, she may be in way over her head.
Series Information Pairing: Season6!Spencer Reid x F!Reader Category: Fluff/Angst/Smut. Content Warnings: S6/7 Spoilers, Doyle Arc Spoilers, Canon Violence/Gore, Awkward!Reader & Spencer, Betrayal/Lies. Word Count: 17,467/? Author's Notes: A bit of backstory for this project; a couple of years ago I started writing a criminal minds story set around season 7. It ended up at about 100k words with very little plot development and got put on the backburner until I could decide what to do, I have decided to set it up as a series of events in Y/N's life that can be read alone, or as a series.
(1) How You Meet the BAU Team
Summary: Y/N finds herself enravelled in the depths of a puzzling case which can only be solved in conjunction with one infamous FBI unit. Content Warnings: Canon Violence/Gore, Awkward!Reader & Spencer, Platonic Hotel Room Sharing. Word Count: 7,986.
(2) How You Become an Agent
Summary: With a sudden career change underway you find yourself enraveled in a case that's more than personal for the BAU. Content Warnings: S6/7 Spoilers, Doyle Arc Spoilers, Canon Violence/Gore, Awkward!Reader & Spencer, Betraya/Lies. Word Count: 9,504.
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callsign-rogueone · 2 days
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questions
Ridoc Gamlyn x reader (sweetheart!) Part three of Ridoc and Sweetheart's story words: 2.9k 🏷: no real book spoilers, this will make more sense if you've read Resson (Garrick's version) but it's not required, set a week or two into Iron Flame, this is a sweetheart chapter so warning for intrusive / self-deprecating thoughts and anxiety spirals, I made a bunch of stuff up about Ridoc's life because RY never told us anything, Rhith being a cool mom, this hasn't been proofread, oops. gonna go have a bagel now byeeee
Rhith had told you that Ridoc would meet you at the gates at eleven — so naturally you’ve been standing there since 10:45, rocking back and forth on your heels and peeling your cuticles.
Why did you agree to do this? Actually, this was your idea — why did you bring it up? What if he’s not going to show up, and you’re just going to stand here for an hour like an idiot?
“Hey! Am I late?” he asks, startling you out of your thoughts. He’s a little out of breath, like he’d ran here, but he offers you a wide smile nonetheless.
You open your mouth to speak just as the bells chime. 
“Guess not,” he laughs when they’re done. “You ready to go?”
You nod, stuffing your hands into your pockets so he can’t see the state of your fingers. Thankfully it’s not too hot to wear your flight jacket. This is your first venture into town, and you don’t want to have your relic on display when you’re in a new place — just going is scary enough.
He leads the way — of course he knows where you’re going. He probably goes out every weekend with his friends; another way you’re completely different.
“I figured we could play twenty questions,” he offers. “Get to know each other a little more. You can go first, if you want.”
You take a second to remember how to speak again. “Alright, um… do you have any hobbies?”
“Coming up with jokes is pretty time consuming.”
“And here I thought they were all completely spontaneous,” you say, shaking your head. “Do you write them all down in that fabled diary of yours?”
He laughs. “Would you believe me if I said I didn’t actually have one?”
You tilt your head to the side, considering it. “Only because I don’t see you spending your free time sitting down, writing.” 
“You wound me, sweetheart. I assure you, I’m perfectly capable of writing complete sentences.”
“I never said you weren’t. I just said that I didn’t see you doing it.”
“Fair. Tell me about your book,” he prompts. “The one you’re always carrying around.”
“That’s not a question.”
He gives you a sly smile. “Well played. I’ll rephrase, then. What’s the book about? Do you like it?”
“That’s two questions.”
He laughs, warm and full. “I can’t get anything past you, can I?”
“Three.”
“Okay, okay. The first one, then — what's it about?”
“The main character is a trained assassin who is called before the king to join a contest to become his hitman, basically. But the contestants keep getting murdered in the night by some creature that they can’t track down.  It’s part of a series, but I’ve never seen the other volumes anywhere. I like to imagine a different ending every time I read it.”
“You’ve read it more than once?”
You ignore the fact that that’s yet another question, answering it without protest. “Yeah. I know that’s dumb, but it was the book I was in the middle of when my life went to shit. It’s technically property of the library in Aretia, but it was burnt to the ground, so I never gave it back.”
Your heart beats a little faster at the mention of your hometown, and you immediately regret bringing it up, but thankfully Ridoc seems none the wiser. 
“There’s nothing dumb about it if it makes you happy.”
You’ve just stepped into the tiny restaurant when a man that you guess is the owner sees Ridoc and pulls him into a tight hug. “I was wondering when you’d bring your girlfriend!”
Your cheeks warm, but you don’t correct him — that would be too awkward.
Ridoc doesn’t correct him either. “I set up Ezra here with ice that never melts,” he explains with a smile.
“It’s been a blessing. Keeps everything fresh longer, so I don’t have to waste it. You two sit — I’ll make you something special, on the house.” He disappears into the tiny kitchen in the back, leaving the two of you alone in the nearly-empty dining room. 
Ridoc gestures to a table in the corner, away from the door, and you settle into the chair silently. You can’t help but run through Garrick’s mental checklist — your back is to the wall, and you have clear sight of the two exits. You have a knife in your right boot and one in your left sleeve — plus the blunt one laid on the table in front of you. The fork would probably do more damage, though.
“I think it’s your turn.”
“Hm? Oh. Right.” You take a moment to look at him. “Why are you here?”
He gives you a stupid grin. “Because you asked me on a date.”
You roll your eyes. “No, I mean, why Basgiath? Why the rider’s quadrant?”
“Oh, I know. I just wanted to remind you that this whole thing was your idea. But really… probably because I’m an adrenaline junkie who feels like he has to prove to the world that he’s not an idiot. And I’ve always admired the riders and their magic. We can do some pretty cool shit.” 
There’s a pause, and his voice softens as he continues. “I know you didn’t want to be here, so I probably sound super ignorant saying all that. I do think it’s fucked up that you didn’t get a choice — and the way that they handled all of it.”
“I respect your answer. It was honest.”
His turn for a question. “How do you feel about it, really, being here? Not here as in here,” he clarifies, tapping the table, “but at Basgiath.”
You look at him for a second. “Is that your question, or…”
“It can be. But if you don’t want to talk about it, we can go back to the dumb ones.”
“No, it’s fine,” you say quietly, thinking for a second. “I’ve accepted it, but that doesn’t make it any less terrifying.”
He’s quiet, giving you space to elaborate — the same way Garrick does; not prying, but silently offering to let you tell him what you’re thinking, if you want to.
“Challenges are the one thing here that doesn’t scare me, because I don’t have to think about it anymore. I know what to do if someone takes a swing at me, and I know how to disarm someone, because Garrick made me practice hundreds of times. But everything else…” 
“Is uncertain and unfamiliar, and therefore scary,” he finishes for you. 
You’re a little surprised by the gentle tone of his voice, the lack of judgment in his words. “That pretty much sums it up.”
Another pause.
“I’ve had an anxiety disorder pretty much my whole life,” you admit. “I was that kid in school that everyone thought couldn’t speak, because I never talked to anyone, except my siblings. Liam was my first real friend who was my age. He didn’t mind the quiet. We would just sit together, and he’d do his wood carvings while I read my books. That was good enough for both of us.”
“Where are they now? Your siblings, I mean.”
You’re silent for a moment, looking down at the tablecloth and the barely distinguishable pattern of flowers woven into it. 
“I know that’s two in a row for me,” he says, backpedaling. “And you don’t have to answer if you don’t want to.”
“I had a brother and a sister. They were eight and ten years older than me, but they were my best friends. I think they knew that I didn’t have anyone my age, so they always let me tag along for everything until they left for Basgiath.”
“They went here?”
You nod. “As infantry. When they graduated, they joined Fen Riorson’s movement, and a few years later, they were executed along with my parents.”
“I’m so sorry,” he says softly. “I shouldn’t have asked.”
Something compels you to keep talking, to push past the awkwardness and condolences. “I don’t mind talking about them. It’s hard, but they were an important part of my life, and they deserve to be remembered. Losing them was devastating, but Garrick and my foster sister helped fill that void.”
You trace a fingernail over one of the tiny flowers. “I think… I think that’s why I kept pushing you away, and why I haven’t really made any friends here. Being marked doesn’t help, but I can never let myself get close to anyone, because everyone I’ve ever been close to has left me, one way or another.”
You can’t bring yourself to say “died” — and that wouldn’t be quite correct, either. Garrick is very much alive, last you’d heard, but he’s at least a twelve hour flight away. 
“I’m sorry,” he says softly. “I only met her twice, but she was always kind to me and everyone she met.”
It takes you a second to realize that he means your foster sister — as far as Ridoc and the rest of the school know, she’d died at Resson along with Liam and Soleil.
“She was,” you say softly. 
It feels weird speaking about her in the past tense. You know she’s not dead, that she’s safe with Brennan and the elders, but the last time you saw her, she might as well have been — she’d felt so cold, and looked so drained, unable to respond to you or even open her eyes. 
She has to be awake by now, starting to recover. She has to push through, if for no reason other than that it would absolutely shatter both you and Garrick if she didn’t. 
Ridoc exhales, choosing his next words carefully. “I really am sorry. You shouldn’t have had to go through any of that, especially so young. But for what it’s worth, which probably isn’t a lot — I think you’re handling it all incredibly well, and you’re really brave for it.”
You, handling anything well? and being brave? Yeah, right. You take a sip of water to cover the look of dry disbelief on your face, but he sees it anyway. 
“I mean it. Bravery isn’t “never being scared”, it’s “being scared but doing the scary thing anyway”, and you’ve been doing that every day for the last year — for your whole life, honestly. I think that’s admirable.”
You blink at him for a moment, surprised. 
“It’s true,” Rhith says gently. 
“Thank you,” you say softly — to both of them. “I’ve never thought about it like that before.”
He offers you a soft smile. “I think that’s enough deep questions for now. Thank you for telling me all of that, though. I’m sure it wasn’t easy.”
“It wasn’t,” you agree. “But I feel… lighter.”
“Lighter is good.”
Ezra arrives at the perfect time, holding a tray with two plates of steaming noodles and two glasses of water, placing them in front of you and making a quick exit.
Ridoc brushes a hand against his glass, and you watch the pattern of frost crawl over the edges as it chills itself near instantly. “Want me to do yours?”
You blink, realizing he’s speaking to you. “Sure. Thank you.”
He pushes the cold glass toward you, taking the other and chilling it for himself.
The question comes out before you can think. “How long did it take you to get used to the cold?”
He looks up at you, surprised. “Not long. A week, maybe. I run hot, so sometimes it’s kinda nice.”
You nod in understanding. He’d been warm to the touch when he’d wrapped his arms around you, and you’d melted right into him. That was a first. But so is this, and it seems to be going okay.
You both eat without further discussion, every minute of quiet a little more comfortable than the last. The food is good — better than anything they serve at Basgiath. 
“So, where’s home for you?” you ask after a while.
“Deaconshire,” he answers. “My dad’s still out there. It’s been just me and him for a while.”
“Not too far, then,” you comment, not wanting to draw attention to the fact that he hadn’t mentioned his mother. 
“Yeah. I’ve thought about going AWOL for an afternoon, just to see him for an hour or two. But at least the letters will arrive fast.”
“Right,” you say softly, pushing the last piece of pasta around your plate idly. 
It hadn’t really sunk in yet that you can write letters now, as a second year. You could write to Garrick, but it would be too dangerous to send anything to Aretia, with the professors reading everything to make sure there’s no classified information being spread. You might be able to write to the Duke, and hope he passes it on to the right people, but that would still be deemed suspicious. 
Maybe Bodhi could help you.
“Where’d Garrick get stationed?” he asks.
“Samara,” you answer quietly. 
He winces, knowing that’s right on the front between Navarre and Poromiel, but he recovers quickly. “He’s with Xaden, right? They’ll take care of each other.”
“Yeah.”
“They’ll be fine,” he reassures. “They were the two biggest, most intimidating dudes in fourth wing. Nobody’s going to mess with them — but if anyone’s dumb enough to try, they’ll get what’s coming to them. And they can definitely kick ass in the air, too.”
He’s right — they’ll be fine.
Probably.
“Yeah,” you say again, hoping it sounds convincing. “They can definitely hold their own.” But against wyvern… what if what happened to Deigh happens to Chradh or Sgaeyl, and there’s nothing they can do? 
You force the thought out of your head before the universe can hear it and make it come true. 
“You ready to head back?” he asks gently.
You nod in affirmation, and he gets up, finding Ezra. The owner bids him a cheerful goodbye that includes a hearty pat on the back, while you stand by the table and offer him a weak wave and a soft thank you.
The walk back to the school is quiet, only the crunching of gravel under your boots, but this time the silence isn’t as loud.
You’ve already said everything you needed to say, laid all your cards face up on the table and shown them to the other — almost all of them, you think with a little flare of guilt, but there are some things you just can’t tell anyone, for the sake of Tyrrendor in its entirety.
“This one’s mine,” you say quietly, stopping in front of your door. 
You call it yours, but it doesn’t feel that way. Just because you sleep here and your stuff is piled up in the corner, yet to be unpacked, doesn’t make it feel like yours, and doesn’t make it feel safe, despite the ward that Garrick had helped you put up before he left for Samara with Xaden.
Ridoc offers you a warm smile. “Thank you for taking a chance on me. I’d really like to see you again, if you want.”
“I’d like that too.”
He lingers, and for a moment you’re worried that he’s expecting something of you, but he remains a few steps away, his hands in his pockets.
“Thank you,” you add. “For today. And for finding me yesterday.”
“Of course, sweetheart. And next time you start to feel that way, you can have Rhith tell Aotrom to get me, okay? You shouldn’t have to deal with that alone.”
“Okay,” you say softly. 
He gives you another knee-weakening smile before he heads off, disappearing into a room that must be his — eight doors down, on the other side of the hall.
You make it inside just as the bells strike twelve thirty. The afternoon is still young.
You decide to unpack — starting by shoving the box of your sister’s things into the bottom of the armoire. You’d burned most of her stuff, to maintain the appearance that she’s actually dead, but you and Garrick had both taken some for yourselves. Malek couldn’t get mad about that, right?
You don’t know if you should worry what he thinks or not — you despise him for taking everyone away from you, but you need to remain in his good graces if you want to keep the few people you have left. But you aren’t sure how — it remains unclear what you did, or didn’t do, to deserve that. 
“It was nothing you did,” Rhith says gently, startling you. “And you didn’t deserve it.”
“Sorry,” you stammer. “I didn’t mean to project that to you.”
“We’ve talked about the apologies, sweet one,” she prods. “They’re never necessary.”
“Sor—” you stop yourself before you can finish the word. “I’ll work on that.”
She changes the subject for you. “I’m proud of what you did today. I know that was difficult for you.”
“It’s easier with him,” you say quietly. “I don’t know why, but it is.”
“Many things don’t require explanation. It is enough to simply appreciate them.” 
Spoken like a true green. “I wish I could be as logical as you,” you sigh. 
“There is value in both logic and emotion, but there is a balance to be found between them.”
You sit with the statement for a moment as you start to fold the laundry you’d shoved into a bag and dragged up the stairs when you’d moved, trying to smooth out the wrinkles to no avail.
“What do you think?” you ask. “about him, I mean.”
“I think he has a good heart. He genuinely cares for you, but it is your decision whether to trust him or not. And even if you do, there are some things that he can never know.”
“Yeah,” you say softly. “I know.”
“I’m proud of you, my girl.”
You’re a little bit proud of yourself too.
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chaifootsteps · 2 days
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I cannot STAND the idea that good intentions equates to capability, and that ESPECIALLY applies to parenting. I loathe how the Helluva fandom treats Stolas as a good father BECAUSE of his good intentions alone, not because of his actual capability to meet the expectations of a father. So, if you’ll permit me, I’ve decided that I’m gonna be reeeeeeal obnoxious for the next few asks by breaking down all provided CANON evidence in the Helluva Boss series on Stolas as a father to Octavia in the episodes where it is directly relevant. Also, as much as this is being driven by spite, I will genuinely try to be fair, and feel free to call me out on any missed moments or unfair assessments for each episode mentioned!
So, to begin, how is Stolas as a father to Octavia in Loo Loo Land?
Things he does right: 
In the past, he goes to Octavia when she cries out for her parents in the middle of the night.
He asks her what’s wrong directly, and validates her fear by directly calling her bad dream a nightmare. 
He does not bring attention to how late it is or that she woke him up, and takes the time to slowly calm her down again.
He reassures her that he will be present in her life, and sings her a comforting lullaby.
He tucks her back into bed and only leaves after he sees she has clearly fallen back asleep. 
In the present, he recognizes Via’s awake and asks her how she slept.
He tries to engage in her interests by asking what music she’s listening to.
He realizes parental arguments might be stressful and tries to remove Via from that situation.
He tries to spend alone time with his daughter at a place she used to really enjoy.
He recognizes that people of their status could be at risk and takes into account their physical wellbeing.
He tries to encourage Via to engage with her environment positively at Loo Loo Land.
He does not discuss the stressful home situation while they are walking around the park.
He goes after her when she runs off upset.
When he finds her, he removes his goofy hat to show he is taking the situation seriously, and opens conversation with a gentle tone and consideration of her being upset instead of anger/fear that she ran off.
He apologizes for taking her somewhere she didn’t want to go and apologizes for how complicated everything has been and how he hasn’t been listening to her. 
He apologizes for not being able to properly convey the complicated adult situations happening around her. 
He makes it clear that he will not abandon her and hugs her. 
He initiates their departure and validates that Loo Loo Land is not an appropriate place for her to be at her age or in her current emotional state.
He carries her out of the park while she is in a clearly emotionally vulnerable state and still needs his parental validation and support.
He focuses entirely on her as they are leaving the park instead of on the others or the actively burning attractions, which includes him proactively protecting the two of them from an attacker himself.
He tries to end the day positively by specifically asking her what she would like to do next and agrees to her suggestion.
He thanks her for her positive words and patience with him. Things he does wrong:
In the past, he does not reassure Via that her mother also cares about her and will be present in her life like him. Admittedly, Via’s use of “you” when explaining her bad dream COULD refer to Stolas specifically, but it could just as well refer to the plural “you” of both her parents, which could be supported by the fact she called out to both her parents after her nightmare. 
In the present, he did not pay any attention as her parent to the type of breakfast she prepared for herself when considering that she is still a minor, which seemed to consist of a cup of coffee and some fistfuls of cereal straight from the box. Ideally, he could have encouraged her to use a bowl and have some milk and water, or he could have offered to get those for her to alleviate any possible implication of him judging her meal. She is almost eighteen, so he should be trying to encourage her in little ways to be more proactive in how she feeds herself.
When she makes it clear that she heard him and Stella scream arguing and implies it negatively impacts her, he does not apologize for the fact she had to hear that or try to assure her that the situation is manageable as a parent. I cannot emphasize enough how damaging it is to children to experience loud, angry confrontations between their parents, and the fact she is more personally inconvenienced instead of scared/confused implies that she has witnessed many negative interactions between her parents.
When he tries to engage in her interests by asking about her music, he doesn’t try to elevate tensions by redirecting the conversation when her response leaves him feeling guilty. It might have been better for him to try and make the conversation less tense by asking her what genre it is or what other songs “Fuck You Dad” has made that she likes.
He lies about their day at Loo Loo Land being just the two of them by inviting IMP and flirting with Blitz throughout their time there.
He disregards Via’s extremely negative response to his suggestion that they go to Loo Loo Land.
He refers to staying at the house as a very negative situation. This is the house Via is supposed to feel at home in.
He makes EXTREMELY age, situation, and relationship inappropriate comments in front of his daughter while calling Blitz. I, similarly, cannot emphasize enough how disgusting his remarks around and about his daughter were, and that judgement would apply whether OR NOT she was a minor. 
He actively brings along an affair partner to his day at the park with Via and frequently flirts with him in front of her. 
He never denies or argues against Via’s observations of his and Blitz’s apparent sexual relationship including when she implies she does not enjoy knowing that they have a sexual relationship together. Remember, unhappy as he may be, he is still a married man who has brought along his affair partner while the daughter he had with the wife he is cheating on was with him.
Instead of asking about her negative view of Loo Loo Land or trying to encourage her to see the positive, he laughs off the awkwardness and changes the topic, pulling her away from the scene.
In the scene where we see Blitz’s bodyguard shenanigans, there is no visual or audio cue that Stolas is trying to have conversation with Via as they walk around the park.
When he is being surrounded by attackers, he does not attempt to warn Via or consider how she might feel about seeing that situation. After Blitz saves him, he doesn’t check on whether she was scared for upset by seeing that happen.
(Heads up, but any heavy bias in this next statement is because this is one of my most-hated scenes in the episode) While chasing after her into the Lucifer building, he willingly stops and POSTPONES FOLLOWING HIS EMOTIONALLY DISTRAUGHT DAUGHTER out of annoyance and confusion that Blitz has not personally dealt with the extremely minor inconvenience that is the latest attacker. After Millie saves him, he further delays going after his daughter by spending time asking Millie and Moxxie where Blitz is.
When Via explains her specific reasons as to why she didn’t enjoy coming to Loo Loo Land (her parents fighting and watching him flirt with his affair partner), he does not address each of the specific issues she brings up or apologize for his role in each of those specific issues.
By opening his attempted explanation of his and Stella’s marriage situation with “You need to understand-“, this insinuates that Via would be expected to be less bothered by the fighting and flirting if she knew that him and Stella were in an unhappy marriage, which can come across as invalidating the child’s negative feelings.
When Via expresses fear over him leaving her, he does not try and ask her why that was a worry of her’s and THEN reaffirm why she wouldn’t need to worry about it in the first place. And that’s it for Stolas as a father in Loo Loo Land! Feel free to tell me your thoughts and if you’d like to read my breakdowns of his good and bad from the other episodes!
Good breakdown! And keep in mind, this is probably the pinnacle of his parenting. It's all downhill from there.
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realmsalot · 13 hours
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I've been obsessed with Relativity Falls au for some reason lately so of course I've been turning around my own version in my head lately. And with Fiddleford I keep flip flopping on who I would switch him because there are many good options. Like
Fiddleford <> Pacifica:
This seems to be the most popular option, I've seen many old woman Pacifica designs, but I personally cannot see McGucket be the snotty rich kid that Pacifica was at the start. I CAN see how he could be rich (Tate McGucket probably invented something and got a lot of money for it) but CAN'T see him be anyway snotty about it. I think the best way to make Fiddleford fit this role is through a series of misunderstandings. He is trying SO HARD to be nice to these twin brothers who are spending their summer in Gravity Falls and he just keeps messing up. He tries to make a robot to help them out but it end up turning evil and they assume that it was ment to sabotage them from the start. He tries to have a nice conversation with them but because he's rich he's just out touch enough to come off rude and show offy. FIDDS IS TRYING TO BE NICE FROM THE START!
Fiddleford <> Candy
It is easily the second most popular option here. There really isn't much to say with this one it's probably the one that makes the most sense. I can easily see Candy going to Backupsmore and telling Dipper/Mabel about the weird things shes seen in Gravity Falls. The idea that Stanley and Fidds became friends first before Ford and Fidds is interesting. My main grip with it is that if we're going with the version where Dipper is swapped with Ford, it implies that Mable and Candy never really became friends in this universe, which I find really sad. Honestly I think that the main reason this swap exists in that context is because of that one episode were they go on a road trip and Candy got crush on Dipper mixed with fact that many people ship FiddleAuthor.
Fiddleford <> Soos
Hear me out, hear me OUT! I've seen a few versions where even when Soos' Grandma is swapped with Soos, they also add Fidds as a handyman at the Shack anyways. But why not go the whole way, ya'know? Soos was a friend that Dipper met and shared a dorm with in Backupsmore. Soos was still older than Dipper. Soos and Melody were already married with a kid on the way, and Soos was also Gravity Falls' local handyman. He decided to get college and get like a mechanical engineering degree or maybe a trade in something there because even in the small town of Gravity Falls technology was only getting more and more complicated and Soos wanted to be able to keep up so he can keep making money for his family by fixing things. During their time at Backupsmore, Soos would tell Dipper about some of the crazy things he's seen living in Gravity Falls, and that inspires Dipper to go study it after college. And then the rest of that rolls out predictably. I can easily (and sadly) see Soos becoming the local kook. I imagine that it will also be much sadder for the locals to see Soos acting up because many of them have memories of him coming to fix their microwaves and stuff. And as for Fidds, he's the Mystery Shack's handyman. You can make him around the same age as the Stan twins, we know that in cannon that Soos started working there around that age, so he doesn't have to be Soos' cannon age. I think this works best with Dipper and Ford switching places because in cannon Dipper and Soos were friends, so it kinda easily transfers, ya'know. I've put a lot in this one.
And uh yeah that's my incoherent ramblings...
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hotwaterandmilk · 16 hours
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I'm seeing "Wedding Peach was unsuccessful" trotted out on Twitter again and it's honestly kind of funny to me. You can dislike the series, but you're rewriting history if you suggest it was a massive commercial flop/astronomical failure — it simply wasn't.
The Wedding Peach TV series maintained viewership throughout its run which is why it aired an entire year's worth of episodes (the full length it was intended to run) and didn't get cancelled like Nurse Angel Ririka SOS, for example.
I'm not going to pretend it did Sailor Moon numbers, dear god, it absolutely didn't get close hence why it wrapped as it did. I would suggest looking back now, that it was the definition of a mid-performing title for the time period. It sold toys decently but not outrageously, it got viewers but not an outstanding number, and it garnered a small but dedicated fanbase of male otaku. All of which is par for the course when it comes to a mid title in 1995.
Wedding Peach DX was produced because the TV series LD sales were decent enough to warrant it. Children were not buying LD box sets at this time, adult fans were and it was this interest that justified the creation of the four DX episodes as direct-to-video releases. If a series doesn't sell well they don't make more episodes, let alone higher quality deluxe episodes specifically for the home video market (and thus for older audiences with spending power).
It is very important to point out that Wedding Peach DX had NO INVOLVEMENT from the original creative team. Tomita Sukehiro and Yazawa Nao did not contribute to its creation, Tadano Kazuko didn't provide designs. Yuyama Kunihiko was the driving force behind the production of the DX episodes and he served as both director and writer for all four episodes (bringing on Wedding Peach animator and soon-to-be frequent Pokémon collaborator, Ichiishi Sayuri to serve as character designer).
What inspired these to be fanservice dreck to the level they ended up being is honestly beyond me. I mean the otaku market definitely wanted more episodes featuring the characters (and more songs featuring the seiyuu, if you want to see how keen otaku were for FURIL please see this post) but part of what they liked about the characters at the time was their (barfbarfbarf) perceived purity and innocence. The DX including panty shots and swimsuits kind of threw them for a loop. Even now, if you look at discussions about the DX among otaku there's a bit of a divide in opinion.
The DX episode sales were (as far as I can tell based on magazines from the time) also mid, but enough to cover four episodes. Three and four don't seem to have sold as well as one and two, but again the stats from the time aren't comprehensive. I think the fact that there weren't any after episode four says it all, honestly. OVA episodes are expensive to produce and it was extremely common for them to stop immediately if the sales weren't there. DX didn't justify its existence beyond those four episodes and Yuyama moved onto a far more successful project in Pokémon.
On that topic, I think it's important to note that Wedding Peach was OLM's first television series (albeit a coproduction with KSS). If it and the studio's adaptation of Mojacko hadn't made some level of profit it would have been quite difficult for them to adapt Pokémon. Neither Mojacko nor Wedding Peach set records with their viewership or sales numbers, but they both did "OK". It was in Pokémon however, that that OLM truly found a successful property with the series still running today. Sometimes you've got to have a few runs at producing things before you find success. Wedding Peach was one of these early runs, a project where a lot of people cut their teeth but one that didn't justify its own continuation beyond a certain point. Just a very standard media mix from the mid-90s, in other words.
Wedding Peach is a problematic title with indifference through to outright objection to representing love outside of heterosexual romance. Looking back now it feels like an absolute dinosaur on so many levels. Between the anime's fatphobic episode and Momoko dropping some gender essentialism, I'm not surprised people want to relegate it to the dustbin of history.
However, I think it is very telling that Tomita Sukehiro, when presented with the opportunity to tell a similar story in the modern day, chose to represent not just queer love, but platonic and familial love in Wedding Apple. While he can't undo the regressive and cringy elements of the original series, as a creator he has progressed and I'd like to think we can all continue to improve our outlooks and output as we grow.
Disliking Wedding Peach in the modern day is completely understandable. I'm not going to pretend anyone should watch it in 2024 without knowing that it is a camp, cheaply made relic of a time when heterosexuality was considered magic. However, just because it pandered to all the worst things trending at the time doesn't mean it didn't sell enough products or hold enough viewers to justify its production. It did, it just wasn't a strong enough property to go beyond that and that's representative of mediocrity rather than mind blowing commercial failure imho.
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hinamie · 3 days
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hina have you seen this theory yet? 😭
https://www.tumblr.com/thepersonperson/762115329999650816/why-the-hell-is-jjk-270-called-dreams-end
yeah so i saw it first thing when i woke up yesterday and the fit of dread it put me into spiralled into a full-blown breakdown by the end of the night. dramatic I know but hear me out. ik people had mixed reactions to it but the relief and joy i felt the night of 268 leaks when I saw all the first years alive and together again was unmatched. after weeks of anxiety and trying to make peace with the fact that either megumi or yuuji would most likely not make it, suddenly it looked like everything would be ok. with those leaks i was SO happy to be in this fandom i was so happy to be making art for my favourite characters and to be able to watch them pull through. the thought of getting slapped in the face fr embracing that joy by a twist dream/unreality ending Hurts. I'm right back in the same anxiety that 2 days ago I thought was behind me.
re: the theory itself. i definitely think it's interesting and god knows i'm not well-versed in the manga enough to offer evidence against it , however comma for the sake of my own sanity I don't want to believe it. Even if it means that the ending we do get isn't satisfying from a writing or character standpoint, I don't want to believe that gege would be so cruel as to tear away even this rushed happiness at the last minute. Personally I don't think it's feasible for a single chapter and I definitely don't see surprise killing off a main character(s) as an ending that will satisfy the majority of audience members. call me delusional for it idc i cried enough last night i'm apathetic as fuck today.
I know i'm a lot more laid back than a lot of fans when it comes to how i respond to gege's writing choices, and a large part of that comes from me preferring to experience media giving creators grace and focusing on the aspects of their work that make me happy. i've /always/ been in jjk for the characters and their relationships. /they're/ what inspire my art. /they're/ what make me happy. Am I 100% satisfied with the way the past few chapters have been handled, no, but that dissatisfaction doesn't outweigh my happiness at seeing my favourite characters, the reason i make art in the first place, alive and together and happy. I would Rather the unsatisfying rushed disney kaisen ending or even a sequel than to have gege rub his audiences' faces in the dirt and mock us fr falling into the false sense of security he put us in. has he trolled before, yes, but i don't like to think he'd be this cruel in his series finale.
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How do you write a child character who is knowledgeable and experienced but is not annoying or unrealistic? I'm a big fan of ATLA and Percy Jackson novels (as well as the anime HxH) and all of the main leads in the series are very worldly for children who are around 12 year olds and yet never come across as too overpowered or irritating, which is something that I'm worried I'll do in my writing. It's hard for me to design a characterization that balances the fact that they are in the end just really smart kids but not just adults in children bodies.
Writing Smart Kids Who Aren't Adults in Kid Bodies
If you spend some time studying the relevant characters, I suspect you'll find that even though they're smart, experienced, and accomplished, they're still given plenty of kid moments. They'll have kid-relevant flaws, kid-specific/appropriate thoughts, moments where they're just being "normal" kids (or want to be if they can't), and they're not being shown doing or thinking adult things.
See what's typical for kids of your character's age, and make sure to incorporate some of those things into the character. It makes all the difference!
Writing Kids Writing from a Child’s POV
Happy writing!
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A House That Has Everything: Chapter 2
A/N: Chapter 2 of my new series! This one came to me when I saw these amazing AI photos on Instagram made by @blackvelvetep and @_chiara975ep. (Be sure to check out their pages on Instagram!) My fic brain went crazy and this storyline was born.
Set in Regency England, Mr. Presley is the gentleman who owns and resides in Graceland Manor. Annabelle Martin is his newest maid after her parents have died and left her an orphan. Can he resist his affection for her, despite the difference in their social class?
Warnings: 18+ minors DNI, masturbation (male), imagining some sexy things
Word count: ~2.4k
Need to catch up? Masterlist HERE.
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Mr. Presley sighs and turns from the window. Will the responsibility of this new life never end?
******
After two weeks in her new position, Annabelle has settled into a new normal at Graceland Manor. It's not one she particularly likes or enjoys, but it's a routine at least. She's finally learned what her responsibilities are and how to do all of them. She's also met everyone in the house and learned who is worth talking to and who isn't. The other maids are not. They're both young and experienced and spend most of their time making snide comments and whispering about her. The cook, Mrs. Hall, is her favorite person, so far. She has a warm, welcoming air about her that makes Annabelle feel at home even in the big house that has no other home-like feeling. She hasn't talked to her much, but she likes her best of all anyway. And the handsome footman that answered the door when she first arrived is the cook’s son. His name is Jimmy and he's been nothing but cordial, albeit maybe a little too friendly. Most everyone else is nice enough, but she doesn't have a real companion among the group.
One of Annabelle's jobs is tending the fires in every room each morning. This means she's up before dawn every day. She doesn't enjoy that part, but it's actually quite nice to move about the house while everyone else is still asleep. Her favorite room is the library, which doubles as Mr. Presley’s private study. She never has much time to spend in there, but she does take a few minutes occasionally to look around at the books, even glancing at his desk a couple of times. He's a mess. There are papers stacked and sticking out of piles everywhere. She's not sure why, but she finds this a little endearing, even if she has sworn to hate him.
About 3 weeks after her first day, Annabelle walks into the library purposefully, ready to light the fire and try to look at the books a little. She's startled when she realizes there is a candle burning and someone sitting at the desk. There's only one person it could possibly be, so she tries to back out of the room as quickly as she can, but she hits the doorframe and it makes a loud thud. He immediately turns and stands up and she gasps.
Mr. Presley has an imposing presence even when he's not angry, so he feels almost terrifying when he is. He glares at her and Annabelle is overwhelmed with the desire to melt into the carpet.
“Where have you been?! It's freezing in here.” She shakes her head and stumbles over her words.
“I-I I'm sorry-”
“There's no excuse.” His eyes are wild and red-rimmed like he's either been crying or hasn't slept or both and his hair looks like he's run his hand through it about a thousand times. Annabelle recognizes the look of distress and her fear turns to compassion.
“Did you… have you been in here all night?” She asks in a small voice. He's obviously disarmed by the fact that she hasn't just run away from him.
“What?”
“You look like… have you slept?” She chances a step towards him and his imposing presence seems to shrink a little.
“That is none of your business! Just light the fire and get out!” He spits at her and turns away. She walks over to the fire and tends to it quickly.
As she works at the fireplace, he turns back and watches her. There was a hint of something in her voice that he hasn't experienced from anyone other than the Mrs. Hall in a very long time. Could it have been kindness?
He softens a bit as he watches her at the fireplace. Her shoulders are delicate and graceful as she works and he has the thought again that she wasn't built for this kind of hard labor. He feels an insane desire to help her, to take the task of making the fire and do it for her, but that would be inappropriate on every level. Still, something about her makes him want to throw propriety out the window and care for her the way men do in stories about knights and ladies. He's lost in this reverie when she finishes and stands up, turning back to him.
Annabelle is shocked to find him watching her when she turns away from the fire. He moves quickly to look somewhere else, but for half a second she could've sworn his expression was gentle.
“Are you finished?” He hisses, not looking at her.
“Yes, sir.”
“Good. Get out. Be earlier tomorrow.” His attempt to put her in the right place in his mind comes out as unnecessary coldness.
“Yes, sir.” Annabelle whispers and goes to walk from the room. But at the door, she pauses and turns back.
“You could tell me… why you haven't slept… if you wanted. No one would listen even if I tried to tell them your secrets.” For a second, he meets her eyes and the warmth he finds there soothes an ache he didn't even know he had. And then he remembers himself.
“OUT.” He tries to yell, but falters the tiniest bit. She nods and leaves the room.
Falling into the nearest chair, Mr. Presley sighs deeply and pinches the bridge of his nose. She's right that he hasn't slept. He's been holed up in the study trying to make sense of some documents since last night. Somewhere around 3am, the frustration had turned to grief and he cried for an hour or so. He was making his way back to frustration when she came in.
Why had he responded to her kindness with such cruelty? He knows the answer but isn't ready to face the reality of it.
******
In the next room, Annabelle sits in front of the fireplace crying quietly into her apron. She's so lonely and tired of the harshness with which she's treated here. There's not even anyone she could tell about her struggles. She's alone.
And why had she tried to connect with him? Not only is he a gentleman, he's her master, and not a very nice one at that. But something about him and his emotional state touched her and she felt compelled to offer herself in some way. And for no discernible reason whatsoever, his rejection hurts worst of all.
She starts to cry big, heaving sobs, knowing they're audible but no longer caring. Let them get rid of her. Maybe she could leave this miserable place and let Mr. Presley light his own fires.
******
On his way to bed, Mr. Presley hears the unmistakable sound of a woman crying coming from the drawing room. He walks quietly to the door and peeks through the crack.
The new maid.
His heart shatters when he hears the depth of her despair as she sobs. She's probably crying because he was so hateful. He lightly puts his fingertips on the door to push it open and go to her. Then he stops. It takes everything inside him to turn from the door and leave her there crying.
******
When Annabelle gets back downstairs, the kitchen is bustling with activity. Mr. Presley is entertaining later that evening, so Mrs. Hall is in a tizzy getting everything ready. Most days she does just fine by herself since she's only cooking for one man upstairs and the help downstairs, but when he entertains, she wishes she had some help. Annabelle wanders through despondently and perches on a bench.
“Love, don't you have something else to do?” Mrs. Hall asks, sweat running down the side of her face.
“Not really. I've done all my morning work already.” Annabelle kicks the floor with the toe of her shoe. She's still having to work to keep from crying.
“Get over here and help me, then. I'm assuming you know how to peel and chop.”
“Yes ma'am. I did all the cooking when I lived with my… my parents.” Her voice catches in her throat and Mrs. Hall stops and actually looks at her with her red little nose and tear-stained face.
“Love, what's got you upset?” Mrs. Hall asks as Annabelle washes her hands and takes some potatoes to peel.
“Nothing, ma'am.”
“Call me Gladys, dear.” Annabelle shakes her head.
“Oh, I could never.” Mrs. Hall laughs.
“Even Mr. Presley calls me Gladys sometimes.” Annabelle looks up at her in shock. That's far more interesting than her troubles.
“May I ask why?”
“Sure you can. I practically raised that boy. His mother passed trying to birth his twin and I had Daniel who was nearly the same age. Colonel Presley was lost for a good while after the mistress died and he paid very little attention to his son. The nanny they'd hired wasn't a very nice woman and Elvis- I mean Mr. Presley- used to spend most of his time hiding from her down here with me. He played with my boys and I taught him to cook and play the pianoforte. He's almost like a son to me, despite the difference in station.” Annabelle’s eyes widen with Mrs. Hall’s words. She tries to imagine a young Mr. Presley running through the kitchen, learning to cook and playing with servant boys. But more than the image of him as a child, it's the look that Mrs. Hall has when she talks about him that surprises her. It's a look of deep respect and love. She wonders how long it's been since Mrs. Hall has spoken with him. Maybe he has changed. “Now why don't you tell me what's got you so troubled.”
Annabelle looks down at the potato she's peeling and decides that she needs someone more than she needs to keep her own secrets.
“It's funny you mention Mr. Presley.”
“Why, love?” Annabelle sighs.
“He's the reason I was upset. Well, not the whole reason, but kind of the last thing I could handle. No one here has been very kind to me, him least of all.” Mrs. Hall nods and smiles.
“Hm. He likes you.” Annabelle looks at her with her face scrunched in shock.
“No, he does not. I assure you.”
“He likes you and he knows he shouldn't. He's trying to keep you at arm’s length.” Annabelle shakes her head.
“How do you know? Maybe he hates me?”
“If he hated you he wouldn't speak to you at all. I know my boy. He likes you.”
“No, I'm sure that's not it.” Annabelle continues peeling potatoes in silence, but her heart is pounding. Why does the prospect of Mr. Presley liking her make her knees weak?
******
That evening, Mr. Presley has several friends over for dinner. They eat and play cards and have cigars and brandy and recount their most recent adventures in London. His closest friend, Mr. Jasper Davies, asks what everyone else is wondering.
“When will you be married, then?” They're not eager to lose the company of their bachelor friend, but they know the expectation now that he's the master of a great house.
“I have no designs on marriage anytime soon.” Mr. Presley answers, knowing this won't be realistic for very long. He'll have to marry sooner rather than later. Still, he's never found any particular young lady of his station that he liked well enough to marry. There had been one girl, an actress, that he had loved quite a bit before he joined the army, but she was not a viable partner for him. None of the ladies of the county interested him and he found most of them to be rather one-dimensional and boring.
The conversation about marriage continues, but Mr. Presley has a hard time focusing. For some reason, the new maid enters his mind. He thinks about her slender white hands, too delicate for the work she does. And the way her uniform follows her curves down to her waist and then hides the rest. What he wouldn't give to be able to see her legs and feet unobstructed. He lets his imagination go even further and suddenly a picture of her naked and sprawled on his bed appears. His cock twitches in his pants and he has to adjust and clear his throat to bring himself back to reality. That's a thought he cannot have, especially not in present company.
Eventually, everyone retires to one of the many bedrooms in the house. Mr. Presley stops briefly in the library with the vague hope that the maid might be there. Of course she's not, but the brandy he's had makes his logic a little faulty. He makes it back to his bedroom where his valet undresses him and puts him in bed.
It's not long before he realizes he's staring at his fireplace, imagining the maid on her knees in front of it. This image is quickly replaced by an image of her on her knees in front of him. He curses himself for the inappropriate images in his head and the way his dick hardens at the thought of her, but he can't stop his hand from finding himself under his nightshirt. She's so pretty and kind and graceful and oh, God, he'd give anything to see her and feel her pressed up against him as they tumble naked together in the bedclothes.
He moans softly as his hand pumps his cock, sliding his foreskin back and forth, his thumb sweeping over the tip to collect the beads of precum as they gather. His hips buck into his palm and he strokes himself harder and faster. He tries to focus again on the actress that he normally thought of when he did this, but he can't. There is only the maid. The maid with her hands on him, with her mouth on him, with her thighs on either side of his hips as she sinks down onto him, with her lips parted and eyes closed as she reaches the peak of ecstasy and cries out his name. With that, he whimpers as he cums all over his hand, his cock throbbing and pulsing and leaking until his release has fully washed over him. He lays in his bed sweating and trying to catch his breath. The picture of her in his mind is so clear. He opens his mouth to whisper, but nothing comes out.
He doesn't even know her name.
******
Until next time...
*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*
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unfilteredflare · 3 days
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So like. I had a lot of time to think today at work. Doing monotonous stuff for hours caused my mind to drift. And I ended up thinking about Princess Tutu just because
And now I think I have figured out something about the character Princess Tutu herself.
Let me explain: so we all know that Duck and Rue are the princesses in Swan Lake. The symbolizim so obviously makes us see Duck as the True Princess / the White Swan / Odette and we see Rue has the False Princess / the Black Swan / Odile.
And I admit, the first time I watched the series back in 2012 or so, I thought the message at the end was the Prince choosing Odile over Odette. Years of rewatching the series over and over and analyzing it and interacting with the fandom has led to a different outlook very quickly. Which is that Rue is actually Odette all along and Duck was Odile from the beginning.
Which I know all of this has been discussed to death. But I just want to reiterate why we believe Rue is the real Odette because this has led me to another conclusion that I have never seen discussed. Specifically about Princess Tutu. But first we need to establish that Rue actually IS Odette and not Odile.
Siegfried is destined to love Odette, but he ends up tricked into confessing his love for Odile, who is transformed to look like Odette. Only love can break Odette's curse and turn her back into a human. But because Siegfried pledged his love to another, Odette dies.
And then we have Duck and Rue. In the finale of season 1, episode 12 Swan Lake, both Duck and Rue fight for Mytho's love. Mytho's heartshard that IS his actual feeling of Love, picks Rue. In this scene, Mytho loves Rue. But the mostly heartless and loveless Mytho, picks Duck. When this happens, Rue leaves, ashamed and defeated. In fact, that is how every battle involving Princes Kreahe in season 1 ends. Nobody ever defeats her in battle. She is defeated by the Prince picking Tutu or turning against her or even by being shocked by her "true self" the Black Swan.
This very much follows the pattern in Swan Lake. Mytho loves Rue but picks Duck in this scene. Or how, confessing his love for Odette is supposed to transform her into her true self. And Mytho confessing to Rue at the end causes her to transform into a white feathered dress that clearly symbolizes the White Swan. Or how their carriage is pulled by more White Swans.
Rue was always the White Swan, destined to love and be loved by the Prince. And Duck was always the Black Swan, destined to trick the Prince by pretending to be the White Swan. Of course, Its not like ours girls did any of this on purpose. Duck believed she was the White Swan until Mytho chose Rue. Duck, the real Odile, really did love the Prince. But had to give up on him because he never loved her back.
We are led to believe through all of season 1 that Duck = Princess Tutu = White Swan = Odette. But at the end of season 2, we discover that she was never actually Princess Tutu either. Her powers came from the heartshard of Hope. She is not using Princess Tutu's powers through the series but actually Mytho's. As evidenced in the finale as Mytho's flower powers, flying, dancing while fighting, transforming his clothes to his real outfit. She was never Princess Tutu but just an illusion of her.
Fakir mentions that Mytho was obsessed with the story of Princess Tutu in the original book. I believe Siegfried loved Princess Tutu based on this fact. because Mytho was always going through the motions of feelings without actually feeling anything. Like, how he would risk himself to save people and animals. Something Siegfried would do, and so Mytho does it because its habit. Siegfried's love of ballet that Mytho copies without feeling. So Mytho being obsessed with the Princess Tutu in the book means he actually had feelings for her as Siegfried. So his Love for Princess Tutu and his Hope of one day having his heart returned manifested as an illusion of Princess Tutu.
So Duck was never the real Princess Tutu. Which also means she was never the real White Swan or the real Odette. Just a little duck that tricked everyone into believing her lies. But that's ok. She never meant to deceive. She never meant any harm. She just wanted to be happy. And in the end, she was happy. By embracing her true self.
And all of that leads back to: Rue was the real Odette all along, like in the original story. Odette was kidnapped by the villian, Rothbart. In this series Rothbart seems to be the Raven. Rue was kidnapped by the Raven. Rothbart put a curse on Odette, transforming her from a human into an animal. The Raven "curses" Rue and turns her from a normal human into a "crow". Rothbart then transforms the Black Swan, Odile, to look like Odette and deceive the Princess. Now there are actually 2 villians in Princess Tutu. The first 1 we learn of is the Raven and the 2nd turns out to be Drosselmeyer. The villian, Drosselmeyer, transforms a normal duck into Princess Tutu that he knows Prince Siegfried loves. That was the brilliance of it. The White Swan and Black Swan swapped colors in the anime. Because it was the only way to mislead us, the audience. We already knew the story of Swan Lake and the Prince being tricked by Odile dressed up as Odette. The only way to mislead both the characters and the audience was to swap the colors and make Odette the Black Swan and Odile the White Swan. Otherwise, the trick would have never worked.
I know there is way more evidence proving the Oedette = Rue and Odile = Duck stuff. But that isn't really what I even wanted to talk about today.
I wanted to talk about Princess Tutu. The original from the book. Not the illusory one that Duck pretends to be.
Because, we still don't know where she is. What never made sense to me was how she never appeared in the anime. Like, the Knight gets reincarnated. And the original Prince and Raven are still here. But Princess Tutu never actually shows up. Why was she never reincarnated too?
And that is where my theory begins. Because I think I know what happened to her and where she ended up.
I believe that Rue actually IS Princess Tutu's reincarnation.
I have a lot of thoughts about this so buckle up.
My theory started with the Odette/Odile confusion. We believed Duck was Odette BECAUSE she was Princess Tutu. Of course she was fated to love and be loved by the Prince. She was THE Princess from the story. But she never really was. If she was never Princess Tutu, then she couldn't have been the White Swan or Odette.
So I believe that Because Rue was always Odette, she was also always Princess Tutu.
One thing that stood out to me from my original viewings of the anime was this: we have 4 main characters but only 3 have anything to do with the original story. Mytho is the Prince. Fakir is the Knight. Duck is Princess Tutu. So what about Rue? We are led to believe she is the Black Swan but the Black Swan was never a character in the original Prince and the Raven story. But if she was Princess Tutu the whole time, things make more sense. Duck enters the story as an outsider right from the beginning. She never really belonged. But Rue did. She found the Prince on her own. She fell in love with the Prince on her own. She belonged to the story way before Duck appeared. And yet, her supposed "character" wasn't in the original.
Siegfried loved Princess Tutu. Mytho Loves Princess Tutu. Mytho Loves Rue. All of these things make perfect sense when you view Rue as Tutu from the start. It even makes sense of WHY the Raven picked her. The Knight AND Princess Tutu had just been reincarnated within the same year so the story could start again. The Raven saw a perfect opportunity to use Siegfried's True Love against him. By Kidnapping the real Princess Tutu, aka Odette aka Rue, and corrupting her to his side. Disguising her and using her. He KNEW she was destined to fall in love with the Prince. He KNEW the Prince was destined to fall in love with her and used that against her. Dangling a partial truth in front of her to make her work for him.
Drosselmeyer saw the real Princess Tutu become cursed into the corrupted Princess Kreahe. He needed someone to get the story moving again. Which is why he chooses an Odile to fill in for Princess Tutu.
We don't know what the real Princess Tutu is supposed to look like. But we also don't know what Rue would have grown up to look like before she was cursed either. We only have an illusion to base our opinions off of. Also, I would like to point out, that most people just see a White Swan and not a human when looking at Duck transformed into Princess Tutu. So trying to argue that Princess Kreahe and Princess Tutu look nothing alike doesn't feel like a valid argument for me. Since we don't know what they are supposed too look like before all the switching.
So my theory started with because Rue = Odette and Odette = Princess Tutu, then Princess Tutu = Rue. And then the more I thought about it, the more evidence I found.
What do we know about the original Princess Tutu?
She loved the Prince. She was cursed to "turn into a speck of light and vanish" if she ever confessed her love to the Prince. She was a "pathetic existence who was discarded by the story". And, by my theory at least, Prince Siegfried loved her.
I feel like Rue fits all of these categories. Allow me to explain. I have already discussed the 1st and last points.
So next let me tackle how both Princess Tutu and Rue were "discarded by the story".
Princess Kreahe was the primary antagonist of season 1. She helped drive the plot by giving Duck someone to challenge her ideas. After losing the Prince's Love in the season 1 finale, Swan Lake, Rue stops mattering to the story. She doesn't do anything of any significance until right at the end when she saves Mytho. She doesn't push the plot anymore. She gets a couple scenes of her going thru her own character arc and regretting what she has done. But Mytho is the one going out and trying to release the Raven by stealing hearts. Not Rue. Duck and Fakir are trying to find a way to save Mytho. The only thing Rue does is attempt and then fail to steal Autor's heart. But even the protagonists don't even know she did that. They didn't come in to save the day there, because everything she was doing was inconsequential to the story. I am arguing that Rue, like Princess Tutu, was abandoned by the story in season 2 until she defied her fate and save Mytho at the end. Making her relevant again.
Finally, we have the curse. I know this is where my theory is weakest and has the biggest hole. But let me attempt to address it anyway.
Duck never confesses her love to Mytho, or anyone for that matter. So she never "turns into a speck of light and vanishes". I believe she never had that curse to begin with. Nobody can prove she really was cursed. She was told she was cursed by Drosselmeyer, and because she really believed she was the real Princess Tutu and the curse is mentioned in the book. But she was never the real Tutu. And Drosselmeyer has proven to be an unreliable narrator. He could have very easily have lied to her to convince her that she was real. Or, he even could have actually cursed her. He is the author. He can do literally anything he wants. But I don't think she was really cursed. Unfortunately, this can never be proven or unproven.
But what about Rue? I can hear you asking. If she was Princess Tutu, then she should have vanished at the end when she saved Mytho by confessing to him.
And yes, that is the biggest hole in my theory. But I don't think that necessarily means I'm wrong.
((Sorry everyone. I've been working on writing this essay for months as I was rewatching Princess Tutu again. And I don't remember what my original point was about the curse. I just don't remember where I was going with that particular point. God dammit it. But I want to post this now because otherwise, I will never finish this and it will never see the light of day.))
The last thing I want to address is the ending. Everyone is supposed to return to being their True Selves. Which is why Duck returns to being a duck. Fakir, through the course of the story, had realized his True Self was an author, not a Knight in service to the Prince. So he stays in the "real world" to be an author. Mytho is the Prince from the Story so he must return to it. But what about Rue? Wasn't her True Self a normal human that the Raven kidnapped? Why would she arbitrarily go into the Story with Mytho when she never came from it? I know them being together is an important plot point. But it doesn't fully make sense to me why she "returns" to the Story as her True Self if she never came from there in the first place. But of course, if she actually was Princess Tutu, then it would make sense.
Note to self: The reason this is never addressed is because ptt was abandoned by the story ((I also don't remember where I was going with this either.))
tl:dr
I believe that Rue was the reincarnated Princess Tutu all along. And both the Raven and Drosselmayer conspired to conceal this.
I wrote most of this months ago. I don't remember some of my original arguments and I could very well be wrong. But I had never seen that particular take being discussed before when the idea has some merit. Sorry for the length and rambling and how long it took to post.
Idk how to end this. So, if you read the whole thing, thank you for your time
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squalchinglobotomy · 8 hours
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Recent doodles of my old au :,D
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Old drawing of the characters :))
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Been needing to work on the lore and a comic 4 this ! But school has been such a draagggg I don’t think I’ll ever finish either 💔💔
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Belhhh this au was originally made bc I was obsessed with American horror stories freak show season. And honestly, I hate it with every might of me now! Killed off all the disabled people !!! They were the only thing that kept me interested,,,,,
I wish it had a different outcome like idk, the performers didn’t have to stay in the circus!! Though I guess the series is entirely based off horror and I’m assuming they never have a happy ending. But whatbeerrrr!!! Didn’t like it!!!! Wasn’t scary!!!! Only horny!!!!! And sad!! I wish the bearded lady didn’t have to die 💔💔!!
Butt rant aside that got nothing to do with my au! I only liked the fact it had a circus and that was it lol,,,
I changed the way Roy got around from a wagon to a cane bc the wagon seemed a little inconvenient…
Also the au is meant to take place in the 1930’s :,D so I got limits to what I can and can’t add! Tis the reason why Rad doesn’t have his 3D glasses, I don’t think those existed back then!
I’ll dedicate my rambling to another post bc this one is getting a little long….!!!!
…But so is literally every other post I make. I honestly prefer tumblr bc I get to say whatever I want no matter how much it is! Now all we need is for boobs 2 be allowed again and it’ll be perfect!
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littlemisstfc · 3 days
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Transformers One: Is It Good Or Nah?
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Hello, hola、こんにちは。So…it’s been 84 years since I’ve last written on this side of the Hundred Acre Woods. For that, I do deeply apologize for my absence aksksksjsjsj. Anyways…so the Transformers franchise, in terms of the movies, has a very shaky history.
We all know the Transformers movies; it’s pretty known by now that the movies are just a rollercoaster of quality. For every Bumblebee, there will always be a Revenge of The Fallen. When it comes to me specifically, I have a very complicated relationship with this aspect of the franchise for a better part of my life. The original G1 movie is okay. The first movie is alright, ROTF is Satan’s spawn, DOTM is good, AOE is a chaotic mess that I both hate and love, and the less said about TLK, the better. Then, a miracle happened in the form of Bumblebee (2018) and it sets the path of redemption for these movies. It continues with Rise of The Beasts and while it’s an 8/10 movie for me, it’s still a great movie that continues the momentum. Now, it brings us to today.
I wanna bring this up before talking about Transformers One because you will not believe me when I say that this movie is EVEN BETTER THAN LITERALLY EVERYTHING ELSE IN THE FILM SERIES. YES, IT OUTDID EVEN THE GREATEST TRANSFORMERS MOVIES BY A FREAKING LANDSLIDE. JUST…how did we even get a movie like this? The fact that it exists is truly the most mind boggling, yet pleasant surprise so far in the series to date. Words cannot describe the experience I have gone through at this moment. Just…what did we do to get something this incredible and this damn good. Amazing is an understatement; Transformers One is easily the best Transformers movie to date.
The way it gives us genuinely some of the best moments in Transformers history is an indicator of the majesty they wanted to make. Sure, no movie is truly perfect. However, for this one, the amount of things to discuss and think about is something that rivals even the most complex media such as Earthspark and Animated. So what am I doing here standing around for? Let's talk about a movie about two bros chilling in an Energon mine, five feet apart cause they’re not gay! :D
For this review…I’m going to give this movie’s pacing the respect it deserves (due to how crucial it is to the story) by highlighting the most important details I want to talk about in order. After we get the nitpicks and other good stuff out of the way, I’m so excited to unleash all the inner brainworks in my head at the moment. So let’s goooooo.
3, 2, 1, Pingu.
(Also, I will be going into spoilers, so Sparknotes version: it’s a rare 10/10. ✨)
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The Good, The Bad, and The Badassitron
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Let’s go get the nitpicks out of the way. I say nitpicks because they thankfully don’t drag down the movie for me. First things first: I wish that the main trio of Decepticons (Doritoscream, Soundwave, and Shockwave’s boobs) play a much bigger role here. I felt like how we got from Starscream in charge to now all of sudden loyal to Megatron after having the crap beaten out of him is where the movie could benefit from a few minutes more to the runtime. To me, their loyalty to Megatron by the end is something that needs to be earned. However, like I said, it didn’t bring the movie down for me because they’re not the focus here, The focus is on Megatron’s relationship with Optimus. We’ll get there when we get there. Bee’s fine for what he is, but I feel like he can be cut out of the movie and replaced with someone else. The story would be as it is, like he really doesn’t have much of a reason to be here. However, like I said, he’s fine for what he is. The only other nitpick I have is that it’s weird that the Quintessons have little to no direct involvement in the main conflict, since it’s their rule that led to this mess in the first place. However, since we’re getting two more movies, I’m curious to see how this is gonna play out in the future. Anyways, that’s all I have to say about the issues I have with the movie, so let’s get to the good stuff…EVERYTHING ELSE.
Oh my god, the music score? Easily among my favorite scores in Transformers media to date. The way it not only incorporates music from shows such as Transformers Prime so beautifully, but it gives the world so much life and majesty that is straight out of a Biblical epic. The ending song at the credits reminds me so much of On My Soul, just what an utter bop. Of course, I also need to mention the biggest highlight of this movie…the animation. Oh my god, this movie is utterly gorgeous. Not only are the settings so vibrant and brimming with life and personality, but I absolutely adore the facial expressions on the characters. I’m glad that it’s emotive enough to not fall into the Uncanny Valley, and the characters felt so real. I especially love Orion’s facial expressions, because of how well they convey his growing heartbreak and loss of innocence over the course of the story that we’ll discuss later here. Overall, the music and animation are good enough reasons why you need to see this movie on the big screen. Just…MMMMMMM. Delicious food.
The characters are also really likable and enduring. I wasn’t sure if I was gonna like Badassitron going in, but honestly, he’s a Bumblebee done well. He has plenty of funny moments and jokes, and I like how they don’t have him make quips during the more serious moments here and there. He is the comic relief done right. I’m pleasantly surprised by how they handle Elita’s character. At first, based on the promos, she seems to be the Ultra Serious Girlboss who girlbosses her way into the Elita One we all know and love. However, as it turns out, it’s revealed that she’s a neurotic, yet well meaning dork and I love that for her akskssk. I especially love how her relationship with Orion develops over time as they went to find the One Piece. She went from being irritated with his tendency to cause mischief at work and ignoring protocols to warming up to him because of his resilience and optimism (no pun intended) of their people being freed. Honestly, it’s so refreshing to see a flawed, yet likable Elita here and she’s perhaps one of my favorite iterations so far. Moving on, and oh man…where do we even begin with our good buddy Sentinel Prime. Not only is he one of the evil ass motherfuckers in the franchise so far, but he is a fantastic main villain. Just seeing this despicable bastard manipulate his way into power makes you love to hate him, he’s also pretty funny, and the way he poses a threat to our heroes provides enough interesting groundwork for the conflict between two of our main amigos. Also, shoutout to Jon Hamm. He did an excellent job at portraying Sentinel as this smug, arrogant little bitch. Just, amazing. And speaking of portrayals, the entire voice cast did an amazing job here. You can tell how much they clearly respect the characters they’re portraying while also breathing new life into them. This is what animation studios need to do; hire actors that suit the characters well DAMMIT. Other positives I have is the amount of neat cameos of our favorite blorbos in the background, the comedic timing is excellent thanks to the voice actors’ deliveries and banter with each other, and in spite of the darker tone the more it progresses, it also has a very cozy, fun feel to it due to one of the movie’s main central themes. And speaking of themes…this is where we will end the section here.
Now…I am saving the best for last. What I mean by that is that there are two characters that manage to be my favorite aspect of the movie overall. So…let’s go talk about them.
A Tale of Two Friends:
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I’m struggling to use the right words to describe how I feel about Orion and Megatron. To me…they’re the true standouts in the movie for me. Their relationship is portrayed with so much care and gravity that they both felt like real people. Not only are they both likable and charming, but seeing their relationship break apart over the course of the movie is hauntingly beautiful and tragic. Trust me, it’s not the shipper speaking here. It’s so refreshing to see them together in the big screen for the first time since The Last Knight, but it’s also so interesting seeing them in a different light than what other Transformers media did. I’m starting in the order of the movie because the movie’s pacing is perfect. Every scene connects to each other perfectly and it makes room for the wild ride we’re in for.
First, let’s start with Orion.
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We start the movie off with Orion breaking into the Iaconian Hall of Records and search for anything on the status of the One Piece. Then, he gets caught by some guards and a chase ensues. Right away, we get a good idea of his mischievous, yet curious personality and his determination to discover more about the surface world. He won’t take no for an answer and while it does lead to him getting in trouble often, it’s genuinely admirable to see him have the initiative to make the best of his situation in life. Then, right before he gets caught, Megatron comes in with a cart that serves as a distraction for Orion to slip away and they both head to work.
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Right off the bat, we see that Megatron is the more relaxed, more cautious out of the two. He tries his best to stay out of trouble and to keep his good ol unhinged buddy alive due to his wacky shenanigans. At the same time, he also has the same kind of energy he shares with Orion in that they both keep their heads up in spite of their circumstances. Adding to the layers is Orion bringing him the Fallen sticker, which is how we get a good idea of how much they care for each other. True, they have their own frustrations with each other. Megatron is frustrated by Orion’s tendency to get in trouble, along with not recognizing his discomfort with some of the things he drags him into such as the Iacon 5000, and Orion is frustrated by Megatron keeping his head down to avoid trouble. However, they always have each other’s back and they are each other’s equals.
We also see that they’re both kindhearted people who will stand up for the little guy through risking their lives to save Jazz from the collapsing Energon mine, even though it resulted in Elita being demoted. From the start, their desire to make their world a better place is set in stone there. This is furthered strengthened by Orion standing up for Elita by flipping off Darkwing and both him and Megatron needing some milk afterwards. Also, quick side note: Orion’s sass and dynamics with the other characters is so damn refreshing. I love how he literally has no chill in speaking what’s on his mind, and I especially adore how he interacts with Elita. Pure malewife material aksksksz.
Back on track, he then drags Megatron into the Iacon 5000 so that they can prove themselves to be just as worthy as the upper class racers in the game. As they fly through the race track with mere jet packs, their fellow miners cheer for them and they were pretty close to finishing in first place had it not been for the combo of an injury Megatron got and the first place winner coming in. I’m not gonna reveal who won the race, but let me say that who won it is a pleasant surprise. Anyways, this earned the attention of Sentinel Prime and he went down to their recovery ward to personally congratulate them on their boldness in participating. He even offers them a nice ol place in his crib, which they might've accepted if Darkwing didn’t throw them down into Undertale due to his jealousy and anger. Throughout this scene, we see Orion and Megatron being validated by the Prime they’ve admired for so long for breaking out of the status quo and it lays the foundation for later on. Eventually, they met Bee, found the map to the One Piece, and ventured into the surface world while accidentally dragging Elita along for the ride. Pretty landscapes and peril later, they end up in the cave where the bodies of de Primes are at. They wake up Alpha Trion and he reveals the bitter truth:
Uh oh, it turns out Sentinel Prime is a LIAR and that he betrayed the Primes in order to be in charge of the Cybertronian population. Here…we see the innocent viewpoints of Orion and Megatron shattered permanently from here on out. While Orion reacts with anger as he should, Megatron is utterly furious with this horrific revelation. The Prime he has admired for so long, the Prime who just gave him an opportunity to move upwards just minutes ago…turns out to be a cowardly, spineless fraud that took away their autonomy to having basically a crucial organ in their bodies and to make choices for themselves. It isn’t helped by Sentinel giving up the Energon (that they risked their lives in mining for) to the very evil overlords that are responsible for their people being this way for so many generations.
What happens back in the cave is one of three excellent scenes that is borderline uncomfortable due to how realistic it is. We see Megatron essentially having a mental breakdown from finding out his life is a lie and Sentinel is a big stinker. When Orion tries to calm him down, he finally vents to him about his frustrations with Orion’s tendency to cause trouble over the years and calls him out for not thinking before acting on his impulses. It also helps that we see his patience starting to be worn thin earlier in the recovery ward and when Darkwing threw them both in the Undertale. Then, he finishes his breakdown with one simple, yet effective confession: he doesn’t want to just take Sentinel down…he wants to kill him. To say that hearing Megatron say this left me and the theater in shock is a massive understatement. It genuinely caught me off guard, but in a good way. We finally saw Megatron at his breaking point: his entire life, including being worked to death, has been for nothing. It’s a great scene because it’s an argument where you understand both perspectives here. You understand Orion’s bewilderment at Megatron’s unhinged behavior and wanting him to take a deep breath so he can clear his head while you also understand Megatron finally having enough of being a doormat for too long and Orion putting his own wants before others. Neither side is right and wrong, and I appreciate how Orion’s and Megatron’s emotions are valid here. From this point on, all hell breaks loose.
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After they gain their T-cogs and the recording to cancel Sentinel on Twitter by Alpha Trion, the main amigos enjoy the euphoria of transforming for the first time. However…we see Megatron enjoying the euphoria of having the T-cog too much. After fighting off one of Sentinel’s soldiers, he forcibly takes the callout post and vows to make Sentinel pay for his crimes. When Orion tries to protest, Megatron coldly tells him to step aside or else there’ll be a problem between them. Orion’s expression here is why I love his facial expressions the most as mentioned earlier. You can see all the thoughts he’s having right now, especially the shock of seeing his best friend giving into his darker thoughts expressed back at the cave. Now, the coin is flipped. Orion is the sensible, level headed one of the two while Megatron is the impulsive, stubborn one that he always scolds Orion for being so in earlier scenes.
As they make their way back home, they ended up captured by some Decepticons and are being interrogated by Starscream and his band of mean girls. When Megatron walks away from the interrogation nonchalantly, Starscream tries to assert himself as the leader. However, it ended up breaking into a fight that quickly went HOLY FUCKING SHIT, HE NEEDS SOME MILK when Megatron overpowers him. We see a horrified Orion in the crowd and they can only look at each other. Their friendship will never be the same after that…especially now that Megatron finally got a taste of power that’s been denied to him all his life. I know that this is probably gonna be a point of contention for some people with how Megatron’s turn to the Dark Side is portrayed here, so let me provide this perspective:
How long did Megatron have these thoughts?
Given presumably how many times he had to bust Orion out of trouble, and having to keep quiet just to stay alive, you have to wonder how long he kept quiet about his frustrations and hidden rage at the circumstances of his life. From that angle, giving into his intrusive thoughts is inevitable. He just needed the push to act on them. Essentially…the poor guy needed therapy, and sadly, there are no therapists on Cybertron. 😔
Eventually, Megs and Badassitron got captured along with Starscream and several other Decepticons by Airachnid. It’s now up to Orion and Elita to team up with the remaining Decepticons left and YOU GOTTA HELP US. Here, we see Orion finally realize how badly he screwed up for not understanding how his actions affected the people he cares about over the years. It got through his head that he didn’t appreciate Megatron’s patience and willingness to protect him from the consequences. While he means well, he doesn’t realize how selfish he’s also being with the things he does in his overactive ways. Upon realizing this, he takes responsibility for the amigos being in this mess…a mess that happened because of him. That was his mistake. He is now left with no choice but to go forward and make things right by his friend and the people they love. Then…we get another one incredible scene and that is Elita’s pep talk to him.
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While it starts off a bit comedic due to how this is clearly Elita’s first time with cheering someone up and Orion pointing it out, it then leads to her expressing how she always admire his optimism towards a better future for their kind and his refusal to back down in the face of struggle. It’s the embodiment of the movie’s most important message: having hope even when the odds are against you. That fact that we have such a strong theme in a turbulent era we’re in at the moment is why this scene works so well. Change starts with one person, and then becomes bigger and stronger when they continue to fight against injustice and inspire others to do the same. Thus, Elita’s pep talk gave Orion the drive to get back up and keep moving forward by teaming up with the Decepticons, go back to Iacon, and free their buddies. The theme is furthered strengthened by Orion rallying the other miners into helping him, as he now has the power to make things better for his people.
Quick side note, but Elita is an interesting foil to Megatron’s in terms of how they react to Orion’s unhinged sassy king energy. While she’s also annoyed by his tendency to get in trouble a lot, she has also admire his ability to remain optimistic even with their shitty conditions. Once he takes responsibility for his decisions, she softens up towards him and she remains his dearest friend by the end. In contrast, by the time he has apologized for his mistakes, it’s too late for Megatron. It’s clear that these two are what shaped Orion into Optimus, for better and for worst.
Meanwhile, Megatron gets tortured by Sentinel after repeatedly defying him. Then, he gets the Decepticon symbol carved painfully into his chest by the blue son of a bitch. That essentially became the straw that broke the camel’s back and it ultimately drove Megatron into a point of no return. After the other main amigos rescued the other amigos and a ROBOT FIGHT occurs, Megatron now has the opportunity to finally show Sentinel that his day of reckoning has come. Now, he must die. However, after putting the callout post on Twitter, Orion realizes what his bestie is about to do and tries to stop him. However, Megatron quickly overpowers him and prepares the final blow to Sentinel. Then…what happened next left me and the entire theater in stunned silence for a good few minutes up until one point. At first, I thought to myself:
“Ain’t no way he’s gonna do this. There’s no way they’re bold enough to have Megatron do this.”
But then…it happened. The shot from the fusion cannon meant for Sentinel ended up hitting Orion instead, sending him flying near the entrance to the planet’s core and hanging on for dear life. The moment he cries out to Megatron for help…I bursted into tears right there. His innocent perspective has been destroyed permanently, and he’s now a broken shell of his formerly spunky self. To add more salt to the wound, Megatron reaches for him…only for him to declare that he’s done saving him from trouble after one too many times. Then, he sent him falling into the core. Megatron has crossed the line, and with eyes now red with hate and pain, he finally killed Sentinel in front of a now devoted group of followers who will obey his every word. He has now become the person he has sworn to destroy…
As that’s going on, Orion’s broken, lifeless body is gently brought down inside of the core and it’s revealed that he is the one who is destined to receive the One Piece…aka, the Matrix of Leadership. Thus, he is now reborn as the Optimus Prime we all know and love. The use of a theme from the G1 movie is the cherry on top of an utterly haunting, yet powerful scene that needs to be seen on the big screen.
After he has risen and put an end to Megatron’s madness, he decides that the best option for them both is banishing Megatron and his followers from Iacon. The fact that he chose this option instead of simply killing his former best friend really speaks a lot about not only his character, but also how much their relationship has essentially been ruined by how different they are in terms of wanting change. Alas, Megatron goes off into the sunset with his followers and Optimus is left there…mourning the death of their once great bond. When it showed a memory of how they met afterwards, it made me sobbed uncontrollably. At this point, you’re left with one question:
Will they ever go back to where they were at before?
Thus, we end on a bittersweet ending…an ending of two former friends who were torn apart by the sins of the fathers and the aftermath of said sins. All there’s left to do is wait and hope that everything will be okay soon.
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Overall…Orion and Megatron are what makes the movie for me. Their chemistry, their character development, and the phenomenal performances of Chris Hemsworth and Brian Tyree Henry are what makes them the most layered, most complex iterations of the characters respectively.
Conclusion: IT’S SO GOOD, YOU GUYS.
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Words cannot describe how Transformers One is a phenomenal love letter to the franchise I hold very dear to my heart since I was a kid. Overall, this is a fantastic movie that you will love.
It has phenomenal characters, gorgeous animation, an amazing score, and a powerful story of how you have the power to change the world and make it better. For the very first time since Cyberverse, I award the very rare 10/10 to this film.
Please check it out. I applaud everyone involved in this project for making it a beautiful work of art for the fans. It is indeed more than meets the eye.
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