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theres-a-body-here · 7 months

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Recieving a love letter

Part two

You decided that the best time to give it to them (pause) is during a trial

Characters: Oni, Trapper, Deathslinger, Mastermind, Cannibal, Ghostface Warnings: Internalized Homophobia, Death, some spice Male!reader

The Oni - Kazan Yamaoka

Impossible... You're both men

Kazan cannot accept this

This simply wasn't acceptable during his era

He immediately smashes your head in with his Kanabo on instinct

Gay panic defense

The evil has been dealt with, Kazan lets out a deep exhale

But...his eyes wander to the letter, still within your cold, stiff grasp

Advantages come from all angles... Don't they?

Kazan takes the letter, convincing himself he'll use whatever information he finds inside against you

It smells like you... Not that he checked

(He did)

A red wax seal holds the letter closed

Kazan looks closer

You had carved his family crest into the wax

Something foreign invades his body, something other than rage

It's nervousness

He opens the letter, making sure to keep the seal intact

For no reason in particular

(He's pocketing that mofo)

Instantly, he's impressed by your penmanship

So organized, clean, and sharp

But its contents are even more eye catching

The love letter is short and sweet

But what follows is even sweeter

A haiku

Kazan feels his heart skip a beat

He checks it once, then again, and one more for good measure

Yep, no mistakes

The loud pop of a gen echoes through the trialground, snapping him out of his trance

Kazan whips his head all around, looking for witnesses

Finding none, he pockets the letter

He stares at your lifeless body, feeling something else flutter in his chest

Guilt

The Trapper - Evan MacMillan

Evan stares at you as you hold your letter out for him to take

After a long, uncomfortable silence, he takes it

He brings it to his face, inspecting it through the holes of his mask

Evan has absolutely no idea what to do here

He looks back at you

"Do you...want me to fuck you?"

Romantic gestures are new territories for Evan, so he honestly thinks this is just your way of asking for dick

Whichever the case, he has a job to do

He puts you down without hesitation and hooks you up, leaving without a second glance

He's still holding the letter

Part of him wants to rip it up, and the other is curious to know what you wrote

He sloppily tears the letter open, reading it hastily as he walks to the next gen

Evan stops when he reads a bit more

You weren't asking for a ball slapping, eye watering, toe curling, deep dick fuck...

You were asking for his heart

You wanted all of him, hooks and all

Okay now he feels a bit bad

Evan reads some more

You actually drew a portrait of him within the letter, saying you learnt of his knack for art from Philip

Now he feels even worse

He lets the others save you without hiccup

In fact, he basically leaves for alone for the rest of the trial

He stops chasing and hurting the others occasionally to stare at you from afar, observing that focused look on your face as you work on gens or heal a teammate

Evan feels butterflies and he no longer has the strength to swat at them

It doesn't matter if he kills all your friends or if they opened the gates and left; Eventually, you're alone with him

He holds your letter out, watching as confusion sets on your face

"I'm dirty and sloppy... I'll ruin it"

He sounds vulnerable, waiting for you to respond

You curl your hand over his, folding the letter into his palm

"I want you to keep it," you say softly, as of talking to an apprehensive deer

He doesn't know what to say

Whatever he was going to respond with gets stuck in his throat as you lean in to kiss the cheek of his mask

He watches as you leave through the exit gate, glancing down at the letter in his hand

The Deathslinger - Caleb Quinn

Obviously you're joking... Right?

Cuz there's no way you'd be attracted to someone like him— Old, beat-up, and grumpy

You'd have to push him some more if you want him to accept the letter

Convince him you're being genuine

Eventually, he gives in and takes the letter from you

He glances around nervously, like he's expecting the other survivors to jump out and laugh at him for falling for the joke

He opens the letter, stunned when he sees there's actually things written inside

A blush creeps into his face as he reads, only deepening when he reads more

After he's done, Caleb can't even meet your gaze

After a few moments of silence, he speaks

"I can.....uhhh....keep this... right?"

Talk about awk as hell

Even after the trial, he lies awake thinking about it

Caleb rereads the letter over and over

You're gonna have to be the one to seek him out outside of trials since he's way too embarrassed now

"Yer serious 'bout this, ain'tcha?"

He decides to let his guard down just a bit to let you in

Be prepared to give him lots of reassurance

"Yer sure ya ain't mistaken?"

Caleb isn't one for words, so instead of writing you a letter, he makes you trinkets out of scrap metal

If you kiss him as thanks, he'll actually die on the spot

So please don't... unless you're evil as hell

The Mastermind - Albert Wesker

Wesker makes you kneel as you give him the letter

After snatching it out of your hands, he scans it meticulously

"I see you've made eleven spelling mistakes"

He enjoys the way you tense up instantly, like a puppy waiting to be put on punishment

"How adorable"

He ALLOWS you to watch him put the letter in his inner coat pocket

He would never admit it, but this certainly boosted his ego to new heights

Albert lifts you off the ground and tosses you over his shoulder

He carries you to the basement

"Stay here while I deal with your companions"

He leaves to kill the rest of your friends

After every hook, he pats his chest to make sure the letter is still there

He'll deny he ever did that if you ask him though

Once he returns, Wesker will bombard you with questions, expecting an answer within 5 seconds or less

What took you so long? What do you like most about him? Would you choose him over your friends? How can you satisfy him?

He loves how easily you crumble under his interrogation, blushing and stammering like a fool

Once he's had his fill, he picks you up again

He carries you to hatch

Before he lets you go, he grips your chin and makes you look at him

"I suppose I ought to leave you with something"

Wesker reaches into his coat and pulls out a pair of sunglasses

"I hope you can explain this to your allies," he chuckles

Before you can protest, he puts them on you and drops you into the hole

The Cannibal - Bubba Sawyer

Freezes in place and gasps when he sees you hold out your letter

He lets out a happy squeal before dropping his hammer and chainsaw to the ground

Bubba takes the letter from you gently, treating it like glass

He immediately plops onto the ground

He tears open the envelope carefully and take out the letter

He's completely forgotten about the trial

He reads the letter, shaking with excitement

It's sappy, sweet, and everything he's ever wanted

Even when the sounds of popping generators ring through the trial grounds, Bubba doesn't take his eyes off the letter for a second

He occasionally stops reading to either make a sound of happiness or cover his face out of embarrassment

Once he's finished, Bubba will stand up and pull you into a bone-crushing hug, lifting you up a bit and swaying you around like a ragdoll

You're definitely leaving this trial unharmed

He grabs your hand tightly, marching over to the hatch or exit gates and lets you leave with a goofy wave

The Entity doesn't even punish him for it since his joy was so great it made up for the lack of bad emotions from the survivors

He immediately works on writing a letter for you after the trial is over

The next time you see him, expect another bear hug followed by a letter being shoved in your face

It's messy, sticky, and covered in glitter

Crudely drawn hearts cover the inside as the letters are shaky and almost intelligible

But you can tell Bubba put his whole heart into it

The Ghostface - Danny Johnson

Instantly smug as hell

"Oh, what's that? That for me?"

He takes it from you and immediately tears it open, tossing the envelope behind him nonchalantly

His mask moves as he visibly reads through the letter, occasionally chuckling and shaking his head

Danny finds this scenario so fucking funny— A survivor having a crush on a killer

After he's done, he looks up at you

"Do you have daddy issues or something?'

He laughs loudly when he sees a hurt expression flash across your face, walking over to wrap an arm around your shoulders

"I'm just messing with ya, cutie"

Danny marches over with his head high to one of the hooked survivors, waving the letter in their face

You stand to the side awkwardly, unable to meet your friend's bewildered look

"Your homeboy is down bad for me. Whaddya think about that?"

The survivor grits their teeth struggling to keep the Entity's claw from puncturing their chest

"I think....Gah!...they.... have daddy issues...fuck!"

"THATS WHAT I SAID!"

You're never living this down

He goes around the map showing off your love letter to the others

After he finishes gloating, Danny hooks you

What? He's the Entity's favorite! He can't his reputation be tarnished

Outside of the trial, he follows you around like a shadow

He deadass interrupts your conversations with the others to tell you he wants attention, and you'd better deliver

Your love letter was basically an invitation for him to claim you as his own, whether you regret it or not

You're his now

Like a housecat that swats at others who get too close to their owner

"That kiss factory better be open, pookie"

He says shit like this in front of any survivor or killer

1K notes · View notes

aestherin · 1 month

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notes | kazuha x gn! reader

hcs

random headcanons because i had a brainrot session otw back to my dorm :D (also not proofread :>)

also may be considered a stand-alone but may also be viewed as kazuha from my keep my heart smau hehe (would actually be very in character since he's a lit major there) ^^

kazuha, who shared several major classes with you on your third year of university

kazuha, who by chance sat beside you on the first day and opted to just sit at that spot for the whole academic year

kazuha, who impulsively and secretly wrote a haiku on his notes app when he heard your voice for the first time

kazuha, whose interest was piqued by you when he got to read the works you've written when your professors required you to exchange papers and critique each other's works

kazuha, whose eyes subconsciously always trail back to you whenever they find the perfect chance

kazuha, who did not realize it until his friend venti told him about how he's making everything so obvious

kazuha, whose heart jumped and dropped at the same time when the two of you got paired for a certain literary project

kazuha, who tried so hard to hide his flushed face when the distance between the two of you became close to nothing as you two wrote down words on the same piece of paper

kazuha, who only realized how deep he has fallen when you smiled genuinely at him for the first time

kazuha, who stayed up in his room that whole night after that revelation

kazuha, who, for the first time ever in his life, could not come up with words to explain what he was feeling

kazuha, who started writing anonymous messages addressed to you on little post-its

kazuha, who started attaching those post-its to your bag every time he finds a chance

kazuha, who starts looking forward to writing you short poems and short notes every single day

kazuha, who is perplexed by the note he found attached to his bag once he got back from the restroom

kazuha, whose brows furrow even deeper once he realizes that it was the exact same note he had stuck to your bag earlier that day

kazuha, who felt his heart overwhelm his whole being when he spotted a very familiar penmanship at the bottom of the paper

i know your handwriting, kaedehara ( ˶ˆᗜˆ˵ ) would you care to send me more of these cute little messages at [contact number]? (,,>﹏<,,)

kazuha, who almost dropped his phone as he attempted to type as swift as he could with his hands shaking

kazuha, who swore that he would never ever waste the golden opportunity that you gave him

#ri.writes #aestherin #genshin #genshin impact #kazuha #kaedehara kazuha #kazuha x reader #genshin x reader #genshin headcanons #kaedehara kazuha x reader #6nemo #kazuha one shot #genshin au #genshin college au #kazuha headcanons #kazuha au #kaedehara kazuha au #kazuha fic

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corvidcall · 2 years

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None Of You Know What Haiku Are

I'm going to preface this by saying that i am not an expert in ANY form of poetry, just an enthusiast. Also, this post is... really long. Too long? Definitely too long. Whoops! I love poetry.

If you ask most English-speaking people (or haiku-bot) what a haiku is, they would probably say that it's a form of poetry that has 3 lines, with 5, and then 7, and then 5 syllables in them. That's certainly what I was taught in school when we did our scant poetry unit, but since... idk elementary school when I learned that, I've learned that that's actually a pretty inaccurate definition of haiku. And I think that inaccurate definition is a big part of why most people (myself included until relatively recently!) think that haiku are kind of... dumb? unimpressive? simple and boring? I mean, if you can just put any words with the right number of syllables into 3 lines, what makes it special?

Well, let me get into why the 5-7-5 understanding of haiku is wrong, and also what makes haiku so special (with examples)!

First of all, Japanese doesn't have syllables! There's a few different names for what phonetic units actually make up the language- In Japanese, they're called "On" (音), which translates to "sound", although English-language linguists often call it a "mora" (μ), which (quoting from Wikipedia here) "is a basic timing unit in the phonology of some spoken languages, equal to or shorter than a syllable." (x) "Oh" is one syllable, and also one mora, whereas "Oi" has one syllable, but two moras. "Ba" has one mora, "Baa" has two moras, etc. In English, we would say that a haiku is made up of three lines, with 5-7-5 syllables in them, 17 syllables total. In Japanese, that would be 17 sounds.

For an example of the difference, the word "haiku", in English, has 2 syllables (hai-ku), but in Japanese, はいく has 3 sounds (ha-i-ku). "Christmas" has 2 syllables, but in Japanese, "クリスマス" (ku-ri-su-ma-su) is 5 sounds! that's a while line on its own! Sometimes the syllables are the same as the sounds ("sushi" is two syllables, and すし is two sounds), but sometimes they're very different.

In addition, words in Japanese are frequently longer than their English equivalents. For example, the word "cuckoo" in Japanese is "ほととぎす" (hototogisu).

Now, I'm sure you're all very impressed at how I can use an English to Japanese dictionary (thank you, my mother is proud), but what does any of this matter? So two languages are different. How does that impact our understanding of haiku?

Well, if you think about the fact that Japanese words are frequently longer than English words, AND that Japanese counts sounds and not syllables, you can see how, "based purely on a 17-syllable counting method, a poet writing in English could easily slip in enough words for two haiku in Japanese” (quote from Grit, Grace, and Gold: Haiku Celebrating the Sports of Summer by Kit Pancoast Nagamura). If you're writing a poem using 17 English syllables, you are writing significantly more content than is in an authentic Japanese haiku.

(Also not all Japanese haiku are 17 sounds at all. It's really more of a guideline.)

Focusing on the 5-7-5 form leads to ignoring other strategies/common conventions of haiku, which personally, I think are more interesting! Two of the big ones are kigo, a season word, and kireji, a cutting word.

Kigo are words/phrases/images associated with a particular season, like snow for winter, or cherry blossoms for spring. In Japan, they actually publish reference books of kigo called saijiki, which is basically like a dictionary or almanac of kigo, describing the meaning, providing a list of related words, and some haiku that use that kigo. Using a a particular kigo both grounds the haiku in a particular time, but also alludes to other haiku that have used the same one.

Kireji is a thing that doesn't easily translate to English, but it's almost like a spoken piece of punctuation, separating the haiku into two parts/images that resonate with and add depth to each other. Some examples of kireji would be "ya", "keri", and "kana." Here's kireji in action in one of the most famous haiku:

古池や　蛙飛び込む　水の音 (Furu ike ya　kawazu tobikomu　mizu no oto) (The old pond — A frog jumps in The sound of the water.)

You can see the kireji at the end of the first line- 古池や literally translates to "old pond ya". The "ya" doesn't have linguistic meaning, but it denotes the separation between the two focuses of the haiku. First, we are picturing a pond. It's old, mature. The water is still. And then there's a frog! It's spring and he's fresh and new to the world! He jumps into the pond and goes "splash"! Wowie! When I say "cutting word", instead of say, a knife cutting, I like to imagine a film cut. The camera shows the pond, and then it cuts to the frog who jumps in.

English doesn't really have a version of this, at least not one that's spoken, but in English language haiku, people will frequently use a dash or an ellipses to fill the same role.

Format aside, there are also some conventions of the actual content, too. They frequently focus on nature, and are generally use direct language without metaphor. They use concrete images without judgement or analysis, inviting the reader to step into their shoes and imagine how they'd feel in the situation. It's not about describing how you feel, so much as it's about describing what made you feel.

Now, let's put it all together, looking at a haiku written Yosa Buson around 1760 (translated by Harold G. Henderson)

The piercing chill I feel: my dead wife's comb, in our bedroom, under my heel

We've got our kigo with "the piercing chill." We read that, and we imagine it's probably winter. It's cold, and the kind of cold wind that cuts through you. There's our kireji- this translation uses a colon to differentiate our two images: the piercing chill, and the poet stepping on his dead wife's comb. There's no descriptions of what the poet is feeling, but you can imagine stepping into his shoes. You can imagine the pain he's experiencing in that moment on your own.

"But tumblr user corvidcall!" I hear you say, "All the examples you've used so far are Japanese haiku that have been translated! Are you implying that it's impossible for a good haiku to be written in English?" NO!!!!! I love English haiku! Here's a good example, which won first place in the 2000 Henderson haiku contest, sponsored by the Haiku Society of America:

meteor shower . . . a gentle wave wets our sandals

When you read this one, can you imagine being in the poet's place? Do you feel the surprise as the tide comes in? Do you feel the summer-ness of the moment? Haiku are about describing things with the senses, and how you take in the world around you. In a way, it's like the poet is only setting a scene, which you inhabit and fill with meaning based on your own experiences. You and I are imagining different beaches, different waves, different people that make up the "our" it mentioned.

"Do I HAVE to include all these things when I write haiku? If I include all these things, does that mean my haiku will be good?" I mean, I don't know. What colors make up a good painting? What scenes make up a good play? It's a creative medium, and nobody can really tell you you can't experiment with form. Certainly not me! But I think it's important to know what the conventions of the form are, so you can appreciate good examples of it, and so you can know what you're actually experimenting with. And I mean... I'm not the poetry cops. But if you're not interested in engaging with the actual conventions and limitations of the form, then why are you even using that form?

I'll leave you with one more English language haiku, which is probably my favorite haiku ever. It was written by Tom Bierovic, and won first place at the 2021 Haiku Society of America Haiku Awards

a year at most . . . we pretend to watch the hummingbirds

Sources: (x) (x) (x) (x) (x) (x)