#and then i see this kind ask

[zytes]

this manatee looks like it’s in a skyrim loading screen

[elliesbelle]

emily gwen, the creator of the sunset lesbian flag that we’ve come to commonly use, still continues to live in poverty.

multi-billion dollar companies have used their design and made profit from it, and yet they have not seen a cent for their creation.

i’ve been friends with emily for years, and i have not once seen them be financially stable the entire time. i’ve seen them homeless, unemployed, starving. right now, they need our help more than ever.

please consider donating to emily’s ko-fi, especially if you’ve used their design to create something and profited from it.

[samgiddings]

@staff @support @engineering @music @books

Have you ever considered this is a really stupid layout to have when there’s no way to easily get your account back if you accidentally hit the wrong button???

[noodles-and-tea]

Twins in time au.... Would Fiddleford act as a sort of father figure to Stan? Since Filbrick obviously SUCKED to both Stan and Ford and Fidd is more than definitely missing HIS son, and of course Ford has grown to love him but they're still BROTHERS.. Maybe they could act as the father/son the other is missing?

ABSOLUTELY!!!!

[chloesimaginationthings]

Vanessa TOTALLY got those Tapes for the FNAF lore..

[ciderjacks]

Party infighting

[deerspherestudios]

Tbh I feel bad for MR! Mychael, I get songs stuck in my head a lot but most often its only a few lines on repeat. I'm used to it but I think it would drive him somewhat insane lol, can't find any personal information without fighting against the constant buzz up there

Sounds about right. 🎵

[heartorbit]

find another role, carry on the show

[inkskinned]

crows use tools and like to slide down snowy hills. today we saw a goose with a hurt foot who was kept safe by his flock - before taking off, they waited for him to catch up. there are colors only butterflies see. reindeer are matriarchical. cows have best friends and 4 stomachs and like jazz music. i watched a video recently of an octopus making himself a door out of a coconut shell.

i am a little soft, okay. but sometimes i can't talk either. the world is like fractal light to me, and passes through my skin in tendrils. i feel certain small things like a catapult; i skirt around the big things and somehow arrive in crisis without ever realizing i'm in pain.

in 5th grade we read The Curious Incident of the Dog In The Night-time, which is about a young autistic boy. it is how they introduced us to empathy about neurotypes, which was well-timed: around 10 years old was when i started having my life fully ruined by symptoms. people started noticing.

i wonder if birds can tell if another bird is odd. like the phrase odd duck. i have to believe that all odd ducks are still very much loved by the other normal ducks. i have to believe that, or i will cry.

i remember my 5th grade teacher holding the curious incident up, dazzled by the language written by someone who is neurotypical. my teacher said: "sometimes i want to cut open their mind to know exactly how autistics are thinking. it's just so different! they must see the world so strangely!" later, at 22, in my education classes, we were taught to say a person with autism or a person on the spectrum or neurodivergent. i actually personally kind of like person-first language - it implies the other person is trying to protect me from myself. i know they had to teach themselves that pattern of speech, is all, and it shows they're at least trying. and i was a person first, even if i wasn't good at it.

plants learn information. they must encode data somehow, but where would they store it? when you cut open a sapling, you cannot find the how they think - if they "think" at all. they learn, but do not think. i want to paint that process - i think it would be mostly purple and blue.

the book was not about me, it was about a young boy. his life was patterned into a different set of categories. he did not cry about the tag on his shirt. i remember reading it and saying to myself: i am wrong, and broken, but it isn't in this way. something else is wrong with me instead. later, in that same person-first education class, my teacher would bring up the curious incident and mention that it is now widely panned as being inaccurate and stereotypical. she frowned and said we might not know how a person with autism thinks, but it is unlikely to be expressed in that way. this book was written with the best intentions by a special-ed teacher, but there's some debate as to if somebody who was on the spectrum would be even able to write something like this.

we might not understand it, but crows and ravens have developed their own language. this is also true of whales, dolphins, and many other species. i do not know how a crow thinks, but we do know they can problem solve. (is "thinking" equal to "problem solving"? or is "thinking" data processing? data management?) i do not know how my dog thinks, either, but we "talk" all the same - i know what he is asking for, even if he only asks once.

i am not a dolphin or reindeer or a dog in the nighttime, but i am an odd duck. in the ugly duckling, she grows up and comes home and is beautiful and finds her soulmate. all that ugliness she experienced lives in downy feathers inside of her, staining everything a muted grey. she is beautiful eventually, though, so she is loved. they do not want to cut her open to see how she thinks.

a while ago i got into an argument with a classmate about that weird sia music video about autism. my classmate said she thought it was good to raise awareness. i told her they should have just hired someone else to do it. she said it's not fair to an autistic person to expect them to be able to handle that kind of a thing.

today i saw a goose, and he was limping. i want to be loved like a flock loves a wounded creature: the phrase taken under a wing. which is to say i have always known i am not normal. desperate, mewling - i want to be loved beyond words.

loved beyond thinking.

[poppy-metal]

MARRIAGE COUNSELING W ART PLEASEEEEEEEE GOD THE DEVASTATION THAT TAKES PLACE ON THAT COUCH

i think about it alot. tashi staying with patrick, her injury never happening. your arts college girlfriend and now you're married and it feels fucking stagnant, your relationship. but neither of you wants to give up. neither of you wants to reveal to the other true feelings.

under the cut because this got long and i have a whole au in my hear around this concept

you're only in counseling because of tashi. because shes still in your lives, her and patrick. and she recommended it to art when they were having one of their 'friend' lunches. and now here you are, because of course art took her advice.

he hasn't said anything, though. despite pleading for this. saying he wanted to save your marriage, that he wanted to love you how you should be loved but he didn't know how.

so here you are, on opposite ends of the couch, with the counselor staring at the empty space between you like that in itself is very telling. you suppose it is, in a way. couples who want to stay together should be unified, shouldn't they? you imagine how it would feel, if art had sat next to you. put an arm around you. squeezed you to his side. would you even be able to relax into him? its been so long since you touched eachother that way.

"so im picking up on some distance here," your therapist says. shes a small woman. almost swallowed by her chair. her glasses are perched on her nose as she gazes imperiously at empty space separating you and art. "not just physical either, though thats rather obviously there. but emotional distance. do either of you wanna comment on that?"

you cut a glance at art, expecting him to speak up since this was his idea - well. tashi's. but he just looks down at his lap, quiet. spins his wedding band around his finger.

you feel an anger so intense it pricks your eyes with tears.

"well, i guess you could start with the fact that coming here wasn't even either of our idea. it was his friends."

and now. here art speaks. his head jerks up and she shoots you an annoyed look. "you don't have to say it like that. you always say it like that. her name is tashi and she is my friend. and it was her suggestion, yeah, but it was a good one."

you look at the therapist - janet. raise your eyebrows in arts direction like, get a load of this guy. your legs cross and you start picking at a stray string from the couch.

"first words of the session and its to talk about another woman."

arts inhale is sharp and you can feel his eyes on you but you dont look at him. you can't. you wont. you're right, anyway. he can try to deny it all he wants but you know - you know what you are to him. you know where all your problems stem. you dont need to be here to make any grand discoveries over a fact you've resigned yourself too.

"i see." janet says. "and art having a relationship with this other woman upsets you."

"everything upsets her." art cuts in, sounding tired. his elbow is braced on the arm of the couch and hes chewing on his thumb in one of his nervous gestures. he always did that, as long as you've known him. he was a nail biter, he'd chew his lips raw, he'd nibble on straws, the ends of his pens. he was either lost in thought or agitated. your guess was the latter. "nothing i do makes her happy."

"is this true? are you unhappy with art?"

your skin feels hot. you shift around in your seat. the attention is all on you, and it feels like you've done something wrong, even though you know its literally janets job to ask questions.

"more like i know I'm not what he wants and that makes me...... really fucking sad."

art knees almost knock against yours as he turns his body to face you, giving you his full attention the first time today. you cant meet his eyes still, so you look at the faded spot on his jeans. light blue, like his eyes. you wonder how hes looking at you. cant make yourself look up to see.

"what." he stops. seems to gather some thoughts. tries again, with a steadier tone. "what are you talking about."

you try not to roll your eyes. your arm flings out limply.

"just that this whole thing is a joke, art." and you let out an exasperated laugh, even though nothing is funny. nothing has been funny or light between you two in a long time. "we're only here because the girl you really wanted to marry, told you to get your fucking shit together. you didn't ask us to come here because you wanted to mend something, you're here to please tashi. because if playing a good husband is a role she wants for you - well, you want to play it right, dont you?"

its quiet after that. in the silence you cant help but think about those early days. when you'd been full of love and light and art seemed to be really happy with you. you'd go on dates to the movies, walk through the park together with your hands swinging between you. laugh together and steal kisses whenever you could. you felt high back then.

it didn't even matter that art had a crush on tashi, because hell, you had one too, at the time. but she'd started dating patrick, and they seemed to mesh well together. they were both so intense and passionate. back then, you'd been alot closer to tashi yourself. patrick too. you remember the way she'd rant about how much she fucking hated him, pacing around your room and calling him every name under the sun. and you'd sit there with eager curiosity, and ask her why she didn't end it then. if he makes you so angry, why stay?

and she'd get this faraway look in her eyes. kind of wistful. kind of sad. kind of happy.

"because he makes me feel fucking alive. hes like a - like a drug or something. i cant quit. its addictive, you know?"

that stuck with you. it still sticks with you. you remember being envious of that kind of passion. youe relationship with art had always been so easy. you dont think you'd ever fought by that point. you loved art. you felt safe with art. but were you addicted to him? if you broke up - would you feel withdrawal symptoms?

sometimes you layed awake at night and thought about starting a fight - breaking up for no reason. just to see if he'd fight for you back, if the missing of eachother would be so intense one of you would cave.

but somehow you knew that wouldn't be the case. thats just not how you and art operated. if you got angry, he wouldn't rise to meet you, he'd back down. if you ended things, he wouldn't chase you, he'd let you go.

patrick and tashi were fire and brimstone and you and art was ice and you were....... dirt. solid. walked upon. dependable and not at all exciting.

when art had proposed to you after college graduation it wasn't spur of the moment as it had been with patrick when he'd swept tashi up with a ring and a elopement to vegas. it was talked about and agreed upon and you knew it was coming.

you still said yes.

"you think," and arts voice has a barely concealed tremble to it that makes you look up, finally. you're shocked to see he looks wounded. so many of his expressions you can count on one hand - and this - this wasn't one of them. his eyes are dark, stormy. "you think i dont care about our marriage beyond what someone else has to say about it? you really think that?"

you hate the sliver of guilt you feel, because its not a crazy thing to feel.

"yeah, i really do."

because well, that's the truth of the matter isn't it? you and your husband stare at eachother. and it feels like you're looking at a stranger. not the man who's freckles you used to kiss. who's fears you knew. who's hands you know every callous of, every divot and fingerprint.

"it seems you two have very different views of how the other views this marriage." janet cuts in, sounding curious. she taps her pen against the open notepad on her lap. "art, would you like to chime in on why you wanted to come here? even at the suggestion of someone else?"

art stares at you for a long moment. his face is unreadable to you. his jaw works before his chest expands on an exhale and he looks away.

"i guess i - i just didn't realize how..... stagnant things had gotten until it was pointed out to me. harshly." he winces, and you wonder exactly what tashi had to say to him. you haven't talked to the other woman for some time. contact fizzling out after your marriage to art. he flicks a glance to you, then away again. "im not the best at being aware of shit going on around me." his hand comes up to rub nervously at his neck. "i guess you could say im good at brushing things under the rug. going through the motions. that sort of thing."

janet nods like this makes sense to her. well, great, you think. you know my husband more than i do.

"you're not a fan of confrontation, are you?"

art actually laughs. a genuine one. one that brings a dimple to his cheek and flashes his teeth. you stare at it, like its an exotic animal, and you wont see it again. quickly you catalog the expression in your memory, so you dont forget what he looks like when hes happy.

"yeah, no." he shakes his head. "but I think thats part of the problem. I've obviously let too much shit get put under the rug and now its so full other people are noticing."

you look down at your hands, lips pressed together. your face burns at the knowledge that tashi and by extension - patrick - know your marriage is in shambles. how embarrassing, to be caught lacking in such a momentous way. to come up short and have your husbands friends know about it. you wonder - does he talk about all the ways you make him miserable with them? does patrick shake his head, say, "she's sucking the life out of you, man." does tashi look at him with pity? like hes some poor abused cat that needs to be let in from the rain?

the rain of your marriage.

the rain of you.

you're the storm. you're the problem. you're not enough. art needs fire. you're not even dirt, you're glass. and you can feel yourself breaking.

"that clearly hit a nerve, my dear." janets voice is soft. soothing. she hands you a tissue and you realize you'd begun to cry. "do you want to explain what you're feeling about what art said?"

"i...."

you dab dab dab at your eyes. sniffle. look around the room, trying to collect your thoughts. they feel like flyaway dandelions. you dont know which of them to grasp.

a warm hand settles over yours in your lap and you startle. its arts hand. warm and calloused and tan, covering yours. the gold glint of his wedding ring winks at you, the engraved words etched into them, "my soft epilogue". a shortened version of your favorite qoute i think we deserve a soft epilogue, my love.

at the time, that's what art was to you. your life before him hadn't been easy. being with art had felt like coming home from a long day and falling into a soft bed. it had felt like being able to land after weeks of being made to fly.

you turned your palm up, so he could slide his fingers between yours. he squeezed your hand.

"i think, i. i think i just think - I'm a failure." your bottom lip wobbles. you look at your enterwoven fingers and it makes you so sad that you haven't done the simple gesture of holding your husbands hand in months. "the two most important people in your life are. are so passionate and loud. and i see. i see how happy they make you - and i cant - i cant b-be that for you. we aren't - im not - you dont need me. im not a limb for you how they are. you could extract yourself from me and be. be happier."

your breath shudders out of you.

"you don't need me." you echo.

you wait for him to pull his hand away. this is more than you thought you'd share. some of it you weren't even aware of till the words were spilling from your lips. but they ring true.

without patrick and tashi art would drown. without you..... he'd float just fine.

"and that's important to you." janet says. a statement not a question. "you want to feel needed by art, and you feel as though you aren't. that his needs are met better with his friends than with you."

you nod slowly.

"baby." the word sends a shock through you. not the word itself but how its said. art calls you baby all the time, in a monotonous kind of way. routine. now he says it softly. with feeling. he lets go of your hand in favor of cupping your cheek, still damp with tears, turning your face to his. he looks pained. "of course i need you. i know i haven't been good at showing it. i just - you shut down - after we got married. you've been like a fucking ghost. like you dont want me to touch you. like i could dissappear for all you care and you'd just carry on. i don't know. but i need you, okay? i. need. you."

both hands cup your face, he makes you stare right into him. the conviction in his voice takes your breath away. theres a fire burning there you've thought long put out.

"obviously we have shit to sort out, and we will. but you've got to. you've got to know that. tashi only pushed me to do this because she how - how desperate i was. that's all."

you inhale deeply. exhale. swallow hard. tears cling to your lashes. you reach a hand up to clutch at one of arts wrists. eyes fluttering automatically when you do. you feel grounded again. less like you might float away.

"okay."

"yeah?"

"yeah...." and you smile. it trembles across your lips. but its there. "we'll sort our shit."

art lets out a relieved breath. kisses your forehead, lingering there. the gesture so tender you get emotional again. you want to crawl into his lap, have him wrap you in his arms. you want to feel held by him, like you used to.

"our time is up." janet sets her pen down. smiles. "but i think that was a wonderful first session. i can see the love between you hasn't faded, and that's more i can say for alot of couples who come to see me. keep your chin up."

[shorthaltsjester]

watching the sdcc panel and i am just very :) about how sweet their answers to “what are some of the micro moments from the game that have stuck with you the most over the years?” are. taliesin saying what the fuck is up with that which was the first like The Party Gets To Know Each Other moments of c3. travis saying asking his wife if he could kiss her in campaign. marisha going way back to the cannonball competition in campaign one. ashley choosing the beauyasha date but also just the silly goat noise matt made. liam adding onto that to compliment matt roleplaying grass so well and then saying his favourite moment was writing a story for laura and reading it to her as caleb for jester. and then matt saying that was his answer, and that his favourite moments of the game are when they find ways to give gifts to each other whether tangible or not. and sam saying his favourite moments have less to do with the story and is more so when he can just. see his friends across the table from him. when marisha perches and when laura and ashley are (badly) drawing dicks and liam saying he loves when sam sneezes and ashley tells him to stop it and just. yeah. they Are an extremely popular online powerhouse, but i’m so happy that they’re also friends building a world together out of gifts to and love for one another.

like i Am so enamoured with the characters and the world of exandria but the moments when you can feel the love that those people have for each other reach out from behind the stained glass of their performances (to steal a metaphor from brennan lee mulligan) are so extremely special and i am endlessly grateful that they decided to share their silly little home game with the world.

[lethologicaee]

are u familiar with kyle rayner…i think u drawing him would actually drive me insane

yes vaguely... i will see about getting a sketch done for you!

[coffeeisfortheresponsible]

heard you guys like when i draw morro and nya

i need to be more insane about s5,, it’s my favorite actually and i feel like i don’t talk about that enough

[hollowed-theory-hall]

Do you think Harry could be scary at times? Like put actual fear into people? Because I think I remember some moments where Hermione was afraid of him or was a least kinda hesitant with him. Like this quote here from HP and the Deathly Hallows:

“You nev­er re­al­ly tried!” she said hot­ly. “I don’t get it, Har­ry – do you like hav­ing this spe­cial con­nec­tion or re­la­tion­ship or what – what­ev­er – “

She fal­tered un­der the look he gave her as he stood up.

“Like it?” he said qui­et­ly. “Would you like it?”

“I – no – I’m sor­ry, Har­ry. I just didn’t mean – “

He literally just looked at her, stood, and she was over there stuttering and backing down.

Yes! OMG, yes! Harry can and is scary when he wants to be and I love him for it!

A few more examples that popped into my head:

“I haven’t finished with you, boy!” “Get out of the way,” said Harry quietly. “You’re going to stay here and explain how my son —” “If you don’t get out of the way I’m going to jinx you,” said Harry, raising the wand. “You can’t pull that one on me!” snarled Uncle Vernon. “I know you’re not allowed to use it outside that madhouse you call a school!” “The madhouse has chucked me out,” said Harry. “So I can do whatever I like. You’ve got three seconds. One — two —”

(OotP, 45)

Uncle Vernon reacts to him with anger, which is his fear response. But Harry is talking quietly and deliberately, he isn't shouting and Vernon shuts up and listens, not cutting Harry off with his shouts. Harry actually cuts him off speaking quietly and Vernon lets him. And Vernon lashes out, as he always does when it comes to magic — because it scares him. Harry scares him.

“Well, it’s like Hagrid said, they can look after themselves,” said Hermione impatiently, “and I suppose a teacher like Grubbly-Plank wouldn’t usually show them to us before N.E.W.T. level, but, well, they are very interesting, aren’t they? The way some people can see them and some can’t! I wish I could.” “Do you?” Harry asked her quietly. She looked horrorstruck. “Oh Harry — I’m sorry — no, of course I don’t — that was a really stupid thing to say —”

(OotP, 450)

Hermione stutters around Harry quite a bit. I think she is, like, concerned about him at all times at the back of her head a bit since it takes very little from him to rattle her. I'm not copying it here but you see it too when Harry shouts at her and Ron at the beginning of OotP, Ron argues back a bit, but Hermione gets incredibly rattled. Hermione doesn't deal with Harry's anger well. There are more scenes like the one you mentioned as well.

I'm re-reading Deathly Hallows right now and came upon this scene:

Somehow her [Hermione's] panic seemed to clear Harry’s head. “Lock the door,” he told her, “and Ron, turn out the lights.” He looked down at the paralyzed Dolohov, thinking fast as the lock clicked and Ron used the Deluminator to plunge the caf into darkness. Harry could hear the men who had jeered at Hermione earlier, yelling at another girl in the distance. “What are we going to do with them?” Ron whispered to Harry through the dark; then, even more quietly, “Kill them? They’d kill us. They had a good go just now.” Hermione shuddered and took a step backward. Harry shook his head. “We just need to wipe their memories,” said Harry. “It’s better like that, it’ll throw them off the scent. If we killed them it’d be obvious we were here.” “You’re the boss,” said Ron, sounding profoundly relieved. “But I’ve never done a Memory Charm.”

(DH, 146)

That needs to be talked about more.

Some people like to point at Remus telling Harry that "the time for Expeliarmos is over" as proof Harry isn't willing to kill, but this isn't true. Harry isn't willing to kill Stan Shunpike, whom he considers innocent, Harry was the calmest of the trio and very much considered killing the Death Eaters and chose not to for completely tactical and cold reasons, not ones of ethics or qualms about murder. And I love the dynamic this short scene portrays with the trio a lot. Like, Harry is calm under pressure and calls the shots, Ron offers a way to deal with things, and then Hermione actually executes the memory charms. And here too, when Hermione stepped back, she was scared of Harry (and Ron a little). She doesn't for a second think he wouldn't kill them if he thought it was the right thing to do. She stepped back because she was scared Harry would kill them.

“...Thank you!” said Mundungus, snatching the goblet out of Ron’s hand and stuffing it back into the case. “Well, I’ll see you all — OUCH!” Harry had pinned Mundungus against the wall of the pub by the throat. Holding him fast with one hand, he pulled out his wand. “Harry!” squealed Hermione. “You took that from Sirius’s house,” said Harry, who was almost nose to nose with Mundungus and was breathing in an unpleasant smell of old tobacco and spirits. “That had the Black family crest on it.” “I — no — what — ?” spluttered Mundungus, who was slowly turning purple. “What did you do, go back the night he died and strip the place?” snarled Harry. “I — no —” “Give it to me!”

(HBP, 245-246)

Harry lifts Mundungus and strangles him... and both Mundungus and Hermione are scared of him... because he is scary.

said Voldemort coldly, and though he could not see it, Harry pictured Bellatrix withdrawing a helpful hand. “The boy . . . Is he dead?” There was complete silence in the clearing. Nobody approached Harry, but he felt their concentrated gaze; it seemed to press him harder into the ground, and he was terrified a finger or an eyelid might twitch. “You,” said Voldemort, and there was a bang and a small shriek of pain. “Examine him. Tell me whether he is dead.” Harry did not know who had been sent to verify. He could only lie there, with his heart thumping traitorously, and wait to be examined, but at the same time noting, small comfort though it was, that Voldemort was wary of approaching him, that Voldemort suspected that all had not gone to plan. . . .

(DH, 612)

Voldemort is outright scared of Harry and isn't willing to come near him to check if he's dead...

Like, I am not a fan of the weaker, softer fanon version of Harry James Potter that I see on occasion (obviously everyone can do what they want, I just personally don't like it much when he's portrayed as small and submissive as if Harry has ever submitted in his life). He is not as tall as Ron, but he isn't short either (the same height as James, so likely around 6 feet), he is physically capable of lifting Mundungus even without magic with a single hand and he is so magically capable (more than almost every other character, bar exceptions like Dumbledore, Voldemort, and Snape). No wonder he can be scary, both physically and magically. And yes, Hermione is outright scared of Harry at times. So are other characters.

So, yeah, I strongly agree, Harry can definitely scare people if he wants to, and sometimes even when he doesn't. He seems to have an intimidation factor he isn't fully aware of and therefore doesn't notice all that much.

[somerandomcockroach]

[chloesimaginationthings]

Are you ever going to make any FNAF movie charms?

Yes! Let me know on this post what merch you’d like to see!