#and then you take it in completely bad faith

[regretevator-confessions]

I don’t understand the appeal of Gnarpy’s old design and why it’s missed by so many fans.

I love Gnarpy. Xey are my favorite Regretevator character, but something that bogs my mind is the constant obsession some Regretevator fans have with a design that was replaced due to behind the scene controversy. I will admit, I do feel bad that the design was tarnished as a result of its creator’s degenerate behavior, but I can’t help but ask why people continue to view the redesign as a terrible thing. Let me take you through a crash course about why I dislike the old design and how the redesign is actually the best thing to happen to Gnarpy in an artistic standpoint. Allow me to explain:

Let’s face it, the original design was bland. For what is supposed to be an anthropomorphic alien cat warlord with a superiority complex, the original design fails at conveying that. Good character design should be able to tell the viewer something about that character’s personality and who they are just by looking at them. The original design fails at doing that. It’s just a generic green cat with some antennae and glowing stuff, that’s it. There’s nothing that tells me xyr an intergalactic general, no attributes that makes xem seem otherworldly like an alien should be, and it just doesn’t match the rudeness, arrogance, and exaggerated energy of xyr in-game dialogue. Instead, it just made Gnarpy look like uninspired furrybait for the sake of furrybait, which to me is an insult towards a genuinely interesting character concept.

The redesign on the other hand is way more faithful to Gnarpy’s character than the original design ever was. Redesigned Gnarpy looks more cartoony, having more alien-like details such as four arms, four eyes, conjoined ears, double tails with pincers, and a red outfit with a yellow star badge. Not only that, xyr color scheme is more interesting, xey have a recognizable silhouette, and xyr new animations perfectly capture xyr pompous ego. Some may argue that the deviation from the blocky style makes xem less charming, but to me, I feel the opposite. The complex goofiness of the new design not only fits xyr personality perfectly, it also gives xem a sort of an Invader Zim/Peridot type of charm that makes me like Gnarpy’s character so much more.

Overall, I know that art is subjective and I know that making this confession may have put me at risk of getting publicly executed (French Revolution styled). I just don’t get the appeal of such a bland design, especially one made by a creep. I like the way Gnarpy looks now and I feel that most Regretevator fans are too harsh on it solely because it deviates away from the original. Yes, it was a sudden change nobody asked for, but that doesn’t make it right to immediately hate it without giving it a chance (also it’s not like the developers had a choice). If you genuinely prefer the old design, have no ill intent on bashing you for your preferences. If you like it, all power to you. I’m just tired of hearing the vocal parts of the fandom complain about a fictional character just because they were changed. Old Gnarpy is dead, xey died behind the Shwaffle House parking lot. Just be glad Gnarpy didn’t suffer the same fate as Miché did: completely removed from the game.

.

[genericpuff]

I've watched both (this is a hazbin hotel ask btw) but tend to keep my eyes closed to merch sales (and such forth) unless it can pierce my five degrees of separation

also gotta admit that I've been not keeping up with HB since... honestly the since the season end. yeah I'm behind.

What do you mean they're waiting for what's functionally pamphlets? It's taking MONTHS for a pamphlet?

That's funny in the bad way 😭

yeah so from MY UNDERSTANDING (i.e. correct me if I'm wrong) the playbill was part of some exclusive package deal where buyers would receive some keychains, trading cards, and a playbill which was supposedly going to be filled with exclusive interviews/quotes/background information/etc. about the show's production. That playbill was exclusive to the pre-orders, meaning if you didn't pre-order this merch package, presumably you could still purchase the merch package on its own (or possibly its parts separately on the merch site like the keychains n junk) but the playbill would ONLY be sent to those who pre-ordered.

The pre-orders started around a year or so ago, but then roughly 9 months ago when the bundles started to show up, people reported that the playbill - literally the centerpiece of the marketing - was missing.

Since then, the playbills still haven't arrived, but customers have gotten TWO separate emails written from the "characters" of Hazbin Hotel updating them on the situation. Yes, you read that right, the emails meant to update people on the part of their pre-order package that was still missing - a package that cost them $76 and again, the playbill was exclusive to - were written in-character like a roleplay post in a message board forum.

And for some reason, the A24 staff decided that Husk would be the best character to deliver the bad news, a character who is, like many characters in Hazbin, just an asshole.

It's wild that this even got approved as an official email from the A24 team because let's face it - if you had spent $76 with the good faith expectation that you were gonna get everything you were promised in return for that $76 is this really the response you'd want to get? I'm not exactly sure when this email was sent out but according to some of the people reporting on it via Twitter, it was around the end of January (so the end of the month that folks were expecting it to roll in). Not a great way to tell people that the product they're waiting on - and didn't expect to be missing in the first place - was delayed.

Months later, a second email rolled out, and A24 sort of learned their lesson, not by actually addressing their customers as human beings, but this time as Charlie, who is at least not a complete dickhead.

It still doesn't really answer any questions though because it's putting the responsibility on fictional characters to explain what's going on. So of course everything is masked behind the "teehee, Alastor did a naughty and Niffty got stuck in the printing press machine!" roleplaying talk which literally does not actually tell anyone what's really going on, just gives them a vague impression based on what they chose to make a fictional character say.

Sure, it's nicer than Husk, but it's still disingenuous and frankly just cringe esp when this is concerning the interests of paying customers.

I don't know if this is Vivzie's doing or someone else on the A24 team, but it really feels like they're trying to operate the same way HH would have operated back when it was just a Youtube series... but it's not a small-time Youtube production anymore, it's a full on Amazon show with hired employees and a customer base that expects the thing they paid for to actually show up. So at best this is just really immature mishandling of a situation that should be taken at least relatively seriously.

And really, out of all the things to delay... the playbills? Really? For anyone who's not familiar with what a playbill is, it's literally just a booklet. Professional, "Playbill" branded playbills that you see in legitimate theatre productions are (if I recall correctly) anywhere from 30-60 pages, but a lot of those pages are often dedicated to ad space of other productions and companies, with maybe only 10-15 pages dedicated to the actual production. People love collecting them though because you typically only receive them when you go to see a play itself, so it can be a great souvenir from limited run productions.

It's kinda like comic collecting for theatre-goers, they can serve as memorabilia or as "proof" that you were there to attend a specific show. Though playbills don't tend to accrue as much value as much as comics can, they can still have a lot of sentimental value.

Hazbin Hotel isn't a play though. It's a streaming show available on Amazon Prime that anyone can watch anywhere in the world. It doesn't exactly have the need for something like a playbill, because the exclusivity is simply tied to how much extra money you're willing to give them for the pre-order, not to any sort of unique in-person experience of going to the theatre and watching the show live with your own eyes.

Granted, Hazbin Hotel does obviously take heavy inspiration from theatre culture as it is itself a musical, so I can understand the novelty and appeal of creating a unique playbill for it. I just don't really understand why that's the item that got delayed when a booklet containing exclusive info should be one of the easiest things to make, especially when it comes to production costs (printing a bunch of playbills shouldn't be anywhere near as expensive as producing keychains and trading cards).

But there was an update on reddit about this a couple weeks ago and it seemingly contradicts what A24 - sorry, 'Charlie', sigh - said months ago that they were working hard on specifically printing and packaging the playbill orders-

FINALLY the HH fandom gets a real human being from A24 responding, but they're saying that the designs are still being worked on??? So this means they haven't even started printing the things yet?? So that's an entirely DIFFERENT issue that hasn't been addressed up until this point.

So yeah, again, I don't have any stakes in this and it's definitely not something that I'm like, putting a lot of emotional investment into, but it has still been fascinating to check in on every now and then. Big condolences to the HH fans who paid $76+ for this package and are still waiting for the MAIN CENTERPIECE to show up - if you're one of those fans and are now reading this, you're probably gonna be waiting a little while longer because apparently they haven't even designed them yet 💀😆

[poorly-drawn-mdzs]

Good morning, Sleepyhead.

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[mustardyellowsunshine]

the wildly stupid takes on twitter dot com got me like

[batsplat]

if more people knew Herstory (aka 2004 season and sete&vale) so many questions wrt 2015 season(mostly “why would vale….”) would immediately be answered addfghjk like guysssss guyssssss

it is kinda funny that there's a simple cheat code out there to understanding most of valentino's career but it's just about long enough ago that most people simply... ignore it. like there's a three year span that more or less tells you what you need to know about him. it's like you say! pretty much every possible "why would vale..." secretly has a straightforward answer, and 9/10 it's something that was established in 2003 to 2005. simple as

if anything it's almost annoying because it's too easy. the 2004/2015 stuff in particular is incredibly funny. oh, so you say you have a controversial last lap at assen where valentino beat a rival in direct combat and said rival reacted surprisingly poorly, making valentino reevaluate his relationship with the rival? might that tell you something about how a seed of suspicion once sown can remain dormant for months until valentino is given cause to revisit it? valentino quite literally says in his biography that he could never have hated biaggi because he wasn't a friend and didn't have the power to hurt him... the sepang pressers thing is genuinely just silly, I know this is mainly a function of when they happen in the calendar but what a bizarre coincidence. 2015 is like a slightly more opaque funhouse mirror version of 2004 - but so many of the major beats are virtually identical. which means you've got a season Out There where a younger less experienced less guarded less cynical valentino basically walks you through his internal processes so you get a really good handle of what his deal is. he's piecing together his identity as a competitor going forwards in real time - and then in 2015 he just reminds you of what exactly that identity involves. it's a reaffirmation and not a departure... he's not that inscrutable after all, in the end

[cinderflower]

maybe i'm missing something but i swear to god gaius's inclusion and specifically being an albinauric has been breaking my brain for over a month now with how explicitly it goes against everything we know about how albinaurics came to be, their persecution by both the golden order and rykard, etc

like wdym he was a mentor to radahn and worked with messmer and went to the shadowlands but also the albinaurics are graceless and treated as outcasts by the order, esp when the game strongly implies they came into existence by some Nox/Carian shenanigans somehow so ?? ? ? ? ???????

[istherewifiinhell]

IS FLYING GENDERED?

On the masculine default, typifying gender in genre, and women as the other in the transformers cartoons.

question for the ages

once again i said back in the halcyon days of watching g1 (aka 5 months ago) i was like. Nooooo, decepticon is NOT a gender that's Silly. It's funny, but as a Read Of The Text, I thought it largely unneeded. (The concept came about, as a joke, involving dismissing the bad guys using the same language you would abt women (sexistly) that they're emotional [heh, flighty], vain, and shrill) after all. If in the 80s era there are 5 whole named/speaking woman tfs, its only ever gonna get better from here right? (<- booboo the fool)

anyway

Let's consider the axiom that the assumed default gender is male, that maleness is often seen as LACK of gender, and femaleness and gender variance are the PRESENCE of gender. In certain reasoning and worldviews, of course (See Androcentrism). Then add that, for transformers, the assumed default thing a transformer turns into, is car. (Autocentrism, if you will)

(The most general term for what a tf turns into is "Alt mode" as some of them are not vehicles at all. The other mode is "Robot Mode", whether its humanoid or not)

So I will be laying out why I believe the cartoon iterations support: non standard alt modes = non standard genders. This is in spite of the fact that FIRST lady tfs were all cars. Sleek cyber cars, but still. For whatever reason, (possibly, the reason for everything in tf, toys) they might as well not exist for how woman tf characters presence in the cartoons progressed over time.

And, to be clear, this is a reading of how these works of fiction are created, not a new unified bioessentialism but for robots aliens I'm proposing for like. In universe lore reasons. I hate that idea.

That said, alt modes in order of most to least gender: Spider, motorcycle, flying (in general, with rotors, jets), tank, and then FINALLY, car. (water and space crafts are already too marginal to rank, but they too can be assumed in relation to default maleness, AND that in making one a woman, would still qualify as othering her).

The NUMBER one reason for this is the bizarre need to have an ESTABLISHED woman tf character before making new ones. AS YOU MIGHT IMAGINE. With a g1 gender ratio something like.... (counting even the most marginal cases for the ladies) 9:120? (That's a rough count from a quick scanning of the tf wiki g1 char list) Shits dire out here.

The second is, ofc, character design based. cis people [stand in phrase for the hegemonic world view] are not okay, and their opinions about how tf gender must need be depicted visually is. uh? Im not a fan. Size and shape dimorphism in general is a given, and specifically having women tfs as far more humanoid and curvy in specific. Also general cartoon lady face syndrome but, whatever. I think there's exactly one character here who doesn't have "lips" or "lipstick" as a distinguishing factor. I'm so tired.

Third is generally, the idea of The Girl Of the Team. When there's The Girl, she often isn't JUST a normal character, who happens to be a girl. See, of course, the Smurtfette Principle. But in my view there's also a trend to give The Girl "special traits" on top of "Girl", maybe even to directly combat the idea that the Girl Character has no other traits? To stop this from being a General Primer on Woman in Media, my explanatory focus is things specific to the tf franchise.

(A phrase I use for thinking about normative modes [in general, not just the Alt ones] in within the tf universe is "unique transformerdom" or, even more clunkily, "A transformer of unique transformerdom". The excessive verbosity is amusing to me personally. All I mean by it is to have an umbrella term for any of the ways tfs can be made unique from their peers in the non allegorical realities of the fiction).

I could, and do, and greatly want to, speak about this AT LENGTH. But it keeps spiraling away from me. So I'll say for now were looking at ways a character is being depicted different from her peers, not because she is the only woman (which she likely is), but cause she's a different kind of transformer, AND if she's othered for it.

(IN SOME forms of the lore. Being a transformer woman, IS A UNIQUE KIND of transformer unto itself. Let's just say I hate it and move on)

Fourth, is the gender of villainy. There is much to be said about gender presentation of villains, the ways they are allowed to be aberrant. We will get to it. There is also all the tropes specific TO evil women, and the modes of villainy open TO female characters. But a general thing I think impacting the gender ratios of the factions is the how "Good" and "Evil" female characters are written. I'll generalize and call this the "Damsel vs Temptress" dichotomy. (See concepts like the Madonna-whore complex). Transformers, is by and large, an action franchise. Unless special reasons are made, characters who can impact the action– have more screen time, and likely more memorable, and iconic presences. A villainous woman can be unchaste, violent, aggressive. While a heroic woman, even if not a literal damsel are more likely to be in a support role. The secretaries of the action genre: medics and techs.

(Another factor is that tfs are giant robots, and the good guys are often friends with tiny squishy little humans. These make very good damsel fodder, and can be taking up the spots on the roster that might, in a different franchise, go to women. Additionally, while woman characters in transformers overall is an interesting topic. When I say tf women, I'm referring to ones that are in fictionally, transformers.)

SO, now understanding our points of attack/obstacles for getting woman into transformers. (Getting established, gendering the designed, uniqueness of existence, and general villainy). Lets go over those alt modes, and the characters that have em, in more detail.

Spiders

The "Beast Era" (1996) intro-ed the spider ofc. And what don't we have with this one. She's a villain, but shes also misunderstood, the era and design style let to these more organic shapes. And they used them to make sure she was very sexy. She's genre aware, she's quippy, she's an absolute icon. So naturally. She gets ported to other later shows. Which means we just have sexy spider ladies running around when everyone else is a fucking truck and shit.

Her own origin is, well think of her as a "Bride of Frankenstein" to the resident evil scientist, also a spider. She was designed for, and manipulated by him in multiple ways. Her protoform (A blank robot base), was supposed to be one of the good guys (a Maximal), but was reprogrammed into a bad guy (Predacon). Even then, she eventually joins them, for her own reasons. She's not even the first predacon to do so, the difference? Well the characters are a lot more NORMAL about his autonomy. Both of these characters stress that being a predacon is an identity they still see as important. But only the woman is told that really, she is was was always MEANT to be a maximal. And while that's true in a sense. There's also a plot were she's forced (by plot contrivance, not the other maximals) to get corrective robot surgery for it. And when they think she died from, everyone's more sad for her boyfriend than for her. Ouch.

The second spider, in the 2007 show, is now one in a world where she is the only "techno-organic" transformer, hence, she is spider, everyone else is a vehicle. Similar to the first, her narrative is very gendered, but less in the way were, like, I do literally think the first was was experiencing in universe sexism from other characters. Here, they really focus on the "techno vs organic" narrative, and the tragic circumstances on how that happened. In this case its just real world sexist writing.

THIRD SPIDER, (2010), instead of misunderstood and tragic evil, this ones just super mega likes to cause pain evil. She also occupies a strange place between the typic vehicular tfs, and the insecticons. This is because she has a helicopter alt mode, and her robot mode is just, a lady with spider characteristics. And, more than just a passing bug like similarity, she has the power to control the insecticons (you know, cause evil woman mind control). However, she doesn't fit in with them either, as the insecticons are at the most insect like they've ever been, in look, living in hives and that most don't even speak.

They may vary in exact character, relationship to the story's moral conflict, and design. But they stay comfortably established, dimorphised, flirty and flirting with villainy. And bonus points, always, for black widow spider trope.

SO. SPIDERS. Established: ✅️ Gendered designs: ✅️ (Extremely!) Unique: ✅️ Othered: ✅️ Villainy: ✅️

Motorcycles

Tooooo my knowledge the first bike lady was in 2004, and fairly minor, in the actual plot, but rest assured, they did go the previously established woman route, by being pink, though, which one shes named after varies by language. But neither were previously motorcycles. (And yes, there is also this problem of mixing together or swapping out one woman tf for another. As if we have the ladies to spare). Even though motorcycle men also exist, this one just stuck for a bit. Maybe something to do with Those Movies. I think the Gendered Existence of a motorcycle is pretty evident though, general sex appeal, being smaller, the mode of riding a motorcycle is different, more physical and intimate. Mainly this ranks so high for the level of grossness they can pack in. Just how objectifying it can be, particularly with two instances where the human rider is an annoying teen boy. Naturally, I've also never seen a male and female motorcycle in the same room, but the approach to design tends to be different. And yeah most of em are Arcee, who's first alt mode was cyber car, but it's not just her.

Established: ✅️ Gendered designs: ✅️ Unique: ✅️ Othered: Depends on iteration, I do NOT like the way one gets called "tough, for a two wheeler". Villainy: ❌(they wouldn't need to be motorcycles if they weren't making them the Special Girl Autobot, after all)

Flying

General: It just tends to stick out when your one girl is only flyer in the group, even she's otherwise tactfully done. Only flyer of the Maximals, a falcon, only flyer of the dinobots, a Pteranodon.

Rotors

I can barely even figure this one. Maybe it's just a general, aesthetics and use case of the actually vehicles, the associations? None of these ladies (and special case) are very connected otherwise. As previously mentioned, the spider helicopter. ¯\_(ツ)_/¯

A big one for this is the preschool demo shows, which are rescue team focused. In the first one the only woman on the human response worker team pairs with the helicopter, they mention she does medical at times. The helicopter is male, like the other tfs. But also he's afraid of flying, and while not the first case of a flyer with a fear of heights, their personalities are, pretty different. As he's both fearful AND effeminate, fine as character traits go but, with the tone of humour used, marks him as Other.

In the second, Whirl (pointing to icon) becomes a girl for the first time, now with standard humanized face. I assume as move to keep with the previous show of having a girl one, as there's no human team mates. She's also the only one who really likes rescue school. Aaaand that's all know of her. What more do you want from me.

Helicopters: Unique: ✅️ Othered: ✅️ (milder than some)

But why'd I call this section rotors instead of helicopters? That would be because one of the latest Sole Female TF we just put in everything™ is a VTOL jet with rotors. She'll tend to be the only jet of her type, which is also smaller than the type of jet used for the villains.

And, of course, aside from alt mode, the thing that makes her stand out most in the cartoons? That she's very clearly a comics character. (I find the emphasize that she's "fan created" over done, as it only controlled minor aspects, and irrelevant cause tfs get completely overhauled in new versions all the time). From her design, which is a bit busier than most characters she stars with. And also uses Japanese aesthetic signifiers in ways that I think are a bit misappropriated and untactful. (VERY USamerican comics). Also, when she stars next to a guy, also from comics employing Japanese aesthetic, you can tell its not deployed in the same manner. (E.I she has hair and makeup, he has armor). Either way, her depictions have her either as badass sword lady on mission from god who's constantly getting hit on by an annoying guy. Or have her be from a different planet and has special telepathy.

Do we see how both her gender AND the cultural signifiers are having affects here? That the main woman tf in a series can be a literal alien even among our alien robots, with cultural signifiers they don't have?

Ratings Established: ✅️ (made the comics to cartoon jump) Gendered designs: ✅️ Unique: ✅️ Othered: ✅️ (SO SO EXTREMELY, using methods in fiction and real life)

Jets

I think my association of jets with tf gender is stronger, than some of the above examples, even if there's less reason to it. And why is that? Well, lets get socratic. Here's another question.

Is This All Starscream's Fault?

No. He's not real, he can't do things. But. His legacy as THE main stay transformers character that gets to subvert gender? Yeah. (Sure, the G1 autobots have their own effete, but he's not in every single cartoon they ever made now is he? Plus now that I think about it, he is a FLYING car...)

From the get, he's not a Man's man. He's shrill, he's manipulative and duplicitous, petty and emotional, cowardly and wheedling. He is, of course, the Perfect character. Now naturally, the 80s cartoon was not concerned with your paltry logics. Starscream and his ilk are the jets, but every decepticon can fly. The gun, the cassette player, the camera, the cassettes.

And each to a last, more masculine than he is. Vocally or behaviorally, physically. Every one of them fit the gender expectations more than he does. Even being a small time grunt, is a masculine trait, after all, more so than unchecked ambition. So its not femininity from flying, from jets. But direct relationship, reference, and descendancy from Starscream that makes it. I've yet to see female versions of Jet fire and or the aerialbots, for example.

So what to do when an effeminate male villain was less maltese falcon and more that man has effeminate hips? Well. We had to start getting his ass for being effeminate, explicitly. They made the female clone of him, which yeah, is an offensive joke stemming from the various The Gender Anxieties. (Transmisogyny, homophobia and sexism. General relation toxic masculinity. A heady mix of all and more).

But I mean. It's free girl tf... Once given a name in extra canon materials, she start's showing up in other things. Once you're in books, video games, comics, and most importantly, toys, you're real. And then eventually, her first non clone appearance in a cartoon, and how her presence shaped it.

That being, Cyberverse. Which is a cgi show, you need to know this for reasons of production. Making new models is expensive. This has always been the reason you just make recolours of Starscream and name them different things. Chicken or egg on this one, I don't know, But because CV has Slipstream, and the only difference between her and the generic "male" decepticon jet, is a more feminine face; Suddenly, any random decepticon goon can be a woman.

An absolutely revolutionary take for striving to populate a fictional world with gender parity. By at large it also means they're way more lady villains, and specifically flying model of villain. The show has other woman, but none who get the same androgynous body mold treatment.

Established: ✅️ Gendered designs: Mildly to NO. Unique: By design, no. Othered: Yes for the clone, and Screamer himself, I suppose. No, otherwise. Villainy: ✅️(That's, the whole idea)

Tanks

It needs to be said. Sometimes, when doing things that transgress a norm, anteing up is less subversive. This is another reason why gender variance, female agency and overt sexuality are more common traits of villains. When already defying strictures of society. What's one more.

That's Right. TANKS ARE THE BUTCH WOMAN OF TRANSFORMERS.

Alright. Let me back up. Strika is the stone cold knock out undefeated champ of lady tf designs that, actually has a reoccurring cartoon presence. She is, admittedly, only a reoccurring to minor character.

Her introduction is in another show with techno-organics, this one involved in the struggle between well, the techno and the organic. Strika as we see her, and as the design that will go on to be iterated, is not in her normal transformer body. She has been transferred into a 'vehicon' body. Without a preexisting essence contained in one, vehicons are not considered alive, in the way a transformer is. Visually, they lack the more human body plan, a standard face, feet and hand like appendages.

To further contrast Strika against the two techno-organic woman. Both of them are tall, and slender. Their softer organic shapes designed towards elegance or beauty, whatever your subjective opinion of that result might be. They both have romance subplots too. By the way. Or honestly one subplot and one main plot. Strika. In contrast. Is built like a brick shit house. Her face is. Minimal. And her goal: protecting her planet... by terminating the heroes.

Now, existing as a character that can be referenced for other media, and given the detail that she was a "Famous general", it's off to the races. She makes a wonderful big tank menace that can fill out a background shot, too.

Without her I hardly think we could have Clobber, also from CV. Who is. The true goat. The finest thing, the achievements of all we could ever hope for. A big fuck off woman, gender swapped from a previous male design with minimal faff, with now even more personality and show presence. Friends, wants, desires. Emotions. Thank God for Clobber, Thank Clobber for Clobber. Thank Randolph Heard and Mae Catt for Clobber.

Established: Depends if you want to count that Strika had so much swag they kept drawing/modeling her Gendered designs: FUCK NO Unique: ✅️ Othered: only originally Villainy: ✅️

Cars

So now you have the final piece of the puzzle. In transformers, Autobots are Cars. Yes, there are plenty of autobots that are NOT cars, and there are cars that are not Autobots. But they're exceptions, they're aberrances. They're unique. And Autobots are the norm. They oppose the Decepticons. Decepticons are Villains. And Decepticons can fly. Modal simplified binaries and false dichotomy abound!

And the thing about those original Autobot woman, the one's who largely did not influence all of this? They were cars, it's true, but not like how the men where cars. They've not been designed from transforming car toys, with a shellac of humanoid gender over top. Their designed in the way of human gender. With the car on top.

When the preexisting clause leads to the original designs to be revisited, which, has largely only happened in more recent years. They aren't car woman robots. The cars are literally not part of their bodies, they are additional. Instead of a unifying identity of a robot who is a car, its Arcee and her backpack. Parts of cars get grafted onto their petite lady bodies, and placed anywhere out of the way.

In order to make a transformer a woman, they have to give her a gender, not understanding that that's always been the case. And to give her a woman's gender, she's got to LOOK like a woman, not a transformer. And to look like a woman, she's got to act like a woman. She must be heroic but reactive instead of active, or else, villainous, conniving and or self centered. To be a woman, we must have some other previous woman to explain her presence, or else explain it anew with her unique, strange, or exotic origin. How could she ever be a woman if she simply, existed, looked average, talked average. How could she be a woman if her body is hunks of ungendered car. How can she be a woman if she's everything we expect a transformer to be.

A woman is transgressive, a woman is not normal. Autobots are normal. Autobots are heros. Autobots are men. And Autobots do not fly.

[96percentdone]

I feel like it bears repeating on like a daily basis, but I do unironically think Nirvana Initiative is like. Demonstrably superior in craft and meaning than the first AI: The Somnium Files. Like I'm not doing a bit on this blog or anything I just actually think AINI is that good and deserves the world. This is the hill upon which I will die, I'm right, fuck you.

[pa-pa-plasma]

one of the things that will always destroy me is people believing that good story = darker/more mature/more sexual. this belief has ruined so many stories that could have been amazing & has prevented almost everyone from enjoying other really good stories simply because the age range it's aimed at is one they believe can't have complex themes, characters, plot, etc etc. they don't believe they can be moved by something a publisher or studio decided is for kids & so write it off without even thinking about it. biggest curse of being a writer who actually loves stories & telling them is that literally no one else cares in the most pessimistic, higher-than-thou, capitalism brainrot way you can imagine. & it's all automatic. because that's just what you're taught.

[emotivehardcore]

The thing about those posts that are like “cis people can go on masculinizing/feminizing hrt” or “cis people can get trans surgeries” is that imo if you’re doing things that change your sex you kind of are trans. Even if you identify with the gender you were assigned, you are transing your sex and that’s a trans experience. Like you may not be transgender but you are transsexual which is still trans. I just don’t think it really makes sense to classify someone as cis when they have materially changed their sex, even if they identify as the gender they were assigned

[obstinatecondolement]

Try though I may not to get invested in people who are Perfect Strangers to me just because they have an affable online persona, I do find myself very endeared to Brandon Sanderson. I have read none of his books, but I think his YouTube videos are very enjoyable and I am much relieved that he has both vocally affirmed his support of LGBTQ+ people in general, and trans people specifically, and has apologised (in a way that seems very sincere and earnest to me) for clumsy and unintentionally homophobic things he has said in the past. Which is, like, more than can be said of some fantasy authors.

[kayechanted]

Unfortunately I think far too many people are willing to just lay down and die in the face of climate-based social collapse. We gotta drop out of society and start anew elsewhere, it’s too late to wind hearts and minds OR to really develop a militant left :/

I get miserable at the thought of how apathetic everyone is but I'm very sure once people see how destructive the system we live under is as societal collapse starts to happen due to climate change people will get radicalized. And many people already have been getting radicalized because 9 months since October 7th the uptick in Israel's barbarism has opened people's eyes and is causing a major shift in opinion of the United States.

My problem is it's genuinely such a shame this did not happen sooner. That BLM protests in 2020 should have had this effect and we should've mobilized sooner. But that would mean people would have to empathise with, and genuinely include Black people in their activism, which of course means interrogating their own antiblackness. Even now genocides in Africa get ignored because protestors hell bent on looking peaceful think they can do "one step at a time" with genocide and people's lives. Idk sorry I got derailed I still have some tiny sliver of hope that at least younger people will see and understand the only way to deal with the capitalist ruling class. But at the same time there are way too many issues people have to address in themselves and that means being open to criticism for their movements.

[qqueenofhades]

https://www.tumblr.com/qqueenofhades/743255237060689920/the-thing-that-confuses-me-about-the-dont-vote

The “don’t vote” left’s point is basically that, if Biden gets a second term, it’ll basically signal that “They’ll vote for us as long as we’re not Republicans, why don’t we do some REAL fucked up shit, if we can get away with it?” It takes the power out of the people’s hands and places it firmly in the party’s.

I can’t completely disagree with that, my caveat is that there’s no real alternative system or party in place, because top-down change is ineffective; a third party president has to contend with a two party congress.

Except no. This whole "Biden just wants to do as much fucked up shit as possible while not being a Republican, and if you give him a second term he'll do more fucked up shit deliberately to spite you" mindset is only possible as an interpretation if you a) deliberately and comprehensively ignore everything he has done to date, and b) you approach the situation with the maximum bad faith possible. Not to mention, the ultimate outcome of this Big Important Teaching Biden A Lesson is that Trump gets back into power and makes everything orders of magnitude worse, because he does in fact want to deliberately do evil shit to everyone and says so at every opportunity. There is not some magical happy alternative that springs into existence by not voting. If you choose this as a year to Teach Biden A Lesson, you are enabling Trump. Trump will be much, much worse. If you don't care about that, I still do not care what your Great Ideology is. You are not helping anyone and you are directly and irreversibly hurting everyone.

I made a post a few days ago wherein I mentioned that I want to assess Biden fairly, taking into account both strengths and weaknesses, but the rampant bad-faith, lying, misreading, misrepresentation, and open sabotage of him (especially by the online left; the GOP sometimes only wishes they were as good at turning Biden's voter pool against him) makes it really difficult to do that. My frustration with those people makes me just want to go "BIDEN IS GREAT THE END." I know he is a flawed old man (though by literally every account of a career spent in public service, he really does care about making the world a better place and any remotely good faith reading of his accomplishments thus far can see that). It is also very likely that he goes MORE left in a second term because he won't have to face the electorate again, he has always gone more left when pushed before, and he's not actually the scheming genocidal mastermind that leftist social media paints him as. Shocking, I know.

I know there are things in the world we don't like and don't want and want to stop, and therefore we blame our own president for not making it stop. But I have zero, no, none, absolutely none whatsoever sympathy for this pseudo-populist "WE NEED TO TEACH BIDEN A LESSON BY ELECTING TRUMP AGAIN, I AM VERY MORAL MUCH ACTIVIST" mindset. There's this funny thing about America wherein it is still (for now) a democracy. If Biden wins a second term, he can't run again. I would take literally anything these people said more seriously if they focused on developing their dream progressive successor for 2028 (and also figured out how to get that person elected and in a place to make real change) rather than cynically sabotaging Biden in the most consequential election year, again, of our lifetimes. If you don't like him now, find a way to make his successor a better option. Throwing a toddler tantrum and handing the country back to a senile, deranged, fascist, revenge-riddled, theocratic Trump HELPS. NOBODY. I still don't know how many times I'm going to have to say that, but yeah.

[sonicboomseason3]

a brief recap of what has been going on with the sonic movieverse in the past several months:

paramount has come out in public support of israel

keanu reeves, a man who has publicly rubbed elbows with none other than benjamin netanyahu, reportedly gets cast as shadow for the upcoming third movie

james marsden, the guy who plays tom, got exposed as having written a letter of support for a convicted pedophile

there's fucking??? zionist propaganda in the knuckles series???

kind of connected to the last point but adam pally, the guy who plays wade, is evidently pro-israel too

this is a complete and utter joke.

EDIT AS OF 4/30/24: if people see this version of the post, i'd really appreciate it if you reblog it instead of the other versions, as it's the most updated one with all the information that i want included. thank you :]

you know, it's been a few days since i've made this post, and some of you (not most) are staying determined in defending/justifying/giving the benefit of the doubt to keanu for that photo with netanyahu, whether it's because "it was a decade ago," "him being civil to someone he ran into at a party one time doesn't mean anything," "he's probably just silent because his pr managers won't allow him to speak up," etc. i've made my thoughts on the matter quite clear by directly responding to these people, but at this point, i'm tired of both seeing them in my notes and repeating myself, so take this as my final word on the issue.

i can't help it if you don't think the photo with netanyahu is damning, and i'm done engaging with everyone going out of their way to tell me that. i obviously disagree, especially after finding out that 1. the host of the party, arnon milchan, is a former israeli spy who has a history of developing israel's nuclear program and promoting apartheid in south africa (information that had broken out a few months prior to the party and thus would've been fresh news around the time keanu chose to attend) and 2. keanu has been caught hanging around at least two other weirdos, but if you don't find any of that to be cause for reasonable concern, then there really is nothing else i can say afaik.

with all that said, i'm beginning to realize how strange it is that these people's first instinct when seeing this post is to start debating about keanu's political stances without ever acknowledging any of the other bullet points. you guys realize that this isn't just about him, right? i know tumblr reading comprehension is known for being piss-poor, but like… you realize that i was trying to make a point of how there are MULTIPLE terrible things that have broken out about the people and company involved in the sonic movies, right? and yet, a lot of the people leaping to speak on keanu's behalf in my notes are completely ignoring the parts where i bring up paramount, pally, etc. all in favor of zeroing in on the singular point about keanu and making bad faith assumptions about me for holding him accountable. really makes one wonder where your priorities lie if, in a post that talks about so many other things, me accusing an a-list celebrity with, according to google, a net worth of almost $400 million is where you draw the line and apparently the only thing worth your acknowledgment.

ultimately, what i'm trying to say is that the intention of this post was just to gather up everything that i had been hearing for the past several months and put it all together in one place. there were a bunch of people who didn't know about at least one of the bullet points before seeing this post, and i'm glad that i could help inform them, that was what i was hoping to do! but as for the keanu thing, i've said pretty much all i can say for now, and i don't want to derail the original post even more than i may have already. unless something new comes up, i'm done talking about him.

[aledmorningstar]

╰┈➤Misunderstood

Summary: How the gang finds out about Sukuna's girlfriend in a misunderstanding.

Relationship: Ryomen Sukuna/Reader

Word count: 3.0k

Note: I'm a liar, I know I said this would go up yesterday, in my defense we set very optimistic goals. Please comment and feel free to send me anything to my inbox

-‘๑’-: No curses au, uni au, sfw, humor, fluff, bad english

The house of the twins Yuji and Ryomen seemed more lively than normal, as every weekend they had planned a movie afternoon, the meetings began early after leaving school, buying snacks, preparing comfortable clothes and choosing some games of table.

Yuji's face wrinkled into a displeased grimace at seeing his twin dressing casually to go out for a walk down the street, while he and his friends were already prepared wearing their comical pajamas, it wasn't fair. This time it was Yuji's turn to choose the movie so as not to let his brother get away with it.

“What are you doing?”

Sukuna turned to look for a second indifferently at his brother while he finished fastening the buttons of his dark shirt. How could he take seriously his brother who maintained an irritated pout while wearing those ridiculous tiger-themed full-body pajamas?

"I'm going out, tell mom I'll be late"

Yuji's moan of annoyance echoed throughout the house, drawing the attention of Nobara and Megumi who were stealthily trying to spy on the conversation by hiding behind a wall.

"You said you would watch Human Worm 4 with us today!"

The one with the caramel eyes began to complain about the injustice that was occurring, a perfect time for his faithful friends to take action.

“We already prepared everything, you can't leave us stranded for an afternoon of movies!”

Nobara grumbled as she tried to fix the sleeves of her raccoon pajamas.

"We made a pact, you must suffer with us"

Megumi was supposed to be the most mature of the group, perhaps Sukuna had overestimated him because he never imagined seeing him share the same neuron as his friends while also wearing ridiculous beige dog pajamas.

“It's a shame brats, it'll have to be another day.”

The older twin's hands didn't stop moving trying to find the car keys; he had somehow managed to look appropriately with a hint of elegance, but without losing that menacing aura, a pair of black pants held up by an expensive belt that he had stolen from his father, a dark gray shirt with the first few buttons open showing his collarbones and the sleeves perfectly arranged at his elbows showing his tattooed arms.

"You look like a criminal"

“Who said I'm not?”

Itadori's intentions to plant some blame on his brother for abandoning them on a seemingly important night were noticeable for miles.

"At least have the decency to tell me where the hell you're going."

Sukuna took a while to respond, his eyes straying suspiciously and the trio could see a slight nervousness on his face. Wait, nerves? Sukuna? Those words were naturally contrary, it even seemed strange to put them together in one sentence. Here was definitely another shoe that was taking a while to drop.

"Mind your own business, don't be nosy"

Itadori instantly stood between his brother and the front door, blocking his way, he would get to the bottom of this matter at any cost.

"Are you planning something bad? Mom will be angry if you get into trouble again"

"Yes, yes, yes. I plan to do many bad and illegal things, in fact in this mood I plan to strangle the first person in front of me"

Itadori, Nobara, and Megumi looked at each other before leaving the hallway clear, letting Sukuna walk.

"Behave badly, take good care of yourself and if they discover you, deny everything"

“See you”

Once the so-called evil twin left the house, the hallway was completely silent for a few seconds.

“Don't you feel...? Curiosity?"

An excited Nobara looked at her friends with bright, gossip-hungry eyes.

"No not really"

Megumi's voice was ignored as Itadori pushed the Fushiguro boy's face away with his hand.

"I was hoping you'd ask, Nobara! In fact, my brother has been acting strange lately."

Itadori put on a thoughtful expression as he remembered his brother's unusual behavior in recent weeks.

"What do you mean he's been acting strange?"

At that moment Nobara had taken on a detective attitude, while the previously disinterested Megumi began to listen attentively to his friends.

“He's been coming home late, more than usual.”

“That doesn't seem strange for someone like him.”

An exalted Itadori raises his hands dramatically as he defends his argument.

“But when he is usually late it is always because he is causing problems in the streets and he is not at all careful with his arrival, now it is different!”

Sharing a room with Itadori, Sukuna didn't care how scandalous he could be when he showed up at home after curfew. He didn't pay attention to the fact that the noise of his shoes being thrown to any side of the room or that the sound of his swear words every time he tripped over something could disturb his brother's sleep.

Lately, however, the nights that Sukuna had spent late away from home had become more frequent, and Itadori couldn't help but notice even in the dead of night how messy his twin's clothes were every time he returned with silent footsteps and he also did not overlook the large number of marks that stood out on Sukuna's neck.

“Also, he has been trying hard in all his school subjects, he has turned in all his homework and sometimes he goes out to the library to study. Did you hear what I said? He goes to the library to study!”

“That's definitely not the Sukuna we know, something is happening to him.”

The three teenagers headed to the living room to sit down to discuss more calmly and solve that mystery.

“Do you think someone is bullying him?”

Itadori looked worried for a split second at Nobara's statement until Megumi gave him a strange, brief sarcastic smile.

“Are you serious right now? Do you think Sukuna, the most feared man on campus, could be bothered by someone? Jesus Christ even earned the nickname “The King of Curses”

They didn't need much time to agree with Megumi, it was impossible to imagine Sukuna being submissive to anyone.

“True, it would make more sense for him to be the one who bothered someone… It can't be possible”

“I told him clearly not to get into trouble, but he never listens to me!”

“Wait, Yuji, calm down. Don't you think that if that's the case, he's spending too much time on that person?”

Itadori seemed to think about it for a second and his face transformed into one of much more dramatic horror than before.

"So he really hates that person! Maybe he's planning a murder? Your brother isn't exactly known for being patient"

Nobara's words were the little push Itadori needed to panic.

"Sukuna definitely can't go to the correctional facility again!... Mom was very sad back then..."

Nobara and Megumi looked into each other's eyes, unable to abandon their friend in such a situation.

"Fine! Our mission today is to prevent your brother from becoming a criminal.”

"Are we allowed to use force? I still have to get revenge for the books I lent him."

The brown-haired girl, Kugisaki, was the first to stand up and was followed by Fushiguro. It seemed like a scene worthy of a movie, this was the motivational part because both friends extended their hands to the boy in tiger pajamas.

“Wait, wait, wait… What happened to your books?”

“I'll ask your brother when I see him.”

It had been approximately 30 minutes since the trio of friends had located and followed Sukuna, a difficult mission that had begun with the friends running after the older twin's car. The fatigue was overcome by surprise when seeing the target enter a flower shop.

“We're late, he's already planning the funeral!”

“Wait, give him the benefit of the doubt, maybe… Maybe he's going to visit a friend?”

“Impossible, my brother has no friends”

Nobara and Yuji's brief talk was interrupted when they saw Sukuna leaving that flower shop with a huge and pretty bouquet of yellow carnations.

"You see it? Maybe your brother is not as bad as he seems” Nobara's voice tried to be optimistic, and it also seemed strange to her that a man would buy flowers for no apparent reason.

“Now I'm quite confused” Itadori, for his part, narrowed his eyes, staring at Sukuna, trying to read his brother's mind.

Megumi spoke with a stiff voice drawing the attention of his friends.

"Don't be so surprised, in the language of flowers, carnations of that color mean contempt"

"Is he turning his assassination attempt into a performance? He's getting creative"

"Hey, he's leaving. Hurry up"

The gang quickly got into a taxi and like every chase scene, Itadori and Nobara yelled at the driver to follow the car in front of them, Megumi had to apologize to the driver at the end of the ride.

Sukuna drove his car until he reached the darkest and most dangerous neighborhood that anyone could imagine, clearly that place had an invisible sign indicating that it was better not to be there, there were few passers-by and the streets were cold with graffiti everywhere.

The older twin got out of his car after having entered the area a little, he walked as if that place was his territory, as if he felt at home, he adjusted the sleeves of his shirt, raising them to his elbows, with a bored look he observed the time on his watch and then leaned his back against the wall waiting patiently. Meanwhile, the trio had remained hidden behind a pile of boxes and seemingly useless objects, thinking about Ryomen's intentions.

"There isn't a soul in this place, what is he planning to do?"

Itadori's question was answered when Megumi held his jaw making him look to his right, his eyes widened as he saw a girl with a small frame, transmitting an aura of delicacy and fragility, she was the complete stereotype of a little princess wearing a pink dress and white sneakers, light makeup and a flower crown adorning her hair, she looked out of context walking with a smile and humming a song in that horrible alley.

"It can't be her... There's no way Sukuna..."

Nobara's words were cut off when the red-eyed man put out his cigarette and walked over to where the girl was with a proud smile on his face.

The fear that this small, fragile woman could be hurt by his violent brother made Itadori quickly get up from his hiding place and stand in front of his brother.

"Sukuna! Stop right there, don't do it!"

The sudden entrance of his nosy brother surprised Sukuna who maintained a displeased scowl at his twin's actions.

"What the fuck? Get out of the way brat, I'm on something important right now"

"Don't you dare take another step, don't do something you'll regret!"

Itadori's voice took a drastic change, sounding too threatening compared to his usual cheerful tone.

"What the hell are you talking about? Leave me alone, I don't have time for this."

Sukuna looked at the horrified girl who was just a few meters away from him, he pushed his brother away with one hand with the intention of walking towards where she was, however he was stopped and subdued on the ground by Megumi.

“Don't even try it, you disgusting scoundrel.”

“Leave me alone, you fucking bastards!”

While the three men argued and fought among themselves, Nobara also came out of her hiding place and walked towards the frightened woman, being careful not to exalt her even more, Kugisaki placed his hands on her shoulders trying to calm her down.

"Are you okay? “Did he do something to you?”

The girl's hands remained covering her mouth, completely surprised by the situation. She instantly left Nobara and ran quickly to where Sukuna was lying on the ground.

"What are you doing?! Get your hands off him!"

Megumi and Itadori's movements stopped, still holding Sukuna on the ground, they turned to look completely surprised at the owner of that little voice, their minds went blank as they watched her approach, she put her hands on Fushiguro's chest. making an attempt to push him away from the red-eyed twin.

"What are you doing to my boyfriend?! Leave him alone!"

Still bewildered, Itadori was the first to move away and placed a hand on his friend's shoulder for him to do the same, allowing Sukuna to stand up a little dazed.

"I don't know what 'Kuna did to you, but what you are doing is not right, it is not right to intimidate others, problems are solved by talking"

You stood in front of your boyfriend trying to be the one to defend him this time, you used to be a little shy when talking to strangers, but you weren't going to let your lover be the victim of such an unfair situation.

"Honey, calm down. They are—"

"No, love! They were very mean to you, no matter who they are!"

You knew that Sukuna had a special weakness for you that made him want to protect you from any danger, everyone told you that, obviously he would also want to take control of this situation in his hands. No, this time it was your turn to protect him, to be his knight in shining armor.

On the other hand, there were also the three idiots who had tried to play detective, watching the situation in astonishment.

"She... just called him love"

“Yes, she really did”

"I can't believe it"

Ryomen had tried to calm his girlfriend's little anger by taking her hands and caressing them, it worked for a few seconds until that trio spoke again.

Upon hearing the incredulous voices of those strangers, you let go of Sukuna's hands and walked a few steps close to those you thought were criminals.

"Listen, my parents are very important people, I will make sure you are punished appropriately"

Your acute and sweet angry voice was silenced by Sukuna's lips, one of his large hands finding a place on your waist while the other caressed your soft cheek.

"It's okay, princess"

"No, it's not okay-"

You tried to reply to his deep voice, you would be lying if you said it didn't make you shiver, his voice was only directed at you, only for you to hear, that made you calm down and also lowered the tone of your voice.

"Pretty, this is my stupid brother and his friends."

"...Impossible, it can't be…, they were subduing you"

"Don't worry, I'm sure they have a good explanation for doing all this, right?"

The affectionate look that Sukuna had given his supposed girlfriend had changed drastically when he turned to look at his friends, removed his touch from his beloved and walked towards the frightened trio, cracking the fingers of his fists.

"Last words?"

Approximately 10 minutes had passed after that disastrous encounter, Sukuna had considered himself generous that day so he decided to take his brother and his friends to the house where they should have stayed from the beginning, very kind, it had nothing to do with his girlfriend will look at those three idiots like abandoned puppies.

"How were we supposed to know you were visiting your girlfriend?"

"What kind of dates are you taking her on?"

"Yeah, you looked like you were about to commit a crime!"

Of course Itadori, Megumi and Nobara tested their patience throughout the car ride, complaining from the back seats and trying to alleviate the pain caused by the car owner's blows. Your curious little eyes turned to look at the trio with intrigue.

"Why do you say that?"

None of them knew how to answer your question, the answer was so obvious that they thought you were stupid or blind, of course none of them said that thought out loud, not when they felt Sukuna's psychopathic gaze in the rearview mirror. However, that didn't stop Yuji from continuing the conversation either.

"You were alone in that horrible and dangerous place, it is the perfect opportunity for a madman"

"Oh, that..."

Your calm reaction to that comment only confused them more, you were too sweet to be in those places and even worse to be there with Sukuna for no good reason.

"Her parents are renowned people and they do not agree with our relationship, that is why we must meet in the most discreet places possible"

"Sometimes dad hires people to watch me, so our meeting point for dates is that place."

The older twin's words left the dynamic trio thinking, especially Itadori and Nobara, Megumi didn't really care much, your complementation made them imagine a current version of Romeo and Juliet. The explanations of your strange relationship had clarified most of his doubts regarding the strange day.

"Wait, what about the flowers?"

Nobara's comment made all the attention focus on Ryomen who wrinkled his face in confusion until he remembered the detail that his friend was talking about at the same time that he stopped the car in front of his house.

"What flowers?"

"Oh right, I brought you something"

Sukuna got out of the car and went to the back taking something out of the trunk, a nice big bouquet of flowers appeared in front of you held by your handsome boyfriend.

"Oh, honey, you shouldn't have bothered."

"It's no bother when I can make you happy"

You received the beautiful flowers in your small hands, allowing yourself to smell them, such a fresh smell while you lovingly observed your loved one and he returned the same look, absorbed in that cloying atmosphere.

Of course that beautiful moment was not the most comfortable for everyone present, much less for Yuji Itadori imitating his twin with a shrill and annoying voice, since he had never seen his brother in that silly state.

"It's no bother when I can make you happy"

“I'm going to kick your ass”

Megumi couldn't stay silent for long either, because something kept echoing in her mind.

"But the meaning of flowers..."

"Excuse me?"

You looked at him with a smile so sweet and innocent that he hesitated for a second on his next words.

“Those flowers have a negative meaning…”

"It's funny you think my 'Kuna knows the meaning of flowers"

"We should have assumed that"

⋆·˚ ༘ *🔭 master list is here

[star-anise]

Warnings: Doomerism, climate grief, child death

The thing about having studied history and the psychology of trauma so much is that I can't pretend to myself that the world used to be better at sometime in the past.

Don't get me wrong; things are absolutely terrible right now and need to change, quickly.

But also, they're better than they've ever been for us as a species. It is literally mindblowing how much worse life was for us historically.

Have you seen one of those charts of the human population over time? Have you thought about what it actually means?

Because here's what I see: Humans have always loved things like living to old age, like having sex, like raising babies. Those are things we have always wanted to do. It's not like pre-industrial humans were giant pandas like, "Nah, rather not reproduce as a species. No thanks," and suddenly the Victorians discovered horniness.

Instead, for most of human history, we have died. At terrifically young ages. The few who made it to adulthood could make babies as much as they liked, and then overwhelmingly watched pregnancies miscarry, births end in tragedy, or babies die. Their own lives were constantly at the mercy of a world that could kill them without a second thought. To be human meant to live in a world full of a million little tragedies, all the goddamn time.

And then what happened was: The babies stopped dying. The effects of a lot of things from higher agricultural yields to public health efforts to mass communications made us the master over the diseases and maladies that once had us by the throat.

When we look ahead at catastrophe and terrors, yes, they're bad. But they'd have to be extremely bad indeed to measure up to the number of people who wouldn't even be alive in any other century.

And even the obvious bogeyman then, overpopulation—did you notice what's already happened? On that chart, there's the green measure of total population, but the thin purple line is the rate of population growth. Please notice that it peaked in 1968. It is, in fact, projected as entirely possible that within a century it could go lower than it was twelve thousand years ago, at the end of the last big ice age.

The moment babies started to live longer, people went, "That is too many babies. An absolutely unsustainable number of babies. People are crying out for help because taking care of that many children is completely overwhelming. We need to be able to fix this problem," and they invented birth control and fought to get it legalized. It hit the market in the late 1950s and in less than a decade, it had caught on like wildfire.

To me, this is the absolute opposite of an argument for passivity and political inaction. It's not that everything's going to be okay so why even try. It's that as it turns out, the human capacity to grow and thrive and make the world better is absolutely reality-defying. I don't have faith that all of our problems will be solved, but I do have faith that those problems are all the subject of passionate obsession of millions of people.

And apparently we have a really strong track record at that kind of thing already.