#and this had a negative effect on my motivation as well

[erinkeifer]

The Informant

[Anakin Skywalker x Padawan!Fem Reader]

Masterlist | Wattpad | AO3

Summary: So, Anakin found out that you informed on him and Padmé at the Temple, leading to the end of his romance? Oh, your mistake. Just wait until he barges into your quarters to settle the score fairly.

Warnings: 18+ MINORS DNI | brutal smut | hate sex | angst | mirror sex | slapping | reader's serious injury during sex (head smashed against the mirror) | blood | PiV unprotected | hair pulling | cursing | degradation | dom!Anakin | sub!Reader | reader is toxic af | no comfort | no aftercare Author note: Yes, I haven't written many warnings before, but I consider this story to be one of my favorites that I've written. I've edited it many times - today I'm sharing it in a completely different form than it was meant to be, and it was supposed to be much darker. However, I don't want any content drama- I'm coming back after a long break and I want peace, so I assure you that every brutal move described in this story is motivated by immense sexual frustration on BOTH sides.

Word Count: 3,5k

Anakin stood behind the corner when you were selling him. He was there, gazing at your face, which seemed to be proud of itself and could barely restrain its foolish grin because you thought you were executing a perfect plan. "General… Unfortunately, they were there again, together… I want the best for Master Skywalker, and I can't help but be concerned that perhaps he puts… THOSE feelings above the gravity of the mission..." you spoke to Kenobi with that artificially emphasized solemnity from beneath which protruded the most insidious idea. Anakin clenched his fists, struggling to listen to your report deliberately designed to undermine him. He didn't know you had seen him with Padme. You didn't know he had seen you when you were informing. For a while, you were entangled in blissful ignorance, but soon everything was about to end in the worst possible way. ................................................................................................................. Weeks had passed since that incident, weeks during which Anakin ceased to be himself towards you - yet he had no intention of telling you why. In the first days, your training sessions became more intense - when you fell, he wouldn't lend you a hand, and when you took a hit too hard, he had no intention of apologizing, and your days didn't end with a smile he used to give you. You were sure that maybe he had worse days, perhaps the Council was giving him a hard time… There was also another option that you considered, and although you couldn't say it out loud - you counted on it the most. Troubles with Padmé.

Your unhealthy desire to take the place of that woman overshadowed your common sense, and you convinced yourself of it day by day, implementing increasingly risky and far-reaching ideas into your life. Your latest one was soon to show its effects- it was about to explode when early this morning, you learned that the senator you despised had left the Order's gates. The relationship between Anakin and Padmé had come to an end, and you were glowing.

On that day, you didn't encounter Anakin in the Temple. Your usual training took place with Kenobi instead, and although the older Jedi tried not to convey any negative emotions that day, you felt a crisis atmosphere in the air. You didn't know the details and were unsure of what exactly was happening. In the morning, you questioned your friendly, usually well-informed guards if they knew where your Master might be, but each person you asked seemed to have the same rehearsed version they were allowed to share. Were the details crucial to you? Probably not, as the only thing that mattered to you was to sense the right moment to implement your next plan. A plan titled: a caring, concerned Padawan who gets what she wants.

As you returned to your quarters in the evening, the corridors seemed darker than usual. With no significant missions left for the day, you had lingered a bit too long in the cantina, and it would be a lie to say that during your time there, you hadn't thought about Anakin. Where he was, what he was doing, what he was feeling… But what did his feelings truly mean to you, when your hands reached for the knife that, though invisible, stabbed Anakin straight in the heart? You didn't know yourself, but ironically, you were certain that the pain that would accompany your achievement would be swept under the rug. At this hour, you passed no one in the corridors- the atmosphere was so chilly that you instinctively quickened your pace to reach your quarters as soon as possible, to freshen up and forget all the tension. The doors, which you always had to unlock first, turned out to be unlocked- you probably forgot to do so the last time you left your place, and knowing your absent-mindedness well, you didn't dwell on it too much, simply closing them behind you and shedding your outerwear without hesitation as you made your way to the bathroom.

Though you felt like you were shining, you weren't shining at all. When you looked at your reflection in the mirror, you focused on the dark circles under your tired eyes, and your hair was a mess. So, you reached for the comb and painstakingly untangled each strand of your hair, helping yourself with your fingers. Finally feeling that your hair was suitable for a neat ponytail, you grabbed the nearest hair tie within your reach and tied your hair back enough so it wouldn't bother you while washing your face. The first splash of water was a relief for your face, but before the water reached the temperature you expected, the clogged sink managed to fill halfway with water. However, this didn't stop you from finally being able to apply your favorite cleansing gel to your face and wash away the dirt from the whole day. Sudden pain. Sudden pain stole your senses as you bent down under the running water. Instinctively, you grabbed onto the porcelain countertop when you choked on the water - not from a single drop, not from a stream accidentally spraying into your nostrils. Your face submerged in the water standing in the sink, and there was a hand on your neck that didn't belong to you.

For a moment, you felt like you were in nightmares, which, although rare, when they did occur, manifested in their most intense form. You thought someone or something was using the Force on you, but the touch squeezing your throat was real. Desperately, you gasped for air as the mysterious hand impulsively pulled your face out of the water, and when your lashes were finally free of water, the answer to all your questions was found in the mirror. "M-master…?" you mumbled with a muffled voice, feeling water rushing into your sinuses. Anakin stood behind you, his face practically devoid of any emotion, which probably scared you the most in this picture. His eyes, with dilated pupils that seemed darker than ever, stared at your reflection in the mirror lifelessly and without a hint of empathy. "What do you want to happen next?" he asked in a cold, hoarse voice. "Master, I think I don't underst…" "I'm asking clearly. What do you want to happen next?" he interrupted, sensing that you were playing dumb by responding this way to his words. "I… I… Really…" you started to stammer, lowering your gaze from his reflection in the mirror, but he was quicker to interrupt you again. You felt the strong grip of his second, mechanical hand on your shoulder as he turned you towards him, so that you leaned back against the sink, and your face, though much lower due to your difference in height, was inches away from his face.

"You know what happened. No one had to tell you. You know she's gone, and you know who's behind it." he continued, his hand that was previously on your throat now gripping your chin. "Master, I really don't…" you began, wincing in pain as his hand tightened almost to the point of bruising on your chin. "You damn well know who… And I damn well know who… All I want is to hear it from you." he added through gritted teeth, and at that moment, you felt a hatred unlike any you had ever felt before - not even when facing the worst, hostile scum on missions.

"I… I…"

"Exactly. You. You. And if something had tempted me earlier… I would have been done with you long ago, but I decided to wait, maybe nothing would happen, and I'd ruin your life…" Skywalker continued with deadly seriousness, and you realized how utterly hopeless your situation was.

"Anakin… I didn't want to! I didn't want it to happen this way! I…" you could have continued shouting, if Anakin's finger hadn't found its way in a silencing gesture over your lips.

"This way… Funny. Funny, because you did. You wanted it to happen, but according to your delusional script." Anakin spoke, and you preferred to stay silent. You listened and wished the ground would swallow you whole, most of all, terrified by the realization that everything he said was true.

"And you know, delusional scripts of filthy bitches like you rarely come true, don't they?" he continued, holding onto his terrifyingly serious tone.

Overwhelmed by shock, all you could manage was a numb nod of disapproval - you couldn't squeeze out a single word, and Anakin didn't even expect you to. "Let's consider, though… How it would look in your little, stupid head…" he added after a moment, lowering his hand from your chin, leaving your delicate skin reddened from the strong grip. "Assuming I didn't see or hear what you did in the council, and I lived in blissful ignorance… You'd now play the hero and pretend in front of me that you have shreds of humanity left in you and want what's best for me, wouldn't you?"

"But… I didn't say that I…"

"And you didn't have to. Just thinking it was enough, wasn't it?" Anakin folded his arms across his chest as he spoke these words, and you would be inclined to admit that beneath his controlled demeanor, he seemed on the verge of exploding at any moment. You wanted to run away, but you couldn't. You wanted to defend yourself, but you had nothing to defend yourself with. You wanted to speak, but you had no words. "It's nice to ponder like this… 'What if'… But we're here and now, and you still haven't answered my first question..." Anakin continued, and upon hearing the mention of the question, you raised your gaze to look at him. "What do you want to happen next?"

Skywalker left you in complete emptiness, posing the question once again. You felt so depleted that you had no idea what to expect - from him, from yourself, from everything. Your heart rate quickened with each moment of silence, and this time, Anakin seemed genuinely eager for your response. "Oh, don't bother. Especially since I know very well what you want to happen next." Barely had you processed your Master's words in your mind when two strong hands grabbed you at hip level and turned your figure back towards the mirror. You leaned against the porcelain sink with your front while he stood behind you, just inches from your back, his gaze fixed on your figure in the mirror wild and filled with hatred. "Do you know you've hurt me?" he asked after another moment of silence, placing his both large hands on either side of you, enclosing you. "And you know it's going to hurt?" he added shortly after, not giving you time to respond, assuming you knew well what you had done.

"I know." you answered with a trembling voice, not really aware of which of the two questions you subconsciously answered to him. "Good." he replied with a terrifyingly calm voice, then you heard the clinking of the belt from behind, sending shivers down your spine. "Bend over." he growled, and you did as he commanded, trying to sneak glances at him in the mirror opposite. "Give me that." he added after a moment, pointing towards the bandage scissors lying closer within your reach, and you obediently handed them to him. Anakin snatched the scissors from your trembling hand and without further hesitation, swiftly cut your thin jumpsuit at the waistline with one quick motion, without considering whether it would injure your skin. You hissed sharply as you felt the blunt blade irritating your skin, and just a few seconds later, a shallow, bleeding cut on your skin could be seen from the hole.

He had no interest in bothering with the zipper on your jumpsuit when he had a sharp tool at his disposal. The material split precisely at the cut, allowing him to tear it further and rip it around the circumference, so Skywalker didn't wait any longer. He yanked on the exposed fabric, and when he could afford it, he began to pull down the lower part of your torn jumpsuit. "You fuckin' slut…" he muttered when he saw that the part of the material he was pulling down revealed your bare ass without any underwear. You had your head bowed down, but upon hearing his words and being aware of what was happening, you smiled to yourself at the corner of your mouth. Your overly confident, slutty smile quickly vanished from your face as you opened your mouth in shock when Anakin entered you without warning - so quickly and desperately that part of the carelessly pulled-down fabric of your jumpsuit irritated his balls as he tried to bottom out. "Fuck…" he muttered through clenched teeth as you let out a long, dull moan. From his throat emanated a range of sounds that you had never heard before - even before he fully filled you, his breath was heavy and distinctly audible, but it was only now that you could hear the frustration pouring out of his vocal cords. His gaze in the mirror, aiming straight into your eyes, was both humiliating and arousing. You wanted it, and you couldn't hide it. If anyone was to destroy you after the failure of your plans, it was him - Anakin Skywalker. The man who was currently destroying you in the way you had dreamed of. "Anakin!" you yelled, your voice growing increasingly breathless by the second as he began to rhythmically pound into you. "What do you want? Should I go harder??" he grunted, gripping your hips tightly, occasionally tugging down on the shreds of your jumpsuit material that bunched up from his movements in frustration. He initiated it sloppily and desperately - without any preparation, standing behind you in his black robes, his cock protruding from the unbuttoned fly, teasing you with every dangling stride. Hopelessly, you nodded in agreement to his words, slowly allowing yourself to be completely consumed by the sensation he was giving you, but your lack of a clear response only fueled his frustration further. "Stop nodding and speak. I want to hear it." he demanded in a louder tone, his teeth almost constantly clenched. "I want… I want it harder…" you mumbled, unaware that you had just revealed to Anakin what he feared most - pleasure from what he was doing to you. He didn't want pleasure - he wanted a lesson that you would remember for the rest of your life - a lesson that would engrave into your mind that those who live by the sword, die by the sword. "You want it harder, you'll fucking get it harder." he whispered gruffly into your ear just before he began to thrust into you with all his length. With each forceful thrust, his partially exposed lower abdomen collided with the tattered fabric of your jumpsuit top, and with each deep penetration and withdrawal, you screamed in ecstasy. He wanted to see how he filled you inch by inch, so at one point, he hiked up part of his robe and looked down, proud of depriving you of your sanity.

"You fucking wanted this, huh? You fucking wanted this!" he grunted, instinctively quickening his movements, causing your body to arch to the point where the torn seams of your jumpsuit began to give way. When your eyes met again in the mirror, Skywalker couldn't resist and grabbed your tied-up hair with one of his hands that wasn't occupied with your hips. As you felt the intense tug, something inside you snapped – you didn't want to fight Anakin, but instinctively, you raised one of your hands, previously resting on the sink, and without knowing where you were aiming, you struck him in the neck.

"Whoa… woah… What? Don't like that anymore? What were you trying to do? Go on!" he paused his movements for a moment, holding onto the spot where you hit him for a few seconds before slowly continuing, leaving you completely disoriented and unsure how to explain. "Come on, slap me! Slap me!" he continued in a terrifyingly excited tone, and the slower he made his movements, waiting for your reaction, the more he motivated you to fulfill his demand. You swung your open hand towards his face, but from the angle you were in, you couldn't do it with force, and your hand barely touched and grazed his cheek.

"I said slap me, not grab me! Come on, try again, show me what you've go..." he interrupted as you made a second attempt, managing to slap him with an open hand to the face in the manner he expected. Initially, he fell silent in surprise, then let out a psychopathic laugh.

"Was that so hard, bitch?" he muttered through laughter, not giving you a chance to respond, completely disconnecting you from your senses as he began to fuck you with a speed your body couldn't handle. You bounced off him like a lifeless ragdoll as he used you like a fleshlight. Your babbling and moans were pathetic and unintelligible- clearly showcasing to Anakin how empty-headed you were at that moment, and he seemed newly recharged, ready to drain every last bit of energy from you. Both of you screamed, the mirror fogging up from your aggressive breaths, and your hands trembled, struggling to find stability on the porcelain sink. You saw sweat flooding him, his curly locks sticking to his forehead, framing his wild eyes, whose beautiful blue irises were barely noticeable with his dilated pupils. You saw the trace of your small handprint on his cheek, but the more aggressive thrusts you took, the blurrier your vision became.

"An… Anakin… I'm gonna… I'm gonna…" Sudden impact. A sudden impact momentarily cut you off from the world, and you began to see stars. Not from a spectacular orgasm, not from pleasure. His mechanical hand pushed the back of your head towards the mirror as your forehead shattered it into pieces, creating a spiderweb of glass adorned with your fresh blood. Perhaps both of you were shocked at that moment, so Anakin slowed his movements, but he had no intention of stopping, wide-eyed as he saw you disoriented and bloodied in the reflection of the shattered mirror. Seeing yourself, you felt like screaming, but you felt a hybrid of physical pain and the beginnings of an orgasm that robbed you of your voice. While adrenaline surged in Anakin to a dangerous level, he began to tremble. He began to pulse inside you, feeling on the brink of his own orgasm even amidst the awareness that he might have seriously injured you.

"M-master… I think… I think I'm bleeding." he heard your words as if through a fog, hearing only the buzzing in his own head signaling that he was about to climax. Your elbows buckled beneath you as his weight involuntarily pressed down on your body, and Anakin began to gasp chaotically with his head on your shoulder as his movements became erratic, and his warm seed filled you from within. You groaned with him, unsure if it was from pain or from finding yourself on the edge but not even attempting to explain it to yourself. Skywalker froze inside you for a moment, still pulsating, fearing that if he pulled out, his unstable trembling knees would give way under him, so he breathed warm breaths on your neck, unable to utter a word.

As soon as he pulled out, and you lost the support on his silhouette, you slid down, banging your knees against the cabinet under the sink and landed half-sitting on the floor. You saw Anakin tripled, looking up at him with tears-filled eyes as he stood, his hands trembling against the edges of the sink, and gazed at you with a hint of fear in his eyes. But as Padme returned to his mind, fear subsided, and he saw a successful revenge. He saw a conquest that wanted to be conquered, and he achieved it in the most unexpected way - unexpected even for himself.

"Anakin…" you whispered with a broken voice, smudging the blood flowing down your eyebrow with the tip of your finger, and he just watched, at a loss for words.

"It hurts… Can you…"

"I warned you it would hurt." he interrupted with a hoarse, dark voice as he fastened his belt and adjusted his clothes, clearly preparing to leave. Initially, he intended to leave without a word, took a few steps, casting a final glance at the shattered mirror, but paused at the door upon hearing your sobs.

"Grab a towel when you go to the Med Bay. Nobody wants a mess." he uttered in a cold tone without even making eye contact with you, then tossed you one hanging on the nearest hanger.

"Tomorrow morning, you're expected at training. I don't care what condition you're in. Alive or barely alive." he added before disappearing and slamming the door behind him, leaving you alone with your worries. You sat there, wounded and exhausted. Bruised and broken. Your Master - Anakin Skywalker - destroyed you, and you'll thank him for it.

[youremyheaven]

Ashlesha & Toxic Relationships

Tw: abuse, incest, rape, death, domestic violence

I feel like Ashlesha's mommy issues have been covered by others before but I really wanted to explore how Ashlesha nakshatra natives often find themselves in toxic relationships, be it in their own homes or in romantic relationships. I think many of the patterns many people repeat in adult relationships has its roots in their childhood relationships with their family and I see this very evident with many Ashlesha natives. They're often abused at home and later suffer abuse at the hands of partners.

Halle Berry Ashlesha Sun

Halle's father was a violent man who abused her mother repeatedly. He abandoned them when she was 4 and she's been estranged from him since.

She moved with her mother and sister to an all-white neighbourhood where she was exposed to racial discrimination while attending school. Halle admits that these struggles motivated her to succeed. Later in the ’90s, when she moved to New York to pursue her acting career, she was forced to stay in a homeless shelter for a while because she couldn’t afford accommodations.

In 2011, Halle said: "It was only when I was in an abusive relationship and blood squirted on the ceiling of my apartment and I lost 80% of my hearing in my ear that I realised, I have to break the cycle."

Halle is divorced from Gabriel Aubry (in photo with her above) who, she accused of being a racist (he used racial slurs towards her and their daughter), refused to acknowledge their daughter as biracial and court documents revealed that Berry accused him of having been in an incestuous relationship with a family member, abusing their daughter and even revealed the couple only had sex three times a year, with Aubry struggling with the effects of his incestuous relationship.

Charlize Theron- Ashlesha Sun, Moon & Mercury

One night, when her verbally abusive alcoholic father came home with his brother after drinking heavily, he threatened her mother with a gun. He began shooting and Theron's mother grabbed her gun and shot back, killing Theron's father and wounding his brother. Police later determined it was self-defence. They later moved to America so Charlize could pursue an acting career.

Lily Collins, Ashlesha Moon

Lily Collins says she was once in a toxic relationship where she faced "verbal and emotional abuse" that made her feel "very small." Looking back, Lily says her then-boyfriend silenced her feelings and even fuelled emotions of "panic" and "anxiety" -- and it's something that still affects her even though she’s now in a healthy relationship.

"He would call me 'Little Lily'…and he'd use awful words about me in terms of what I was wearing and would call me a whore and all these things," she said on the "We Can Do Hard Things" podcast. "There were awful words and then there were belittling words. I became quite silent and comfortable in silence and feeling like I had to make myself small to feel super safe."

Tina Turner, Ashlesha Rising

Tina’s violent marriage with Ike Turner is well known, largely thanks to the film based on her life, What’s Love Got To Do With It. In the film the singer suffered severe beatings, was raped and had cigarettes stubbed out on her body. Her husband Ike is portrayed as a violent, controlling sociopath, and when Tina’s autobiography was published Ike actually admitted that the book was largely accurate. The pair were married for 16 years before Tina had the courage to leave. Ike is now dead.

I found something she said in an interview to closely correlate to Ashlesha:

"Part of my spiritual practice is to “change poison into medicine,” to take negative situations or roadblocks and transform or remove them through positivity. The force of my positivity pushed all the discriminatory “isms” standing in my way right out the window."

Whitney Houston- Ashlesha Sun & Venus

Their turbulent relationship is well documented, but even though the rumors were that Bobby used to hit Whitney, she actually claimed it was the other way round. In an interview with the Associated Press over 10 years ago, the singing star said: “Contrary to belief, I do the hitting, he doesn’t. He has never put his hands on me. We are crazy for one another. I mean crazy in love, love, love, love, love. When we’re fighting, it’s like that’s love for us. We’re fighting for our love.” Brown, however, was later arrested in 2003 for misdemeanour battery, several years after Whitney said this. The pair eventually divorced after 15 years of marriage in 2007.

Unfortunately, Whitney passed away in 2012 and I firmly believe Bobby did it. Her daughter, Bobbi Brown also passed away in the exact same way in 2015 and there's just no way those 2 deaths were a coincidence. Anytime I hear news of anybody dying in their bathtub after overdosing on a cocktail of drugs, I just know they were murdered. Its very easy to write off deaths as suicide or to make it look like one. Its all the more convincing if the person has a history of drug abuse.

Sridevi, Ashlesha Sun & Rising

Sridevi was forced into acting by her mother (who aspired to be an actress and had failed in her pursuit) when she was 2-3yrs old. Sridevi never received formal education and appeared in 200 films by the time she was 25 years old (she did 300 films total). Her mother and stepfather had another daughter whom they favoured. Sridevi was the cash cow of the household. It was once reported that Sridevi would come home from a long day of filming and spend many hours massaging her mother's feet at night instead of sleeping. Her mother once locked up Sridevi in a dark room and starved her as a 5-year-old because she was too scared to do a scene that involved fire. She became a heroine at the age of 11 years and was paired opposite men who had played her grandad onscreen when she was a child star🤮🤮🤮she was sexually assaulted by many of these men as a child and teenager. Sridevi's mother managed all her finances and did not permit her to go out or meet others and she did not even know how to do virtually anything by herself as her mother kept her under lock and key.

Her husband Boney Kapoor is a movie producer who was married to another woman and had 2 kids when he first met Sridevi. He creepily wooed her for 10 years but Sridevi paid him no mind. In 1995, Sridevi's mother passed away and Boney took full advantage of her vulnerability because even though she was 32, she was basically a child due to the way her mother forced her to live. Sridevi had no one to rely on (her stepfather had died many years prior and her sister sued her for properties and since she was so isolated, she had no friends despite being such a huge star) and Boney took her in. She lived with Boney and his wife and kids but before you knew it, Sridevi was impregnated by him and he soon divorced his wife and married her. In 2018, Sridevi was found dead in a bathtub in Dubai under suspicious circumstances. The case was wrapped up pretty quickly and no one really knows what happened. She allegedly "drowned" but like I said, I dont think all these celebs drowning in their bathtubs is a coincidence.

Zsa Zsa Gabor- Ashlesha Moon

She was married 9 times and many of those marriages were hella toxic. She was married to Conrad Hilton (Paris Hilton's great-grandfather)

She said of the marriage:

"Conrad's decision to change my name from Zsa Zsa to Georgia symbolized everything my marriage to him would eventually become. My Hungarian roots were to be ripped out and my background ignored. ... I soon discovered that my marriage to Conrad meant the end of my freedom. My own needs were completely ignored: I belonged to Conrad."

Gabor's only child, daughter Constance Francesca Hilton, was born in 1947. According to Gabor's 1991 autobiography, One Lifetime Is Not Enough, her pregnancy resulted from rape by then-husband Conrad Hilton.

Marilyn Monroe- Ashlesha Rising

Marilyn had a very difficult life. She grew up in foster homes, her mother was schizophrenic and her father was an alcoholic. Her marriages were unhappy and she was treated like shit by the industry. I don't want to elaborate too much because I feel like everyone already knows about her life story but its truly tragic how things were for her :((

Lucille Ball- Ashlesha Sun

She was married to her onscreen husband Desi Arnaz and they had a horrible toxic marriage where he cheated on her repeatedly and emotionally abused her. He was also an alcoholic.

Bella Hadid, Mars in Ashlesha atmakaraka

"I constantly went back to men -- and also, women -- that had abused me, and that's where the people-pleasing came in," Hadid said on the Victoria's Secret podcast, "VS Voices."  "I started to not have boundaries, not only sexually, physically, emotionally, but then it went into my workspace….I began to be a people-pleaser with my job and it was everyone else's opinion of me that mattered except for my own, because I essentially was putting my worth into the hands of everyone else and that was the detriment of it."

Everybody already knows that Yolanda is toxic as hell, made Bella get a nose job at 14yrs of age and in Bella's own words she was made to feel like the "uglier sister".

Viola Davis, Ashlesha Sun

She and her sisters were sexually abused by their brother. "Sexual abuse back in the day didn't have a name. The abusers were called 'dirty old men' and the abused were called 'fast' or 'heifers,'" she wrote in her memoir.

Davis wrote about the volatile relationship between her empathetic mother and her violent, alcoholic father. With brutal candidness, she channels the unrelenting terror of living in a household of domestic abuse: “There are not enough pages to mention the fights, the constantly being awakened in the middle of the night or coming home after school to my dad’s rages and praying he wouldn’t lose so much control that he would kill my mom.”

Lil Kim, Ashlesha Moon

When she sat down for a candid interview with Newsweek back in 2000, the rapper revealed that she developed a complex about her appearance thanks to a string of unsavory suitors. "All my life men have told me I wasn't pretty enough — even the men I was dating," she revealed. "I'd be like, 'Well, why are you with me, then? I have low self-esteem and I always have," she admitted. "Guys always cheated on me with women who were European-looking. You know, the long-hair type. Really beautiful women. That left me thinking, 'How can I compete with that?' Being a regular black girl wasn't good enough."

It wasn't just the men she dated in her early days that messed with Lil Kim's head — according to the rapper, her own father added to her issues. Her parents divorced when she was 8 and, despite the fact that she wanted to remain with her mother, her dad won custody. When she spoke to Newsweek ahead of the release of her second studio album, The Notorious K.I.M, she revealed that her father would regularly make her feel as though she wasn't good enough. "It was like I could do nothing right," she recalled. "Everything about me was wrong — my hair, my clothes, just me."

Ella Fitzgerald, Ashlesha Rising

At a young 15 years old, Fitzgerald was left motherless and fatherless. To make matters worse, she began being abused by her stepfather. The beatings were physical, but they scared her emotionally as well. She was a beaten and battered child. Her grades fell to be nearly unrecoverable, and she began skipping school regularly. It was an era of racial segregation and Ella is also believed to have been physically abused by her teachers along with some other black students.

Ella and Marilyn were good friends and are said to have bonded over their similarly traumatic lives.

Katie Holmes, Ashlesha Moon & Rising

She escaped an abusive marriage with the sociopathic Tom Cruise and his cult??? need I say more?? I am so happy she is alive and well and that she has managed to protect her daughter as well. Scientologists are insane people who absolutely destroy the lives of anybody who tries to leave their system so its a miracle that Katie is alive and doing well.

Glenn Close, Ashlesha Rising

I don't know what it is about Ashleshas and being trapped/escaping a cult but I've noticed several Ashlesha natives all have this experience

Oscar-nominated actress Glenn Close, for example, was part of a cult called the Moral Re-Armament, from the young age of 7 all the way up to 22. “If you talk to anybody who was in a group that basically dictates how you’re supposed to live and what you’re supposed to say and how you’re supposed to feel, from the time you’re 7 till the time you’re 22, it has a profound impact on you,” she once told The Hollywood Reporter.

Patricia Arquette- Ashlesha Moon

Oscar winner Patricia Arquette wasn’t just raised in Virginia’s Skymont Subud cult, but her parents were the founders of it. The so-called “spiritual movement” was known for not allowing access to bathrooms, electricity, or running water in the name of “inner guidance.” 

While still living with her family, she and her family left the commune to return to a more conventional life. Per ABC, however, the Arquette family wasn’t any better at that time either. “There was a lot of drama in the house,” Arquette said in an interview with Oprah Winfrey. “There were a lot of chairs flying around.”

Brie Larson- Ketu in Ashlesha

Brie starred in two movies, The Glass Castle & The Room that both deal with abusive relationships (she is the one stuck in them)

Our Ketu placement is where we draw our creativity from, so its interesting that Brie has played so many characters who have to deal with toxicity.

According to Hindu mythology, Ashlesha nakshatra is associated with the story of the Naga King Vasuki. It is said that Vasuki and his wife were cursed by a sage to become snakes. In order to lift the curse, they sought the help of Lord Vishnu, who advised them to perform a penance in the ashram of a sage named Jaratkaru. After performing the penance, the sage granted their wish and they were able to regain their human form. Since then, Ashlesha nakshatra has been associated with transformation and the power of penance.

In the list of celebrities I have mentioned, many of them survived their abuse and went on to live good lives but many others met with tragic ends. Being "cursed" is part of Ashlesha's mythology, which is why they receive an unfair share of bad experiences and abuse but to perform penance is very very important and something not many are going to be able to do. When so many terrible things happen to you, you're bound to think "why me? I'm a good person, I don't deserve this" and that's absolutely true, no one deserves abuse but the ones who can outlive these negative circumstances are the ones who can in Tina Turner's words "turn poison into medicine". Penance literally means inflicting punishment upon oneself but what it actually means in this context is to turn all your negative experiences that feel like you're being punished into something you can rise up above against. Poison is also part of Ashlesha's lore and while this does make Ashlesha natives rather malicious and manipulative towards others, they need to be able to use this poison as medicine to heal themselves. Otherwise, they end up succumbing to it.

[blood-starved-beast]

Wouldn't say it's the best character design in Hades game franchise (that is subjective) but for me personally Eris Hades game II has to be my favorite design in the whole IP.

From Hades game I the goddess of strife was established to be source of conflict within the narrative - she is a bearer of the Adamant Rail - something that goes against the narrative setting of the story within Ancient Times. They build further on this anachronism by evoking Punk aesthetic - we see her short hair, wild colors, studded corset, torn clothes, wild makeup (which double as evoking her own wings), her band makes her look like she's got tattoos, eating plastic wrapped snacks, her disregard for typical social norms. Her and Exagryph both are anachronistic and therefore punk by the aesthetics of the game. While also not being too off - she wears a chiton still. As well as that braided bra style idk what's it called.

Her design simultaneously works withing the narrative of the story. I've already talked a bit here how she scratches out the Moon Sigil on her gorget and wears it upside down on her face to opposed the Unseen. But that sigil on her face also golden - which we've specifically associate with Chronos, the Unseen's Enemy (who prefer silver). It's also gold like her Iconic Golden Apple, the symbol of her most famous crime. Eris's design also bears the colors of the Three Eriynes - who in the first game, serve as a much more personal antagonist and foil to Zagreus the protagonist there. Here, Eris is Mel's most personal guardian boss outside of Hecate - they've got beef with each other, and that's likely due to their past history.

The colors and the tassels to me also recall the jester archetype. The jester in history was tasked to entertain the king and also dole out information that the royals might not want to hear (and do so without getting killed cause rule of funny). Eris is the most verbally opposed to Mel - challenges her on her motivations especially. Why is she so hell bent on this task when she doesn't even know her family (who she might not fit in with)? What does she plan to do with her life then? Loosen up! Which she tries to get Mel to do - by fighting her to the death. "This is for your own good Trouble" and all. The Jester indeed.

This conflict leads me to another detail - Eris is an excellent enemy foil to Melinoe. Melinoe who is neat and proper compared to crass and messy Eris. Melinoe who is hellbent on restoring an Order she's got no familiarity with. Eris, who lived it and opposes it. Melinoe who's a slave to her task and whose future post-task is a big Question Mark - she's never considered it, never questions it. Eris who also lives in the present but specifically to have freedom and hedonistic-ally strife causing as possible. Melinoe who has an insane level of rizz and is absolutely adored by all around her - but is unaware of the effect she has on others but somehow is fixated on Eris herself. Eris, who is loathed by all and actively is aware of the effect she has on people at all times and intentionally cultivates a negative response from them - with the exception of Melinoe, where her troublemaking serves a dual purpose of exasperating her but also luring her in. Melinoe and Eris both are estranged from their birth families - Melinoe due to circumstances leading to nurture, Eris due to her nature. Melinoe, who Chronos describes as not fitting anywhere despite her clawing for a place in said world, Eris who had no place to begin with, and continues to dig herself out of each subsequent one. I could go on.

It's such a great foil dynamic for a boss. I love Eris.

[katyspersonal]

In defence of Shadow of the Erdtree + Getting my grudges with the fandom's bad takes off my chest

(! if you are seeing this caption it means the post was shared via queue feature, thus I must be STILL on my hiatus! will respond to comments when I am back online and thank all 5 of you for waiting for me! )

*deep, tired sigh* Allllright so... Ever since SoTE came out, it has been a rocky patch for me growing past initial shock, absorbing new lore and above all, dealing with some conflicts that transpired over it! In the end my grudges, as well as disagreements with popular attacks on this DLC accumulated enough to make me feel like smoking volcano, I swear.. You might have observed some anger already slipping through the cracks, but I've decided to place ALL of my opinions in one easily skippable post instead of turning my blog into a toxic pool with endless negative posts, so I'll just get to it!!

YEAH YEAH I know, a TRUE comedy genius remaking my DLC predictions bingo post to structure what I want to address fdhhdsf This is basically a 'so how is checking Elden Ring tag going today? :)' bingo but... it is easier to put it like this. I just need some way to simply vent my own frustrations because I hate everything featured in this image with THE burning rage. Putting my opinions and everything under cut but fair warning, not only it is going to be very long as if anyone who knows me is surprised dfhshfsd, but also very ANGRY! ANYWAYS!

1) "They excused genocide by giving Marika a sad backstory"

Sigh… Instantly off to a terrible start, and it is truly the most Tumblr take out of all Tumblr takes imaginable. So let me suggest something actually ground-breaking here… Giving your villain reasoning not only makes for a more realistic and interesting character, but is also crucial because nobody is just BORN evil.

sorry I had to I understand the temptation of wanting a villain whose sole drive is power control preserving privileges etc because it resonates more with the narratives proposed in real life and people's struggles, but not only even in real life things are FAR not as often as simple… but even if they were, Fromsoft is always dealing with more complicated matters that touch the nature of existence in general, and not just power and control over it someone could gain! Marika was not "just" evil even in the base game either, giving off the impression of someone wanting to build a perfect world of light, life, safety and abundance even at the expense of oppressing "potential threat" species (Omens serving as…. well, omens of the threat of returning to the primordial state of things or Albinaurics, creation of Nox, who angered the Greater Will itself once).

She waged war on the Fire Giants who had 'evil god of fire', caused natural disasters and whose fire existed as anathema to the Erdtree and declared her victory the start of the "better age"! That already spoke of a lot of complexity, without forcing the audience to agree with her motivations and actions but instead understand what weight they held in the grand scheme of things! Again: much like Gwyn who destroyed Dragons thus creating time, light and life the way it is known now and who for all his agenda against humans had a pretty solid reason to fear the darkness within them, which effects we've seen across the trilogy!

What DLC did add was simply a lore on Marika's origins as a Goddess, and what made her vulnerable enough for the Two Fingers to seek her! Divinity is further stated to not be a great thing via Miquella's whole arc, but the wish to change the world to the better hits harder when you personally were a victim of its fundamental corruption! She did not instantly become a good person over DLC lore, nor she was just evil person and nothing else in the base game! War against Fire Giants (maybe Dragons?) was the means to topple the current powers and establish her reign, oppressing certain species was the mean to preserve it. She searched not solely to take revenge on the Hornsent, but to build a different world where what they did would not happen, ironically ending up causing more injustice ANYWAYS! Miquella fell into this trap. Heck, GIDEON fell into this trap!

Even then, her machiavellian character does not explain why even after Hornsent were completely defeated that war continues forever through Messmer and his forces. Could this be just what Messmer insisted on and THUS she cast him away, or she lost any and all sight of what pusher her to it initially? In either case, even the game itself makes it very clear that Marika/Messmer are not heroes here in the SLIGHTEST!

On a more general note, detached from the specifics of this game: I do still find it more strange to be angry about villains being given sympathetic traits, as a concept. People who are just "born evil" are such a minority that they hardly can say anything about nature of men. Bad people, by proxy, are a combination of some sort of unhappy event (trauma, bad upbringing, faced oppression, mental illness that was not treated if not had its negative traits amplified due to environment, growing in propaganda and ignorance, abuse etc) and person's unwillingness or even inability to heal and stop the cycle of pain by refusing to cause more of it. It is not that simple, and often, people who were hurt so are past the point of not letting it make THEM evil, or lack resources to do so, or have their attempts to change if they WERE bad actively sabotaged.

This IS the true horror of existence: freedom of will itself being put in question. We might be not defined by our pain, but how we will respond to it might be defined by prior events, information we had, circumstances and society around us. How can ANYONE tell what they would be like if they endured the same? Can we be sure that we "endured the same but reacted differently" wasn't predefined by other, nicer factors? To be angry at the fact that a bad person who did bad things had a reasonable, even sympathetic explanation at the core of it all is to be angry that one's privilege to use "born evil" to mistreat and emotionally distance from those people is put into question!

In any case, 'explanation is not an excuse' works not only as a tool to still judge someone's sins, but ALSO to explain that writers making a character more elaborate is not a demand to like this character or excuse their actions! Everything has reason… This is why no one is entitled to declare they know what is good and bad for everyone. Not just people like Marika or Gwyn, but even us.

2) "Hornsent are dangerous and deserved extermination"

…okay, look, yes this is another heavy topic, and it does deserve a separate post which I did make already in the past ( x )! It is another topic that sort of transcends the boundaries of this story (another common Fromsoft W for making people question life and society themselves)! To put it down simply, of course no race is inherently evil, what is the reoccurring topic here is the culture! And what is on the surface is that Hornsent as culture and species, in many ways, are victims of its own oppressive religious institution and questionable traditions. Bonny Village's potentates are hostile, dangerous cult serving as a the weapon of """justice""" and """purification""" within Hornsent! They possibly go back-to-back with their religion but except they are extremist. We cannot tell whether general face of the religion, the Inquisitor hags, would do anything about it had they have more control, whether they tolerate it for convenience, or whether they encourage and utilise its existence. But what we CAN tell is that not only "impure races" are punished/killed, but even "unfaithful" Hornsent themselves!

Yes, definitely there are also Hornsent children who would have no choice regarding their upbringing, information, nor much agency over their actions, and we know they did not spare the children either from the story of Hornsent NPC that we follow! But even then, it is clear that Hornsent that were in disagreement about their culture's demands had to be quiet about it either, or else they'd likewise be persecuted!

"Why could not they just have started a revolution" is a very unfair criticism towards a culture/place oppressed by corrupt religious (and military?) institution on many levels! As someone from the country ruled by a tyrant feeding the civilians propaganda excusing genocide and promoting xenophobia, as well as very corrupt and oppressive religious institution that yet is hardly a HALFWAY as awful as some countries I could explain how hard (impossible) it is to reliably as much as gather enough people to rebel (with no results but legal troubles down to getting imprisoned). Let alone gather enough people to go an die for the cause. Especially when almost everyone with ANY power and weapons is already by the government's side completely rotten by propaganda. Feeling outnumbered, not having any resources because they're all in the hands of people who ARE corrupt, knowing even out of other people who disagree most would not risk leaving their children and sick relatives and alike in trouble rising up against the enemy they can't reliably take down is already a huge problem here. Even considering the (very idealistic) sentiment that dire consequences doesn't erase the blame that comes from not speaking up, it doesn't change that there are real and reasonable people who don't agree! Let alone the separate topic of how even people rotten by propaganda deserve a chance for rehabilitation! Propaganda is a horrifying tool and not having immunity to it should not be automatic death sentence!

Shadow Realm is already full of burn Hornsent spirits questioning what did they even do wrong and claiming they only wanted to live and didn't do anything, further proving that they might not even be much aware of what their Inquisitors and Potentates do, let alone not being a solid monolith race of those who agree with extermination of the "impure"! They are people, living in conditions of the culture held by the throat of those truly evil! It were a bunch of civilians burnt, as well as Hornsent's (NPC) wife and child who 99.99% didn't do anything. To think of it, it makes it very bitter that Bonny's Village and Inquisitors in the Tower clearly were able to recover and bounce back, when it were civilians who payed the price. Very grim yet clever remark about the real world as well, but I am sidetracking. In general, yes, a culture that considers itself holier than others with extremist forms of it deeming them unworthy of living should be stopped and criticised, but genocide can NEVER be the answer!

^^^ It fact, something already suggests there was a different answer, an even obvious one. Marika's "betrayal" suggests a long social game on her part, as well as the fact that Hornsent culture were trusting her! Maybe they knew she was a shaman and things were happening past the point where they stopped persecuting them, maybe they had no idea. Yet, in any case, Marika held enough social power to bridge the gap between the cultures, to let them evolve beyond their past, traditions and prejudice against 'outsider' cultures and instead learn from them!

^^^ In fact, the gap was bridged, since Crucible, THE Hornsent thing, WAS considered divine even as Golden Order was established! That was like… after getting Elden Ring instead of Dragons (whatever the reason was), war with the Fire Giants and murder of the Fell God and removal of Destined Death from the Elden Ring? Nonetheless, with the power to stop vicious cycle and to let the horrible practices and past be buried and dissolve in her new order of life and radiance, so-to-say "civilization", she chose the path of genocide and revenge that has not ended even to this day! As well as essentially became "the very thing she sworn to destroy" by keeping those like Omens and Albinaurics oppressed!

And to bring back the previous chapter of this post, it is not an invitation to say 'aww then it is fair that she hates Omens so much 🥺', but a pointer that what she did was wrong. And so, yet again, the cycle continues, take Vengeance-Seeking Hornsent that swears to kill not only her and her family, but everyone affiliated with her in any way even if they were innocent and simply were born under such order! He mirrors how she/Messmer did not simply stop at punishing those who WERE guilty, how violence and revenge will always only birth more of violence and revenge, until someone decides to stop it and chose to solve the situation the pacifist way to their best ability. Even when some people claim that within this option those who will want their power back can survive and ruin everything again: likewise, if culture is exterminated, victims will survive and come back with revenge. Either way suggests the risk, but only one of these ways has even a CHANCE of better future! What IS certain is that humanity could never be at better place unless we as species keep trying peace over and over, that won't banish all evil from the first try, but we must choose peace and not genocide over and over!

3) "Miquella's character was assassinated"

No, it wasn't.

OKAY FINE but it is one of the topics that are hard to approach seriously, when someone mistakes the arc of the character falling from grace to a complete rewrite of the character's personality! How falling from grace inherently suggests there was no grace to BEGIN with? Character assassination suggests Chloé Bourgeois from Ladybug that the character has been written a certain way, but then deliberate effort was done by the writers to damage their image and make the audience hate them or no longer care about them!

What we learned about Miquella from the base game was all information about him from the times long before we, player, arrived in the game, and before his departure in the Shadow Realm! He was kind, he cared about his sister to the point of creating a new school of magic and then creating Unalloyed Gold all to heal her, he wanted a gentler order than the Golden Order and created his own tree that welcomed everyone but first of all those oppressed by the Golden Order, he wished his brother Godwyn could die honourably instead of being a growing virus to all living past death. At the same time, he naturally needed military force to protect his Haligtree, as well as was able to bewitch people with his powers!

In Shadow of the Erdtree, nothing that followed erased that information! In fact, he still boldly stated that he wanted Age of Compassion! What we DID witness though were two things: 1) the fact that he had to get a bit machiavellian, something that already was obvious from the base game because kindness alone is not enough to survive in this world and you HAVE to do some planning as the leader up against the current order with its own fans, as well as people who hate the compassion as an idea and 2) that he has been leaving behind what made him the person that he was, including his feelings and attachments, which logically included caring for Malenia for example! So, the dearest sister is 'loyal blade', because he abandoned his love! He does not still love Radahn either, but Radahn was a part of the promise; a very pragmatic thing and memory that did not have to go as his feelings did. He simply was part of the initial plan to ascend to Godhood; Miquella sounded scared of the idea when he asked Radahn to be there for him, but abandoning his fears and doubts would not automatically erase the OATH. Effectively, a "contract".

Miquella was hyped up as that kind, almost perfect, noble person, for us to find out that he is not anymore. The 'anymore' part here is crucial! Fromsoft have previously did the trick with hyping a character up to be great but us finding out they were not with Vendrick and Gwyn (and very briefly with Artorias who didn't DO anything yet was hyped as THE hero when he was in fact defeated)! Miquella repeats the trend with reveal that he did charm Mohg back then (was not perfect in his actions, but I'll get to it later), but also has the story of further descent from that not-perfect-yet-GOOD person that we follow! He is effectively the most elaborate incarnation of the concept, and we know Elden Ring includes Fromsoft learning from their previous games a lot, polishing the concepts they want to use! Miyazaki confirmed that Elden Ring is "close" to the dark fantasy game of his dream, yet is still not it (someone stop this madman fhfdhs)!

To suggest that revealing him as complex, as well as adding the tragedy of repeating Marika's mistakes no matter how much he was running from this sad fate, equates the devs wanting us to hate him (that is what CA is) is ABSURD! He REALLY did not want to be Marika, he was AVOIDING it, yet no matter what, it caught up to him... How comes you equate tragedy and imperfection with suggesting that you should hate him according to the writers' intention? I will go further and say that if your expected reaction to finding out your fav was never perfect in the world where perfection doesn't survive, and had road to Hell paved with good intentions is 'oh devs made him hateable' it only speaks of your own lack of understanding and compassion. Miquella is as much of the victim of this wretched world as everyone else, where you die a hero, remain a lazy fence-sitter or try to do something but only drastic means to do it make a change. Really, this is just Fromsoft's world and Elden Ring is in no obligation to change their philosophy of existential horror!

4) "Fromsoft failed fans by not making it [insert a thing from a wishlist]"

It could be a bit subjective, but personally I think this is simply not how creativity works as a concept. This kind of criticism suggests that upon deciding on the DLC, developers were supposed to look at the fandom's discussions, determine what would be most emotionally satisfying for them, and go that route regardless of what their vision of the story was or what…? It feels like a very entitled kind of thinking for me. Creator's one task is to bring their own vision to life and tell the story and messages they want to deliver! Not to cater to the audience, not to tell them what they want to hear, not to do what sells well or, god forbid, fanservice. (and you can probably see in which paragraph I will need to touch this one too!)

Miyazaki has a rather grim vision of the world and humanity, that is not completely nihilist and devoid of hope, but never gives the coherent answer to what the better future IS either. Character Aldia from Dark Souls 2 (and vaguely in DS3) is probably the best personification of his philosophy. The world is wretched, but the means to change it are so terrible that one might question whether it is even all worth it and whether the new world built on sacrifices is truly better, toppling the corrupt power just replaces it with the other corrupt power unless you decide to straight up destroy the world, but there must be something, right? We just lack insight to understand what it IS, but how can we obtain that knowledge without losing our humanity? Happy ending or blunt message about how if you remove corrupt authority things will magically be good are not his style.

And… regarding smaller things, honestly? He had a right to throw in a random ship that didn't have any foreshadowing if he wanted! It is HIS story and HIS characters! Creator must not obstruct THEIR vision and preferences for anyone, but it is OUR choice whether to take it or leave it. Just because we gave Elden Ring that kind of popularity and influence with huge amount of support and bought copies of the game doesn't mean that now Miyazaki is under obligation to serve us and think about our reception and tastes as sort of "gratitude" or whatever… And on a relevant note, it is his choice which topics he wanted to explore in SoTE and which topics he was done with and decided to leave be.

Again I might be different, as the very moment we had a DLC confirmed I emotionally distanced from Elden Ring knowing that any headcanons and expectations could get jossed at this rate! Getting invested into series that is still in development suggests obvious risks! No one is obligated to ENJOY whatever choices he made, but what we should do is to remember that he had RIGHT to HIS choices.

5) *claiming all hinted that it obviously should have been Godwyn*

I've heard it often that base game all foreshadowed that Miquella was departing in the Shadow Realm to bring Godwyn back to life, Eclipse thing and all, therefore SoTE "betrayed" fans by not focusing on Godwyn. Everything was supposedly set up for him to be prominent or maybe to be a final boss instead, even if he'd be a through and through failed attempt of resurrecting him! But…

Even in the base game, it was suggested that 'Eclipse' was already attempted, and failed. Nothing to suggest that they would go and try again via different means. And, in fact, there is another piece of evidence that Miquella was not going to attempt another way of resurrecting Godwyn! 'Please die a true death' suggests that Miquella wanted Godwyn to not exist as Prince of Death, but to die fully; with his body too, not only his soul.

This is certainly not about resurrection, so it is safe to assume that Golden Epitaph was made as Miquella gave up the hope of returning Godwyn's soul to him! 'Eclipse' was attempted, and it failed! Moreover, 'Eclipse' is a thing associated with the Castle Sol / Mountaintops! Nothing to suggest that it is properly done in the Shadow Realm, it is very much Lands Between's thing to do. (could it be relevant that Fell God of the Fire Giants was killed, and even before Furnace Visage thing his fire was shaped like an orb, so like a sun? no sun to eclipse to begin with? now Erdtree is THE source of light? some fuel for interpretations)

This is not the only reason, as we have a more bold one, that is Fia's quest getting broken! One of the endings is Fia laying with Godwyn and bearing a Rune to bring Those who live in Death back in the Elden Ring, and one of the remembrance bosses is Fortissax fighting within his dream! If Miquella's goal was to go and try to resurrect Godwyn, that would already remove his body from that area by the very existence of the DLC! So, should have Fia's quest/ending and Fortissax battle been timed events only for pre-DLC era? Or, again, if you say that event would only happen if we followed the entire DLC story to the final battle: Fromsoft's DLCs typically do not have any significant effects on the base games, it is usually just some extra dialogues here and there. And what would be about Godwyn's "virus" growing in Stormveil, as well as on some enemies and deathroots in the ruins where Mariners resided? What is considered his body goes FAR beyond just Deeproot Depths, should they have programmed removing of ALL that to not contradict their own lore, then? It really doesn't feel like the case even from technical standpoint already!

From narrative standpoint, both Godwyn and Radahn should (have) stay(ed) dead for the story and emotional weight, however, elaborating Radahn didn't make his presence overbearing for Fromsoft's standards! On the contrary, he got more role besides kinda 'just being there' compared to other Demigods! Godwyn had a lot of impact and presence all over the story in the base game and one of the endings being tied to him! I will get to it in the paragraph about devs allegedly 'abandoning' some things that needed elaboration though!

Yet even then, devs still added Godwyn bits with Knights of Death getting sort of rebranding to still stand by him in death and the bit about Godwyn having custom-made medallions for his special knights! It is very clear that devs have not forgotten or forsaken Godwyn but instead keep reminding us how much he mattered for the idiots living in this fictional universe! However, they know where to stop so the character isn't devouring the story too much as they have their own style with balancing characters' presence! Saying that "only" adding Knights of Death going to protect what's left of their Lord like sort of fucked up plant culture in Shadow Realm is some sort of grave insult to his fans is just weird, because in fact devs were not supposed to add this EITHER!

6) "Scadutree fragments is a cheap way to force players to explore the map"

I don't think there is anything wrong about rewarding the players for exploring the open world map that is meant to be explored! And, yes, it is rewarding, not forcing! The bosses COULD be beat even without Scadutree fragments if you know what you are doing! Like, what surprises me the most is that this take typically comes from the gamers! You know, THE people who would know a thing or two about imbalanced builds or weapons, or have enough time and patience to memorise every single movement by the boss, let alone liking to challenge themselves!

Even then, Scadutree Fragments are supposed to be discovered naturally as you walk around, check niche places on the map, do platforming and search for optional enemies and bosses! If all you wanted from this DLC was to run very straightforward to just beat the boss already with ease so you check the remembrances faster, are you sure that you actually like PLAYING this game? Getting into an open world game when you don't want the 'open world' aspect seems counter-productive to me :/

Bonus mention: some people finding Abyssal Woods sequence frustrating and annoying! It is somewhat relevant to this complaint! Losing Torrent in this area perfectly adds to the sense of not being able to escape, and stealth game with Aging Untoucheable is straight up horror stuff! How are you supposed to experience getting into the forbidden area infested by the force that every living (and dead!) being in the setting fears, if you just can run straightforward to the boss willy-nilly without any buildup or obstacle! It feels like the same sort of complaint as Malenia being unfair boss when she should be hard as someone who "never knew defeat"! Fromsoft is very good at using gameplay elements to confirm what the lore says! This "criticism" just looks like straight up impatience to get your dopamine injection already instead of enjoying the process of learning this story like devs intended!

7) "Miquella has always been evil"

I suppose it goes as a sibling paragraph to 'Miquella's character was assassinated', except this time from the standpoint of those who either liked the "twist" or were indifferent to it… I think this is just a confirmation bias at play from the people who assumed this about the character from the start, often including but not limited to Berserk fanboys. I agree that the fact he has never been perfect was plain to see either, with Bewitching Branches being a sinister power as a concept and Haligtree Soldiers suicide-bombing being a bit too fanatical, but yet again: nothing erases the notion that he had good intentions!

Ansbach kind of reminds me of the same effect Kenneth once had; Kenneth described Godrick as pathetic and everyone agreed completely ignoring the bits that suggested otherwise, and now Ansbach described Miquella as a monster and this is what some people believe! Honestly, how do I develop this level of charisma to make people believe me uncritically fhfdhhfsd In any case, the "unreliable narrator" effect is very prominent in the game, and it is important to remember that developers make the character say what the character would, not give us the directions on what opinion to have!

Miquella's power is further elaborated upon in SoTE, as not inherently brainwashing one but a very strong remedy for someone's problems! Leda's fanatical murderous fixation, Hornsent's obsession with revenge, Moore's insecurities and Ansbach's fixation on avenging Mohg's "honor" (which is likewise a very questionable concept lol) all were muted, giving them peace and friendship instead of attacking each other OR himself! The key to them being pacified and happier being to fix their love on someone else doesn't make Miquella evil megalomaniac wanting an army of loyal dolls.. on the contrary, often caring for someone else IS the feeling that brings out the best in us humans!

Again, this one is subjective, and of course people can read the character any way they want! But I start to take an issue with this reading when people claim that it is canon and dig at the base game saying how he never cared for the compassion but just was sort of narcissist seeking the oppressed to make an army of admirers from or whatever… The DLC accentuates on how he has been abandoning the 'humane' parts of himself, that were making him vulnerable and as Demigod more human than God, so we meet him at his "lowest". Even then, he states his motivation to make a better world full of compassion and free of evil! He would make everyone hold hands in more peaceful ways if he could, but even from the base game his arc was basically trying and failing to heal his sister. Besides, Dane's last and only words are asking him to make a gentler world, without his spell in the effect-

Like, there are enough things that show he had enough reasons to make people see him as symbol of hope even without MAKING them to. With Radahn, we are repeatedly told that "he and Malenia helped him to cosplay Godfrey" stems from the oath they shared and Radahn agreed to! Whether you see Caelid battle as him wanting to die (to go to Shadow Realm) in a battle, or him rebelling against Miquella's world of shining flowers and kissing bunnies in the end as a warmonger but twins not having this "change" it still doesn't straight up speak of evil intent. Could be taken as despair and reaching that 'giving up' state! With Mohg we are not sure either. Maybe Miquella just wanted to "heal" his pain but his personality persisted and obsession/kidnapping happened, so he knew he was beyond help and TOO soaked in blood and sin! Or he was beyond help / didn't want help from the start, so EVENTUALLY (key word) amounted only to sacrifice in Miquella's eyes on his path to Godhood as he NEEDED one, maybe it was even seen as 'mercy'. Help is to build a better world as a honor and all.

He very likely wanted to make a better world for him too! Both their goals were connected to "love" after all! The reading of the character as evil is not as cut in stone and evident as some people make it look like!

(In fact, shortly after BASE game released, Miyazaki confirmed that Martin wrote some nice characters and Miyazaki wrote the ways to corrupt them. So, Martin wrote the kind guy, and Miyazaki put him through corruption arc. But I will get to it in due time -_-.....)

8) *views Messmer as just another (boring?) victim of Marika* (and variations)

This one I kind of saw in two forms: people who dislike the character or not care about him writing him down as "boring" for this one, and simps who kind of lift agency off the character in order to be able to like him! This is to put it roughly, as again, there are various variations but with the same sentiment at its core!

I do think that Marika having enough influence over his actions, and even having abused him emotionally in some way, is entirely palatable interpretation! The nature of Base Serpent, as well as supposed connection with the Fell God, is debatable and can vary from truly harmful thing to simply a force of nature that exists to ensure forces like Erdtree can't live forever. Regardless of interpretation, would a kind, loving mother truly allow for her child to hate himself so much?

Marika has….. a problem with fire. Waging war to put down the Flame of Ruin because it could burn the Erdtree and removing Destined Death that was fire-affiliated power already showed it; as 'Eternal', she of course wanted to live forever, same for her Erdtree! Messmer manifesting fire element would certainly be a problem for her, but was it though? Base Serpent is malicious but for this reason Winged Serpent exists, no? Can another side of universal balance be something that must be removed from the scheme of things? Can fire, or death, truly count as 'evil' things? Are not they simply forces of nature that Marika being the MILF Gwyn that she is did not desire personally, in her vision of a brighter, bountiful world?

My point is, even though she created many Divine Blessings to help him, she did likely inflict some sort of negative self-image on him anyways. Maybe it was not her intention, but she always feared him and eventually that brought her to hide him away!

So like, how does this NOT make Messmer just a victim? Okay, so here is the error that kind of started it all:

User drenched-in-sunlight explained it better in this ( x ) post, but the point is that taking up the Crusade that Marika wanted was Messmer's own initiative and not something she forced him to do like English localisation made it sound! So, she was still possessed with the wish for revenge, but Messmer was like 'hey no need to make your hands dirty, I can do it'! Like drenched-in-sunlight explained, Marika's 'wish' here is the same as in the description of her braid (same symbols), so Messmer sees what is hurting her, and ASKS to be the tool of her vengeance! I'd say that even without this bit, simply the fact that he is a grown ass man should give him agency and hold him up to proper judgement, but nuance is always important!

This does paint an interesting picture though: Marika has been trying to "heal" him (which is a debatable concept considering her character and what fire, save for Frenzied Flame, means in the setting, but I don't insist), he asked to deliver her vengeance FOR her, but also despite having sealed the Base Serpent within him she was still scared of him and sealed him away making everything connected with him heretical and warriors standing by him still shunned, and Messmer lived in hatred, begging her forgiveness before crashing her seal yet cursing her name upon his death! It looks to me as though she grew truly scared of him and decided she wanted him gone BECAUSE of seeing him in action during crusade! Him hating her for ditching him implies that was not something he expected, so maybe seeing him in Crusade made her go 'wow, my son is actually more scary than I thought'!

That speaks of Messmer as someone who can get carried away with cruelty in blind, fanatical devotion! (that also makes Queelign an interesting mirror into his youthful, more """innocent""" self but that's not the point fdhfhds) Marika might have been horrified by it, or horrified by her own ugly reflection in the monster she (unintentionally) created with her parenting, but nonetheless it describes Messmer's personality more. Someone whose reaction to his mother's trauma and yearning for vengeance was to not only take such terrible plan in his arms, but also to go too far with it, maybe even too far for HER. Not everyone would react the same way. A better person would've probably focus on helping his mother to heal and move on, or maybe even turn around and refuse to comply with such harmful intentions. But he, being a grown man who could think and choose, chose to commit genocide. He is evil! He is not JUST evil, either. He is NOT boring tool of Marika with no agency, though!

And on a relevant note, for the simps..

No but seriously fdhfhdfds I understand how that sentiment could have left a sour taste after SA Mohg truthers kept saying 'hey guys you aren't real fan of Mohg if you ignore what he did 🙄' (that certainly aged…….), but I still want to remind that a fictional character doesn't need to be stripped out of his agency to be found attractive! With Messmer what he is doing is a bit more direct, and it is NORMAL to simp for the characters you could not stand in real life! What is the fun of engaging in fictional worlds if you turn it into a morality contest and sort of a "practice" for what kind of endeavours and relationships you'd want in real life? It is for going wild and satisfying curiosity and dark impulses. No limits needed. This is just an advice if anyone needed one like this, because we just never know really.

9) *"corrects" people's interpretations (especially of Nanaya)*

Sigh...

This kind of behavior in the fandom is certainly not exclusive for the past-DLC era, but it really felt more relevant to address again and- yes, like I said, with Nanaya thing it is something I've witnessed the most! Not long ago I said that despite hearing people question why there are so many uncharitable takes on Nanaya I haven't really seen any? But yes, like usual, it happened because Tumblr bubble is often different and you need to catch updates from Reddit and Twitter to have full fandom picture! An example: not reposting the art of course, but here is a cute comic of Midra reuniting with Nanaya in spirit after death ( x ). And do you know why the artist had to add a caption to ask people to not correct their headcanons? …..because on Twitter, they got pestered with people "correcting" them that Nanaya was aKtUaly evil / Shabriri / etc. 🤡🤡🤡

Honestly, I approve of correcting people when they legitimately, objectively contradicted or missed something stated in canon! I disagree with the notion that canon is just a suggestion and the whole fun is to just use names and concepts from it to create one's own thing! I am one of the guys that wears the T-Shirt that says "Just make an OC then" because primarily fandoms are about studying and enjoying the source material! A good headcanon knowingly differs from canon, know rules to break them at the right places, all that. It is especially relevant in Fromsoft's games because the information in them is very scattered and obscured. You WILL miss something, and so communicating with the fans, double-checking wikis etc is crucial! Similarly with fanart: there is a difference between giving a character heterochromia and more interesting look to add flavor in design and drawing them incorrectly because you haven't SEEN their datamined face and need a pointer (looking at you, white Henryk Bloodborne fanarts all because not everyone checked datamined faces!)!

As I got this off my chest that I am not an absolutist with the 'let fans do what they want' because if someone doesn't need canon that much they can always make OCs or original settings…. …when something is not canon but simply a popular interpretation, don't "correct" people! Midra asks Nanaya to forgive him when he succumbs, and it is anyone's own choice whether they take it as her never having wanted him to succumb when she was still alive or her having been secretly lyinh and ensuring long endurance would made him explode into more "sufficient result"! Fromsoft's lore often leaves bits of information that can be used to justify any interpretation! And discussions, even debates, to prove why your version is better are very interesting! Fromsoft's lore community at its best feels like we are all academics defending our thesis before the audience! But the whole "well aktualy" + "there is no proof so your headcanon is bad" + "let me educate you media illiterate casual" + "but [popular loretuber] said this" attitude just isn't it.

The last example is important! This problem IS also often the result of latching onto what a popular loredigger says. Usually Vaatividya (video lore), charredthermos (wrote a popular Bloodborne interpretation document), Lokey's Lore (has whole website with his interpretation of Fromsoft games bits) and so. And I often see people hate these popular Youtubers too, but I think that the blame lays on the crowd! It is none of these guys' fault that the crowd decided to promote them to the fandom's idols and give them this sort of influence! They were not loredigging to gain this kind of power, they probably never expected the popularity, and they would sure be unhappy to know that their work is used to shun creativity and start fights in the community that they care about! Yes, even when they 'lokey' (haha geddit?) speak in the manner that suggests being close-minded to other interpretations, they are not forcing and CAN'T force fans to idolize them.

In the end, they were just doing what they loved, and popularity probably came from them being pioneers. But instead of spilling vitriol towards them and saying how they should be "dethroned" as if they damage the fandom, why not turn our anger towards THE people who idealize them? We are all angry when we are "corrected" and they use lore of someone popular as a "proof", but this is the fault of THE people who "correct". Discourage this behavior, encourage thinking like individuals and not like sheep. No one asked for the popularity or the power to stomp out any curiousity and creativity. Don't hate the big guy AND don't take the big guy's word as a gospel. In the end, we are all just guys looking for answers in the places where they were NOT given.

10) "Mohg beating allegations made the story worse"

Sibling paragraph to 'they've failed the fans by not making it a thing from my wishlist'. Themes of sexual abuse and incest ARE quite interesting and important, but not inherently THE most important, or more important than any other themes! The information about Miquella having put Mohg under spell opens up equally interesting things to talk about and look for! How did he end up like this? Was it an accident of him trying to "heal" Mohg and it no working, and then he decided to just use what he had when he followed his plan? Had he written Mohg down as only working as vessel sacrifice for that mad plan from the start? What was the backstory between Miquella and Mohg considering this? There are still interesting things to work with, regarding relationship of the two, but now with added spin of Miquella's fall from grace arc that starts with following the plan with Radahn. Because, I remind you, requirement for a vessel, so, someone powerful dying and being used, was part of it from the start! Since Radahn needed to die! It is dark, just in a different way, and divided between two characters instead of just clear stated victim and abuser without shades of grey or nuance!

I say 'divided between two characters' instead of 'they've switched' because Mohg didn't instantly become a GOOD person over this reveal! I praised him as a valid character to point out that not all victims of awful childhood and mistreatment are automatically good people, which is a good way to diversify the characters! Make things more realistic than black and white thinking. Similarly how Rykard or Dung Eater are evidence that not all people up against the oppressive system are automatically good people. That benefit of Mohg as a character didn't evaporate, he still serves that point well enough! Nothing in the DLC said that all the kidnapping of surgeons, corrupting people with the blood and bringing in sacrifices happened because of Miquella's charm. Ansbach, in fact, confirms that the blood cult madness existed before Miquella's charm! When we admit to him that we killed Mohg, he also states that such were understandable risks of seeking Lordship, implying that Mohgwyn Dynasty, so, attempt to insert himself into Golden Lineage through mad, violent means, was also already a plan before! To think of it, SA accusation is the one and only thing he beat x) Reminds me of this meme: ( x )

Again, the story allegedly becoming "worse" solely boils down to 'they've made it about a starter point in Miquella's descent from grace and not about sexual abuse' that is simply not true. It is still interesting and valid story, just in a different way! I would normally argue that as far as fandom life goes, it should have in fact improved things; whereas Mohg was never addressed and explored as a character beyond "mohglester" thing, now he should get proper respect and analysis by the fandom, right? …right? WRONG, now people do often simplify him in a different way and forget that he DID do all that other bad shit! 🤦🏻‍♂️

And I can imagine that complaint about this reveal is not limited to but INCLUDES fans being annoyed by how people simplify Mohg and make him a good guy now! But fandom's habit of selectively reducing characters to just one trait ("mohglester" before, "victim of brainwashing" now) is not the fault of writers. How exactly the fact that we, as a community, are too shallow and unprepared for complex story and characters Fromsoft offers to us, is the fault of Fromsoft? Creator should not simplify their writing or direct it a certain way just because of the notion that majority will lack attention span or insight to understand it! We are the ones who should do better! Mohg offered enough complexity in SA allegations era, he still offers enough complexity now, it is right there in the source material for those who seek and care!

11) "Why some people are still coping instead of admitting the writing is bad???"

Yeah very mature of me to single out this paragraph by making the headline sound like the speaker is having a fit, I know. 🙄 In my defence, this particular one also truly got on my nerves, but it lacks the same huge gravity as the topic of approving of Hornsent genocide did so it is just… it is certainly something right.

Certain kind of fans that I lovingly call 'Twins Cultists' (as opposing camp to 'Chadahn Simps') has been terrorizing the fandom with the attitude of singling out and shaming other fans for "wrong" interpretations, saying how they "disrespected story and characters" with the awful sin of not reading characters Malenia and Miquella deeply enough while at the same time reducing Godrick and Mohg to a bad punchline and insulting fans that read deep into THEM, trashing everyone outside of their echo chamber, putting characters/ships malicious ragebait takes in the TAGS and then playing victims of the "toxic community" and such and such. And you would expect this kind of behavior to get significantly humbled up and them to self-reflect on how they were treating fans when THEIR takes were disproven? And I am glad that some people DID!

Full respect to the guys who reconsidered the attitude of swinging their One True Reading at the heads of "heretical" fans like a bat now knowing Fromsoft always has some cards up their sleeves! Especially if they apologised to the fans they were rude to! But also enough people didn't and now not only hate differing fans harder, but also are furious that writers sorta took away their privilege to be mean to "media illiterate weirdos". I wish I had the patience to accept the fact that of course people are angry, because something so important for them was……. no, fuck that lol I don't.

Okay jokes aside, yes I am aware that it is not possible to care about something passionately without at least somewhat slipping into the territory of defending your understanding from "threats". All we can really do is to draw the line between getting too carried away by our passion and outright obnoxious toxicity in the fandom and TRY to not cross it. To CHOOSE to not cross it when we see it, and step back if we did cross it. I do, however, take an issue with people who refuse to try and even encourages the mentality of seeing fellow fans as "enemies" and gets proud knowing they angered someone or discouraged them to check the tag. In Fromsoft fandoms, it is almost exclusively Tumblr behavior, we are sure luckier than every other fandom in the internets, but I still want to get it off my chest. Like I said, this particular attitude developed a new form after SoTE released, attacking the fans who seek reasoning within the writing decisions they deemed badly written or fundamentally wrong.

And these instances are EXACTLY where I put "just caring passionately" as their motivation into question. Because if someone says it makes sense to say that Miquella and Malenia admired Radahn's kindness when they all were younger and thus he likely faced a negative character arc since then into becoming obsessed with war instead, and you get mad at them for "coping when calling a warmonger kind is dumb and makes no sense"…? Sorry, but who cares about characters MORE in this situation: the person offering proper thought about them given some new information, or the person who is mad that their one-dimensional vision got broken?

People finding creative, interesting and reasonable ways to incorporate new information into lore, in the ways that do not contradict the base game (!!!) is not "coping" or "seeing through pink glasses" or "refusing to admit their fav dev can do wrong" or whatever you choose to call it. It is simply using analysis and imagination, it is adapting and accepting. If you can't do it, you are welcomed to do rewrites of SoTE reveals and characters and ending, it is not illegal! But don't go and say that the writing is so awful and broken that everyone who accepts it "never actually loved Elden Ring" or other nonsense just because for YOU this writing didn't work! The one and only unforgivable thing the devs did starts and ends at the fact that Radahn thing was not foreshadowed, and yet even HERE his relevance is EASILY incorporated and developed into backstory if you are willing to put in effort! This retcon is such a nothing thing compared to what some other writers do glares at Ladybug retcons for comparison. Like, working with it is possible, and if you don't want to it doesn't mean others shouldn't.

And in fact, at first I saw a lot of enthusiasm regarding the rewrites, AUs, "fixes", dwelling on pre-existing lore ignoring SoTE and all that. I really did, and it was valid. But then what I saw, personally, was that flame dying down and amount of such posts shortening but out of those who left this brand of toxicity followed! My interpretation of this change is that when initial shock and frustration waned, more people started to notice SoTE was not bad.. and THAT made people who continued hating SoTE feel less validated, in a way. When people started to warm up to certain plot twists and decisions, to elaborate new information into their vision of the lore… people that still hated and disapproved of the thing lost the image of being "the saviors of the fandom from Miyazaki's garbage writing" and became simply people who do their own thing. And for people who are driven with negative impulses, 'just enjoying the things they like' is usually not enough. They need to be "right", they need to "contribute to the fandom", they need to be "better" and so on. It is a known thing about fandoms even aside of SoTE and Soulsborne fandoms altogether, and I feel like this situation is the return of it, personally.

Of course, this is all speculation and the dynamic I've observed. Maybe someone observed different processes entirely! I just think it is safe to assume as I've seen absurd level of toxicity even despite staying away from 'active' fandom (no 'cool kids' circles, no following popular creators, no open Discord servers, no checking tag or Reddittube etc)!

Still, "I'll fix awful creators' writing because I actually love and respect the characters unlike they" is already a very questionable sentiment, but to attack the fellow fans over this is beyond any patience and understanding! Eventually there is no "right" or "wrong" way to love the characters and story and to be passionate, even if we are naturally inclined to believe in our own vision the most! Perhaps you express your love by putting in a lot of effort to give the characters different writing entirely, to "save" them from decisions of creators you don't agree with. But it is an OPTION, not the One True Way, and… really, it is strange to be mad at people for being happy and satisfied with the story and finding a lot of valid things in it and call them blinded Fromsoft dickriders incapable of critical thinking or whatever! Bonus points when such sentiments come from EXACT same people who resent the Youtube bros that bash every other new TV series AND insult people who dared to enjoy such aaaaawful product or whatever… You guys really hate the type of YouTube "critics" who take personal insult in people who enjoyed a thing and even reasonably justified the parts that THEY declared disgrace to the series and disrespect to true fans? Yeah most reasonable people hate them. We all know at least one modern TV show whose fans got this sort of treatment. But don't you guys see how you've became exactly the same type of "critic" at this rate? Unacceptable behaviour, not justified by 'but it comes from place of passion'! I am passionate about Soulsborne as you could tell and I disapprove of it, no correlation!

12) "Fromsoft became woke" (and variations)

For startes, I have to wonder whether we've been playing the same games all along. Where was it when Gwyndolin was intersexual and affirmed himself as a trans man later? Seath is also blind and has what is a disability for his species? Where was it when Pharis/Evlana was a very GNC woman in Japanese original, but for you she looked a trans woman because English localisation made Pharis a he/him a removed Pharis' nametag from "female archer" in the woods? Where was it when our good friend intersexual trans man was literally killed by the church? Where was it when they had female doctors, church leaders and scholars in Victorian era? As well as strong female hunters like Maria or Gratia? Gratia and Rom are also confirmed intellectual disability rep via Japanese script? Or when both male OR female hunter could propose to Annalise? Or positive sex worker representation in Arianna being the only kind person to step in Oedon Chapel? Where was it in the BASE Elden Ring with Ranni being bisexual, Malenia representing severe physical and mental illness, Miquella being GNC at least and trans+neurodivergent-coded at most, Dolores being a return of GNC woman, Blind Swordsman, Niall being another prosthetic-using fighter and Marika/Radagon? Speaking of blindness there were also Maiden in Black, Firekeeper, Irina 1, Irina 2 and Hyetta? Where was it when through their whole games they never sexualized their female characters and the ONE exception in Gwynevere was not even on purpose? WHERE WAS IT WHEN TRANS COFFIN???

...okay, I can continue and I'd love to be reminded of more examples. But on the serious note, this complaint has two ways to go about it: 1) an understandable fatigue with writers and stories placing pseudofeminist agenda on bland unsympathetic female characters, retconning pre-established characters to pretend to care for diversity and generally hating the audience for merely being born cis/white/male and 2) people being upset at diversity in the cast to begin with and complaining about "forcing the politics in art". And in both cases, this just doesn't apply to Fromsoft.

In the first case, they simply aren't hating their "privileged demographics" audience through characters and narrative, and doesn't seem like they will. They write very compelling, nuanced and even sympathetic characters, as well as the stories that make you ask questions to yourself! They insist on messages against corruption of religious institutions and fascism, but even THEN they'll give sympathetic characters on that side (!), show that not all people who oppose them are good either (!!) and make damn sure to recognise at the start of it all were good intentions (!!!!!!). From this angle, you could argue they are not woke ENOUGH, actually, because of how merciful, open-minded and non-forceful their messages are! They deliver their points through characters who are actual people, rather than writing characters as bland plot devices that hate you!

In the second case... Yeah, as memey as the phrase is, but "they've always been woke". Just because Miyazaki loves motherly woman archetype and and Fromsoft games always had compelling married hetero couples doesn't mean they are your allies in "preserving traditional values"! Again, messages against religious corruption and preserving long-overdue order of things fearing change are plain. Elden Ring had a slight increase in diversity, but to think of it, Elden Ring is also a bigger game with bigger cast. I do want to point out though that the very concept of worrying that with more diverse characters somehow cis and white cast will no longer be a part of From's stories is strange. They'll never make it all about JUST one demographic because they cover nature of humanity in general, but if anything, adding way more angles than their staple Medieval Europe culture route gives them more power for TYPE of the messages they want to tell! Because their power is, and always been, showing the situation from different perspectives.

13) COMMERCIAL BREAK LOL

14) "Devs artificially increased difficulty instead of WORKING to make battles"

This is very unfair criticism already from the very concept! Players had two years to advance through the base game, and if you play consistently, it is enough time to become ridiculously overleleved! Overleveled to the point of not being able to enjoy playing SoTE at all, as all enemies would drop dead instantly! It was easy to sabotage the challenge and simply not let the devs give us the fun experience they intended. But, no! Devs cared to make things so that even if you are 300+ level and have godly build, you'll be down in two hits by the first Furnace Golem, let alone bosses! So, yes, you either need to run around and collect Scadutree Fragments, or seriously study your boss and come up with clever strategy! I am still proud of a really smart way to fight Rellana I invented x)

This complaint did have a period of initial shock when it was really blown out of proportion due to the comfort zone of being overpowered broken, but this opinion still lingers and I just find it strange! Why NOT make sure that players of any level physically can't be too strong to actually PLAY SoTE, instead of just running through it with ease? Even then, how comes they "didn't work on bosses"? Boss battles like Messmer, Bayle and Midra are absolutely wonderfully well done on every level! Romina, Rellana and Putrescent Knight are really great and have super interesting battles even if not as epic and show-stopping, aesthetic and moves alone are immaculate. Non-remembrance bosses who are also very fun and beautifully designed! There are annoying bits about Scadutree Avatar and Gaius, but you can't seriously say they did not WORK on them! The bosses are challenging not only due to artificial difficulty, because even at high Scadutree Fragments level you still need to give them thought! And while you do… right, you can admire the sound and the battle design!

I am just really confused about this complaint because it could only be applied to reusing Radahn for the final boss.. but even then he is not fully reused, and sure not so reused for Stage 2 where you can't see shit because of Miquella's spells. One "kinda mid" boss can't and should not eclipse all those awesome bosses! If anything, he feels more like a hard to get joke! Fans have been saying things like 'oh if only we could fight Vendrick at his prime', 'oh if only we could fight Gehrman at his prime' etc etc… now, as they ALSO did want to fight Radahn at his prime, they got an option to do so, and he is not all that impressive, right? :p Let's be real he only sucks because Leonard isn't here hgfhhhgb

15) *admiring how fanatical Leda is while hating other (male) characters with the same quirk*

Sigh... I will just leave this meme by the user wraith-caller here: ( x )

Yes, fandom does have decent amount of simps for this type of male character, I know. Lautrec, Alfred, and D twins. (Coincidentally, all women-killers x) Even if Devin is actually justified) I suppose Queelign would go here too if people didn't write him down as a joke character by proxy over a cursed cleric haircut? 🤔 skill issue btw So of course it is not to say that they are not given enough love/lust/other positive interest…..

…but for some STRANGE reason, people who feverishly admire Leda and simp for her or at least hail her as such compelling character that ALSO hate Alfred or D for being such horrid fanatics are almost a staple by now! Why!!! This problem existed to a smaller extent with people who hated Alfred while simping for Adella and even shipping her with her victim- and no, it is cool and based, one does NOT get into a media with dark themes to demand healthy characters and healthy ships, but why so many times gender defines it? I don't care if you are a lesbian; whether you give character a justice should NOT depend on whether you are attracted to them, or else you are no different from straight girls that would like a male character and hate female character with the same issues! And sure I don't care if you are a feminist and are inclined to give "pay back" for years of misogyny in the fandoms by applying double standards!!

16) "Why could not we have JUST ONE genuinely nice character?"

Alllllright so… apparently, I was wrong this whole time about SoTE. I was convinced that it had no impact on the base game beyond like, Leda greeting us in Mohgwyn Palace, but I suppose I was misinformed very much? Because turns out that this whole time I was not aware that SoTE removed existence of Roderika, Hewg, Boc, Melina & Torrent, Latenna, Albus, Thops, Jar Bairn, Millicent and Enia from the base game!

….fine, okay, sarcasm is not my forte at all, but what I said still stands from both subjective and objective standpoint. Subjectively, I don't think counting out minor characters does any good for enjoying and analyzing the story! Should anything only "really" count when it is a significant, major character? This reminded me of that time when someone said it was 'incredibly fucked up how Bloodborne only had 2 non-white characters' when in reality it has 13 but minor characters supposedly didn't matter much…?

I want to specify though how this bit is more about how I interact with fictional worlds; I take them as just fictional realms that I enjoy exploring and "living through", I do not put much emphasis on how much 'weight' characters representing certain demographic OR worldview in the story as someone able to love every other minor gremlin genuinely! Maybe it is autism, maybe it is the fact that I am naturally hesitant to interact with the 'big guys' anyways with real people too. I enjoy tending to flowers and I suppose for most people the point or representation they want to see should be visible from every angle, like Erdtree x) With major characters, I think Rennala and Godwyn are the closest we have to good people, yet they were not able to be 100% good conceptually due to their high status.. much like Miquella himself, which brings me to a more objective point!

Conceptually, it is already impossible to be fully good when you as much as hold a lot of power! Some people have to be neglected if not straight up stomped out, for your own safety or safety of others, and it won't be a good thing *regardless *of intentions! Some sacrifices have to be made because if you are nice to everyone while having a lot of power, bad people will try to use you! Some social games, if not straight up violence, have to be applied if you want to make a change in the world! The big, important person can't be perfectly kind, because in that case they will no longer be big and important! It is just cruel truth about how society works! And Miquella HAD to be big and important. He had huge plans for the world, and as much as keeping himself and what tribe he has built within the Haligtree safe implied some morally questionable acts, let alone making his path through the position where he can change anything!

Pacifist character with unyielding principles who has a say in the fate of the world can often be portrayed from a very unpleasant angle, like, 'hug and forgive war criminals with unreal body count :3' angle (Steven Universe comes to mind first of all). Like, such decision make you wonder how this is being a GOOD guy here! But at the same time, is taking down those war criminals truly good either? When the character combines being the force of good AND being the force able to effect fate of the world, they inevitably are faced with the dilemma of either getting their hands dirty, thus sullying their grace at the very least, or making a decision that would feel like betrayal for the victims… which, again, sullies that grace but in another way. Miquella was already conceptually doomed to act Machiavellian by the virtue of being an Empyrean who wished change, much like Ranni except more subtly so!

And this is why true goodness could only come through the little guys. They don't have to make morally questionable decisions with no outcome that spares their innocence; their field of influence is to just care about their closest surrounding and to do their little tasks! They can't change the world, but they can change just the lives of their friends and their own.

Malenia, one of the key figures in the story, was faced with the choice to either "abandon her dignity" and nuke the continent to deliver Miquella's plan in full (the route she did end up doing), OR to preserve that "dignity" but thus hinder their plan that I remind you was against the Golden Order, to build a better world (which is also sort of morally questionable decision in the grand scheme of things)! She could not win and with all information we were given, more suffering in the setting would ensue no matter what! Do a drastic sacrifice for the greater good, or forsaken that greater good to preserve more lives but doom them to live in the same bad conditions forever was her picture! Yet Millicent, effectively a 'little guy' version of Malenia, had the privilege to die with her integrity intact without any big consequences for the world and great scheme of things! True good, certainly, can only exist in the smaller scale.

When it reaches the higher plane and higher decisions there is no way to remain 'unalloyed'. So, yes, we could NOT have 'just one genuinely nice character' out of people with huge power and importance. Not because Miyazaki allegedly hates hope and hates you! But because he is a writer that seems to understand such fundamental things and philosophical dilemmas from the track record of his games so far. ANY mature, insightful writer knows that the idea of someone 'important' forever being good might be a thing the audience wants, but not a genuine thing. "No matter how tender or exquisite a lie will remain a lie" and all.

17) *hating Radahn's inclusion because "dudebros got validated" and not over the story*

To be honest, this IS something I am also familiar with. I won't play the "unlike you snowflakes I don't care about online discourse uwu" persona because I SURE do! I used to dread Mariadeline ship because fans of it were easily the most toxic and unbearable type of Bloodborne fans, choosing to remain willfully ignorant about Gehrman's character actual lore, showing near-biphobia regarding Maria, having era of acting personally attacked when their ship was implied to be anything BUT cottagecore fluff dynamics without corners, playing victims of hate and "misogyny" when they themselves maliciously rage-baited fans that were just enjoying themselves, and doing that ableist 'no reading all this get a life' thing when shown where they were wrong! I had a period of really disliking Leda because she was an in-universe manifestation of aforementioned 'Twin Cultists' who act very similarly to common Mariadeline fans with spreading the "us CORRECT fans with MEDIA LITERACY who RESPECT story and characters vs them WEIRDOS" toxic mentality, with the whole joys of echo-chamber stuff, playing victims when they knew they were PROVOKING anger and feeling attacked when anyone dared to as much as to look at their favs as anything but perfect. I dealt with both and enjoy the ship now, and like Leda now. These are just two recent examples, but I faced a similar problem often, in previous fandoms as well. And I will be real here:

What helped me every time was to distance from the 'vocal' fandom, gather around a few friends to private chats and bounce around the ideas on our own. Without any outside influence, without deliberately skewing interpretation to "spite" anyone, without any motivation in it besides trying to look at things with clear gaze. The cure against the sour taste that bad fandom experiences have left is not to have the writers to "validate" you or to "spite" your opponents or whatever. The cure is ALSO not to completely abandon the ship/character/concept/etc giving up on it as if it was rotten and "not worth the stress". The cure is to hide away from this negative influence for a time being and build your own vision, that might have only like 3 other fans but be immune to everything! Us very few people here who like Mariadeline the different way keep FAR distance from its more 'common' fans, and we are pretty glad that we grew a Halightree in the contrary to their Erdtree x)

I do not really see why could not the same be done with Radahn as a character. In fact, it feels like there is an unspoken DEMAND for it. For 'reclaiming' him, even! My friend heraldofcrow made a post ( x ) about why Radahn is not 'Chadahn' at all but actually a sad character in his own right and just LOOK at the notes! Clearly, he does not have to remain a "mascot" of those dudebros and remain associated with the dumbest discourse you ever had to read!

I think the fandom really has lost the objective when prior the DLC you guys started to hope for certain outcomes based on the fandom experiences! People hoping for Miquella to be kind to make 'annoying Berserk fanboys' shut up, people hoping for Miquella to turn out evil to be vindicated after his annoying fans were toxic over "wrong" interpretations of him, people hoping for Mohg to be confirmed bewitched so everyone who called them media illiterate could eat their words, people hoping for the answer to Caelid battle to invalidate Malenia haters from Reddittube…… Like, how comes that we have forgotten that the first priority is to hear what the writer has to say and try to accept it as fans, or at least to have objective, reasonable wishes for the story rooted in our knowledge about writing and NOT in fandom discourse? It should not be a matter what group of fans gets validated or screwed over, it should be a matter of what it does to characters! It should not be important that now Malenia haters will NEVER shut up, but it SHOULD be important that we now have a better context for her moral failing and can work with it. She is not THEIR to trash on, she is YOURS to cherish as the girlfailure now with extra information!

There is a Russian saying: "Мышки кололись, плакали, но продолжали есть кактусы" (literally "(the) mice prickled themselves, cried, yet kept on eating the cacti"). It is a figure of speech describing someone who keeps stubbornly doing something that only brings them suffering without a reasonable purpose to it. This is exactly what those dudebros have been doing thinking about Malenia within the context of their fav and what they have been doing complaining about how hard it was fighting her when no one forced them to. But this is ALSO exactly what Malenia fans have been doing engaging in bad faith "debates" started by those guys and checking Reddittube knowing full well no good takes exist there!

If what you wish from it is effected not by your knowledge and tastes, but by your bias stemming from fandom experiences… really, distance from the fandom and heal. Characters are their own entities, not your tools to own other people in the fandom. It goes to both Reddittube AND Twitbr, to both people who started it and people who merely developed negativity as reaction. Fans are NOT part of the story and should never be, we are all just people observing it and reacting to it.

18) "They clearly gave Radahn spotlight because he was popular in (western) fanbase"

It is absurd to assume that Fromsoft would turn the planned story around because a lot of people on Reddit and their YouTube lore influencers declared 'Chadahn' their king. In fact, judging by the merch they're offering, Malenia is recognized as equally marketable if not MORE marketable! Besides, had they cared about Western fanbase's reception specifically (which IS where Radahn is loved), they would have likely avoided the potential backlash by that type of fans regarding making their fav LGBT+! With half-brother, no less. I've also heard a theory that they included Radahn as the very last moment solution, but I doubt that baking in Freyja into the story with her and Ansbach's questline, as well as creating Gaius, could've been something done in the last moment! I am not a game developer so correct me if anything, but it looks like a lot of work to do. Besides, there is not enough cut content in SoTE to suggest the plans were far different! And we all know that cut content always still lingers in the game's files with Fromsoft!

They can care about marketing- heck, using Vargram, an existing character with his own lore, to portray the "Tarnished" in promo materials because his set is more catchy than Knight/Tutorial set, for example! Or how replacing an option to murder Orphan of Kos as an infant with 'shadowy presence' because it felt too grim didn't undo the option to kill Arianna's infant and other celestial children, nor it undid how horrifying Fishing Hamlet was. They also obscured the fact that Annalise's baby got aborted, but not the fact that Queen Yharnam's baby was stolen while she has a bleeding wound where a big belly used to be. These are examples of making posters more eye-catching and dodging potential scandals about promoting abortion respectively, but nothing about nuking the plans for the story!

You know what sells even better than Radahn? Big boobs! Yet over and over they make their female characters have smaller chests, even Marika, and the ONE exception Miyazaki ever made, Gwynevere, was done because the guy who drew her concept was too happy! Heck, assuming that Miyazaki included Radahn because his coworker wrote a Miquella x Radahn fanfic he liked is more realistic assumption than him wanting to "sell better" jggfggfhgn In any case, my point is, they follow the vision they like and don't sacrifice integrity of the story!

(+On the relevant note, back then there was a scandal with press calling them "homophobic" for Mohg supposedly perpetuating a negative stereotype with incest/pedophilia accusation….. but while they debunked that impression, they've added consort thing with Radahn that falls for the exact same issues potential lol!!!! You know the only reason "Radahn is a groomer" takes don't exist is because people who care about Radahn aren't the discourse-starters of the fandom. They didn't escape certain side-eyeing even when they COULD and it is funny)

There is another thing I want to address though!

The screenshot is from this reveal trailer, and the excerpt is from Miyazaki's interview ( x ). I assume that this COULD be used as a reasoning behind thinking adding Radahn and final Miquella cutscene in the "last moment"; like 'you see, there was an ending where he 'reveals' (?) the Scadutree, but they cut it, and offered that unfinished clip of Miquella asking Radahn to come with him!' ..okay, sure, but you know what else was in that interview?

The confirmation that there would not be an extra ending for Elden Ring, of influence on the main game! Right off the bat, right after this trailer! Miquella "unveiling" the Shadow Realm or anything like that would have had consequences on the main game, certainly! They might have animated this prior because they wanted to add a new ending but then decided to not touch the main game under any circumstances but kept it for the cool trailer, or they animated it for the trailer from the start (like if Miquella is unveiling a new location for us, metanarratively)!

19) *refuses to use information and lore from the base game while looking at the DLC*

Yet AGAIN, "Free my man Mohg from SA allegations (he did do all that other shit though)". XD True, when it is not that people reduce (?) him to just a victim upon learning Miquella's Bewitching lore for the sentiment alone… it is then because they sort of forget. :clown: Ansbach's entire existence and what information we receive from him confirms that Mohg's scary bloody cult existed before Miquella's spell! It is up to anyone to interpret whether 'love' theme about his cult also existed before what Miquella did, or was, in fact, a side-effect, but kidnappings and sacrifices definitely were not caused by Miquella!

Another example off the top of my head is Maliketh and even Hoarax Loux / Godfrey basically evaporating from Marika's backstory, as though nothing ever existed besides her time at the Shaman village, Messmer and Fell God. And the latter one makes it especially odd, because base game hammered it down in every other Fire of the Giants' incantation that the motivation to put that fire down was because it was capable of burning the Erdtree and existed as anathema to it altogether, but now it got basically forgotten, as if all that ever existed about it was Messmer's presumed connection to it! I even got """corrected""" once when I stated that war with the Fire Giants happened to establish and protect the Erdtree, with something along the lines of 'we don't actually know what the motivation was but very likely to help with the curse that he caused on Messmer'! Also seeing the turning point of Marika's story in her becoming a God through Divine Gate, when in reality it was first her being chosen as an Empyrean by the Two Fingers! So, first someone now qualified to create the new order, and then actually creating it by entering the Divine Gate!

There were also Miquella things such as saying that he abandoned Malenia when she described his absence as "he will keep his promise", or saying that him forgetting Godwyn was a weird decision when the base game already suggested he failed and gave up with failed Eclipse and Golden Epitaph with words 'please die a true death'! To be honest, with Malenia one I myself fell for it at first, but… yeah, base game suggested he was going to return to her after/if his plan succeeded. Romina "creating" Scarlet Rot I also found to be often disconnected from (Outer) God of Rot existing 🤔

I suppose this could be justified because many people finished Elden Ring significant time prior the DLC, so many lore details got blurred and only general impressions of specific fixations stayed! It is just how memory works, and revisiting the source material from time to time is necessary! Even then, SoTE is so full of new information that it is easy to just completely fixate on it! I just think that it is important to remember that SoTE is still not just a whole game despite its absurd side and saturation with the new things, and things in it add into the base game! Not always like missing puzzle pieces but sometimes in a way that makes the puzzle itself bigger, but still. Gaius existing didn't replace Alabaster Lord that was Radahn's Gravity Magic teacher and Ogha, but he was also a "classmate"! Radahn being stated as an important sibling for Miquella and Malenia didn't replace Godwyn, but rather is added as someone also important! Hell, maybe he even became so close with them after Godwyn's assassination, but I'll get to the "it doesn't contradict stuff" in the meantime! Dryleafs and Needle Knights aren't supposed to make anyone forget about Loretta and the plan to find "proper" Haligtree Knights but never finding a master for such sword! They are just people who put faith into him after Erdtree started to die and his police force respectively! (Also no if I saw that Needle Knights are police then so have to you all, fuck you)

20) "How could they abandon [insert a thing that had enough place in the base game]?"

This kind of happens frequently, and usually it is about Godwyn! Sibling paragraph to 'it obviously should have been Godwyn' I suppose! Godwyn is not the first character who is very significant for the story yet everything happened behind the scenes, through descriptions and dialogues of other characters. In fact, meeting him in "person" is already a luxury by Fromsoft's standards! He had enough of spotlight already with his death triggering the VERY events of the plot with Shattering, one of Miquella's failed plans being about 'Eclipse' to bring him back, being grieved for by other characters, making peace with Ancient Dragons and thus a whole type of incantations in the game being linked to him, haunting the environment via Deathblight and being core figure in the questlines of Ranni, Fia and Rogier who are pretty significant characters all! He had enough development and presence in the narrative, I'd say to the point where bringing him into SoTE would overload the story with his presence! Not making him a core figure in the DLC and limiting new information about him to his most significant Knights rebranding into Knights of Death to protect the places where Prince of Death "grows", again, not some grave insult to his fans because what was there to tell about him happened in the base game!

With Fromsoft characters, THE tragic culmination of their story often happens behind the scenes and we are intended to meet the character at their lowest point, or just dead! With Godwyn, that culmination did happen behind the scenes, with such beloved, important, enigmatic figure getting assassinated and sending Marika over the edge, and we have a second emotional culmination for the character that we get to experience where we DO meet him at his lowest - an abomination on all living and mockery of former self, knowing Miquella did not get the wish to either return his soul OR let him die a true death! He did not have enough screen time, but he had enough presence in the story and feelings!

A similar complaint could be made regarding 'Well, Miyazaki said that Miquella would be a focus of the DLC, but we only meet Miquella in the end and he just sits on Radahn's back instead of at least fighting us himself'! (no not me making up a guy, it was an actual claim towards Miyazaki allegedly "lying") First, you people take it BACK about a very clever Dark Souls 3 reference and Miquella's spells not letting me see shit. Second, like I said, his presence is all over the narrative! All core NPCs talk about him, we follow his traces and find flowers growing from his blood, we learn more about him and his past, Radahn's story is now connected to his and Mohg's story with him given some insight, Trina is inseparable part of him, Dryleafs and Needle Knights are HIS covenants, we see effects with and without his spell… How is all this NOT 'being focused on the character'? Fromsoft's style of giving character time and space is not specifically to show them on screen or let us battle them or have dialogue with them!

Personally, I also at first wrongly assumed that they forsaken Miquella and Malenia's connection for the sake of Radahn, but this is, again, the case of one not excluding another! His connection had enough weight in the base game: he started Fundamentalism with Radagon primarily as a sort of magic to heal Malenia and abandoned it when it was not working, she always identified as 'Blade of Miquella' and it is the only thing she holds onto as she is falling apart, her clothes, prosthetics and armor pieces are made of his Unalloyed Gold and it even digs into her very body, all which he created for her, Ephael is full of statues depicting their younger selves holding each other, she was the one to have his needle (different from the gold needle) and she awaited him to keep his promise since he was "the most fearsome Empyrean"!

(Cut Rico's dialogue in the base game's files ( x ) ( x )) The original intention seemed to give Trina less of a 'personality', making her more inseparable entity from Miquella or even straight up just his disguise like with cut Merchants' questline, so the plan to ascend Miquella to Godhood was already in the plans! They have changed the dream realm thing since, recontextualizing Miquella going to sleep to ascend into presumed dream realm into Godhood with dream Trina persona to Miquella departing into the realm where rather all dead drift to, but the POINT of him leaving for that mad plan rather than mysteriously vanishing and Malenia not knowing why was there from the start! Writers didn't just "randomly made him abandon her" - he ALREADY did so in the very early draft of the story!

In the interview ( x ) about SoTE, Miyazaki also confirmed how many things that were planned from the start were cut from the base game's story because it was getting too big:

Miquella also abandoned not just her but everything, and Radahn logically got special treatment because he was part of the plan from the start! Miquella, who left every feeling that made him the person that he was, did not need to love Radahn or care for him to remember that a God requires 'consort' (in this setting's lore). It is not outlandish to assume that he wanted Radahn to share that fate (a fate so bad that Trina begged us to rather kill him that allow it, mind you!) and not Malenia because she already suffered enough for him in his eyes, for example. She depended on him for everything, so why not ask the other tough guy rather than a person that never knew independency and true agency outside of his influence?

My hot take is that not asking her to hold his hand through horrifying ordeal further proved him caring about her with all the context! He maybe ideally would not have asked Radahn either but if you need the Second Guy as a God, who will you rather ask: a person that already never knew life besides self-identifying as your tool or a kind tough guy who was the second most reliable figure for you BOTH after Godwyn? And would Godwyn be interested in the idea to abolish the Golden Order anyway? Radahn presumably changed his mind later in life, but Godwyn was THE Golden Order guy since the start! But my interpretation is not so relevant, it is subjective and again saying 'there is no glaring problem that people think there is, it comes down to interpretation'. There was still nothing else to add about how Malenia and Miquella were connected in SoTE, it was already all said in the base game!

I might be talking from the standpoint of someone who very much used to the way Fromsoft reveals information; they are very minimalist and precise, they give as much of it as needed to understand the gist, and bringing up something not in one description of an easily missed item but several times across unskippable lore is generous for them! They said enough in the base game for everyone to get the point and decided to not milk the same thing in SoTE, nor they erased or contradicted the information from the base game!

Wanting more information for the sake of it is valid and natural for fans, but Fromsoft doesn't give it just for the sake of it! They didn't abandon these topics, they simply finished talking about them! Even so, Godwyn got now got confirmed to have his version of Cleanrots/Redmines, and Romina offered a fantastic narrative parallel with Malenia as someone unable to bring Scarlet Rot to blooming from the buds state yet cherishing it, when Malenia wanted nothing more but to get rid of Scarlet Rot yet it kept getting through no matter what! They added some extras without exhausting the point itself!

21) "Sote was a mistake" (and variations)

YOU take that BACK about Thiollier and Ansbach. You take that back about Leda and her potential of interacting with Loretta, about Freyja, about insight on how Tanith looked like before marrying Rykard, about Moongrum having a twin sister- heck, about RENNALA having a super cool badass sister! You take that back about Midra and Nanaya and the whole cool Abyssal Woods location, about cool Midra's Manse lore and the best fucking boss battle and soundtrack ever. You take that back about Messmer and the Fire Knights. You take that back about cool battle mechanics additions with many two-handed arms, hand/legs combat mechanics and throwing weapons mechanics. You take that back about Romina and super cool insight on Scarlet Rot. You take that back about Ymir and super messed up cool cosmic eldrich stuff with cosmic fingers and Metyr being a return of Ebrietas archetype no one could expect. You take that back about how everyone finally pays more attention to the Fell God and worldbuilding in general. You take that back about immaculate aesthetic and captivating lore of Hornsent. You take that back about meeting Trina. You take that back about how significant and important topics they managed to raise- no, honestly, how cool is that that they got us to discuss the topics of fascism and genocide, as well as cycle of revenge and dilemma of limiting free will vs accepting cruelty of the world so hard that we FORGET to simp for [choose Messmer or Rellana or both depends on you] during such passionate debates? You take that back about coolest fucking sets ever and ability to become a dragon. You take that back about Igon, Florissax, finally getting an explanation about why Dragon Communion was a thing if Golden Order made a pact with Ancient Dragons and BAAAAAAAAAAAAAAAAYYYYYYLEEEEEEEEEE! You take that back about Gaius- actually no screw that man, remove his battle lol

…sorry had to add that punchline.

My point still stands: you cannot objectively say that SoTE was a mistake. Subjectively, you can; if you were a fan that solely cared about Miquella only through a certain lense and nothing else, then sure, SoTE fucked your headcanons over and all the cool stuff won't make you shift your hyperfixation. For you, it would have been better if SoTE never existed, you would've been better off in previous state of things, endlessly debating Radahn's fans and bullying people with charitable Mohg interpretations and whatever. But people like this do NOT represent the fandom as a whole at all! Not even in relevance to the gaming-only part of it, I am talking about artists-writers part of it as well! Objectively, SoTE contributed a lot of interesting lore and characters without breaking pre-established lore; as I stated earlier, importance of Godwyn and Malenia did NOT get erased just because Radahn had a retcon to also be important person! SoTE answered some questions that required answers, like origins of the Formless Mother, Dragon Communion, Trina's nature, what happened with Mohg, what was the reason for Caelid and what were these darn weird crawling hands enemies!

No I am not rofling, I was seriously very confused about them and made at least three attempts to solve the mystery of their nature, but SoTE finally freed me from that torment!!

Adding more characters absolutely was not a mistake! None of these characters broke pre-established things, they are merely more 'dolls' to play with! Answering some questions was also not a mistake; whereas people might not like what the answers ARE, tying some loose ends of the story was a good call! It is not as if they've written elaborate document explaining every single bit of lore to the point no one can make interpretations or create new stories anymore! All they did was putting an end to some arguments, however new questions arose in their place; questions more interesting than who is "misogynist" and who is "media illiterate".

From the gameplay standpoint alone, I do not understand this claim either. How exactly SoTE would ruin base game, which is intact and still accessible map without changes? Shadow Realm's map exists separately from the base game, none of it breaks the main game's locations and bosses! I doubt that new mechanics and weapons from the SoTE completely ruin the main game and make it imbalanced either! For most of them, having a strong weapon doesn't automatically make you skilled and even base game's bosses could still kick your ass. And as for "imbalanced" ones, gamer bros of the fandom have been doing great so far self-regulating themselves to shame people who used Mimic Tear, Comet Azur, Blasphemous Blade etc 🙄 Their field of creating artificial "honor"-based difficulty and challenging themselves would not suffer because of the weapons from SoTE! They are able to make the challenges and PvPs what they want within themselves, encourage or prohibit anything. It is not as if Miyazaki is holding them at the gunpoint telling them to use mechanics introduced in SoTE that they believe "ruin" the playing process! Simply not use new weapons or not go in the Shadow Realm altogether if you don't want to - and Elden Ring will remain what it used to be for you!

I guess I can only agree with the notion that aside of SOME story loose ends, base Elden Ring was not lacking in anything. It was a very huge game, with many characters, many locations, many worldbuilding things to touch upon and discuss, many mechanics, very contained and packed with things for years ahead to dissect, discuss and create art and writing and videos for! SoTE just made it even bigger! We were mostly living fine without these characters and new information, save for the frustrating arguments I've mentioned!

Mohg fans against SA interpretations could disagree entirely because as SoTE aired they all said "the night, and the hunt, were long…" But, like I said before, fandom experiences should not define what we want from the story! Some questions remaining unanswered was bearable from the STORY standpoint, but it is objectively NICE that they did get answers! And… just adding more characters is definitely not a problem. Not characters that break the story, just MORE characters. There is a Russian saying, "Кашу маслом не испортишь" ("you can't ruin the porrige by adding more butter in it"), and it applies here very much. Unless some people, for example, hate Messmer and are frustrated that they have to remember about him when writing Marika's backstory or anything.. I would not get it either way because giving a character a couple of sentences of acknowledgement and tossing them away feels like the easiest thing to do in my eyes. Fandom is always doing it, they have always been doing it, so why NOW this is something so hard to do?

22) *blames Martin for all the parts of the story they hate*

As funny as the joke about Martin being responsible for the "incest ship" is, considering his track record, Miyazaki actually confirmed in the interview right after the first SoTE trailer that Martin did not have anything new to add to the DLC story! But then, just because he didn't turn in to add new lore for SoTE specifically, how could we tell that he didn't write these "plot twists" previously? For this, we need to dial back to when his contributions to the Elden Ring were discussed after base game's release!

(Start watching from 6:00 to 7:25)

“Elden Ring was going to take place in, let’s say the present of their game universe. But what they wanted me to write was what happened like 5,000 years before that,” he said. “So I went back and wrote a history of what happened 5,000 years before the current game, and who all the characters were and who was killing each other and what powers they had. They had these runes that were at the center of the game, and the rune got split into many pieces, and that’s what screwed up the world. I laid all that out.”

So, he wrote the base premise for the backstory - what happened and existed before the Shattering, and up until that point! So, how characters got corrupted, how their plans changed and what happened to them later etc was up to Miyazaki to create! Take the concept of the character - who, what power, what status - and put them through the arc and development! Not Martin wrote the events that unraveled after the Shattering AND unravel as we play the game! Miyazaki himself also confirms this, according to this ( x ) interview:

“So it was more up to us to interpret this and say, ‘how did they become such inhuman monsters? And how did the mad taint of the shattered shards of the Elden Ring and its power affect them?’ So that was our job to take these grand heroes and sort of misshape them and distort them into something they were not.”

"…if we get a chance to show Martin and if he gets a chance to see the game and see these characters, I think he might be a bit shocked. When he wrote them, he was really envisioning something a little bit more human, a little bit more traditional human drama and fantasy characters. So I hope he gets a kick out of that.”

I recommend reading the whole page, but this is the gist of it! So, not only what events we are following are Miyazaki's work, but also their fall from grace, their sins, their mistakes and everything you might hate ('you' mostly as in, people upset that Miquella was not as perfect and pure as you wanted) is ALLLLLL on him! YOU leave Martin OUT of this! we also all know he only writes hetero incest fsdhfdghsfdg

23) "SoTE contradicted the base game's lore [example that doesn't contradict it]"

This one is less focused than it may seem, because it is not just about Godwyn and Malenia! In fact, it is rarer about them as complaints about them mostly do the "they got abandoned" route that I've already ranted a lot about! god it feels so good to finally rant lol I've seen some instances of people JUST throwing the 'ohh my GoD this new info is SOOOOO contradictory to [thing]' and refusing to elaborate, pouting and playing victims of blinded fanboys when questioned, which is in itself very infuriating! Regardless of how you are frustrated with SoTE, how it screwed your expectations and preferences personally, you are a garbage critic if you just waste your emotions without any real argument to your point, there is no way to put it lightly! That being said, for this particular reason, it would be easier to address concrete examples that HAD some explaining behind them from the critical people! But, it NEEDED to be said!

Personally, I've stumbled into a couple of things, in which I managed to add my say! The first was a claim that the whole story of the base game was not supposed to happen because if Marika got driven by the impulse of revenge and despair, she was supposed to succumb to Frenzied Flame but she didn't! And this is NOT some groundbreaking discovery about how the story is allegedly fundamentally broken, but simply a huge overlooking of pre-existing information, if not confirmation bias! Frenzied Flame and Three Fingers are very interesting topic in general, that I've covered in a couple of lore posts already, but for the subject: whereas the sickness of Frenzied Flame, aka the 'become too sad and you will start to burn' illness, is the case in the Lands Between and started because of Shabriri's crime, the story of Marika and Midra's Manse logically happened before Shabriri! Abyssal Woods and Midra's Manse have the eyeballs that are evidence of being directly grasped by the Three Fingers as the only eyeball items, whereas the Lands Between has Shabriri Grapes as eyes scorched from within but being grasped by Three Fingers became not a staple but an exception (Vyke)! Marika was contacted by the Two Fingers, not Three Fingers, to have the power that she does. Even then, is not it logical to assume that even after Shabriri caused his curse on the Lands Between, a God would be immune, especially if the "counterpart" of the Three Fingers is their guide? Not to mention how Messmer did take a lot of burden off her by doing her wish for revenge by himself-

Alright, you got the point. It is very easy to logically conclude why there is no glaring contradiction at all, and you don't even need to dig deep into lore to find out why! This is the brightest case from my memory that is best described as 'if you WANT to believe that Fromsoft completely broke the story, you WILL find a backup claim for it'! But unfair criticism that doesn't address the possible counter-evidence is not the way to analyze! When you want to make a claim, you need to scan the overall volume of information for possible objections to your claim and deal with them! Explain why they do not work, or why they are not truly saying anything! Sometimes, as you deal with the potential counter-evidence, you find that there are things you cannot reliably argue against and it might make your initial claim appear less solid or lose validity altogether! And this is fine! As big as the temptation to "prove" something is, the true purpose of having a claim should be to make sure that it is valid all things considered!

Just because you are already too upset with the story and the writers to give it proper effort and analysis doesn't mean you can just toss a bold, easily debunked statement and expect to not have any objection! This is not in particular to the 'Frenzied Flame makes Marika's backstory impossible' person at all, but about a behavior in the fandom I've also noticed; where someone's response to the information that deconfirms their criticism is 'well, but I am already too hurt and disappointed to dig deep and analyze, so…' No, not how it works. You are making a claim about existing piece of writing and thus put skill of the writer up to scrutiny, not writing your own AU/headcanon, therefore be ready to deal with counter-evidence if there is any!

Another example off the top of my head was that existence of Gaius allegedly contradicted the pre-established lore about oppression of Albinaurics! I want to point out though that the person who originally made this claim was nice and never denied validity of the counter-arguments! But as for the subject, I will repeat that it is very easy to assume that there would be some double standards put in action! Like 'oh yeah Albinaurics are cringe, but this one is nice to me so he is an exception'! Or 'yeah we all hate Albinaurics, but this one is HELPING us in the Crusade against those spurned of Grace, he is paying the price for being an impure species himself, let's be nice to him guys :)' (🤡🤡🤡).

In this case things are easy to explain not through digging into information in the game further, but through putting into consideration how humans tend to work! Though Messmer, for one, has his more humane traits stated with how he respected the wishes of his Fire Knights when some of them protested against burning Rauh Ruins, and Gaius might be an extension of that sympathetic side of him! Opinion that saying Radahn was admired by the twins for his kindness contradicts the lore falls apart even EASIER; it is not hard to assume he maybe used to be kind! Miquella even specifically revived his younger version, and it is very telling!

All in all, the writers do not need to overexplain every single thing to prove that there is no contradiction or things make sense! Elden Ring is entirely written in such a way where by just digging deeper, connecting the dots or even applying your imagination and experiences you can easily explain why things work! I just want to really, REALLY accentuate it that before you cry 'bad writing!!!' or 'contradiction!!!', give it SOME extra thought! And if you are not willing to because of disappointment/weak attention span/anger/etc, then don't make the claim to BEGIN with! What is the point of making a claim when you are not in the right state of mind to make SURE it is valid? Bashing a story or a writer while willfully not being fair to them with your effort and research is something better reserved for private chats with the friends just to let it all out, but not for the public blog for all other fans to read and REACT at!

24) "If fans have to fill the gaps and think themselves it's a bad writing"

Sigh… This is relevant to the earlier addressed complaint about fans 'coping', and somewhat relevant to the complaint about 'they should have given more information', AND reverse complaint to how they've answered some questions in SoTE, I suppose. For starters, this argument could not be further from truth at all! Do you really, genuinely, want to say that instead of provoking you to think, to express creativity and curiosity, to apply your knowledge or experience for understanding, writers should have just spoon-fed you every single thinkable bit of information as if you are a toddler? For sure, the discussion about how writers treat reading comprehension of their audience cannot come without addressing the demographics that supposedly would benefit from "over-explanation", so I'll jump RIGHT into it, skipping through the normies:

As an autistic person, I do have my own problems with sometimes skipping through a subtext or an "obvious" clue in the writing, this is true, and maybe people who want to state this are also autistic, I can't know for sure. But.. do we REALLY want to have our intellectual abilities insulted, as a group? Accommodating to autistic people should come locally, like in teaching the society to be more patient with 'stupid' questions and explaining the 'obvious' social cues! It SHOULD be about society being better! It should NOT be about quality of fiction in videogames and movies and TV shows dropping! It should NOT be about writers sacrificing the amazing language of subtlety, nonverbal storytelling and speaking through assumption that our own experiences as human beings will fill in the gaps! We can understand subtexts and unspoken lore, even if it might be harder. When we cannot, autists that did understand the subtext explain it to us! When THEY cannot, there will always be the guy on Youtuber or elsewhere musing about what they liked or disliked in the writing, revealing the information that we might have missed, and we will go 'huh'. We can help ourselves and each other!

Instead of being mad at the writers for not giving more spoken information and evidence, let's place the pieces of the whole puzzle that we did find together to discover a full picture and teach others AND themselves to be patient instead of screaming "reeee media illiterate!!!" at every sneeze! I have insulted another autist's intellectual abilities over not reading the clue I managed to. I had MY intellectual abilities insulted by another autist over not reading the clue THEY managed to! We should strive to be better and kinder as society, AND we should have pride in the ability to do so and ourselves, instead of implying that complicated, subtle writing is "too hard" for our "tiny toddler brains"!

Aside of the general sentiment that the writing that provokes you to use your brain/heart/both to fully comprehend it and gives fuel for debates and discussion, I want to address specifically Miyazaki and how he approaches writing, and why he does so. I want to link the video by Zullie regarding the topic, too:

To paraphrase it: Miyazaki, in his youth, loved reading English novels, but because he didn't have as great knowledge of English language at the time, some words or even sentences evaded him and he had to use his own imagination to understand what might have happened in the parts he could not read! The experience of having general layout and understanding of the story, but details being missed here and there and left up to you to think about, is precisely what he wanted to emulate! You might guess "the words lost in translation" correctly, or you might end up with a completely different meaning than the actual one, but what matters is the fun of this process! To include YOU, an individual, into completing the story! Bloodborne was the first Fromsoft's story I've gotten into, and even before knowing this information I had the feeling like, 'ah, they've written the full story, but then dragged an eraser across random parts'… and so, the hunch was correct!

Miyazaki doesn't just lazily drop ingredients in your direction expecting you to cook anything from them and then praise it as though it was HIS brilliant recipe, that some writers WILL do to sorta take the credit for your creativity! Nor he just cooks the full meal and gives it to you. He removes some ingredient from it so you CAN eat it and enjoy it, but you are always tempted to add something! Something feels missing, but it is up to you WHAT spice you add to complete it! Yet this meal is coherent enough for you to have a hunch on whether you should add something sour, sweet or salty, it is not quite JUST anything! But if you don't think hard about it and add what YOU like, regardless of whether you think it fits the meal or not, the meal won't necessarily taste bad… There IS recipe that exists. He DID write the story. He just lets you choose your own experience!

^^^ It goes in line with how he creates the games; he stated they are not adding the difficulty levels so players can overcome the challenge in some way that suits THEM as a player. Whether you want to cheat, or to grind levels until you become a God, or to cleverly use the tools and items you are given, or to study every move until you dodge them all or whatever! There is no "right" way to beat these games, though we could conclude from levels designs and tools what was 'intended' way to beat them! A 'suggestion'! You might end up going just the 'intended' way, or you might not! You might just happen to guess the missing story bits 'correctly', but also not, and this is okay!

We are endlessly teased with this feeling that if we think just a bit harder we will discover that hidden "right" way, and we all want to believe that we did! Fandom has two extremes between people who DO believe in One True reading of the story and stomp out every alternative suggestion AND people that claim there is no story and you can do whatever and canon doesn't matter and doesn't exist and all. The truth is somewhere in the middle, and it is so frustrating, it is so torturous at the times… but also, so clever and beautiful.

This approach is why discussion about the meaning of Dark Souls and Bloodborne is STILL alive a decade later and even "apparent" lore questions constantly get revisited, and Elden Ring will meet the same fate! Every boss will be beaten but there is always a different way. Every lore question will be answered, but there is always a different answer. Isn't it much better than if we just cOnSuMeD cOnTeNt in a short time and forgot it all, waiting the next one?

25) *frankly unfair toxicity towards creators, down to racism against Japanese*

(Jeez.. I am REALLY paying a hard price by not saving the screenshots of the terrible takes I am referencing, aren't I. -_-" Everyone will just decide that I've made up a guy because a take like this sounds too awful to be real, doesn't it…..) Look- Some lines should NOT be crossed. Say all you want about the writing quality, but how DARE you to bring in this sort of anime fetishes into this discussion? I am just without proper words, and I will not tolerate this slander of Miyazaki! Everyone, EVERYONE knows…. that his fetishes are feet and dying in absurd ways.

sdfjfdhfdsh OKAY OKAY SORRY I HAD TO, but in any case! Did you guys miss the part where Miquella's ever-young body was a curse, was acknowledged as a curse, was a counterpart to Malenia ever decaying as inability to change at all, and something he transcended when he became a God? At NO point his curse was brought up as something quirky and attractive, at NO point Radahn or anyone was addressed as someone finding guilty attraction to him! We had one (1) guy suggested to do that, Mohg, and they confirmed that his behavior was result of enchantment, but even if it was not: without the new information, it already looked like a BAD thing. Like a HORROR thing, even! Miquella wanted Radahn to be there for him as a consort/king, by STATUS, that we know as much! Nothing is there to outright state any of 'that' brand of attraction! It can range from 'yeah they kind of pulled the dynasty-preserving incest thing, very authentic to medieval royal dynasties vibe' to 'it was innocent and not romantic or sexual in any manner, consort is just a status of the second person after a titular God in this setting that doesn't have to be a partner'. You know what is missing from this range? This being a "fetish" that you could flail around in that 'well what else to expect from jApAnEsE developers, you know jApAn has a problem with such things right??????' (🤡🤡🤡🤡🤡🤡🤡)

________________________________

*long, relieved exhale*

So..... yeah, I am done I suppose fhhfds I know I forewarned it as sort of super angry and rude rant, but in a way, it turned out to be more of a love letter to SoTE than a hate letter to a certain kind of fandomry that I just was not able to avoid..

It is funny how it turned out, as at first I've had strong negative reaction of shock, and Radahn consort reveal even soured the first days of playing this DLC for me, heh. That disappointment hadn't vaned yet.. I do not vigorously oppose weird, problematic ships of course, I still stand by what I said about creative freedom. But I guess I kinda did not want Miquella to have any "ship" in canon...? It is hard to explain why, since I do not insist that he is mentally a child too. Maybe I've fallen for the person he WANTED to be, a 'God' that 'loves everyone equally / no one', so him singling out someone disagreed with that "possessive" streak more than I disagreed with how random Radahn felt?

Even so, aside of this, I've been slowly understanding writers' decisions more and more! And those I did not understand I've found to be valid and not broken at all as well! But despite warming up to SoTE more and more with every day and becoming a fan, I was not able to avoid the "window" to VERY toxic and awful takes, some from very toxic PEOPLE, that was my (ex) mutual abundantly reblogging them and.. I guess when I've finally snapped about how strongly I disapproved of that behaviour and how it was all passive aggression all along, my very only inhibitor was just- *snaps fingers*

Moral of the story: if something rubs you a very wrong way, do not keep it in and ADDRESS it. Because if you hope that the alert factor will go on its own, all you'll end with is telling each other very unpleasant things. Pent up aggression ALWAYS breaks through.

In this case, I just feel relieved after having finally written all these thoughts down SOMEwhere. They were eating me from inside, reducing my HP by randomly appearing in my brain even when I was busy and I just could not help but rotate them. Venting is good and healthy. I have some bad troubles with both mental and physical health these days, but at least now there is one LESS thing to siphon my energy away. 🛏️

[ihopesocomic]

It's such a shame how many good brother-brother duos or sister-brother duos there are compared to sister-sister duos

I know it stems from writers always feeling the need to add a man in every woman's life

A lot of writers can only make a character who's a sister if she's a sister to a brother and it's a real shame

Honestly I think Nothing from MP is a pretty good example of that

Look at her relationship with her female siblings/cousin vs her male siblings/cousin

Fire ended up being horrible and Feather is a toxic positive "lemme make you feel bad for wanting to change your ableist name even though it literally doesnt effect me" dirtbag

But Nothing had a better relationship with vs her younger sisters/cousins

Farleap and Silentstalk bullied her and Feather's sisters thought she was weirdo though they like literally never interacted

It's just always suspicious when a writer seems to prioritize a female character's relationship with guys over her relationship with girls

Like their gender shouldn't matter but they'll always pick their male characters first

The sexism in writing still to this day is wild. Especially where so-called independent creators are concerned. Because I thought the whole point of being indie was creating stuff you wanted to see in mainstream media but didn't get, but a lot of it is just more of the same crap you get from bigger productions. So either people want more sexism, or its just baked into their brain and they don't even realize it.

A lot of better stories out there are about brothers (well, I could argue that a lot of it is lazy and that there is no point to the characters being brothers, especially when strong emotional friendships between men are practically nonexistent in media.) and anything having to do with sisters is as I said, either petty nonsense or there's no point to being sisters at all.

And then there's as you said, an inherent need by creators for women to have men be relevant in their lives when that same standard is not applied to men. You can throw a rock and hit a movie or show with a female pov where her only motivation has to do with a man. Father, son, brother, husband, boyfriend, abuser. Whatever.

That's not to say any of these are bad stories. But when its the majority of supposed woman-focused media, it loses its edge as woman-focused when the women in question are focused on men. The writers either consciously or subsconsciously don't get that women have motivations beyond men. This even happens with lesbian characters, where men should have even less relevancy? LOL And it doesn't even matter who the writers are, whether they're men/women, cis/trans, straight/gay, everyone does this. You'd expect better from queer creators but even then there's a clear preference. And they're wont to bring up that "gender shouldn't matter" but only when it pertains to asking why they're so opposed to women being the focus. Its quite interesting.

MP is in an interesting position of hating both men and women at the same time while not commenting on how the patriarchy has negative effects on both men and women. Not an easy feat but Tribble sure made it look easy. She made Feather Nothing's prime motivator for leaving the pride, and while I have my own criticisms of Nothing's "subtle" motherlyness towards Feather, that wasn't extended to the female cubs. Fire is Nothing's other motivation for leaving the pride, and then he turned out to be a wannabe dictator. Quickmane was shown to be a sympathetic and caring mate who definitely wasn't homophobic, but had no qualms about killing children. And then there's alllllll the women who are meant to be oppressed to the same extent as Nothing, but they all somehow manage to be even worse because the narrative wants us to side with them.

And even Nothing's abusive relationship with Quickmane as we've stated in our review is arguably less fucked up than the relationship she has with her own mother. Because we know what they think about each other, and Powerstrike still insists that Nothing's existence is a burden on her soul or whatever. Like what the fuck is up with that?? I'm sure they could've made Powerstrike less-bad than Quickmane, was this some sort of weird equalizer of the sexes? And you can count Nothing's relationship with Sharptongue if you're so inclined to, but even if you ignore everything else she did, Sharptongue would still be the only positive female influence in Nothing's life. But not a key motivator in Nothing's story. Like not even a little bit.

[nova-streyart]

The Thing about Belos Nobody Mentions

There's an aspect of Belos I haven't seen anyone talk about yet: him potentially being on the schizophrenia spectrum, or schizospec for short, and everything that means. Before you say anything, I am a schizoaffective person. This is my interpretation. This is based off my own experiences with this disorder, and my own research.

Analysis and rant under the cut:

=ANALYSIS=

So this all started when I learned that one of the color design pieces had Caleb and the grimwalkers labelled "Golden Guard Illusion". Artists credited in the image itself.

It's weird to me that they're labeled as illusions and not hallucinations, because the latter is what the ghosts actually are. Illusions are images your brain distorts based off something that's there, while hallucinations are images your brain creates from nothing. The fact that these ghosts are actually hallucinations of Belos and not real ghosts doesn't say a whole lot about Belos on its own, because anyone can hallucinate if they experience intense enough negative emotions. But you'll see why I think there's something more to this.

Following this lead, I rewatched the scene where Papa Titan talks to Luz in the In-Between realm in the series finale. After Luz asks him whether her motivation to save her friends and family makes her just as bad as Belos, she tells her:

"Well, you assume Belos' goal comes from a genuine place. But that man doesn't care about anything but his need to be the hero in his own delusion."

Let me give you a short lesson about delusions in the context of schizospec disorders: Delusions are firmly held beliefs that the person experiencing can't be convinced aren't true. This can be extremely serious and life-threatening, such as as believing all your food's been poisoned. But it can also be harmless; it really depends on the delusion. The type of delusion referenced here would be a delusion of grandeur, which is a real thing in schizospec disorders. Such delusions can be serious, like believing you're the second coming of god, or more harmless, like believing you're better than others.

Taking both the hallucinations and the delusion into mind, it's very possible that Belos has some kind of schizospec disorder.

=RANT=

Let's talk about that scene where Belos goes to the grimwalker cave. Notice how the hallucinations are played for laughs? That's problematic. Hallucinations are not something you can just tell to "shut up" and they'll go away. Hallucinations are not things you can interact with. There's already other media with this problem, such as A Beautiful Mind, but the fact that it's in a show that's supposed to be celebrating neurodivergence is hypocritical.

Let's briefly go back to that Papa Titan quote. See how he used the word "delusion" to describe Belos' motivation?Yeah, that's really problematic in the schizospec community. As mentioned before, delusions can be life threatening, so tossing that word around like it's nothing is really frustrating and insulting. The show should have used a word like "fantasy" to get its point across more effectively if it was implying that Belos has a hero complex.

Continuing this train of thought, it gets worse when you consider how Papa Titan- and in essence the narrative- is essentially ridiculing Belos for experiencing a very intense delusion. Delusions are not something a schizospec person can control. I've already seen the fandom mocking Belos for this quality. It was one of those awful memes with the caption "schizophrenia," and had audio of markiplier doing a bit where he was bantering with an "inner voice". Such memes are awful because they're not real experiences schizospec people go through. They're assumptions about our experiences non-schizospec people make about us.

That would be the worst of it, but no, it gets far worse when you consider a few things:

Belos is the main antagonist. That would be annoying enough, considering the plethora of mentally ill villains in media, but nope. The narrative also treats him as this purely evil being who is incapable of any good whatsoever. Which, OK. It's possible for a schizospec person to be a monster. But the fact that the only schizospec representation we have is either of us as helpless victims, or as irredeemable monsters, is infuriating.

Belos is clearly meant to be a foil to Luz. Which, congrats to the show for having a neurodivergent lead, but let me tell you about some of the hardships schizospec people face: In real life, schizospec people are cast out of mental health advocacy groups. Schizospec people are treated as subhuman by doctors and psychiatrists. Schizospec people are demonized and vilified by society. Schizospec people are denied jobs and housing. With all this in mind the fact the narrative chooses to glorify a character with the "right," the "acceptable," kind of neurodivergence while berating a character with the "scary," the "monstrous," kind of neurodivergence is absolutely disgusting.

=CONCLUSION=

I feel like it has to be said that I am not condoning Belos' actions, or trying to woobify him. Belos, as a person, was terrible. No amount of mental illness tacked onto him will excuse any of his actions.

I'm also not trying to imply that schizospec characters can't be evil. I'm just saying that it's extremely tiresome that the only representation we get is either us as victims or as villains.

To conclude all of this, please, do your research before adding something like this into your story.

[sinnohsiblings]

Response to This | @singularity-and-co

"I don't see what's so bad about it." She shrugged indifferently at Galaxis "My mother sits on my father's lap, funnily enough she also did that to silence his sister for trying to ruin a special occasion for him. I suppose I get my boldness from her."

"You're right he doesn't have as much experience as I do, having been in one other relationship before. But how to you expect him to get that experience? Just only date people who are also just as inexperienced and hope that they'd be compatible after learning what they want? I've only been in one serious relationship prior, and you make it seem like I'm some corruptive negative thing because I know what I want in someone after learning what I don't want. Why does it shock you that I'd go for someone like Singularity? How low do you think of him that he wouldn't be found a worthy match? Or are you shocked that someone could look at someone with a corrupted form and see someone worth value?"

"You know what I see in Singularity outside of the things I already told you about his kindness and consideration he's shown not just me but others? He saw value in me outside of my rank and political value. Previous suitors of mine where only interested in me for what being with someone like me would do for their image and their political and social standings, after all I am quite literally the highest of the pantheon's ladder. But Singularity gains nothing from courting me outside my company, we are equals on all fronts, and there for I know he is not motivated by self-serving reasons, well...outside of the normal relationship desires. He is not interested in me just to make himself look better or be treated as someone more important, he actually wanted to know who I was, and I want to know who he is. It's a shame that's so outrageous to you that when you see you aren't getting your way you think threatening him with the ire of your father."

"I must ask Galaxis...how does Singularity having someone in his life who actually wants to hold him, see him smile, and show him affection effect you. Like seriously? You act like me kissing him is gonna set you or your world on fire, it's not. You might not like it, and you don't have to. But you can always leave, it takes zero energy to not be a dick. It takes nothing to just look the other way and not get involved."

When she felt singularity's hand on her shoulder she turned her attention onto him, looking over her shoulder as he spoke. She frowned hearing Singularity say his father hated him; it was easily seen by anyone that the very words of a father hating their child saddened her.

When Galaxis had the audacity to insinuate, she was trying to control him she snapped her head in his direction and if looks could kill the sheer venom in her gaze at such an insult of her character would have laid low legions.

When singularity leaned closer she tilted her head towards him. When he complimented her, she blushed, and when mentioned he'd find honor in receiving a kiss she smiled. Deciding to pay Galaxis no mind she thought she'd indulge the other Giratina.

[genshinemblem564]

Sagau headcanons

Some of these may be important to future stories and story chapters

_______________________________________________

• The Creator of Teyvat has a divine presence so powerful that those who suffer from a curse need only stand in their presence for the curse to be lifted, this also affects spiritual contracts with steep prices, however, this dissolves the contract completely, both positive and negative effects.

• The immortals (archons, familiars, adepti) are all extremely bothered by how often you talk about "When I'm gone..." You apologize profusely telling them you haven't fully processed this information yet.

• Kaveh was the one to design your temple, and he's quite proud of this. You made the request to add a few extra rooms and he obliged, not knowing what you'd do with this space but not daring to ask. To his, and many others', surprise you had invited some of your loyal followers to live with you, these extra rooms were to provide proper work space for everyone.

• Unfortunately for your followers, the more important they were, the less time you could spend with them, as they are almost always busy with something. The only exception to this is Ei, with her Plane of Euthymia and the Shogun bearing the responsibilities, she could spend hours with you. She'd like to spend more time with you, but you also have your role to play.

• After being revealed as the creator, you spend a lot of time talking with Ayaka, as you begin to worry that some people are only being nice to you because of your title, just like her, so you know she's the right person to talk to about this. She can't help but feel a little guilty with how happy this makes her, she hates seeing you suffer, but she loves not only that you're relying on her, but that she's able to relate to you in some way as well.

• Venti is not happy with how he found out your identity. One night the two of you had a chance meeting, you spent a good few hours trading stories and ballads, the ones you shared were from or about other game worlds, and eventually the traveler and Paimon came by. As you spoke, the phrase "Tone-deaf Bard" left your lips, upon realizing what you said everyone there nearly screamed, you included. The only one to use Paimon's ugly nicknames other than Paimon, is the creator.

• Not really a self aware headcanon, but the traveler will always be Aether and the abyss ruler will always be Lumine in my writings,for two reasons, one, this is the choice I made on my account, and two, that is how it is in every trailer and ad I've seen.

• Aether once asked you your opinion on the Abyss Order, hoping to indirectly ask about Lumine. Everyone was shocked and annoyed by this "Why bother their grace with such a pointless question? The Abyss is the enemy of Teyvat so obliviously they despise them just as we do." That's what everyone said. You told them that the Abyss is one of the biggest bunch of hypocrites you've met. Everyone but Aether was confused by this, what made them hypocrites? That's when you revealed the Abyss Order's motives, needless to say everyone was shocked by this.

•More of a theory but I felt like sharing it in this format. It was only a matter of time before this happened. Abyss mages had surrounded you and Aether, not trying to harm you, more forcefully recruit you, and the Abyss princess herself was present. As expected, she "requested" you join her cause, to which you replied " I'm not siding with anyone who can't get their facts straight." Even Aether was confused this time, before Lumine could speak, you asked what she remembers of Khaenri'ah's destruction, she described it exactly as you remembered it except for one thing. You inquired about the strange power used to destroy the nation, because that power was eerily similar to the powers of the unknown god Aether is tracking, the fact that the Irminsul was tampered with only furthered your suspicions. Needless to say Lumine, as well as the present abyss soldiers were absolutely livid.

• The Abyss Order, upon gaining the knowledge you possessed, were quick to apologize and turn over a new lead, leaving everyone shocked and confused, even more so when you told them that a simple heart to heart was all it took. Now the siblings are reunited, hopefully for good this time, and Teyvat has one less major threat to deal with.

• You practically demanded that the anemo gnosis be returned by the Fatui, they thought you wanted all of them returned so they brought all of them to you, which prompted the response "Why did you bring all of them? I only wanted the anemo gnosis returned because it was stolen, the rest were obtained through fair deals and trade, you can keep them." The Fatui soldiers and harbingers were confused, but they weren't going to argue if you're letting them keep the rest of the gnoses.

• When you were first revealed to be the creator, Venti had asked why you drink so little, about one glass of wine a day. You thought you'd be funny and mess with your acolytes a little, leading you to say "Because, last time I got wasted tarantula hawks became a thing." You then proceeded to describe these nightmarish creatures in great detail. You come to regret this sudden outburst of mischief when you noticed Diluc hiding a wine bottle from you.

• If you're like me, then you tend to ramble about the games you enjoy, leading the younger followers to gather as you tell other worldly tales of heroism.

• Yanfei was impressed with you before you even arrived in Teyvat. In fact, you had her respect soon after you first met, looking for the smaragdus jadeite, the moment you learned that the jadeite was made into earrings you immediately guessed that either they were fake or that the man who rented them out didn't care about customer safety. While she had deduced as such just as fast, the same can't be true of other people, the traveler and Paimon are proof of this, so the fact that you can so easily keep up with her is rather impressive.

_______________________________________________

I'm sorry about the two exceptions to the headcanon topic, I just really felt like this format fit them and I couldn't think of enough details for them to warrant their own post, but I hope you enjoyed this. Also, feel free to use any of these, generally make posts like these when I can't flesh an idea out properly, so these are free game.

[gemapples]

see you in 2024 💗💗

very personal ramble about my year and experiences, etc. under the cut. kind of neg just a warning but if anyone would be willing to read it the whole way through i'd appreciate it so so much

2023 was certainly... a year for me. had many highs but a Ton of lows, went forward one step but took two steps back. i'd be lying if i said i didnt struggle and know what to do for a lot of it

i did get to meet and even become friends with people i look up to, got to learn new things i didn't know before. and one of the problems i noticed throughout this year is i spent way more time than i needed to focusing on my usefulness for others and what i can do for people rather than prioritizing myself and my mental health. i think a lot of problems i experienced in 2023 was due to me getting too caught up in how i'm perceived by others (especially on social media like tumblr). for 2024 i want to work on this and be sure to put myself first in every situation and be the best person i see myself as -- not overdo it for the sake of others. i'm going to try being more straightforward with myself and how i choose to approach people. i want to be more involved in this fandom and get to know more people who love kirby better rather than just hiding away and watching from the side like i have for many years, waiting for them to approach me first at some point. i made a lot of progress on this a lot in 2023 but i could always be better :')

regardless though, i wouldn't have been nearly as ready to get back on track if it weren't for the support you all have given me throughout this year. august and september were two of the worst months i've ever experienced; i won't get into it (if you know you know), but goddd was it harder than i can even describe. i've never had to go through something that resulted in me questioning my Entire artistic ability, my whole worth, and whether everything i've grown and learned from is just completely fake. i couldn't look at my work and all of my social medias without being completely disgusted and disappointed with myself. i'm in art student too, so you can imagine how fucking hard it was to balance and muscle through that as well lol. it was nothing but hell. if i didn't get the support i did from everyone, i can say with full confidence i wouldn't have been able to pick up my pencil phone and get back to drawing Nearly as quickly as i did. in fact, i probably would still be deeply effected by it and not have the motivation to continue posting for at least a long while. so i seriously can't thank you enough for that. all the words i was told still stick with me to this day and gave me a reason to keep pushing and learn to better understand myself

im tearing up as i write this so i'll have to cut it short LOL but i want to express how deeply it means to me that through all the conflict i've experienced throughout this year, you guys were there for me and were so generous to offer your time to support me and help me out. knowing i make at least one person smile and enjoy what i post is enough for me. hopefully 2024 will be easier on the emotional rollercoasters, i think all of us could use a long break from chaos really lol

thanks for everything and i love you

-mac

[writingquestionsanswered]

Hi, WQA! Thank you so much for all the advice you give! I'm not sure if you can help me out with my problem, so feel free to ignore me. For the last couple of months, I've been very motivated and I've been able to write quite a lot. I was so happy about it and excited to share my stories, but I've barely had any response by the people that read them. It has had a negative effect on me, and I'm slowly and surely losing the motivation to continue writing. So, I guess my question is, how/what can I do to continue writing even though I feel bad and I lose my motivation everytime that I get no response to my stories? Thank you!

Motivation Lost Due to Low Audience Engagement

This is a common thing for writers, whether it's low audience engagement on a fiction-sharing site, lack of ratings/reviews, or low book sales. However, the reality about publication is that there's a lot of competition and it can take a lot of time and effort to find an audience. Every story doesn't garner tons of engagement, and every book doesn't sell a ton of copies. So if you put a lot of weight in those things, the truth is you're bound to be disappointed. For that reason, it's very helpful for most writers to put more weight in the act of writing and publishing, but then let it go after that. Don't pay too much attention to ratings, reviews, comments, etc. And if you can't help glancing at them, just remember that a lack of visible engagement doesn't translate to a lack of interest. People can read your story without rating or leaving a comment, and they can read your book without buying it or rating it or leaving a review. Not engaging doesn't mean they didn't like it--it's just the reality that people don't usually take the time to engage unless their like or dislike was extreme. People don't often engage if they simply enjoyed something.

So... put more weight in what you get out of writing and sharing your stories. Try not to pay attention to ratings, reviews, comments, and sales--but if you do and they're low, remember that doesn't mean people aren't reading your stories/books or that people aren't enjoying them. Write for the people who love your stories, even if they don't always take the time to tell you so. And know that the more you write and share, the more your audience is likely to build, so in time, you may see that engagement build. There are a lot of free author summits, workshops, talks, guides, and articles that offer tips on how to build your audience and increase engagement, so you might find those helpful as well. ♥

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[lizbethborden]

i saw a post where someone described forced marriage as an example of the oppression of asexuals/aromantics and it's like.. . . no. it's an example of the oppression of WOMEN first and foremost.

It's interesting. I'm not going to tell people what to call themselves, but for the record, I am an ace truther you might say. I don't believe that 99.9% of the people identifying as such are asexual/aromantic--given how many complex and ever finer-grained micro-identities they've cooked up to explain how and why they do experience and enjoy sex and romance. Obviously I'm not going to kick down anyone's door and make them give the label back, but I'm providing that context for my interpretations.

The general critiques given for society--too focused on romantic relationships, undervaluing platonic ones, overemphasizing sex, and then, like in your example, the material criticisms, forced marriage, etc.--are worthwhile critiques. They're aspects of culture that have negative impacts for many people. But at the same time as "aphobia" seems to be doing political analysis, it's doing so with its eyes averted from the basis of all of these cultural elements, which is misogyny, the oppression of women. Society is designed to funnel women into heterosexual romantic/sexual partnership in order to keep the means of human reproduction under male control. Period. Rather than address the baseline motive, each element is decontextualized.

What's striking to me at least is how effective an "ace movement" could actually be in criticizing this structure. When Christianity first began to pick up converts in the Roman empire, there was a moral panic because men and especially women were removing themselves from the chain of reproduction by living chastely in anticipation of Christ's return. That's an aspect of the movement that died rapidly, since Jesus didn't come back and they had to make the next generation of Christians pronto. But the panic it produced spoke to the effectiveness of its criticism. Women were declining their social role. They were in some times/places believed to have spiritual equality with men (per Paul). There's evidence of women leaders in the early church. For a brief window of time this action seemed to facilitate an upheaval of the social order, at least within the context of the church.

But asexuality as it stands right now is, like many other identity groups, atomized in a way that it makes a bunch of little individual criticisms of society and culture, but not to a degree that it has meaningful effect. It's not about organizing, it seems, it's not about really doing anything. Because "asexuality" is framed as an internal ontological difference from other people, with a myriad of different possible definitions via micro-identities, there's no governing ideology except to ask for--what else, in this individualistic world? The right to do what one wants as an individual and not be bothered for it. Not organize around the wage gap or rent gouging or other barriers to comfortably living alone, et cetera.

It's kind of a band-aid on the larger social issues. Rather than look at the reality of oppression, it's easier to break down the, ummm, the wooden floor into individual planks and scrutinize each plank for its flaws and say that that's why your feet hurt when you walk on it. Well maybe it's actually the fucked up foundation, not the wooden floor, and you have to address the underlying cause. This is a dumb metaphor, but you get me.

[redfluffz]

After he fell you mentioned that Lucifer lost the connection to his star. Besides loosing his bird form, and presumably some of his powers, are there any other negative effects on him?

I know it’s not cannon, but I had the thought that if there was something going on with him health wise, mentally or physically, from that separation then maybe the reason Lilith is in Heaven is she is secretly trying to find a way to re-establish Lucifer’s link to his star.

This is gonna be a looong answer. Sorry for that! 🥲

QUESTION 1

Actually yes. It really has some negative affects. So when he's disconnected from his star, he doesn't have a (I called it) "light cleaning". For me there is no evil or good magic, but I think their are indeed diffenrences between angel and demon magic. So for an angel it's pretty hard to use demon magic. So Luc was not only punished, disconnected from his star and injured - he was cursed. Unlike Lili he isn't a demon but cursed to use this magic which troubles his whole body. If he doesn't take care of himself, he would go crazy. That's why he is so "calm". All happy and stuff, just when he gets angry he might loose himself in the demon magic and become a horrific version of himself.

QUESTION 2

Huii. Yeah well my problem is, I didn't figured out yet how the puzzle connects Lilith to what. In my headcanon I'm absolutely sure Lilith is not evil nor a traitor. But I also won't go with Eve being just a bad person as Roo.

I read many theories about what Lilith is doing and how its connected to the story.

So here are my thoughts (but be aware, I haven't thought through it completly yet.)

So if "Evil" (later Roo, Root of all Evil) is the personification of evil, there must be an opposite site. And we saw that in the first minutes of the first episode. What if they both are parts of God? Just think about it. God is everything, right? So he is good and bad. And he splitted those parts from himself, because he was going crazy with their voices inside his head. Like angel and devil on your shoulder. So this is how they were born. Let's skip a few thousand years. The fall of Luc. God withdraws and let "Good" take charge of heaven. And "Evil"? She decided to go after Eve. And maybe they have a symbiotic relationship. You know like Venom and Eddie? So Eve and Evil became Roo when Eve died and went to hell. Because first sinner??? Dunno. Okay. Let's skip another few years. Lili and Luc are happy and stuff and the something happened.

Soo first we need to talk about all their motives. When Evil and Eve became Roo both learned something about the other. Evil learned what Good and Love is. Eve learned about Evil, Hate and God. Soo maybe Eve wants revenge but over the time her traget changed from Lucifer to God so she needs to get into heaven. And "Evil" may wants to help everybody, since she now knows good and bad. Okay. Lilith loves hell. She is free, can do what she wants ... and wants her family and an own child. So now we come to a very interesting theory. Liliths songs were inspirations for demon kind. What if her good motives "redeemed her"? If that's true, she could reenter heaven. Now that's interesting for Eve, right? Let's talk about deals. And here it goes wild. So Lilith isn't capable of giving birth, because of her curse. And no I don't see Luci as ... Just please don't. What if Eve gave birth to Charlie in exchange for the ticket into heaven. Now you may ask yourself, how can she pass that? Well Eve takes the image of Lilith. So in the early days Eve take care of Charlie, cause she neede several things. You know like breast milk ... and after that Lilith could live the next 180 years with her family.

Now we are in the events before those ominous 7 years. The deal. Lilith has to go incognito so Eve can enter heaven as "Fake-Lilith". But you can't fool heavens gates?! Eve can't, but "Evil" (a part from God) can. And where did Lilith go? Well she may become an overlord to help hell and her family. And which overlord?

"Who hasn't thought about eating their first husband? I would if he wouldn't taste so bad." Adam? 🤣

Yeah I think its Rosie. And Rosie knows Alastor pretty well. WHY? Because she helped him after the battle. But I really don't think she made that painful deal with him. Come on guys. This woman was fighting for freedom just to bind someone and force him to do something? Nah. That deal must be between Roo and him. The Eyes, guys. THE EYES. And Alastor helps Charlie, because of a favor for Rosie.

Yeah that's all I got right now.

Thanks for asking!

[bthump]

hey there!! just wanted to kinda ask more about your take on the haters of griffith's entire reasoning is because of what he did to casca. do you think that is really a valid reason to completely fucking hate him lol? i personally love griffith and i do understand why he did it (i'm NOT justifying SA) due to his complete hatred of guts post defeat & capture. i do also definitely think he is evil as well but would love to hear your take on it a little more.

To be perfectly honest I think just about any reason to hate a fictional character is valid lol so yeah. If people hated him for, idk, wearing a colour they don't like in an official promo I'd consider that valid. And yeah I think raping another character is a fair enough reason for someone to hate a fictional dude.

What I think is less valid is the way a lot of fans express that hate (eg homophobic remarks, harassment towards other fans who don't hate Griffith), or try to justify it further through bad "analysis" of the story, such as asserting that Griffith was always evil and never loved anyone and only wanted to control Guts and Casca etc etc. Like it's okay to hate a fictional character but I wish people could be chill about it lol, and like, recognize that it's fiction and they're getting mad at a drawing.

Anyway, that said, my take on Griffith probably differs a little from yours. eg I don't think he completely hated Guts after Guts defeated him and he was tortured for a year, and in fact I think Griffith sacrificed Guts because he didn't hate him, because even after all that he still loved him and that love had fucked up his life and his dream and ruined everything. So he felt he had to cut Griffith out of him, essentially.

Though as Femto it seems that the negative feelings were given power and by far outweighed the positive feelings. That seems to be part of what makes apostles and godhands monsters in this story. So yeah I definitely think that's at least part of the motivation for the rape scene.

I've been asked a lot about why Griffith/Femto raped Casca so I'll link you to this collection of posts I've written about it, if you're interested!

As for Griffith being evil, you can definitely make a case for Femto, since he's a demon, and NeoGriffith is a wildcard right now, but human Griffith is, imo, probably the most "moral" person in the story, which is a big part of what makes his arc and the sacrifice climax so effective imo. I have a few posts about that if you're interested, here's a link to one that has links to a couple others as well. To me it's vital to the themes of the story that Griffith is not evil as a human, and that his goals and motivations are sympathetic and even admirable. He's a perfect example of the duality of humanity that Berserk loves to delve into, and it's a great "the road to hell is paved with good intentions" style narrative imo.

Thanks for the ask!

[nedjsmlfavs]

So Derision Broke Me…

Derision (Miraculous S5E14) made some choices that fundamentally broke Marinette’s character for me to the point where I’m having trouble motivating myself to keep writing for this fandom. I figured I’d write down my thoughts and see if that helped me get into a headspace where I can ignore this episode like I do any other writing choices I’m not fond of. If anyone has some words of wisdom, I'd love to hear them.

In Derision, we learn that Marinette has some serious trauma surrounding love. When she was 13, she confessed her love to Kim and was rewarded with a box full of spiders. This “prank” understandably left her traumatized and shaken to her core. In response to that trauma, she vowed to never confess her love to another boy. Not unless she knew everything about him.

This “prank” and several others are revealed to be the fault of Chloé. As for why she’s doing this, well, we’re never given a reason why Marinette is the target. However, we are told the motivation for Chloé’s actions. Rose blames them on the fact that Chloé was abandoned by her mother. Mylène responds to this observation by pointing out that she was also abandoned by her mother, but that didn’t turn her into a bully! Which is a fair point. People react differently to trauma and trauma doesn’t justify bad behavior or undo the effects of those bad behaviors. At the most, trauma explains why the behavior is happening. A lesson that Miraculous has given us before.

In the character Félix’s titular episode, Félix shows up and starts treating Adrien poorly. This leads to this exchange between Adrien and Plagg:

Plagg: What's up with that cousin of yours? First, he searches through your things, and then, the most unforgivable thing of all, he squashes my hunk of goat's cheese under your pillow! I'd been maturing that baby for two weeks! Do you realize? Two whole weeks! Adrien: Listen, Plagg. Félix lost his dad not so long ago, he's probably not himself. Plagg: I'm sorry, but there's just no excuse! You never touch my cheese, and yet, you just lost your mother not so long ago, right?

And, once again, this is a fair observation! The fact that Félix’s father died does not justify Felix trying to ruin Adrien’s life. All it does is explain his motivation. 

Trauma does not excuse hurting others. When trauma has negative effects on us, it’s up to us to work through those feelings either on our own or, ideally, with the help of loved ones and therapists. We are never justified in lashing out at innocents who had nothing to do with our trauma.

This brings us to the topic of Marinette. 

The fact that Marinette has trauma around romance does not justify her treatment of Adrien. Breaking into his home, trying to sabotage his relationship with Kagami, and all of her other obsessive behaviors are not okay just because she was traumatized by Kim. If Chloe and Felix are not excused by their trauma, then neither is she.

So why am I only bothered by this now?

Because, before this episode, Marinette’s behavior was very clearly a joke. It was, in my opinion, a bad joke, but it was a joke and, when it comes to writing, jokes have to be looked at differently than things that are played straight.

Miraculous relies heavily on absurdist humor. That’s why you’ve got an episode where Adrien and his teenage friends throw an unchaperoned party attended by a bunch of random adults. A thing that would be horrifying and upsetting in reality, but is fine in the show because it’s clearly played as being ridiculous and over the top. I mean, just look at this scene. Anyone taking this seriously has clearly lost the plot.

Marinette’s obsession fell under the same category. Something that would be very wrong in reality, but was obviously being played up for laughs. I was always under the impression that, without the absurdist humor, she’d be significantly toned down and that’s why I just sort of tolerated it in the show. Not my idea of a good joke, but clearly a joke so meh. I can overlook it while watching the show and, when writing her, I can be true to her character while not including this level of obsession because I don’t write crack fic.

Derision changed that. It took 4.5 seasons of questionable jokes and tried to justify them. And that? That is a terrible idea. Because there is no justification for Marinette’s behavior just like there is no justification for Chloe’s behavior in the exact same episode. What they’re doing is wrong and, at best, their trauma explains their behavior. It does not justify it.

Plus, hey, remember how Derision said Kim was a terrible person for laughing at Marinette’s trauma? Isn’t that the exact same thing that we’ve all unknowingly been doing for 4.5 seasons? Kinda makes it hard to rewatch old episodes where her crush was played for laughs, doesn’t it? I hope you’ve never laughed over Marinette’s behavior because, if you have, you’ve been making fun of her trauma and so have the writers.

And that sums up why this episode really bothers me. I either have to ignore a character’s trauma or I have to accept that her trauma has apparently made her unhinged and address it. Because if her behavior is not a bad joke, then the salters are right and Marinette is a total creep. I’m trying my hardest to choose option one, but I’m struggling.

It’s not that Marinette is the only character with questionable behavior. Adrien as Chat Noir is often written as overly persistent and obnoxious when it comes to his crush. It’s not great behavior, but it’s not a consistent characterization nor is it a major flaw. I can fix it with a quick character arc about boundaries or ignore it and (in my head) say that arc happened off screen because I have no doubt that this sort of common teenage issue could be overcome with relative ease. Because when Chat Noir is put in a situation where he could clearly violate Ladybug’s boundaries? He doesn’t. He is, ultimately, respectful. He just needs to be told that respect is more than listening to the explicit “no”.

Deep-seated trauma that leads to stalking? That’s not a minor flaw. It’s a major issue that reveals the need for psychological intervention. I’m not gonna give that to a teenager and fix it with the power of friendship and communication. Nor will I give the stalker her prize. I’m gonna keep him safe because, if Marinette has this level of romance-based trauma, then she is not mentally well enough to be a relationship with someone.

You see, I’ve had people with obsessive crushes who violated my boundaries. A loved one of mine had to get the police involved because of someone’s crush on them. Stalking and obsessive behavior is not a joke. It’s traumatizing, but even though I have that trauma, Miraculous never bothered me because of how the stalking was played as a joke.

Joke's over, though. As of Derision, we are supposed to take Marinette's behavior at face value.

So, yeah. I don’t know where I go from here. It’s been a week and I just have no desire to ever touch Marinette again. If anyone has some words of advice, I’d love to hear them. And I’m sorry, but it may be a while before anything of mine updates.

[princess-nobody]

Kingdom of the Planet of the Apes: Mae Thoughts

(Spoiler Warning)

So I just got home from watching Kingdom of the Planet of the Apes, and while I can't articulate it very well right now, I will say that I do not like Mae very much... perhaps in the future, when I rewatch the film, I will make a deeper and more detailed post on this, or even change my thoughts entirely, but here's my initial thoughts.

I want to start this off by admitting my obvious bias, I have never been a huge fan of the human characters in the pota reboot franchise, I understand their necessity and there's a few I enjoy (loved Nova in War) but overall they have consistently been the least interesting characters in each movie. This isn't really a pota problem, this is just a problem with xenofiction in general; that is to say, in a world of sentient apes with heightened intelligence as well as their own foreign cultures and lifestyles, the recognizable humans who are alike to the audience in behavior, culture and general lifestyle are going to be the least interesting. Even my favorite franchise Avatar struggles from this, with Spider being not that interesting by virtue of him being surrounded by far more fascinating na'vi characters. Therefore, I admit I'm partially biased because Mae is human, and a lot of humans in this franchise are mind-numbingly boring.

Before I get negative, I will say that I adore how they handled Noa and Mae's conflict – I remember thinking halfway through the film, "aren't they supposed to be bonding by now? Why is there no chemistry?" only for the film to end with them having ended up even more apart than they were when they first met. Fundamentally, Noa and Mae cannot get along because they both represent very different mindsets on the current state of the world. Mae bringing the gun to confrontation only proved that she never gained a respect or new outlook on the apes, and Noa could not pretend to like someone who sees him as an animal undeserving of the life they now have with their newfound intelligence. So yeah, good job Kingdom!

With that being said, I feel Mae as a character wasn't as effective as she could have been because of the fact that she triggers a specific sort of annoyance in the audience, which has everything to do with the fact that (pretty much) everyone who went to see this film had seen the last three films. The victim act is understandable from a personal standpoint – it's been 300 years since War, most humans are feral and only those living in hiding are still in any way like regular humans, so of course Mae sees the apes as her oppressors – but after watching three films that are set over the span of decades following humans absolutely terrorizing the apes and nearly killing them off, despite said apes begging them to just leave them alone, it's hard for you to feel all that bad for the humans in this situation.

It's difficult to be accepting of the narrative that it is now the humans that are the victims in this story, when it was the humans that experimented and abused the original apes, it was the humans that created the simian flu, it was the humans that instigated the original ape human war and it was humans that killed Caesar. The humans started the war, and they also happened to lose it. So, while I can understand Mae and her motivations, it's very hard to see her in a sympathetic light with the knowledge of all of the atrocities humanity has inflicted upon the apes.

It also doesn't help that Mae just didn't get as much development and time to be eased into the audience as she could have, especially since the movie is over 2 hours long (which I find hilarious, considering the pacing issues it has). Whenever she was on screen, she was either nasty to one of the apes or being typically defiant and rude, and if she wasn't doing that, she was having incredibly awkward moments of conversation with them. She barely had a character aside from the human girl that's tagging along, and her motivations ultimately don't do enough to justify most of the decisions she made.

The fact that I cannot tell you anything about her aside from she's a human and wants to make humans smart again, despite spending 2 hours with her, is a sign that she was not a very well thought out character. I respect the nods to the original Nova, but I feel they really dropped the ball with Mae.

Then again, we probably have another 2 or 3 movies to go, so maybe they'll rectify this in coming films lol.

[suzukiblu]

Ko-fi thank-you sentences for @miri-tiazan and @lectorel; the wet nurse omegaverse.

Jon's pheromones smell conflicted, a little. Anxious and unsure, but slowly softening into something calmer; a pup warming up to a stranger who's reached out to them with a kindness. Damian folds his arms and scowls accusingly up at Clark. Bruce shifts between them to buffer the expression before Clark can notice any weaponized preteen disapproval. It isn't Clark's fault that he can't get milked up anymore. Not his fault in a way that can be helped, anyway.

He's explained that to Damian, obviously, but ten years' socialization in the League is still winning out over two in Bristol, at least so far.

"Well, it seems like Chris is taking to Carl's milk alright," Bruce says, less because he finds it necessary to state the obvious and more to keep everyone distracted and head off anything too inadvisably vicious that Damian might decide to say if left to his own devices. The comment about "summoning" Jason was bad enough. Lor is officially deep asleep on Carl's chest and looks to be staying that way, his scent sleepy-warm and satiated, and Jon is smelling increasingly comfortable, if still a little shy. But if Lor is sleeping so easy and his pack bonds to Jon encouraged him nursing from Carl too, and they both seem to like his scent, well . . .

It does bode well for Lor not having any belated negative reactions or the like, that's all.

And it clearly was Lor's influence on their pack bond that had Carl offering his milk to Jon, seeing as he's effectively ignored Damian and Tim. Tim, admittedly, isn't much younger than Carl looks to be, but he's also a bit of a late bloomer and still technically unpresented, and Damian is only twelve. If Carl was just being friendly or polite, he wouldn't have picked out Jon specifically. It's obviously the influence of Lor's pack bond with Jon that motivated him to make the offer.

Again, that's a good sign for both Lor getting decently fed and the development of his pack bonds within the Lane-Kent pack, so at least they've learned that much from this meeting, if nothing else. Bruce has gotten more from less, in fact.

"It does seem so, yes, Alpha Wayne," Travers says, still looking pained and seeming to have decided that just ignoring Carl is the better part of valor. "Your request said the pup was, ah . . . particular?"

"Has a particular stomach, more like," Bruce replies with a careless shrug and an easy laugh, neither of which are remotely honest gestures after all the stress of getting even this far. "Not my territory, though, Clark'll have to fill you in on that one."

"Chris has some digestive issues," Clark says with an apologetic smile that is even less honest than Brucie's careless ease. "That's why our requests were so specific."

Incredibly specific, in fact. Bruce had needed to do some exceptionally careful research and testing to work out what was feasibly "reasonable" to request from a human wet nurse, so far as a Kryptonian pup's dietary requirements. The answer, unfortunately, had been "not enough, but maybe enough to get by on for now". It's an imperfect solution, but it's still something.

"Ah, yes, Alpha Wayne did mention something about that," Travers says, and doesn't ask for details. Discretion is highly coveted in Gotham society and also their specific situation, which is another reason the Waterton Agency made Bruce's list of options, so at least that they seem capable of managing without insulting an omega.

Small favors, Bruce supposes. Anyway, Carl's the one they're going to have to be putting up with on the regular, and his bad manners have been entirely equal-opportunity so far. He's treated him and Clark both exactly the same and the only pup he's been even mildly rude to was rude to him first–and much more so than he was in return, in fact.

And either way, he already clearly adores Lor, so that'd soften a lot more in the way of character flaws than Travers' "politeness" has.

"Of course, we do recommend waiting a few hours to make any official arrangements in these situations, just to be certain the pup's taken to the milk, but if you're pleased with Carly's service, I do have the standard contracts for you to look over and discuss as necessary," Travers says, her tone pleasant but stiff. "And I'd be happy to answer any questions, of course."

Carl tilts his head back to glance at the back of Travers' head over the top of his sunglasses and sticks his tongue out at her. She doesn't notice, too absorbed in the paperwork she's pulling out of her briefcase, but Tim has to muffle a strangled little laugh. His face is still flushed; Bruce makes a note to check he hasn't overworked himself into a fever again. They've been getting better about avoiding that, but "better" isn't "perfect".

Carl's eyes are very blue, some part of Bruce notes and files away.

"Would you prefer to discuss the contracts now, Alpha Wayne, or wait until we have confirmation of the pup's tolerance and Alpha Lane is available?" Travers continues, holding up a thick manilla folder in one hand. Bruce ignores the question and instead glances briefly at Lor, who is sleeping more peacefully than he's seen him manage yet, and then Clark, who exhales once before smiling politely at Travers.

"Lois likely won't be back for at least an hour," he says. "And Chris threw up every milk sample that bothered him by now, so I think we could at least begin preliminary discussions. Save a little time in the long run."

"Er–of course, Omega Lane," Travers says, just barely awkward. "Would your office be suitable, Alpha Wayne?"

She doesn't look at Carl as she asks, but Bruce would bet every dime in his bank account that she's trying to get them away from him long enough to close the deal before he finds a way to actually offend them. Given that's a significant portion of her job, he probably shouldn't blame her for it, but he does find the behavior just a little bit irritating.

Well, it'd be less irritating if she hadn't kept doubling down on calling the kid "Carly", probably.

. . . though if she's actually suggesting leaving her at best barely-legal subordinate unchaperoned with a presented adult in a household that could have any number of other presented adults in it, Bruce will very literally be burning down this agency. Alfred isn't any kind of risk or threat to any omega who isn't a violent criminal, of course, much less with the pups in the house, and even if he were Tim would put him on the floor before letting him lay an inappropriate hand on anyone, but Travers has no way of knowing that.