#anything but mcu hawkeye

[loomontoia]

*sighs* i love him

Clint stickers on my redbubble

[yourfavehaskenergy]

Clint Barton from Marvel has kenergy.

Clint Barton from Marvel has Kenergy!

[lezbijski]

clint barton, a.k.a. hawkeye, became the greatest sharp-shooter known to man. he is also just some guy.

[ID: 3 digital drawings of Matt Fraction's Clint Barton. He's a muscular white man with blonde hair. The drawing on the left shows him in a relaxed position with his hands in his pockets. He's wearing a multi-colored sweater in varying shades of purple, grey sweatpants, dark purple sneakers and mismatched purple and white socks. A white band-aid is covering his nose. He's looking around with a slightly bored expression. The drawing in the middle shows him walking while looking to his left. He's raising his left hand to his face and his right hand is in his pocket. His face is bruised, his nose is bleeding, and his knuckles are bloody. He's wearing a purple button-up with a white t-shirt underneath, grey sweatpants and the same sneakers as before. A dark purple backpack hangs around his left shoulder. In the drawing on the right he is standing slightly hunched with a worried expression. There's multiple purple band-aids on his face and hand. He's wearing a white shirt with the Hawkeye logo on it, light blue jeans, socks in two different shades of purple and the same sneakers as in the other two drawings. He's wearing purple hearing aids in all of the drawings. End of ID]

[incorrect-marvel-because-why-not]

Clint falls over Bruce: Clint! Are you alright? Clint: Is that you, God? Bruce: What? Clint: It's just, you sound a lot more like Bruce than I expected.

[mandyyvibes]

another one bites the dust

[meowstichu]

Sylki stans seething on my tl life is perfect

[bbyboybucket]

The theme of phase 4 is 100% finding yourself and embracing who you are

[lilhawkeye3]

it sucks because I really want to keep getting excited about every new Marvel show/movie that comes out… but I’m so tired of Marvel at the same time 😫 give us a six month break please

[griefpersevering]

happy belated birthday to one of my favourite fics I've ever written: the hurt/comfort hawkeye fic where kate falls through some ice and ends up spending christmas with the bartons <3

[unhingedmarvelandclassicwhobuff]

According to the MCU wiki, the Blip is today. So I figured I'd take the time to detail the four biggest reasons why the time jump in Endgame was a universe-shatteringly horrible idea that should never have seen the light of day

the absolute biggest problem, of which there are many, is the fact that countless people died as collateral damage in the initial Snap. Hell, we are shown it in the Infinity War post-credit scene with those multiple car accidents and that helicopter slamming into a building. And that was just the tip of the iceberg; imagine how many planes crashed because the pilots were dusted, or how many babies starved because both their parents were dusted, or people who may have died on the operating table because a surgeon got dusted. All of these people are totally ignored. It's never so much as mentioned when talking about bringing everyone back, and Tony insisting that the last five years remain unchanged is implicitly saying all of those people remained dead when the dusted returned.

the second big problem with this plot point is that it's used as an excuse for every character except Nat to be totally unrecognizable. Bruce becomes Professor Hulk, Thor gets fat, Tony has a family (and I fucking love how the movie inadvertently says he just let the world rot for five years instead of using his billions of help. That is 100% in character for him), Clint went on a mass killing spree, and Steve... I actually have no idea what made him change so radically. None of this is shown to us at all, it's just told to us.

this is less a problem with Endgame and more a problem with Phases 4 and 5, but the other worse thing about this development is that absolutely nothing has been done with it. Far From Home played the time-jump for comedy, WandaVision had that one great scene in the hospital and then did nothing else, Shang-Chi had a singular throwaway line about the Blip, Hawkeye had that one neat visual of getting Snapped from Yelena's POV and then nothing else, Multiverse of Madness had a single conversation where Strange wonders if letting Tony have his way was the only way to save the universe, Quantumania had a single scene addressing the homelessness issue and then nothing else, and I think Secret Invasion tried to do a bit of a look at how Talos reacted to the Blip, but that show was so awful that I'd rather not think about it. The only projects to do anything at all with the Blip as a major plot point are Falcon and the Winter Soldier and Eternals.

the fourth and final massive problem with the Blip is pretty simple yet complicated; it ignores the absolutely insurmountable societal implications both the Snap and the Blip would have. Think about it; half the fucking universe disintegrates into ash. There are SO many things that would do to just human society alone. But even more importantly, five years after all those people were declared dead (meaning wills are executed, spouses remarried, jobs and homes redistributed, etc) those people suddenly reappear, and from their POV it's only been a second. Just to put it in perspective, the Snap happened on April 29th, 2018. Doesn't that feel like forever ago? If the Snap were real, all those people would have been gone until today. That is such a huge mindfuck that I'm shocked no one went insane. And even looking aside from the psychological impact, all those people are pretty fucking screwed. Far From Home had a single scene addressing this, then promptly forgot about it.

My final point is less of a problem and more of an amusing byproduct; since Tony directly forbids Bruce from undoing the last five years, that means the events of WandaVision, Falcon and the Winter Soldier, Hawkeye, Multiverse of Madness, and Secret Invasion are on some level his fault. That’s fucking hysterical.

I suppose I'll be absolutely fair and say that rewinding time isn't a morally perfect solution either, as you would be erasing any maturity the survivors gained during those five years, as well as anyone born in that time. But that's just all the more reason to NOT HAVE A FUCKING TIME-SKIP!!! I still think the only reason it was done was for cheap shock value.

All in all, the five-year time jump is the single worst major plot point in the MCU. Fight me.

[giveamadeuschohisownmovie]

On a more serious note, now that I’m halfway into Farscape season 1, I can’t help but think about Peter Quill/Star-Lord from “Guardians of the Galaxy” being a lesser John Crichton. Because, as I’ve written before, James Gunn was so obviously inspired by Farscape:

1) John and Peter are the good ole American protagonists who were taken to deep space against their will. They connect with people through pop culture references and their good heart.

2) Aeryn Sun and Gamora are the stone cold warriors who used to fight for the bad guys but are now on the side of good. They also have a romance with John/Peter.

3) Ka D’Argo and Drax are the proud warriors who are seeking to redeem themselves. They also are so stiff that references and simple sayings go over their heads.

4) Rygel is sorta kinda like Rocket Raccoon in that they’re the scheming loudmouths who look out for themselves.

5) Pilot and Groot fulfill the role of the lovable support character who helps everyone in the crew.

6) Zotoh Zhaan doesn’t have a perfect GOTG counterpart, but I really do feel that James Gunn split her traits between Nebula (who got the rage and tragic backstory) and Mantis (who got the mind powers).

Anyways, back to the main point. While Peter Quill does come off as a John clone, I think the way John’s arc was handled was superior to the way Peter was written. I think the main reason is that I can see why John would be his crew’s leader (or, at least, the crewmate keeping everything together) while Peter feels like he’s the leader because the plot says he should be.

John starts off as the goofball who can’t do anything right. No one trusts him and they think of him as the idiot who they just keep around. But as season 1 goes on, you can tell that he’s the glue who’s keeping the crew together. He’s the crewmate who got everyone to open up, especially Aeryn (who was trained to be cold and emotionless) and D’Argo (who distrusts everyone because of his traumatic past). He’s like that one friend who you feel like you can talk to about anything, especially since everyone else in the crew is dealing with their own problems.

So when we get to the episode where John is ready to leave, it makes sense that everyone feels hesitant to see him go. Aeryn is starting to fall for him, he was one of the few people who D’Argo would consider a friend, he helped Zhaan through some of her toughest times, and he generally got along with Rygel.

As for Peter Quill, I’m not saying he was badly written. It’s just him being treated as the team’s leader is not as believable. It’s like, imagine if John Crichton was written to be as emotionally closed off and standoffish as everyone else in the crew. While this does make Peter stand out as his own character separate from John, it also makes you wonder why Quill was written as the team’s leader. I’m sure that’s why it was a recurring gag that Quill was always struggling to be seen as the leader, whether it was from Rocket or Thor. The writers knew that wasn’t 100% believable, so they wrote it into the story.

I don’t get that with John. He might be the resident goofball, but he’s also why the crew hasn’t fallen apart.

TL;DR Peter Quill/Star-Lord was obviously modeled after John Crichton. But the MCU character who feels more in line with John as a character is Clint Barton/Hawkeye.

[formerheroeswhoquittoolate]

my favorite thing about kate and clint is that you can't define their relationship in any terms that make sense. sorry mcu, they're not father-daughter (that only works in the show cause mcu!clint is actually a functional adult. love you comics clint but you are microwaving tinfoil) or brother-sister or uncle-niece or anything like that that could be easily explained. like on the one hand yeah clint trained kate but she was hawkeye before that because everyone thought he was dead. and yeah he tries to protect her but she also tries to protect him. and she looks up to him but she also calls him a screwup and tells him he sucks when he screws up and sucks. and she's the one that actually sticks by him in the fraction/aja valentine's day issue despite them not being romantically involved. and she could have been anything but she's hawkeye. she's going to be compared to him her whole life and she chose it anyway. not romantic or platonic or familial but a secret fourth thing.

[scavengerssuccotash]

Reminiscing on Clint and Vents ™️

To my knowledge the entire Clint in vents trope in domestic Avengers fics is not founded in any canon reason or instance (I believe our first introduction to Clint even ever being INSIDE a vent is from the Black Widow movie when Nat and Yelena are in that vent in Budapest) which isn’t to say that it’s a bad thing (headcannons are quite literally the bread and butter of fandom culture, but I think when taken meta textually this trope highlights a glaring problem with Clint Barton and Hawkeyes introduction and characterization throughout the MCU.

Which is to say his introduction and characterization was so botched by the hands of Marvel and their inability to juggle a multi-character story without picking favorites (probably corporate meddling to increase merchandise sales) that we literally had nothing to go on as far as his character at the end of Avengers. Zilch. Nothing. Nada. We had Nat and the scorching chemistry between Scarjo and Jeremy but that was it! And because of that we resorted to hand waving that the guy just climbed in vents because he like Obi-Wan likes the high ground. Like—

Think about it. We all already had a pop culture knowledge and in some instance entire movies about Thor, Tony Stark, Hulk (the old version), and Captain America. And even in those movies we had knowledge and an on screen portrayal of: Black Widow, Loki, fuck even Bucky. And yeah sure Hawkeye had a cameo in Thor but did we really get anything about his character on the same level that we got of Black Widow, Loki and Bucky that they got in their respective supporting roles? No. We got his smart mouth and Jeremy’s perfect acting.

And then the Avengers, where he’s brainwashed 98% of the movie?

Yeah it’s no fricken wonder the whole Clint in Vents trope was a thing in domestic Avengers fics—

We.

Literally.

Had.

Crumbs!

This isn’t a bashing of the trope of course but merely an opportunity to highlight just how butchered Hawkeyes introduction was and how Marvel utterly dropped the ball with such a wonderful character.

(And Jeremy Renner deserved better)

Anyway read more Clint Barton centered fics. They are great.

And for the love of god let that man out of the vents!

[jor-elthatendswell]

It's a well worn topic at this point but the imminent release of The Marvels has me thinking about how militaristic the Marvel Cinematic Universe is, with Monica Rambeau aka Photon, a habour patrol member in the comics, reimagined as a captain in the US Air Force.

She follows Hawkeye, who was changed from an argumentative former circus performer with a heart of gold (a character so staunchly against lethal force he once revoked his own wife's Avengers membership because she sort of, maybe, subconsciously allowed a villain to fall to his death) into a hard-nosed black ops assassin.

Sam Wilson/ Falcon made his celluloid debut as an army man with twin submachine guns attached to his wrists. It’s a far cry from his print counterpart’s introduction as a social worker by day who uses his skill at falconry to protect his neighbourhood.

If we allow the argument that modern cinema goers are accustomed to a sprinkling of realism to make their superheroes palatable (and it’s a strange argument really- why should realism be a desirable quality in summer blockbuster escapism?) then what actually constitutes “realism”.

Sure, a man who learnt uncanny skill with a bow and arrow growing up with a travelling show couldn’t possibly hold his own alongside Hulk or Thor in the real world (and, yes, there isn’t a Hulk or Thor in the real world; as I say, this is a strange argument), but if he learned those exact same skills in some kind of military context then that somehow passes the bar for realism? The sinister upshot is that these children’s heroes become more warlike just as, globally, they reach more children than ever before.

Increasing the realism of superhero stories only serves to make them problematic. DC Comics' Batman, who is the frequently subjected to “realistic” treatments, is the prime example. If, in real life, a billionaire tooled himself up with the best weapons and body armour money can buy and began dispensing violent “justice” with no accountability, then of course that wouldn’t be a good thing. If they wore a costume with pointy ears and started calling themselves “Batman” then of course we would question their sanity. But Batman isn’t real; it’s a story. Nobody thinks The Muppet Show advocates animal cruelty. Quite the opposite, if anything. ("Not unless they're watching it", as Waldolf once heckled) Yet if a filmmaker decides they’re going to make a “grounded and realistic” remake where Fozzy is played by a real live bear wearing a pork pie hat and spotty necktie, then that's a whole other story. Suspend your disbelief and superheroes are less like the police or army and more akin to volunteers and activists, doing what they can with what they have to improve the lives of those around them. Their actions take the form of crime fighting only because that’s what makes for exciting colourful adventure stories for children.

In the MCU, even Marvel’s poster boy, Spider-Man (another champion of non-lethal solutions, known for his compassion even to his enemies and who possesses an enduring appeal to young children) is given a literal sheen of the military-industrial complex in the form of “Stark Tech” armour, replete with military grade strike drones. Tony Stark even thought to equip his 15 year old protégé-cum-child soldier with an “Instant Kill Mode”. In a moment played for laughs in Spider-Man: Homecoming, Spider-Man rejects his on-board AI's attempt to activate this feature but seems untroubled that such an option exists and, indeed, come Avengers: Infinity War, he voluntarily deploys it. It’s not clear if Spidey actually does kill any of his alien adversaries, but it seems reasonable to assume that one doesn’t say “Activate Instant Kill Mode” without the intention of ending lives. Fans are expected to smile or applaud as Spider-Man says these words, recognising the call-back to Homecoming, rather than find it a gross misrepresentation of Marvel’s most beloved character or an alarming depiction of a children’s favourite.

The MCU Avengers as a whole are a US government “initiative “. The reluctant superheroes need to be cajoled into putting their differences aside for the greater good by army top brass Nick Fury. In a tweak from the source material, the ‘H' in Fury's organisation, SHIELD, stands for ‘Homeland’, making SHIELD as explicitly American venture as opposed to it being ostensibly intergovernmental in the comics.

There is a comic book precedent for this military take on Earth's Mightiest Heroes in the form of The Ultimates, a 2002 series by the British team of writer Mark Millar and artist Bryan Hitch. The Ultimates ,however, was satire. Millar was an unreformed lefty of the old school – someone who has boasted of voting Brexit for left-wing reasons, someone who once appeared on Russia Today as a guest of George Galloway. The Ultimates took swings at the gung ho jingoism of post 9/11 America. Captain America's “Surrender!!?? You think this letter on my head stands for France?“ is not supposed to be a badass one-liner, but rather a parody of the kind of things US media outlets were saying as Jacques Chirac proved less keen than Tony Blair to follow George Bush in bringing gunboat diplomacy to the Middle East. As Millar commentated at the time:

“The Ultimates is completely different because it's a character-driven piece and (something only a few people have noticed) my attempt as a left-wing writer to tell stories about an essentially right-wing concept and cast. It's very much the Anti-Authority, if you will. Captain America and so on are fully-paid members of the US military machine and this means a very different book and approach from a gang of slightly arrogrant, left-wing, superhuman utopians like The Authority ".

Wildstorm Comics' The Authority, which both Millar and Hitch worked on (although not together), was a precursor to Ultimates, featuring a team of similarly “any means necessary” heroes, albeit with a left-wing bent. The Ultimates does have something of The Authority’s utopian streak; Nick Fury and Tony Stark genuinely want to make the world a better place for everyone. It’s very idealistic – what if the head of the military and the biggest tech billionaire actually had the people’s best interests at heart? – and arguably closer to true superhero ethos (basically “with great power there must also come great responsibility “) than those characters more pragmatic MCU equivalents.

Yet, as Millar's one time writing partner Grant Morrison (who actually ghost-wrote at least one issue of The Authority under Miller’s name) observed in Morrison’s major nonfiction work, Supergods, the likes of The Authority, The Ultimates and, by extension, the MCU represent a “capitulation” to the view “that it was really only force and violence that got things done and not patient diplomacy, and that only soldiers and very rich people had the world figured out”. If the MCU is realistic, then it’s a sad indictment of the real world where the heroes are the ones with the best tech, the best guns and no compunction about using them.

Regardless of intent, The Ultimates left a door at Marvel’s “House of Ideas” just enough ajar to allow a malign notion to creep in: “These soldier superheroes are pretty cool. What If they were like that all the time? Wouldn’t they be more popular then”?

Certainly the navy SEAL aesthetic Bryan Hitch brought to the costumes (replacing the colourful tights and capes with pouches, straps and body armour) was soon adopted by superhero tv and film productions even pre-MCU. In fact, Hawkeye's journey from carny to commando mirrors the changes in superhero attire. Most famously, Superman's appearance with the red “overpants” derives from that of circus strongmen, but seeing any photography of early to mid 20th century carnival and circus performers makes it clear the early superhero creators had them in mind when they first put pencil to paper.

In an interview (found in Marvel Spotlight: Captain America, published in 2009) Hitch related how he showed an initial Ultimates drawing of Captain America with a machine gun to Grant Morrison, which Morrison then “described as the most obscene Captain America image [they’d] ever seen”. (NB: Morrison has since adopted gender neutral pronouns). Perhaps Morrison said this with glee, in on the joke with their friends, but in the years since, Cap with a gun became a common sight, even in family-friendly movies (where it was divorced from the irony of The Ultimates).

By a 2015 interview, Morrison lamented the fact that “the Avengers work for the government, and it's been like that since Mark [Millar] did The Ultimates” and said they were “bored with the idea that the best superheroes can represent is some aggressive version of the military. [...] They're supposed to be champions of the oppressed, they help ordinary people, they make things better for people. They don't prop up our grotesque, doddering culture of war and aggression”.

That same year Morrison introduced a new comic book superteam in the pages of The Multiversity. Pointedly the text likens this group, named “Justice Incarnate”, to a “cosmic neighbourhood watch” rather than any formal military or law-enforcement institution.

Millar himself reunited with his Authority collaborator Frank Quitely to create the comic Jupiter’s Legacy, which comes across in part as an apology for The Ultimates and all it begat. It concludes with the protagonists, Chloe Sampson and Eddie "Hutch" Hutchence taking up superhero mantles and promising not to make the moral compromises of their predecessors:

“No more bowing to authority and insitutions. No more deference to people in power”.

“There's a dignity in public service we mistook for old-fashioned, and a humility in having a secret identity, living among the people we protect.“

The Avengers, Marvel’s breakthrough billion dollar box office 2012 movie, by contrast, concludes with Iron Man dropping a nuclear bomb on the “Chitari”, an invading alien army and it seems likely this influenced Morrison’s comments on modern superhero stories.

In Supergods, Morrison

describes their childhood dread of nuclear weapons. The child of “ban the bomb” activists, the “gruesome hand-drawn images of how the world might look after a spirited thermonuclear missile exchange” which illustrated their parents anti-nuclear literature struck terror into the young Morrison. Therefore they seized upon superheroes as being an idea powerful enough to counteract – and overcome – the idea of the bomb.

“It’s not that I needed Superman to be “real,” I just needed him to be more real than the Idea of the Bomb that ravaged my dreams”.

Within the narrative of the movie, Iron Man takes the only option available to him to save New York. Destroying thousands of alien lives to save thousands of human ones. But The Avengers isn’t a documentary; the scriptwriters could have written a satisfying denouement which didn’t involve mass murder. They could at least have included some words of regret by the heroes over what it took to win, acknowledging that killing is not the ideal solution. Instead the Avengers trade banter and eat shawarma, collective conscious clear.

There is a moment in another Grant Morrison work, Final Crisis, which always brings the MCU to mind. In Final Crisis #3, drawn by JG Jones, (published in 2008, the same year the MCU began) “evil gods” from a higher plain of existence have been reincarnated on Earth. In order for the Justice League to counter this threat, a “draft for Superheroes” is implemented. Green Arrow (a Batman-a-like character who was subsequently reinvented to embody the countercultural sentiment of the late 1960s and has since served as the social conscious of the superhero set) responds to receiving his draft notice thusly:

“If anybody falls for this authoritarian, militaristic crap, it’ll prove I’m absolutely right about absolutely everything!... “

Cue the next page, where the drafted heroes have gathered en mass (including Green Arrow, impotently shaking his fist.)

Such an assemblage of characters in usually a triumphant moment in a summer "event" story, but here is framed as a sign that evil already has it’s hooks into reality. This world has fallen to the darkness and the superheroes who inhabit it are too morally compromised to realise it.

[ashesoriley]

What type of caffeine the avengers from earths mightiest heroes the animated series would drink according to me and my sister:

Hawkeye: he does red bull cuz he has bad taste

Captain America: pretty much just black coffee (MCU Steve would drink illegal out of country energy drinks tho)

Black Panther: highly illegal energy drinks but he's not an American so it's fine

Iron Man: he will drink anything, whatever is there. The man drinks an energy drink that's been on his desk for days and is growing mold

Wasp: exclusively bang energy for the delicious flavors

Thor: he loves frappuccinos, he loves them so much

Hulk: he steals t'challas energy drinks

Bruce: tea on a normal day, straight expresso if he's been in the lab long enough

Widow: 5 hour energy, she has at least 2 on hand at all times

Ms Marvel: she's also a coffee drinker

[averagewriter-inthedark]

The Young Avengers 🦅 | Marvel Headcanon

Takes place during Phase 4 of the MCU

Link to my marvel Masterlist

Requested 📨 yes/no

Being a young former Black Widow and forming a team with Shuri, Kate, Elijah, Joaquin, and Kid Loki would look like:

To be honest you weren’t to fazed with the idea of forming a team with the younger crowd of up and coming superheroes. Sure you had been friends with Shuri since 2018 and met the others through Sam, Clint, and Thor, but the idea of creating a team like the Avengers never crossed your mind until Shuri proposed the idea. “Ain’t that Val lady forming her own team? Or Secretary Ross is, they’re calling them the Thunderbolts? Yelena was telling me about it—anyway, point is if there’s already a new team of heroes then why make our own?” “Calling them heroes is a little…far fetched if we’re being honest. They are more like the Dark Avengers—and no I was not trying to make a joke. You look at who she’s recruiting and it’s literally that. Think of us as their antithesis.”

It didn’t take much convincing after that with you literally going, “Fuck it. Let’s do it—might actually give me shit to do now that the world has gone to shit trying to get back to the way it was.” Within the hour you were pulling up to a hangar to meet the others. They all looked excited except Kid Loki. He looked rather annoyed being there—really it was Thor’s idea to have him join to keep him out of trouble. “It was either this or join him in his adventures across space. Frankly I’d rather stay in one place after escaping the Void.”

Considering you all are some of the most powerful and intelligent kids on the planet, there is bound to be some restrictions. Likely y’all would be staying at Avengers compound or create your own base camp but there would still be oversight. If Fury is not dealing with the Kree then he and Maria are who y’all report to. Other than them, the veteran Avengers tend to look after you guys—like Sam and Clint. “So since you’re now Captain America and you’re technically retired, does that make Torres the Falcon and Bishop Hawkeye?” “If that’s what they want to go by. You’re still called Black Widow aren’t ya?” “Touché”

So there you have it. Shuri: The Black Panther, Joaquin: the Flacon, You: the Black Widow, Kate: Hawkeye, Kid Loki, & Elijah: The Patriot.

As expected you’re a rambunctious group of heroes. Sometimes y’all find yourselves in trouble when you weren’t planning on it. Trouble just finds you guys 90% of the time. Agent Everett Ross has a whole supply of advil because keeping track of you all gives him a headache. “You’re job was to get it, get the intel, and get the hell out of there. What went wrong?” “Well…….as you can see um….yeah I have no explanation. Shuri you got anything?” “Nope. Torres, you?” “I can’t even remember what we were doing there.”

One time on a mission you guys actually ran into the Thunderbolts and it was quite the scene. First of all you and Yelena were like, “Hey sis! What are you doing here?” Meanwhile Bucky was scolding Elijah & Torres and Walker was getting annoyed with Kid Loki’s tricks. Kate just looked out of place while Shuri was trying to calm everyone down, “It seems there has been a misunderstanding. Unless….it was the plan for all of us to be here.” “What are you saying, Shuri?” “I believe our teams were set up, white wolf. Why else would both of us be called to the same place, for the same exact thing, on the same day?”

Having a genius like Shuri on your team meant you guys were equipped with some of the best technological advances than anyone else. Even the Thunderbolts were envious of y’all’s artillery. Not only did Joaquin get an upgrade on his falcon wings, but Kate got high tech trick arrows, Elijah a vibranium shield, kid Loki with a scepter and you got some additions to your Widow’s bite and suit. “Shit, I feel like I could take down even Thanos with these.” “Try not to show them off to much, Widow. Secretary Ross is still trying to get me to develop stuff for the Thunderbolts and i’ve given him the impression I’m not even advancing our weaponry. So..keep it on the down low.”

After some time as a team, you guys would recruit Kamala Khan, RiRi Williams and Cassie Lang as y’all’s Ms. Marvel, IronHeart & Stinger. Peter Parker would eventually join, bringing in his buddy Ned and America Chavez who were Masters of The Mystic Arts. The team grew so large y’all could actually split you guys up when multiple missions came in. With their initiation, Dr. Strange, Captain Marvel, and Scott Lang joined Sam, Clint, Fury, Ross, and Hill as ‘chaperones’.

“So what do we call ourselves?” “The Young Avengers.” “Isn’t that a derivative?” “Yeah, but it sounds less menacing than Dark Avengers or the Thunderbolts. I mean we are Avengers…just we’re young so it fits.” “True…”