#anyway all blazed posts are really weird

[frogcoded]

the weirdest blazed post i saw up to now was this person who literally blazed a donations post like if it's legit i don't believe anyone would spend their last few dollars on advertising a donations post (that had like, 2 notes anyway) instead of something actually useful, and if it's a scam i genuinely don't believe people make enough off scam donations posts to justify the investment of blazing one? so weird

[icewindandboringhorror]

HAPPY 16TH BIRTHDAY!!! To this elderly bapy boye!!! he...!!!

[weirdmarioenemies]

SURPRISE! Did you think the day would come when we would cover Love Live on this blog? I didn't!

Yohane the Parhelion: Blaze in the Deepblue is the Metroidvania-style game based on the fantasy spin-off of Love Live Sunshine, but you probably don't care about that! Statistically speaking, our target audience is Bogleech readers who are deeply revolted by anime girls!

So why bring up? Why bring it up? The answer is 🐠 FUNNY FISH! It's Funny Fish Friday!

Since this game is set in an underwater temple, the enemies this game are all based on sea creatures, and that's cool! Again, statistically speaking, you probably think sea creatures are cool. I really liked seeing the variety of enemies when playing through this game, so I thought it'd be fun if I could share them with an audience of people who otherwise wouldn't care! None of the enemies really have names, as far as I'm aware of. But I'll do my Rubesty...?

Our first guy we encounter in the game is the sort of guy who emerges from the ground like the Zombies from Castlevania, and wow! A good first impression I think. It is sort of a squid mantle, if the mantle was also a cloak for a spooky sort of wizard! The way it doesn't really have a 'face' in the hood and the eye is below really makes it seem like a weird mimic creature. Cool!

They also get a tough lategame variant which looks like a mix between a flapjack and a vampire squid. You don't often see flapjacks be designed as scary!

---

Next is Barnacles! A whole clump of them, like a cake. They shoot Energy Balls at you. Is this what Barnacles can do if they combine their powers...? The top actually opens up, and it looks a lot like a sea urchin's mouth! So maybe it is some sort of naked urchin creature covered in barnacles? Game Theory!

There are also barnacles with Ice Powers. Like real life!

---

Let's give it up for Garden Eel!!!!

What a fine Garden Eel it is! Complete with the sort of grumpy face, and with the addition of two little arms that make it look like it's praying or maybe a bit shy. But it is mean! It also spits energy balls at you, then hides in the hole so you can't hit it. How very sneaky!

SO sneaky, in fact, that these eels have mastered the art of ninjutsu! The ninja eel shows up for a split second in one single room, before smoke bombing away. You'd have to use a time freeze power to get him, but I never got around to doing that. I don't have any beef with a ninja eel! I respect him and his training!

Did someone say CTENOPHORE? I hope you did, or my hearing has really gotten worse. This thing is a grade A ctenophore, only with a ring of Scary Teeth! A little scary to think of a ctenophore who could Bite you, but nonetheless this deserves a :ctenopog:!

---

Let's not forget Fish Vortex! Fish Vortex was the first guy to make me go 'wow, this game's enemies really are awesome!' So of course I had to put him at the top of the post! He is my selling point! I am selling all these enemies to you. For 4.99 a pop!

Anyway. This design is just so funny and cool at the same time. A swirling school of fish that leads into an endless dark abyss, and in the middle, a big eyeball. Also covered in fish. It shoots fish at you! Yay!

There is also a pink variant - it shoots fish that give you the Solitude status effect, which basically just makes Yohane too depressed to summon her friends. Meaning? They are Depression Fish! Maybe she just becomes so jealous of the unity and teamwork of these sardines. She's me like just for real! ^_^

---

isopot :)

---

This slug is an umbrella. That is ridiculous! Ridiculously EPIC! It does the opposite of shield you from rain, which is create rain, that kills you. But I would still want one as an umbrella.

---

When I first saw this thing, I thought it was some strange round Echimoderm I had never heard of. But upon further inspection (I actually asked Mod Chikako shh), it is obviously like a Brittle Star, with each arm folded round to form a wheel! How creative and fun! It even has a bunch of eyes like a starfish!

---

Last but not least- sushi! There are sushi guys and they are cute. They don't really do much and are typically found in their own rooms, so I'm not sure what the point of them is. But finding a funny walking sushi should be a reward in of itself, I guess! Look at their funny rice feet! Or the one with the roe eyes!

I happened to use fire magic on one of them and this happened. Oopsies...

Now I am sure you are saying, thank you for showing me all these funny enemies. But are there any cool bosses? Of course there are, me! What's a Metroidvania without cool bosses? So I shall show you my favorites without delay!

First is this freak (affectionate)! It is a sort of amalgamation of lots of different animals and I think it just looks plain cool! Two squid mantles combined into one, a bit of a sea angel shape, bug legs and of course a great big eyeball!

If it is not freaky enough for you, let it be known that the bug legs turn into big green skeleton hands, and it also keeps getting pinker, and it grows new eyes and then extra horns grow out of those eyes. If THAT is not freaky enough for you then I am sorry but I cannot do anything about that.

---

Now, how about a sampling of this Freaken Thang? It honestly doesn't seem that sea-creature themed, but it uses seashells so I guess it counts!

What is really neat is that this boss has two different forms, upside down and rightside up! When it is upside down it looks a bit like a Magolor type creature. And of course, I really like the flame thing in the middle as well, that really feels like a Kirby enemy or something! Like a wisp made of plasma!

---

Fans of Anomalocaris won't be disappointed by this one! It's a big Anomalocaris tank and boy is it cool! There's something for everyone here, whether you're an Anomalocaris purist or you've always wanted to see it turn into a sort of futuristic beast with a screen mouth that shoots lasers! It really is the future, zura...

---

After covering all these wacky creatures, I'm going to have to end it off with the final boss! What could the big bad, the ultimate boss of all these sea monsters even be, I wonder? Well, it's...

...a coelecanth. Just a big coelacanth! It is big and blue! And really, does it need to be anything else? It is such an honor to make the biggest ultimate boss a coelacanth. It is even pretty cute!! Think he's smiling! 😊

Uh oh! Is it still cute? I guess so. My first thought seeing this was of course the world-renowned tongue eating isopod, so I really hope it was an intentional reference! It probably just wants to shake hands. Still, a pretty simplistic design for our final boss, right?

Buu buu! Its true form actually looks like this! Actually, it's kind of doing too much. Like let's tone it down a little?

So!! We beat the mega ultra coelacanth, and now we can find out what his motivation is! And it is... that he is the memories of the people of the past or something. And they all didn't want to be forgotten, so they turned into fish monsters! But we forgive them!

It doesn't really matter. All the girlies gather around and sing him a song. Look how happy he is! I forgot I was talking about a Love Live game until now, actually. All's well that ends well, the end, et cetera! Hit it, Yohane! [imagine this is like the end of a kids movie where all the Love Live girls are having a dance party and there is a shot of the big coelacanth in jail and he's tapping his mouth fingers along to the beat]

[foundry-fabrications]

Hey folks! It took WAY too long to get this out, but it's finally done. Well, technically it isn't done, but I'll get to that in a bit. One weird thing that needs explanation at a time.

So, as one can tell, I didn't just make statblocks for the behemoths, write some lore, and call it a day. I've discovered that I really don't like making statblocks and dealing with all the nonsense that comes with it (CR is a joke, and I'm not laughing). So, in typical Foundry fashion, I tried doing something weird that requires more work and ultimately still required me to make statblocks anyway. Yeah, I'm not smart. 

So I made them templates instead. And while I was tempted to give up and just do the obvious thing since I was just going to end up with stats anyway, making them templates makes a certain amount of sense from a lore perspective and I genuinely think is an interesting idea worth pursuing. Quick lore tidbit, behemoths are likely the result of normal creatures becoming mutated by aether (it's not certain, but there are signs of this origin from what I've read), so a template makes logical sense. So, as long as I pick appropriate creatures for the template examples, the end result will get you pretty close to the behemoths in game. Sure, they're not perfect, but it would be easy to tweak them to better suit your game.

So the other behemoth in the room is there are only 3 behemoths here. I had intended on releasing them all at once. Turns out there's like 30+ behemoths AND 5 basically legendary behemoths. So, I'm splitting them up into their elemental categories, and the legendaries by themselves. I already have the Blaze behemoths written out, so those won't take nearly as long. As I complete each category, I'll update this post and make y'all aware of the additions. By the end, I'll have one document with all of them in it, a brew to rival Flesh & Bone. 

But for now, a quick break to work on something else my ADHD has compelled me to rework. Stay tuned for that. Anyway, stay safe, don't forget to love each other, and I'll see you next time.

Enjoy my work? Consider leaving me a Tip or supporting me on Patreon! Patrons gain access to high quality PDFs for all of my content, weekly updates, early access, and more!

[transienturl]

there is a sizable subset of the ultra-enthusiast tumblr community who (reasonably, in cases, given the circumstances) have been convinced by the sheer volume of tumblr-related discourse that is driven away from factual considerations by the victim complex, the need to have an enemy, and an external imagination of how websites work that doesn't hold up to scrutiny. I don't think that's debatable. I see the volume as a tragedy and a bit of a disappointment (it will always happen but I do think we can do better) and am sympathetic to the people who accept it uncritically, if somewhat concerned (I imagine this kind of thing extends into the non-internet world).

but yeah, like. I enjoy working on the XKit projects, and that's why I do it. I enjoy doing support for them, too—I don't have a way of counting it, but gosh, I must send 50-100 messages a month responding to inquiries, giving tutorials, etc. okay I actually have no idea what the number is. but anyway.

admission: it's not nearly as fun when some huge percentage of the posts you're responding to are just laced with this stuff. "1-starring the app will make tumblr better!" "staff broke xkit on purpose!" "I know the reason behind changes I don't like and they are malicious/ignorant!" "it would be easy to fix [x thing] and it is not fixed so someone is out for me!" (there are more nuanced ones too but those are all pretty unambiguously false examples.) again, I see why people repeat these things because they are so darn prevalent, often from people you trust.

this is a site about sharing things that resonate with you. feeling like you're mostly helpless against a big power without your best interests at heart is deeply relatable. I get that. it's still annoying though.

I don't know to what degree I have the power to change any of this? maybe to some degree I can pull the "I'm half or more of the XKit development for at least the past year" card and maybe that has some weight re: making people see my perspective as coming from "being on the side of the users," blaze some posts maybe, but I dunno, man.

Feels like a weird thing to really lean into, on the one hand. And public comms stuff is a ton of work. On the other hand, I guess it would be silly if I didn't ever pull that card and eventually just quit if it didn't seem worth dealing with. I don't think that would kill the XKit projects, but... okay yeah I'm just saying that because it's nice to be optimistic. I have zero idea if it would or not.

[sneakydraws]

Ok so! As per the wishes of @chernychnyi and others and also myself, here's a little analysis/rant about the boreo front bottoms lyricstuck thing I did. Because of tumblrs 30 image limit I had to fuse some of the frames and also couldn't fit in the unused frames I really wanted to mention - so those will get plonked down in a separate post I think. Ok let's roll

To begin with, the pov - I didn't exactly plan ahead on this regard, I kind of just listened to the song and experienced visions of tgf scenes to go along with the lyrics, but once I picked this project back up after half a year of letting it sit in my procreate files I definitely saw a sort of narrative form around it. Most of what I had was very much from Boris's pov and about Theo. The tone was sort of protective, sort of desperate, sort of penitent, sort of possessive? I'll elaborate on it later but I basically ended up exploring a lot of the ambiguous or unhealthy elements of the boreo dynamic, and realising that when I was maybe 70% done made me lean more purposefully into that angle in the remaining frames. So for example in this frame, even though they're both indisputably wiry and broke down, I choose to make this about Theo because Boris is the worldly, knowledgeable survivor to Theo's harrowed newcomer. There's a fragility to Theo that's less visible, and maybe less present, in Boris.

Like in this line, which has a great air of warning or instruction to it, like the singer is trying to brace their friend for what's to come. I actually struggled hardcore with this frame! Because I knew I wanted this image of Theo reaching toward the surface of the pool, but it arguably made more sense in the "jaws theme song on repeat" lyric (since it's Boris pulling Theo down)... I ended up sticking it here because I wasn't sure what else to replace it with but I think it's kind of a happy mistake because it right off the start showcases the dichotomy in Boris and Theo's relationship and its more toxic aspects - Boris pulling Theo down visually in one frame, but promising to help him swim in the lyrics in the next.

I don't think it came through so well but I wanted the previous panel to have a bright sun streaming light through Theo's fingers, and the blazing desert sun in this frame to echo that - the sun as the element of danger, Boris's opposite. The positioning of light as danger and shade as safety is a trope I sometimes drift towards in queer narratives and it definitely goes back to that heartbeat short film I didn't even like that much...

Maybe my all time favourite scene to depict with teenage boreo - Boris dragging a dead drunk Theo off the street... I love it because it's so rarely we see Boris be the responsible one, the one doing what's Supposed to be done

I really wish I'd had the time and the motivation to spruce this up really well because in some points I envisioned really clearly the kind of transition I'd want to have... I would have loved for the camera to swoosh down and do a little overshoot into this frame, so some of the dynamic of the punch is carried into the visuals. Oh well! Apparently this line (like the song itself) is actually about heroine usage, but here it's Larry and Theo - I feel like a snakebite is an apt metaphor for this punch, with its sheer unexpectedness

The nightmare comfort is a must have of course... I was kind of afraid I was repeating myself with how often I use this kind of scene with this exact framing ahahaha

Massively difficult shot to pull off because I wanted the distortion to be prominent and for Boris and Theo to be really small in the frame but for it to still be mostly readable!! Anyway this is their weird drunken hookups, which I think fit this line not because secret teenage hookups are inherently evil or anything but like. I do think the way they're never ever addressed and the shame associated with them in Theo's narration give them a definite air of unhealthiness. A red flag... A warning sign, if you will

I actually think at one point the drunken teenage sex went here, with the undertone being that Boris realises there's something wrong about it but doesn't stop anyway? But that's kind of muddled, and the much more obvious choice is the theft of the painting. And the "amount to take/reasons to take more" plays well with Boris's habit of stealing random shit from Theo already before moving on to the big fish

The reunion! I play Boris as catching on well to the inauthenticity and comphetness (as well as comp-normie-ness) of Theo's little life - and reminiscing, I suppose, on how unsurprising it is that he'd end up pulled in this direction, trying to run away from the trauma and shame of his real self. There's also a little guilt here on Boris's part, a little bit of a feeling of culpability - carried over from the theft of the painting and the never-addressed sex, and echoed in a second in the guilt or regret of letting Theo leave like he did, betrayed and deceived.

This line maybe doesn't ring one hundred percent true because neither of Theo's Vegas guardians really gave enough of a shit about him to "pray he would change", but they do judge and shame him occasionally for his weakness, his trauma and so on, so I think it works. And (although I had to push this line onto Boris's frame simply to have an excuse to show his face) they "close their eyes" to Theo's real self and the sheer horror of his experiences... Hm

Of course Theo cuts his own hair and sends himself away before anyone else can but you know. Too perfect of a fit

Definitely my favourite and cleverest moment - theo "stops by Boris's house", i.e.by their common home, the night he escapes... Boris begs him to stay (another day so he can get the painting)... And the omitting of "I love you but" from Theo's written dialogue, with the massive conspicuous gap in the word bubble, was something I thought of early on. The unsaid "I love you"? Too fucking good not to exploit. And NGL it feels good to be like ooohoho I'm not just matching visuals to existing lyrics, I'm manipulating them to fit my own narrative and engaging in a dialogue with the lyrics or whatever... Hehe

This is the scene where Boris announces he'll run away and Theo immediately says he'll come with. But the important thing to note is that I found out about different shoelacing techniques and made Boris ladder lace his jungle boots

This and the previous lyric, although the visuals show two different scenes, both relate to Theo's apprehension about how following Boris around will surely lead to no good, especially without a plan. Boris through the lyrics is saying don't worry about it, we'll figure something out!

Umm so I drew this with lighting speed as I was editing the whole thing lollll I totally forgot about the instrumental parts and just how LONG they were... I needed something to fill up the space ahahaha. But it's vaguely supposed to hark back to the scene after Mr pavlikovsky beats up Boris, what with the bottle of vodka and the bloody nose and the unconcerned laughter

The pool frolic! Very appropriate. We've got the obligatory moon cameo, and I made sure the pool and the sky were the same stark shade of black so it feels like boris and Theo are hanging between two equally real worlds, plunging into the starry night...

I just remembered that Boris's bracelets pop in and out of existence a lot ahahaha oops! But this is of course essentially the same scene as the "it's gonna look like mud" lyric, only more literal this time. Admittedly this lyric is moreso from Theo's pov, which is a bit out of place here although I do play around with the pov a little later

One of the first frames I'd envisioned I think! I mean come on. And a great example of how the singer really emphasises certain words, so I punch them up a bit by capitalising them

This was actually a struggle because Boris is such an action oriented character - the stupid shit he says doesn't actually have that many consequences! But eventually I thought it would be fitting to show one of the scenes where a semi malicious joke or a mostly innocuous remark activates Theo's internalised homophobia - i ended up going with his comment about Hobies letter.

More timeskip normieness! The spark and look of Theo's I consider artificial, like the flash of the cameras poised to capture the kiss between the engaged couple's, and the look hidden behind the anime shine of Theo's glasses... I could have spent more time showing that but I'll be honest this was one of the last lines I had to illustrate and I was getting impatient. The "I will not be brave" was a tricky one - I kind of wanted it to relate to Boris's selfishness maybe, in taking Theo away from his fiancée? Like, he will not do the noble thing by stepping away and instead Will try to drag Theo back into his life... Though that itself is motivated by a sort of penitent guilt

Again, Boris trying to find a space for Theo in his life - maybe Theo can work for him! Or with him! Anything, god, just forgive me!

I'm a little annoyed because I remember having a good idea for these lines and then I forgot it!! But with this I ended up gesturing vaguely to some reasons why Boris acts like he does - taking control of the life seemingly subject to his dad's whims and work travel, rebelling by imitating his father's worst habits - something something the paradoxical repulsion towards his father and need to imitate or one-up or outdo him...

For a while these lines were both on Boris's back as he stands in front of Hobie's shop. Then I ended up splitting them in two, but they're the same theme - Boris taking responsibility for his actions and trying to atone for his betrayal of Theo. First by tracking the painting down and coming, drenched, to inform Theo of his progress (that scene is one of my favourites between theo and Boris actually) and then by desperately running after the boy when it seems he might carry it off and destroy it forever (another favourite because it showcases Boris's desperation to earn back Theo's trust).

Also, didn't fit it here but the second instrumental section has Theo's face on it - to make a set with the earlier Boris drawing, and they're opposites because Boris's eyes aren't visible while Theo's are the only part of his face visible, and Theo's worried frown suggests that he sees through Boris's jolliness somewhat, and also! It signals a switch to Theo's pov for the final few lines!

Another line that leapt out at me from the beginning - xandra's ominous yet oddly romantic prediction that Theo will follow Boris wherever, even to a prison cell. This is actually kind of funny because initially I thought a twin sized mattress was a mattress for two - and I connected this to xandra's belief that Boris and Theo will always be a set of two, connected at the hip. It wasn't until I googled the lyrics and read the genius annotations that i realized it was the exact opposite - but luckily for me, the connection still kind of works? Maybe not so well for this panel but for the next two for sure:

Like, my initial thought was that they were both cursed to sleep on a two-person mattress alone, with an empty space next to them - but the literal half-empty double bed can also work as a metaphorical single bed, so... Win? And of course there's complicated messaging going on because, like, their sharing a bed is simultaneously something too adult for their teenaged friendship and something from their childhood to haunt them into adulthood, causing them to never "graduate" into a typical adult relationship no matter how hard Theo tries... And the "somebody's attic or basement" fits in with Theo settling in to weltys bedroom... And of course Boris sleeping in Theo's bed after xabdra takes pity on him, an idea I'd touched on before... Not to mention the "let's go home" "home?" "My place. Whatever" exchange that I loooooooooooveeeeeee

And the final frames! I had to consult @frozenladybug for some storyboarding help because while I knew what theme I wanted I couldn't think of a scene... The idea is that Theo will forever be haunted by his past - hence the nightmares - but that now Boris is there to support him, happy end. Flb came up with the "standing by the window" idea which I love because!!! First of all, dawn is breaking, which signals the end of the troubled night but also brings forth the antagonistic sun - almost as a symbol of the night of Boris and Theo's early relationship, dark and dangerous but full of an odd camaraderie and haunted by the Boriscoded moon, ending. But what comes after that night is a different relationship, with its own challenges but maybe changed for the better... And in this scene Boris comforts Theo by physical contact and a cup of tea (hehe) instead of the desperate clutch of their early years - less intense and physical but maybe healthier and less codependent? I'm kind of freestyling but there's something there. I had thoughts during this project about how Boris calming Theo after his nightmares is almost more parental than romantic and how it allows Theo to cling to boris one-sidedly and how it might change with time... Idk, some personal musings played a part as well and it's definitely a reach but that's what was on my mind. Either way, happy bittersweet boreo ending and lemme go and make that rejected drawings post real quick now

[xerith-42]

Why Blaze is MyStreet's Most Failed Character

Blame the big bang discord for this post, I wasn't gonna write it until those fucks encouraged me.

Anyways here's an entire essay about why Blaze is the most wasted character in the entirety of MyStreet and I will literally fight Jessica and Jason Bravura with my bare hands.

To get us started on our harrowing tale of wasted potential and the best improviser Jessica ever hired, we need to go back a little. Back to Phoenix Drop High Season 2. We won't stay here long, I promise, I hate it more than you can possibly know. But the single saving grace of this absolute mess of a season is ya boi, Blaze. Introduced in the 18th episode of the season, airing on April 12, 2017, with the airing of Phoenix Drop High Season 2 Episode 18, Blaze was a character who started his brief tenure series with a bang!

Literally dude showed up and the first thing he ever did on screen as a character in a piece of media we can engage with is throw someone out of a window. We do not know this mans name yet and he's already left a lasting impression. Sure throwing people out of a window is common in werewolf culture, which I don't care what you say that's objectively funny, but it is bold to start a characters entire introduction with that. Blaze comes out of the gate swinging before he's said a single line.

And then after introducing himself he throws a dead bird at Aphmau to show off his hunting skills?? Okay so he's just that fucking weird and overly enthusiastic about things I guess! That's amazing! MyStreet always shines when it just lets it's characters be fucking weird without making a big deal out of it or talking them down for it. Dottie even says that it's romantic which is again just a great showing of Blaze's enthusiasm and lack of what might appear to be common social decorum because of said enthusiasm.

This is all punctuated and brought to a hilarious breaking point when Blaze's final showing of why he should be the new top dog at his school is when the crazy mother fucker rips his shirt off to literally flex about how he's one of the hottest guys in the school. And I'm going to be real with you, given Blaze's later characterization as a himbo, I'm pretty sure he doesn't actually care about this. He just says it because he thinks it'll boost his chances. Blaze is later shown to be a character willing to throw away his reputation for the things he cares about, but he does get a rather sincere moment with Aphmau, even if she's blushing the entire time.

It shows that Blaze is not only physically affectionate, but also weirdly comfortable with his shirt off. Because this is purely objective character analysis I will not be shoving my Blaze is autistic and has sensory problems with things touching his chest propaganda down your throats, but now that I've mentioned it once you won't stop thinking about it when this comes up.

The show admittedly fumbles the bag a little by having Blaze say in his internal monologue that he thinks Aphmau is cute and acts kind of like a tsundere, but this is Jesson writing so there's always bound to be a bit of That Shit. But in spite of that, Blaze is a character who has an instant impression that leaves a lot of room for comedy potential, and just good ol' fashion silliness. And while the werewolf plot of Season 2 is... bad, Blaze and the Werewolf Pups are stand out characters in the sense that their characterization leaves a lot of potential if they're in a different, better written story.

And even if the arc is bad, Blaze still is a quality part of it. His shallow but hilarious initial characterization gets built on in some really solid ways. Namely in how he acts as a force for good in Aphmau's life even if she doesn't realize or give him permission to do it. This entire season is about how the different men in Aphmau's life handle helping her in a crisis, and funnily enough, in a season centered around Aaron literally overthrowing Aphmau's new love interest, Blaze is the one who was consistently doing what was best for Aphmau.

Aaron fumbles the ball more than a few times, Ein is shown to be actively malicious, and Kai gets hate crimed. But Blaze, who's barely even a contender in this ship war, is constantly working to actually make things better while everyone else is pulling Aphmau away from what actively matters about her position. While Ein is manipulating her and Aaron is trying to prove that, Blaze throws caution to the wind and just does what he thinks is best to restore order.

But more important than that end conclusion is his true goal of standing up for Daniel. A wolf it is established he barely knew before this year, that Blaze is willing to throw his reputation and standing in a bull shit hierarchy because he's seeing how this hierarchy is hurting someone who doesn't deserve it. Blaze is the one who is baring his fangs and willing to throw hands when Daniel cowers away from bullies. By the end of the season Blaze has been given adequate screen time to not only show off his fun and maybe a tad out of touch side, but he's been given a real level of sincerity that's tied into the things he's enthusiastic about. He loves being a werewolf, and he extends that love to all the werewolves around him, until they start being dicks to other werewolves who are literally just sitting there.

At the center of Blaze is that inherent goofiness though. He's always cracking jokes, or the joke when he's on screen, and in a series that was originally pitched as a light hearted slice of life comedy in contrast to MCD's general misery, that sort of character is needed to keep the tone. Such is show in episode 22 when Blaze is reading a book on the Scientific Method to just learn more about science, but realizes the book is upside down.

But he actually understood it enough to properly apply the scientific method to this situation?? Iconic. It's played off as a joke of Blaze exploiting a loophole to get out of class, but even that's pretty smart honestly. Blaze may be a dumb ass but he's always willing to cheat an unfair system.

Episode 22 is basically a Blaze centric episode, which I did not expect, but now that I'm rewatching it for this post it might be the reason I love this character so dearly. It's not only the episode where Blaze manages to learn the Scientific Method upside down, but also stands up for Daniel in a really substantial way. Blaze is loud, enthusiastic, and strong, all traits that are celebrated by werewolf culture, and whether he realizes it or not, him just being around Daniel can do a lot to get bullies to back off. Everyone has seen Blaze toss a mother fucker through a window, they do not want to be on the receiving end of that.

He spends the rest of the episode trying to figure out what Ein's deal is when he hears that Ein went behind Aphmau's back on werewolf matters, landing Daniel in this situation. He hears Ein actively plotting against Daniel, but that is normal werewolf behavior. He concludes that he'll keep an eye on Ein. And this through line of "normal werewolf behavior" informs a lot of Blaze's decisions once he comes to the conclusion that Ein sucks and deserves to be undermined. He resorts to letting his actions speak louder than words and goes to violence after realizing that the wolves aren't listening to reason, they're listening to instinct.

He fights fire with fire, and while Aphmau might not approve, it's more effective than her soft rhetoric has been in getting people to be less of jackasses. This eventually lands him in hot water where he steps in for Daniel after Ein tries to get his goons to beat him up, and even if Blaze is fighting in a five v one, he still goes down swinging. And I'll say it, I think it's sweet that he calls Aaron after this happens. While it's clearly meant to be a thing of Blaze calling the last alpha because he's probably the only person who anyone will listen to, there's an important detail I think is easily overlooked.

He has Aaron's number.

He says he got it from the werewolf pups, but that means that Blaze went out of his way to make sure he could contact Aaron. He's the reason that Aaron even realizes Ein is playing all of them. Blaze is the catalyst for his undoing because unlike Aaron who's nearly imprisoned, heartbroken, and been hesitant to act in the plot as a result, Blaze doesn't actually care that much if Aphmau currently likes him because he's more worried about her physical and mental well being than whether she wants to kiss him or someone else.

How many Aphmau love interests can say that?

Can any of them say that?

Blaze can.

Blaze actually consistently shows a level of selflessness that's unfitting of how I've seen some people characterize him. He gives up his real chance to be Alpha because Daniel is so compassionate and earnest and genuinely deserves it. Blaze wants to believe in a future lead by people like Daniel and Aphmau where he might not have to keep fighting people to keep things sane. Blaze constantly gives up his pride, his power, his safety just to make sure that his friends are taken care of, or to effect real change in a school he's about to leave.

It wouldn't be long after Phoenix Drop High Season 2 ended that Blaze would make his debut in the main series My Street in the second episode of Season 5, airing only a few days after the end of Phoenix Drop High Season 2. Just like before he really shows up with a bang, literally throwing himself through the air between Lucinda and Kim just to catch a frisbee because Blaze is the most extra mother fucker ever, and then immediately proceeds to flirt with them. Iconic as ever. Short but sweet.

It's in episode 3 that it's revealed that Blaze and the werewolf pups kept Aaron company during his rehabilitation year. But from the way it's worded it sounds like Blaze was called in before anyone else by Aaron's parents. Based on the way they talked and actively planned together before, I wouldn't be surprised if Blaze was the first person who came to his mind when Aaron thought of a werewolf friend.

I think Aaron reached out to Blaze when he needed it.

And even though I've previously stated that I don't think Aaron's parents initially liked Blaze because by this era he's old enough to fully take on his persona as the cool stoner friend who's also a little insane in the most charming way possible, he has a good impact on Aaron. Aaron likes being around him, and maybe they smoke weed to help Aaron relieve some of the lasting pain when no one's looking.

Regardless of his methods, Blaze does an ultimate good in Aaron's life as a result of being there for him when he needed it. So much so that he was invited out to Starlight and is shown to be one of Aaron's main pillars of support. We are given scarcely little of this actual friendship, which is where the problem lies. While before Blaze was a surprisingly engaging part of an other wise terrible story, at least in season 5 the story is a lot slower and character focused. And Blaze can work in these moments, we saw him have real moments of sincerity before.

He gets some of it, but the issue is that Blaze isn't allowed to be alone anymore. The cast of MyStreet is huge, and Blaze is a character who is making his second major appearance, while some characters in the cast have been present since literally episode one. It's hard to justify giving him solo screen time when he's been in the series for such little time and we barely have enough time for certain significant characters to really have arcs (Lucinda). Most of Blaze's scenes are scenes with at least four other characters on screen, he's never allowed screen time without at least two other werewolf characters attached to him.

I don't object to Blaze hanging out with his friends, or even making new ones though out the season but... Would it kill the writers to let him have a scene with Aaron? Like. A single scene. Where it's just Blaze and Aaron. I mean just Blaze and Aaron without Aphmau there. They've done this before. They did it in the season Blaze showed up in. Just one scene where the two of them get to talk about literally anything would do so much. Even if they talk about Aphmau, it's better than nothing. It would strengthen both of their characters so much to be able to get a scene where they talk to each other not as conspirators who kinda know each other, but as real friends supporting one another.

Show that even though Blaze said Daniel was more compassionate than he was, Blaze still is a compassionate and even empathetic person. Show why Aaron was grateful to have him during his recovery. They have those scenes of Aaron at physical therapy, right? Why not have Blaze take him one time and just show how they interact then? The possibilities with this unrealized idea are endless, and that's genuinely upsetting. Opportunities like this present themselves every time Blaze makes an appearance, they even tease me by giving me scenes where Aaron is alone with a character he has little to no connection with, Maria.

Maria was a foil for Aphmau. And Ein was a foil for Aaron. And Blaze was a foil for Ein. There is no reason for Maria to really have a rapor that matters with Aaron. He doesn't really know her that well, she's clearly a friend by association, and it seems like an odd thing to focus on when Blaze is LITERALLY RIGHT THERE IN THE BACKGROUND OF THIS SCENE.

Why won't they let Blaze talk to Aaron? It's so infuriating. The closest we get is in episode 7 when Blaze attempts to calm down Aaron, but he's shown to be ineffective and it comes down to, of course, Aphmau being the one to talk him down. I swear to Hatsune the writers are making fun of me at this point. They're going "Oooooh you want Blaze to be an actually helpful and supportive figure in Aaron's life soooo bad." AND I DO!

I'm serious when I say the show is teasing me. I've been skimming through Season 5 and only watching the episodes when Blaze is on screen, and so far he has never been in a scene with less than 4 people in it. Never. And even in scenes where he gets to be at least a focal point, he's always limited because he has to share that moment in the spotlight with FOUR OTHER CHARACTERS.

Episode 14 is a great example of this. When the werewolf gang gets told they aren't allowed to eat at a restaurant because they're werewolves, Blaze makes it abundantly obvious that he's put up with this before and really doesn't feel like being hate crimed on his vacation. And he knows that actions speak louder than words and therefore joins Maria in saying they should "teach this establishment a lesson." Personally I think Blaze would've just thrown the manager through a window only to realize it's an outdoor establishment and throw him into the ocean. Which would be objectively funny and deserved because that owner was being cringe and racist.

I love the conversation that happens because it shows the unique way that Aaron sees things from passing as a human for most of his life. This has never happened, but he knows that further acts of violence as a result will only make it happen again. This is a great scene for Aaron. Not really good for Blaze, and the next scene makes him worse. I love the detail that Blaze is an instinctual person more than a planner, but it feels wrong that he doesn't even let Aaron consider planning. I know he wants Aaron to be more spontaneous but he should have more awareness of his friend and his habits and be able to accommodate it, not talk over it.

But it's Jesson, so misunderstanding even their simplest character is par for the course. At least episode 15 gives me Garroth and Blaze talking in the background, and I'm starved for good Blaze content, so I was eating this shit up. The problem with watching MyStreet this way is that Blaze... Just doesn't get a lot of moments... At all. There are some episodes where he doesn't even speak at all, and when he does get to talk in episodes, he gets a few lines in one giant ensemble scene.

I don't object to a show having an ensemble cast, or even a lot of characters with a few central ones, but it really is a detriment to the show that Aaron never gets a scene alone with any werewolf he isn't related to. Nana gets to talk to Blaze when she's having a crisis of her relationship history and experience, but it's just so Blaze can tell her the opposite of what she wants to hear. It's not a scene that feels like it was written for Blaze, because it wasn't. It was written for Nana.

And before some jack ass says it "Blaze is a side character he's not supposed to get a lot of focus" and I'm not asking for a lot. I watched every scene he's in in PDH to prove that it works

BECAUSE IT DID.

Blaze showed up officially in episode 18 out of 30, and he wasn't in every episode after his introduction. But the writers gave him a solid introduction, one good episode that spent most of its run time with him, and really good moments throughout the rest of his time in the series. All I'm asking is that Season 5 at least give me one of those things. Either a good episode where he and his relationship with Aaron is brought into focus, even if it's used as a vector to study Aaron's character, or just more sincere moments for him.

It feels like Blaze is a joke character now when he previously made it very clear he's far more than that.

And then they just forget about him. During the first part of the 3 part finale Blaze is there. He's the one who got everyone to gather at the docks because an mf wants to eat some scrumptious food. But when Aaron sees Ein and starts freaking out, Blaze is literally just not in the scene. At all. Not even as like a throwaway of someone who could've helped but failed, he just is not in the scene at all. It legitimately feels like the writers forgot about him entirely.

Blaze the minute the plot shows up:

He's there after Garroth gets turned and was apparently at Garroth's bedside trying to calm him down which I will be thinking about. A lot. I'll be thinking about how we deserved to see or at least hear some of it, about how the writers continue to tease me with an interesting scene that involves my favorite little fucker, about how heartbreaking it would have been to see Blaze and Melissa try to calm Garroth only for him to scream in pain and try to push them away only to reveal that Zane and Nana are able to hear the entire ordeal downstairs and Zane is panicking when he hears his brother screaming in pain. Just thinking about what we could've had if the writers actually cared about any of these characters.

And then after that he dies.

I'm not watching any of When Angels Fall because I know what's good for my health. I know what happens in Season 6 Episode 9 and that's all I need to know. It doesn't matter if the writers may have finally given Blaze an emotional scene, it doesn't matter if they finally gave him even a hint of character development, it doesn't matter if he made a connection in a real way. Because no matter what he did the result is the same. No matter what quality the writers might've pulled out of their ass, it would ultimately be in service of one end. From the start of this season these writers knew what they wanted to do. They wanted to up the stakes and add more drama to the show, and they wanted to do it by killing Blaze.

And I think I know why.

This is 100% a limited view, but I was on Aphmau Instagram at the time that this season was airing. And I ran a Blaze fan account. I talked to a lot of MyStreet fans during this time and I was constantly upset and disappointed that people didn't understand Blaze's character, or just didn't appreciate it as much as I do. Most people liked Blaze on a very surface level, or because he was attached to another character they liked. I found very few people who genuinely cared about him as an individual, probably because Blaze stopped getting scenes alone by the end of PDH, and because the Aphmau fandom (at the time) had more of a focus on shipping than character work and quality. Blaze was easily shippable with a number of characters, canonically shipped with Dottie a little, and had enough characterization that people cared about him, but not enough to get a large dedicated fanbase.

He was the perfect one to kill.

Enough people liked him because he was hard to hate, he was stapled onto Aaron's character with little regard for a story of his own, and his death could be eventually inconsequential. And it was! Blaze's method of dying is so bad it makes me physically angry!

I know the whole story for the last few seasons has been all about Forever Potions and turning people against each other, but just mind controlling Blaze and having him die while under mind control is such such a missed opportunity. There's been a disappointing lack of proper Aaron and Blaze friendship content, but they could have made up for it in this scene with just a few tweaks. Just have Blaze not be mind controlled at the end. He can still go on that rant about Aaron being the cause of all the bad that's happened, but then the words start to become... disjointed. Jilted. As if Blaze is struggling to say them because he knows that they're wrong. Aaron's his friend, there's no way he'd say that about him.

Have it break.

Have him look at his friend in a worse state than he's ever been in, and instead of approaching him with intent to harm, it's intent to heal. A final attempt at getting through to Aaron. And like the times before, it doesn't work. Aaron's angrier than ever and he isn't seeing or thinking straight thanks to Ein's bull shit. All he can see is an enemy in his way. Maybe he sees Blaze's eyes but Blaze's green eye is still Emerald Green, even if the control broke for a moment. Whatever reason, Aaron still attacks.

He doesn't realize that Blaze wasn't trying to hurt him until it's too late. Aaron's anger already ruined a friend's life, it already pulled all of them into the hell they're in, and now it's killed one of his best friends.

ONE CHANGE. THAT'S ALL IT TOOK. ONE SINGLE CHANGE TO MAKE BLAZE'S DEATH ACTUALLY MEAN SOMETHING.

Ideally I'd like it Blaze just didn't die at all, least of all before the finale, but if you're going to kill him off unceremoniously at least make it have some emotional weight. You've been neglecting him for an entire season and now you just kill him off? Just like that? Oh he gets to show up in heaven? How nice. Is it a scene where he gets to express regrets, remorse, or even give any insight into his feelings?

Of course it fucking isn't! Are you kidding me, that's not even close to what happens. I said i wouldn't watch When Angels Fall but

I LIED!!

I watched Blaze's death scene and his scene in heaven to make sure I knew well and good how badly they failed to kill off my favorite character! And man, the scene in heaven is just the worst! Blaze does a genuinely kind thing for Aphmau and decides to stay with her when she's alone because he doesn't want her to hurt. He saw how much pain Aaron was in without her. He just wants to fucking help her.

But Aphmau's too self absorbed to realize that and instead goes on a whole rant about how she always needs other people to take care of or protect her and how everyone else would be better off yadda yadda. What she doesn't realize and what Blaze eventually gets to tell her is that people were around her and took care of her because they just wanted to. Because she was nice to be around. And they never expected anything else, and never saw her as a burden.

And that's actually a really nice moment. Sort of. There's two major problems. First, Blaze gets cut off from telling Aphmau this at first because Irene has to go on a whole rant about Aphmau being selfish. And she is right in everything that she says, but it feels weird for Irene, who literally doesn't know her, to be making this judgement. This scene should have been Irene observing a conversation between Blaze and Aphmau were Blaze just tries to make her feel better.

And that would hopefully solve problem number two. Which is that what Blaze says is very genuine and heartfelt, but severely handicapped by the fact that he and Aphmau were only friends for a short period of time in High School, and an equally short period of time within the last few months. What Blaze says about why he likes being around her is true, but it would have a lot more weight if there was a chance for Blaze to have been around her as a friend more.

Fuck it, if you need Blaze to be on screen with at least two other characters, why was there never a scene of Blaze, Aaron and Aphmau just talking? Would a single scene of that fucking killed you? Just one scene would have made their friendships a lot more solid and therefore heartbreaking to lose when it gets torn apart.

Third problem, the scene ends with a focus on Irene. Blaze's words echo in her ears, and remind her of her friends. And I like that idea because I'm an absolute sucker for MCD, but it takes the scene away from the focus. This should be a scene about one of Aphmau's friends encouraging her to not give up even if it all seems lost. At least don't let her death be in vain by saying such awful things about her friends while they may be grieving. But Irene is brought into focus again because the show isn't about Blaze, or Aphmau apparently, I guess her Aphmau Main Character Powers overrides Aphmau's. She has more experience with them.

Blaze and Aphmau's very heartfelt dialogue is brought down by the fact that these two characters lives didn't intersect very directly out of high school. Through the course of Season 5 I never got the idea that Blaze was Aphmau's friend. Not to say they weren't friendly, I think Blaze adored her just as much as he did in high school, but as a viewer I was never shown that they cared particularly for one another. I believe that Blaze sincerely cared about her even after all this time, but that's not because of anything the writers did with him in these seasons. It's just because that's the kind of person Blaze is.

But their friendship not being strong really weakens the scene. This is a scene that I know for a fact worked as intended when I watched it as it was coming out. I was an overemotional mess of a 15 year old who hated how this series was going but kept watching it because it was almost over and I might as well get it done with. It pulled on my heartstrings and they sang and I cried. I cried a lot. This scene made me incredibly emotional, and it still got to me as an adult, but the devil is in the details.

Blaze and his arc might work on the surface. They work if you don't pay that close of attention to it. They work if you care more about the characters he's constantly around more than Blaze. And when I first watched Seasons 5&6, I still had a very deep attachment to a lot of these characters, especially Melissa, who he shares a lot of scenes with. So I felt... satisfied? I would've liked more, but I probably wouldn't have complained about what I got (his death scene not withstanding I always thought that was bad).

My my, how the times have changed.

If it wasn't obvious from the four thousand or so words you just read, Blaze is a rather unique case of these writers failing as writers. A rather unique case where the perfect character to fix a lot of problems with their show practically jumped up in the air waving his arms around and they still brushed past him to focus on a predetermined story he was shoved into. I don't think the writers ever really had a plan for where Blaze would go or what he would do.

A lot of Blaze's best character moments are when he isn't being written by Jesson. The reason I love the minigames so much is because there, Blaze's incredibly talented voice actor Jason Lord is actually really funny and pretty good at improv. Obviously some bits of the mini games are scripted, but a lot of them are just seeing how much voice actors can get into their characters, which he's fantastic at. A lot of Blaze's funniest moments come from this too, which is great when the writers turn him into a comedy character but the characters voice actor is funnier than they both are and is only a funny character when they don't have direct control of him. Lord is able to bring life to a character who may have been lacking it due to the simultaneously focused and unfocused way the series was written.

Blaze is proof of what happens when writers don't bother to develop their characters beyond the outline. The draft notes for PDH Season 2 said "there's going to be a wolf character who tries to become Alpha and instead stands up for Daniel when he's bullied." and then Blaze was born. The writers gave him some characterization as a treat to make the story work better, and then were done with it then and there. We fleshed him out enough, good character, time to put him in season 5 so people stop criticizing us for not giving Aaron enough friends.

But the problem wasn't a lack of quantity in friends, it was a lack of quality. It was a lack of scenes that let Aaron interact with other characters without Aphmau present. It was a lack of characters to point to that were real emotional connections Aaron had that weren't his last minute family or his girlfriend. It was a lack of attention given to the few characters that could've filled that role. Dante almost filled it in season 2, and Aaron and Garroth could have arguably become closer after everything in season 4, but at that point Aaron's entire arc became centered around Aphmau.

It was the fact that Blaze was one of the few people who ever directly reached out to Aaron and then was never given a scene alone again. It was because the writers wrote too many characters, tried to give the series a more direct focus, and then failed to account for the characters that were dragged along even if they didn't necessarily know what to do with them.

So when Season 6 came around and they decided to make the show super serious no really stop laughing, they needed characters to kill off to up the stakes. It's not like Blaze's character was going anywhere. It's not like they had a plan for him. Nothing was really being lost.

It's not like Blaze was one of the most sincere and dedicated characters in the series. It's not like he had one of the biggest potentials in regards to his relationship with Aphmau or Aaron. It's not like there was time spent proving that he could be a solid pillar of support in both of their lives even under dire circumstances. It's not like he was set up that way through individual scenes where he got to talk to each of them on a personal level. That definitely didn't happen.

TLDR: MyStreet peaked at season 2 and they fumbled the bag with the best chance to make it peak even higher and I'm forever bitter about it. Now get out of my house.

[late-to-the-party-81]

For the very first time - Chapter 3

[or 5 times the Cap Quartet slept with each other and 1 time they slept all together]

AN: Sorry for the delay - Easter Holidays and life were getting in the way, so today, you get a 241 deal - I will be posting Chapter 4 straight after this one. Set the same day that Sam meets Steve (and Nat) in CA:TWS @catws-anniversary. Catch up on Chapter 2!

Much love to my beta @kingofsorrow20

Likes are loved, reblogs are golden

Mood board by me and dividers by @firefly-graphics

Join my tag list here

Master list

Chapter Summary: Sam’s day started off weird when he found himself being lapped by Captain America when out for his morning run, but now Steve's extremely hot friend has appeared at his door. What’s a guy to do?

Chapter Relationship: Sam x Nat

Chapter Word count: 1.2k

CW: Strangers to Lovers, Flirting, Vaginal Sex, Nat going after what she wants.

Nat and Sam - May 2014

Sam was not expecting the knock at the door. He was only wearing a pair of sweats low on his hips, his skin still damp from his post run shower, but he went to open it anyway. Somehow he was not entirely surprised when he saw Steve Rogers' red-headed friend standing there, a small, knowing smile playing on her lips. 

Sam raised his eyebrow at her and she responded in kind, the unspoken communication understood by both of them. He took a step back, gesturing for her to enter, grinning as he did so and as soon as he shut the front door she was on him, pushing him firmly against his hallway wall, her blood red lips pressed to his. 

“Nat,” she mumbled against him, and it took Sam a second to understand what she was saying, as all of his brain power was currently diverted to his dick. His hands gripped her waist as he stuttered out his own reply. 

“Sam. Sam Wilson.”

“I know,” she replied, and he felt her smile into their shared kiss.

There was no real conversation after that, just the blazing heat of lust as her delicate, but no doubt lethal, fingers trailed over his exposed skin before ducking under the waistband at the back of his sweats to take hold of his ass, pulling him flush against her.

Sam started to think he might be a little in love, because, god, did he have a thing for people who knew exactly what they wanted and weren't afraid to go after it. However, part of him also thought it was a shame he didn’t get to spend more time with Steve. Oh well, he wasn’t going to complain about this turn of events and, to be honest, all thoughts of Steve departed as soon as Nat’s hand shifted and wrapped around his cock.

The action did, however, wake him up and he started to reciprocate, pushing her leather jacket from her shoulders and trying to steer them to a more comfortable place. He was more than capable of playing this out in the hallway if need be, but he’d prefer a comfortable bed where Nat could do anything she wanted to him - Sam was in no way disillusioned enough to think he was in charge here, and he was perfectly okay with that. 

He got them to his bedroom, though, and couldn’t help the grin that took over his entire face as Nat shoved him back onto his mattress and began to strip out of her remaining clothes, revealing pale skin encased in lingerie as red as her hair, lips and nails. Okay, Sam was now a lot in love, because ‘Wow!’. He wriggled out of his sweats with more enthusiasm than grace and saw Nat smile enigmatically before she climbed onto the bed, moving her body over his, her lace covered core scratching gently over his rock hard cock. 

He shuddered slightly and Nat cocked her head to the side.

“You like that, Samuel?”

He bit his lip as his head tilted back, and he nodded.

“Yeah.” At his admission Nat curled her nails into his pecs and raked them down his chest, raising welts in their wake. Sam bucked his hips up in response. 

“Oh fuck!” he shouted. “You’re gonna kill me, aren’t you?” He wasn’t even sure if he was joking or not, but if she really was gonna kill him, this was the way he’d want to go. However, Nat just leant forward, her warm breath ghosting over his lips, as she undid her bra and discarded it across the room.

“Only le petit mort.”

“My kinda gal.”

He raised his hands to cup her breasts, absolutely struck by how pale her skin was. He could see some fading bruises along her ribs and on her forearms, and part of him wanted to kiss every blemish in the hope they would then disappear. However, her breasts were more tempting. He rolled each peak between his fingers, watching as Nat shuddered atop him.

“Please. Can I?” His words weren’t working, but somehow Nat understood him. She moved a bit more and then Sam was in heaven as his lips latched around one pink nipple, suckling on it greedily, while continuing to play with the other. Nat let out a pleasured sigh and Sam felt pride well within him. He wanted to make her feel good and was happy he was achieving his goal. He was generally a giver in bed, getting pleasure from his partner’s pleasure, although he wasn’t above being a pillow princess every so often when the mood took him. 

His free hand skimmed down Nat’s side, and he felt the firm muscles under her soft skin. He had the feeling that he could be rough if he wanted and she would welcome it, especially given how she’d already marked his skin. However, now wasn’t the time. Maybe there would be other chances in the future.

Nat shifted above him once more and Sam got the hint, switching to her other breast, but the air was driven from his lungs the moment he felt her take hold of his cock before it was then enveloped in her warm, wet heat. He still felt the scratch of her panties against his hip - she must have just moved them to the side - but then his brain was gone as Nat rode him, just taking what she wanted from him as he continued to lavish attention to her breasts in turn. 

It was instinctual to thrust his hips up to meet her movements, and Nat didn’t complain. Her hands were on his headboard as she moved, her cunt clutching and pulling at his cock, and Sam had no idea how he hadn't already come - this was by far the most erotic encounter he’d had in a long time. ‘Sexy assassin coming to hit him up for a booty call’ had not been on his bingo card for this year, but he was definitely not mad about it. Far from it.

Nat began to let out louder noises, a series of guttural moans and grunts, and Sam sucked harder on the tit he had in his mouth, flicking the engorged nipple with his tongue. His spare hand rested on the small of her back, helping to guide her movements that had got more erratic. It was only a few moments later when she threw her head back, looking like a goddess above him, and her cunt clenched hard. Sam felt the strength of her orgasm, the way his cock was almost strangled by her body and he fucking loved it. He couldn’t hold back any longer and spilled into Nat, his own cries muffled into the soft flesh of her chest.

She collapsed on to him, both of their bodies covered in a sheen of sweat. Sam was certain that he’s breathing harder out of the two of them, despite not doing the majority of the work. This didn’t surprise him in the slightest. 

However, when Nat finally climbed off him to flop onto his mattress, her skin flushed pink, Sam was surprised when the first thing she said was “So, do you think Steve’s cute?”

Chapter 4

Tag list: @km-ffluv, @wheezy-stucky, @kmc1989, @kombatfather1796, @christywrites, @doasyoudesireandlive, @sonatabee-blog, @endlesstwanted

[mashounen1945]

A whole-ass analysis of Sonic's relationships with women, started by one stupid meme I saw on Discord

Description: Eggman showing a photo of Sally Acorn (from Sonic SatAM, with a design from the Archie comics), Queen Aleena (from Sonic Underground), Blaze the Cat (from the videogames, with a design from one of the 2010s games) and Princess Elise (from Sonic 06), pointing at that photo and saying "Dear Sonic fans: if Sonic is a freedom fighter, why does he keep supporting monarchs? Curious."

I know this is supposed to be funny (and Eggman is being fallacious in order to make his nemesis look bad, which is to be expected), but it actually got me thinking.

We've all seen at least one Sonic fan complaining (either rightfully or not) about writers always trying to shoehorn introduce a human girl as a new love interest for Sonic. This seems to happen no matter what piece of official Sonic content it is, whether it's made in Japan or made by Western authors, whether it's tie-in/licensed media or material directly controlled/overseen by SEGA and Sonic Team.

Well, here's another similar phenomenon, which is why I'm writing this: in so many continuities both Western and Japanese, there's frequently a female character from royalty whom Sonic becomes or already is emotionally close to.

In the Discord server where this image was posted, someone else brought up a good point: Sonic being a "freedom fighter" or any other sort of guerrilla warrior is a thing only in the now-defunct Western continuity (SatAM & Archie, and the British comic published by Fleetway), whereas he's "just some guy doing his own thing" everywhere else. The interpretation of "Sonic is a free spirit" by the many branches of the Sonic series comes into play here, too: "just some guy" Sonic from the videogames and "freedom fighter" Sonic from SatAM are different interpretations of that description of the character's personality (this will be important later).

After looking at that image, I realized something else: in most cases, the fact that those characters are royalty either isn't heavily relevant to the plot or isn't treated as something unequivocally good/desirable.

Sonic SatAM didn't really emphasise Sally being a princess and the heir to the Acorn King's throne. It was in the pre-reboot Archie comic that some writers started focusing on Sally's status as royalty... and also being weird and creepy about it in the process (pre-reboot Archie-Sonic is also the only piece of official content outside of Sonic Underground where you'll see Sonic actively defending a monarchy, albeit this happened only because of Ian Flynn's awkward attempt to create drama, not because he intended to convey a pro-monarchy message through his stories).

The same happened with Blaze: as far as I remember from playing Sonic Rush, her being a princess is casually mentioned a few times, and this happens mostly when Blaze is talking to herself and thinking about something, not during a conversation with another character (there's one specific instance where Blaze's status might be relevant for her character arc, but I'll talk about that later). Something similar happens with Merlina in Sonic & the Black Knight: she's royalty as well (Kinda? I'm not sure which exact position she used to have in Camelot's society before Sonic showed up, but I'm sure it was an important one), but the conflict she's part of is related to a different facet of her personality, and you could tell the story anyway without mentioning Merlina's status.

For Blaze and Elise (and Sally, but only when the writer is not Ken Penders or Michael Gallagher), if any of those characters being royalty is mentioned or focused on, it's not really portrayed in a good way or as something that makes any of them happy. Blaze being "the princess of Sol" comes with the duty of protecting the Sol Emeralds, which led to her isolating herself, and her character arc in Sonic Rush is all about overcoming that and trusting others once again.

As for Elise... Well, there's a reason why, when people try to argue the story for Sonic 06 could have been great if given enough time, they often use Shadow's or Silver's story rather than Sonic's as an example of 06's potential, but still... At least the bones for a compelling story surrounding Elise are already there, and I'm willing to bet it'd be kinda similar to Blaze's character arc in Sonic Rush.

And here's another similarity between Blaze and Merlina. The latter felt she had the duty to save Camelot at all costs, and while it's debatable whether or not Merlina was being emotionally crushed by that self-imposed duty in the same way Blaze, Elise and Sally were, it's clear that her obsession with that duty backfired spectacularly and ended up being potentially harmful to everyone else in Camelot in the finale of Sonic & the Black Knight.

[The only exception to all this, as well as the only case where Eggman may be at least partially right in that meme, would be Queen Aleena (who also breaks a trend here, since she's Sonic's mom in Sonic Underground). But the consensus in the Sonic fandom is that Underground is so far removed from what both the character and the franchise represent that it's not really Sonic content anymore, so it doesn't count.]

Another important thing here is the whole thing about Sonic being a "free spirit", and here's where someone else (in another, different Discord server) said something like this:

This just circles back to being "free". When Sonic writers focus on characters being of royalty, it's usually shown that having to run things in an entire nation, being responsible for the well-being of everyone there, realistically is a difficult thing to handle, especially for someone who's a late teenager or a young adult at most (Blaze, Elise), even without all the magical/mystical baggage that comes with having to guard/protect a source of near-godly power (a parallel universe set of seven Chaos Emeralds, a dormant half of a God of Time) on top of being expected to rule an entire country and care for its people. Sonic is a "lost factor" that characters like Blaze, Elise and Sally need in order to feel a bit of happiness and relief because he's "just there", but he still fights for everyone he cares for when he needs to.

This could also be applied to Merlina, and even the genie Shahra in Sonic & the Secret Rings (shout-out to @silvermun for accurately pointing out the similarity between Elise, Shahra and Merlina regarding their motifs in their respective stories).

[muses-morii]

Oh No, he's hot.

Fanfiction time with Soap! Yay! I'm writing SoRiku again! @bloodbondcd - not exactly a starter, it can be if you want! I just mainly wanted to post this cause I thought it was cute! Haha! <3

~ Sora~

What a weird thought. Sora blinked at the words on the pages of the book. Seeing them, but not reading them. He was sitting in one of the tower common rooms, elbow on the arm of the couch, propping his head up, legs crossed, book held in his other hand. He'd been reading it, because it had seemed interesting; some theory about some ancient dark creatures that were rumoured to have at one point, plagued the worlds; The Faceless. Then a thought slipped in between the words on the page, that had given the Keyblade Master pause. Giving his head a small shake, licking his lips and snuggling back further into the couch, Sora continued reading. Or, he tried to anyway, but the thought kept coming back. Riku's hot.

Grimacing, Sora narrowed his eyes and stared at the book, determined to get through the damn sentence. Like, actually though. Not like he's wearing too many clothes, but like hot, hot.

Eye twitching, he shifted on the couch, leaned forward and gripped the book with both hands, bringing it closer to his face, his eyes burning through the book. Actually, he does wear too many clothes. “Augh!” Making a sound of frustration, Sora threw himself back against the couch and slouching, pressed the book to his burning face as his mind supplied him with images of Riku naked. Which surprisingly, wasn't hard to do. He'd seen the man naked before. They'd been friends and comrades in arms long enough for that to have happened more than once.

So why did he look so damn attractive in his head!? He was his best friend for gods sake!

Not just in my head. Squeezing his eyes shut, Sora grit his teeth and tried to think of anything else, but his brain just wouldn't drop the image of Riku, with his rippling muscles, toned legs, big arms and buff chest coming closer to him and--- Whoa! Face burning, Sora pressed the book harder against his face and slunk down further on the couch. Biting his lip, he gave up all pretense of trying to read the book and let his brain look at that image again. The scene that was starting to play out in his mind. Maybe Riku was hot. Oh man, he totally is.

Sora sunk down a little further, hands tightly gripping the edges of the book. Riku coming closer. Riku taking him into his arms. Riku leaning down and lifting his chin... Wow. Wow was right. Nothing like the realization you're attracted to your best friend while reading a book about blood thirsty cryptids. Sora rolled his eyes. It wasn't a realization. It was hardly the first time he'd had these thoughts about Riku. He'd been having them for a long time. He couldn't say for sure when they started. When they were kids? When they were figuring out how to save the Worlds instead of worrying about homework? Honestly, there'd just never been any time to really sit down and think about it. Maybe it was when Riku became his Dream Eater that he started thinking about him that way. The door opened suddenly and Sora shot straight up, face blazing and fumbling the book. “I'm not thinking about, Riku!” He shouted, just to make sure the Broom knew he was actually thinking lewd thoughts about the man. He stared at the Broom and oddly enough, the Broom, unmoving, seemed to stare back. The silence stretched on for seconds, turning into minutes and then the Broom went about its cleaning and Sora huffed out a sigh of relief. Dropping his head to his chest and letting his hands (and the book) rest in his lap. He was going crazy. These thoughts kept cropping up lately. He always tried to shrug them off, or distract himself with something else, because who the hell thought about their best friend in that way? There was some cardinal rule against dating your number one, wasn't there? Aqua and Terra are a thing.

Okay but, that was different.

Is it though?

They had history.

So, what do Riku and I have? Water under the bridge? A bag full of gummies, but no blueprints?

Sighing again, Sora looked up, one hand coming to rest on the back of his neck. He'd been having these thoughts for years. Even when they were on the island as kids. Riku was always good looking and powerful and back then, he'd just decided it was envy.

Then, when Riku went missing with King Mickey, he'd put everything he had into finding him, because he was his best friend, right? Then there was Kairi. It hadn't worked out.

He'd broken her heart.

He just didn't feel about her, the way she wanted him to feel. Rubbing the back of his neck, Sora looked towards the bookshelf, wondering if there was something on it that would explain what was happening to him right now. He knew there wasn't. The very idea that Master Yensid would have books on sexual attractions was laughable. Maybe Romantic attractions too? No, not unpacking that one yet.

Standing up from the couch, Sora stepped over to the bookshelf and absently slid the book back into place, his eyes unfocused and looking at something beyond the room.

Riku was hot. Sora did want him to hold him in his arms and touch him and... And kiss him.

And as his brain supplied images of what all could happen, he put his newly blushing face into his hand, eyes closed, his other hand dropping away from the book. Despite his embarrassment, he didn't try to banish the thought this time, instead letting it play out in his mind until it became too raunchy and he looked up with a sharp breath, hands twitching before him as he wondered what he was supposed to do with them. “Oh man...” Where even was Riku? Unbidden, Sora moved away from the bookshelf, his mind stuck on that thought. Where was the man in question? The current object of his desires? Leaving the common room, he looked both ways down the hall and then headed for the stairs.

First, his feet took him to the kitchen, then the big dining hall, then Master Yensid's study - “Sorry sir! No, I don't need anything!”

But he did. He needed Riku's hands on him.

He quickly shut the door of the study, took a few breaths and then opened it back up. “Um, have you seen, Riku?” How many times, over his life had he asked that? How many times had he been chasing after him? “Yes, he was just here. I believe he went to his room.”

“His room? Okay! Thanks!”

Bidding Master Yensid goodbye, Sora pulled the door gently shut and then made his way through the tower to the dormitory wing. He remembered how much of a headache this place had first given him when he was trying to figure out how it worked. Now, he just knew where to go like it was second nature. Reaching Riku's room, Sora stood in front of his door. What am I doing? He raised his hand to knock.

What do I want to happen here? He let his hand drop and stared at the door, giving a soft sigh. I want him to want me.

“Yeah right...” Sora muttered quietly and shifted to the side ready to leave when a noise sounded behind him. “I want Riku!” He announced loudly, which was totally not what he wanted to say. Spinning around, he stared at the Boom carrying buckets of water, hands clapped over his mouth. The Broom, stared back and Sora wonder if it could douse him with one of the buckets while he drowned himself in the other.

Then Riku's door opened and Sora whipped around with a surprised look on his face.

[james-fun-in-the-sunderland]

Mob Psycho 100 for fandom! And Amy from Sonic for character~

omg hello thank u niru c:

obligatory link back to the original ask game

Mob Psycho 100

sorry that alot of these repeat and probably arent like insane thoughts, i was only big into mp100 when i was like 16 and finished the anime like a year ago 😭

Favorite character: Serizawa c: hes a 6w5 so legally i must enjoy him but also i just like him ... he has curly hair and is cool OH AND TOME !!!! shes fun :) i dont fully remember my interesting thoughts on her but i enjoy her and how she works for reigen post canon. i think her weird girl charms get to me

Least Favorite character: uhhhh probably mogami or shous dad... theyre both just annoying like whateverrr stop being a dumb adult stop beefing with 15 year olds losers...

5 Favorite ships (canon or non-canon): 1.... serirei?? is that the ship name. serizawa and reigen. basically canon ? 2. mobteru again basically canon 3. . um . theres not much ships i really have with this show so idk if i can do 5 but i can at least do three bc i think tome and mezato is cute :) i briefly became obsessed w them for a bit after season 2 .... i think the ship of the two claw guys . the like sword one and the other guy is pretty cool...

Character I find most attractive: serizawa. who would have guessed.

Character I would marry: nobody everyone here has many red flags also theyre 90% children

Character I would be best friends with: if i was a teenager there is a non zero chance i genuinely would be besties with tome but also maybe slightly find her annoying. but also maybe i would become besties with mob. in normal life none of them bc i would never talk to children or the adults in the show

A random thought: i think reigen is one of the last tumblr sexymen before that term really became used as meaning: character im sick of seeing so much of... but also i could be wrong. also can everyone stop drawing serizawa with straight hair ... i know they do in the manga/anime but if he had curly hair before they cut and washed him then it wouldnt go away. thats not how hair works and i should know as ive lived with it for like years.

An unpopular opinion: mogami arc wasnt that good, stop using it as an excuse to be weird abt child characters plsss

My canon OTP: nothing is canon :/ so

Non-canon OTP: serirei as i said above ☝

Most badass character: mob :] hes cool and awesom... but also i do think

Pairing I am not a fan of: idk if its bc i dont remember much but i cant see shou and ritsu as much more than besties but also obvs im not at all a fan of the . weirdly large amount of reigen and mob stuff like whats wrong with you all im killing you . i also just dont care too too much about ships between teenage characters so many of the ships in the fandom are like yea thats alright, also can see them as just besties, u kno?

Character I feel the writers screwed up (in one way or another): i didnt realize how little there was of serizawa in the manga or the anime .. i feel like he had more when i first read it ???? anyway he should be there more .

Favourite friendship: i think mob and reigen are fun as friends :) especially as they grow older, i think the dynamic would be fun. also teru and ritsu are fun when theyre together. worlds most dramatic 12 year olds.

amy will b under the cut

amy rose :)

How I feel about this character: I like her !!! i feel like shes not talked about much outside of ships which is a shame because i feel like if people came together on her character (this includes people writing canon) then there could be a compelling character here that wouldnt deny her roots or just stay the same sort of trope she used to be. I cant deny i do enjoy that they occassionally dip into her little interest in tarot :) its nice to see that trait remembered.

All the people I ship romantically with this character: sonic of course, shadow, blaze a bit?, metal sonic anddd... yea thats it

My non-romantic OTP for this character: i think her with silver or knuckles is always fun :) idk why i think its because they bounce off of each other well. equal levels of no braincells happening here at least with silver. and with knuckles i feel like they could have a fun brother sister dynamic.

My unpopular opinion about this character: what is the popular opinion on her .... idk ill just use this as more of me talking about her character in general. i wish people would use her abandonment issues more, or at least like integrate that into her character since i think its a trait that shows up a bit in the little visual novel and in sonic frontiers and i think that makes sense as a trait for her

One thing I wish would happen / had happened with this character in canon: if she was ever playable again . I HAVENT played the sonic frontiers dlc but i think giving her a little spin off game ala the princess peach games would be fun. maybe then her team from sonic heros can be used again and i could like care about big and cream outside of them being sparingly used in canon .. and big not just being a joke ... also i just want more development for herrr im always begging for development or character in this series i know its for children but plsss also i wish they would like actually like .. fully deal with her whole thing with sonic... it feels like they wanna pretend her obsession just never happened and wasnt like the main thing with her character before they basically turned her into sally acorn.

My OTP: honestly ive really come around on amy x metal sonic :) i think mainly bc i cant see her with sonic at all (<- sonadow truther) and also i think it could be interesting if i thought about it more deeply

My OT3: amy x sonic x blaze i know i just said i cant see her with sonic but this is the exception, if i had to have an ot3 it would be this .. otherwise idk if i would have one.

[mariana-oconnor]

The Cardboard Box pt 1

An uninspiring title, but apparently it's controversial? All my brain is thinking (I am still le tired) is 'Big fish, little fish, cardboard box' over and over again.

If you don't get that reference, that's probably for the best. the early noughties were weird.

Anyway. I hereby do swear that this time I shall read the text more carefully and all my claims, accusations and harebrained ideas will be based in textual evidence and not mere vibes alone. One cannot thrive on vibes alone!

I'm going to try anyway. I may still dislike characters on principle, though.

He did however take a particular fancy to some of the paragraphs at the beginning of the tale and urged me adapt them for later revisions of my story ‘The Resident Patient’, which I sent to you in January.

OK, so is this going to be an AU version of The Resident Patient? Because I feel like that gives me a head start on the guessing.

I did a side by side of the two and overall it seems pretty much the same, except we're now in August and it's blazing hot. I shudder to think how Watson would have described August in the UK last year. Then we have the discussion about Holmes reading Watson's mind body language. Until we get to the first significant difference:

"Have you observed in the paper a short paragraph referring to the remarkable contents of a packet sent through the post to Miss Cushing, of Cross Street, Croydon?” "No, I saw nothing."

Aha, the titular cardboard box, one wonders?

Watson is really falling behind in his paper reading duties. Holmes is doing all the legwork here. Honestly. You just can't get a good chronicler these days! But he's still making Watson read it aloud.

Holmes does like hearing things read aloud. He'd be all over audiobooks, but he's got Watson for that so it's all good.

I picked up the paper which he had thrown back to me and read the paragraph indicated. It was headed, “A Gruesome Packet.”

Ooooh, I think I might remember a bit of this one. I might remember what's in the box, anyway.

Sorry, that was my contractual obligation.

“Miss Susan Cushing, living at Cross Street, Croydon, has been made the victim of what must be regarded as a peculiarly revolting practical joke unless some more sinister meaning should prove to be attached to the incident."

If it's what I think it is then practical jokes were significantly more aggressive in the Victorian Era. I don't think even TikTok has graduated to this level. We're getting a pretty weird look at the 1800s English sense of humour: beating other children with sticks and... this.

"A cardboard box was inside, which was filled with coarse salt."

Everyone needs some seasoning on their... "two human ears [...] quite freshly severed".

Okay, poor taste, poor taste. I know it's there for preservation. Also weirdly I thought it was going to be fingers. Don't know why I thought that. But yes, this is quite the jape, my friend. I just cut off some human ears and sent them to you.

How is this a practical joke? These are genuine freshly cut ears. Even if they're from a cadaver, that's theft and criminal damage at the very least. Isn't it? And I thought they were particularly strict on stuff like that in the 1800s. We're a little late for the Resurrection Man and Burke and Hare, but they did not like people messing around with corpses.

Okay, research research: 'The Anatomy Act of 1832 made it legal for corpses from workhouses that remained unclaimed after forty-eight hours to be used to satisfy the demands of the anatomists.'

Welp, I guess it was okay to do anything to corpses if they were the corpses of poor people with no friends or family (or at least no friends/family who could afford to claim them).

I mean, on one hand it stopped people from being murdered and science needed bodies to learn how bodies work better (good lord did we need to learn how bodies work better) but on the other hand, this does make me uncomfortable. Workhouse in life, still put to work in death. Also, from a purely scientific viewpoint, your sample is biased. You need some rich people bodies in there, too.

"There is no indication as to the sender, and the matter is the more mysterious as Miss Cushing, who is a maiden lady of fifty, has led a most retired life, and has so few acquaintances or correspondents that it is a rare event for her to receive anything through the post."

So, either she's secretly running an underground crime ring. Or the ears were meant for someone else with the name S. Cushing.

"...she let apartments in her house to three young medical students..."

Oh, yeah, fine. All makes sense now. Medical students are fucking feral. I have met literally one in my life who I would have been comfortable to have as a doctor, and I think he was just really good at hiding it. Guy once got 'kidnapped' by an entire female hockey team and ended up in an entirely different city. Another one I know just kept a dead squirrel in the shared freezer so he could do dissection practice on it.

I'd put the Dead Dove, Do Not Eat gif, but he didn't even label the fucker.

"...their noisy and irregular habits..."

Medical students... yeah.

"In the meantime, the matter is being actively investigated, Mr. Lestrade, one of the very smartest of our detective officers, being in charge of the case.”

Oh hai, Lestrade!

At least the police are putting an actual detective on the case and not just saying 'oh it's a silly prank' and ignoring the transportation of human body parts. Was it illegal to send human remains by the royal mail at that time?

“I think that this case is very much in your line. We have every hope of clearing the matter up, but we find a little difficulty in getting anything to work upon."

'We're totally going to do this, we just don't have... any idea how. But we totally could!'

"The box is a half-pound box of honeydew tobacco and does not help us in any way."

Did somebody say... TOBACCO?

A specialist subject has entered the chat.

If Holmes doesn't use his extensive and very detailed knowledge of tobacco to help solve this case, I will be v. disappoint.

Lestrade, as wiry, as dapper, and as ferret-like as ever...

Watson is contractually obliged to remind you that Lestrade looks like a ferret every time he appears. His publisher insists on it.

I'm informed that an antimacassar is an arm cover for an armchair or sofa. My Nana used to have them. They had tassels and I'd get told off for plaiting the threads in the tassels together. Good times.

“Why in my presence, sir?” “In case he wished to ask any questions.” “What is the use of asking me questions when I tell you I know nothing whatever about it?”

Miss Cushing has very strong Done With This energy and I am here for it. Those are not her ears. She has perfectly good ones thank you very much, and she does not need any more. Why are you still bothering her?

“Quite so, madam,” said Holmes in his soothing way. “I have no doubt that you have been annoyed more than enough already over this business.”

Holmes once again showing that he does have emotional intelligence no matter what people might think.

“The importance lies in the fact that the knot is left intact, and that this knot is of a peculiar character.”

Oh, not the tobacco knowledge, but the knot knowledge. I see 'peculiar' and 'knot' in the same sentence and I immediately think 'sailing'.

Address printed in rather straggling characters: ‘Miss S. Cushing, Cross Street, Croydon.’ Done with a broad-pointed pen, probably a J, and with very inferior ink. The word ‘Croydon’ has been originally spelled with an ‘i’, which has been changed to ‘y’.

Our sender has poor handwriting and poor spelling, then. The 'wrong person' theory is growing stronger. The likelihood that Miss Cushing is a criminal mastermind diminshes. Shame.

He took out the two ears as he spoke, and laying a board across his knee he examined them minutely.

Is he wearing gloves? Please tell me he's wearing gloves.

“Bodies in the dissecting-rooms are injected with preservative fluid. These ears bear no signs of this. They are fresh, too. They have been cut off with a blunt instrument, which would hardly happen if a student had done it."

This feels like something the police should already have noticed. If the questions are 'Where did these ears come from? Has a crime been committed?' you would think someone would have considered whether they were from a preserved corpse or someone fresh. I know that policing has changed a lot since then and forensic medicine wasn't really a thing, but clearly they suspected foul play was a possibility, because Lestrade called for Holmes.

"We know that this woman has led a most quiet and respectable life at Penge and here for the last twenty years. She has hardly been away from her home for a day during that time."

Oh, Lestrade. The things you can do without leaving your home. She might have anyone buried under the floorboards. She might have been sending blackmail letters to her neighbours. She might have been doing any number of things. I still think the wrong person got the parcel, but saying that she's just too respectable for this is very optimistic of you.

I do agree that if she knew what the ears were about, she probably wouldn't have told anyone about them. Unless she's in such a secure position that she doesn't think anyone would ever trace anything back to her. In most situations, it wouldn't be the best move.

"One of these ears is a woman's, small, finely formed, and pierced for an earring."

Did no men wear earrings in Victorian times? Admittedly, probably not 'respectable' men, but the knot's already pointing me at sailor (as is the tarring on the string, tbh) and it used to be a thing that tattoos were mostly a sailor thing over here, and piercing is a similar kind of body art. So a woman or a sailor with small ears.

omg. pirates.

"The other is a man's, sun-burned, discoloured, and also pierced for an earring."

Oh, okay, so the earring wasn't the thing. Doesn't prevent the first ear from belonging to a small pirate, though. Sunburned also makes me think sailors. They have to be outside a lot with no shade. Sunburn on your ears is the worst. They have my sincere sympathy.

Also, y'know, cause they got their ear cut off - with a blunt blade, which... eesh.

"These two people are presumably dead, or we should have heard their story before now."

I mean, they could have been kidnapped and this could be proof of life. These days if you get an unsolicited body part in the real life mail the mind does go to kidnapping. Maybe that originates here - but they have no way of knowing whether the ear was detached ante or post mortem at this point, do they? So it's more proof of having, rather than proof of life. And I don't think I'd recognise my friends or family by their ears, so it's not even really that. If the earrings had been attached then I might recognise them.

Yeah... s'weird. But it doesn't necessarily mean they're dead. Although... Victorian hygiene and understanding of germ theory.

...

Yeah, they've got sepsis. They're dead.

Question spiral! Holmes just asking himself question after question is very relatable. And bringing up all relevant points about how if Miss Cushing knows what's going on, taking the ears to the police but telling them nothing is the weirdest possible response.

I'm assuming that the subject of this email is wrong, because if this is part 1 of 1, there is no conclusion to this story and so without further evidence, I am forced to believe that one large pirate and one small pirate, genders unknown, are currently dead/dying of sepsis and the true recipient of these ears, M. S Cushing (any or all letters interchangeable) has heard nothing of their fate. Although, given it was in the newspaper, they probably have heard about it by now. So maybe they don't need the ears.

No idea why the ears were sent though. Proof of a hit? Proof of life? Just a creepy serial killer who likes to send the ears of their past victim to their next victim? Probably not that one, seems a bit Criminal Minds for a Sherlock Holmes story, but you never know.

[nitewrighter]

Hi! I'm very new to the overwatch Fandom and am currently obsessing over your fan kids (specifically Seye bc I don't see a lot of doom content and I love him) ANYWAY, doomfist does die, right? If so, who is it that kills him, and how do Seye and his mother react? I did read the post about Seye eventually destroying the doomfist with some help, but am super curious about some of what happens in between and after :>

Wow! Asks that make me dig through my ancient 'Marsey' tag.

To be honest, I used to be SUPER protective and vague when it came to stuff at this stage of the story I wanted to tell with my fankids, and was also being sadly dangled along by Blizzard's breadcrumbs of lore---I was in a dance with Blizzard where, I did have a very strong idea of how I wanted the story to end, but I was also dependent on Blizzard for canon lore so that I could make my ending the most accurate, the most satisfying. But seeing as there's basically only lore drops now because Blizzard no longer gives a shit about continuity or quality, and basically the cast has expanded so much since I initially plotted it out that I'll probably have to reconfigure this ending in some capacity anyway, I can talk about it now.

Basically there were two avenues I could have taken with Doomfist, the first one, that actually had those Marsey fics, where it was basically a 'continuation' of the Doomfist cycle, that is, some guy challenges Doomfist for the gauntlet and is able to kill him and take the gauntlet, which obviously puts Seye into a lurch as Doomfist's son and the previously assumed successor. I literally didn't have a name for this would-be killer, and in a way, it didn't really matter because you as the reader weren't supposed to see Doomfist's killer as the rightful bearer of the mantle and Seye's whole arc would be defeating this guy (with Marti's help) and then basically shutting down the weird Metal Gear-esque war cult that's risen around the Doomfist gauntlet as a symbol.

The other option was that Doomfist would be killed in the Final Battle™ at Nepal by... drumroll... Junkrat and Roadhog. NOW BEFORE YOU YELL AT ME, Junkrat and Roadhog would also die in this fight. Roadhog would die before Junkrat, but Junkrat would basically be talking to a very clearly bled-out-past-the-point-of-no-return-and-unconscious Roadie like, "It's okay, Roadie, you can take a nap. I can wrap this up," Before pulling all of the pins on all the grenades on his little chest harness while clinging onto Doomfist. Okay you can yell at me more now. But mostly I loved the combination of dramatic irony of Doomfist being consumed in these fires of chaos, and of the ~Junkers~ of all people going out in a blaze of glory against one of Overwatch's Final Bosses. I had this in my brain for years before Junkrat even got his "I killed the Doomfist!!" elimination line, btw. Doomfist views conflict as its own sort of order, but ends up getting killed by the wacky Mad Max randos who have kind of been the comic relief this whole time. Basically the fact that the Doomfist gauntlet itself would also be destroyed in this kind of fight would aslo be the thing that ends the cycle. That was also the battle that was vaguely referenced in this fic.

In both potential deaths for Doomfist, Seye becomes disillusioned enough with Talon as an organization to basically split off and form his own splinter mercenary organization (I was going to use my Talon Goon OC's as his starting lineup, haha), and he also attempts to create his own mantle as "Earthshaker" but he's still deeply affected by Doomfist's death because that's so much of his identity and he's had this enormous fear of irrelevance all of his life. Like this isn't just the grief of losing a father, this is the threat of oblivion that he's dreaded his entire life. As for Seye's mother, Tejuka, it's less of a blow to her--she more or less came to terms with the fact that Doomfist really doesn't have the philosophy or lifestyle to "go peacefully in his sleep," and that's one of the reasons why they divorced and she put so much effort into grooming Seye to actually be the successor of Ogundimu Prosthetics. Dying is easy, living's harder, etc, etc.

[slusheeduck]

Fictober 2023 Day 15 - Prompt: "It's all right, I'm here now" Fandom: Baldur's Gate 3

“This is hopeless.” It wasn't often such a sentiment came from Wyll of all people, but the utter despair reflected in the mirror in front of him said that this was serious. Karlach caught sight of him as she passed, and she quickly went up to him.

“Something wrong?” she asked, looking him over. “Gods, you look like you just lost a fight with a Gelatinous Cube.”

“I tried what you said, with the seed oil and…” He let out a little sigh of despair. In his hands were a small bottle of seed oil and a washcloth, and it seemed like he’d gotten oil everywhere but his horns. “This is much harder than I thought. I have a new respect for every well-kept set of horns I see.”

Karlach clicked her tongue. “Aw, poor thing,” she said, then gestured for the oil and cloth. “But it’s all right, I’m here. Let Mama K get those horns spic and span.”

Wyll let out a grateful sigh, gladly passing them over. “Much obliged.” As Karlach bade him to sit, he looked a bit sheepish. “Between you and me? I’m a…little more concerned with appearances than I like letting on. It’s one of those things in court life that never quite go away.”

“Hey, nothing wrong with wanting to look good,” Karlach said, mopping up the oil.  She gave him a grin in the mirror. “We can’t all wake up as blazing hot as me every morning.”

Wyll laughed. He glanced up at her as she poured some oil into her palm. “Is this…weird? I mean, I spent a lot of time with tieflings, but if it’s something, ah, personal…”

“It’s not a sex thing,” Karlach assured. “A lot of romance writers just see the chance to use ‘horny’ literally and can’t stop themselves. It’s a bit funny, actually.” With practiced hands, she rubbed the oil along one of his horns. “In my experience, it’s like braiding hair. Get your friends in for a sleepover and talk about who’s cute while you’re getting all dolled up.” She grinned as she poured in a bit more oil in her palm. “So, Wyll, anyone you’ve been looking at?”

Wyll snorted. “The worm in my head’s taken me out of the dating pool for a while, I think,” he said. “Aw, I dunno, Lae’zel seems to like you. Could be worth a go.” She leaned down. “I saw her headed to your tent at the celebration…”

“I thought she just wanted to talk!” he said with a laugh. “We’d literally never spoken before then, and so I was talking about what we’d done so far, and she just stormed out.” He looks up at her. “What about you? You’ve cooled down enough to touch people—tried shooting your shot with anyone yet?”

Karlach sighed. “Nah. I had my hopes, I’ll admit, but I don’t think anyone’s quite ready to take ol’ Karlach for a ride yet.” She toweled off the excess oil. “Anyway, I don’t think anything’s gonna feel quite as good as kicking Gortash’s stupid face in. That might just do it for me, honestly.” She stepped back, looking over Wyll in the mirror. “There you are! Aren’t you a handsome devil?”

Wyll leaned his head back up to smile at her. “Thank you, Karlach. I can’t tell you how much I appreciate this. Anything I can do for you?”

“Well, if this were one of the romance novels you keep trying to hide from us, I’d say there’s a few things you could do,” Karlach said with a wink.

“I’m not…I don’t--!”

Karlach threw her head back in a laughk as Wyll rubbed his now-red face. “You really gotta be more careful when we’re packing up! I saw that copy of Wanting in Waterdeep that fell out of your bag last move.” She gave a big grin, rubbing his back. “Okay, okay. Really? Really really? I’d like to dance with you sometime.”

Wyll’s eyebrows rose as he got up to his feet. “You would?”

“Fuck yes, I would! I love dancing!” she said brightly. “I always wanted to learn those fancy upper-class dances.”

Wyll smiled, then gave a little flourish of his hand before giving her a deep bow. “Then, my lady, it would be my honor to ask you to dance.”

Fictober 2023 Drabble Master Post

[isan0rt]

Lmao I don't know if it's a benefit or not but one weird thing for me I think getting into FE3H a couple years after the fact was that like. Three Hopes came out so soon after I finished my original playthrough of Houses (by which I mean uh. Playing Azure Moon, Cindered Shadows, Silver Snow, Crimson Flower, and Verdant Wind consecutively in that order and then Azure Moon again for 'understanding the context and capping off the experience' reasons in a six month, 500-hour marathon) that I just launched right into it, and like. Never solidified my feelings about Houses and the lore in that before I played Hopes (in an Azure Gleam -> Scarlet Blaze -> Golden Wildfire 200-hour marathon).

They were all kinda one experience. My brain internalized the lore of both games as one consistent and cohesive whole without really like, seeing the lore in Hopes as any different than just another route of the same game. Both games already have multiple routes that give you pieces of the lore, it didn't really feel any different to me to be getting more lore in the routes where Byleth didn't kill Shez. So both games ended up having equal weight to me in terms of like, forming an impression of the characters in the games and who they are as people and what's important to them.

Anyway this post brought to you by rereading through Dedue supports and going "oh a bunch of people never saw this support chain with Petra huh. That explains so much."

[whisper-and-tangle]

{Introduction!}

Hey! This is a quick (long) introduction to my blog, and some of my sideblogs.

You don't need to read this, but it's got a few things about my blog.

ME!

Okay! Here's some stuff about me and this blog!

I post alot of IDW Sonic spoilers. They're tagged with IDW Sonic spoilers, but still, be warned.

I, predictably, love Whispangle. This was kinda obvious, but putting it here anyway.

I also love the IDW comics. Wouldn't recommend this blog if you hate them, especially considering my top 2 characters are IDW exclusives.

I am a minor. So no weird shit- even if I wasn't a minor, there still shouldn't be any weird shit getting sent here.

Got the 'tism. Also kinda obvious, but yeah, I'm autistic.

My name/nickname. Call me basically anything, I'm not really bothered by names.

Sonic Imageposting - Tag for comic panel mashups. They're made for me, so if you don't like them please block the tag!

My favs

My favourite characters in the Sonic franchise!

Whisper the Wolf

my top favourite character of all time. like actually shes my favourite character, although I probably post more about tangle than her, she is my top FAV and SO AWESOME. neurodivergent lesbian wolf👍

Tangle the Lemur

gay. gay. homosexual. gay.🏳️‍🌈🏳️‍🌈🏳️‍🌈 i write about her alot, so shes almost constantly in my fics!! AMAZING character shes so cool.

Blaze the Cat

OHMYGOD ilovehersomuchshessofreakingcool. one of the characters ever, although I don't really post much about her on this blog (whispangle blog)

Maple the Wolf (Whispangle Fankid)

What Fanfics Are Inactive/Ongoing

Asks!

Ask Me Anything. That's what the feature is for! I'm more than happy to answer asks, so don't be afraid to send one my way!

But no weird shit. I'm a minor. No weird shit.

Sideblogs!/Ao3!

@t4tangle - Sideblog for fics ramblings & other junk.

SuperBadAtUsernames - Ao3, for fics. Go check it out! I write alot of stuff, try to post a fic/update a fic daily, and try to make updates/fics 1k words atleast. Keyword try, though. I can't always update daily, and If I can't, I'll say I can't on t4tangle.

NOTE: I'm currently working on a multi-chapter fic, which is messing with my upload schedule. I won't be able to post daily- I'll be working on this fic, but I'll post often nevertheless.