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abouthoundsandlittlebirds · 3 years

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Can you speak more to your Kirin and Kagura theory? Was Kagura sent to the future by Kirinmaru to protect her? If so, how does Riku know jack shit and think Rin is the mom? Or, if he’s purposefully lying to Towa about Rin being her mom, why would he do that? All I know is Riku looks hella sus whenever he’s with Towa, and especially when he mentions Rin.

Sorry for the late answer, anon, I was gathering information for your question. Surely I will share with you what I've thought so far, knowing that this is only an incomplete theory and not a certainty about what may happen in the future of Hanyo no Yashahime.

Since this post will be long and may contain spoilers I will add a cut, so keep reading if you don't mind it.

Recently I came across a theory that Osamu Kirin is one of Kirinmaru's offsprings, being this the reason why Kirinmaru could see the future through Osamu's eyes. Actually this kind of power was introduced to InuYasha OG show through Kanna's mirror and Byakuya's flying eyeball, allowing Naraku to see what they were seeing. We get to know about Osamu and Kirinmaru's connected view in episode 23 of Hanyo no Yashahime, where Osamu is looking at the sky at an airport rooftop(?) and saw the comet that comes to Earth every 470/500 years (conflicted translations in the videos I've watched). Shortly after this scene is over, we can see Kirinmaru also watching the same comet, even if it is only shown in the Reiwa period at that moment.

When I've first watched episode 22 and 23 of Hanyo no Yashahime I didn't give a second thought about those events, however now I recognize that they are VERY important to the storytelling. That is why episode 22 ended with the airport scene and episode 23 began with the continuation of this same scene.

There are three important things to notice with the airport event: The first is the connection between Osamu Kirin and Kirinmaru that I've mentioned above (and I am not the best choice to talk further about it, since it is a theory that belongs to another person); Second, Osamu Kirin thought that the comet could be seen by humans at the Reiwa Era, since as pointed out by Sota, the notice of the comet approaching the Earth's atmosphere is being spread through humans; and, the third one is that Osamu Kirin was actually waiting for somebody at the airport, since in the end of episode 22 he shows surprise to see the Higurashi family over there and chooses to make a comunication with Sota in order to catch information about Towa’s wellbeing and to do remarks about the comet instead of following his way.

Now, rewatching episode 15 that is when we first knew about the comet, Riku tells Kagome that every 500 years the comet approaches the Earth atmosphere and drops some fragments. Those fragments if not stopped by a powerful demon and by Meido Zangetsuha technic which is the only attack that can be used to definitively stop it (this note was stated by Jaken in episode 15 and is very important and the reason why InuYasha was kept alive, since he is the only one who can hold Tetsusaiga and summon it), will bring the age of destruction to Earth, the exact same thing that the Spirit of the Tree of Ages (also known as Treekyo) says that is going to happen in episode 4, planned by Sesshomaru and Kirinmaru. The first because he abdicated his title as Lord of the West and the second because he saw an opportunity in it to do as he wanted. We can see it through Sesshomaru's choice in InuYasha OG show and in the reaction of Kirinmaru when the comet appears in the Feudal Era soon after Sesshomaru's daughters were born.

Sesshomaru as the first born of Inu no Taisho was supposed to have heinreted the role of his late father as the ruler of the youkais of the West, that is why Toga left Tenseiga with the hidden power of Meidou Zangetsuha to Sesshomaru, which was the most powerful attack that Inu no Taisho had (perhaps because he believed that InuYasha wouldn’t survive many years with Kirinmaru hunting half-demons). However, Sesshomaru only released this power when Kagura died. In the episode 3 of InuYasha - The Final Act, Totosai says to Sesshomaru that something grew where Sesshomaru's heart was lacking, that is why Tenseiga reacted to his change of heart and was now ready to recieve the Meidou Zangetsuha. However, later on The Final Act, Sesshomaru gave this power to the Tetsusaiga, InuYasha's heinreted sword that the first born couldn't held, meaning that he couldn’t summon this power anymore even if he wanted. Even if Bakusaiga is a powerful weapon, only the Meidou Zangetsuha is able to fully erase the comet’s fragments, like we saw in episode 15 of Hanyo no Yashahime when InuYasha and Sesshomaru fought against it and in episode 22 where Toga and Kirinmaru destroyed it themselves in the past.

If we pay attention to Kirinmaru's reaction after the comet was destroyed in episode 15 we can see that he wasn't worried about the fragment being destroyed, even if it was his role alongside to Sesshomaru to make sure that the peace on the Earth should prevail. Yet, his place in that fight was taken by Sesshomaru and Sesshomaru's place was taken by InuYasha. Yet, in episode 23 the reaction of Kirinmaru about the comet fragment in Reiwa Era is quite the opposite, whatsoever. Kirinmaru seemed to be worried and angry to have to face the comet and he imediately went to InuKimi's place to know if the wheel of time moved and he even tried to gossip about the intentions of Sesshomaru with Akuru's pinwheel.

Knowing that Kirinmaru's intentions seems to face the comet himself, he needs Meidou Zangetsuha to destroy it in Reiwa Era. This seems to be the reason why he was kind of frustrated to know that Zero had broken Tenseiga. Since Tenseiga was the previous host of that technic, his intentions could be to return Meidou Zangetsuha to Sesshomaru's “useless weapon”, which means that he could get rid of InuYasha at least. However, with Tenseiga being broken and the comet approaching even more the Earth’s surface, he will have no choice but to spare InuYasha once more, and fight alonside with him.

By his actions, even if he put aside his plans of getting rid of half-demons, Kirinmaru is afraid of the prophecy of the Shikon no Tama about his death being true. That is why even if he thought that the Yashahimes were weak he still fought against them for a second time and killed Setsuna in the process. His problem with those girls is that they have Inu no Taisho's blood. The two Lords used to be pretty amiable with each other before Toga took a human as the mother of his second child, after being aware of the prophecy that a being that is neither human nor demon would kill Kirinmaru. Taking this action as a sign of treason in their alliance, Kirinmaru made Toga his enemy and would've fought against him if Inu no Taisho wasn't severely wounded as we saw in episode 21. Also, the events of this episode related to Toga's death would explain why Kirinmaru doesn't trust too much on Riku anymore, since his offspring couldn't arrive on time to save his enemy/friend's life. Riku must have sensed it too, because he went to Zero's side and openly betrayed his master in episode 24.

This lack of trust was the reason why Osamu Kirin was created. Kirinmaru needed a trustful subject. He didn’t trust too much in the Four Perils or in his sister. That is why he used Riku to deliver the medicinal herbs to Toga. It could be seen as a meanless job, yet the inefficiency of doing it had consequences. Riku now is no longer the first choice of Kirinmaru to do errands, meaning that he is indeed a pirate washed ashore like it was written in his introduction chart in episode 7.

We actually don’t know the reason or how longer Kirinmaru was sleeping before being waken up by Zero. What we know is that he lost his will to return to sleep when he knew that Sesshomaru had half-demons daughters and that InuYasha was alive and fathered a shi-hanyo. Soon after he knew this, Sesshomaru was introduced in his presence and offered help to kill InuYasha (thanks to him his brother’s life was spared).

If I may speculate over here, then my guess would be that Kirinmaru fell asleep after he heard that Sesshomaru was hunting InuYasha in order to obtain Tetsusaiga or when he learned that InuYasha was sealed by Kikyo’s sacred arrow. Kirinmaru doesn’t seem to be concerned about all the half-demons around, only with those who carries Inu no Taisho’s blood. We actually know that Zero was hunting half-demons, that is why Kirinmaru went to sleep and left the hard work for her to do. Even if Zero has no longer her powers, she could still get rid of half-demons, since Riku stated in episode 15 that Kirinmaru and Toga were the most powerful demons around 500 years ago, meaning that their bloodline is pretty exquisite.

Returning to the theory, after InuYasha and Kagome were sealed in the black pearl, Sesshomaru became the guardian of Izayoi’s tear. As said in episode 15 by Hosenki II, the black pearl is the only (actually easiest) way to go to Inu no Taisho’s resting place. Without it, Kirinmaru wouldn’t be able to reach InuYasha any longer and curiously Kirinmaru allowed Sesshomaru to become the pearl’s guardian.

Temporarily it should be a solved problem, but 4 years after Sesshomaru’s twins were born something may have happened that led Kirinmaru to doubt about his decision, being Yotsume a crucial proof of it.

When we first see Yotsume disguised as Sokyu in episode 1 of Hanyo no Yashahime, he tells Towa about a story that he heard ten years ago about a priestess called Kagome that time-travelled across the bone-eating-well located in Tokyo and alongside a half-demon called InuYasha she hunted demons. It could be a meanless information, if in the next scene we didn’t see a flashback of him in his original form watching Kagome, which seems to be at least 5 years earlier than the backstory he got to know, since that scene happened in the day that Root-Head attacked Kaede’s village, way before Moroha were born. Here then we have a mismatched speach. This means that even if Yotsume was watching Kagome that day, he didn’t know about her ability of time-travelling. So when Kagome were sealed with InuYasha in the black pearl, Kirinmaru didn’t know about her, since they were sealed soon after Moroha was born, meaning it must be more than 14 years ago.

The main question at this moment should be what happened in the four years after Kagome and InuYasha were sealed that led Yotsume to gather information about the origin of InuYasha’s wife. We can speculate as much as we want about it, but the main fact is that probably Osamu Kirin only time-travelled to the future ten years ago. But why? And how?

Whatever the reason for it, it is related to the forest fire that threw appart the twins and Rin becoming Zero’s shield. For four years Kirinmaru held back Zero, stopping her desire to kill Sesshomaru’s daughter. This action could be a proof of faith that Kirinmaru gave to Sesshomaru. Yet, this faith was broken and he decided to not give anymore protection to the twins’ life.

In episode 24 Zero tells Kirinmaru that the rainbow pearls are her tears and she is able to find it wherever and whenever she wants. It is a controversial saying, because in episode 15 she knew that the white and yellow pearls were with Sesshomaru’s daughters, yet she lost track of them inside the barrier that Jaken had casted soon as they were born. So at that time she wasn’t looking for the girls. And even if she could sense the presence of her tears, she was only able to see the girls when she learned how to use the spell of watching people’s dream/sleep, and this happened four years later, that is why when Homura set fire to the forest the twins weren’t inside a protective barrier as we see in episode 14, that was because Sesshomaru became Kirinmaru’s trusted subject and planned against his fellow. But how?

My guess is that this treason is connected to the black pearl. Something that we cannot see in naked eyes changed in the relationship of Kirinmaru and Sesshomaru. The first glimpse of doubt that Kirinmaru had about Sesshomaru was when Sesshomaru sealed InuYasha inside the black pearl. He didn’t doubt about Sesshomaru’s loyalty when he knew that he had half-demons daughters because they weren’t allies back then. They forged this alliance after Kirinmaru woke up and Sesshomaru offered help to kill InuYasha. And as it seems, it took four years for the trust to be broken.

At this time I’ll insert my Kagura theory.

After Sesshomaru sealed InuYasha and Kagome inside the black pearl, I believe he gave Kagura the pearl and told her to keep it safe. Izayoi’s tear was the assurance that his family would be safe. Yet, when he sensed that his family was in danger (probably after the fire in the woods) he sent Kagura to the future (probably to look after Towa and keep her safe over there, since he wasn’t surprised to know that Towa was alive) and decided to hide Setsuna among half-demons.

It is a fact that Sesshomaru’s daughters are half-demons (strong ones, to be honest), so Riku and Zero presumed that their mother is human even if she was underage, taking the close relationship Sesshomaru had with Rin. But if we recall episode 99 from InuYasha OG, Koga, that is a wolf demon and lives in a demon’s tribe, didn’t find it strange that Sesshomaru was travelling with the child Rin (that was 7/8 years old back then), and even took her as a love interest of Sesshomaru, showing that he knew little about humans and human x yokai interaction, quite different from those who knew about human life, like we see in episode 41 of InuYasha OG when Kagome, Sango and InuYasha showed horror about Koharu, a 13 years old girl that wanted to marry an 18 years old Miroku. Also, Kagura just like Riku and Osamu is only a puppet, an offspring created by the essence of a demon and the power of the Shikon no Tama. Even if she is said to be a demon, no one knows what kind of creature would be the children she had, specially with her creator being a half-demon himself.

Also, in episode 4 of Hanyo no Yashahime, after the Yashahimes met the Spirit of the Tree of Ages and killed Root-Head, Treekyo confronted Sesshomaru and said that his daughters denied her request and if he leaves Rin behind, the girl would never wake up again. Then he walks away from her and she says that it is also a way and perhaps the best choice. If we take Treekyo’s request to the Yashahimes we will know that the best choice she speaks of is related to stopping Kirinmaru from doing what he is aiming for. This means that after Sesshomaru knew that Towa, Setsuna and Moroha were fine, he dropped Rin in the backstage of his plan. For ten years (or even more) he worried about Rin in her sleeping state, however just when he found out that the girls were fine he changed his mind, meaning that something that was supposed to happen did not. Indeed Sesshomaru is still being protective over Rin, he even stopped his search for Akuru’s pinwheel in the moment he found it, to save Zero and Rin’s life as a consequence of the first rescue. However when she broke Tenseiga he didn’t think twice to kill her again, but still keeping a cold face that was hard to read.

I personally believe that when Sesshomaru gave his back to Rin and Treekyo at the end of episode 4, his plan changed and he then began his search for Akuru’s pinwheel that until then wasn’t a thing he was doing. We know that the pinwheel is connected to the wheel of time, so Sesshomaru’s intention is to change time or, perhaps, travel across time.

As we’ve seen in InuYasha OG show, only Kagome and InuYasha were able to time travel using the bone-eating-well. Back then Kagome had the Shikon no Tama (jewel and later fragments) and InuYasha had the black pearl. Then, in Hanyo no Yashahime only Towa, Setsuna and Moroha were able to time travel through the Tree of Ages and each one had a rainbow pearl. Taking those facts as an example, it wouldn’t be too impossible if only those possessing some kind of jewel/tear would be able to use this ability. The other possibility would be the pinwheel of Akuru and perhaps this is the way used by Osamu Kirin to arrive in the Reiwa Era.

Considering the concern that Kirinmaru had about the Wheel of Times moving and Sesshomaru’s search, probably Kirinmaru is hiding something related to the past/future from everyone else, except Osamu Kirin. And he is afraid of this hidden secret being revealed.

Taking Naraku’s arc as an example and how Sunrise is repeating some backstories of InuYasha OG into Hanyo no Yashahime, it wouldn’t be weird if later on Osamu Kirin is revealed as the incarnation of Kirinmaru’s heart, just like Akago was Naraku’s heart. This would explain why Kirinmaru isn’t afraid to face the Yashahime as he was when he heard about their existence. Definitively he is afraid of the prophecy, but he isn’t being cautelous while facing the girls. He showed more concern about the Wheel of Time changing than fighting the Yashahimes after being backstabbed by Riku in the place where the Inu no Taisho’s blood would be stronger. If we go back to InuYasha OG show, we will see the same kind of reaction in Naraku. He would confidently fight against InuGroup whenever his heart was far away and avoyd as much as he could a confrontation when Akago and/or Onigumo were near.

Using the information of Yotsume and the timeline drawn so far, the travel of Osamu Kirin would match with the information gathered about Kagome’s backstory, giving Kirinmaru the false hope that the future is a safe place for his heart to be, meaning that Osamu left him when Kirinmaru had a confirmation of Sesshomaru’s betrayal, almost 10 years ago.

Now, if we return to the airport scene where we see Osamu Kirin looking at the sky in episode 22, we notice that he watches an airplane land and then he glances at the comet for a short time. Then he gives his back to the sky and starts walking away, imitating five people close to him that too started to move away from the rooftop, when he notices Sota with his daughter, Mei, a few steps far from him. He shows surprise and go to Sota, starting a conversation about Towa’s absense from school (and showing no concern about it) and ending with the comet out loud observation.

For me it is a proof that he was waiting for someone to arrive over there. My guess would be Kagura. Also, when we see Osamu Kirin in the classroom in episode 4, he tells Towa to pay attention to the lesson, otherwise she will miss the context, and then he tells her to read the sentence in page 23 that says: “I am going to visit Kyoto”.

It could’ve been an Easter Egg, because in episode 23 he is actually waiting someone at the airport that probably is coming from Kyoto, because Kyoto is a prefecture located in the Kansai region, and Kansai according to the research I did is located in the West region of Japan, that in the Hanyo no Yashahime is a land that belongs to Sesshomaru (Lord of the West), meaning that the person/creature that is arriving in that airport is somehow connected to Sesshomaru and seeing that Jaken, Rin, Towa and Setsuna are in the Feudal Era and A-Un wouldn’t fit into a plane, it can only be Kagura.

To finish this theory that is already long enough and explain how Kagura and Osamu Kirin are connected, I must speculate even more and say that this connection happened because neither Kagura nor Osamu knew the backstory of each other and they might have taken interest for each other as an equal (two incarnations/demons). Also, probably the forest that Towa said that she grew up in episode 21 is located in the West, that is why Kagura was in that place and visits Tokyo, because Tokyo is where Kaede’s Village is located in the Feudal Era. My guess would be that using Towa’s age as a guide, she is looking for her daughter in high schools. Osamu Kirin being Towa’s teacher could’ve contacted her and is waiting her at the airport since he was the one that summoned Kagura over there. However, I believe that he is using Towa as a bait.

With Kirinmaru watching everything that Osamu is doing/seeing, he is quite aware of the fact that the comet is arriving in the Reiwa Era and also knew how Towa looked like before meeting her in person. Now, knowing that someone in the Reiwa Era that is not her family (the Higurashi) is looking for her, Kirinmaru is curious enough to see who this person could be since she is probably connected to Sesshomaru and if he can’t use her as a bait to hold Sesshomaru back, then he imagines that she is hiding something that would be useful to him.

As I said before, this is only a theory/speculation that I did using the anime info (and my imagination) to elaborate. All the real events I have tagged the place it came from (the episodes number) and gave them my interpretation. Those events without the official reference tagged should not be taken as a reliable source.

I thank you so much anon for this ask, it made me really happy to be able to share my thoughts with you! Again, sorry for my late answer and be free to say whatever you want, it would be a pleasure to answer you back!

P.S.: Sorry for the typos, I don't use Google Translator and my English ain't that good.

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hockeysweetheart · 4 years

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Okay So This will Be The kisses ( and Talking about it) With Peeta iOkay I’ll add the Grand total of Kisses here.....

17 Kisses Between Katniss and Peeta in the Hunger Games

9 Kisses Between Katniss and Peeta in Catching Fire

3 In Mockingjay ( and Some)

And I am gonna be super petty Here How many times Did she kiss Gale 5 ONLY 5 TIMES. ( I had to give him credit with the Kissing her on the cheek)

Here is a sort form of the Kisses.

The Hunger Games

1. on the cheek when Katniss said two can play at this game

( These next ones are in the Cave or the Games)

2. The second Kiss was to shut him up from saying I’m gonna die ( Yes the famous one Haymitch is like come on give me something to work with here)

3. The third one was in the cave waking Peeta up

4. The fourth one Katniss said it took a lot Including Kissing to get Peeta to Finish the Broth ( So guessing more then one Kiss in here but I’ll count only one)

5. Peeta Kissed Katniss’s hand. And Katniss is like No more kisses until you eat.

6. So Katniss just Drugged Peeta and Says I wonder how Gale is taking these kisses 2 Seconds later she Kisses Peeta goodbye . In case she doesn’t return.

7. Katniss just wants the Games to End and they Share a kiss.

8 The Kiss This is the first kiss that we’re both fully aware of. Neither of us hobbled by sickness or pain or simply unconscious. Our lips neither burning with fever or icy cold. This is the first kiss where I actually feel stirring inside my chest. Warm and curious. This is the first kiss that makes me want another.

9. This Kiss Happened After the one that made her wanting more.

10. This Kiss counts because yes their lips did touch. But its right after Peeta tells the story of him being in love with her forever since Kindergarten then that Kiss is ruined by the food arriving.

11. Katniss is thinking about Gale and kinda moves around in the freaking Sleeping Bag and wakes up Peeta which resolves in a long kiss.

12. They Kiss again before leaving the cave to go hunt for Food.

13. Katniss is kinda being mean to Peeta kinda throwing the Romance out the window but then Realizes this Kisses Peeta and is like okay we can do what you want

14. So this one Katniss kisses Peeta on the forhead because she is happy that she doesn’t have to face Cato Alone

15. This one is when they Both said listen if we both Can’t win we both will die so Peeta gave Katniss a slow kiss.

16. This Kiss Happened After the games when they reunite again at the rewatch of the games

17. During the Final interveiw they share a kiss.

Catching Fire

1. Their First Kiss is for the Cameras. and Peeta is like I almost thought that kiss was real

2. They kiss again After Peeta says he will give half of his winnings to District 11 fallen tributes

3. They kiss a lot on the victory tour.

4. After Katniss comes Back to her House after being in the woods when they are really forbidden. She comes back to peacekeepers in her house and with no proof she was in the woods shes safe but she is injured. And they Share a kiss in front of Everyone when she is making up this lie.

5.Before the Games Peeta gives Katniss a kiss ( After they spent the night together and says see you soon)

6. After Peeta is rescued by Finnick He gives Katniss a kiss we got allies

7. The Beach scene kiss ( We all know that one)

8. Peeta Kisses Katniss after he said your gonna be a great mother

9. The I’ll see you at midnight kiss. The last sane kiss of Peeta before hes taken in by the freaking Capitol

Mockingjay ( Since Peeta And Katniss are A part for half the book and Peeta is trying to kill Katniss they don’t have as many kisses).

1. This one I had to add becuase well yeah, When shes rubbing her lips on the pearl it’s like a cool kiss from the giver himself

2. This kiss was when Peeta was going mad and then Katniss just kissed him thinking that might work which it did because she didn’t want to loose him again

3. The growing back together kiss ( and some)

A Grand total of 29 Kisses in the books Series by these two

Now Bonus ones

1. Catching Fire After Peeta’s heart was restarted Katniss Kissed him this was not in the books.

so grand total is 30 kisses on all platforms the books and the movies.

So since Below is so Long I was feeling real petty and Decited to add Gales Kisses in here too

1. The surprise Kiss From Gale That snow knew about

2. The Kiss after Gale got whipped and hes Basically sleeping

3. They kiss in Mockingjay when Gale is like you kissed me here I’d have to be dead to forget that

4. This Kiss Peeta is saved yet Hijacked and Basically Katniss has written off and They Kiss and then Gale Ruins it

5. After Leaving the awkward dinner Gale Kisses Katniss on the Cheek

Bonus ones

Catching Fire Movie when they Kiss goodbye when Katniss is going back into the arena,

So their grand total is 6...

In the Hunger Games ( Book)

Chapter 5 But because two can play at this game, I stand on tiptoe and kiss his cheek. Right on his bruise.

Chapter 19,

"Yes. Look, if I don't make it back - " he begins. "Don't talk like that. I didn't drain all that pus for nothing," I say. "I know. But just in case I don't - " he tries to continue. "No, Peeta, I don't even want to discuss it," I say, placing my fingers on his lips to quiet him. "But I - " he insists. Impulsively, I lean forward and kiss him, stopping his words. This is probably overdue anyway since he's right, we are supposed to be madly in love. It's the first time I've ever kissed a boy, which should make some sort of impression I guess, but all I can register is how unnaturally hot his lips are from the fever. I break away and pull the edge of the sleeping bag up around him. "You're not going to die. I forbid it. All right?" "All right," he whispers.

A little Later on Chapter 19

Haymitch couldn't be sending me a clearer message. One kiss equals one pot of broth. I can almost hear his snarl. "You're supposed to be in love, sweetheart. The boy's dying. Give me something I can work with!" And he's right. If I want to keep Peeta alive, I've got to give the audience something more to care about. Star-crossed lovers desperate to get home together. Two hearts beating as one. Romance. Never having been in love, this is going to be a real trick. I think of my parents. The way my father never failed to bring her gifts from the woods. The way my mother's face would light up at the sound of his boots at the door. The way she almost stopped living when he died. "Peeta!" I say, trying for the special tone that my mother used only with my father. He's dozed off again, but I kiss him awake, which seems to startle him. Then he smiles as if he'd be happy to lie there gazing at me forever. He's great at this stuff.

Chapter 20.

Getting the broth into Peeta takes an hour of coaxing, begging, threatening, and yes, kissing, but finally, sip by sip, he empties the pot. I let him drift off to sleep then and attend to my own needs, wolfing down a supper of groosling and roots while I watch the daily report in the sky. No new casualties. Still, Peeta and I have given the audience a fairly interesting day. Hopefully, the Gamemakers will allow us a peaceful night.

Oh, right, the whole romance thing. I reach out to touch his cheek and he catches my hand and presses it against his lips. I remember my father doing this very thing to my mother and I wonder where Peeta picked it up. Surely not from his father and the witch. ( Okay) Just in case why This part is isn here He Kissed her hand, “No more kisses for you until you’ve eaten,” I say.

Chapter 21 ( Because I am being petty I added an extra bit)

And Gale. I know him. He won’t be shouting and cheering. But he’ll be watching, every moment, every twist and turn, and willing me to come home. I wonder if he’s hoping that Peeta makes it as well. Gale’s not my boyfriend, but would he be, if I opened that door? He talked about us running away together. Was that just a practical calculation of our chances of survival away from the district? Or something more? I wonder what he makes of all this kissing. Through a crack in the rocks, I watch the moon cross the sky. At what I judge to be about three hours before dawn, I begin final preparations. I’m careful to leave Peeta with water and the medical kit right beside him. Nothing else will be of much use if I don’t return, and even these would only prolong his life a short time. After some debate, I strip him of his jacket and zip it on over my own. He doesn’t need it. Not now in the sleeping bag with his fever, and during the day, if I’m not there to remove it, he’ll be roasting in it. My hands are already stiff from cold, so I take Rue’s spare pair of socks, cut holes for my fingers and thumbs, and pull them on. It helps anyway. I fill her small pack with some food, a water bottle, and bandages, tuck the knife in my belt, get my bow and arrows. I’m about to leave when I remember the importance of sustaining the star-crossed lover routine and I lean over and give Peeta a long, lingering kiss. I imagine the teary sighs emanating from the Capitol and pretend to brush away a tear of my own. Then I squeeze through the opening in the rocks out into the night.

Chapter 22

I give him another answer, because it is equally true but can be taken as a brief moment of weakness instead of a terminal one. "I want to go home, Peeta," I say plaintively, like a small child. "You will. I promise," he says, and bends over to give me a kiss.

Chapter 22 ( The Kiss)

I fumble. I’m not as smooth with words as Peeta. And while I was talking, the idea of actually losing Peeta hit me again and I realized how much I don’t want him to die. And it’s not about the sponsors. And it’s not about what will happen back home. And it’s not just that I don’t want to be alone. It’s him. I do not want to lose the boy with the bread. “If what, Katniss?” he says softly. I wish I could pull the shutters closed, blocking out this moment from the prying eyes of Panem. Even if it means losing food. Whatever I’m feeling, it’s no one’s business but mine. “Then I’ll just have to fill in the blanks myself,” he says, and moves in to me. This is the first kiss that we’re both fully aware of. Neither of us hobbled by sickness or pain or simply unconscious. Our lips neither burning with fever or icy cold. This is the first kiss where I actually feel stirring inside my chest. Warm and curious. This is the first kiss that makes me want another. But I don’t get it. Well, I do get a second kiss, but it’s just a light one on the tip of my nose because Peeta’s been distracted. “I think your wound is bleeding again. Come on, lie down, it’s bedtime anyway,” he says.

Chapter 22 ( Okay I had too add in this whole freaking part in)

"Peeta," I say lightly. "You said at the interview you'd had a crush on me forever. When did forever start?" "Oh, let's see. I guess the first day of school. We were five. You had on a red plaid dress and your hair. it was in two braids instead of one. My father pointed you out when we were waiting to line up," Peeta says. "Your father? Why?" I ask. "He said, 'See that little girl? I wanted to marry her mother, but she ran off with a coal miner,'" Peeta says. "What? You're making that up!" I exclaim. "No, true story," Peeta says. "And I said, 'A coal miner? Why did she want a coal miner if she could've had you?' And he said, 'Because when he sings. even the birds stop to listen.'" "That's true. They do. I mean, they did," I say. I'm stunned and surprisingly moved, thinking of the baker telling this to Peeta. It strikes me that my own reluctance to sing, my own dismissal of music might not really be that I think it's a waste of time. It might be because it reminds me too much of my father. "So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent," Peeta says. "Oh, please," I say, laughing. "No, it happened. And right when your song ended, I knew - just like your mother - I was a goner," Peeta says. "Then for the next eleven years, I tried to work up the nerve to talk to you." "Without success," I add. "Without success. So, in a way, my name being drawn in the reaping was a real piece of luck," says Peeta. For a moment, I'm almost foolishly happy and then confusion sweeps over me. Because we're supposed to be making up this stuff, playing at being in love not actually being in love. But Peeta's story has a ring of truth to it. That part about my father and the birds. And I did sing the first day of school, although I don't remember the song. And that red plaid dress. there was one, a hand-me-down to Prim that got washed to rags after my father's death. It would explain another thing, too. Why Peeta took a beating to give me the bread on that awful hollow day. So, if those details are true. could it all be true? "You have a. remarkable memory," I say haltingly. "I remember everything about you," says Peeta, tucking a loose strand of hair behind my ear. "You're the one who wasn't paying attention." "I am now," I say. "Well, I don't have much competition here," he says. I want to draw away, to close those shutters again, but I know I can't. It's as if I can hear Haymitch whispering in my ear, "Say it! Say it!" I swallow hard and get the words out. "You don't have much competition anywhere." And this time, it's me who leans in. Our lips have just barely touched when the clunk outside makes us jump. My bow comes up, the arrow ready to fly, but there's no other sound. Peeta peers through the rocks and then gives a whoop. Before I can stop him, lie's out in the rain, then handing something in to me. A silver parachute attached to a basket. I rip it open at once and inside there's a feast - fresh rolls, goat cheese, apples, and best of all, a tureen of that incredible lamb stew on wild rice. The very dish I told Caesar Flickerman was the most impressive thing the Capitol had to offer.

Chapter 23

The sun eventually rises, its light slipping through the cracks and illuminating Peeta’s face. Who will he transform into if we make it home? This perplexing, good-natured boy who can spin out lies so convincingly the whole of Panem believes him to be hopelessly in love with me, and I’ll admit it, there are moments when he makes me believe it myself? At least, we’ll be friends, I think. Nothing will change the fact that we’ve saved each other’s lives in here. And beyond that, he will always be the boy with the bread. Good friends. Anything beyond that though. and I feel Gale’s gray eyes watching me watching Peeta, all the way from District 12. Discomfort causes me to move. I scoot over and shake Peeta’s shoulder. His eyes open sleepily and when they focus on me, he pulls me down for a long kiss.

“We’re wasting hunting time,” I say when I finally break away. “I wouldn’t call it wasting,” he says giving a big stretch as he sits up. “So do we hunt on empty stomachs to give us an edge?”

He grabs my hand away. “What do I care? I’ve got you to protect me now,” says Peeta, pulling me to him. “Come on,” I say in exasperation, extricating myself from his grasp but not before he gets in another kiss

Chapter 24

By the time we reach our destination, our feet are dragging and the sun sits low on the horizon. We fill up our water bottles and climb the little slope to our den. It’s not much, but out here in the wilderness, it’s the closest thing we have to a home. It will be warmer than a tree, too, because it provides some shelter from the wind that has begun to blow steadily in from the west. I set a good dinner out, but halfway through Peeta begins to nod off. After days of inactivity, the hunt has taken its toll. I order him into the sleeping bag and set aside the rest of his food for when he wakes. He drops off immediately. I pull the sleeping bag up to his chin and kiss his forehead, not for the audience, but for me. Because I’m so grateful that he’s still here, not dead by the stream as I’d thought. So glad that I don’t have to face Cato alone.

Chapter 26.

My fingers fumble with the pouch on my belt, freeing it. Peeta sees it and his hand clamps on my wrist. "No, I won't let you." "Trust me," I whisper. He holds my gaze for a long moment then lets me go. I loosen the top of the pouch and pour a few spoonfuls of berries into his palm. Then I fill my own. "On the count of three?" Peeta leans down and kisses me once, very gently. "The count of three," he says.

Chapter 27

Blinding lights. The deafening roar rattles the metal under my feet. Then there’s Peeta just a few yards away. He looks so clean and healthy and beautiful, I can hardly recognize him. But his smile is the same whether in mud or in the Capitol and when I see it, I take about three steps and fling myself into his arms. He staggers back, almost losing his balance, and that’s when I realize the slim, metal contraption in his hand is some kind of cane. He rights himself and we just cling to each other while the audience goes insane. He’s kissing me and all the time I’m thinking, Do you know? Do you know how much danger we’re in? After about ten minutes of this, Caesar Flickerman taps on his shoulder to continue the show, and Peeta just pushes him aside without even glancing at him. The audience goes berserk. Whether he knows or not, Peeta is, as usual, playing the crowd exactly right

Finally, Haymitch interrupts us and gives us a good-natured shove toward the victor’s chair. Usually, this is a single, ornate chair from which the winning tribute watches a film of the highlights of the Games, but since there are two of us, the Gamemakers have provided a plush red velvet couch. A small one, my mother would call it a love seat, I think. I sit so close to Peeta that I’m practically on his lap, but one look from Haymitch tells me it isn’t enough. Kicking off my sandals, I tuck my feet to the side and lean my head against Peeta’s shoulder. His arm goes around me automatically, and I feel like I’m back in the cave, curled up against him, trying to keep warm. His shirt is made of the same yellow material as my dress, but Portia’s put him in long black pants. No sandals, either, but a pair of sturdy black boots he keeps solidly planted on the stage. I wish Cinna had given me a similar outfit, I feel so vulnerable in this flimsy dress. But I guess that was the point.

Chapter 27.

Things pick up for me once they’ve announced two tributes from the same district can live and I shout out Peeta’s name and then clap my hands over my mouth. If I’ve seemed indifferent to him earlier, I make up for it now, by finding him, nursing him back to health, going to the feast for the medicine, and being very free with my kisses. Objectively, I can see the mutts and Cato’s death are as gruesome as ever, but again, I feel it happens to people I have never met. And then comes the moment with the berries. I can hear the audience hushing one another, not wanting to miss anything. A wave of gratitude to the filmmakers sweeps over me when they end not with the announcement of our victory, but with me pounding on the glass door of the hovercraft, screaming Peeta’s name as they try to revive him. In terms of survival, it’s my best moment all night.

Behind a cameraman, I see Haymitch give a sort of huff with relief and I know I’ve said the right thing. Caesar pulls out a handkerchief and has to take a moment because he’s so moved. I can feel Peeta press his forehead into my temple and he asks, “So now that you’ve got me, what are you going to do with me?”

I turn in to him. “Put you somewhere you can’t get hurt.” And when he kisses me, people in the room actually sigh.

Chapter 27 ( Peeta finds out the truth) ( Okay No Kisses in this part but This part honestly Just says so much)

When the train makes a brief stop for fuel, we’re allowed to go outside for some fresh air. There’s no longer any need to guard us. Peeta and I walk down along the track, hand in hand, and I can’t find anything to say now that we’re alone. He stops to gather a bunch of wildflowers for me. When he presents them, I work hard to look pleased. Because he can’t know that the pink-and-white flowers are the tops of wild onions and only remind me of the hours I’ve spent gathering them with Gale.

Haymitch startles me when he lays a hand on my back. Even now, in the middle of nowhere, he keeps his voice down. “Great job, you two. Just keep it up in the district until the cameras are gone. We should be okay.” I watch him head back to the train, avoiding Peeta’s eyes. “What’s he mean?” Peeta asks me. “It’s the Capitol. They didn’t like our stunt with the berries,” I blurt out. “What? What are you talking about?” he says. “It seemed too rebellious. So, Haymitch has been coaching me through the last few days. So I didn’t make it worse,” I say. “Coaching you? But not me,” says Peeta. “He knew you were smart enough to get it right,” I say. “I didn’t know there was anything to get right,” says Peeta. “So, what you’re saying is, these last few days and then I guess. back in the arena. that was just some strategy you two worked out.” “No. I mean, I couldn’t even talk to him in the arena, could I?” I stammer. “But you knew what he wanted you to do, didn’t you?” says Peeta. I bite my lip. “Katniss?” He drops my hand and I take a step, as if to catch my balance. “It was all for the Games,” Peeta says. “How you acted.” “Not all of it,” I say, tightly holding onto my flowers. “Then how much? No, forget that. I guess the real question is what’s going to be left when we get home?” he says. “I don’t know. The closer we get to District Twelve, the more confused I get,” I say. He waits, for further explanation, but none’s forthcoming. “Well, let me know when you work it out,” he says, and the pain in his voice is palpable.

I know my ears are healed because, even with the rumble of the engine, I can hear every step he takes back to the train. By the time I’ve climbed aboard, Peeta has disappiared into his room for the night. I don’t see him the next morning, either. In fact, the next time he turns up, we’re pulling into District 12. He gives me a nod, his face expressionless. I want to tell him that he’s not being fair. That we were strangers. That I did what it took to stay alive, to keep us both alive in the arena. That I can’t explain how things are with Gale because I don’t know myself. That it’s no good loving me because I’m never going to get married anyway and he’d just end up hating me later instead of sooner. That if I do have feelings for him, it doesn’t matter because I’ll never be able to afford the kind of love that leads to a family, to children. And how can he? How can he after what we’ve just been through? I also want to tell him how much I already miss him. But that wouldn’t be fair on my part. So we just stand there silently, watching our grimy little station rise up around us. Through the window, I can see the platform’s thick with cameras. Everyone will be eagerly watching our homecoming. Out of the corner of my eye, I see Peeta extend his hand. I look at him, unsure. “One more time? For the audience?” he says. His voice isn’t angry. It’s hollow, which is worse. Already the boy with the bread is slipping away from me. I take his hand, holding on tightly, preparing for the cameras, and dreading the moment when I will finally have to let go.

Catching fire

Chapter 3

My face breaks into a huge smile and I start walking in Peeta’s direction. Then, as if I can’t stand it another second, I start running. He catches me and spins me around and then he slips - he still isn’t entirely in command of his artificial leg - and we fall into the snow, me on top of him, and that’s where we have our first kiss in months. It’s full of fur and snowflakes and lipstick, but underneath all that, I can feel the steadiness that Peeta brings to everything. And I know I’m not alone. As badly as I have hurt him, he won’t expose me in front of the cameras. Won’t condemn me with a halfhearted kiss. He’s still looking out for me. Just as he did in the arena. Somehow the thought makes me want to cry. Instead I pull him to his feet, tuck my glove through the crook of his arm, and merrily pull him on our way.

Chapter 4

Favourite colour

After a while I hear footsteps behind me. It’ll be Haymitch, coming to chew me out. It’s not like I don’t deserve it, but I still don’t want to hear it. “I’m not in the mood for a lecture,” I warn the clump of weeds by my shoes. “I’ll try to keep it brief.” Peeta takes a seat beside me. “I thought you were Haymitch,” I say. “No, he’s still working on that muffin.” I watch as Peeta positions his artificial leg. “Bad day, huh?” “It’s nothing,” I say. He takes a deep breath. “Look, Katniss, I’ve been wanting to talk to you about the way I acted on the train. I mean, the last train. The one that brought us home. I knew you had something with Gale. I was jealous of him before I even officially met you. And it wasn’t fair to hold you to anything that happened in the Games. I’m sorry.” His apology takes me by surprise. It’s true that Peeta froze me out after I confessed that my love for him during the Games was something of an act. But I don’t hold that against him. In the arena, I’d played that romance angle for all it was worth. There had been times when I didn’t honestly know how I felt about him. I still don’t, really. “I’m sorry, too,” I say. I’m not sure for what exactly. Maybe because there’s a real chance I’m about to destroy him. “There’s nothing for you to be sorry about. You were just keeping us alive. But I don’t want us to go on like this, ignoring each other in real life and falling into the snow every time there’s a camera around. So I thought if I stopped being so, you know, wounded, we could take a shot at just being friends,” he says. All my friends are probably going to end up dead, but refusing Peeta wouldn’t keep him safe. “Okay,” I say. His offer does make me feel better. Less duplicitous somehow. It would be nice if he’d come to me with this earlier, before I knew that President Snow had other plans and just being friends was not an option for us anymore. But either way, I’m glad we’re speaking again. “So what’s wrong?” he asks. I can’t tell him. I pick at the clump of weeds. “Let’s start with something more basic. Isn’t it strange that I know you’d risk your life to save mine … but I don’t know what your favorite color is?” he says. A smile creeps onto my lips. “Green. What’s yours?” “Orange,” he says. “Orange? Like Effie’s hair?” I say. “A bit more muted,” he says. “More like … sunset.” Sunset. I can see it immediately, the rim of the descending sun, the sky streaked with soft shades of orange. Beautiful. I remember the tiger lily cookie and, now that Peeta is talking to me again, it’s all I can do not to recount the whole story about President Snow. But I know Haymitch wouldn’t want me to. I’d better stick to small talk. “You know, everyone’s always raving about your paintings. I feel bad I haven’t seen them,” I say. “Well, I’ve got a whole train car full.” He rises and offers me his hand. “Come on.” It’s good to feel his fingers entwined with mine again, not for show but in actual friendship. We walk back to the train hand in hand.

Chapter 4

I look at Peeta and he gives me a sad smile. I hear Haymitch’s voice. “You could do a lot worse.” At this moment, it’s impossible to imagine how I could do any better. The gift … it is perfect. So when I rise up on tiptoe to kiss him, it doesn’t seem forced at all.

Chapter 5

We descend the steps and are sucked into what becomes an indistinguishable round of dinners, ceremonies, and train rides. Each day it’s the same. Wake up. Get dressed. Ride through cheering crowds. Listen to a speech in our honor. Give a thank-you speech in return, but only the one the Capitol gave us, never any personal additions now. Sometimes a brief tour: a glimpse of the sea in one district, towering forests in another, ugly factories, fields of wheat, stinking refineries. Dress in evening clothes. Attend dinner. Train. During ceremonies, we are solemn and respectful but always linked together, by our hands, our arms. At dinners, we are borderline delirious in our love for each other. We kiss, we dance, we get caught trying to sneak away to be alone. On the train, we are quietly miserable as we try to assess what effect we might be having.

Cinna begins to take in my clothes around the waist. The prep team frets over the circles under my eyes. Effie starts giving me pills to sleep, but they don’t work. Not well enough. I drift off only to be roused by nightmares that have increased in number and intensity. Peeta, who spends much of the night roaming the train, hears me screaming as I struggle to break out of the haze of drugs that merely prolong the horrible dreams. He manages to wake me and calm me down. Then he climbs into bed to hold me until I fall back to sleep. After that, I refuse the pills. But every night I let him into my bed. We manage the darkness as we did in the arena, wrapped in each other’s arms, guarding against dangers that can descend at any moment. Nothing else happens, but our arrangement quickly becomes a subject of gossip on the train.

Chapter 6 On the way home

When I open my eyes, it’s early afternoon. My head rests on Peeta’s arm. I don’t remember him coming in last night. I turn, being careful not to disturb him, but he’s already awake. “No nightmares,” he says. “What?” I ask. “You didn’t have any nightmares last night,” he says. He’s right. For the first time in ages I’ve slept through the night. “I had a dream, though,” I say, thinking back. “I was following a mockingjay through the woods. For a long time. It was Rue, really. I mean, when it sang, it had her voice.” “Where did she take you?” he says, brushing my hair off my forehead. “I don’t know. We never arrived,” I say. “But I felt happy.” “Well, you slept like you were happy,” he says. “Peeta, how come I never know when you’re having a nightmare?” I say. “I don’t know. I don’t think I cry out or thrash around or anything. I just come to, paralyzed with terror,” he says. “You should wake me,” I say, thinking about how I can interrupt his sleep two or three times on a bad night. About how long it can take to calm me down. “It’s not necessary. My nightmares are usually about losing you,” he says. “I’m okay once I realize you’re here.”

Ugh. Peeta makes comments like this in such an offhand way, and it’s like being hit in the gut. He’s only answering my question honestly. He’s not pressing me to reply in kind, to make any declaration of love. But I still feel awful, as if I’ve been using him in some terrible way. Have I? I don’t know. I only know that for the first time, I feel immoral about him being here in my bed. Which is ironic since we’re officially engaged now. “Be worse when we’re home and I’m sleeping alone again,” he says. That’s right, we’re almost home.

Chapter 9 I am being petty yes for this Part...

“I’ve heard worse,” she says . “You’ve seen how people are, when someone they love is in pain.” Someone they love. The words numb my tongue as if it’s been packed in snow coat. Of course, I love Gale. But what kind of love does she mean? What do I mean when I say I love Gale? I don’t know. I did kiss him last night, in a moment when my emotions were running so high. But I’m sure he doesn’t remember it. Does he? I hope not. If he does, everything will just get more complicated and I really can’t think about kissing when I’ve got a rebellion to incite. I give my head a little shake to clear it. “Where’s Peeta?” I say. “He went home when we heard you stirring. Didn’t want to leave his house unattended during the storm,” says my mother. “Did he get back all right?” I ask. In a blizzard, you can get lost in a matter of yards and wander off course into oblivion. “Why don’t you give him a call and check?” she says.

Chaper 11 Katniss comes home to a surprise I freaking love this part

By the time I reach my house, my left heel will bear no weight at all. I decide to tell my mother I was trying to mend a leak in the roof of our old house and slid off. As for the missing food, I’ll just be vague about who I handed it out to. I drag myself in the door, all ready to collapse in front of the fire. But instead I get another shock. Two Peacekeepers, a man and a woman, are standing in the doorway to our kitchen. The woman remains impassive, but I catch the flicker of surprise on the man’s face. I am unanticipated. They know I was in the woods and should be trapped there now. “Hello,” I say in a neutral voice. My mother appears behind them, but keeps her distance. “Here she is, just in time for dinner,” she says a little too brightly. I’m very late for dinner. I consider removing my boots as I normally would but doubt I can manage it without revealing my injuries. Instead I just pull off my wet hood and shake the snow from my hair. “Can I help you with something?” I ask the Peacekeepers. “Head Peacekeeper Thread sent us with a message for you,” says the woman. “They’ve been waiting for hours,” my mother adds. They’ve been waiting for me to fail to return. To confirm I got electrocuted by the fence or trapped in the woods so they could take my family in for questioning. “Must be an important message,” I say. “May we ask where you’ve been, Miss Everdeen?” the woman asks. “Easier to ask where I haven’t been,” I say with a sound of exasperation. I cross into the kitchen, forcing myself to use my foot normally even though every step is excruciating. I pass between the Peacekeepers and make it to the table all right. I fling my bag down and turn to Prim, who’s standing stiffly by the hearth. Haymitch and Peeta are there as well, sitting in a pair of matching rockers, playing a game of chess. Were they here by chance or “invited” by the Peacekeepers? Either way, I’m glad to see them. “So where haven’t you been?” says Haymitch in a bored voice. “Well, I haven’t been talking to the Goat Man about getting Prim’s goat pregnant, because someone gave me completely inaccurate information as to where he lives,” I say to Prim emphatically. “No, I didn’t,” says Prim. “I told you exactly.” “You said he lives beside the west entrance to the mine,” I say. “The east entrance,” Prim corrects me. “You distinctly said the west, because then I said, 'Next to the slag heap?’ and you said, 'Yeah,’” I say. “The slag heap next to the east entrance,” says Prim patiently. “No. When did you say that?” I demand. “Last night,” Haymitch chimes in. “It was definitely the east,” adds Peeta. He looks at Haymitch and they laugh. I glare at Peeta and he tries to look contrite. “I’m sorry, but it’s what I’ve been saying. You don’t listen when people talk to you.” “Bet people told you he didn’t live there today and you didn’t listen again,” says Haymitch. “Shut up, Haymitch,” I say, clearly indicating he’s right. Haymitch and Peeta crack up and Prim allows herself a smile. “Fine. Somebody else can arrange to get the stupid goat knocked up,” I say, which makes them laugh more. And I think, This is why they’ve made it this far, Haymitch and Peeta. Nothing throws them. I look at the Peacekeepers. The man’s smiling but the woman is unconvinced. “What’s in the bag?” she asks sharply.

I know she’s hoping for game or wild plants. Something that clearly condemns me. I dump the contents on the table. “See for yourself.”

“Oh, good,” says my mother, examining the cloth. “We’re running low on bandages.”

Peeta comes to the table and opens the candy bag. “Ooh, peppermints,” he says, popping one in his mouth.

“They’re mine.” I take a swipe for the bag. He tosses it to Haymitch, who stuffs a fistful of sweets in his mouth before passing the bag to a giggling Prim. “None of you deserves candy!” I say.

“What, because we’re right?” Peeta wraps his arms around me. I give a small yelp of pain as my tailbone objects. I try to turn it into a sound of indignation, but I can see in his eyes that he knows I’m hurt. “Okay, Prim said west. I distinctly heard west. And we’re all idiots. How’s that?”

“Better,” I say, and accept his kiss. Then I look at the Peacekeepers as if I’m suddenly remembering they’re there. “You have a message for me?”

“From Head Peacekeeper Thread,” says the woman. “He wanted you to know that the fence surrounding District Twelve will now have electricity twenty-four hours a day.”

“Didn’t it already?” I ask, a little too innocently.

“He thought you might be interested in passing this information on to your cousin,” says the woman.

“Thank you. I’ll tell him. I’m sure we’ll all sleep a little more soundly now that security has addressed that lapse.” I’m pushing things, I know it, but the comment gives me a sense of satisfaction.

The woman’s jaw tightens. None of this has gone as planned, but she has no further orders. She gives me a curt nod and leaves, the man trailing in her wake. When my mother has locked the door behind them, I slump against the table.

Chapter 11 They all know Katniss is hurt and Peeta is literally the sweetest human out there

“What is it?” says Peeta, holding me steadily. “Oh, I banged up my left foot. The heel. And my tail-bone’s had a bad day, too.” He helps me over to one of the rockers and I lower myself onto the padded cushion. My mother eases off my boots. “What happened?” “I slipped and fell,” I say. Four pairs of eyes look at me with disbelief. “On some ice.” But we all know the house must be bugged and it’s not safe to talk openly. Not here, not now. Having stripped off my sock, my mother’s fingers probe the bones in my left heel and I wince. “There might be a break,” she says. She checks the other foot. “This one seems all right.” She judges my tailbone to be badly bruised. My mother gives me a cup of chamomile tea with a dose of sleep syrup, and my eyelids begin to droop immediately. She wraps my bad foot, and Peeta volunteers to get me to bed. I start out by leaning on his shoulder, but I’m so wobbly he just scoops me up and carries me upstairs. He tucks me in and says good night but I catch his hand and hold him there. A side effect of the sleep syrup is that it makes people less inhibited, like white liquor, and I know I have to control my tongue. But I don’t want him to go. In fact, I want him to climb in with me, to be there when the nightmares hit tonight. For some reason that I can’t quite form, I know I’m not allowed to ask that. “Don’t go yet. Not until I fall asleep,” I say. Peeta sits on the side of the bed, warming my hand in both of his. “Almost thought you’d changed your mind today. When you were late for dinner.” I’m foggy but I can guess what he means. With the fence going on and me showing up late and the Peacekeepers waiting, he thought I’d made a run for it, maybe with Gale. “No, I’d have told you,” I say. I pull his hand up and lean my cheek against the back of it, taking in the faint scent of cinnamon and dill from the breads he must have baked today. I want to tell him about Twill and Bonnie and the uprising and the fantasy of District 13, but it’s not safe to and I can feel myself slipping away, so I just get out one more sentence. “Stay with me.” As the tendrils of sleep syrup pull me down, I hear him whisper a word back, but I don’t quite catch it.

I’m further reassured when Peeta casually tells me the power is off in sections of the fence because crews are out securing the base of the chain link to the ground. Thread must believe I somehow got under the thing, even with that deadly current running through it. It’s a break for the district, having the Peacekeepers busy doing something besides abusing people. Peeta comes by every day to bring me cheese buns and begins to help me work on the family book. It’s an old thing, made of parchment and leather. Some herbalist on my mother’s side of the family started it ages ago. The book’s composed of page after page of ink drawings of plants with descriptions of their medical uses. My father added a section on edible plants that was my guidebook to keeping us alive after his death. For a long time, I’ve wanted to record my own knowledge in it. Things I learned from experience or from Gale, and then the information I picked up when I was training for the Games. I didn’t because I’m no artist and it’s so crucial that the pictures are drawn in exact detail. That’s where Peeta comes in. Some of the plants he knows already, others we have dried samples of, and others I have to describe. He makes sketches on scrap paper until I’m satisfied they’re right, then I let him draw them in the book. After that, I carefully print all I know about the plant. It’s quiet, absorbing work that helps take my mind off my troubles. I like to watch his hands as he works, making a blank page bloom with strokes of ink, adding touches of color to our previously black and yellowish book. His face takes on a special look when he concentrates. His usual easy expression is replaced by something more intense and removed that suggests an entire world locked away inside him. I’ve seen flashes of this before: in the arena, or when he speaks to a crowd, or that time he shoved the Peacekeepers’ guns away from me in District 11. I don’t know quite what to make of it. I also become a little fixated on his eyelashes, which ordinarily you don’t notice much because they’re so blond. But up close, in the sunlight slanting in from the window, they’re a light golden color and so long I don’t see how they keep from getting all tangled up when he blinks. One afternoon Peeta stops shading a blossom and looks up so suddenly that I start, as though I were caught spying on him, which in a strange way maybe I was. But he only says, “You know, I think this is the first time we’ve ever done anything normal together.” “Yeah,” I agree. Our whole relationship has been tainted by the Games. Normal was never a part of it. “Nice for a change.” Each afternoon he carries me downstairs for a change of scenery and I unnerve everyone by turning on the television. Usually we only watch when it’s mandatory, because the mixture of propaganda and displays of the Capitol’s power - including clips from seventy-four years of Hunger Games - is so odious. But now I’m looking for something special. The mockingjay that Bonnie and Twill are basing all their hopes on. I know it’s probably foolishness, but if it is, I want to rule it out. And erase the idea of a thriving District 13 from my mind for good.

Chapter 12

Staying quietly in bed is harder after that. I want to be doing something, finding out more about District 13 or helping in the cause to bring down the Capitol. Instead I sit around stuffing myself with cheese buns and watching Peeta sketch. Haymitch stops by occasionally to bring me news from town, which is always bad. More people being punished or dropping from starvation.

Chapter 13

“Thanks,” I say. I should go see Peeta now, but I don’t want to. My head’s spinning from the drink, and I’m so wiped out, who knows what he could get me to agree to? No, now I have to go home to face my mother and Prim. As I stagger up the steps to my house, the front door opens and Gale pulls me into his arms. “I was wrong. We should have gone when you said,” he whispers. “No,” I say. I’m having trouble focusing, and liquor keeps sloshing out of my bottle and down the back of Gale’s jacket, but he doesn’t seem to care. “It’s not too late,” he says. Over his shoulder, I see my mother and Prim clutching each other in the doorway. We run. They die. And now I’ve got Peeta to protect. End of discussion. “Yeah, it is.” My knees give way and he’s holding me up. As the alcohol overcomes my mind, I hear the glass bottle shatter on the floor. This seems appropriate since I have obviously lost my grip on everything.

Chapter 14 ( Okay this hug tho)

So I go to bed and, sure enough, within a few hours I awake from a nightmare where that old woman from District 4 transforms into a large rodent and gnaws on my face. I know I was screaming, but no one comes. Not Peeta, not even one of the Capitol attendants. I pull on a robe to try to calm the gooseflesh crawling over my body. Staying in my compartment is impossible, so I decide to go find someone to make me tea or hot chocolate or anything. Maybe Haymitch is still up. Surely he isn’t asleep. I order warm milk, the most calming thing I can think of, from an attendant. Hearing voices from the television room, I go in and find Peeta. Beside him on the couch is the box Effie sent of tapes of the old Hunger Games. I recognize the episode in which Brutus became victor. Peeta rises and flips off the tape when he sees me. “Couldn’t sleep?” “Not for long,” I say. I pull the robe more securely around me as I remember the old woman transforming into the rodent. “Want to talk about it?” he asks. Sometimes that can help, but I just shake my head, feeling weak that people I haven’t even fought yet already haunt me. When Peeta holds out his arms, I walk straight into them. It’s the first time since they announced the Quarter Quell that he’s offered me any sort of affection. He’s been more like a very demanding trainer, always pushing, always insisting Haymitch and I run faster, eat more, know our enemy better. Lover? Forget about that. He abandoned any pretense of even being my friend. I wrap my arms tightly around his neck before he can order me to do push-ups or something. Instead he pulls me in close and buries his face in my hair. Warmth radiates from the spot where his lips just touch my neck, slowly spreading through the rest of me. It feels so good, so impossibly good, that I know I will not be the first to let go. And why should I? I have said good-bye to Gale. I’ll never see him again, that’s for certain. Nothing I do now can hurt him. He won’t see it or he’ll think I am acting for the cameras. That, at least, is one weight off my shoulders. The arrival of the Capitol attendant with the warm milk is what breaks us apart. He sets a tray with a steaming ceramic jug and two mugs on a table. “I brought an extra cup,” he says. “Thanks,” I say. “And I added a touch of honey to the milk. For sweetness. And just a pinch of spice,” he adds. He looks at us like he wants to say more, then gives his head a slight shake and backs out of the room. “What’s with him?” I say. “I think he feels bad for us,” says Peeta. “Right,” I say, pouring the milk. “I mean it. I don’t think the people in the Capitol are going to be all that happy about our going back in,” says Peeta. “Or the other victors. They get attached to their champions.” “I’m guessing they’ll get over it once the blood starts flowing,” I say flatly. Really, if there’s one thing I don’t have time for, it’s worrying about how the Quarter Quell will affect the mood in the Capitol. “So, you’re watching all the tapes again?”

“Okay,” Peeta agrees. He puts in the tape and I curl up next to him on the couch with my milk, which is really delicious with the honey and spices, and lose myself in the Fiftieth Hunger Games. After the anthem, they show President Snow drawing the envelope for the second Quarter Quell. He looks younger but just as repellent. He reads from the square of paper in the same onerous voice he used for ours, informing Panem that in honor of the Quarter Quell, there will be twice the number of tributes. The editors smash cut right into the reapings, where name after name after name is called.

Peeta clicks off the tape and we sit there in silence for a while.

Chapter 17

Peeta walks me down to my room in silence, but before he can say good night, I wrap my arms around him and rest my head against his chest. His hands slide up my back and his cheek leans against my hair. “I’m sorry if I made things worse,” I say. “No worse than I did. Why did you do it, anyway?” he says. “I don’t know. To show them that I’m more than just a piece in their Games?” I say. He laughs a little, no doubt remembering the night before the Games last year. We were on the roof, neither of us able to sleep. Peeta had said something of the sort then, but I hadn’t understood what he meant. Now I do. “Me, too,” he tells me. “And I’m not saying I’m not going to try. To get you home, I mean. But if I’m perfectly honest about it …” “If you’re perfectly honest about it, you think President Snow has probably given them direct orders to make sure we die in the arena anyway,” I say. “It’s crossed my mind,” says Peeta. It’s crossed my mind, too. Repeatedly. But while I know I’ll never leave that arena alive, I’m still holding on to the hope that Peeta will. After all, he didn’t pull out those berries, I did. No one has ever doubted that Peeta’s defiance was motivated by love. So maybe President Snow will prefer keeping him alive, crushed and heartbroken, as a living warning to others. “But even if that happens, everyone will know we’ve gone out fighting, right?” Peeta asks. “Everyone will,” I reply. And for the first time, I distance myself from the personal tragedy that has consumed me since they announced the Quell. I remember the old man they shot in District 11, and Bonnie and Twill, and the rumored uprisings. Yes, everyone in the districts will be watching me to see how I handle this death sentence, this final act of President Snow’s dominance. They will be looking for some sign that their battles have not been in vain. If I can make it clear that I’m still defying the Capitol right up to the end, the Capitol will have killed me … but not my spirit. What better way to give hope to the rebels? The beauty of this idea is that my decision to keep Peeta alive at the expense of my own life is itself an act of defiance. A refusal to play the Hunger Games by the Capitol’s rules. My private agenda dovetails completely with my public one. And if I really could save Peeta … in terms of a revolution, this would be ideal. Because I will be more valuable dead. They can turn me into some kind of martyr for the cause and paint my face on banners, and it will do more to rally people than anything I could do if I was living. But Peeta would be more valuable alive, and tragic, because he will be able to turn his pain into words that will transform people. Peeta would lose it if he knew I was thinking any of this, so I only say, “So what should we do with our last few days?”

“I just want to spend every possible minute of the rest of my life with you,” Peeta replies.

“Come on, then,” I say, pulling him into my room.

It feels like such a luxury, sleeping with Peeta again. I didn’t realize until now how starved I’ve been for human closeness. For the feel of him beside me in the darkness. I wish I hadn’t wasted the last couple of nights shutting him out. I sink down into sleep, enveloped in his warmth, and when I open my eyes again, daylight’s streaming through the windows.

“No nightmares,” he says.

“No nightmares,” I confirm. “You?”

“None. I’d forgotten what a real night’s sleep feels like,” he says.

We lie there for a while, in no rush to begin the day. Tomorrow night will be the televised interview, so today Effie and Haymitch should be coaching us. More high heels and sarcastic comments, I think. But then the redheaded Avox girl comes in with a note from Effie saying that, given our recent tour, both she and Haymitch have agreed we can handle ourselves adequately in public. The coaching sessions have been canceled.

“Really?” says Peeta, taking the note from my hand and examining it. “Do you know what this means? We’ll have the whole day to ourselves.”

“It’s too bad we can’t go somewhere,” I say wistfully.

“Who says we can’t?” he asks.

The roof. We order a bunch of food, grab some blankets, and head up to the roof for a picnic. A daylong picnic in the flower garden that tinkles with wind chimes. We eat. We lie in the sun. I snap off hanging vines and use my newfound knowledge from training to practice knots and weave nets. Peeta sketches me. We make up a game with the force field that surrounds the roof - one of us throws an apple into it and the other person has to catch it.

No one bothers us. By late afternoon, I lie with my head on Peeta’s lap, making a crown of flowers while he fiddles with my hair, claiming he’s practicing his knots. After a while, his hands go still. “What?” I ask.

“I wish I could freeze this moment, right here, right now, and live in it forever,” he says.

Usually this sort of comment, the kind that hints of his undying love for me, makes me feel guilty and awful. But I feel so warm and relaxed and beyond worrying about a future I’ll never have, I just let the word slip out. “Okay.”

I can hear the smile in his voice. “Then you’ll allow it?”

“I’ll allow it,” I say.

His fingers go back to my hair and I doze off, but he rouses me to see the sunset. It’s a spectacular yellow and orange blaze behind the skyline of the Capitol. “I didn’t think you’d want to miss it,” he says.

“Thanks,” I say. Because I can count on my fingers the number of sunsets I have left, and I don’t want to miss any of them.

We don’t go and join the others for dinner, and no one summons us.

“I’m glad. I’m tired of making everyone around me so miserable,” says Peeta. “Everybody crying. Or Haymitch …” He doesn’t need to go on.

We stay on the roof until bedtime and then quietly slip down to my room without encountering anyone.

The next morning, we’re roused by my prep team. The sight of Peeta and me sleeping together is too much for Octavia, because she bursts into tears right away. “You remember what Cinna told us,” Venia says fiercely. Octavia nods and goes out sobbing.

Chapter 18 Peeta’s interview

As I pass Peeta, who’s headed for his interview, he doesn’t meet my eyes. I take my seat carefully, but aside from the puffs of smoke here and there, I seem unharmed, so I turn my attention to him. Caesar and Peeta have been a natural team since they first appeared together a year ago. Their easy give-and-take, comic timing, and ability to segue into heart-wrenching moments, like Peeta’s confession of love for me, have made them a huge success with the audience. They effortlessly open with a few jokes about fires and feathers and overcooking poultry. But anyone can see that Peeta is preoccupied, so Caesar directs the conversation right into the subject that’s on everyone’s minds. “So, Peeta, what was it like when, after all you’ve been through, you found out about the Quell?” asks Caesar. “I was in shock. I mean, one minute I’m seeing Katniss looking so beautiful in all these wedding gowns, and the next …” Peeta trails off. “You realized there was never going to be a wedding?” asks Caesar gently. Peeta pauses for a long moment, as if deciding something. He looks out at the spellbound audience, then at tin floor, then finally up at Caesar. “Caesar, do you think all our friends here can keep a secret?” An uncomfortable laugh emanates from the audience. What can he mean? Keep a secret from who? Our whole world is watching. “I feel quite certain of it,” says Caesar. “We’re already married,” says Peeta quietly. The crowd reacts in astonishment, and I have to bury my face in the folds of my skirt so they can’t see my confusion. Where on earth is he going with this? “But … how can that be?” asks Caesar. “Oh, it’s not an official marriage. We didn’t go to the Justice Building or anything. But we have this marriage ritual in District Twelve. I don’t know what it’s like in the other districts. But there’s this thing we do,” says Peeta, and he briefly describes the toasting. “Were your families there?” asks Caesar. “No, we didn’t tell anyone. Not even Haymitch. And Katniss’s mother would never have approved. But you see, we knew if we were married in the Capitol, there wouldn’t be a toasting. And neither of us really wanted to wait any longer. So one day, we just did it,” Peeta says. “And to us, we’re more married than any piece of paper or big party could make us.” “So this was before the Quell?” says Caesar. “Of course before the Quell. I’m sure we’d never have done it after we knew,” says Peeta, starting to get upset. “But who could’ve seen it coming? No one. We went through the Games, we were victors, everyone seemed so thrilled to see us together, and then out of nowhere - I mean, how could we anticipate a thing like that?” “You couldn’t, Peeta.” Caesar puts an arm around his shoulders. “As you say, no one could’ve. But I have to confess, I’m glad you two had at least a few months of happiness together.” Enormous applause. As if encouraged, I look up from my feathers and let the audience see my tragic smile of thanks. The residual smoke from the feathers has made my eyes teary, which adds a very nice touch. “I’m not glad,” says Peeta. “I wish we had waited until the whole thing was done officially.” This takes even Caesar aback. “Surely even a brief time is better than no time?” “Maybe I’d think that, too, Caesar,” says Peeta bitterly, “if it weren’t for the baby.” There. He’s done it again. Dropped a bomb that wipes out the efforts of every tribute who came before him. Well, maybe not. Maybe this year he has only lit the fuse on a bomb that the victors themselves have been building. Hoping someone would be able to detonate it. Perhaps thinking it would be me in my bridal gown. Not knowing how much I rely on Cinna’s talents, whereas Peeta needs nothing more than his wits. As the bomb explodes, it sends accusations of injustice and barbarism and cruelty flying out in every direction. Even the most Capitol-loving, Games-hungry, bloodthirsty person out there can’t ignore, at least for a moment, how horrific the whole thing is. I am pregnant. The audience can’t absorb the news right away. It has to strike them and sink in and be confirmed by other voices before they begin to sound like a herd of wounded animals, moaning, shrieking, calling for help. And me? I know my face is projected in a tight close-up on the screen, but I don’t make any effort to hide it. Because for a moment, even I am working through what Peeta has said. Isn’t it the thing I dreaded most about the wedding, about the future - the loss of my children to the Games? And it could be true now, couldn’t it? If I hadn’t spent my life building up layers of defenses until I recoil at even the suggestion of marriage or a family? Caesar can’t rein in the crowd again, not even when the buzzer sounds. Peeta nods his good-bye and comes back to his seat without any more conversation. I can see Caesar’s lips moving, but the place is in total chaos and I can’t hear a word. Only the blast of the anthem, cranked up so loud I can feel it vibrating through my bones, lets us know where we stand in the program. I automatically rise and, as I do, I sense Peeta reaching out for me. Tears run down his face as I take his hand. How real are the tears? Is this an acknowledgment that he has been stalked by the same fears that I have? That every victor has? Every parent in every district in Panem?

The moment we step off the elevator, Peeta grips my shoulders. “There isn’t much time, so tell me. Is there anything I have to apologize for?”

“Nothing,” I say. It was a big leap to take without my okay, but I’m just as glad I didn’t know, didn’t have time to second-guess him, to let any guilt over Gale detract from how I really feel about what Peeta did. Which is empowered.

We walk down the hallway. Peeta wants to stop by his room to shower off the makeup and meet me in a few minutes, but I won’t let him. I’m certain that if a door shuts between us, it will lock and I’ll have to spend the night without him. Besides, I have a shower in my room. I refuse to let go of his hand. Do we sleep? I don’t know. We spend the night holding each other, in some halfway land between dreams and waking. Not talking. Both afraid to disturb the other in the hope that we’ll be able to store up a few precious minutes of rest. Cinna and Portia arrive with the dawn, and I know Peeta will have to go. Tributes enter the arena alone. He gives me a light kiss. “See you soon,” he says.

See you soon

Chapter 19

Finnick has reached Peeta now and is towing him back, one arm across his chest while the other propels them through the water with easy strokes. Peeta rides along without resisting. I don’t know what Finnick said or did that convinced him to put his life in his hands - showed him the bangle, maybe. Or just the sight of me waiting might have been enough. When they reach the sand, I help haul Peeta up onto dry land.

“Hello, again,” he says, and gives me a kiss. “We’ve got allies.”

“Yes. Just as Haymitch intended,” I answer. “Remind me, did we make deals with anyone else?” Peeta asks.

“Only Mags, I think,” I say. I nod toward the old woman doggedly making her way toward us.

“Well, I can’t leave Mags behind,” says Finnick. “She’s one of the few people who actually likes me.”

Chapter 19/20 Cpr is a kind of kissing

I rush over to where he lies, motionless in a web of vines. “Peeta?” There’s a faint smell of singed hair. I call his name again, giving him a little shake, but he’s unresponsive. My fingers fumble across his lips, where there’s no warm breath although moments ago he was panting. I press my ear against his chest, to the spot where I always rest my head, where I know I will hear the strong and steady beat of his heart. Instead, I find silence.

“Peeta!” I scream. I shake him harder, even resort to slapping his face, but it’s no use. His heart has failed. I am slapping emptiness. “Peeta!” Finnick props Mags against a tree and pushes me out of the way. “Let me.” His fingers touch points at Peeta’s neck, run over the bones in his ribs and spine. Then he pinches Peeta’s nostrils shut. “No!” I yell, hurling myself at Finnick, for surely he intends to make certain that Peeta’s dead, to keep any hope of life from returning to him. Finnick’s hand comes up and hits me so hard, so squarely in the chest that I go flying back into a nearby tree trunk. I’m stunned for a moment, by the pain, by trying to regain my wind, as I see Finnick close off Peeta’s nose again. From where I sit, I pull an arrow, whip the notch into place, and am about to let it fly when I’m stopped by the sight of Finnick kissing Peeta. And it’s so bizarre, even for Finnick, that I stay my hand. No, he’s not kissing him. He’s got Peeta’s nose blocked off but his mouth tilted open, and he’s blowing air into his lungs. I can see this, I can actually see Peeta’s chest rising and falling. Then Finnick unzips the top of Peeta’s jumpsuit and begins to pump the spot over his heart with the heels of his hands. Now that I’ve gotten through my shock, I understand what he’s trying to do. Once in a blue moon, I’ve seen my mother try something similar, but not often. If your heart fails in District 12, it’s unlikely your family could get you to my mother in time, anyway. So her usual patients are burned or wounded or ill. Or starving, of course. But Finnick’s world is different. Whatever he’s doing, he’s done it before. There’s a very set rhythm and method. And I find the arrow tip sinking to the ground as I lean in to watch, desperately, for some sign of success. Agonizing minutes drag past as my hopes diminish. Around the time that I’m deciding it’s too late, that Peeta’s dead, moved on, unreachable forever, he gives a small cough and Finnick sits back. I leave my weapons in the dirt as I fling myself at him. “Peeta?” I say softly. I brush the damp blond strands of hair back from his forehead, find the pulse drumming against my fingers at his neck. His lashes flutter open and his eyes meet mine. “Careful,” he says weakly. “There’s a force field up ahead.” I laugh, but there are tears running down my cheeks. “Must be a lot stronger than the one on the Training Center roof,” he says. “I’m all right, though. Just a little shaken.” “You were dead! Your heart stopped!” I burst out, before really considering if this is a good idea. I clap my hand over my mouth because I’m starting to make those awful choking sounds that happen when I sob. “Well, it seems to be working now,” he says. “It’s all right, Katniss.” I nod my head but the sounds aren’t stopping. “Katniss?” Now Peeta’s worried about me, which adds to the insanity of it all. “It’s okay. It’s just her hormones,” says Finnick. “From the baby.” I look up and see him, sitting back on his knees but still panting a bit from the climb and the heat and the effort of bringing Peeta back from the dead. “No. It’s not - ” I get out, but I’m cut off by an even more hysterical round of sobbing that seems only to confirm what Finnick said about the baby. He meets my eyes and I glare at him through my tears. It’s stupid, I know, that his efforts make me so vexed. All I wanted was to keep Peeta alive, and I couldn’t and Finnick could, and I should be nothing but grateful. And I am. But I am also furious because it means that I will never stop owing Finnick Odair. Ever. So how can I kill him in his sleep? I expect to see a smug or sarcastic expression on his face, but his look is strangely quizzical. He glances between Peeta and me, as if trying to figure something out, then gives his head a slight shake as if to clear it. “How are you?” he asks Peeta. “Do you think you can move on?” I notice a gleam of gold on Peeta’s chest. I reach out and retrieve the disk that hangs from a chain around his neck. My mockingjay has been engraved on it. “Is this your token?” I ask. “Yes. Do you mind that I used your mockingjay? I wanted us to match,” he says. “No, of course I don’t mind.” I force a smile. Peeta showing up in the arena wearing a mockingjay is both a blessing and a curse. On the one hand, it should give a boost to the rebels in the district. On the other, it’s hard to imagine President Snow will overlook it, and that makes the job of keeping Peeta alive harder.

Chapter 24

know it’s stopped when I feel Peeta’s hands on me, feel myself lifted from the ground and out of the jungle. But I stay eyes squeezed shut, hands over my ears, muscles too rigid to release. Peeta holds me on his lap, speaking soothing words, rocking me gently. It takes a long time before I begin to relax the iron grip on my body. And when I do, the trembling begins. "It’s all right, Katniss,” he whispers. “You didn’t hear them,” I answer. “I heard Prim. Right in the beginning. But it wasn’t her,” he says. “It was a jabberjay.” “It was her. Somewhere. The jabberjay just recorded it,” I say. “No, that’s what they want you to think. The same way I wondered if Glimmer’s eyes were in that mutt last year. But those weren’t Glimmer’s eyes. And that wasn’t Prim’s voice. Or if it was, they took it from an interview or something and distorted the sound. Made it say whatever she was saying,” he says. “No, they were torturing her,” I answer. “She’s probably dead.” “Katniss, Prim isn’t dead. How could they kill Prim? We’re almost down to the final eight of us. And what happens then?” Peeta says. “Seven more of us die,” I say hopelessly. “No, back home. What happens when they reach the final eight tributes in the Games?” He lifts my chin so I have to look at him. Forces me to make eye contact. “What happens? At the final eight?” I know he’s trying to help me, so I make myself think. “At the final eight?” I repeat. “They interview your family and friends back home.” “That’s right,” says Peeta. “They interview your family and friends. And can they do that if they’ve killed them all?” “No?” I ask, still unsure. “No. That’s how we know Prim’s alive. She’ll be the first one they interview, won’t she?” he asks. I want to believe him. Badly. It’s just … those voices … “First Prim. Then your mother. Your cousin, Gale. Madge,” he continues. “It was a trick, Katniss. A horrible one. But we’re the only ones who can be hurt by it. We’re the ones in the Games. Not them.” “You really believe that?” I say. “I really do,” says Peeta. I waver, thinking of how Peeta can make anyone believe anything. I look over at Finnick for confirmation, see he’s fixated on Peeta, his words. “Do you believe it, Finnick?” I ask. “It could be true. I don’t know,” he says. “Could they do that, Beetee? Take someone’s regular voice and make it …” “Oh, yes. It’s not even that difficult, Finnick. Our children learn a similar technique in school,” says Beetee. “Of course Peeta’s right. The whole country adores Katniss’s little sister. If they really killed her like this, they’d probably have an uprising on their hands,” says Johanna flatly. “Don’t want that, do they?” She throws back her head and shouts, “Whole country in rebellion? Wouldn’t want anything like that!”

THE BEACH SCENE Chapter 24 if your wondering

Peeta and I sit on the damp sand, facing away from each other, my right shoulder and hip pressed against his. I watch the water as he watches the jungle, which is better for me. I’m still haunted by the voices of the jabberjays, which unfortunately the insects can’t drown out. After a while I rest my head against his shoulder. Feel his hand caress my hair. “Katniss,” he says softly, “it’s no use pretending we don’t know what the other one is trying to do.” No, I guess there isn’t, but it’s no fun discussing it, either. Well, not for us, anyway. The Capitol viewers will be glued to their sets so they don’t miss one wretched word. “I don’t know what kind of deal you think you’ve made with Haymitch, but you should know he made me promises as well.” Of course, I know this, too. He told Peeta they could keep me alive so that he wouldn’t be suspicious. “So I think we can assume he was lying to one of us.” This gets my attention. A double deal. A double promise. With only Haymitch knowing which one is real. I raise my head, meet Peeta’s eyes. “Why are you saying this now?” “Because I don’t want you forgetting how different our circumstances are. If you die, and I live, there’s no life for me at all back in District Twelve. You’re my whole life,” he says. “I would never be happy again.” I start to object but he puts a finger to my lips. “It’s different for you. I’m not saying it wouldn’t be hard. But there are other people who’d make your life worth living.” Peeta pulls the chain with the gold disk from around his neck. He holds it in the moonlight so I can clearly see the mockingjay. Then his thumb slides along a catch I didn’t notice before and the disk pops open. It’s not solid, as I had thought, but a locket. And within the locket are photos. On the right side, my mother and Prim, laughing. And on the left, Gale. Actually smiling. There is nothing in the world that could break me faster at this moment than these three faces. After what I heard this afternoon … it is the perfect weapon. “Your family needs you, Katniss,” Peeta says. My family. My mother. My sister. And my pretend cousin Gale. But Peeta’s intention is clear. That Gale really is my family, or will be one day, if I live. That I’ll marry him. So Peeta’s giving me his life and Gale at the same time. To let me know I shouldn’t ever have doubts about it. Everything. That’s what Peeta wants me to take from him. I wait for him to mention the baby, to play to the cameras, but he doesn’t. And that’s how I know that none of this is part of the Games. That he is telling me the truth about what he feels. “No one really needs me,” he says, and there’s no self-pity in his voice. It’s true his family doesn’t need him. They will mourn him, as will a handful of friends. But they will get on. Even Haymitch, with the help of a lot of white liquor, will get on. I realize only one person will be damaged beyond repair if Peeta dies. Me. “I do,” I say. “I need you.” He looks upset, takes a deep breath as if to begin a long argument, and that’s no good, no good at all, because he’ll start going on about Prim and my mother and everything and I’ll just get confused. So before he can talk, I stop his lips with a kiss. I feel that thing again. The thing I only felt once before. In the cave last year, when I was trying to get Haymitch to send us food. I kissed Peeta about a thousand times during those Games and after. But there was only one kiss that made me feel something stir deep inside. Only one that made me want more. But my head wound started bleeding and he made me lie down. This time, there is nothing but us to interrupt us. And after a few attempts, Peeta gives up on talking. The sensation inside me grows warmer and spreads out from my chest, down through my body, out along my arms and legs, to the tips of my being. Instead of satisfying me, the kisses have the opposite effect, of making my need greater. I thought I was something of an expert on hunger, but this is an entirely new kind. “I can’t sleep anymore,” he says. “One of you should rest.” Only then does he seem to notice our expressions, the way we’re wrapped around each other. “Or both of you. I can watch alone.” Peeta won’t let him, though. “It’s too dangerous,” he says. “I’m not tired. You lie down, Katniss.” I don’t object because I do need to sleep if I’m to be of any use keeping him alive. I let him lead me over to where the others are. He puts the chain with the locket around my neck, then rests his hand over the spot where our baby would be. “You’re going to make a great mother, you know,” he says. He kisses me one last time and goes back to Finnick. His reference to the baby signals that our time-out from the Games is over. That he knows the audience will be wondering why he hasn’t used the most persuasive argument in his arsenal. That sponsors must be manipulated. But as I stretch out on the sand I wonder, could it be more? Like a reminder to me that I could still one day have kids with Gale? Well, if that was it, it was a mistake. Because for one thing, that’s never been part of my plan. And for another, if only one of us can be a parent, anyone can see it should be Peeta. As I drift off, I try to imagine that world, somewhere in the future, with no Games, no Capitol. A place like the meadow in the song I sang to Rue as she died. Where Peeta’s child could be safe

Chapter 25

Peeta rinses the pearl off in the water and hands it to me. “For you.” I hold it out on my palm and examine its iridescent surface in the sunlight. Yes, I will keep it. For the few remaining hours of my life I will keep it close. This last gift from Peeta. The only one I can really accept. Perhaps it will give me strength in the final moments. “Thanks,” I say, closing my fist around it. I look coolly into the blue eyes of the person who is now my greatest opponent, the person who would keep me alive at his own expense. And I promise myself I will defeat his plan. The laughter drains from those eyes, and they are staring so intensely into mine, it’s like they can read my thoughts. “The locket didn’t work, did it?” Peeta says, even though Finnick is right there. Even though everyone can hear him. “Katniss?” “It worked,” I say. “But not the way I wanted it to,” he says, averting his glance. After that he will look at nothing but oysters.

I have the pearl, though, secured in a parachute with the spile and the medicine at my waist. I hope it makes it back to District 12. Surely my mother and Prim will know to return it to Peeta before they bury my body.

Chapter 26

I don’t like the plan any more than Peeta does. How can I protect him at a distance? But Beetee’s right. With his leg, Peeta is too slow to make it down the slope in time. Johanna and I are the fastest and most sure-footed on the jungle floor. I can’t think of any alternative. And if I trust anyone here besides Peeta, it’s Beetee. “It’s okay,” I tell Peeta. “We’ll just drop the coil and come straight back up.” “Not into the lightning zone,” Beetee reminds me. “Head for the tree in the one-to-two-o'clock sector. If you find you’re running out of time, move over one more. Don’t even think about going back on the beach, though, until I can assess the damage.” I take Peeta’s face in my hands. “Don’t worry. I’ll see you at midnight.” I give him a kiss and, before he can object any further, I let go and turn to Johanna. “Ready?”

Mockingjay .

Chapter 3

I feel around for the parachute and slide my fingers inside until they close around the pearl. I sit back on my bed cross-legged and find myself rubbing the smooth iridescent surface of the pearl back and forth against my lips. For some reason, it’s soothing. A cool kiss from the giver himself.

skim my list. “Gale. I’ll need him with me to do this.” “With you how? Off camera? By your side at all times? Do you want him presented as your new lover?” Coin asks. She hasn’t said this with any particular malice - quite the contrary, her words are very matter-of-fact. But my mouth still drops open in shock. “What?” “I think we should continue the current romance. A quick defection from Peeta could cause the audience to lose sympathy for her,” says Plutarch. “Especially since they think she’s pregnant with his child.” “Agreed. So, on-screen, Gale can simply be portrayed as a fellow rebel. Is that all right?” says Coin. I just stare at her. She repeats herself impatiently. “For Gale. Will that be sufficient?” “We can always work him in as your cousin,” says Fulvia.

“We’re not cousins,” Gale and I say together.

“Right, but we should probably keep that up for appearances’ sake on camera,” says Plutarch. “Off camera, he’s all yours. Anything else?”

I’m rattled by the turn in the conversation. The implications that I could so readily dispose of Peeta, that I’m in love with Gale, that the whole thing has been an act. My cheeks begin to burn. The very notion that I’m devoting any thought to who I want presented as my lover, given our current circumstances, is demeaning. I let my anger propel me into my greatest demand. “When the war is over, if we’ve won, Peeta will be pardoned.”

Dead silence. I feel Gale’s body tense. I guess I should have told him before, but I wasn’t sure how he’d respond. Not when it involved Peeta.

“No form of punishment will be inflicted,” I continue. A new thought occurs to me. “The same goes for the other captured tributes, Johanna and Enobaria.” Frankly, I don’t care about Enobaria, the vicious District 2 tribute. In fact, I dislike her, but it seems wrong to leave her out.

“No,” says Coin flatly.

“Yes,” I shoot back. “It’s not their fault you abandoned them in the arena. Who knows what the Capitol’s doing to them?”

“They’ll be tried with other war criminals and treated as the tribunal sees fit,” she says.

“They’ll be granted immunity!” I feel myself rising from my chair, my voice full and resonant. “You will personally pledge this in front of the entire population of District Thirteen and the remainder of Twelve. Soon. Today. It will be recorded for future generations. You will hold yourself and your government responsible for their safety, or you’ll find yourself another Mockingjay!”

My words hang in the air for a long moment.

Chapter 16

“Always.” In the twilight of morphling, Peeta whispers the word and I go searching for him. It’s a gauzy, violet-tinted world, with no hard edges, and many places to hide. I push through cloud banks, follow faint tracks, catch the scent of cinnamon, of dill. Once I feel his hand on my cheek and try to trap it, but it dissolves like mist through my fingers.

I wish I could meet with Peeta privately. But the audience of doctors has assembled behind the one-way glass, clipboards ready, pens poised. When Haymitch gives me the okay in my earpiece, I slowly open the door. Those blue eyes lock on me instantly. He’s got three restraints on each arm, and a tube that can dispense a knockout drug just in case he loses control. He doesn’t fight to free himself, though, only observes me with the wary look of someone who still hasn’t ruled out that he’s in the presence of a mutt. I walk over until I’m standing about a yard from the bed. There’s nothing to do with my hands, so I cross my arms protectively over my ribs before I speak. “Hey.” “Hey,” he responds. It’s like his voice, almost his voice, except there’s something new in it. An edge of suspicion and reproach. “Haymitch said you wanted to talk to me,” I say. “Look at you, for starters.” It’s like he’s waiting for me to transform into a hybrid drooling wolf right before his eyes. He stares so long I find myself casting furtive glances at the one-way glass, hoping for some direction from Haymitch, but my earpiece stays silent. “You’re not very big, are you? Or particularly pretty?” I know he’s been through hell and back, and yet somehow the observation rubs me the wrong way. “Well, you’ve looked better.” Haymitch’s advice to back off gets muffled by Peeta’s laughter. “And not even remotely nice. To say that to me after all I’ve been through.” “Yeah. We’ve all been through a lot. And you’re the one who was known for being nice. Not me.” I’m doing everything wrong. I don’t know why I feel so defensive. He’s been tortured! He’s been hijacked! What’s wrong with me? Suddenly, I think I might start screaming at him - I’m not even sure about what - so I decide to get out of there. “Look, I don’t feel so well. Maybe I’ll drop by tomorrow.” I’ve just reached the door when his voice stops me. “Katniss. I remember about the bread.” The bread. Our one moment of real connection before the Hunger Games. “They showed you the tape of me talking about it,” I say. “No. Is there a tape of you talking about it? Why didn’t the Capitol use it against me?” he asks. “I made it the day you were rescued,” I answer. The pain in my chest wraps around my ribs like a vise. The dancing was a mistake. “So what do you remember?” “You. In the rain,” he says softly. “Digging in our trash bins. Burning the bread. My mother hitting me. Taking the bread out for the pig but then giving it to you instead.” “That’s it. That’s what happened,” I say. “The next day, after school, I wanted to thank you. But I didn’t know how.” “We were outside at the end of the day. I tried to catch your eye. You looked away. And then…for some reason, I think you picked a dandelion.” I nod. He does remember. I have never spoken about that moment aloud. “I must have loved you a lot.” “You did.” My voice catches and I pretend to cough. “And did you love me?” he asks. I keep my eyes on the tiled floor. “Everyone says I did. Everyone says that’s why Snow had you tortured. To break me.” “That’s not an answer,” he tells me. “I don’t know what to think when they show me some of the tapes. In that first arena, it looked like you tried to kill me with those tracker jackers.” “I was trying to kill all of you,” I say. “You had me treed.” “Later, there’s a lot of kissing. Didn’t seem very genuine on your part. Did you like kissing me?” he asks. “Sometimes,” I admit. “You know people are watching us now?” “I know. What about Gale?” he continues. My anger’s returning. I don’t care about his recovery - this isn’t the business of the people behind the glass. “He’s not a bad kisser either,” I say shortly. “And it was okay with both of us? You kissing the other?” he asks. “No. It wasn’t okay with either of you. But I wasn’t asking your permission,” I tell him. Peeta laughs again, coldly, dismissively. “Well, you’re a piece of work, aren’t you?” Haymitch doesn’t protest when I walk out. Down the hall. Through the beehive of compartments. Find a warm pipe to hide behind in a laundry room. It takes a long time before I get to the bottom of why I’m so upset. When I do, it’s almost too mortifying to admit. All those months of taking it for granted that Peeta thought I was wonderful are over. Finally, he can see me for who I really am. Violent. Distrustful. Manipulative. Deadly. And I hate him for it.

Chapter 18

I consider saying a final good-bye to Peeta, decide it would only be bad for both of us. But I do slip the pearl into the pocket of my uniform. A token of the boy with the bread.

Chapter 19

After about an hour, Peeta speaks up. “These last couple of years must have been exhausting for you. Trying to decide whether to kill me or not. Back and forth. Back and forth.” That seems grossly unfair, and my first impulse is to say something cutting. But I revisit my conversation with Haymitch and try to take the first tentative step in Peeta’s direction. “I never wanted to kill you. Except when I thought you were helping the Careers kill me. After that, I always thought of you as…an ally.” That’s a good safe word. Empty of any emotional obligation, but nonthreatening. “Ally.” Peeta says the word slowly, tasting it. “Friend. Lover. Victor. Enemy. Fiancee. Target. Mutt. Neighbor. Hunter. Tribute. Ally. I’ll add it to the list of words I use to try to figure you out.” He weaves the rope in and out of his fingers. “The problem is, I can’t tell what’s real anymore, and what’s made up.” The cessation of rhythmic breathing suggests that either people have woken or have never really been asleep at all. I suspect the latter.

At a few minutes before four, Peeta turns to me again. “Your favorite color…it’s green?” “That’s right.” Then I think of something to add. “And yours is orange.” “Orange?” He seems unconvinced. “Not bright orange. But soft. Like the sunset,” I say. “At least, that’s what you told me once.” “Oh.” He closes his eyes briefly, maybe trying to conjure up that sunset, then nods his head. “Thank you.” But more words tumble out. “You’re a painter. You’re a baker. You like to sleep with the windows open. You never take sugar in your tea. And you always double-knot your shoelaces.” Then I dive into my tent before I do something stupid like cry.

Chapter 21

Peeta buries his face in his hands for a few moments, then rises to join us. “Should we free his hands?” asks Leeg 1. “No!” Peeta growls at her, drawing his cuffs in close to his body. “No,” I echo. “But I want the key.” Jackson passes it over without a word. I slip it into my pants pocket, where it clicks against the pearl.

In the fluorescent light, the circles under his eyes look like bruises. “There’s still time. You should sleep.” Unresisting, he lies back down, but just stares at the needle on one of the dials as it twitches from side to side. Slowly, as I would with a wounded animal, my hand stretches out and brushes a wave of hair from his forehead. He freezes at my touch, but doesn’t recoil. So I continue to gently smooth back his hair. It’s the first time I have voluntarily touched him since the last arena. “You’re still trying to protect me. Real or not real,” he whispers. “Real,” I answer. It seems to require more explanation. “Because that’s what you and I do. Protect each other.” After a minute or so, he drifts off to sleep.

Chapter 22

“Leave me,” he whispers. “I can’t hang on.” “Yes. You can!” I tell him. Peeta shakes his head. “I’m losing it. I’ll go mad. Like them.” Like the mutts. Like a rabid beast bent on ripping my throat out. And here, finally here in this place, in these circumstances, I will really have to kill him. And Snow will win. Hot, bitter hatred courses through me. Snow has won too much already today. It’s a long shot, it’s suicide maybe, but I do the only thing I can think of. I lean in and kiss Peeta full on the mouth. His whole body starts shuddering, but I keep my lips pressed to his until I have to come up for air. My hands slide up his wrists to clasp his. “Don’t let him take you from me.” Peeta’s panting hard as he fights the nightmares raging in his head. “No. I don’t want to…” I clench his hands to the point of pain. “Stay with me.” His pupils contract to pinpoints, dilate again rapidly, and then return to something resembling normalcy. “Always,” he murmurs

Chapter 23

I think it’s time I give myself up. When everyone finally awakens, I confess. How I lied about the mission, how I jeopardized everyone in pursuit of revenge. There’s a long silence after I finish. Then Gale says, “Katniss, we all knew you were lying about Coin sending you to assassinate Snow.” “You knew, maybe. The soldiers from Thirteen didn’t,” I reply.

“Do you really think Jackson believed you had orders from Coin?” Cressida asks. “Of course she didn’t. But she trusted Boggs, and he’d clearly wanted you to go on.”

“I never even told Boggs what I planned to do,” I say.

“You told everyone in Command!” Gale says. “It was one of your conditions for being the Mockingjay. 'I kill Snow.’”

Those seem like two disconnected things. Negotiating with Coin for the privilege of executing Snow after the war and this unauthorized flight through the Capitol. “But not like this,” I say. “It’s been a complete disaster.”

“I think it would be considered a highly successful mission,” says Gale. “We’ve infiltrated the enemy camp, showing that the Capitol’s defenses can be breached. We’ve managed to get footage of ourselves all over the Capitol’s news. We’ve thrown the whole city into chaos trying to find us.”

“Trust me, Plutarch’s thrilled,” Cressida adds.

“That’s because Plutarch doesn’t care who dies,” I say. “Not as long as his Games are a success.”

Cressida and Gale go round and round trying to convince me. Pollux nods at their words to back them up. Only Peeta doesn’t offer an opinion.

“What do you think, Peeta?” I finally ask him.

“I think…you still have no idea. The effect you can have.” He slides his cuffs up the support and pushes himself to a sitting position. “None of the people we lost were idiots. They knew what they were doing. They followed you because they believed you really could kill Snow.”

I don’t know why his voice reaches me when no one else’s can. But if he’s right, and I think he is, I owe the others a debt that can only be repaid in one way. I pull my paper map from a pocket in my uniform and spread it out on the floor with new resolve. “Where are we, Cressida?”

Chapter 27

I wake with a start. Pale morning light comes around the edges of the shutters. The scraping of the shovel continues. Still half in the nightmare, I run down the hall, out the front door, and around the side of the house, because now I’m pretty sure I can scream at the dead. When I see him, I pull up short. His face is flushed from digging up the ground under the windows. In a wheelbarrow are five scraggly bushes. “You’re back,” I say. “Dr. Aurelius wouldn’t let me leave the Capitol until yesterday,” Peeta says. “By the way, he said to tell you he can’t keep pretending he’s treating you forever. You have to pick up the phone.” He looks well. Thin and covered with burn scars like me, but his eyes have lost that clouded, tortured look. He’s frowning slightly, though, as he takes me in. I make a halfhearted effort to push my hair out of my eyes and realize it’s matted into clumps. I feel defensive. “What are you doing?” “I went to the woods this morning and dug these up. For her,” he says. “I thought we could plant them along the side of the house.” I look at the bushes, the clods of dirt hanging from their roots, and catch my breath as the wordrose registers. I’m about to yell vicious things at Peeta when the full name comes to me. Not plain rose but evening primrose. The flower my sister was named for. I give Peeta a nod of assent and hurry back into the house, locking the door behind me. But the evil thing is inside, not out. Trembling with weakness and anxiety, I run up the stairs. My foot catches on the last step and I crash onto the floor. I force myself to rise and enter my room. The smell’s very faint but still laces the air. It’s there. The white rose among the dried flowers in the vase. Shriveled and fragile, but holding on to that unnatural perfection cultivated in Snow’s greenhouse. I grab the vase, stumble down to the kitchen, and throw its contents into the embers. As the flowers flare up, a burst of blue flame envelops the rose and devours it. Fire beats roses again. I smash the vase on the floor for good measure.

Slowly, with many lost days, I come back to life. I try to follow Dr. Aurelius’s advice, just going through the motions, amazed when one finally has meaning again. I tell him my idea about the book, and a large box of parchment sheets arrives on the next train from the Capitol. I got the idea from our family’s plant book. The place where we recorded those things you cannot trust to memory. The page begins with the person’s picture. A photo if we can find it. If not, a sketch or painting by Peeta. Then, in my most careful handwriting, come all the details it would be a crime to forget. Lady licking Prim’s cheek. My father’s laugh. Peeta’s father with the cookies. The color of Finnick’s eyes. What Cinna could do with a length of silk. Boggs reprogramming the Holo. Rue poised on her toes, arms slightly extended, like a bird about to take flight. On and on. We seal the pages with salt water and promises to live well to make their deaths count. Haymitch finally joins us, contributing twenty-three years of tributes he was forced to mentor. Additions become smaller. An old memory that surfaces. A late primrose preserved between the pages. Strange bits of happiness, like the photo of Finnick and Annie’s newborn son. We learn to keep busy again. Peeta bakes. I hunt. Haymitch drinks until the liquor runs out, and then raises geese until the next train arrives. Fortunately, the geese can take pretty good care of themselves. We’re not alone. A few hundred others return because, whatever has happened, this is our home. With the mines closed, they plow the ashes into the earth and plant food. Machines from the Capitol break ground for a new factory where we will make medicines. Although no one seeds it, the Meadow turns green again. Peeta and I grow back together. There are still moments when he clutches the back of a chair and hangs on until the flashbacks are over. I wake screaming from nightmares of mutts and lost children. But his arms are there to comfort me. And eventually his lips. On the night I feel that thing again, the hunger that overtook me on the beach, I know this would have happened anyway. That what I need to survive is not Gale’s fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that. So after, when he whispers, “You love me. Real or not real?” I tell him, “Real.”

epilogue

They play in the Meadow. The dancing girl with the dark hair and blue eyes. The boy with blond curls and gray eyes, struggling to keep up with her on his chubby toddler legs. It took five, ten, fifteen years for me to agree. But Peeta wanted them so badly. When I first felt her stirring inside of me, I was consumed with a terror that felt as old as life itself. Only the joy of holding her in my arms could tame it. Carrying him was a little easier, but not much. The questions are just beginning. The arenas have been completely destroyed, the memorials built, there are no more Hunger Games. But they teach about them at school, and the girl knows we played a role in them. The boy will know in a few years. How can I tell them about that world without frightening them to death? My children, who take the words of the song for granted:

Deep in the meadow, under the willow A bed of grass, a soft green pillow Lay down your head, and close your sleepy eyes And when again they open, the sun will rise. Here it’s safe, here it’s warm

Here the daisies guard you from every harm

Here your dreams are sweet and tomorrow brings them true

Here is the place where I love you.

My children, who don’t know they play on a graveyard.

Peeta says it will be okay. We have each other. And the book. We can make them understand in a way that will make them braver. But one day I’ll have to explain about my nightmares. Why they came. Why they won’t ever really go away.

I’ll tell them how I survive it. I’ll tell them that on bad mornings, it feels impossible to take pleasure in anything because I’m afraid it could be taken away. That’s when I make a list in my head of every act of goodness I’ve seen someone do. It’s like a game. Repetitive. Even a little tedious after more than twenty years.

But there are much worse games to play.

And Because I am a super Petty Person Gales Kisses will be added below

"If only it were that simple." He picks up one of the flowered cookies and examines it. "Lovely. Your mother made these?" "Peeta." And for the first time, I find I can't hold his gaze. I reach for my tea but set it back down when I hear the cup rattling against the saucer. To cover I quickly take a cookie. "Peeta. How is the love of your life?" he asks. "Good," I say. "At what point did he realize the exact degree of your indifference?" he asks, dipping his cookie in his tea. "I'm not indifferent," I say. "But perhaps not as taken with the young man as you would have the country believe," he says. "Who says I'm not?" I say. "I do," says the president. "And I wouldn't be here if I were the only person who had doubts. How's the handsome cousin?" "I don't know ... I don't ..." My revulsion at this conversation, at discussing my feelings for two of the people I care most about with President Snow, chokes me off. "Speak, Miss Everdeen. Him I can easily kill off if we don't come to a happy resolution," he says. "You aren't doing him a favor by disappearing into the woods with him each Sunday." If he knows this, what else does he know? And how does he know it? Many people could tell him that Gale and I spend our Sundays hunting. Don't we show up at the end of each one loaded down with game? Haven't we for years? The real question is what he thinks goes on in the woods beyond District 12. Surely they haven't been tracking us in there. Or have they? Could we have been followed? That seems impossible. At least by a person. Cameras? That never crossed my mind until this moment. The woods have always been our place of safety, our place beyond the reach of the Capitol, where we're free to say what we feel, be who we are. At least before the Games. If we've been watched since, what have they seen? Two people hunting, saying treasonous things against the Capitol, yes. But not two people in love, which seems to be President Snow's implication. We are safe on that charge. Unless ... unless ... It only happened once. It was fast and unexpected, but it did happen. After Peeta and I got home from the Games, it was several weeks before I saw Gale alone. First there were the obligatory celebrations. A banquet for the victors that only the most high-ranking people were invited to. A holiday for the whole district with free food and entertainers brought in from the Capitol. Parcel Day, the first of twelve, in which food packages were delivered to every person in the district. That was my favorite. To see all those hungry kids in the Seam running around, waving cans of applesauce, tins of meat, even candy. Back home, too big to carry, would be bags of grain, cans of oil. To know that once a month for a year they would all receive another parcel. That was one of the few times I actually felt good about winning the Games. So between the ceremonies and events and the reporters documenting my every move as I presided and thanked and kissed Peeta for the audience, I had no privacy at all. After a few weeks, things finally died down. The camera crews and reporters packed up and went home. Peeta and I assumed the cool relationship we've had ever since. My family settled into our house in the Victor's Village. The everyday life of District 12 - workers to the mines, kids to school - resumed its usual pace. I waited until I thought the coast was really clear, and then one Sunday, without telling anyone, I got up hours before dawn and took off for the woods. The weather was still warm enough that I didn't need a jacket. I packed along a bag filled with special foods, cold chicken and cheese and bakery bread and oranges. Down at my old house, I put on my hunting boots. As usual, the fence was not charged and it was simple to slip into the woods and retrieve my bow and arrows. I went to our place, Gale's and mine, where we had shared breakfast the morning of the reaping that sent me into the Games. I waited at least two hours. I'd begun to think that he'd given up on me in the weeks that had passed. Or that he no longer cared about me. Hated me even. And the idea of losing him forever, my best friend, the only person I'd ever trusted with my secrets, was so painful I couldn't stand it. Not on top of everything else that had happened. I could feel my eyes tearing up and my throat starting to close the way it does when I get upset. Then I looked up and there he was, ten feet away, just watching me. Without even thinking, I jumped up and threw my arms around him, making some weird sound that combined laughing, choking, and crying. He was holding me so tightly that I couldn't see his face, but it was a really long time before he let me go and then he didn't have much choice, because I'd gotten this unbelievably loud case of the hiccups and had to get a drink. We did what we always did that day. Ate breakfast. Hunted and fished and gathered. Talked about people in town. But not about us, his new life in the mines, my time in the arena. Just about other things. By the time we were at the hole in the fence that's nearest the Hob, I think I really believed that things could be the same. That we could go on as we always had. I'd given all the game to Gale to trade since we had so much food now. I told him I'd skip the Hob, even though I was looking forward to going there, because my mother and sister didn't even know I'd gone hunting and they'd be wondering where I was. Then suddenly, as I was suggesting I take over the daily snare run, he took my face in his hands and kissed me. I was completely unprepared. You would think that after all the hours I'd spent with Gale - watching him talk and laugh and frown - that I would know all there was to know about his lips. But I hadn't imagined how warm they would feel pressed against my own. Or how those hands, which could set the most intricate of snares, could as easily entrap me. I think I made some sort of noise in the back of my throat, and I vaguely remember my fingers, curled tightly closed, resting on his chest. Then he let go and said, "I had to do that. At least once." And he was gone. Despite the fact that the sun was setting and my family would be worried, I sat by a tree next to the fence. I tried to decide how I felt about the kiss, if I had liked it or resented it, but all I really remembered was the pressure of Gale's lips and the scent of the oranges that still lingered on his skin. It was pointless comparing it with the many kisses I'd exchanged with Peeta. I still hadn't figured out if any of those counted. Finally I went home. That week I managed the snares and dropped off the meat with Hazelle. But I didn't see Gale until Sunday. I had this whole speech worked out, about how I didn't want a boyfriend and never planned on marrying, but I didn't end up using it. Gale acted as if the kiss had never happened. Maybe he was waiting for me to say something. Or kiss him back. Instead I just pretended it had never happened, either. But it had. Gale had shattered some invisible barrier between us and, with it, any hope I had of resuming our old, uncomplicated friendship. Whatever I pretended, I could never look at his lips in quite the same way. This all flashes through my head in an instant as President Snow's eyes bore into me on the heels of his threat to kill Gale. How stupid I've been to think the Capitol would just ignore me once I'd returned home! Maybe I didn't know about the potential uprisings. But I knew they were angry with me. Instead of acting with the extreme caution the situation called for, what have I done? From the president's point of view, I've ignored Peeta and flaunted my preference for Gale's company before the whole district. And by doing so made it clear I was, in fact, mocking the Capitol. Now I've endangered Gale and his family and my family and Peeta, too, by my carelessness. "Please don't hurt Gale," I whisper. "He's just my friend. He's been my friend for years. That's all that's between us. Besides, everyone thinks we're cousins now." "I'm only interested in how it affects your dynamic with Peeta, thereby affecting the mood in the districts," he says. "It will be the same on the tour. I'll be in love with him just as I was," I say. "Just as you are," corrects President Snow. "Just as I am," I confirm.

For the first time, I reverse our positions in my head. I imagine watching Gale volunteering to save Rory in the reaping, having him torn from my life, becoming some strange girl's lover to stay alive, and then coming home with her. Living next to her. Promising to marry her. The hatred I feel for him, for the phantom girl, for everything, is so real and immediate that it chokes me. Gale is mine. I am his. Anything else is unthinkable. Why did it take him being whipped within an inch of his life to see it? Because I'm selfish. I'm a coward. I'm the kind of girl who, when she might actually be of use, would run to stay alive and leave those who couldn't follow to suffer and die. This is the girl Gale met in the woods today. No wonder I won the Games. No decent person ever does. You saved Peeta, I think weakly. But now I question even that. I knew good and well that my life back in District 12 would be unlivable if I let that boy die. I rest my head forward on the edge of the table, overcome with loathing for myself. Wishing I had died in the arena. Wishing Seneca Crane had blown me to bits the way President Snow said he should have when I held out the berries. The berries. I realize the answer to who I am lies in that handful of poisonous fruit. If I held them out to save Peeta because I knew I would be shunned if I came back without him, then I am despicable. If I held them out because I loved him, I am still self-centered, although forgivable. But if I held them out to defy the Capitol, I am someone of worth. The trouble is, I don't know exactly what was going on inside me at that moment. Could it be the people in the districts are right? That it was an act of rebellion, even if it was an unconscious one? Because, deep down, I must know it isn't enough to keep myself, or my family, or my friends alive by running away. Even if I could. It wouldn't fix anything. It wouldn't stop people from being hurt the way Gale was today. Life in District 12 isn't really so different from life in the arena. At some point, you have to stop running and turn around and face whoever wants you dead. The hard thing is finding the courage to do it. Well, it's not hard for Gale. He was born a rebel. I'm the one making an escape plan. "I'm so sorry," I whisper. I lean forward and kiss him. His eyelashes flutter and he looks at me through a haze of opiates. "Hey, Catnip." "Hey, Gale," I say. "Thought you'd be gone by now," he says. My choices are simple. I can die like quarry in the woods or I can die here beside Gale. "I'm not going anywhere. I'm going to stay right here and cause all kinds of trouble." "Me, too," Gale says. He just manages a smile before the drugs pull him back under.

By the time we reach the town square, afternoon's sinking into evening. I take Cressida to the rubble of the bakery and ask her to film something. The only emotion I can muster is exhaustion. "Peeta, this is your home. None of your family has been heard of since the bombing. Twelve is gone. And you're calling for a cease-fire?" I look across the emptiness. "There's no one left to hear you." As we stand before the lump of metal that was the gallows, Cressida asks if either of us has ever been tortured. In answer, Gale pulls off his shirt and turns his back to the camera. I stare at the lash marks, and again hear the whistling of the whip, see his bloody figure hanging unconscious by his wrists. "I'm done," I announce. "I'll meet you at the Victor's Village. Something for...my mother." I guess I walked here, but the next thing I'm conscious of is sitting on the floor in front of the kitchen cabinets of our house in the Victor's Village. Meticulously lining ceramic jars and glass bottles into a box. Placing clean cotton bandages between them to prevent breaking. Wrapping bunches of dried flowers. Suddenly, I remember the rose on my dresser. Was it real? If so, is it still up there? I have to resist the temptation to check. If it's there, it will only frighten me all over again. I hurry with my packing. When the cabinets are empty, I rise to find that Gale has materialized in my kitchen. It's disturbing how soundlessly he can appear. He's leaning on the table, his fingers spread wide against the wood grain. I set the box between us. "Remember?" he asks. "This is where you kissed me." So the heavy dose of morphling administered after the whipping wasn't enough to erase that from his consciousness. "I didn't think you'd remember that," I say. "Have to be dead to forget. Maybe even not then," he tells me. "Maybe I'll be like that man in 'The Hanging Tree.' Still waiting for an answer." Gale, who I have never seen cry, has tears in his eyes. To keep them from spilling over, I reach forward and press my lips against his. We taste of heat, ashes, and misery. It's a surprising flavor for such a gentle kiss. He pulls away first and gives me a wry smile. "I knew you'd kiss me." "How?" I say. Because I didn't know myself. "Because I'm in pain," he says. "That's the only way I get your attention." He picks up the box. "Don't worry, Katniss. It'll pass." He leaves before I can answer. I'm too weary to work through his latest charge. I spend the short ride back to 13 curled up in a seat, trying to ignore Plutarch going on about one of his favorite subjects - weapons mankind no longer has at its disposal. High-flying planes, military satellites, cell disintegrators, drones, biological weapons with expiration dates. Brought down by the destruction of the atmosphere or lack of resources or moral squeamishness. You can hear the regret of a Head Gamemaker who can only dream of such toys, who must make do with hovercraft and land-to-land missiles and plain old guns.

Gale finds me when they arrive late one afternoon. I'm sitting on a log at the edge of my current village, plucking a goose. A dozen or so of the birds are piled at my feet. Great flocks of them have been migrating through here since I've arrived, and the pickings are easy. Without a word, Gale settles beside me and begins to relieve a bird of its feathers. We're through about half when he says, "Any chance we'll get to eat these?" "Yeah. Most go to the camp kitchen, but they expect me to give a couple to whoever I'm staying with tonight," I say. "For keeping me." "Isn't the honor of the thing enough?" he says. "You'd think," I reply. "But word's gotten out that mockingjays are hazardous to your health." We pluck in silence for a while longer. Then he says, "I saw Peeta yesterday. Through the glass." "What'd you think?" I ask. "Something selfish," says Gale. "That you don't have to be jealous of him anymore?" My fingers give a yank, and a cloud of feathers floats down around us. "No. Just the opposite." Gale pulls a feather out of my hair. "I thought...I'll never compete with that. No matter how much pain I'm in." He spins the feather between his thumb and forefinger. "I don't stand a chance if he doesn't get better. You'll never be able to let him go. You'll always feel wrong about being with me." "The way I always felt wrong kissing him because of you," I say. Gale holds my gaze. "If I thought that was true, I could almost live with the rest of it." "It is true," I admit. "But so is what you said about Peeta."

Gale makes a sound of exasperation. Nonetheless, after we've dropped off the birds and volunteered to go back to the woods to gather kindling for the evening fire, I find myself wrapped in his arms. His lips brushing the faded bruises on my neck, working their way to my mouth. Despite what I feel for Peeta, this is when I accept deep down that he'll never come back to me. Or I'll never go back to him. I'll stay in 2 until it falls, go to the Capitol and kill Snow, and then die for my trouble. And he'll die insane and hating me. So in the fading light I shut my eyes and kiss Gale to make up for all the kisses I've withheld, and because it doesn't matter anymore, and because I'm so desperately lonely I can't stand it. Gale's touch and taste and heat remind me that at least my body's still alive, and for the moment it's a welcome feeling. I empty my mind and let the sensations run through my flesh, happy to lose myself. When Gale pulls away slightly, I move forward to close the gap, but I feel his hand under my chin. "Katniss," he says. The instant I open my eyes, the world seems disjointed. This is not our woods or our mountains or our way. My hand automatically goes to the scar on my left temple, which I associate with confusion. "Now kiss me." Bewildered, unblinking, I stand there while he leans in and presses his lips to mine briefly. He examines my face closely. "What's going on in your head?"

"I don't know," I whisper back.

"Then it's like kissing someone who's drunk. It doesn't count," he says with a weak attempt at a laugh. He scoops up a pile of kindling and drops it in my empty arms, returning me to myself.

"How do you know?" I say, mostly to cover my embarrassment. "Have you kissed someone who's drunk?" I guess Gale could've been kissing girls right and left back in 12. He certainly had enough takers. I never thought about it much before.

He just shakes his head. "No. But it's not hard to imagine."

"So, you never kissed any other girls?" I ask.

"I didn't say that. You know, you were only twelve when we met. And a real pain besides. I did have a life outside of hunting with you," he says, loading up with firewood.

Suddenly, I'm genuinely curious. "Who did you kiss? And where?"

"Too many to remember. Behind the school, on the slag heap, you name it," he says.

I roll my eyes. "So when did I become so special? When they carted me off to the Capitol?"

"No. About six months before that. Right after New Year's. We were in the Hob, eating some slop of Greasy Sae's. And Darius was teasing you about trading a rabbit for one of his kisses. And I realized...I minded," he tells me.

I remember that day. Bitter cold and dark by four in the afternoon. We'd been hunting, but a heavy snow had driven us back into town. The Hob was crowded with people looking for refuge from the weather. Greasy Sae's soup, made with stock from the bones of a wild dog we'd shot a week earlier, was below her usual standards. Still, it was hot, and I was starving as I scooped it up, sitting cross-legged on her counter. Darius was leaning on the post of the stall, tickling my cheek with the end of my braid, while I smacked his hand away. He was explaining why one of his kisses merited a rabbit, or possibly two, since everyone knows redheaded men are the most virile. And Greasy Sae and I were laughing because he was so ridiculous and persistent and kept pointing out women around the Hob who he said had paid far more than a rabbit to enjoy his lips. "See? The one in the green muffler? Go ahead and ask her.If you need a reference."

A million miles from here, a billion days ago, this happened. "Darius was just joking around," I say.

"Probably. Although you'd be the last to figure out if he wasn't," Gale tells me. "Take Peeta. Take me. Or even Finnick. I was starting to worry he had his eye on you, but he seems back on track now."

"You don't know Finnick if you think he'd love me," I say.

Gale shrugs. "I know he was desperate. That makes people do all kinds of crazy things."

I can't help thinking that's directed at me.

Gale catches my arm before I can disappear. "So that's what you're thinking now?" I shrug. "Katniss, as your oldest friend, believe me when I say he's not seeing you as you really are." He kisses my cheek and goes.

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