#at least not in a way that they actually let themselves feel. not in a way that hurt them more than hardened them

[ambeer6]

Longer than expected yapping about case 2 of DRDT. (dated ep 14 of ch 2)

Some thoughts about the chapter 2 case. Warnings for all the obvious.

First of all, I think Teruko is right about how the pulley system was set up. Rope over the rafters on the ceiling, then through the seesaw and then around the carousel. Then tying the rope to the correct length before letting go, so there's no worry about stopping the carousel with your bare hands. This simply makes sense.

Something that confuses me, is the amount of people arguing against this idea? Not many people on tumblr thankfully, but I don't really see why this setup would be unbelievable.

Advantages of the pulley:

Using a pulley reduces weight. Arei would be far easier to lift using this method. Even a kid could lift her this way by simply leaning into the carousel.

Using the pulley means you don't have to pick up Arei and hook her into the noose. You can simply leave her unconscious on the ground and hook the noose around her instead, then push the carousel.

Even if you're okay with her dying of strangulation, it's easy to tie the rope to the right length and just let her drop to break her neck. It grants Arei a quick death. (and you'll be done quicker)

Even if the killer is strong enough to just lift Arei into the noose, using a pulley is much easier and means you'll spend less time holding her. I know not everyone would care, but I certainly wouldn't enjoy holding onto an unconscious girl and trying to lift her into a noose, let alone an awake girl trying to struggle. (if you believe she woke up)

Downsides of the pulley:

A lot more work to clean up afterwards. Especially since we know most of it wasn't actually cleaned up, all they did was hang Arei into a different place afterwards. (I wonder if they were in a hurry, or if they assumed that somehow people wouldn't realize Arei couldn't have broken her neck from the short rope on the swingset)

a lot more work to set up to begin with. You'll have to either get up very early, or set it up the night beforehand if you wanted to be completely prepared for the murder. Clearly this wasn't just a spur of the moment thing.

That's pretty much all I can think of, honestly. When talking about the advantages or downsides of the pulley at least.

Other stuff that's maybe a bit silly to bring up:

Those fish are a bit big to have fitted through the holes in the jerrycan handles.

How do we think those jerrycans were attached to Arei? Like, I know the handles are broken (also giggle at the size of the holes and the size of the fish), but my question is more like... did they use rope? It sounds logical to use rope, but they don't mention any rope burn on Arei's body.

Maybe the 'glove is for ropeburn' truthers meant the ropeburn on Arei herself? Did the killer place the glove on Arei's neck before hanging the rope with the jerrycans off her? If they got rid of the jerrycans afterwards, maybe they also took Arei's glove. (disclaimer: I don't think they used the glove this way, but I'm open to arguments in favour of it's usage)

Rose mentioned she memorized the trash. Do you think there's a chance the needle and thread will be brought up by her? I feel like if those are going to be important, then Rose will be the person to mention seeing them in the trash.

Clothes baul.

Something else I want to mention is that the way some people talk about this case makes me uncomfortable. I want to remind people that this is just a story that someone wanted to tell. I understand that the people saying they'll drop hang themselves if the killer is a specific person are just joking, but if I were the dev, I'd feel extremely uncomfortable from just how many people are talking about the case like this.

I understand not wanting a certain character to die and I can't stop you from making jokes about it, but saying that killing off your fave character is a horrible writing choice and you'll kill yourself over it, would put immense stress on the dev, as well as everyone who helped with the project.

Also on the topic of writing: people make illogical decisions sometimes, but especially when under stress. The case needs to make sense, but I don't want people arguing something is bad writing because the killer made one or two illogical decisions along the way.

Another thing I noticed is that a lot of people are assuming what I call the "Ellery Queen case logic", which assumes that the reader (or viewer, in this case) should be able to solve the full murder based on the clues given during the investigation, before the confrontation (trial, in this case). While definitely understandable, it's great being able to solve things beforehand, we need to remember that this is not the only way to go about writing cases. Personally I've engaged more with what I call the "Arthur Conan Doyle case logic", which leaves the most vital piece(s) of evidence hidden from the reader (viewer) until the end of the final confrontation. This makes is either very difficult, or even impossible to solve the case beforehand, meaning you'll have to wait until the very end to even see the final piece of the puzzle.

Now, there's no saying whether Despair Time uses either one or the other case logic style (they could mix it up between every chapter if they want to), so because of that, I ask people to be polite about people's theories, even if they don't explain every single piece of evidence, or if they state that we need to wait for more evidence to be revealed even though the trial already started.

Nothing wrong with voicing your own ideas on people's theories, it can be helpful if they actually misremember something (I misremembered stuff too, so it was good to have it pointed out!) and can help people rework their theories with your arguments in mind, but I just ask that you're not condescending about it if you do.

THAT'S ALL! THANKS FOR READING!

[thestrangesthell]

Afterlife Jobs and Civil Service

Seen a few theories and "plot hole" accusations flying around after Beetlejuice Beetlejuice and thought I'd add my own hypothesis on what the deal is with jobs in the afterlife.

This will contain spoilers for Beetlejuice Beetlejuice.

TW: This post will discuss suicide. Please only proceed if you are comfortable.

The short version: I think (for the most part) jobs are a choice and available to those who need to hang around due to unfinished business (even if they themselves don't know what that is). I think those who commit suicide do have to work for some time as it wasn't their time to die yet. They can't just board the soul train and move on to better plains. Instead, (and though rather sour in the mouth), they're met with the shock that it isn't over. This is Beetlejuice, after all. Death and life is hard.

Now, for the long version (and it really is long), read on!

Despite the fact I do personally think it's canon that those who commit suicide end up having to work (at least for a while) in the afterlife, we can't believe that purely because Otho said so. Firstly, the guy is living, pompous and has zero evidence for that statement. Secondly, he's not a credible source. He may have been "one of New York City's leading paranormal researchers until the bottom dropped out in '72," but his interest in anything can be boiled down to obsession with image and aesthetic more than a desire to get into the nitty gritty.

What we as the audience do see is people working in the afterlife that could have died by suicide.

There's the Road Kill man ("Thanks, I've been feeling a little flat!"), Juno (*who I will come back to) and most obviously, Miss Argentina. These people are working and likely (if not outright confirmed) died by suicide.

It's a weird thing to pick up on, but what about the skeleton workers?

Besides being a great visual gag, there's not really a clear indication of death by suicide here. We could, of course, suggest they died this way and have since been "worked to the bone" - as this is the Beetlejuice franchise after all, and lord knows pun-based humour is...well, pun-damental - but no other ghosts seem to have permanent alterations to their state. In the Beetlejuice universe, once you're dead, you're stuck that way. (Unless you get your soul sucked that is).

Well, that clears things up, right?

Maybe not.

For a long time, a lot of us in the fandom accepted the whole "in the afterlife they become civil servants" thing because, well, that was what we were told. But with the recent instalment of Beetlejuice Beetlejuice this is now dubious.

Why?

Betelgeuse himself.

Betelgeuse was largely assumed by many to have died by suicide. Various headcanons over the years include strangulation, hanging, poison, drowning, electrocuting himself - the list truly goes on. part of his charm is the mystery. But with the sequel, it is suggested that he died by poison from another. Delores.

Why is this an issue?

Well, if Betelgeuse didn't commit suicide, why was he Juno's assistant?

I have two theories for that.

Firstly, in line with this entire post - he died after Delores poisoned him and then chose to work up from the bottom to become Juno's assistant. He claims himself that his heart was pretty much blackened before he met Delores, so what's to stop him from wanting to take over in the afterlife after finding himself there ahead of his time? He probably feels robbed of life and hella opportunistic. It would support the theory of unfinished business and explain the random jobs we see him doing in Beetlejuice Beetlejuice. From Guide to working Immigration, man's got one hell of a resume.

Then there's my second theory, which muddies the waters quite a bit.

We didn't actually see him die after he was poisoned.

I'll let that fester for a bit...

Ready to move on?

Let's talk about *Juno!

Juno, my beloved.

Despite recent questions surrounding her cause of death, I do personally feel the cut on Juno's throat was self-imposed. The issue fans have with how deep the cut is can be answered fairly reasonable. This is more practical rather than an effort for believability. Beetlejuice is high camp and smoke pouring from the throat of a ghost only adds to its ridiculousness. Plus, it helps back up my theory that those who commit suicide are required to do some type of work in the afterlife to make up for their shortened time on earth.

The reason I believe this is that Juno seems to really hate her job - or at least hate the crap that comes with it. If she had chosen to be a caseworker, (or been given a job similar to what she did when living), we'd perhaps see her be a little more understanding to everything that was going on. Instead, she's burdened by her paperwork, sick of having to deal with issues from baby ghosts and their "routine hauntings," and the poor woman is constantly haunted by the knowledge that Betelgeuse is out there.

(While we don't know their history, we do know that Betelgeuse ended up with a bit of a liking for Bio-exorcisms. I don't think she believes him evil any more than she considers him a nuisance, so we can only assume he got caught up in trouble that threatened Juno's line of work, leading to him getting fired.)

The real reason I can suggest that jobs are largely a choice are the recent additions to the Beetlejuice universe. I'm talking about Richard, Wolf Jackson, the Shrinkers, the Janitor and all of Wolf Jackson's squad, (plus a handful of others). They all have jobs, with some having more legitimate jobs than others.

This is where my theory really comes into play.

I think all of the above characters (possible with the exception of the Shrinkers) chose their jobs. Why? They have unfinished business - just as Barbara and Adam had unfinished business in Beetlejuice.

(Of course "they found a loophole and moved on" but this is more-so to explain their necessary absence in Beetlejuice Beetlejuice. From a lore perspective, they could very well still be haunting the house for another 89 years. I (like many others now) believe the loophole was unfinished business. They had the family (Lydia) that they wanted all along and when she moved on with her life, they felt complete. Next stop: The Soul Train and The Great Beyond.)

When looking at these new characters, here's what I theorise for each of them:

Richard - Unfinished business: a family reunion. Richard died in the Amazon, away from Astrid and likely didn't get a proper goodbye. After saving her, thus seeing her once more, he could move on. It's possible too that he's not going to move on after Beetlejuice Beetlejuice due to waiting on more family to see again. But we don't know that, so I'll keep it short.

Wolf Jackson - Unfinished business: "keeping it real." Wolf Jackson seems slightly in denial about his situation. Janet has to continuously remind him that he in an actor because he gets too into the bit he's currently doing. I think the man gets completely convinced he is a spy/detective/investigator/whatever it is he is hyper-fixated on becoming. He's method, dedicated to his craft and won't move on until he feels he has fulfilled every cast-type possible for his range. He's gunning for a Gross-cer.

Wolf Jackson's squad (including Janet) - Unfinished business: supporting cast. Judging by how useless they all are, I'd hedge bets that they are actors too, waiting for their "big break" or recognition to feel satisfied with life (or death). In the Toonverse, celebrities are canon. If these universes are more aligned than previously thought, this could be a possibility.

The Shrinkers - Unfinished business: think big. These poor sods got on the wrong side of a witch doctor (although I really do think a certain B-man is to blame for this). We saw what happened when the portal to the living world opened. Those suckers saw a bid for freedom and went for it. I'd wager that they're somewhat forced to work for Betelgeuse. Maybe he's promised them 'head' (not that kind) if they do his dirty work. After all, he got his head back to normal size. Who's to say he hasn't promised them the same if they work for him? (Let's hope they read the fine print in that contract).

The Janitor - Unfinished business: a taste for revenge. To be honest, I think this guy either died by suicide or totally on accident. Either way, it was from ingesting something toxic. He's got a hankering for bleach and chemicals, who's to say this was just in death? I think he was content working in the afterlife, consuming these deadly toxins with zero repercussions.

Much of the same can be said for the Dry Cleaner. People need their clothes cleaned, he was good at it in life. Why not carry on if you're not ready to go?

Speaking of ready to go...

All aboard The Soul Train!

Another key point in Beetlejuice Beetlejuice is that (aside from Astrid, who was semi-forced to board), The Soul Train is something you board when you're ready to depart. Maybe some people are forced here and there, as there are guards stationed, but we are also reassured that Hell is an option for those who do truly fucked up shit.

(It's worth noting also that The Soul Train has other stops. The Pearly Gates, Elysium and another stop (my memory fails), all of which were DELAYED. Time works differently in the afterlife; maybe some people get jobs because the wait is truly an eternity.)

WOW, you made far! Congratulations for enduring my ramblings, here's a beetle for your trouble 🪲

After all that, here's what we do know:

If you died within a certain radius of your home, you're left to haunt it for 125 years.

If you died by suicide (and if Otho is correct), you have to work for an unspecified amount of time as a civil servant in the afterlife.

If you died via a horrific accident (Wolf Jackson, Janet and Richard), jobs are there for you and you don't even need the credentials to back up your experience.

You cannot leave the afterlife unless you are confirmed "dead dead", board the soul train, attempt to swap souls with a living person or get sent to Hell.

In summary:

Jobs are available in the afterlife. There's no expectation to "work" but there's not much else to do. If you're not ready to leave the afterlife, (perhaps you're still processing death, waiting for loved ones to meet you on the other side or even enjoying the weird and wonderful atmosphere), why not get a job?

Well...unless you're forced into one by a horny poltergeist. But that's a whole other post.

But hey, what do I know? I'm only living.

[purpurussy]

.

[werebutch]

My mom getting a new place is kinda making me anxious I think she thinks I’m gonna move in w her instead of my dad 😭 and I’m not sure why I don’t want to. Cuz she’s way better. But I don’t. And I feel responsible I think and plus my sisters will never favor my mom over my dad… so we’d live apart. but I’m 20 years old I can live whatever I want. But. But but but

[seventh-district]

so uh. that 2.2 Special Program, huh

[cupuasu]

idk man i dont feel the need to always message my friends and always go out with friends like if it happens it happens i like the spontaneity of it all. i don't think i'm a bad friend for not being up someone's ass all the time. i can spend months not talking to someone but if i see them on the street i'll go up to hug and talk to them bc for me it's never that deep to spend a long period not contacting someone. plus now all friends i made irl are at completely different point in their lives and i'm still at the same place i was in like 2019 so i do feel like i'm not "supposed" to be bothering them (wrong of me to assume im bothering i know but all i do is wait for most of them to do the first move). and nowadays all everyone posts about is you're not a real friend if you dont answer my msgs 1 second later you're not a real friend if you don't go to parties 8 days a week with someone you met in the public bathroom a thousand years ago you're not a real friend if you don't go to therapy and stop bothering your friends about your illness like omg. i'll talk to people i like i'll hang out whenever it works and i'll message you back and i won't mention my depression and i'll act normal in public but i honestly can't wait to go back home and be alone. i love you so much and me not talking to you doesn't mean i like you less or that i don't want to be your friend it just means i want some time out to be on my own lol

[quietwingsinthesky]

Not to be horny on main but spn should have had more hand holding

[fantasy-costco]

I think if a tumblr user says anything about history they should include Chicago style citations in the post. This is also true for other areas of study but I don't really know much about those so I only get filled with a blind rage when history posts are wrong. So that's what we need to fix first. For me.

[scyphers]

You think nonverbally??? That's cool as hell. I alwyas wanted to be able to do that... Anyhow, we the plebians do indeed "talk" in our heads, though it's also accompanied (in most cases) with other types of thought, like visualizations. To achieve nonverbal thinking for us takes a lot of effort; it's why so many of us bounce so hard off meditation at first. Focusing without words is simply unnatural to us!

Studies vary on the subject, and people's thought patterns vary over time, but yeah! Somewhere between 30% and 50% of people have talky thoughts.

HUH I haven't spent much time at all researching thinking styles (most of my interest in it came from wondering if/how it affects my difficulties with speech and temple grandin is just. Too ubiquitous in the particular field of autism + thinking styles for me), so I had assumed "verbal thinking" was just... illustrative of a more language-oriented thinking style?? Technically not wrong, I guess, but definitely didn't understand the extent of the difference!

It's kind of the opposite for me. My thoughts are mostly a combination of images and... vibes? Patterns? Calling it intuition sounds too pretentious. And it takes intentional effort to think verbally, and noticeably slows my thoughts down! I've always wondered how people seem able to translate their thoughts to words so well?? That's basically a superpower to me, so pretty much the opposite of plebian!!

Do you know if it also impacts learning style/ability? Cause I am completely unable to do podcasts or audiobooks, even when not experiencing audio processing issues, and had assumed that was related to adhd!

[eupheme]

— trouble will find me

[part ii | masterlist]

bodyguard!logan x mobster’s daughter!reader

rated e - 3k

tags: 70s era, dofp/bonedaddy!logan, bodyguard!logan, reader is the daughter of a mobster, reader is shorter than Logan, club setting, use of alcohol, cigar smoking, mutual pining, flirting, light brat taming!logan, references to violence, competence kink, semi-public vaginal fingering, kissing, forbidden relationship

a/n: I can’t stop thinking about dofp!logan sleeping with the girl he’s guarding, this is inspired by that scene! huge thank you to @pr0ximamidnight who let me chit chat about this little idea. you are amazing! 💖💕

His eyes darken. Fingers pinching against your skin, as he adjusts his grip, “‘s a bad idea, sweetheart. Supposed to keep you out of trouble.”

Your hands skate lower, fingers tracing the edge of his belt buckle. His nostrils flare - a warning, though he does not move.

“Supposed to keep me out of trouble,” You hum, “But what if I want a little in me?”

You can feel his eyes follow you.

Which shouldn’t really be surprising. It's his job, of course. Keep an eye on you, keep you safe.

But there’s something in the way he watches.

A curl of smoke from a lit cigar. Fingers tracing the rim of a half-downed whisky, a worn leather jacket thrown over a broad shoulder. The tilt of his chin when your eyes meet his - dark and narrowed, missing nothing. Slipping over you like the soft silk of your dress.

Indulging, almost. Unashamed.

You might have a crush.

You're trying not to think about it too much.

Tonight, you're just trying to enjoy the after-party.

It's all bright lights.

The room is bathed in pinks and yellows and flashing red. Disco club music pumped through the speakers, the panels of the floor flickering to the beat. You've been here for two hours already. Nursing tequila sunrises and pink squirrels. Sweat sticking to the nape of your neck, as the minutes tick by, bleeding past midnight.

He's not going to stop you, just yet. You can have your fun tonight - sway to the beat of the music - as long as you play by the rules.

Logan is so different from the ones before him.

Tripping over their feet to check on you. Breathing down your neck, with their padded-shoulder suits smelling like cigarettes and cheap cologne. Too afraid for themselves, of your father, to actually do a good job of protecting you.

Stifling and all too willing to tell you yes to anything.

It was exhausting.

Logan had come recommended - an acquaintance of a friend. He'd 'get the job done' from what you heard. Motivated. Needed the cash and would listen, no questions asked.

Just the type your father thought he could sway - a half-wild guard dog, his salary a leash. Heeling at the click of a tongue, the snap of fingers.

It's not how you saw him, though.

His silence was not obedience. There was nothing bought about this man - watching you from the line of leather booths along the wall.

You've wondered if maybe - you're just desperate to find some form of kindred spirit in someone. Too used to feeling like an accessory instead of a person. Your appearance at your father's events drove home his image. The good, family man who was oh so generous with his time and money.

Articles were written weekly about how philanthropic he was.

You had no idea if anything ever came from the numerous events you hosted - an attempt at doing something with your education. How much was skimmed off your blood, sweat, and tears, funneled back into what he did best.

Maybe you both saw through the bullshit.

He'll last longer than the others, at least.

More than once you've been halfway out the door, headed off to East Village or SoHo, only for him to catch you by the scruff of your sweater - whisking you back inside or into the Lincoln Town Car before you realized what happened.

An angry fist connecting with the nose of a man who had gotten too close at a gala last week. Cornering you in the coat room. Logan, charging in like a snarling beast when you had whimpered his name - red dripping down to stain the pressed white collar as the man was hauled away.

You’ve been thinking about that for days.

There was no sucking up. No flashing of a holster under his arm, some grandiose promise that you don't need to worry. You've never even seen Logan near a weapon but somehow, you feel more safe with him than you ever have with anyone else.

But this bit of internal tenderness that has sprouted, paired with his competency, has been seriously cramping your style.

It’s been enough that he's been hard to get out of your mind. Two weeks of teasing and poking at the limits set. Never giving you much, with that glare - thick arms crossed over his chest. A little thrill rippling up your spine, when his voice goes low and gruff.

The lights go dim, as the music begins to slow.

With the way your eyes wander, you know he sees you when you pick up a partner.

A man that moves with you, peeling off to crowd your space after your hips swivel with the hustle. His hand dipping low from where it rests on the small of your back.

Bold, when he bends to ask you 'if you'd like to get out of there'.

You meet Logan's eyes when you tell him yes.

Telling yourself that it's just to forget him. Definitely not because you're desperate to see the look on his face. To hear that tone he takes when he's pissed off.

A way to ascertain if you've taken root in his mind, even for just a moment.

There's zero chance Logan heard you from across the room. But it doesn't stop him from moving. Pushing to his feet, cutting straight through the crowd to wrap a hand around your bicep the second you start peeling off with the stranger - heading towards the side door.

"No fucking chance." It's gritted out, as he yanks you to him. Your shoulder collides against his chest as he steps between you and the man.

A sloppy hand pushes against his arm. The man's eyes are hazy under the neon lights as he makes a grab for you.

"Come on, man. I saw her first."

Logan pivots you away with a snarl, "She ain't leaving with you, bub."

Another sloppy shove, glancing off the brown leather jacket.

"You're really starting to piss me off." Logan's tone drips with warning, with knowing, "Gonna regret starting something in a room full of people like this."

And it's now that he takes in how big Logan is. The flex of splayed-wide fingers, knuckles curling into a clenched fist. A look in his eye that says that punches won't be pulled - not tonight.

The stranger takes a step back. It's enough.

You're already getting hauled away before they can answer. Guided into one of the many VIP rooms. A snarled "get the fuck out of here" to the attendant, before Logan's crowding you against the bar - hands bracing on his hips.

Fuming, you push yourself up to sit on the top - an attempt to get closer to his height.

"What was that about?" Your chin lifts, as your arms cross.

His eyes flash - a curl of his lip, "Can't you make my job easy, kid?"

Kid. It always makes you bristle. So far from that, and it's the way he says it. That dripping edge, like he knows something you don't.

"Maybe he was a friend." You deadpan.

"Yeah. Real friendly," He scoffs, fingers rubbing the bridge of his nose, "You think your daddy is gonna like you going home with a piece of shit like that?"

That makes your teeth clench - a glare sent his way, "I don't think it's any of your business."

"It's literally my business, sweetheart." Logan huffs. His hands curl around the edge of the bar, braced on either side of your knees.

Your breathing hitches, for just a second. The soft name is ground out between his teeth, but it still shoots straight to your pussy.

You haven't been this close to him before. Enough to see the bleed of brown to green in his hazel eyes. The sharp mark between his brows that you want to press your thumb against.

The shorn-down hair at his chin, before it grows thick across his cheeks. Handsome in a way that makes you ache, your fingers curling into fists to keep from touching him.

There's been moments alone - car rides, lounging in the armchair in the corner of your room when he barks at you to hurry up.

But it hasn't been like this.

Maybe it's the opportunity. Maybe it's the amber glitter of tequila in your veins, but you let your palms press against the shining wood. Your knees inch a little further apart, the hem of your dress riding up your thighs.  

"That the only reason you whisked me away?” Your eyebrow lifts, "Kidnapping, if I recall, is one of the things you're supposed to be keeping me safe from."

"You are safe." He deflects, "'s not kidnapping when it's me.”

Those eyes are still on yours. Not dropping to where his hips nearly press against the edge of the bar top.

You break the eye contact first.

“Well, it’s fine.” You sniff - as if his actions had been your idea, “I didn’t want him anyways.”

Logan grunts. There’s the slightest brush - the flex of his thumb at your thigh, where your dress rides up. A long look before he’s pushing back to step away, but your fingers reach out, catching on his white shirt.

“Are you going to ask me what I do want?”

There’s the slightest twitch of his nose. Lips parting to show the peek of a tongue, caught between teeth. The briefest dip of his eyes. Down to the shadow between your breasts, pressed together as you lean forward to catch him.

“I know what you want, sweetheart.” He rasps, “Not gonna happen.”

The rejection stings, and you pout, “What isn’t?”

A sigh, and he’s stepping back into your space. Your hand flattens against his stomach, hard muscles beneath as his head tilts.

“You want a man to take you home. Treat you nice.” Logan’s eyes burn into you. Wide hands curving around your knees, thumbs pressing into flesh, “I’m not that guy.”

You wonder if he can hear your heartbeat. How it thunders to the beat of the music muted outside this room. Dropping down to pulse between your thighs.

Wondering if he’s thought about you, the way you have him. How he could both see and miss so much at once.

“You’re wrong,” Your head shakes, “I don’t want that.”

A breath, before you’re confessing, ”I want you.”

Logan's eyes darken. Fingers pinching against your skin, as he adjusts his grip.

“‘s a bad idea, sweetheart. Supposed to keep you out of trouble.”

Your hands skate lower, fingers tracing the edge of his belt buckle. His nostrils flare - a warning, though he does not move.

“Supposed to keep me out of trouble,” You echo, “But what if I want a little trouble in me?”

The smile you give him is sweet, a tilt of your head as he catches your hand. Thick fingers curl at your wrist, holding your hand in place. A thumb pressed up against your pulse.

“You wouldn’t know what to do with me.” He rasps, voice low.

You’re undeterred.

“Could get on my knees.” You coo, “You could show me. Would you like that?”

Logan’s jaw grits. His grip loosens just long enough to feel your wrist flex - before he guides your hands, pressing your palms flat against the polished wood.

“It’s not going like that,” He husks. The tone is the same as when he’s ordering you around, one that makes your back go straight, “Those are staying right there. Got that, honey?”

All you can do is nod, as his hands skate up your thighs. Fingers massaging into flesh, soft and smooth as he eases them wider apart. Fitting himself closer between them.

The way he looks at you now is the way he did before.

Focused, as your dress inches higher. The fabric pooling at your hips as they tilt toward him, the pretty lace between your thighs now on display.

“Look at you,” His tongue clucks. A finger tracing the elastic edge, as you clench in anticipation, “Need this, don’t you?”

Drifting across, a thumb pressing against the fabric. It sends a jolt through you, your fingers almost reaching for him before you remember.

“Good girl.” He muses, as your hands flatten again.

The slightest pressure as the pad of his thumb slips up. Nudging against your clothed clit, as you inhale a sharp breath.

Pressing, and circling. It’s agonizingly slow, his eyes flicking up to watch the way you bite back a whimper. Your hips flexing into his touch, aching for more.

It lifts, so he can see how the fabric has dampened. Clinging to your skin, his knuckle tracing your seam.

“Making a mess.”

You can only whine in reply. Afraid that he’ll stop if you make too much noise. If you move - he’s made it clear he’s in charge here, and for once you’re willing to follow.

The pad of his thumb pulling back, a faint shine in the neon-bathed room.

“That for me?”

Your head nods, “Logan, please-”

There’s a sharp flash of teeth. Fingers pressing low, fitting against you, “You want me here?”

“Yes.”

You need him. Need anything he’ll give you, the sharp pinch in your palms where your nails bite into flesh.

“Ask me.” He coos.

“Please put use your fingers,” It comes in a rush, “Want you in me-”

Logan smirks, as his fingers slip beneath the waistband. Air sucked through clenched teeth when he meets slick, soaked skin. A teasing swirl against your clit before he’s parting you.

The tip of his middle finger tracing your hole, before it dips inside. His hips flex against the wooden edge, when you clench around him immediately. Trying to draw him deeper, as he works himself further in.

His fingers are much thicker than yours. A second already tracing where he opens you up. Teasing the tip in as his hand flexes, the heel of his palm grinding against your clit.

Your head tips forward. Each breath growing shorter, as you’re stretched around him. That slight ache unfurling into pleasure. Panting, as the pump of his fingers grow louder - the muffled cadence of skin against skin each time his palm collides with your cunt.

The fabric strains against his hand, his knuckles pressed against the soaked fabric.

Something bright burns in your belly, as your knees press into his hips. It makes you break the rules - a hand grasping at his arm. Anchoring yourself with your grip.

“I wanna watch. Let me see you.”

He lets you. A tap against your hip so you can lift. Carefully pulling your underwear down, easing them over the heels of your boots.

The lace disappears into his jacket pocket. His palms against your inner thighs, spreading you open. A throaty groan when he sees you, one that he can't quite manage to bite back - the rough sound shooting straight through you.

You both watch, when his fingers fit inside you this time. Two sinking down to the knuckle, slick and shining.

Unable to bite back the moan this time, though he does not shush you. His eyes fixed on your face instead, watching how your brow pinches when his fingers crook deep inside you. Searching.

The way you go jolt and then go tense when he finds it, a soft cry loosening.

“You been fucked like this before?” Logan growls, his fingers dragging against that soft spot inside you with his emphasis.

Your head shakes, when he does it again. Eyes dropping to watch his how hand looks, how you wrap around his fingers. The slick shine as they pump a little faster.

His other hand taps against your thigh.

“Words, sweetheart.”

“No,” It comes out hushed. Needy. “Never.”

His lips part with his groan, baring his teeth. With the way he touches you - his thumb moving to rub circles against your clit - it’s not long before he has you close.

A swiftly building pressure in your belly. That space between you eases as your knees close around his hips. His head tilting until his nose ghosts against your cheek.

Breath hot against your neck, as he inhales you. The slightest scrape of teeth that makes you bear down on his fingers - so careful not to leave a mark behind.

“Logan,” You pant. “That feels, ah, I think I’m gonna come-”

He groans against your skin, keeping the same pace. Feeling how you forget yourself - grasping at him, arching into his touch. Your muscles going tight as your breath grows short - panting.

“Give it to me,” Logan growls, “Come on my fucking fingers, baby.”

It’s impossible not to listen. You come, with his thumb pressing against your clit. His fingers notched deep inside you, as he feels your pulse racing beneath his lips.

The moan that rips from you pitches up, and then goes silent.

It leaves you breathless. Deep waves throbbing inside you, as you dampen his palm. Washing over and pulling you under, as your vision darkens.

“That’s fucking it. Come on, honey.” He coos, “Just look at you, so fucking pretty.”

The pump of his fingers goes still, the tips still crooking, as the tight pulses wane. The air comes rushing back into your lungs as you come back to yourself, your hands fisted in his jacket.

His chest heaves. Eyes hungry, when he slips from you. Slick clinging to them, webbing between his fingers as he pulls them up to the light.

Before he’s focusing on you again, his other hand thumbing at your lip.

“Open.”

They part automatically. Closing around the fingers he feeds you. The salt of his skin pairing with the sweet tang of your release, too blissed out to do anything but suck them clean.

“Good girl.”

It’s soft, as his fingers press down. Spreading, until you’ve cleaned yourself from them. Only when they slip from you, does his head dip.

A soft sound as his mouth presses against yours. There’s the sweep of his tongue against your lip, needy and insistent. You part for him, swallowing the moan as he tastes you. Teeth and tongue - deepening the kiss as his hands grip at your waist.

Letting your hands grasp at his shoulders. Tug at his hair until you’re pulled flush against him, your tits crushed against his chest.

Hungry, threatening to devour you, until you mumble his name.

Bringing him back to himself. Sharing a breath, Logan’s forehead pressed to yours when he pulls back. Those spit-slick fingers dropping down.

Palming himself roughly, where his cock strains - thick and hard against his jeans. A bitten-back groan, the word “fuck” rumbling deep in his chest as his hips flex into his hand.

“You going to listen now? Get that out of your system?” It comes out ragged, and you’re nodding.

All your sharp edges smoothed down. Blissfully complacent, as his fingers get a better grip on your waist. Bringing you down to the floor with wobbly legs, his hand coming to grasp at your upper arm.

“Good.” He growls, “Come on.”

A sharp tug, and you almost trip over yourself to follow.

“I’m taking you home.”

ahh I had the idea for this and had to jot it down! and I do know he goes by james/jimmy in the 70s because it’s pre-weapon-x, but I'll be keeping it as logan for this. (And I am thinking this will be a two-shot - give her a chance to get what she wants 😏💖)

[furylad]

sometimes I'll just be sitting here doing nothing and my brain will randomly remind me "god, Cyberpunk 2077 is such a bad RPG." and I'll be like yeah, facts. thanks for reminding me so I don't buy whatever half-baked sequel CDPR come up with

[raynewolferune]

Dead on Main Head Cannon

My favorite head cannon for this ship is that when they're feeling petty and pissed off at each other they'll send the other a purple hyacinth. It hits both of their dead, melodramatic souls perfectly. Flower language for purple hyacinth is "my regrets follow you to the grave" and that just vibes the same as "my condolences for your stupidity" to me at least.

Jason in a meeting as Red Hood with his gang. Flower shop worker guy comes in and says with the monotone of a dead-souled retail worker: "Delivery for Mr. Hood?"

Jason raises his hand with a sardonic head tilt.

Flower shop guy drops a small pot of purple hyacinth in front of him on the table and then reads off a small white card. "For leaving me to meet your dad by myself. Love, Danny." He puts the card back in his pocket. "Enjoy your flowers." He says in a way that makes Jason certain the man has no idea what the word enjoy actually means before shuffling out of the warehouse.

Hood's men all sit there silently for several long moments before one of them finally dares to speak.

"You made them meet the parents by themselves?"

Jason let's out a long heavy sigh.

"Anyone got a couch I can use tonight?"

[talentforlying]

10.     believe negatively shaped them into the person they are today.

10.     believe negatively shaped them into the person they are today.

chas chandler only ever wanted a simple life. john knew that about him less than five minutes into meeting him; could see the weariness weighing him down like a monkey on his back. sometimes he thinks it's why they became friends as fast as they did: that shared craving for the things they could never have. like freedom. like loving parents.

it made killing his mum for him a whole lot easier than it might've been otherwise.

second one for the list, right? he could've put it on business cards before he ever turned eighteen: witch slayer. mother killer. he tells himself there wasn't any other choice, and most days he even believes it; after all, facts are facts, and queenie was never going to let chas wriggle free, not when he was scared shitless of her and easy to boss around. john still remembers the night in that dingy kitchen when chas spilled his guts for the first time, every word pickled in despair, his face like he was halfway to being a ghost already. the first time he'd really wanted to give someone else a hug, though chas would have belted him if he'd tried. the first time something buzzed slick and bitter down the back of his tongue like murder and he decided to actually do something about it.

see, john had figured out years ago that the only person who was going to save him was himself, but that's 'cos his father didn't have magic powers — he was just a withered old shit with nothing better to do than work the knife in a little deeper every day, hoping his son would eventually crumble and do the job he didn't have the strength for. chas's mum, though, was fucking evil. you didn't save yourself from something as vast and untouchable as evil: you ducked down low in a corner and prayed that it passed you by.

but you could probably save someone else from it, if you were on the outside looking in. you could probably look at evil with a bit of clinical detachment when you knew it didn't really care about you, when you'd already been born bad and it saw something in you that made it primp and preen like it was looking in a mirror, instead of wanting to crush your balls just to see you squirm. queenie never liked him, but she knew he wasn't a MARK; there was nothing innocent in him for her and her sadistic fucking familiar to squeeze dry.

chas, though. chas had always been a good soul. not a fucking SAINT, mind — it was just that the same way john was born bad to good people, chas came from some divine provenance that slipped its grip and dropped him square in the center of hell instead of whatever average, boring, blessed crib he was meant to land in instead. or maybe god just thought it'd be funny to chuck an honest soul in the crucible fresh out the gate, and see what would come out the other side. either way, chas wasn't built to survive his mum, and she'd tweaked the design to make damn sure he couldn't even try.

so, saving a friend. that was the game. the first real game he ever played with magic, without needing to know a single fucking spell to do it. the first time he realized that he could do something good with something awful.

and winning, drowning queenie's familiar in the river with his bare hands, knowing it would kill her without him ever having to look in her fearful human eyes — taking life into his own hands, no matter if it was his or someone else's, as long as it felt the same amount of righteous — that was the first real fix.

being honest with himself, newcastle was inevitable from that first night in the kitchen, when chas put his head in his hands and looked ready to roll over and die. because john had always been a survivor, no matter the cost of living, and always figured that was the best way to be; figured if evil didn't mind him skimming a bit off the top, then maybe he could pay a few other people's ways, too.

it just took him too fucking long to ask what would happen to them if he ever failed to pay the tab.

@nightmarecountry / A MOMENT IN TIME PROMPTS

[katakaluptastrophy]

I think what's so interesting about Gideon as a narrator at the anniversary dinner is the fact that there's clearly tensions that she's just not picking up on because she's only there to eat a dessert.

But these people are all the immensely powerful leaders of the Houses and consider themselves to be in competition for literal godlike powers and the favour of the emperor.

There's so many little snippets that are potentially intriguing: why is Teacher trying to prime the Ninth to consider the Fifth a threat? Why are the Third and the Sixth "sizing each other up like prizefighters"? The Fifth absolutely knew what they were doing when they sat the teen heads of the opposing cults near each other.

Through Gideon's lens, Magnus' speech is a little awkward jokey thing. But...the seneschal of the House that is known to be actively trying to absorb another House is saying it's such a shame they're all so remote from each other and what do they all have in common (and it's so quiet you "could have heard a hair flutter to the floor") - that had to feel a bit different to people who aren't Gideon.

Palamedes' is dissecting the meaning of "Master Warden" and at one point compares it to a prison warden. 'Dulcinea' asking about whether Magnus and Abigail have children is perhaps less small talk and rather more pointedly political. Harrow's apparently stilted conversation with Protesilaus is clearly her actually probing his limitations like he's a bad Chat GPT-run chatbot.

And then 'Dulcinea' tells Gideon she liked the dinner because it was "useful". In her typical "I never lied to you" way, Cyth wasn't lying when she said Abigail had to die because of her hobby - Abigail Pent let loose on the Facility would have risked blowing Cyth's cover sky high. But what does a Canaan House look like where after the dinner party, the Fifth go down to the facility, get a key, and survive to continue their 'the Houses are going to get along or else' agenda? We've seen Fifth House soft power on a smaller scale in HTN: and it looks like inviting a teenager round for coffee, lulling her into a false sense of security with small talk, and then physically preventing her from leaving the room until she does what you want, while smiling the entire time. A series of little coffee chats could probably have led to a lot of cooperation in Canaan House, one way or another.

Gideon jokes about Silas marrying Ianthe because of their similar colour pallete, but it does raise the fact that there seems to be some tension around the Third, its succession, and the *point* of Ianthe. Why is Silas openly saying Ianthe should have died at birth? Combined with Judith's comments in the Cohort Intelligence Files about succession on the Third, it feels like there's something else being said here that Gideon isn't picking up on.

And of course, Harrow wasn't the only one desperate to become a Lyctor because her con was unsustainable. Presumably at some point Corona and Ianthe would be expected to marry, or at least take on more separate roles as Corona prepared to take over the throne and Ianthe was funneled off elsewhere. At some point, their package deal would have become unsustainable and Corona's cover would have been blown. But much as Harrow wants to become a Lyctor so she can reveal the state of the Ninth without repercussions, Ianthe is probably in part motivated to become a Lyctor for the same reason. Because otherwise, what would Ianthe's expected role have been? Amidst the suggestion of anxiety about the Idan succession, the dinner party also presents the fact that the reason Abigail and Magnus' infertility isn't a succession crisis for the ruling family of the Fifth is that Abigail's younger brother dutifully married in his early 20s and had kids. We know there are branch families in Ida - Babs is from one. He may be a prince, but he's not treated well, and you do get the sense that the stakes to stay in power in Ida are high.

We don't learn anything about the political situation in the Houses themselves during HTN or NTN, but in the wake of Canaan House, you have to suspect there are a number of tensions and concerns.

[melzula]

well since requests are open i wanted to request a zuko fic?

zuko x waterbender reader in which someone from team avatar walks in on them kissing?

i feel like it’d be funny idk lol 😂

a/n: i love this trope it’s so funny. also it’s like subtly mentioned reader is a water bender since i didn’t wanna just shove it in there awkwardly. anyway hope you enjoy!

summary: a private moment between you and your boyfriend is interrupted by your unsuspecting friends

“Are you sure no one saw you come in here?”

“Yes, I’m sure,” Zuko says with a huff after closing the flaps of your tent. “You know, I’m starting to think you’re embarrassed to be seen with me.”

“You know that’s not true,” you argue with a frown. “I just enjoy having some privacy. I know those guys are going to make a big deal about us being together, and I just want to enjoy our relationship without having to deal with any prying eyes.”

“I know,” he admits with a sigh. “I’m just tired of sneaking around. Do you know how difficult it is not to kiss you or check on you after a fight with my sister? It’s torture.”

“It’s just until the war is over. There’s a lot at stake right now, and it would be a weird time to come clean. It’ll be over before you know it.”

“I hope you’re right,” Zuko murmurs with a frown, one that immediately melts away at the feel of your arms wrapping around his midsection. It’s hard to be upset when you’re smiling up at him with the purest look of adoration in your eyes. Despite everything, all of his flaws and mistakes and cruelty, you love him, and it fuels the warmth inside of his heart knowing he has someone like you. Maybe he would have joined the Avatar and his friends sooner if he knew it would lead him to you.

“At least we’re finally alone,” he notes with a faint smile before leaning down to press his lips against your own in a long awaited kiss. He hasn’t been able to give or receive affection all day, and it isn’t until now with your chest pressed against his own that he’s finally able to truly feel relaxed.

Unfortunately, you’re both too engrossed in each other to notice the rustling of your tent flaps as Sokka and Toph let themselves in without a second thought.

“Hey, y/n, Toph and I are gonna head into town, do you want to- oh, gross!” He cries after catching Zuko and yourself mid lip lock.

You both jump at the intrusion, knocking your head together on accident and groaning in unison at the impact.

“Sokka!” You cry out in embarrassment. “Monkey feathers, don’t you knock?!”

“It’s a tent! There is no knocking!” He yells back defensively, equally as upset as you are. “I can’t believe you guys were kissing!”

“We weren’t kissing,” Zuko argues, his face red with embarrassment. “We were… hugging… with our… mouths?”

“Oh, spirits,” you groan, your palm hitting your forehead in embarrassment at Zuko’s horrible attempt at lying. For a Prince, he has a terrible way with words. You’d think all that time spent with his Uncle would make his vocabulary more eloquent.

“If Toph could see she’d be very upset right now!” Sokka scolds, but the girl beside him simply shrugs.

“Actually, this works out great for me. Katara owes me five gold pieces now,” she says with a grin.

“You guys knew they were dating and didn’t tell me?!” The water tribe boy says in offense.

“I had a hunch, but Katara disagreed, so we made a bet.”

“Enough already! This is mortifying enough as it is,” you groan impatiently. “Sokka, we’ll talk about this later. For now, I need both of you out!”

After getting the two to leave the tent, you shut it closed with an irritated sigh. You’re absolutely humiliated, and you don’t think you can show your face to your friends ever again.

“So much for keeping it a secret,” the fire bender mutters.

“You,” you say with an accusatory finger pointed at the Prince, “need to learn how to lie better.”

“I know,” he admits meekly, awkwardly scratching the back of his neck. Sighing, you open your water pouch and tend to the growing bump on his head from your previous collision. You can’t stay mad at him when he looks so flustered and sweet, so instead you merely throw your arms around his neck and pull him back in for another kiss.

You can focus on coming clean later. For now, you just want to enjoy your moment of peace with the boy you love.

| zuko tags: @thebluelcdy @royahllty @the-firebender-girl @ilovespideyyy @yiyibetch @eridanuswave @lammello @a-monsters-love @knaite-solo @taeeemin @lora21