#augment code

[jcmarchi]

Anthropic Claude 4: A new era for intelligent agents and AI coding

New Post has been published on https://thedigitalinsider.com/anthropic-claude-4-a-new-era-for-intelligent-agents-and-ai-coding/

Anthropic Claude 4: A new era for intelligent agents and AI coding

Anthropic has unveiled its latest Claude 4 model family, and it’s looking like a leap for anyone building next-gen AI assistants or coding. The stars of the show are Claude Opus 4, the new powerhouse, and Claude Sonnet 4, designed to be a smart all-rounder.

Anthropic isn’t shy about its ambitions, stating these models are geared to “advance our customers’ AI strategies across the board.” They’re positioning Opus 4 as the tool to “push boundaries in coding, research, writing, and scientific discovery,” while Sonnet 4 is billed as an “instant upgrade from Sonnet 3.7,” ready to bring “frontier performance to everyday use cases.”

Claude Opus 4: The new coding champ

When Anthropic calls Claude Opus 4 its “most powerful model yet and the best coding model in the world,” you sit up and take notice. And they’ve got the numbers to back it up, with Opus 4 topping the charts on crucial industry tests, hitting 72.5% on SWE-bench and 43.2% on Terminal-bench.

But it’s not just about quick sprints. Opus 4 is built for the long haul, designed for “sustained performance on long-running tasks that require focused effort and thousands of steps.” Imagine an AI that can “work continuously for several hours”—that’s what Anthropic claims.

This should be a massive step up from previous Sonnet models and could expand what AI agents can achieve, tackling problems that require real persistence.

Claude Sonnet 4: For daily AI and agentic work

While Opus 4 is the heavyweight champion, Claude Sonnet 4 is shaping up to be the versatile workhorse, promising a significant boost for a huge range of applications. Early feedback from those who’ve had a sneak peek is glowing.

For instance, GitHub “says Claude Sonnet 4 soars in agentic scenarios” and is so impressed they “plan to introduce it as the base model for the new coding agent in GitHub Copilot.” That’s a hefty endorsement. 

Tech commentator Manus is also impressed, highlighting its “improvements in following complex instructions, clear reasoning, and aesthetic outputs.”

The positive vibes continue with iGent, which “reports Sonnet 4 excels at autonomous multi-feature app development, as well as substantially improved problem-solving and codebase navigation—reducing navigation errors from 20% to near zero.” That’s a game-changer for development workflows. 

Sourcegraph is equally optimistic, seeing the model as a “substantial leap in software development—staying on track longer, understanding problems more deeply, and providing more elegant code quality.”

Augment Code has seen “higher success rates, more surgical code edits, and more careful work through complex tasks,” leading them to make Sonnet 4 their “top choice for their primary model.”

Hybrid modes and developer delights

One of the really clever bits about the Claude 4 family is its hybrid nature. Both Opus 4 and Sonnet 4 can operate in two gears: one for those near-instant replies we often need, and another that allows for “extended thinking for deeper reasoning.”

This deeper thinking mode is part of the Pro, Max, Team, and Enterprise Claude plans. Good news for everyone, though – Sonnet 4, complete with this extended thinking, will also be available to free users, which is a fantastic move for making top-tier AI more accessible.

Anthropic is also rolling out some tasty new tools for developers on its API, clearly aiming to supercharge the creation of more sophisticated AI agents:

Code execution tool: This lets models actually run code, opening up all sorts of possibilities for interactive and problem-solving applications.

MCP connector: Introduced by Anthropic, MCP standardises context exchange between AI assistants and software environments.

Files API: This will make it much easier for AI to work directly with files, which is a big deal for many real-world tasks.

Prompt caching: Developers will be able to cache prompts for up to an hour. This might sound small, but it can make a real difference to speed and efficiency, especially for frequently used queries.

Leading the pack in real-world performance

Anthropic is keen to emphasise that its “Claude 4 models lead on SWE-bench Verified, a benchmark for performance on real software engineering tasks.” Beyond coding, they stress that these models “deliver strong performance across coding, reasoning, multimodal capabilities, and agentic tasks.”

Despite the leaps in capability, Anthropic is holding the line on pricing. Claude Opus 4 will set you back $15 per million input tokens and $75 per million output tokens. Claude Sonnet 4, the more accessible option, is priced at $3 per million input tokens and $15 per million output tokens. This consistency will be welcomed by existing users.

Both Claude Opus 4 and Sonnet 4 are ready to go via the Anthropic API, and they’re also popping up on Amazon Bedrock and Google Cloud’s Vertex AI. This broad availability means businesses and developers worldwide can start experimenting and integrating these new tools fairly easily.

Anthropic is clearly doubling down on making AI more capable, particularly in the complex realms of coding and autonomous agent behaviour. With these new models and developer tools, the potential for innovation just got a serious boost.

(Image credit: Anthropic)

See also: Details leak of Jony Ive’s ambitious OpenAI device

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[ilovewormhusband]

I searched up "Blind Eye" and this is what came up

[parasitenumber611]

“In The Machine” Jeannine!!!!!!!

[bronzemettle]

Are the events of "Doctor Horrible's Sing-Along Blog" canon in the Bronze Realms?

At the very least not as-presented. I won't say that Doctor Horrible definitely exists in the BronzeRealms by default, but, I will say that, if he does, if that's a DLC module you decide to slot into the mainstream continuity, I know exactly where and how he fits into it. And it's not in 2008. Despite breaking the title and the framing device, it's in 1983. "Doctor Horrible's Sing-Along Home Videos", if you will.

The reason for this change is a little idea I'm shamelessly stealing from my headmate Alex called "Megamind Vs Doctor Horrible". Megamind is mainstream BronzeRealms, and if Doctor Horrible exists, it's as his foil.

The rest of this post will contain full spoilers for both Doctor Horrible's Sing Along Blog, and more importantly, Megamind. For real, person who I know is still reading this post and hasn't watched Megamind yet, yes you, DO NOT click further into this post, or read the comments, tags, or reblogs. I know it's an old movie, but if you can, Megamind is worth watching fresh.

...Are they gone? We've all seen the movie now, right? Right?

Okay. Let's start by saying that anything written in orange is optional to the Doctor Horrible Expansion Content. Make sense? (Might need a better rule if this kind of distinction comes up more often in future posts...)

The Evil League of Evil doesn't exist, but the Injustice Society does. Bad Horse, even from the young adulthood (for a horse) of 6 years, quickly becomes a powerful and leading figure in the Injustice Society alongside Icicle Senior in the 1950s. Bad Horse takes the reigns on their recruitment outreach programs, researching and evaluating lesser supervillains to see who has the potential to step up with a little boost of resources.

In 1983, Doctor Horrible earns his place in the Injustice Society when he murders a local environmental protester, depowers the beloved hero Captain Hammer, and conquers about one fifth of LA to rule according to his bidding.

Now, over in Metro City, "superhero" and "supervillain" don't mean the same thing that they do in any other city. Local culture dictates that a "supervillain" (as opposed to just a villain) is a registered member of the Doom Syndicate. This isn't a team, at least not usually. It's a loose coalition of "supervillains" who have agreed to a series of restrictions and terms regarding what kinds of crimes they can commit, what collateral damage is acceptable, standards of behavior, family-friendly language, what kinds of insults are off the table, what ideologies or political stances they can't express openly... They've agreed to keep their own schemes eminently low-stakes, no matter how spectacular they might become to witness. Even if a Doom Syndicate member conquers the city, they've agreed to a certain standard of fair treatment for their subjects and a charter for how they are and aren't allowed to respond or interfere when the citizens rise up against them. And once their schemes are foiled, they have to help clean up the mess and repair the city too.

In exchange, Doom Syndicate supervillains get reduced sentencing, nicer prison cells while they're in them (The "special containment unit" serves waffles on Wednesday), won't get shot at by the police when they're not in obviously bulletproof armor or vehicles, and Metro City will not contact outside authorities or accept help from outside superheroes in stopping them.

In essence, superhero fights in Metro City are for show. It's less scripted than Pro Wrestling, but otherwise very similar. Everyone is playing to the audience and tv cameras. Everyone wants to win, sure, but they're also willing to take a dive if it'll be cool or narratively dramatic. Sure, your school or workplace might get smashed to dust sometimes, but it'll be back up in a few days, thanks to Doom Syndicate. Maybe you'll even get to throw a dislodged pipe at someone's helmet to distract them while the hero sneaks up. That sounds fun. It's all in good faith. Long story short, no-one has ever died, not even once, during an official Doom Syndicate-sanctioned supervillain scheme or the superhero fights that result from them.

That is, before 1985, when Doom Syndicate co-founder Megamind was seen apparently having murdered the superhero Metro Man.

Besides taking place in the 80s the rest of the movie plays out basically the same, with an added sprinkle of... well... Tighten isn't playing by the rules, and Megamind isn't used to real lives being on the line. But despite seeing himself primarily as a performer, Megamind steps up and saves his city, for real. So despite going back to the performance fights after that, for the first time Metro City also knows that they have a true hero who will protect them when it's seriously needed.

In 1990, the genetic Augment tyrant Anton York is elected President of the United States in a Leap Term election (a concept I know I will have to actually define eventually but not right now). The Eugenics War comes to America, and superheroes and supervillains alike, everywhere, are disappearing or being forced to retire under suspicious circumstances.

Doctor Horrible passes himself off as an Augment and betrays the Injustice Society for a position in the new rising power structure of the world, sending the other villains scattering. He catches and executes the aging Bad Horse himself to secure the trust of the Augments. He is given a regional oversight position over all of Southern California, including Metro City.

When new legislation passes that forces the Mayor's office to officially disband the Doom Syndicate, nothing really changes. People just keep playing by the rules, same as they always have, and the local authorities who are used to it just play along too and take it easy. Metro City has its own thing going on and they like it. Then Doctor Horrible comes to enforce the new order of things.

With a need for the city to perform for outsider eyes, Megamind pretends to flip again and cave to the Augment regime, and volunteers to rule the city on Doctor Horrible's behalf. This buys them time, just a year or two until Doctor Horrible notices something's wrong (or right) and comes back. But it's long enough to start preparations for Megamind's greatest scheme yet.

Megamind's plan is to surround Metro City in a giant force field, and launch it into space. Metro City will be safe from the Eugenics War. While he and Minion are keeping up appearances as the city dictators and getting the force field all set up and triple-tested to make sure it won't fail and suffocate everyone, Roxanne Ritchi is hush-hush organizing an underground to make sure that everyone is on the right side of that barrier when it goes up, giving anyone who doesn't want to be stuck in the city a chance to get out, and helping people smuggle their loved ones from different parts of the country in to be safe with them.

But both Megamind and Roxanne have a secondary scheme. Both of them are secretly planning to be on the outside of the force field when it goes up, so that they can move on to other cities and keep fighting the good fight.

They both tell Minion to stay behind and protect the other, and the city. Instead of telling the two of them that they're both planning the same protection-doublecross, Minion just does the same thing. He goes to find Music Man, and tells him that all three of them are going to be gone while the city is in space, and if anything threatens the city, it will be up to Music Man to step up and stop it, even if he only sees himself as a performer, just like Megamind once had.

So when Doctor Horrible does return and force their hand, and the force field goes up, trapping Doctor Horrible and the regime he works for out, and the city goes up, free and secure, Minion finds Megamind and Roxanne and reveals that none of them went up with it, because the three of them are a team.

Thankfully for Music Man being able to avoid a massive nervous breakdown for actually having life-and-death stakes on his shoulders for the first time, the one time someone tries to sabotage the force field, Megamind's fellow Doom Syndicate supervillains come together with some of the other lesser-known local performer-superheroes to stop it.

Meanwhile, on the outside, Megamind, Roxanne, and Minion are taking the fight elsewhere. To Doctor Horrible, to LA.

When they sneak into his lab, they're horrified to discover the corpse of a woman being preserved in a glass case hooked up to some contraption. Someone named Penny. Megamind figures out the machine is meant to resurrect her, reversing the specific radiological effects of Doctor Horrible's Death Ray (the physical injuries having been surgically repaired by LA's best doctors years ago)... but it won't work.

Megamind is hella autistic and ditzy, and fixes an equation on the whiteboard before they leave without thinking about it. So when Doctor Horrible returns to his lab, he's able to activate the machine. He resurrects Penny. At first she's thankful, and when Roxanne approaches her and offers to sneak her out, she turns it down.

But this time he has the confidence to actually talk to her. She sees his LA. She hears about what he did to Captain Hammer, to the Injustice Society, to Bad Horse, what he's done for Anton York, and what he plans to do once he can get the upper hand on these superiors too.

She murders him. Stabs him, with a fork, and doesn't stop.

Megamind, Roxanne, Minion, and Penny, who they help to escape and take on a new identity, all survive the Eugenics War, to the end. There's another whole story about how after the war ended in 1998 they got Metro City back down to earth, but for now I'll leave it said that they did, all safe and sound, and Megamind happily returned to his performances, his city, his people. And most villains, the ones who don't play by the rules, still know better now than to come to Metro City. It might be all fun and games when you leave them alone, but that doesn't make it easy pickings. After all, no-one ever figured out what happened to Doctor Horrible...

[s3znl-gr3znl]

At first i thought it was ridiculous, but if a society has enough resources and materials to make 40 tonne death machines, they most certainly have the materials and resources to give it a cape.

[ur-fav-is-autistic]

Stephanie Lawson Stevens from the arg by the same name

Stephanie Lawson Stevens from Stephanie Lawson Stevens is Autistic!

[molagboop]

I would very much like to infoblast about Raven Beak's powersuit upgrade library with all the optimizations, QoL tweaks, security features, and the myriad integration systems Samus is currently lacking with her babby suit, but alas. Time restrictions.

[frameconfessions]

Rhino's iron skin should be recastable without having to wait for the cool down, same with Valkyr's warcry.

.

[k-star-holic]

'D.P.2' Kim Sung-kyun, dress code that bounces alone...beside Koo Kyo-hwan and Son Seokgu "I'm the only one who can't always fit"

[sandvigandrea]

I’ve been learning slide AR and wanted to share some of my favorite recent designs 😊 you can scan each QR code with your device camera (apple only, sorry 🫶) to view each of these images in augmented reality! I’m so excited for the potential of learning to design in AR, it makes everything just look so cool!

[widedevsolution1]

AI-Augmented Creativity: The Rise of Human-AI Co-Creation in the Digital Age

In today’s rapidly evolving digital landscape, AI-Augmented Creativity is no longer a futuristic concept—it is a transformative force reshaping how humans create, collaborate, and innovate. With the rise of artificial intelligence (AI) as a co-creator in fields such as writing, coding, music, and design, a new generation of professionals is emerging—individuals who see AI not as a replacement, but as a partner in the creative process.

At WideDev Solution, we explore this revolutionary trend and how it impacts the present and future of creative industries.

What is AI-Augmented Creativity?

AI-Augmented Creativity refers to the collaborative process where humans and AI systems work together to generate new ideas, content, or solutions. Unlike traditional automation where machines execute predefined tasks, AI in this context assists with generative and interpretative thinking, becoming a creative collaborator.

Popular platforms like ChatGPT, Midjourney, DALL·E, Runway ML, and Suno AI are enabling users to generate content—text, code, visuals, and music—at a quality and speed previously unimaginable.

The Rise of Co-Creation: Humans + AI = Innovation

The shift toward co-creation with AI is more than just a technological trend—it’s a paradigm shift in how we define creativity and collaboration.

1. AI in Writing

Tools like ChatGPT and Sudowrite empower authors, journalists, and marketers to ideate, edit, and enhance content faster. Whether drafting blog posts or scripts, AI supports the creative writing process by providing suggestions, checking tone, and reducing writer’s block.

🗨️ “AI is not taking away the art of writing—it’s making better artists out of writers.” — Paul Roetzer, Founder of the Marketing AI Institute.

Key Benefits:

Brainstorming assistance

Faster content generation

Grammar and style optimization

Multilingual translation support

2. AI in Coding

From GitHub Copilot to Replit Ghostwriter, AI tools are revolutionizing the way software is developed. Developers can now rely on AI-generated code snippets, error detection, and bug fixes to significantly enhance productivity.

🗨️ “It’s not man vs. machine. It’s man with machine vs. man without.” — Satya Nadella, CEO of Microsoft.

Key Benefits:

Intelligent code completion

Real-time debugging suggestions

Cross-platform compatibility enhancements

Reduces development cycles

3. AI in Music

Music generation tools like Suno AI, Aiva, and Amper Music enable musicians to compose original tracks by collaborating with AI on melody, rhythm, and instrumentation.

Key Benefits:

Soundtrack creation for videos

AI-assisted music mastering

Fast genre experimentation

Royalty-free commercial use

This co-creative method allows musicians to focus more on emotion and storytelling while AI handles technical precision.

4. AI in Design

Graphic designers now use tools like Adobe Firefly, Canva Magic Studio, and Runway ML to generate logos, mockups, videos, and UX interfaces—all while maintaining brand identity and originality.

🗨️ “Designers who understand how to partner with AI will shape the next decade of digital aesthetics.” — John Maeda, VP of Design at Microsoft.

Key Benefits:

Fast prototyping

Auto-color palettes & font suggestions

Image background removal and object generation

Motion design and video automation

Why AI Is a Partner—Not a Replacement

While there are fears that AI may “replace” artists, coders, and writers, the real-world application reveals a different truth. AI lacks human emotion, ethics, context, and intent—elements that are critical to true creativity.

Humans provide:

Emotional intelligence

Cultural relevance

Ethical judgment

Strategic vision

AI provides:

Speed

Scale

Pattern recognition

Data-driven suggestions

This synergy leads to enhanced innovation, not obsolescence. It’s about augmenting human potential, not diminishing it.

Industries Transformed by AI Co-Creation

The following industries are experiencing a renaissance due to AI-powered creativity:

🎓 Education

Personalized learning content

AI tutors for writing/code practice

Interactive simulations & visuals

🎨 Media & Entertainment

Scriptwriting assistance

Virtual influencers & avatars

Auto-generated storyboards

🛍️ E-Commerce & Marketing

Personalized ad creatives

AI-powered product visuals

Automated content campaigns

🏢 Corporate Innovation

AI brainstorming tools

Data-driven product prototyping

Innovation hackathons with AI

WideDev Solution actively integrates such innovations into client projects, empowering businesses to harness the full spectrum of AI’s creative capabilities.

The Emerging Role: The AI-Creative Professional

A new class of professionals is rising: AI-Creative Collaborators. These individuals blend domain expertise with AI fluency. They aren’t just using AI tools—they’re designing workflows where AI amplifies their creativity.

Skills required in the AI-Creative Era:

Prompt Engineering

Tool Integration Knowledge

Creative Direction & Storytelling

Critical Thinking + AI Literacy

At WideDev Solution, we encourage creative professionals to adapt to this hybrid future, providing training and consultancy for AI-integrated workflows.

SEO Insight: Why You Need to Care About This Trend

This article is written with SEO best practices in mind, and here’s why you should, too:

🔍 High-Search, Low-Competition Keywords used in this article:

AI-Augmented Creativity

AI Co-Creation Tools

Human-AI Collaboration in Design

AI in Writing and Music

Creative Workflows with AI

AI as Creative Partner

Future of Human-AI Creativity

Integrating these strategic keywords boosts search engine visibility while targeting users interested in future-ready creative processes.

High-Profile Endorsements of Human-AI Creativity

Let’s look at some global thought leaders who advocate for AI-enhanced creativity:

🗨️ “The best way to predict the future is to co-create it—with AI as your partner.” — Kevin Kelly, Founding Executive Editor of Wired

🗨️ “AI is a bicycle for the mind. Those who ride it faster will go further.” — Steve Jobs (referenced in modern AI thought leadership)

🗨️ “Creativity is not in conflict with AI. It is its most exciting frontier.” — Fei-Fei Li, AI expert and professor at Stanford University

These voices prove that AI-augmented creation is a path toward a more expressive, innovative future—not a threat to human talent.

Real-World Applications from WideDev Solution

At WideDev Solution, we help businesses and individuals integrate AI co-creation tools into their projects:

AI-Enhanced Content Marketing

Visual Content Automation for Social Media

AI-Powered Code Generation for SaaS Startups

Custom LLMs for Client-Specific Content

Want to become an AI-creative? Let us guide your journey.

Conclusion: A Creative Revolution, Not an AI Takeover

The future of creativity isn’t one where humans are replaced—it’s one where humans and machines co-create something neither could alone. The emerging trend of AI-Augmented Creativity is not just about productivity; it’s about possibility. It opens doors to new genres, new roles, and new industries.

Whether you’re a writer, a coder, a designer, or a marketer, the message is clear: Learn to collaborate with AI—or risk being left behind.

✅ Final Thought: Embrace AI as your creative partner, not a competitor. The tools are ready. Are you?

[rottingwiththetrees]

J mjlf zpv. Epo'u gbmm btmffq po Bvhvtu 6ui bgufs uif tupsn. Epo'u gpshfu. -Brian

Thank you I think? I hope sleeping during the storms don't count cause I totally fall asleep to rain.

[baphometsss]

Get u a man who has to commit murder to get hard

[tinyfaust]

My dumb autocorrect typed ‘insert’ instead of ‘I swear’. This is what I get for typing too fast and not double checking what I’m writing 💀

You know that makes so much sense. I have a feeling I’ll like Ezri but I also know I’m not gonna like a lot of the shit happening Around her. On Top of All That, this is a WHOLE new layer of starfleet weird lack of ethical medical practices. Why the fuck is she mentally counseling a sexual/ romantic partner? Why is she allowed to do that while she’s still grasping at straws at who she is and whatever tf is going in her mind and body now that she’s a host. Holy shit starfleet please edit your rules! Julian is not the only damn doctor. I mean he’s CMO so I get him needing to be there for serious serious shit (assuming he’s the only one that can is allowed to handle that sort of thing)/ emergency shenanigans wherein he’s the only one available, and I’d assume the same for Ezri’s job, but holy shit! This just gets more and more complicated goddamn.

I almost wonder in Ezri’s tangled mess of old host memories she’s trying to get a grasp of, if she ever even has full context of Julian’s relationship to Garak from Jadzia’s POV bc everything is such a mess in her head?? Idk how canon deals with all that, from what little I know she kinda got thrown into being the Dax host pretty quickly so I’m making guesses, but I wouldn’t put it past someone in her position to have possibly latched onto the random memory of Jadzia saying her line from the wire and thinking “oh that’s probably how it’s been this whole time” bc she hasn’t had time to untangle not only the many years of Jadzia after that conversation, but the centuries of other hosts and their ideas/memories/ etc. Poor girl is going Through It!

Ough, you know what they say, doctors make the worst fucking patients. My heart really goes out to Julian the poor guy has really never been Allowed to struggle. Like yes, he goes through struggles, but because of what his parents did to him and the expectations of it all, he’s never been allowed to say “hey, I’m struggling!” The guy has to be essentially perfect nonstop and when he’s not he’s got a pretend it’s bc “haha I’m just a human guy whoops I said/ did the dumb thing bc I’m So Normal”!! Crazy enough, I do believe if he’d told any of his coworkers he was struggling nobody would have pressured him to Not struggle. I cannot imagine Kira or even Quark or Odo to be like “hey, don’t do that.” Someone, anyone, maybe even everyone would have stepped in to tell him to take care of himself and balance his needs and wants. Balance the work with the self care. But can he do that? Probably not! Because how can he possibly be allowed to struggle when his ‘perfection’ came at the cost of Jules? What the fuck is the point of him when a child ‘died’ (if we wanna go based on his perspective of it all). Entirely up to interpretation if someone wants to say that reflects his idea of HIM as an augment or how he subconsciously sees augments as a community. As perfect beings, if that’s what they even are, you must be Perfect. But he’s never perfect! So what does that say? Lots of things! But ofc we all know how mental health and trauma and denial can do screwy things to your self perception. How it can make you deny yourself the ability to admit there’s something you need help with.

I think where I was going with The People’s Julian thing was like.. does Julian actually see himself as Jules who is now Julian, or is he Julian “The Frankenstein’s Monster My Parents And Society Crafted Me To Be” Bashir. Fuck this is hard to get into words.. like. Hmm… I’m thinking AS I type this which makes it a little hard so I apologize if this all sounds incredibly stupid lmao!! But sometimes I wonder if he internally sees himself as his own autonomous person or if he sees himself as the physical embodiment of whatever people made him to Be or consistently craft him to be/ become. I have no idea if this makes sense? I might need to ramble with my partner on this one so I can write it much more clearly in case I’m just going in circles hoping I’m making sense but in the end just saying absolute gibberish.

I have an inkling a lot of these thoughts may or may not change as I actually watch the show and fully see how all these things play out, but from where I’m at in season three (and as someone getting snippets from text posts and fanfic without much detailed context), these are the things rattling around in my brain. I hope these ramblings are helping in some way or another lol.

Girl what do you mean there’s a goal to sex? You’re literally naked, get a grip

[cybllisae]

1000011 1111001 1100010 1100101 1110010 100000 1010011 1101001 1100111 1101001 1101100 1110011🤖⚜️

By:

https://www.instagram.com/joe_george_?igsh=MWd5c3V5bWpwbnQ0cQ==