#bc idk how else to acknowledge them and sometimes i want 2!!!!!!!

[lega18]

ive been into akira/kanetetsu for yearrrrssss now, and i still get people fondly surprised that they even are a thing/such a beloved ship :^)) im not assuming responsibility for the creation of said ship/fandom at all, but i know ive contributed irreversibly to the growth and ‘popularity’ of them in ways i can never take back; ill heart them forever :^)) <33  

[elizabethsaige]

more stobin head canons bc I love them and I miss them

- ice cream runs at night are a regular thing for them but sometimes steve wont get anything but still takes robin because he knows she wants some. she always gets mad when he doesn't get any because she only wants some if he gets some

- jonathan teaches Steve photography (because trauma bonded them together and now they decided to try and actually bond over similar interests idk) and every once in a while, they’ll go and take pictures outside together (robin of course goes with them) and steve ends up mostly taking pictures of robin and jonathan because he loves to capture people’s beauty and shit like that

- robin and argyle become really close after a night of smoking on steve’s roof and she tells him what happened when she and steve were drugged and although he remembers every detail she tells him, he keeps it to himself and pretends like it was just a made up story because robin said that no one else really knows what happened

- steve decides that he really wants to get a dog but robin is more of a cat person. they end up getting one of each. after looking at the local adoption center, steve adopts a golden retriever named buddy and robin gets senior orange cat named tuna

- they get fired from family video towards the beginning of summer. luckily they get jobs as camp counselors for the summer. steve is adored by all of the campers and robin just doesn’t really want to be there but they end up having the time of their lives. robin meets another camp counselor, amber, who also turns out to like girls and they really like each other. they have sex in the woods and it’s robin’s first time and she’s so nervous. she doesn’t speak to amber for the next few days after because she doesn’t really know where to go from there. meanwhile that same night steve hosted a huge talent show for all of the counselors and it went so well. he’s excited that his best friend finally slept with a girl she liked but really he’s just upset that she missed his talent show

- some more jobs they had together are waiter and line cook, servers at the drive-in, receptionists, and bartenders once they were both 21

- bartending lasted a lot longer than the others, a whole 2 years. one day robin was just fed up with working there and being treated poorly and the second she put in her resignation, steve signed his name at the bottom and quit too

- steve sometimes gets an attitude with robin because she likes to leave their apartment messy and it drives steve insane. he feels like a housewife that isn’t appreciated enough but robin doesn’t mean any harm, she really just has a hard time tidying after herself

- matching scoops tattoos duh but also steve gets robin’s converse tatted on his inner forearm and robin gets steve’s sunglasses above her knee

- family dinner nights become a regular thing. steve actually loves to cook but didn’t like to cook just for himself. he makes robin help with the simple things like peeling potatoes and mixing sauces. they invite everyone over, joyce and hopper too. dustin complains that it’s not chicken nuggets. max makes fun of steve for being a good cook. el begs steve to teach her how to cook. and steve loves every minute of it

- robin is absolutely insufferable when she's sick, she thinks she's dying every time. steve laughs at her for being dramatic but actually likes taking care of her when she’s sick because she’s forced to take things easy

- steve on the other hand refuses to acknowledge when he’s sick. robin will do everything in her power to prove that he needs to rest but he always says “sickness is for the weak, I am strong” 

[fortunemars]

Beh me when I see someone defend ppl who neglect their daily lives and friends family and relationships to play games as (not directly quoted) "a distraction and coping mechanism to avoid (insert stupid doomer take on life)" and I'm just like.

Page break, rant below

Dude Idk about you but if you're so addicted to your games that you're refusing to leave the house or talk to people or do anything other than game, then you have some serious things to think about. Bc yes it can be a coping mechanism but there is a point where it does more harm than good.

Defending gaming addiction and saying that guys who play games 24/7 and neglect everything outside of their screens are just "struggling with coping with the horrors of life" is such an amazing way to 1- make neglected partners feel like absolute shit by telling them it's a coping mechanism and implying that getting upset about it makes them the bad person (cause that happened to me) and 2- tell people that it's okay to doom scroll through games 24/7 and ignore the world around you instead of giving them ways to ACTUALLY cope.

Yes you can cope by playing games. No you should not cope by ignoring the world around you and neglecting everything else.

Give people options to do instead, don't brush off the bad parts of a bad coping mechanism and just say it's okay bc "at least they're coping".

Btw this is absolutely not to say you can't have a hyperfixation! I'm ND, I know how intense those can be and I know how often I can get stuck doing something without even considering the outside world. What I'm talking about here is willingly choosing to ignore everything except your game so you don't have to deal with it. Avoidance is the worst thing on earth and we should not condone it in any way.

++btw I say "guys" and "men" this whole post, I just want to say that I know that isn't fair bc it's possible and very common in all genders and all types of ppl. I'm heavily biased in this conversation and I'm acknowledging that while also acknowledging that ANYONE can be neglectful or abusive especially in this way and I don't excuse any of that.

All people can be toxic, not just men and not just cis men, so don't let anyone get away with this shit bc you think it can't happen bc of their gender. Abuse does not conform to gender roles, it can happen to anyone and be perpetrated by anyone, gender doesn't change that. There are way too many people who are told and convinced that they were not/are not being abused because it doesn't match what people's idea of abuse looks like and that's horrible. Please don't downplay shitty treatment because of a person's traits.

Remember that You are the most important person in your life, you need to value yourself because if you lose yourself then there is no you to live through. Please don't avoid leaving someone who treats you like shit cause you don't want to be intense or drastic or "too much". It's not worth it to stay with someone that's hurting you. There is no excuse for abuse, you do not deserve to be hurt.

If it's safe for you, if you have somewhere to go or people able to protect you then please do not stay with a partner that is hurting you. No amount of pain inflicted on you is okay. You're never required to accept an apology, especially if there is no change. At the very least, try to accept help and ask for support. I know it can be hard to disconnect emotionally and that doesn't make you a bad person. Sometimes we just need help, that's completely okay.

(and if it's not possible for you to leave safely then that's okay too, remember to stay as safe as you can, protect yourself and reach out if it's possible. You are never less valid for staying with someone if you cannot escape, you're never less valid because you've been abused. We love you and we want you to be safe, safe and alive.)

[pacifymebby]

Do you have any advice for someone who's recently single? I split with my ex bf nearly 2 months ago and in the weird bit where I want to move on but also feel sad sometimes

Sorry i didnt answer this straight away, i just wanted to think it over before i answered but...

I think that theres this key part of "moving on" which is entirely about being sad. Like when u go through a break up u do lose someone and a lot of other things too and its a grieving process. And grieving is like a big wibbly line that goes up and down and also like a set of circles within circles (idk if u have ever seen that picture before of the circles?)

Basically that the way it works is that when u lose something, u have a gap in ur life and instead of filling that gap or replacing that person/thing/relationship, you just grow circles of other things around it, so u dont replace it but u build other things? Im explaining this god fucking awfully and im sorry about that.

But i think what im trying to say is that, if you try to force yourself not to be sad ever, you wont move on, you'll carry the saddness and it'll fester. So what u have to do is let urself be sad and acknowledge why you are sad (bc u lost something and u wont ever have that same exact thing ever again) and thats the only way u can embrace the new stuff that youre going to build and enjoy. Like u accept u wont ever have the same thing and that allows u to go out and find new things and enjoy those things.

And as for like moving on as with other people and stuff, if u meet people u think are hot or nice or whatever, dont feel guilty or any of that shit, but trust ur instincts? If talking to them makes u feel good then keep talking and go as far as you want to go that feels good for you. If it makes u feel sad or strange or not good, dont do it?

I know that sounds simple or like im talking down to u but im not trying to talk down to u or like ur daft. Im really not at all. I just think its like, its a thing ive missed in the past and done wrong. Like forced myself to date thinking it would stop the sadness but then it didn't. Like i think u should go out there and do whatever ur gut is telling u u need to do?

Im big into trusting my own instincts about things lately, like, have some faith in urself that you know what you need to do to be happy.

And also like, being single is fun if u dont put too much pressure on urself to go out and "be single" you know. Do u know the song pressure to party by julia jacklin? Thats like the perfect song to sum up the feeling im getting at, like that whole album is a wonderful break up album that id definitely recommend bc its got the moody sulky sad breakup shit and then its got some amazing upbeat tracks too.

I remember last time i was single the best bit about it was way more than "i can sleep with whoever i want" it was like i was presented with this whole opportunity to go out and claim everything i wanted and be whoever i wanted to be too. There was no one linked to me who had expectations about the girl i was, i didnt have to worry if something i wanted to do was going to break the image they had of me. I had so much fun just embracing all these things i wanted to do/be and like i really grew into myself and idk, i think the girl i am now is completely unrecognisable from the girl i was in my last relationship, and its because i had this time of being alone and being able to just do shit i wanted selfishly.

Like, if i wanted to go on holiday or travel somewhere i didnt have to worry about anyone elses plans or whether they wanted to come, i could just have my own agenda that completely pleased me and it was amazing and freeing and so fun. But even down to how i spent time at home too. I broke up with my ex just aroind covid and so alot of my time was spent in lockdown at my grandparents and like, even just the way i chose to walk down to the beach in the evening smoking a joint listening to the Waterboys, staying down there till midnight on the phone to B or another of my pals, or how when things began to open up again i went out with my cousin and we ate pizza in the park and shared prosecco and got smashed together dancing to rolling stones songs... Like it was just fun things i wouldnt have done had i been with that ex because he wasnt the kind of person who did that stuff.

Idk being single is such a nice opportunity to self reflect and look at what you wanna be and choose to grow into that person if that makes sense?

Idk if this has been at all helpful, i hope it has.

Basically go out and date, be a fuccboi if u want to, do whatever makes you feel good. Have a one night stand, be that person who doesnt text back in the morning (i did this once and have mixed emotions about it tbh, but the experience was ultimately good and best for me???) like go out there and do whatever you feel u need to do. And omg be brave about it!! Give people ur number, enjoy just flirting with people, enjoy making the first move, enjoy checking out dilfs in the park (jk) (or not u know) like theres a lot to enjoy. And when u feel the sadness let urself feel it, embrace it and sulk and wallow in it for a wee bit, all things must pass and over time the sadness will go.

I still look back at the time i spent with my ex and mourn that loss bc for a long time they were one of my best friends, and we went travelling together and we'd picked the names we wanted to call our kids and theres so many happy memories i had which all went down the drain and were lost. And im saying that now, when im in a happy relationship with someone i want to spend the rest of my life with, who i wouldnt trade in for anyone or anything u know. Im happy and 100% moved on, but every now snd then I'll remember walking back to our flat in seattle when it was warm but had that stuffy evening kind of feeling to it and it was a little bit too windy, but it felt kinda perfect, every now and then ill remember walking with him there and my heart hurts so much i want to cry. And the only thing u can do is let urself feel that sadness and know that yes, its sad you lost that, but you can go to seattle with someone u love and be happy again, and u can make new memories and be even happier and idk. I hope some of this makes sense and helps u?

Sending u lots of love xxx

[a-small-batch-of-dragons]

Not Bad

Prompts: Hihi, i have a Merlin prompt if you're interested. Merlin thinks he's a bad person bec he was taught that magic is bad, but also Bec of all the stuff he did/does to keep Arthur safe and ig throw in some touch starved!Merlin too for fun. But the knights compliment/hug/etc all the time and Merlin just doesn't understand what he's supposed to do with this, so the solution is to breakdown crying and try to convince the knights he's the bad person he sees himself as and the knights are just like "but you're wrong and he's 25 reasons why you're wrong" Plz, thx, love your writing - anon

im a fuckin sucker for soft knights & arthur w merlin so, if ur still takings reqs, i would love to see when the knights realize merlin still views himself as a "monster" like is hinted in first ep (? i thinkk, im rusty on my merlin trivia)- is it a passing comment he makes and they realize all together? knight cuddle pile? just give the poor boy some love - anon

if you'd want to write it i'd love to see the collective moment that the knights realize that merlin is self-harming in some way (in my brain this is probably in like a denial-of-things type thing that he probably doesn't even see as self-harm bc he's an idiot, could even be something like healing everyone else w magic but refusing to heal himself... idk feel free to do whatever you see fit!). i can only imagine they'd be frustrated with him and themselves but theyre just loving large idiots (': - anon

ahh yes all the prompts

Read on Ao3 Part 2

Warnings: implied/referenced self-harm in the form of intentionally depriving oneself of physical contact because THAT COUNTS

Pairings: merthur, can be platonic or romantic I don't care

Word Count: 3462

Arthur is confused, very upset, and nothing is alright anymore, thank you very much.

Because you see, despite the image that he tries to present—emphasis on the word ‘try’, there, according to his knights—he does care an awful lot about his people, especially his one particular person that happens to be able to say an awful lot without saying anything.

Merlin. He’s talking about Merlin, in case you hadn’t noticed.

The problem is that for all the man can ramble on about seemingly anything, at any time, he’s remarkably good at saying absolutely nothing about himself. He claims he’s an open book, but he’s certainly in a language that Arthur doesn’t know how to read.

He does know how to read, just to clarify. That isn’t the issue here.

No, no, the issue is that after months, years, almost a decade of Merlin by his side, watching his back, taking care of him, he’s discovered that there’s a secret that Merlin’s keeping from him. One he never intended to tell Arthur.

And before you panic, no, he’s not talking about Merlin’s magic.

Come on, it’s not like it’s not obvious, the man isn’t exactly good at hiding it. Does he seriously believe Arthur can’t see the tree branches that miraculously pick themselves up and fly at the nearest bandit or the spears that fling themselves at the foe about to behind Gwaine? Or the chores that mysteriously get done too fast for Merlin and far too efficiently? Or the way certain magical ailments seem to vanish mysteriously along with his idiot of a servant only to be greeted with a soft shrug when he pokes?

Merlin’s eyes also turn gold, that’s pretty neat.

So Merlin has magic.

Yes, we know, we had a small tantrum over the fact that he told Lancelot first, but it’s fine. Quite frankly, a lot of things make more sense now.

Except for this. Not this.

Merlin is hiding the secret that he believes he’s a bad person.

Now, Arthur’s not sure if you’ve met Merlin, but the man isn’t exactly the image of the evildoer that springs to mind when someone says ‘bad person.’

The Witch Finder, now there’s a bad person. Storming into Camelot, preying on the fear of the people, bribing and threatening and drugging people, torturing them, and condemning them to death just for the sake of a few coins.

Merlin did storm into Camelot, that is true, but he decided to pick a fight with the crown prince and then save his life. He’s not here for coin—if he were, they wouldn’t have had that small, er, issue about the steward not paying him anything for his work for the past eight years, honestly—and he’s certainly not preying on anyone’s fears. Except perhaps Arthur’s fear of losing his dignity.

The look on his father’s face when Merlin dodged the pillow…

Speaking of his father…there’s another one.

His father did not prey as openly on the people’s fear—or as obviously as Aredian, but prey on them he did. He was a strong king, sometimes too strong. He was a blind king, saw the people as nothing more than subjects, not the living breathing humans they are. He remembers Morgana’s voice, saying that authority should derive from the consent of the governed, not from the threat of force.

He always wanted to see Uther’s face when his ward—when his daughter said that to him.

And what he’s done to Morgana…

Arthur grimaces and shakes his head. Perhaps the very truth that he resents the idea of thinking about what Uther did to Morgana, to him…perhaps that is enough.

Those are bad people. At least to Arthur.

Merlin, on the other hand…

Merlin came into Camelot, knowing that if it was discovered that he has magic, he would be burnt at the stake. He came, not with any aspirations of glory, simply because he trusted his mother when she told him to come to Gaius. He came and he was given a job he never asked for, one he had no idea how to do, and stayed.

Merlin learned. Slowly, perhaps, but he learned. Now he has enough knowledge on what a servant should do to break the rules in the most spectacular fashion. Arthur smiles, biting back the chuckle at seeing George dressed up like Merlin and acting perfectly proper and the urge Arthur had to throw him out of the room.

And that’s not even mentioning what he does when he’s not following Arthur around.

Merlin learned. Merlin stayed.

Not just for Gaius, but for Arthur.

Arthur leans onto his desk, staring out into the courtyard where Merlin is tending to the knights’ horses as they mount up for patrol. He watches Leon step a little closer, lowering his head to mutter something to him, watching Gwaine clap Merlin on the shoulder.

Watches Merlin flinch a little too hard.

Watches Leon’s brow furrow and Gwaine take a step back.

This. This is the problem.

Merlin believes he’s a bad person. Which is wrong, but for some reason, he does.

And because Merlin believes he’s a bad person, he believes that anytime one of the knights touches him—or anyone touches him—it will be to hurt him.

How did they come to this conclusion, you may ask?

Arthur bites back a snarl as he turns away from the window.

It had started with the complements.

Gwaine, to no one’s surprise, was quite fond of flirting with anyone and everyone that would let him, Merlin no exception. Talking about Merlin’s looks, his personality, his work ethic, anything, and everything. Merlin would flush, bright red, ears and all, mumbling to himself.

But then Percival had said something and Merlin pushed him away—well, prodded his arm, no one really moves Percival without Percival letting them—and shook his head. Percival had shrugged but the rest of them had noticed the tension in Merlin’s shoulders.

Then Elyan complemented Merlin’s tracking abilities and Merlin hadn’t even acknowledged it, instead insisting that they keep moving before it got too dark to see and they’d be forced to make camp in the woods. They’d agreed, pressing on, but noting the way that Merlin refused to say so much as thank you.

Leon’s perceptiveness should be considered magical. Seriously, Arthur’s not entirely convinced the man can’t see into people’s heads, what with the information he’s able to produce out of nothing more than the twitch of a finger or the slightest huff of breath. But he sees the way Merlin shies away from any display of affection, even as he gently repeats it, watching Merlin turn his back and get back to work.

Arthur never saw what happened with Lancelot. All he knows is that one night, out in the woods, the two of them had gone off to collect firewood and Merlin had been hiding red-rimmed eyes when he returned, a few paces ahead of Lancelot, not ten minutes later. Arthur had glared but the forlorn confusion on Lancelot’s face had given him pause.

Then it was the touching.

One would expect Merlin to be a quite tactile person, and he is. He’s all shoulder nudges and pokes and prods and gentle shoves to get people to move where he wants them to go. And it’s not like the man has much concept of personal space.

No, some of that is not Arthur’s fault, how dare you?

But when someone else tries it, Merlin tenses reflexively, already moving before their hands make contact. He gives everyone he can a wide berth, scuttling around the outside of rooms until one of them breaks and tells him to come here, Merlin, it’s alright, we won’t hurt you. His face never quite believes them.

The strangest thing is how much of it Merlin makes small adjustments for.

He always wears those god-awful tunics, that he won’t let Arthur replace with fabric that doesn’t feel like it’s a burlap sack, with the sleeves pulled all the way down and those kerchiefs tied around his neck. Arthur’s seen his sleeves rolled up before, but only when Merlin’s working and he hasn’t realized Arthur’s there yet. It’s not like Arthur doesn’t know Merlin has forearms, but Merlin will always jump and guiltily roll his sleeves down.

He doesn’t notice why until he accidentally brushes Merlin’s bare skin once and Merlin all but tears away like he’s been burned.

He doesn’t know why.

Merlin has a secret. The secret is that he believes he’s a bad person. That means he can’t accept compliments and he can’t let them touch him.

This is a problem, because Arthur would very much like for Merlin to believe that he isn’t a bad person.

This is also a problem because Arthur has no idea how to do that.

He looks up when there’s a knock on the door.

“Enter.”

“Sire?” Leon steps through. “May we come in?”

Arthur nods, his eyebrows raising as all of his knights spill into the room.

“Shall I assume you’re on the warpath again?”

“Nah,” Gwaine grumbles, throwing himself into a chair, “know this isn’t your fault.”

Leon shakes his head. “It’s Merlin, sire, we’re…concerned.”

Arthur just sighs and tells them what’s been buzzing around his head for the past…however long it’s been. The knights nod.

“He doesn’t like to be touched when he doesn’t expect it,” Lancelot offers, “but when I ask…he doesn’t seem to want to agree either.”

“But he does,” Gwaine argues, “you’ve seen the way he stares at us when we hug each other, he looks like a poor child that’s never had a hug in his life!”

“Which isn’t true.” Elyan folds his arms. “Gwen’s hugged him.”

“We’ve all hugged him.”

“But he still thinks we’re going to hurt him.”

“Well,” Arthur mutters, “we can’t exactly blame him for being paranoid, can we?”

“If you lot are going to talk about me behind my back like it’s a war council, then yeah, I reserve the right to be paranoid.”

“Merlin!”

“Thank god, where’ve you been?”

“I thought we were meeting by the stables.”

“Did you get hurt?”

Merlin raises his hands and takes a step back. “Whoa, can I get through the door first before the interrogation starts?”

“This isn’t an interrogation,” Arthur says, glaring at the knights, “we’re concerned.”

“Uh-huh,” Merlin mutters, weaving through them to the table so he can set down the thing hooked over his arm, “yes, I’m all too familiar with your concern.”

Arthur frowns. “What does that mean?”

Merlin waves a hand. “Oh, just that it’s a prelude to more chores and things to do.”

Is that…true?

“Yes.”

Did he say that out loud?

“Also yes.”

Arthur shakes his head. “Merlin, we’re not coming up with lists and lists for chores for you to do.”

“Really? With how many you all constantly give me, here I finally thought I’d cracked the code as to why.”

Leon steps forward. “We’re not coming up with things to give you, Merlin, nor are we intending to gossip behind your back.”

“So what are you doing?”

“We’re worried,” Lancelot repeats, “about you.”

“Well, I’m right as rain, no need to worry.”

“Lie.”

Merlin’s eyes go wide and he stares at Leon. The knight smiles ruefully and takes another little step forward.

“Lie,” he repeats gently, “you don’t have to lie to us, Merlin.”

Merlin’s mouth thins. “Maybe I don’t want to tell you, then.”

“Why not—“

“No,” Arthur breaks in, causing Merlin to swing his head around again, “no, if Merlin doesn’t want to tell us he doesn’t have to.”

Gwaine looks on the verge of protest, but another look from Lancelot is enough to quell him. He sinks into the chair and tosses an apple to Merlin.

“At least eat something,” he says by way of explanation, “you’ve not eaten anything since lunch.”

Merlin looks very confused—good, now he’s just like the rest of them—but bites into the apple nonetheless. His gaze travels around the room before coming to rest on Leon.

“Why are you all concerned?”

“Because you won’t let us complement you, Merlin,” Leon says softly, “you believe that every time we touch you we intend to hurt you, and you believe that this is deserved because you are a bad person.”

The flabbergasted look on Merlin’s face is almost enough to make Arthur laugh. Almost.

“How…”

“We notice things, Merlin,” Leon says patiently, “we notice you.”

Lancelot snorts. “Good going, mate, you’ll freak him out.”

“Um—there’s nothing worth noticing about me—“

“Not we all know that’s not true,” Gwaine says, and if it had been any other time it would’ve sounded like the next pick-up line at the tavern, “you’re worth noticing, Merlin.”

Merlin’s gaze darts back and forth, finding no disagreement in any faces.

“What—what were you concerned about?”

“Aside from what we just told you?”

“But I don’t—why is that a problem?”

Arthur swallows a curse. “Are you asking why we’re upset that you believe you’re a bad person and you deserve to be treated badly?”

“…yes?”

“Because you’re not a bad person,” Elyan says, “and you don’t deserve to feel like everyone’s about to hurt you.”

Gods, the look of disbelief on Merlin’s face hurts.

“You don’t know that,” he says lowly, setting the apple down, “you don’t know that.”

“Sure we do.” Elyan uncrosses his arms. “We know you, Merlin.”

“I don’t think you do.”

A look passes around the group of knights. Elyan smiles.

“I know that Gwen came home and told me she’d made a friend the first week you arrived in Camelot. I know that you’ve reminded us what family means. I know that you care, Merlin, about your friends, because they’re important to you.”

Merlin blinks in confusion.

“I know you’re a strong man,” Percival says, “and not just because you can lift the packs for the horses without complaining. But you work hard, because you know you can, and so that people don’t have to. You provide what you can because you know what it’s like to have nothing.”

“I—I—“

“I know you’re brave,” Lancelot says softly, standing, “I know you feel the same fear that we all do and you stare it straight in the face.”

He pauses, takes one step closer.

“I know you don’t chase the glory of being brave, but the feeling of being brave and using it.”

“Guys, I—“

“I know what you’ve done.”

Merlin’s face goes pale at Leon’s words.

The knight tilts his head to the side and smiles.

“I’ve been around the longest,” he says in a near whisper, “and I have seen the changes from when you arrived in Camelot until now. I’ve seen the differences, not just in the other men in this room but in Camelot.”

He lays a hand on his chest.

“I know that you’ve made me prouder to serve this kingdom than many others that have tried.”

Poor Merlin is shaking right now, his fingers trembling on the edge of the table. He looks around in confusion, terribly frightened, sending more aches through Arthur’s chest.

“You wouldn’t say that—“ he gasps— “you wouldn’t say that if you knew the truth.”

“And what truth is that?”

“That—that I—“ Merlin’s breaths start to ring in the chamber— “I—I—“

“That you have magic?”

Merlin’s head jerks around to stare at Arthur. Arthur raises his hands and takes a step closer. Merlin flinches.

“It’s alright, Merlin,” Arthur says softly, “I’m not angry. I’m not going to hurt you. You have magic, though, right?”

“Yes—yes, I—but I’ve only ever used it for—for you Arthur, I—“

“Easy,” he soothes, fighting the urge to reach out and pull him close, “I know. It’s alright.”

“No, it’s not,” Merlin all but whimpers, “it’s not okay, it’s bad, it’s bad and I’m bad, I’m bad—“

“You’re not.”

“I am!”

Merlin yanks his arms to his sides, curling them tightly around himself, much to the protest of the knights. His fingers whiten as he clutches the sides of his tunic.

“I’m bad, bad people get hurt, you don’t—you don’t touch bad people.”

“Merlin,” Arthur breaks in softly, “Merlin, sweetheart, I’m going to come over to you.”

He can hear the quickly stifled gasps and Gwaine’s ‘oh shit’ as he inches towards Merlin. The poor man doesn’t move, but the tremors get worse and worse the closer Arthur gets.

“I’m right here,” he murmurs, “I won’t hurt you, sweetheart, do you believe me? That I won’t hurt you?”

“I—I—“

“Because I won’t,” he promises, still fighting the urge to swoop the poor thing into a hug, “I’ll never hurt you, sweetheart.”

“Why not?”

“Because you’re not bad, Merlin, and you certainly don’t deserve to be hurt.”

“You don’t know that,” comes the strangled whisper, “you don’t know what I’ve done.”

“But I know you, Merlin,” Arthur murmurs, “and that’s enough.”

He can’t stop the concerned noise at Merlin’s huff of disbelief.

“It’s enough, sweetheart, it’s—hey! Easy, easy,” he soothes as Merlin’s knees buckle and he catches him before he can hit the ground, “I’ve got you, shh, shh, you’re alright.”

“Oh,” Lancelot murmurs as Merlin starts to shiver terribly, “oh, Merlin, you’re touch starved.”

“Touch starved?”

“He’s not been touched for a very long time,” Lancelot murmurs, hustling to join them on the floor, scooping Merlin’s legs into his lap, “and so he’s not used to it, but he needs it.”

“We all need touch?”

“Yes, otherwise our bodies get…unhappy.” Lancelot shakes his head. “I’m sure Gaius could explain it more. The short version is humans aren’t built to hold each other at arm’s length.”

Arthur tightens his grip on the lapful of shaking Merlin he has. There’s a cold nose buried in the crook of his neck, arms looping awkwardly around his shoulders. Distantly, he hears the scufflings of the other knights as they move closer.

“We’ve got you, sweetheart,” he fins himself whispering, “we’ve got you, we won’t hurt you, you’re safe, you’re good, we have you, it’s alright, now…”

Poor Merlin is still shuddering terribly.

“Shh, shh, easy, just try and relax, we have you…”

Since when has Merlin been this cold?

“Oh, I’m definitely hugging you every day,” Gwaine mutters, helping to prop Merlin up away from the table.

“Why—“ Merlin swallows— “why are you all so warm?”

“You’re cold,” Arthur says, “we’re helping.”

“I’m—I’m—what is it? Touch—touch—“

“Touch starved,” Lancelot offers gently, “yes, Merlin.”

“You’re helping?”

Gwaine shifts behind him. “We’re helping.”

“You’re not…mad?”

“No, Merlin, we’re not mad.”

“I’m not bad?”

Arthur tightens his grip. “Never, Merlin.”

“You—I can—I can stay?”

“Yes, Merlin,” comes the chorus of knights, “for as long as you like.”

Arthur is still upset, very confused, and more than a little overprotective right now.

But so is Merlin.

And they’re…they’re starting to figure it out.

One thing’s for sure: Arthur’s definitely pulling Merlin into bed to cuddle with him instead of getting up in the morning.

[gb-patch]

Ask Answers: January 28th, 2021 (Part 1)

And we’re back with many more ask answers! Thank you for waiting.

Is lizzie/the main character tripping over a rock a random event in barbecue? or does it require certain choices? i picked the same choices in multiple different playthroughs but ended up with three different outcomes (1. nothing happens 2. liz trips 3. i trip)

Yep! It’s completely random. Just a little moment of life you don’t have control over, haha.

wait just double checking you stated that derek would be another romantic interest you can pursue in step 4 right??? im just asking cuz hes my fav character 

oh wait and btw i was the one that asked the question about derek being in the step 4 just now, and will you have to pay extra for like a dlc or something bc i play the free version rn and i just wanted to check!! 

Yeah, you will eventually be able to romance him, but unfortunately it is a paid DLC. Cove is the only love interest who’s entirely free-to-play. You can  follow our social media for when we giveaways for a chance to win a key for it, though.

i know that y’all said the step 3 dlc and step 4 will be released early 2021, is there any update to that? for example, a rough amount of days/weeks until release? no pressure at all, i’m super excited!! <3 

The Step 3 DLC will be about in maybe two-two and half months or so. Step 4, we’re not entirely sure. Maybe a few months after the Step 3. We don’t want to give set dates until we’re really close to the release since otherwise we wouldn’t be able to 100% guarantee them.

First off love the game. Second I'm a little confused on how the nsfw dlc is gonna work. Because based on some stuff you've said it sounds like a patreon only thing and others make me think it could be an itch/steam thing after the fact? Would you mind clarifying for me 😅. Also if it's a patreon only thing do you need to become one before it's released? 

It’s not going to be on Steam/Itch. The actual game of Our Life is safe for teens with no adult content. Any 18+ stuff we’re releasing is separate bonus content. Right now the only for sure plan is having it available through Patreon. If there’s another hosting site that’s not Steam or Itch that’d be easier for people than Patreon we might consider uploading it there too, but nothing else is set.

If you want the bonus Moment you’d have to join once it’s already out or sometime after the release. Joining now would get you our current rewards, but wouldn’t get you future content that’s coming later.

this is probably an awkward question and i apologize, feel free not to answer, but i just wanted to address the elephant in the room....will step 4 acknowledge covid/2020 world events?? i kind of hope not bc i'd like to just exist in a fictional version of the world where things are happy in this quaint seaside town and the world isn't falling apart, but i'd understand if there are some references to it. just thought i'd ask so i can Prepare if that makes sense

Step 4 isn’t going to include Covid or even reference it. When we set Step 4 in that year we definitely didn’t know there’d be a global pandemic during it. It’s too late to move the timeframe earlier or later, but we’re not going to make Step 4 stressful for anyone because the real world became so much more stressful. The universe of Our Life will just be an even more idealized place than it was before.

hiiiii! i'm really sorry if this is a bother. i was just curious if cove has a canon setting for each step, like is it canon that he stays candid the whole game and is super sporty for instance and the rest are variations? thank you for your time!

None of those settings are canon. They’re all equally valid.

I love the game and Cove so much that I ended up spending most of the holidays playing it. Definitely worth it! Idk if you're taking suggestions/criticisms, but I chose the peach skin tone and seeing it written as "my peach skin" in the game broke immersion for me because I kept thinking it was referring to the fruit instead of my skin color. I think that skin color is most commonly referred to as "fair" but "peachy" or "rosy" would work too if you're looking for a different word 

Thank you for sharing your experience. We’ll change it to “peachy” in the next update!

So I accidentally overwrote a save file with a different one, is there any way I can recover that save? 

Sadly, there isn’t. Not unless you had a backup of the actual save file files in a separate location you can get. I’m really sorry. You can try using the skip feature to quickly speed through the game and get back to where you were though.

Do you try to maintain the color scheme for the clothing throughout the years in Our Life? 

Yes, though in hindsight not as much as I wished I did, haha. It could’ve been a little more cohesive. It was a bit too broad in my opinion.

I noticed that Cliff mentions he wasn’t much older than Cove before finding out he was going to be a father when he finds MC in bed with Cove during Part 3 so doesn’t that Cliff and Kyra were teenage/young parents? 

Yeah, Cliff was nineteen and Kyra was eighteen when Cove was born. They were just a couple of kids.

Does Cove have a favourite holiday? 

It changes depending on the year. Around Step 1 he’s not a huge fan of a lot of holidays because he’s not together with his whole family for them. But once he’s older and Kyra comes around more, he starts appreciating major family holidays like Thanksgiving and Christmas more than other holidays because he knows how it feels not to have that. Though summer vacation is of course his most favorite all the time, if that counts as a “holiday”.

I tried to join your patreon but I can’t seem to? The website keeps saying something went wrong and to try again. 

I’m sorry you’re having trouble! I think contacting Patreon support would probably be the best option if the joining process itself is having issues.

How much is it to become a part of your Patreon? I don’t have a lot of money currently but would love to help you out more than just buying the games and dlcs. 

Aw, I appreciate you wanting to support but the Patreon is really optional. You don’t need to push yourself to join if you don’t have extra funds for it. To still answer the question, the tiers are $1, $5, $10, $15, and $20 in USD. Each come with different perks.

I had this idea for a future daughter for the MC and Cove being named "Poppy", after the flowers on their hill~

That’s a really sweet idea! I’m sure Cove would be a fan.

So if you don't mind me asking, how do you get Cove to propose to you in Step 4 and not the other way around? 

I’m afraid that’d be too big of a spoiler to give away before the epilogue’s release, at least in terms of specifics. Generally you’ll just have to be patient and try not to propose first, haha.

will we get to move in with cove in step 4 😮?? or is that a secret 

You can be living together with Cove in Step 4! Though you wouldn’t get to see the place itself. That’s up to your imagination.

Is it bad that I'm completely in love with Cove's dad... What I gotta pay to romance Cliff 😭 (I don't mean as Jamie because that would be wack) 

That’ll cost one million 20 twenty dollar bills, haha. I’m really glad you like him, though sadly we aren’t able to make a separate game where you can romance Cliff. I wish we had enough time to make tons of new scenes/extra stories in the Our Life world, but it just takes too long. Maybe people will make fanworks about it.

—–

We released a new FAQ! It answers common questions and we’ll keep adding more to it. Please check there before sending an ask. FAQ   Also, if you prefer to just see the main posts without all the asks/reblogs, feel free to follow our side account instead: GB Patch Updates Blog  

[kuiinncedes]

relight that spark

jatp au - chapter 1 - part 2/15? - 9,385 words

the prologue/part 1 (tumblr link) if you missed it!! (ao3 link) :D

so obviously this is pretty slowly updating already and it probably willll get worse 🤪 i might post the next part in like a week tho, it's not a full "episode" chapter and i already have it fully written and i'm pretty happy with it 😗✌️

this chapter is pretty long and i apologize for that bc i know i get annoyed when i have to stop in the middle of a long chapter and then my phone like loses my spot or whatever lakdshgjfs but idk how else to do it so .. just have my apology lol sorryyy <3 the next "episode" chapter is looking to be longer tho sdlkhglsj

LASTLY BUT NOT LEASTLY A HUGE MASSIVE FUCKING THANK YOU TO MEG @neversatisfiedwithlife FOR BETA READING THIS FOR MEEEE AND BEING SO SUPPORTIVE AND WONDERFUL LOVE YOU THANK YOU THANK YOU SM 💞💖💓💗💕

chapter title and lyrics in this part from "wake up" from the julie and the phantoms soundtrack (whichhh if you haven't heard it... you should listen to it after reading maybe 👀)

plot and a lot of the dialogue from julie and the phantoms so like credit to all those creators and writers 🤪

warnings for this chapter: grief, mentioned character death (regarding kurt's mom)

read below the cut or here on ao3!! <3

--

2020

There’s a deep-seated weight of dread in Kurt’s stomach that he’s unable to ignore for the entire morning.

His last chance at the music program -- he needs to play again today, for the first time in over a year, or he’s done.

It’s all he can think about all day. He makes it through his first few classes, somehow, walking through the halls almost mindlessly, thoughts far away and only worrying about what he’s going to do, barely paying attention to who he’s almost running into, because he doesn’t know what he’s going to do.

It almost feels like last year again, when school started and everyone knew and everyone was staring at him in the hallways, even though he knows that they’re not right now and he knows most of these people couldn’t care less about him not being able to play at this point, but in his head it feels like they all know, like they’re all waiting, waiting and watching for him to play again and sing again.

He has been, too, for over a year.

He stops at his locker to wait for Mercedes before going to class.

“We’re gonna get tattoos together,” comes her familiar voice out of nowhere.

Involuntarily, Kurt smiles a little, turning to Mercedes. “Umm…?”

She shrugs and smiles back at him. “You know, when we’re adults and out in New York together or something. Just -- you know, at some point.”

Kurt raises an eyebrow, silently saying, where the hell did this come from. Mercedes raises both of hers as if to say, answer the question. “Just curious,” she adds out loud. “Could start planning them now.”

He chuckles. “Of course. I’ll get all the matching tattoos with you.”

Grins and silent agreement pass between them and they both turn toward the lockers, a welcome break in the slowest part of the day, the voices and noises of other students filling the air.

“I know you don’t want me to ask, but…” Mercedes starts slowly after a moment, and Kurt nods his head in acknowledgement; he knows what she’s going to say. “Do you know what you’re going to do today?”

He puts some books in his backpack, mainly for something to do. “I’ll know in the moment,” he says, somewhat truthfully. He could just say what he thinks will happen, which is nothing. But Mercedes can see right through him anyway, so might as well stay somewhat positive until it happens. Or rather, doesn’t happen.

Mercedes sighs a little. “Mrs. Harrison said today is your last chance,” she tries, leaning on her side against the lockers.

“I know, I was there,” Kurt says lightly, letting his eyes scan the contents of his locker a tenth time. Mercedes reaches over and squeezes his hand lightly. Her eyes tell him that she’ll stop talking about it for now, and he squeezes back gratefully.

The conversation with Mercedes has really helped, though; it always does. If he’s going to spectacularly embarrass himself in front of his music class, and probably for the last time, at least he’ll have Mercedes there.

She sees it in his smile, and she sends it back. You always will, is her silent whisper.

A sharp, cheery voice pierces the air and makes them both turn their heads, and the uplifted mood from the conversation with Mercedes disappears when Kurt sees none other than Quinn Fabray, in her Cheerios! uniform, complete with a tight ponytail and perfect smile as she hands out what appears to be flyers to passing students, who are immediately won over by her status, closeness, sweetness. Finn Hudson lingers behind her with his guitar case and his own stack of flyers that he’s not handing out nearly as enthusiastically.

“Spirit rally Friday!” Quinn’s saying as she all but shoves another flyer into the face of a nervous freshman who takes it and scurries away, doing a double-take once they pass her. “Come see the Cheerios! do their new routine, and my group, the Unholy Trinity, perform our brand new original song!”

“What’s she handing out?” Kurt whispers to Mercedes. A corner of his lip quirks up despite the general unpleasantness of seeing Quinn.

“Desperation?” she answers with a small smirk. When Kurt turns back, Quinn is in front of him. He holds back a grimace at her fake smile and cheeriness.

“Hey, guys!” she chirps, as if they’re just any two other students at this school. “Here you go, my group’s performing at the spirit assembly on Friday!”

Kurt flinches back a little as a flyer appears much too close to his face and he takes it instinctively, holding it lightly in his fingertips. It truly looks like something Quinn designed -- perfectly professional, impressive, eye-catching -- and he can’t say it looks bad, as much as he might want to. He eyes Quinn over the top of the flyer.

“I’m sure you guys have nothing better to do,” Quinn continues, that smile still on her face, and there are the claws, Kurt thinks as he resists the urge to rip up the flyer right in front of her.

“Oh, my gosh, Quinn, thank you!” Mercedes says in an exaggeratedly sweet voice, clearly -- or at least clearly to Kurt, and likely Quinn as well -- imitating the specific tone of voice that Quinn takes, and Kurt stifles a laugh.

“Oh my gosh, Cedes, don’t bother coming!” Quinn says with a wide smile, turning away with a whip of her ponytail to continue pushing her flyers.

Kurt looks back at Mercedes, mumbling, “She did not just call you Cedes,” while Mercedes crumples up the flyer in her hands.

“Well, she did,” Mercedes says. Kurt can see the anger behind her eyes and he raises a concerned eyebrow. “I’m fine. She just… you know.” She dismisses his silent question.

“Yeah.” He loops his arm through Mercedes’ and they head down the hallway, almost running into Finn not three steps from Kurt’s locker.

“Oh, hey, sorry guys!” he says with a sheepish but genuine smile that contains all the warmth missing from Quinn’s. “Did you -- I guess Quinn already got -- ”

“Yep, she got to us,” Cedes says quickly, steering Kurt around Finn. “Thanks, Finn, bye!”

“Please tell me you are over him,” Mercedes says when they’re in a quieter area at the end of the row of lockers. Kurt realizes he’s staring and quickly looks away.

“Yeah, I am.” Mercedes looks at him skeptically and he insists, “I am, promise! You just… don’t find a nice jock like him around here that much.”

She nods, satisfied, and raises her eyebrows meaningfully. “You know they’re going to get married and have a bunch of demon babies.”

Kurt’s jaw drops open slightly and he laughs. “You can’t say Finn isn’t a sweetheart.”

“Only one of them has to be a demon to make a demon baby,” Mercedes says matter-of-factly.

“What… it’s a dominant gene?”

“Of course.” Mercedes turns back toward Quinn and raises her voice. “Demon!”

The two of them push against the wall, hiding behind the end of the lockers, when Quinn snaps her gaze back. Kurt can’t hold his laughs in this time, and he feels a little bad about it, but… considering what Quinn’s done to them, he can let himself and Cedes get away with it.

“There’s that smile,” Mercedes says gently as they gather themselves. “Now let’s go prove everybody wrong.” She pulls him toward the music room and slowly but surely, the sickening feeling in his stomach returns. He sits down next to Mercedes and just breathes. She squeezes his hand again.

Mrs. Harrison starts class soon after they arrive, getting into the last of the progress performances which are both a chance for the students to show off to their classmates, and also a checkpoint for participation in the music program, which is the part Kurt’s concerned about.

He barely hears as Finn finishes his drum solo and everyone claps and then Mrs. Harrison is calling his name and he’s standing and walking to the piano and oh god.

“Take your time,” Mrs. Harrison says gently.

That’s all he’s been doing for almost a year, just taking his time, but nothing has come of it. He sits down slowly, opening his music in front of him but it’s like his eyes don’t see the notes and just gloss over the page. He looks down at the keys, sets his fingers in place reluctantly.

It’s been so long that the keys almost feel foreign under his fingers when they once were the most familiar thing in the world. It’s been so long that he barely remembers how the song should go and why did he think he could just do this, it doesn’t matter how good at sightreading he’s always been. It’s been so long of him locking the memories in a chained and padlocked safe in the back of his mind and he’s terrified of playing again being what opens it because playing and singing and music has always always meant Mom, and she’s gone which he still sometimes forgets and it always hurts like hell to remember again, so letting himself remember so much more will only make reality that much worse. It’s been so long and what if he’s forgotten, what if he opens himself to the memories just to find that they don’t exist anymore?

It’s been so long; it’s been over a year, but doesn’t that mean he should be fine by now?

He knows avoiding the memories hasn’t been the best idea, but right now he can’t think of anything he could have done differently, can’t linger and regret his choices because he feels so vulnerable and exposed finally sitting at the piano in front of his whole class for the first time in a year, and the choice is right there and maybe he could do it but not in front of everyone his brain screams, and he can almost feel Quinn’s sharp, judging, so far from friendly gaze fixed on him and that is what breaks it, that is something he definitely can’t take and he pulls his hands back with a short inhale and the whirlwind in his mind stops and he can mostly breathe again.

It’s been so long.

Heart still pounding, he gets up and apologizes to Mrs. Harrison because she really has tried to help him and he appreciates it but he still can’t, and Quinn makes some comment and Mercedes fires something back but he doesn’t hear any of it, he just has to leave.

He knows Mercedes follows him out and she calls out his name when he’s halfway down the stairs. He’s started crying at some point and he doesn’t know when. All of it is just such a mess and so present in his mind; he was so close to music again, to Mom, but he’s not ready. He’s scared.

“Kurt,” Cedes calls again, quieter, her voice soft and choked, pleading. “Come on, please. Come back… and show them you can sing .”

He turns to look at her at the top of the stairs. “I can’t,” he says, voice rough with tears. “I’ve tried, for over a year I’ve tried…. I’ve tried for Dad, I’ve tried for Mrs. Harrison, fuck, I’ve even tried for Quinn.” He gives a short, bitter laugh as more tears spill down his cheeks.

“I’ve tried so hard for you.” He gestures up to her, voice breaking. “I’ve tried for Mom.” He closes his eyes for a moment, takes a breath. “And I’ve tried for myself.” Mercedes is also crying a little now.

“For over a year, I’ve tried,” Kurt continues weakly. “But I just -- I can’t. Not… not now.”

He runs down the rest of the stairs and out the door, and he knows he just got himself kicked out of music, knows he just ruined everything.

--

From mercedes 💖, 2:04 pm:

Are you leaving?

From mercedes 💖, 2:06

Tell me when you get home. I love you

To mercedes 💖, 2:08 pm:

i will, at the park for now

From mercedes 💖, 2:10 pm:

I’ll bring your stuff around later.

To mercedes 💖, 2:10 pm:

thank you

To mercedes 💖, 2:11 pm:

i love you. i’m sorry

From mercedes 💖, 2:12 pm:

Nothing to be sorry for, just take care of yourself okay?

From mercedes 💖, 2:13 pm:

Give yourself a hug from me until I get there to do it for you

--

“Hey, kiddo, how was your day?” Burt asks as he walks in, putting a hand on Kurt’s shoulder who’s doing homework at the kitchen table.

“It was okay,” Kurt responds with a small but hopefully convincing smile to hide the worry eating away at him inside, because if the school’s already contacted his dad about today, about Kurt ruining his last chance…

“I gotta go again in a bit,” Burt says, taking a drink of water. “Some guy really needs a car fix by tomorrow morning, but I’ll be done by dinner.” Kurt nods, some relief flooding his veins. He turns back to his homework.

“Oh, another thing,” Burt says and Kurt stiffens again. “I wanted to come and check in with you -- I talked to a real estate agent today, and they said if we’re serious about selling the house, we need to take some pictures and stuff, clean everything… and I was wondering if you’re up for cleaning Mom’s studio?”

Kurt’s immediate surprise and hesitance must show on his face even as he tries to keep his composure, because Burt quickly assures, “It’s okay if you’re not ready, I promise; we have time. You know I just -- I wouldn’t even know where to start in there.”

Kurt smiles a little. “No, it’s okay,” he says. “I can try tonight.”

“Awesome.” Burt ruffles Kurt’s hair, which from anyone else other than maybe Mercedes would not end particularly well, but Kurt just laughs and tries to brush the loose strands out of his eyes. “I’ll see you later, Kurt. Love you.”

“Love you, too, Dad.”

Kurt exhales slowly as his dad leaves again.

Cleaning out the studio means having to confront exactly what he’s tried to avoid for a year. The disaster that was music class today doesn’t make him feel better about it… but at least this time he’ll be alone -- none of the pressure of having to live up to the standards of well-meaning teachers or aggressive ex-best friends, none of the pressure of having to play at all, especially from the competitive nature at school. And… maybe he needs it.

Moving from here will only help you move on. Kurt’s aunt’s words echo in his mind. A part of him recoils at the idea of leaving his childhood home -- leaving the spaces his mom used to inhabit and her light and energy used to fill to the brim -- and starting over, someplace where there are none of those memories… he can’t tell if that’s a good thing. It feels like more of the running away that he’s been doing for a year, and he wonders if it really will solve anything.

But maybe he does need it. If staying in this house for the last year hasn’t helped, a change would be good, right?

Turning back to his work, he takes a deep breath and starts planning dinner in his head. He’ll tackle the studio after dinner’s ready.

--

To Dad, 7:39 pm:

dinner’s done, i’ll be in the studio

Kurt takes a slow breath as he opens the doors to the garage.

It’s not that it’s his first time in the studio after his mom died -- someone had to water the plants -- but he kept any interaction with the rest of the room minimal, so it still feels different to take in the full space instead of just rushing to the plants in the back with his head down. It always came with some guilt; it felt like the least he could do to keep some life in the studio when he could barely even bring himself to enter, let alone fill it with music as it needs to be.

He walks in slowly, some apprehension tickling the back of his neck, trying to stay calm. The familiarity is almost overwhelming this time as he looks around, actually taking in the room. The guitars on the wall, the couch and table, all of his mom’s decorations and knick-knacks. The chairs on the ceiling, story told with a fond smile from his dad about his mom wanting to decorate in a fun special way even while 7 months pregnant. The plants in the back, flourishing in front of the wall of windows positioned to let in the sunrise beautifully, not that Kurt has seen it happen recently.

And the grand piano -- in the center of the room, covered with a sheet, neglected for over a year. Kurt pulls it off now absentmindedly, letting the fabric pool over his feet. He takes a deep breath even though he probably just filled the air with dust, and goes over to the bench. He doesn’t open the lid, not yet. Some sheet music is on the seat and he places it on the piano without looking, sits down and gently touches the fallboard, inhaling shakily, not opening it to reveal the keys but just… remembering what it used to be, what it used to -- still means….

“I’m so sorry, Mom,” he whispers, eyes fluttering shut, “that I haven’t been here.”

With his eyes closed against the dark emptiness of the room, he can almost forget. It’s too easy to think that when he opens his eyes, his mom will be there, and she’ll be writing a song with him, or she’ll be playing, or they’ll just be talking…

Before the idea can flood his mind and leave him reeling when he returns to reality, Kurt stands and looks around the room again. There really is a strangeness to the place now. What used to be so comfortable and an extension of home -- sometimes even more home than the main house -- was always warm and brimming with emotion and joy and music and life -- now cold and dark and hollow, quiet. The familiar bones have an unsettling foreign emptiness around them. It feels wrong.

It needs to be filled. But… Kurt can’t do that.

He misses his mom -- always, but it’s amplified in this space that was always hers. He misses the feeling that the studio used to bring, that spirit that is now dimmed and suppressed. Covered, but still there. He can feel it like a gentle heat behind his skin. Not bad, but overwhelming, and he just….

The loft, Kurt decides suddenly. He’ll start with the loft. There aren’t memories and emotions so confusing and thick there that he’s barely able to avoid it, to push his way through with no energy left to untangle and understand. The loft is just full of random old stuff that his mom wouldn’t throw out and his dad teased her about.

So the loft first. And then he can ease into the rest when he’s more ready. After all, his dad did say they have time.

It’s significantly dustier in the loft; old instruments and random bags full of clothes are scattered and piled across the floor, his own electric keyboard propped up against the wall. Kurt stands on the stepladder a few steps below the actual loft floor, looks around a little, his eyes landing on a CD case lying on the ground -- black with a simple stark white word design: Sunset Curve. He picks it up, eyeing it thoughtfully, brings it back down to the main floor and decides to put it into the old CD player.

He doesn’t really know why he has such an urge all of a sudden. He’s listened to some music, but not nearly as much as before, and has actually chosen to listen to music only a handful of times since his mom died.

But… the studio needs music. As an apology for a year of neglect, and as a goodbye, he can let this music redeem the studio’s spirit a little, fill what he’s left hollow.

And he doesn’t want to be alone in the silence with his memories while he’s going through everything, even just in the loft. As something completely unfamiliar and random, this can give him the distraction and none of the pain. At least, that’s the plan.

Stepping down from the loft stairs, he glances at the picture in the CD case as he opens it -- a band of four who all look like teenagers, staring seriously into the camera -- he doesn’t get a good look at them, just slides the disc into the CD player and takes a seat on the couch.

The opening song starts strong with a gritty guitar riff and a 1, 2, 3! counting the band in. Despite himself, Kurt starts nodding along to the beat. It really is a great song, unique and upbeat…

Then some kind of… panicked screaming makes itself heard, first quietly and he thinks it could be part of the song, but it crescendos and gets unbearably loud --

And then there are three strangers appearing out of thin air before his eyes, screaming as they fall to the ground heavily. Kurt would wince at the sound of the impact --

That part’s certainly unlike any CD he’s listened to before.

He’s frozen, heart hammering and eyes widening as he stares at the three strangers picking themselves up off the ground, taking in their surroundings a little…

“How’d we get back here?” the middle one -- a shorter guy with black hair -- says breathlessly.

Kurt screams.

--

It’s not his finest moment, but three complete strangers just appeared in his mom’s studio, seemingly just popping into the air, and he can’t say he’s never been superstitious in his entire life or that he isn’t drawing immediate conclusions -- supernatural conclusions, fucking ridiculous conclusions. He doesn’t love that he runs into his dad on his way back into the house which may have also involved a little yelling about seeing ghosts (ghosts who screamed back, for the record), but he makes it to the safety of his room and texts Mercedes frantically, who doesn’t respond.

“Come on, Cedes,” he hisses to himself, shooting off another text. “Answer me!”

A knock from his doorway startles him and he just barely manages to hold back a shout, turning to see his dad leaning into his room hesitantly.

“You okay?”

Kurt gives him what must be a hysterical-looking attempt at a reassuring smile, all wide eyes and clenched teeth. “Yeah, no, totally fine, sorry for -- scaring you,” he replies choppily, tone not even convincing to himself. “Just, um, practicing for a school play.”

Burt definitely doesn’t believe him, but nods slowly anyway. “Well, I’m gonna go clean up -- ” He gestures over his shoulder with a grease-covered hand. “Dinner in like, ten minutes?”

“Yeah. Sounds good,” Kurt says shortly, forcing another smile and a thumbs-up.

As soon as the door closes, Kurt turns back toward his window and tries to get a glance of the studio, but it’s blocked from this angle by the trees in their yard. Apprehensively, he heads back to the garage, thankfully not running into his dad this time, phone in hand and thumb hovering over Mercedes’ phone contact.

When he goes in, it’s empty; no sign of anything out of the ordinary happening.

He scans the space warily, feeling jumpy and nervous, but nothing happens and he mumbles, “I know I saw something, I’m not crazy.”

He hears a soft popping noise and then, “Well, we’re all a little crazy,” from behind him and he turns with a sharp gasp.

“Oh, my god, who are you?” Kurt yells, maybe a little too loud because the black-haired boy winces slightly and all three of them step back a little. “What the hell are you doing in my mom’s studio?”

“Your mom’s studio?” the black-haired guy scoffs. “This is our studio!”

The tall blonde guy bounces forward. “Yeah, like, the piano’s new, but -- ” He looks to the right and his face lights up. “My couch!” he calls, running over and jumping straight onto it.

The girl -- hair black and in braids -- rolls her eyes. “Not your couch, Sam.”

The blonde -- Sam? -- sits up indignantly, stabbing a finger in the cushions. “Hey, I spent more time on this couch than any of you. Pretty sure it’s mine at this point.”

Kurt just watches them with wide eyes, jaw hanging open, with absolutely no idea what to do.

“But these aren’t our instruments,” the black-haired guy says warily, looking around. At some point he and the girl have linked arms, Kurt notices. He watches as they all take in the studio, faces getting increasingly confused and worried. Kurt raises an eyebrow that apparently can go higher than it already is.

“Because… it’s my mom’s studio…” he manages to say again, mind still whirling at the hurricane of new and completely nonsensical information.

“Can you just -- give us a minute?” Sam says, jumping over the coffee table to join his friends. They turn away to talk in a huddle, and Kurt stands awkwardly as they talk in failed attempts at hushed tones.

--

Tina’s trying to ignore the pounding of her possibly-only-theoretical heart -- she’s dead, how can she even feel a heartbeat -- as she watches Blaine and Sam talk to the… living person in front of them. Sam makes his usual comment about “his couch” and Tina snarks back with her usual response and it gives her some comfort, some familiarity even in this studio which should feel like home, has for so long, and it still does to an extent, but everything here is suddenly different.

The comment does send the strange boy’s attention back to her, though, which she doesn’t really like. Blaine wraps an arm around hers and she squeezes his forearm in gratitude. He did that a lot when they were alive -- knew how and when to offer her his touch to reassure her a little.

At least there’s something that’s still the same.

At least her boys are still the same.

She tries to focus on Blaine’s arm in hers, on Sam’s dumb comments as he comes bounding back to them, hissing, “Guys, what is going on here?”

Tina shrugs. Blaine whispers, “Who is he?”

“He can hear you,” the person in question says pointedly from behind them, but Sam ignores him and says, “Maybe he’s a witch.” He looks up, pointing. “There are chairs on the ceiling.”

“There’s no such thing as witches,” Tina hisses.

“Are you sure?” Sam shoots back. “Because I used to think there was no such thing as ghosts!”

Tina swallows. “That’s fair.”

“So we’re going with witch?” Blaine asks.

“No!” Tina waves her hands at both of them. “No, come on. You guys are just -- he’s probably just overwhelmed, okay? Let someone with a softer touch handle this.”

Maybe “softer touch” wasn’t the right phrase to use in this instance, she thinks, but she really just wants answers and figures she might as well be straightforward. “Why are you in our studio?” she asks, maybe a little too aggressively, stepping up to the alive stranger.

He looks down with a shocked expression and Tina realizes she accidentally got close enough to touch him -- or… pass her hand through his, partially. They both watch as he brings his hand through hers again. It’s a weird feeling -- warm and kind of tingly, or like she’s putting her hand through water.

“Oh my god,” he says, eyes wide. “How did you do that?”

Tina raises their eyebrows a little. “Okay, clearly you don’t -- clearly, he doesn’t get it,” she says, addressing the guys behind her. She turns back to the stranger, gesturing to herself and the others as she explains, “We’re ghosts. We’re just three ghosts, and we’re really happy to be home, so… thank you for the flowers; they really brighten up the room.” She tries to smile at him.

“We’re actually in a band called Sunset Curve,” Blaine pipes up, stepping up to flank her on the left.

“Tell your friends!” chimes Sam on her right.

“Last night was a really big night for us,” Blaine says, a little sadly. “It was gonna change our lives.”

Tina whispers, “Uh, I’m pretty sure it did.” Blaine huffs and elbows her gently.

“This is freaking me out,” the stranger says, shaking his head as he takes something from his pocket.

“What is that; what are you doing?” Blaine asks.

Alive Stranger looks up, fingers still touching the face of the object. “It’s my phone -- nope, stop talking to them! There’s no such thing as cute ghosts,” he says, seemingly to himself.

Sam gasps. “Think we’re cute?” He raises an eyebrow, making one of his insufferable Sam faces; Tina almost laughs.

The boy looks up again with wide eyes, gaze flitting to each of them as if watching for a reaction, swallowing and going back to his phone.

“Who’re you calling?” Tina asks, trying to see the side facing him because that doesn’t look like any phone she’s ever seen.

“I’m googling Sunset Swerve.”

“Sunset Curve!” Blaine, Sam, and Tina correct him at the same time, Sam drawing a curve in the air with his finger.

The stranger laughs nervously, staring at them with wide eyes and then back at his phone. “Okay… so there is a Sunset Curve.” He swallows again. “You guys did die. But not last night.” Tina’s stomach drops a little; Blaine and Sam get closer.

“Twenty-five… years ago,” the boy finishes, a confused look in his eyes.

Tina barely has time to register this before Sam says, “That’s impossible. All we did after we floated out of the car was go to that weird dark room where Tina cried.”

Her mouth drops open. “I wasn’t -- I -- we -- ” she squeaks, voice jumping up an octave. “I think we were all pretty upset,” she says, but she supposes Sam is right.

He pats her back and doesn’t have a chance to respond again because Blaine steps in, “That was just for, like, an hour, though. We just showed up here.” Tina and Sam nod.

“Look,” the living one says, finally turning his “phone” toward them. They lean forward to see a screen with a photo of them -- and Artie, Tina thinks distantly; she feels his absence acutely and it spikes through her chest -- taken for their summer tour, and a bunch of small text around it that she can’t read, a bold headline at the top reading, Sunset Curve: A Hollywood Tragedy. “I’m just telling you what my phone says,” he explains. “You guys died in 1995. It’s now 2020.”

“So this is the future?” Sam asks incredulously as the boy pulls his phone back. Something else sticks out in Tina’s mind, though.

“So -- it has been twenty-five years,” she says, pausing to gather her thoughts. “I have been crying for twenty-five years -- how is that possible?!”

“You’re a very emotional person,” Sam reasons.

“I am not!” she insists, but the tears already pressing in the back of her throat want to prove otherwise. Distantly, she reminds herself that she’s with her friends who’ve seen it all and she doesn’t need to hold back, but the presence of this complete stranger also overrides the ease of her relationship with the guys. Sam rubs a comforting hand over her shoulder, and she swallows the tears down.

Alive Stranger shakes his head. “I gotta go… eat dinner,” he says slowly. He turns back around once he’s walked past the three of them and says, “Look, I’m really sorry for what happened to you guys, but this isn’t your studio anymore. You have to leave.”

“But we -- ” Blaine starts, starting to go forward but a sharp glare stops him and he clears his throat. “We didn’t even get your name.”

“It’s Kurt,” the stranger snaps.

“Cool, I’m -- Blaine,” Blaine says hesitantly. “And this is…”

“Sam, hey.”

“Tina, how’s it going…”

“Ba-da,” Blaine sings weakly, gesturing his hands in front of them like he’s presenting them to Kurt.

They all watch for Kurt’s reaction, but he just sighs and leaves the studio. He leaves the doors open, probably to remind them that they technically just got kicked out of their studio -- or, Kurt’s mom’s studio -- someone’s studio, but really it’s been their home for so long…

“Kurt seems nice,” Sam says cheerfully, trying to lighten the mood.

Tina turns to him. “Did you miss the part where he kicked us out, or…” she says drily. Sam shrugs, a hint of a smirk on his face. “Okay,” Tina mutters, turning to wander around the studio some more. If they’re going to be kicked out, she wants to spend as much more time as she can here.

--

Kurt’s mind is a storm. He doesn’t know where to start with this new information -- with an evening that took such a sharp turn from reminiscing and sad and somewhat painful into just… something so completely different and unexpected.

Dinner Kurt can do. He can put the craziness of ghosts aside because dinner is easy, dinner is simple; dinner is important.

His dad has already set everything out so Kurt takes his seat across from him, sending a not-completely-true nvm everything’s fine, sorry for worrying you text to Mercedes, who finally got back to him at some point when he was distracted…

Distracted talking to ghosts.

“How’s it going?” Burt asks as he sits down and it takes Kurt a second to remember he must be talking about cleaning the studio, and not actually about ghost musicians.

Ghosts don’t exist. There are no ghosts in the garage. Don’t think about ghosts.

“It’s good,” Kurt says, poking at his food a little. “I’m starting with the loft.”

Burt smiles. “Those old instruments need a home.”

“Yeah,” Kurt says, returning the smile. “Mom would like that.”

The instruments probably belong to some ghosts, Kurt realizes, but… nothing he can really do about that. And that’s if the ghosts can even touch objects.

They eat in comfortable silence for a while and then Burt sets down his fork. Kurt looks up apprehensively.

“So I got an email from the school today,” he starts. Kurt fiddles with his fork and drops his gaze.

“Hey, it’s okay, Kurt, I’m not mad,” Burt promises.

You should be, Kurt thinks -- all that money spent for him to audition for and attend the music program, and for private lessons and sheet music and piano maintenance, just for him to throw it all away.

“I know those classes can be hard,” his dad says, and Kurt almost can’t take his gentle tone, feels guilty about it even though he appreciates it. “But… you still like music, don’t you?”

Kurt shrugs. “I don’t know, maybe?”

“I know the memories are hard, believe me, Kurt. But, every time I see you, I see Mom, you know? And I love that, I really do. Maybe, if you give yourself a chance, you can, too.” Kurt looks up hesitantly to see his dad’s gentle, loving expression and eyes slightly glassy with tears. Looking down again, he swallows, and nods.

“Yeah,” he says quietly. “I will. I’ll try.”

Because what he said to Mercedes earlier on the staircase is true, but… he’ll always try harder for his dad.

“It’s okay, Kurt,” Burt assures him. “We’ll figure it out, I promise.”

Kurt smiles and almost starts eating again, but music suddenly blares from outside, startling both of them, Kurt barely holding back a loud swear.

“What is that?” Burt says, getting up but Kurt rushes to reassure him, saying quickly, “I must have just left the CD player on in the garage! It’s fine, I’ll go get it!”

He runs back to the studio where the ghosts are still there apparently, and have somehow gotten instruments from the loft and set everything up to start playing, and play really loudly -- and it honestly sounds good but Kurt can’t focus on that because they’re going to disturb the entire neighborhood and get the cops called on them for a noise complaint and what is he supposed to say -- no officer, it was just the three ghosts in the garage being idiots, sorry?

Kurt yells for them to stop but it’s useless; he can barely even hear himself over how incredibly loudly they’re playing. Blaine, on an electric guitar that Kurt remembers seeing in the loft, turns and sees Kurt, walking towards him and finally playing one last chord when Kurt makes a horizontal cutting motion with his hand, and Sam, on the bass, follows, Tina playing one last short drum roll, looking up with a wide grin.

They all look… alive, Kurt thinks, despite literally being dead, so different from the confusion he left them with -- relaxed and loose and faces lit up, the energy flowing through them almost visible. If he didn’t know they were ghosts and made of air, he’d expect to be able to reach out and feel them, breaths hot and fast from the exertion and adrenaline, skin warm and slightly sweaty, hearts beating strong like the steady percussion of their band.

It reminds him of how music used to make him feel.

“Cut it out!” Kurt snaps, trying not to raise his voice too much. “The whole neighborhood could hear you! I thought I told you to leave!”

Blaine looks back at his bandmates, bewildered. “People -- people can hear us play?”

“Yes!” Kurt says exasperatedly. “My dad heard you from inside!”

“… What did he think?” Blaine asks after a moment. Kurt opens his mouth for an irritated response --

“Everything okay in here?”

Kurt whips around to see his dad in the doorway and smiles with wide eyes. “Yeah! I just -- had to turn off the CD player,” he lies.

People have told Kurt before that he’s a good liar; he really hopes that’s true after the evening he’s had -- he's having.

Burt’s attention is elsewhere, though, seemingly forgetting about the chaos from just a moment earlier. “Wait, is this the junk that was in the loft?” he says, excitedly eyeing the instruments and… the ghosts that he can’t see.

“Junk?” Blaine exclaims. Tina stands up, her eyes on Burt, drumsticks gripped tightly in one hand.

They all watch apprehensively as Burt weaves through the instruments, even going so far as to rattle Tina’s cymbals and tap the drums, much to her horror. She fixes Kurt with wide, urgent eyes, to which Kurt just shrugs and gives her a helpless look. Hey Dad, actually, the ghost drummer wants you to stop, so…

“Hey, this stuff’s in pretty good shape,” Burt says excitedly. “Maybe we can make a couple bucks, yeah?”

“Yeah,” Kurt agrees weakly, mostly just watching as Tina fails to push Burt away from the drums.

“I like the song you had on,” Burt says, finally stepping away from the instruments. Tina rubs down a cymbal with her sleeve.

“Sweet! We’re Sunset Curve,” Blaine pipes up.

“Tell your friends!” Sam says, to a fond eye-roll from Tina.

“It’s just an old CD I found,” Kurt says, ripping his attention from the ghosts.

“Well, it’s nice that you’re listening to music again,” Burt says sincerely. “Out here, you can play whatever you want, whenever you want.” He waves his hands out on either side for emphasis, going through Sam and Blaine’s bodies. Kurt chuckles weakly.

“Oh,” Sam says, looking down at where Burt’s hand was in his stomach just a moment before. “That’s nice.”

“Stay out of this,” Kurt hisses.

“Sorry, Kurt, I’m just trying to help -- ”

“Oh! No, not you, Dad,” Kurt says quickly. For fuck’s sake -- “Just -- just give me a minute -- ” He starts pulling his dad toward the door. Burt stops him and says, “Hey, we’re gonna figure out this music program thing, okay?”

“Thanks, Dad,” Kurt says with a smile, and gestures for him to leave.

Once Burt is out of sight, he turns back to the ghosts.

“Wait -- ” Tina waves her drumsticks around a little. “So -- only you can see us, but everyone can hear us?” Kurt nods in confirmation. “What kind of ghosts are we?” Tina says.

“Who cares, dude!” Sam says, stepping up to Tina’s drum kit with a grin. “People can hear us play!” The three exchange fist-bumps as Blaine says happily, “We might be dead, but our music isn’t.”

“And Kurt’s dad likes our music!” Sam cheers.

“He’s a dad, it doesn’t count,” Tina mumbles, smiling and pushing Sam playfully when he turns to her with an offended look.

Confusion and annoyance bubble up inside Kurt along with something like anger at, just, all of it and he groans and says loudly, “Why can’t you guys just be normal ghosts? You know, go hang out at an old mansion or something! I hear Pasadena’s nice!” and turns to leave, slamming the door on his way out.

He just… has had too much going on today. He needs to -- ignore his homework and the problem with school and maybe just sleep in for the next two days. That would be really nice.

He’s so caught up in his head and he jumps and yells when a ghost appears in front of him with no warning.

“Don’t do that!” Kurt exclaims.

“Sorry, I’m sorry,” Blaine says quickly. “ -- You do know how rad this is though, right? People -- people can hear us play!”

“Yeah, good for you,” Kurt replies, a little too harshly. “It’s just that I’ve had a really, really, awful day. I’ve gotta go.”

He walks past Blaine just to turn around again when he says, “I’m really sorry you had a bad day.” Kurt nods; he can tell Blaine wants to say more, so he waits.

Blaine continues slowly, “I just… three ghosts just found out they had a bad twenty-five years, and then they find out that the one thing they lived for in the first place, they can still do. So you can kick us out, but -- we’re not giving up music. We can play again; that’s a gift no musician would ever turn down,” he says earnestly, eyes wide and almost pleading.

That hurts in Kurt’s chest a little more than it should and he looks down again to avoid the passion and excitement shining clearly in Blaine’s eyes, in his voice, in his words. He swallows down the feeling that statement unearths inside of him, but suddenly his bad day is at the forefront of his mind again -- his bad year.

That’s a gift no musician would ever turn down … some musician he is, then. But he already knew that.

Blaine says softly, “You’ve gotta know that. Clearly your mom is into music.”

Kurt swallows. “Was,” he says, monotone and quiet. “She passed away.”

He hates that it’s become easier to say; he wants to either spit the words out or break down sobbing but he manages to keep his voice steady. (In the back of his mind, he wonders why he just told that to a random ghost he just met. Maybe he’s just going crazy. He’s literally talking to ghosts, after all.)

Blaine’s face falls. “I -- I’m so sorry,” he whispers.

“Yeah, we -- we didn’t know,” Sam says quietly. He and Tina have also left the studio, standing on the other side of the low wall separating the garage area from the pathway back to the house. They look up with sympathetic eyes and Kurt looks away from them too -- can’t meet any of their wide, well-meaning gazes right now.

“It’s fine,” he dismisses. “Sorry I got mad.” The ghosts are thankfully looking at each other now, seemingly silent conversation passing between their glances. “You guys are pretty good,” Kurt says, trying to change the subject and lighten the atmosphere.

Blaine raises an eyebrow, turning his gaze back to Kurt. “‘Pretty good’? You know that’s just, like, 25 years of rust being dusted off, right?”

“Do you play, too?” Tina asks.

“No, no, I don’t play.” It’s not exactly a lie anymore but it scrapes in Kurt’s throat with his haste to answer. “That’s all my mom’s stuff in there.”

“She’s an amazing songwriter,” Blaine says.

“Yeah, she was,” Kurt answers. “Wait… how do you know?”

Blaine opens his mouth, glancing at the others for a second. “We found a song on the piano,” he says. “If it’s hers… your mom was really talented.”

Kurt nods. She really, really was.

He feels like he doesn’t have the energy to say it again, so he just stays quiet. Somewhat awkwardly, he turns to leave, sensing the end of the conversation and part of him desperately wanting to just leave and not have to see these ghosts again….

So Kurt surprises even himself when he pauses and turns back to face them. “I guess,” he starts, and their gazes snap back up to him. “If you need a place to stay… you can stay in there.” He nods toward the studio and the ghosts’ faces light up. Kurt can’t help but smile back. “There’s a couch that turns into a bed, and in the back there’s a bathroom with a shower, if you still need any of that stuff.”

“Awesome!” Sam exclaims quietly, earning an elbow in the side and a questioning look from Tina. “What? Dude, I just really like showers,” he defends.

Tina rolls her eyes. Kurt takes a breath, raising his hands to gesture vaguely at the three of them. “This is just… too weird.” He nods to himself, finally leaving this time, leaving the ghosts to… do what they will.

The fact that there are ghosts in his mom’s studio…. Maybe there’s a chance that Mom knows them -- sent them, he thinks… but decides to not get his hopes up. She’s gone and he needs to just keep it at that.

What he really wants is to tell Mercedes, but he doesn’t know how.

What would you say if I told you there were three ghosts living in my mom’s studio? Kurt thinks on his way back to his room.

You’d say I’m crazy.

--

It’s some point in the night; they figured out that they don’t need to sleep -- can’t sleep, it seems like, which is honestly really annoying in Tina’s opinion because they’re ghosts with literally nothing to do for too many hours at a time -- so they’re just hanging out in the studio, with the lights outside giving them a little visibility through the garage windows, but it’s kind of nice to just sit in the dark.

Tina has been on the couch with Sam, lying on their backs, heads in opposite directions, legs pressed up against each other. Sam’s bass is unplugged, laid on his stomach and extending over Tina’s legs. He plucks out notes and Tina accompanies with a soft beat using just her hands and body parts as instruments. Sometimes it’s a familiar bassline -- a Sunset Curve song rehearsed or performed or recorded before -- and they also hum the harmonies that they know, and sometimes they improvise -- Tina storing the good bits in her mind for a future writing session.

Blaine is in the loft where they hoped a light could be on and maybe go unnoticed. Tina assumes that he’s writing; he always was when they were alive. And of course, now he has 25 years of dark room and relative nothingness to catch up on writing about.

It feels like another quiet night from when they were alive, each of them with an excuse to escape their homes for the night, and they’d all crash here, filling the studio with soft music and noise. Blaine would stay up writing and sometimes singing while Sam and Tina (and Artie) would try to sleep, telling him to stop humming, or, since the main house inhabitants who would care about the noise were rarely there, they would sometimes join along with him and make it a Sunset Curve midnight rehearsal.

They’ve never had the best sleep schedules anyway.

Tina giggles quietly as she and Sam play into nothingness, both parts running uncontrolled and unable to get back on track. They both stop and Sam starts playing a familiar line -- parts they’d worked out before with bass, drums, and both guitars, but never actually put into a song. Tina waits for a moment to come in with her part.

She’s nearly startled off the couch when Blaine poofs down beside the couch with his guitar and starts his part. Tina starts laughing -- probably too loud but they’re pretty sure only their music can be heard anyway -- and slides off the couch to sit on the ground, picking the drumming back up on her legs.

“You guys wanna check out this teleportation thing?” Blaine asks, playing the challenging guitar riff meant for electric guitar messily on his acoustic without a pick.

Sam sits up and puts his bass to the side. “Absolutely,” he says. “Where’re we going?”

“I have an idea,” Blaine says, setting his guitar down. He pulls Tina up and extends a hand out for Sam. “I think I can take you guys with me.”

“What?” Tina squeaks, but a second later, she’s sitting far above the ground, outside, on top of the marquee of the Orpheum. “Oh my god,” she mutters, looking down dizzily at the people passing by on the sidewalk. Her body tingles with a weird uncomfortable energy for just a few seconds before it fades.

“Yes!” Blaine laughs, kicking his legs up excitedly. “I mean, I know being a ghost isn’t our first choice, but it sure is easy getting around!”

“Easy for you, maybe!” Sam cries on Blaine’s other side. “I lost my shirt on that one!”

Tina looks over and sure enough, Sam is shirtless. She stifles a laugh behind her hand. “Like that’s a concern,” she pipes up, but Sam’s shirt appears right as she says it. They all laugh and sit in silence for a moment.

“So why’d you bring us here?” Tina asks, looking out across Hollywood Boulevard, the new and old buildings and shops, the people and cars of the future. The light of the Orpheum’s neon sign shines in her periphery, same as it did on a night twenty-five years ago. “Just another reminder of where we never got to play,” she says wryly, turning to face Blaine on her left, patting his shoulder. “Thanks, Blaine.”

Blaine rolls his eyes. “I’m telling you guys, it’s not over yet!” Tina reappears on the sidewalk right below them, almost losing her balance and falling through a person walking past. She shoots a glare at Blaine for teleporting them with no warning again, but he just grins back and starts down the sidewalk, Sam following. “Let’s see how many places we can play tonight, yeah? Check out the music scene of the future? And no trouble getting into those clubs anymore!”

Tina laughs, falling into step with them. She watches Sam walk straight through someone going in the opposite direction and doesn’t realize someone is in her way, which shouldn't be a problem, until she bumps into them.

She feels them.

“Hey!” she says involuntarily, turning to see who it was -- another ghost? A tall man with a cape and top hat nods at her with an acknowledging and almost menacing gleam in his eye, then turns again and walks away.

He could see her, he could touch her -- he has to be another ghost, right?

“Tina, you coming?” Sam calls. She swallows and takes one last look, the other ghost having disappeared among the other people on the sidewalk, before turning and running to catch back up with the guys.

“I just ran into someone,” she says, a little breathless -- she doesn’t know if that’s from running, which she doesn’t think she can actually get breathless from, or the fact that she ran into someone.

“Another ghost?” Blaine says.

“I mean, it has to be, right? Uh, Kurt -- Kurt can see us but he can’t touch us…”

“And his dad couldn’t either,” Sam adds.

“It must have been another ghost. He looked like a… performer, or something.” Tina wrinkles their nose a little as she remembers his whole get-up, completely out of place among what she’s seen so far of 21st century street fashion. (But then again, so is she, and her friends.)

“… I guess we’re not alone, then,” Blaine says, breaking a short bewildered silence.

“We’re never alone!” Sam exclaims, walking between them to throw his arms around Blaine and Tina’s shoulders. Tina laughs and grabs his forearm, mystery ghost forgotten for the time being.

Blaine responds with a grin, “I wouldn’t have it any other way.”

--

Kurt wakes up earlier than usual the next morning. He thinks he still has school -- he doesn’t know how being removed from the music program works, but no one told him not to come and besides, he does have non-music classes to keep up with, even if he doesn’t necessarily want to. He gets ready as usual, leaving breakfast out for his dad, and there’s still half an hour before Mercedes should be getting here.

Perfect. There’s something he needs to try by himself… for himself.

He heads out to the studio with his things, a fluttering feeling in his stomach, but it’s different from the feeling before he tried to play in class yesterday, like the butterflies had turned to stone and were rolling around inside him, weighing him down and making him nauseous. This time it’s promising, hopeful, familiar -- butterflies fluttering normally, peacefully.

The room is empty when Kurt pushes the doors open and drops his backpack by the entrance.

“Guys?” he calls hesitantly, to no response.

He wonders if he should be worried about where the ghosts might be, or relieved for if they really did leave after all, since that is what he wanted… but he realizes relief is not at all what he feels at that possibility.

But if the ghosts aren’t here, then all the better for what he wants to do, so he decides to ignore their absence for now.

Kurt walks up to the grand piano in the middle of the room, thinking. There’s something… something deep loosening in his chest -- something about Blaine and the others and their intense passion for music that is so different from the intense judgment and competition at school that made it so impossible for him to play yesterday.

The way Blaine had talked about music…

The one thing they lived for in the first place -- they can still do.

A gift.

Kurt spreads out the sheet music that he found yesterday, just placed on the piano lid without a glance and it’s still there, so Blaine and the others must have just taken a look at it. He recognizes his mother’s handwriting, achingly familiar and beautiful in a minimalistic way, the neat notes and lyrics, clean and legible even without the help of staff lines. His heart stutters and he gasps a little as he reads some of it -- he recognizes the song. Something his mom told him she was writing when she got sick.

Kurt used to be so involved in her songwriting, but as she got worse and Kurt grew away from the piano (and from his voice), he never asked about this song.

She’d finished it.

Here’s the one thing I want you to know, you got someplace to go…

And he needs to hear it.

His fingers tremble slightly as he places them gingerly on the keys over the starting notes of the song. It feels completely different than it did yesterday; he doesn’t know if it’s the lack of teacher and students watching, the insanity of yesterday evening in between, the song itself… but the stones turned back into butterflies and it almost feels like it did before….

He wants to play, to make music. For the first time in a year, he actually feels like he can. And he needs to.

And if -- when -- it unlocks the memories… he thinks he’s ready.

Kurt takes a deep breath and plays.

[faebriel]

ok ok I'm insane and couldn't pick one so have two (no need to answer both if you don't want to)

“You talk to him.” Not kindly, but he does.

“I’m used to him,” he shoots back. “I’m the only person who is.”

That makes Niki feel something, some uncomfortable tug in her chest. She mentally kicks herself. It’s not jealousy, she reminds herself, because despite the near-cliff jumping and the long nights without food and the nuclear fallout that has punctuated her last few months, being jealous of Tommy would be the least reasonable thing she’s allowed herself to be, maybe ever.

“You don’t believe me,” Tommy says flatly. “You never - eugh.” He cuts himself off with another ragged sigh, running a hand down his face. “Look, Niki, it’s - we were all together in Pogtopia, right? But I was there first. With him. And you didn’t see the start of it, it was horrible, and I’m glad no one else saw the beginning of it either but it was still just so shit and he kept saying all these terrible things about Tubbo and Fundy and you and,” he takes a shaky breath, “then, when I died, I saw him.”

Her breath catches in her throat.

Well, the voice in the back of her head whistles. If you were still wondering about all this afterlife bullshit, if you want to know where you’re going after your third life, here you go.

and

“You didn’t even - this isn’t about L’Manberg, Wilbur!” Niki shouts.

And then he stops, breathing hard, and he looks at Niki the same way he does whenever her voice is being drowned out in a crowd - the way he does when he wants to hear her, when he wants to know what she has to say.

“What else is there?” he asks.

Niki freezes. Stock still, unable to move, unable to breathe, ice threading its way through her gut, her chest, her shoulders, chilled down to the bone. With slow-dawning horror, she can feel hot tears welling up behind her eyes, sitting in her throat, threatening to spill over into a sob. She swallows - to keep her cool, to stay calm, to keep it together -

And then, something in her chest just snaps.

“You said you’d come back for me!” she cries, and her voice hitches on the lump of tears at the back of her throat and god, she sounds absolutely pathetic. Wilbur’s face softens immediately, which somehow just makes her feel even worse. “In Manberg. When Schlatt put me in prison, and you and Tommy were in Pogtopia, you said you’d break me out when it was safe. I waited for weeks , Wilbur. It was… it was horrible.”

“Niki…” a kaleidoscope of emotions flicker across his face, and he seems unsure which to settle on. “We got you out though, right? After the festival.”

“You looked for the button first,” she says quietly, and he stills.

Her sniffling sounds embarrassingly loud against the quiet background of night.

thank you sm!!! i’m gonna put these under the cut because they got a little long sorry (tw for discussion of suicidal ideation)

to preface: tommy is kind of the accidental but incredibly necessary invisible support beam for niki and wilbur’s making amends in bitter. niki cannot accept wilbur’s actions and apology without first acknowledging her own actions and making steps towards an apology, because otherwise it kind of falls flat? in that ending scene niki finally gets what wilbur is feeling and wilbur finally gets that someone else knows how he feels (it’s not perfect 100% yet, but…. that’ll get explored later)

onto the actual snippet! “tommy talks to wilbur - not kindly, but he does” was very important to me! tommy has stuck by wilbur ever since pogtopia, but the tragedy is that he is not equipped to deal with wilbur’s issues, and it shows. wilbur’s first stream after revival depicts this really clearly, where tommy tails wilbur around the whole time but insults him, is still stuck on calling him the villain, physically fights him at some point, etc. on one hand this isn’t healthy but on the other hand tommy is actually around, which is more than can be said for basically any other ally wilbur has had on the dsmp, maybe excluding his dad, who literally killed him lmfao.

this whole issue is exacerbated by the fact that tommy believes that he is the only person who properly understands wilbur, the only person who gets what happened to him, and feels like wilbur is generally his burden to bear. he failed to stop wilbur from both 1. hurting other people and 2. killing himself after the pogtopia-manberg war - and he doesn’t trust wilbur not to do either of those things again, so he’s stuck hovering around wilbur while wilbur is inadvertently setting off his own trauma and feeling responsible for any way he might fuck up and hating that but not wanting to leave. tommy’s memory isn’t perfect and he isn’t a perfect narrator, what he remembers from pogtopia the most were the scariest parts and that’s understandable but it means he’s holding wilbur to the worst expectations of behaviour (and he does so very vocally). the others showed up later, sure, but in tommy’s eyes he’s the only one who saw wilbur’s descent, and by the time they showed up wilbur had already changed irreversably. tommy tries to rationalise this by splitting the ‘different wilburs’ apart from each other in his head (he does this in canon too - there’s one quote from like late 2020 where he says he and tubbo need to keep on going for who wilbur used to be, not who he became, even though they’re,, the same person), and no one challenges that perspective, so he just keeps doing it even though it’s not healthy for him or wilbur.

and then limbo happened and, oh geez, THAT didn’t help jhfaskjjfsa

tommy is on a bit of a knife edge with niki in this fic. niki’s in this state of “ok, he’s annoying whatever, i’m moving on”, but all tommy knows is that she tried to kill him that one time, disappeared off the face of the map, joined a book club with two people who definitely do not like him, and now is just acting weirdly mellow and polite. she is not someone he wants near wilbur bc what the fuck is she gonna do? what is he gonna do? who knows. he’s frustrated that niki doesn’t seem to acknowledge how he’s feeling (especially bc once upon a time she would have been someone he trusted to acknowledge them - they were friends, they fought together) and he’s taking a big step by telling someone about his concerns here, especially bc tommy doesn’t really like talking about them at all. he wouldn’t be saying absolutely anything to niki if he didn’t truly believe she should stay away from wilbur, even if he’s wrong about him. (sometimes i think i write tommy as a little too emotionally mature here but it all goes out the window when wilbur’s brought up. idk if that balances it out)

ok onto niki: this is the first she has actually heard of limbo! she’s only just come around to the fact that resurrection is possible at all. death is kind of a touchy subject for niki both in general and re: wilbur in the fic - she’s coming off of a period in her life where suicidal ideation was, uh, a big thing (whether you want to read that into canon or not is subjective, that’s just the angle i went with in this fic). the sudden existence of a life after death, miserable as it is - and whether she really believes in such a place, when it only exists in tommy and wilbur’s words - that is a lot of information for her to absorb all at once. death is a weird connection point for tommy and niki here, coming right off of the fact that they’ve just acknowledged each other having those problems - tommy, out of, yknow, altruism, would very much like to keep niki out of that place, and niki is quietly reckoning with the fact that that is where she would have sent him. the concept of limbo from the perspective of a character with no experience of it, even secondhand, is so interesting to me like what kind of eldritch location would you feel like you’re living in asghjkl

(also - i gotta be honest the jealousy angle here but mostly when she’s talking later about dream not deserving wilbur’s companionship kinda came out after this post came across my dash while writing. whoops /j)

-

fun fact, this is the very first snippet of bitter that i ever wrote! all the way back in may!! this is like the moment of the fic - it's where the miscommunication that niki and wilbur have been having is shattered entirely - and so sticking the landing was uhhh kinda important to me lol.

wilbur's entire being in this fic is basically consumed by L'Manberg - he equates his self worth to it entirely. in his eyes, everyone (rightfully) hates him because of what he did to L'Manberg, because L'Manberg was corrupted and he himself with it, etc. niki tries to tell herself this, and while it definitely does form part of her issues with him, it was the betrayal that causes her this much pain - that he seemingly brushed her and their friendship off entirely when he supposedly left her for dead in manberg. because here is what we as the audience know: wilbur couldn’t leave niki in trouble when he heard her life was in danger, even when he was trying to find the button (pretty much the only thing he sees himself as having left at this point) and so he returned. here is what it looks like from niki’s perspective: wilbur told her to wait in manberg until it was safe to come to pogtopia, laid the place with TNT, went to blow up the place, and only returned when he couldn’t find the detonator (and then the first thing she saw him do in pogtopia was encourage the pit behaviour but that’s not what we’re talking about asdfgh). that is massive miscommunication and it’s been brewing between them for months - to make a quirky little reference to the title, niki has been carrying that anger with her so long it's gone bitter. it was never just about l’manberg with niki - not that anger, not her and wilbur’s friendship (hence the little flashback earlier in the fic, bc niki’s relationship to anarchism and statehood or statelessness juxtaposed with her friendships with wilbur and eret - she loves l’manberg bc she loves wilbur, but she loves eret too and those national ties don’t undermine that - is Real Interesting to me) - so when wilbur asks what else there could possibly be (because in his mind, what else could she have bothered staying around for?), she just fucking breaks.

“Niki freezes. Stock still, unable to move, unable to breathe, ice threading its way through her gut...with slow-dawning horror, she can feel hot tears welling up behind her eyes” - prose discussion time! heat and cold are two big throughlines in this fic - particularly for niki, cold is what she is. admittedly when i started with it i mostly wanted to subvert hot = angry and cold = dead but i kinda ended up enjoying this take on it for what it is instead of just as a subversion (also i like the idea of revived people running hot, their bodies r working hard to keep em going). she’s holding onto her feelings and refusing to deal with them, she’s frozen over. descriptions of cold are key to niki’s mental state throughout the fic - cold weight on her chest, feelings of frostbite when she and wilbur hug the first time, ice cold water during the dinner scene, waking up in the cold flat, etc. this was an attempt at describing a more visceral feeling of like, when you’re really mad and you can just feel the adrenaline running through your veins. always felt more cold than hot to me. when she starts to cry, the facade she’s been putting on is finally thawing out and cracking the ice she’s buried her feelings under. (also gives an excuse to write warm comforting hugs towards the end /hj). it’s a loss, it’s catharsis, it’s a whole mess.

and ofc this is all news to wilbur and he feels terrible, because as unintentional as it was, he really really hurt her - because the destruction of l’manberg fucking sucked but above all else wilbur hurt the people he loved because they loved him so much and not in spite of it, because they cared about him so deeply and his death was a massive blow to them. this hasn’t even dawned on him, because how could it? he respects deeply niki (lowkey respects her opinion more than his own at this point) so he has to listen, because it’s niki (“and he looks at Niki the same way he does whenever her voice is being drowned out in a crowd - the way he does when he wants to hear her, when he wants to know what she has to say” - because he does), and what she says fucking floors him. in his eyes, he failed her by putting her in danger and then by destroying her home - the idea that she valued him and their friendship so much flies entirely over his head until this moment, and he is forced to re-evaluate the mindset that has motivated him since… basically since pogtopia! the way i write wilbur is like… yes, he’s one of niki’s closest friends and he’s more aware of her insecurities and issues than most (which is why he does always take the time to listen to her, etc) but he does over-idealise her a bit. tbf, i think he does to some extent with everyone (calling tubbo strong on the anniversary stream, for example). also the fact that he really wasn’t around for niki’s lowest moments as a character! he still thinks of her the way she was in l’manberg - confident, steadfast, respected - and this moment shatters that for him as he realises exactly what effect he and his death had on her and everyone else, not just by his actions, but because they loved him and cared for him so deeply.

sorry that this got horrifically long!! and thank you so much for sending snippets in <3333

[bitter-sweet-coffee]

while i'm in a typing mood (but not typey enough to answer some analysis asks or write my promised fic chapters OR ANY OF MY WORK THAT WAS DUE THIS WEEK OH GOD) i just wanna say:

thank u! thank you lovely followers and mutuals and friends and bastards (you know who you are) you're all besties and my pms are always open (asks too! and anon is fixed if you wanna talk to me that way bc i sometimes seem scary, idk it happene)

you're all very lovely and sometimes i feel like i take the sonic fandom for granted sometimes or brush it off because it's a small circle on here for a pretty dead fandom, and infinite/espio/wave lovers are hard to come by (can't say the same for shadow but him interacting with these characters is quite uncommon).

sometimes i underestimate how much people care about all my random blabbery posts because there are only like 4 infinite blogs, maybe 2 infinadow/shadfinite shippers that were not poisoned or convinced by me, and like. a HANDFUL of insane espio enthusiasts who i love dearly

idk. i remember an ancient tumblr post about followers and it's like "oh, 100 followers online seems small but imagine 100 people in your house" and that's how i see this! i don't care about follower numbers because i honestly post and create content for myself and share it in case anyone else happens to give a crap, but the fact that there are over 100 people who actually want to see what i post and enjoy what i make is like, still mind blowing to me!!!

you all chose to be here (except @bluemarine but that's your fault for getting me back on this hellsite) and idk it means a lot?

and i feel like i don't acknowledge how much i appreciate everyone, so even if i don't follow back or interact directly or message you (i feel weird messaging y'all idk it feels unwarranted) i still appreciate every single one of you. i do!!!

obligatory sad paragraph that you can skip:

i spent most of my life thus far in isolation. i essentially didn't have friends until i started university, people at school did not want to talk to me growing up and i got bullied for it, my parents were never around, and i don't have siblings. my soul-partner is my lovely dog, who honestly saved my life because i could be home for hours or days without talking or seeing anyone and i'd at least have him, but it got lonely! and it made me feel a little unwanted, which i'm working on not feeling. i did some bad stuff for myself, and then i had to fix myself too because no one else was around or cared or even noticed. didn't help that i only recently got diagnosed with adhd and autism too (which has eased a LOT of guilt about being so bad at making friends and being wanted around) but i had to do that for myself because: no one else noticed or cared! i was being told to shut up, got talked and walked over, and then refused to open up in fear of making people hate me. some people broke that barrier down, i trusted them with this, and then when this meant i wasn't stroking their egos for once i got called selfish and was dropped! this has happened at least 12 times and it makes it REALLY hard to tell if i'm not giving enough, or giving too much at first so when i burn out, they drift since i set their expectations too high. so... i would spend my time just talk to myself or my dog because it's all i had.

(sad paragraph is over!)

idk i don't want pity for this, i just want to explain WHY i care so much about people liking my headcanons and analysis and rants and doodles, because i still think i'm annoying or talking about stuff no one likes. BUT CLEARLY SOME PEOPLE ENOY IT, AND THAT'S WHAT MATTERS! so i love u all ty for being here with me :") 💕

[misterbitches]

what i like abt muren and li chen

i’m sorta burned out and my vagina is bleeding so lemme see if i can type this. probably can lmao. my brain is going ten miles a minute.

1. the fact that they were friends first.

 someone on here said this and idk who but i don’t want to seem like it was my idea. 

the fact that they are friends and didn’t have like a connection previously and it developed. most times friends-to-lovers has a basis of some sort of romantic interest from another person so they were not truly ever friends, you know? and many relationships people aren’t friends first but that’s the best kind. and they are the truest form in that (i wouldnt say truest means good but just i think a representation of) they were truly friends, no attraction at least consciously, and were lead into it. 

2. bc they know each other well and are friends they know each other and LAUGH and if you can’t laugh with your love then there is no point. 0. lmao. i love it

idk they fell easily in2 the luvy duvy part and u can actually believe they are into each other like outside of kissing. gee. also hello! when lichen like threw the heart in the office and muren caught it? bitch! i woulda been like ew!!!!! and blushed but muren was like that’s right that’s my bitch

3. bouncing off 2 um uhhhhh the way they interact so i guess this is 2 but whatver i like lists now

muren is >:O but super sweet and receptive to others. so he responds to people and it isn’t just stoic for stoic sake or with not much substance. idk how to say this but oftentimes sometimes i feel like characters will be too oppositional to offset their partner and it can be extremely annoying to watch because it’s part of the dynamic but sometimes there’s a lack of reciprocation. i like that even if muren is quiet he smiles a lot and lets people know through his actions and shit. esp his mans. and when he needs to talk, he will. 

lichen is perfect for this because of reasons. what do you even say about this dude holy shit. first of all he really is a fucking himbo. he’s not even dumb he’s just a fucking himbo. it’s great to say the way they express their excitement and the best thing to hear, “i can be myself around you”

4. u cannnot tell me that this top/bottom discourse is actually not ridiculous esp for them bc there is no way that my eyes are seeing what i see yet there’s some struggle when they’re trying to constantly grapple with the masculine/feminine aspects (this is a good thing)

with the way that they hang off each other. esp bc lichen is shorter than him and stockier and he can attach himself like a barnacle. the way he expresses glee and love is very “feminine” at times IE reliance, support, putting your head on his etc but then there are times when he is the one to hold muren too. so it’s like they are clearly on the same  level in how they exchange love and stuff and exploring the dynamics but it clearly isnt as structured as the usual ones and it shouldnt be so they should just stop talking about this shit cos ur both getting fucked god shut up

lichen squeals like a girl and is obsessed with him. he is clingy and also says “what do you want to do to me.” if this show is gonna sit us through the agony of this stupid discourse and they tell me they arent gonna sw*tch or whatever (not that they cant have other forms of sex bc that is not that difficultand as adults w eknow this but anywaaay) then they simply are wrong

5. the ~gay 4 u~ thing is dumb and i cannot believe it tbqh cos it’s like sir....but i am glad that lichen like expresses attraction to his physique and personhood as a man and acknowledging that that is something and a part of the attraction.

 it was probably a happy accident but it’s still a good one. there’s sometimes an idea of like sexual attraction being sorta nebulous when someone is like getting into a rship with the same gender but not being sure about their sexuality or whatever or still liking another gender explicitly where they cant admit they find things attractive or enticing even when they are in a same sex relationship and it is so fucking confusing and doesn’t make sense. i wish instead of trying to make it cut and dry they just went honestly mabye they dont know but theyre both men and thats a factor. ok lets move on now. :) 

6. they make u feel nice

especially in comparison to the show being messy and also there’s some crazy stalker man running around you know they temper that 

they’re just really fun to watch. it’s an interesting dynamic and particularly with xing si in their lives it’s nice and i’m so glad there’s no one else to ruin it like say a brother who is a waste of space. but it’s mostly good feelings for them and you can see why they like each other, that they can stay together, and how helpful a relationship can be as you grow as an individual

7. while i am sure there will be further misunderstandings...comm...unic...ation?

literally boys are dumb as hell but idk if my reading is correct on this one but SO FAR TO MOI im like wow u guys like actually talk. woah. and i think that’s nice. yest i had a breakdown in front of my fam bc i am sometimes emotionally stunted when faced with distress so it’s nice to see people talking that out in particularly with like jealousy and stuff

AND their interactions in public and the understanding. knowing it takes time and stuff for them to adjust and allowing them the time. they are extremely different to other people and they want to be distinct and they can be and arre to each other they dont need to follow anyone else’s rules (except the costume department sometimes needs to get better pants for muren like that’s my rule tbh but that’s neither here nor there)

did some1 call them emotional support himbos? i think so cos word. 

oh one more thing idk the name of the actor playing li chen and im too tired to look it up but i like him a lot i think he does a good job of going seamlessly between like a jubilant person and an actual human being. he plays well at being oblivious but not outright stupid and emotionally stunted or not picking up certain signals. i think at times it seems like he doesn’t always have a sense of self  like trying to be something else for other people but then he realizes like he can’t do that so all he can do is be himself which leads him 2 his mans but yea. the actor does a decent job! it’s a fun character to wathc

[gayregis]

1/2 ngl i think many western witcher book fans make the series out to be way more progressive than it actually is. part of it is mistranslation ofc, like for example with the 'man was not made for monogamy' bit where the use of singular man is rlly misleading and it should be "a man" or "men aren't" bc originally it's just dandelion being a sexist cheating dick and not some openminded progressive the way ive seen this interpreted sometimes, But

2/2 there's a lot of plainly bad takes out there that i feel are partially an issue of just worldviews and circumstances. like obv its not some Enormous difference and im not saying that "hurr durr westerners Bad and Stupid" or whatever but in regard to stuff like lgbt issues or coding or feminism ive seen so many bonkers horrible takes that like. with my experience as a closeted polish trans homo are truly fucking concerning in how naive they are

(fucking 3/2 bc i can't count) but like. just from the top of my head the godawful girlboss femdom #feminism shit ppl pull with yennefer bc they cant admit shes not all that well written and that shes borderline abusive at times, people trying to make sapkowski out to be pro-lgbt which is fucking baffling with the blatant homophobic storylines/writing, the "GERALT IS CODED X" shit when hes a blatant cishet whiteman power/oppression fantasy rolled up in one like. idk im really tired and its a lot

(4/2 ok i SWEAR im done im sorry) like. i think what im trying to say is that i feel like theres a lot of like. kinda rose-colored-glasses type of naivety and a lack of understanding of how the general reality of life for women, lgbt people etc. is way different in poland and further east than it is in the states or britain or even fucking germany, so people just take very blatant bigotry and uncritically try to twist it to fit their western uwu pseudofeminism and whatnot

no, LITERALLY THIS. i think [mostly western] progressives on tumblr especially want and long to see  progressive messages or representation where there simply are not any, or where the messages that are there are largely milquetoast centrist and not actually saying anything radical. (this post i made is more specific to an aspect topic but it voices some of my opinions on it)

i think it’s of course fine to have separate interpretations of the characters / rewritten characters in your mind that you appreciate, but in order to do that you need to engage with the source material and acknowledge the reality of what is written on the page (for instance, what you said about yennefer being a #girlboss when in canon she struggles with characterization at times and especially in the short stories comes off poorly, almost abusive, and her and geralt’s relationship is definitely not some kind of #goals). 

i think that there are some redeeming features and it’s not all bad, everything is very grey - for instance, sapkowski wrote yennefer poorly when it came to her first introduction to ciri, but then her training of ciri that immediately follows it is much better. and geralt is a power fantasy in his heterosexuality and protagonist-isms, but spends the saga in turmoil over trying to protect ciri because he’s a good father. everything kind of blends together and does not just mean ONE thing only, because it’s understandable by many people. for instance, geralt being mopey and upset that he’s abnormal can be related to by MANY different types of people. 

i think the issue is when people state that characters are definitely “coded” one way or another (not like, actual canon relationships, like saying ciri is gay because she had relations with mistle... that’s a can of sapkowski-worms for another day... i’m saying, for example, arguing that dandelion is intended to be coded as gay because he wears colorful clothes or something like this). i don’t think it’s very valuable at all to look at the content and say “sapkowski intended THIS,” because i don’t find much value in what mr. centrist sells-the-rights-to-netflix had to say. i find value in what you have to say, personally, and what it means to you. 

sorry to speak about my minor again for like 0.2 seconds (it’s relevant) but it reminds me a lot of posts on here about ancient greece or rome that are like “ancient greeks and romans were GAY, we have ALWAYS BEEN HERE!!” like you really want to claim kinship with the violent imperialists who practice pedastry...? or posts claiming that X female figure, such as sappho, was a feminist. we call it an anachronistic interpretation: it’s a completely different time period, context, culture, and intention than what we understand in a modern sense. you can’t project your modern and western culture onto ancient greece and rome, because they are ancient societies.

similarly, i don’t think that you can take american feminism from 2020 and apply it to a fantasy series written by a polish man in the 1990s. you may reinterpret the characters how you so choose, of course you will have favorite characters and appreciate specific ones for specific things... but you cannot say that sapkowski’s intentions were specifically this or that as you understand them yourself in your own life, and you cannot do this with very many authors unless you are the author yourself. 

specifically for the witcher because as you said, there is a cultural misunderstanding: “[a] type of naivety and a lack of understanding of how the general reality of life for women, lgbt people etc. is way different in poland and further east than it is in the states or britain or even fucking germany.”  

i think in the english-speaking progressive social media circles currently for a few years there has been this very big hyperfocus on good representation for people of color, for women, for lgbt people, and in this quest for representation many are willing to overlook blatant bigotry in hopes of claiming another character ‘for the gays’ or whatever. for example dandelion hating on yennefer in a little sacrifice because she is old - i’m pretty sure sapkowski didn’t write this because he intended it to be like dandelion is gay and jealous of her! you can headcanon that if you like, but don’t claim that’s what it is and nothing else, because you need to acknowledge the misogyny present there.

i think it’s dangerous because you end up parading the original content around like it’s fantasic and progressive when it’s really not. i encourage people to have lgbt headcanons if they choose, but you really shouldn’t be saying it was sapkowski’s 100% intention to make this character X or Y because you really must take the writing into context with the author’s biases, life, culture, setting...

[shinjaeha]

itsay ep 4 (thoughts + spoilers)

idk even know how to even start this bc i feel like i’m just a big ball of emotions, and this ep was wild. so much happened. last ep was so wonderful and almost languid with how everything played out (esp since it focussed much more specifically on the shift in teh/oh-aew’s relationship). this ep had a bit more of everything, not just the two of them in their bubble anymore. societal forces at play, and hence much more angst. again, this isn’t a  proper analysis, it’s just me ranting and raving as usual as i semi-rewatch this again. this is very long, and there are a lot more things i want to think about in more detail at some point bc i’m mostly just skating over a lot of what happened but i gotta get these thoughts in my head out of me somehow. and i’m not sure if what i’m typing will even make sense bc i MYSELF can barely make sense of what i’m feeling but here i go anyway.

so we start off with the both of them kind of awkward after the night before which is fair enough considering what happened. actually when oh-aew’s habit started playing up again, i thought teh wasn’t going to scratch his back bc he was trying not to ~go there again after the night before, but he did and i was pleasantly surprised like oh...maybe things aren’t that bad?? (YET). also, i can imagine that it would have been reassuring for oh-aew too. like things have changed, but it’s not like teh has completely abandoned him. the touch itself is comforting, like when they were kids.

teh’s mum talking about how she wants both of her sons to bring their girlfriends around (and hounding him about bringing tarn around again) is giving me war flashbacks to my own asian relatives and i can feel the way that must crawl under his skin. I HATE when family members do that (and they always do). but for teh it must be esp hard bc he’s already constantly feeling like he’s vying for his mum’s attention over his brother, and now hoon’s bought back a girlfriend so it’s yet ANOTHER thing he feels like he has to compete with his brother over. in the back of his mind, he knows that he can’t give his mum what she wants if he’s with oh-aew (he can’t ‘win’ over hoon bc heteronormativity). teh is def prone to jealousy fairly easily, but i always feel like his emotions on that base level are also very easy to understand. i’ve been in positions like that before where i’ve felt like i’ve constantly been compared to someone else, and it makes you feel like shit. but also oh-aew having to sit through teh’s mum telling him to let her know if teh and tarn are dating?? ouch.

cue teh trying to avoid what’s going on with them and oh-aew being sad :((( they’re both in so much pain and i feel it and thank god i am no longer a teenager that’s all i can say about this.

the guitar in skyline instrumental is just...making me feel some kind of way. they have so many versions of this song and they always use the right version at the right time how is that.

so the tarn scene!!!!!!!!!!!!!! first thought: holy shit she looks so cute i love her crop top where did she get it i want one. second thought: but why did they make her wear a dark bra under such a light top?? i love that i was thinking this and then it all unravelled in front of me and like...the brilliance. the contrast between the scene in ep 2 (i think?) where teh accidentally peeks at her bra through the buttons of her shirt and gets noticeably flustered, and then this one where she literally wears the same bra under a light shirt ON PURPOSE to get his attention, but he doesn’t even notice?? the way she expects him to colour the hibiscus purple, but he colours it red for oh-aew instead?? it’s so incredibly telling of where his heart is at, and how his feelings have changed. anyway, it doesn’t take a genius to figure out that he’s just not all there with her anymore, and tarn isn’t stupid...she’s been picking up on the signals since the beginning (why was he so weirdly obsessed with beating oh-aew at the start? why was he willing to wake up at 4am for oh-aew but not for her? willing to tutor the rest of his friends but not spend time with her?). the way she sees him colouring the hibiscus red and it’s her wake up call, like wtf am i DOING bc of this guy????? i love how she acknowledges that her feelings for teh have made it so she’s solely focussed on him and that she hates the things it makes her do (like wearing the bra to gain his attention). ngl i was slightly worried with how they were going to use her character during these later eps with teh being so conflicted (since girlfriends in BLs are usually handled pretty poorly), but i appreciate that she’s still as fleshed out and full of feeling as she ever was. she’s so sweet, and i just wish she had better than this, but i’m glad she called teh out on it. i know he’s confused af rn, and tbh i don’t think he’s handled this as badly (atm at least) as i thought it could have gone, but at the same time, if he doesn’t decide and set his heart on what he really wants, he’s just going to end up hurting them all. LOVE that she basically tells him to get his shit together first before coming back to her. i like her so much. and that scene of teh just walking around and around at the back feeling conflicted while she drew? really reminds me of the squiggly line timeline(?) of how ep 4 was going to go that nadao released before this ep went live. also cmbyn vibes were real in that one.

the devastation in oh-aew’s voice when he asks teh to at least reply his messages ;;; it’s like teh wants to go back to just being friends and oh-aew has kind of accepted that at this point, but at the same time, teh’s not backing that up. he says he wants to be friends, but he doesn’t know how to act ‘normal’ about it anymore, so he pushes oh-aew away instead. good on oh-aew for not taking that shit and standing up for himself too. i absolutely cannot stand seeing oh-aew sad bc pp’s sad face/voice is so good it actually pains me.

notice how teh ALWAYS uses studies/tutoring as an excuse to get closer to oh-aew again...hmmm...does oh-aew see it for what that is now too? that “you’ve never understood me” hit me like a fucking train. to think that they were so attuned to one another last ep, but now teh’s too caught up in he’s own world to realise just how much he’s hurting oh-aew. thanks, i hate it.

i know that he’s needs to figure himself out more and i absolutely stand by the fact that he needs to do that without messing around with either oh-aew or tarn (and also that he’s using studies again to get into oh-aew’s good books instead of talking through feelings and all that), but the chinese idiom book that he made for oh-aew was actually SO CUTE and romantic. all this stuff he does for oh-aew to show that he clearly cares so much, yet he can never accept it enough to get the words out...

I SWEAR THEY PLAY THE INSTRUMENTAL SKYLINE JUST TO CHOKE ME UP. the darting around each other after the neck kiss COUPLED with the skyline instrumental?? it’s like a sad beach scene 2.0. teh making the first (intimate) move this time. every time he’s trying so hard to convince himself he’s not in love with this boy, and every time he keeps coming back. i always feel such a weird mix of happy and sad when i see them together bc i love them but i know teh in particular, is just not ready yet. like the hug scene made my heart leap, BUT they did it in hiding (under the staircase). all their big intimate scenes are in hiding and that just :(((

teh saying that he loves the seawater on his back bc it holds him up, and oh-aew saying but you have to hold your breath in that posture and it gets uncomfortable so he likes letting it go and just sinking sometimes instead (obv paraphrasing but you get the drift)?? THE WRITING IN THIS. it says so much without telling the audience directly...so poetic. everything about this show is so poetic. the way they sink into the ocean and into that space of oh-aew’s where you can just let yourself go without holding back, and then and only THEN does teh finally kiss oh-aew. and it’s beautiful, after holding back for so long, but it’s also painful bc he’s let go but only within this tiny pocket of space and time. in hiding again. that bird’s eye view shot where you can’t see them at all sealed it for me. like you want to be happy, but you can’t really bc you know that they’ve still got so much more to go...like when teh’s hand grazes oh-aew’s chest and you see oh-aew realise again...like that’s partly what stopped teh the first time in ep 3. when his hands stopped at oh-aew’s chest like it hit in for him that he was a boy. anyway, love that they gave us a skam kiss but i’m also very sad. on another note, how the hell did they hold their breath for that long?????

love that they gave us a further 2 more seconds of teh/oh-aew being cute (CONSTANTLY thinking about teh’s fingers dancing across oh-aew’s face and smushing his face in his hands...oh-aew holding the back of teh’s head...just a brief moment of carefreeness) before they went for the jugular. watching teh fight against himself in this way is what hurts. oh-aew begging him to just let go and accept what they are (the way he keeps going “what did i do wrong?? you feel it too!!”) but he’s so tortured he can’t do it. it’s downright fucking heartbreaking. the “one day i’ll stop feeling this way”...could have just stabbed oh-aew and it would have hurt less. all i know is i’m hurting for the both of them. the repression is real, and it just sucks. this whole thing fucking sucks for both of them (and tarn and bas too at that). idk it just gets me that oh-aew is coming out of this having been rejected once again bc teh isn’t ready yet. and i know this but it doesn’t make me any less upset. not at any of them bc it’s hard i know it’s hard...just at the situation. sometimes it feels like teh’s taking a step forward but then he takes two more back instead. the look on teh’s face when oh-aew was like let’s stop being friends...total devastation. i’m done. don’t want to think about it anymore.

i’m glad that oh-aew’s parents are so supportive of him though. i wasn’t sure how close they were based on their previous interaction but they really love him and i’m glad he has that stability to help him through this.

THE SCENE WITH OH-AEW AND THE BRA FUCKING BLEW ME AWAY. this show is always keeping me guessing, and again yet another thing that i wasn’t expecting but it was so visceral. the red of the bra in comparison to tarn’s bra with the purple hibiscus flowers on it...everything connects. oh-aew looking into the mirror with that bra on and thinking about how things would have been different if only :((( and then his breakdown when he realises that it’s not and that’s the reality of the situation. the feeling that gave me sits so deep within my chest i can’t even begin to carve it out.

teh masturbating when he sees that picture of oh-aew and to that picture of yongjian on his wall (idk why it only now just occurred to me that yongjian is always in red too)?? the self-hatred in this scene. the internalised homophobia. my heart feels so heavy.

he KEEPS reaching and it’s going nowhere bc it won’t ever be enough, and that’s not fair on himself and it’s not fair on tarn. like i understand what he’s going through, and i get that he’s extremely confused and needs the clarification, but when he asks tarn to tell her she loves him and he can’t do the same back for her...i just feel so, so, so fucking bad for tarn.

oh-aew hoping that the worksheets left for him were from teh (which would be very on brand of him), but then seeing bas :( maybe in another world, in another life (like teh and tarn)...but he’s such a sweetheart. bas, best boy ;;;

legit as soon as the gang came to see teh off to bangkok and talk to him about how oh-aew was doing terribly (and wasn’t planning on going to the admission exams) i knew where this was going to go. there’s been so much foreshadowing leading up to this, and this was also one of (if not my main theory) with how things were going to eventually play out. but tbh for some reason i thought it was going to play out later in ep 5...but like damn. damn. the way i understand but at the same time i kept going OH TEH :( throughout this. the utter STRESS this bit put me through. THE MISCOMMUNICATION.

anyway, teh’s love language is clearly acts of service. but it can really be to his detriment when he does things impulsively (albeit with care and good intentions), but he doesn’t use his words so things get lost in translation. sometimes actions just aren’t enough and you really do need words to communicate.

the confirmation scene was so tense...even now i’m just sitting here thinking about it and there’s a hole in my stomach at the thought of what teh must be going through and what he ends up doing. like when that last person on the list shows up and you KNOW it’s going to happen but at the same time it’s like a punch to the chest bc there’s just no doubt that teh’s going to turn it down for oh-aew...OF COURSE he would. oh-aew’s split moment of happiness before realising what teh’s done...the absolute dread i still have in me at the realisation of this.

the tension really kept increasing from here on in...teh coming home and his mum just being so fucking proud of him and telling everyone in the restaurant about how happy she is for him (all while teh is absolutely depleted), then tarn coming in and everything bubbling over when she realises what teh’s done too. realises that teh’s in love with oh-aew (smile is so great in this btw like WOW). the “you hurt me and i’m alright with that, teh, but right now you’re hurting yourself” broke my heart. absolutely love tarn as a character and only ever want the best for her.

when he tells his mum :((((((((((( and his mum just goes on about how hard he’s worked and how much he’s already sacrificed only for him to throw that away. he wanted her to be proud of him SO BAD, wanted to not be compared to his brother for once, only for him to give away his place bc he loves oh-aew more than he wants his mother’s praise. more than he wants to compete and ‘win’ against his brother. when she points to hoon and goes “why can’t you be more like him?” and he just loses it. like rubbing salt in the wound. i’m so glad hoon finally hugged him the way i’ve been wanting to this whole time. the banner congratulating him that teh’s mum made with all his materials from before :((( hoon giving him money for uni :((( you ever watch some things and feel like you’ll never be happy again...

okay the way that everything spiralled during the ig story fight?????? what gets me is that teh sacrificed his place thinking that oh-aew wasn’t going to sit the exam at all (he could have just talked to him and convinced him instead but ughhh i understand i get it). oh-aew thinks he did it bc teh didn’t believe he could get in himself (which of course then spurs him to give it up so he can get in through the exam instead). and when teh sees that, it’s like a smack in the face, like he went through all that only for oh-aew to reject it (him). it’s just layers upon layers of miscommunication and the anxiety of it all absolutely guts me. and then the anger mixing into devastation when he opens his book and sees how it’s all cut up. the remnants a reminder of everything he’s done for oh-aew. this boy that he adores but can’t accept he has feelings for. it’s just this mix of anger and sorrow and what have i fucking done?????? and how could he????? the cast were all fantastic but billkin really had to go above and beyond in this one and i could absolutely feel his pain throughout this.

TO PIGGY BACK ON THIS, like i said before, teh has always used studying/tutoring as a tool to get closer to oh-aew, but seeing that book with all the words gone was in part also him realising he doesn’t have that anymore. he can’t use that tool to get close to oh-aew anymore. the only way forward would be to actually get close to oh-aew without the pretences. and the saddest part of this all is that oh-aew doesn’t even NEED all of that (the tutoring, the book of idioms, the relinquishing of his uni spot)...the only thing he wants is for teh to ADMIT his feelings out loud. to admit that he feels the same way about oh-aew that oh-aew feels about him.

it’s funny bc in the last ep, the conversation that had me feeling the most nervous was when they’re talking at the cape, and oh-aew’s telling teh that he’s a rival and inspiration to him. i always KNEW this was going to come back to haunt them. like a constant circle. friends to rivals to friends to more than friends(?) to rivals. it’s a fine line. narratively, it always had to happen, and now they’re back to competing against one another yet again, and it’s going to be so tough bc they’ll have so much more competition on top of that as well.

next ep is going to be very, very hard on teh, but somehow after this ep, i just feel a lot more hopeful about it? i’m pretty convinced at this point that it won’t end in tragedy (which was the thing that i wanted least of all). of course i want both teh and oh-aew to end up together, but i can understand if they don’t. if this ends with them rekindling their friendship again, that’ll be enough for me. their relationship has been so turbulent and passionate that it needs some stability, and hopefully when teh’s in a better state of mind, when he’s at a place when he’s finally accepted all parts of himself, they’ll get there. so if that means it ends on them running to the cape together (even if they’re not technically together) fulfilling their promise to one another in the sunset, then that’s fine with me. i don’t mind an open ending if it makes sense in the context of the story, and i think something like that would. it’s like after such an angsty episode, you need a slight reprieve from it. i have no doubt in my mind that ep 5 will contain darkness, but i do think that there will be light at the end of the tunnel. so for once i feel truly hopeful about it.

i can’t believe we only have one more ep left to go...

[tabriscadash]

I was asked this on my old blog right as I set about transitioning to this one, so...

The first character I ever fell in love with: for DA:O, dare I say Daveth? What can I say -- I irrationally got incredibly attached to him. otherwise, DEFINITELY Morrigan, and I have crystal clear memories of my first run through Lothering and looking at Morrigan like 😍 the whole time. For DA:2/E, Carver -- unless you count Anders & Justice since I knew of them from Awakening beforehand, in which case probably Justice. For DA:I, it’s a toss-up between Vivienne or Cole -- I technically liked Cole first but SPECIFICALLY in the supporting material (Asunder), and didn’t vibe with him anywhere near as much in the game, AND I got him as a companion after I got Vivienne, so probably Vivienne.

A character that I used to love/like, but now do not: for DA:O, I guess Oghren? I never loved him, but I liked the idea of him because I really liked the dwarves/Orzammar side of DA’s worldbuilding -- but he’s such an unlikeable character that I just.. don’t vibe with him at all. I debate recruiting him every single time now, and I don’t think I ever do his personal quest (in the base game OR Awakening). for DA:2/E, I don’t really have anyone that fits -- but I REALLY wanted to like Merrill and Aveline more than I did, and especially in Aveline’s case, I can’t stand her and genuinely think she’s the unintended, secret Big Bad of the whole game. for DA:I, probably Cole, bc I was really into the idea of a little walking-corpse serial killer animated by a spirit as per the book, but that’s not really the vibe in DA:I, and combined with the somewhat patronising/ableist language and how significantly he is infantilised (including by the fandom) I just got put off him. I do still like him, but not as much.

A ship that I used to love/like, but now do not: for DA:O, I don’t really have one? I guess see my DA:I answer, lol... for DA:2/E, has to be Anders - I don’t think he’s OOC in 2, but I think his writing does so little with him and he feels v. reductive. Where his relationship could be SO interesting and angsty, it instead is written in a really dull and/or cringey way. It would have been nice to see Anders more like the Anders of Awakening near the beginning of the game (rather than random, infrequent and questionably rare snippets), and then see the progression of his relationship with Justice as the game went on -- I want more interesting abominations, PLEASE. for DA:I, listen I cannot express to you HOW EXCITED I was for my planned Lavellan to romance Sera… also I used to be way more tolerant of Cullen x Amell/Surana ships because, like, hey dark ships are fun, right? But since Cullen’s ~wholesome whitewash~ in DA:I, and his fandom clamouring to absolve him of any wrongdoing ever.. it’s boring to me.

My ultimate favourite character™: for DA:O, probably Sten? or Morrigan. They’re both fantastic, and also are significant comfort chars for me. for DA:2/3, honestly, probably my own Hawke -- I feel so hugely proud of her, and can’t imagine I’d enjoy the game anywhere near as much had I not played it as my Hawke. If not her, maybe Sebastian or Carver? for DA:I, I really love Vivienne, as well as Blackwall, and Solas is a great character even if I probably would not say I liked him.

Prettiest character: for DA:O, we all know it’s Zevran. for DA:2/E, I think Aveline -- although her aggressively bland colour-scheme lets her down in a major way (although I respect her dedication to all orange all day every day). There’s just something about her arms -- very Abby from TLOU:2. for DA:I, maybe Josephine? Ser Barris is very pretty, too...

My most hated character: for DA:O, I really didn’t like Alistair, Wynne and Oghren, and of my companions - Oghren is probably my least favourite. He’s vulgar and also profoundly uninteresting. for DA:2/E, it has to be Aveline. There’s just something about ineptitude and a complete, wilful refusal to take accountability for your actions that I can’t stand. It would be okay if it was an intentional character flaw, but the game/narrative treats her like she’s lawful good and it really annoys me. for DA:I, maybe Iron Bull? He was a huge disappointment for me. I also really dislike Sera, Cassandra, and Varric. I’m so sick of Varric - I never want to see him again.

My OTP: for DA:O, I really loved Zevran’s romance -- but I am also very amused by the fact that Leliana got to ‘love’ status with Kallian accidentally, AND I got the ‘love’ glitch for Justice (👀) and Velanna. I do sometimes wonder about an AU where Kallian is forced to make a politically expedient marriage with Nathaniel Howe for diplomatic reasons in order to consolidate her position as Arlessa, and it being an entirely platonic arrangement (it’s not like anyone expects an heir from an infertile Grey Warden) -- and maybe Zev and Nate kiss sometimes, who knows? I also LOVE my Darkspawn Chronicles AU where Kallian and Nelaros are a happy, married couple each hiding their skills with weapons from each other like dumb, cute sweethearts. They shelter Zevran when he fails to kill Alistair and a poly couple evolves. for DA:2/E, I love the IDEA of a Seb romance that isn’t so strictly conditional around the structures that abused him -- he should be allowed to love, chastely or otherwise, but free from the Chantry OR his position as prince/heir. I’d LOVE to actually have a romance with him where you can actually challenge the abuse he’s experienced. for DA:I, Malika doesn’t have a canon romance (although I think when I replay, I’m going to romance Josephine!) but I think Blackwall has an amazing romance. Solas’ is also iconic, it must be said. 

My NOTP: for DA:O, I really dislike Alistair in a shipping capacity; he’s immature and says a lot of misogynistic shit and I don’t think he’s the worst for it, but I don’t really vibe with shipping him, having played the game as a female city elf. for DA:2/E, I wouldn’t say I have one, particularly? although I really dislike Aveline’s relationship with her husband simply because it seems incredibly inappropriate, given that they work together and she has power over him -- and because I dislike her, generally, I don’t feel inclined to do something nice for her. for DA:I, I suppose Sera/Lavellan -- although I’m not AGAINST it, it just really isn’t for me, having attempted it. I also don’t really vibe with Dorian x Iron Bull. Something abt the way the game handled BDSM and their relationship banter specifically I don’t really like.

Favourite episode quest: for DA:O, probs Orzammar/the Deep Roads. I really love the dwarven lore! and, of course, Fort Drakon is really funny, even though it’s not canon in my game iirc. for DA:2/E, maybe the murder mystery with the serial killer, where ultimately Leandra dies? I also really enjoyed all the companion quests. for DA:I, The Descent (just, all of it, lmao) and everything to do with the Avvar. Crestwood also BANGED.

Saddest death: for DA:O, it’s frankly a fucking INJUSTICE that Shianni gets murdered if you make her Bann of the Alienage -- the idea of that happening whilst Kallian is in Amaranthine and unable to protect her :( genuinely very upsetting. I go back and forth on who is made Bann, tbf, so idk how canonical it is: I think maybe Cyrion would get it, but I’m also endeared to Soris holding the position, with Shianni as Hahren. for DA:2/E, Bethany. I wish both twins had had the chance to reach Kirkwall :(. Let Leandra die instead. for DA:I, maybe not the saddest death, but the most memorable for me was that one sleeping dragon in the Hissing Wastes.. leave her alone. Stay out of a womans’ business.

Favourite season game: DA:O!

Least favourite season game: DA:I.

Character that everyone else in the fandom loves, but I hate: for DA:O, Alistair. I cannot deal with his complacency and hypocrisy. for DA:2, I really disliked Merrill but I honestly cannot remember why. DEFINITELY Varric -- I hated how the game forces you to be his best friend, and if you’re low approval, you have to endure these pointless pissy little comments with this little anti-dwarf centrist pissant. After the expedition, I literally have no reason to put up with him, and I NEVER take him out. I hate that he plays the same role in DA:I, too. for DA:I, the Iron Bull was hugely disappointing, and I also really don’t vibe with Cassandra. She just seems very wishy-washy and complacent and hypocritical, and many of her comments about other cultures seem snide for literally no reason other than bigotry. 

My ‘you’re a piece of trash, but you’re still a fave’ fave: for DA:O, lbr probably Sten. Mans is gonna launch a HORRIFYING invasion in the next game iirc and frankly, I’m ok with it. Just wanna see that big bastard again ❤🥵. for DA:2/E, I LOVE Gamlen, ok? for DA:I, I am not sure if I have one.

My ‘beautiful cinnamon roll who deserves better than this’ fave: for DA:O, if any of you so much as LOOK at Velanna wrong, it’s hands. That includes Bioware. I also feel incredibly protective of and sad for Morrigan. for DA:2/E, probably Sebastian -- I feel so sad for him, and so frustrated by the limitations with the game. for DA:I, I’m honestly not sure.. maybe Josephine? I don’t really feel this way about Sera, but I do think she deserves better from the game and its writing, and also from fandom: there are valid criticisms of her, but the hate she gets is not proportional to any valid issues with her -- and gee, I wonder why that is.

My ‘this ship is wrong, nasty, and makes me want to cleanse my soul, but i still love it’ ship: for DA:O, I did use to find Cullen x Surana/Amell intriguing as a dark ship -- I actually hc that Neria Surana is actually Nelaros’ sister, and have dabbled with it as a dark ship. I also am interested in Loghain/Alistair - which each pretends the other is someone else. Alistair is wooby, hate ships are, in general, fun -- so long as we acknowledge that they are, indeed, unhealthy ships. for DA:2/E, I kind of feel like Sebastian romances are, invariably, kind of dark... and, similarly, Anders romances -- especially with certain red Hawkes, The way it ends is, invariably, bordering on fucked up. ALSO Hawkecest is weird and wonderful: GET WITH IT. 

My ‘they’re kind of cute, and I lowkey ship them, but I’m not too invested’ ship: for DA:O, I joked about Velanna x Leliana once and I’ve not been able to stop thinking about it ever since… Velanna x Sigrun is also something that can be so personal. Ariane x Finn is adorable and are paid DUST by Bioware AND fandom. I actually am really into Anora x Nathaniel & NO I will NOT explain myself; it’s a crackship but it’s MY crackship. for DA:2/E, Isabela x Fenris is super cute, but I don’t pay enough attention to them to really have super committed thoughts & feelings on them. for DA:I, Blackwall x Josephine is cute as a background ship; I also think Maryden x Cole is sweet.

[fairycosmos]

chloe we are moots but im on anon because i dont want u 2 think im trying 2 tell u how 2 live ur life or run ur blog or cope or that im holding empty care because that isnt the case...but i do think u should maybe consider turning off anon (ironic, ik) or even asks altogether because u really do not need anons feeding into ur bad feelings or suicidal ideations...ik things are shit and im so sorry ur suffering so much and ik u like answering asks but ppl who send shit like that dont gaf abt u :/

yeah i can totally see what you mean and i absolutely hear u!! i really wouldn’t get offended by some 1 esp a mutual being honest with me if they’ve got my best interests at heart. dw it’s clear you’re completely well intentioned and also super perceptive realizing stuff abt this that i myself didn’t even catch myself. i’m prob naïve as fuck but i kind of just saw it as us complaining to each other about being suicidal since we’re both in the same place mentally jfkdlsaz 😬 but ya it’s a bit questionable idk the way some of its phrased, i think it could be going too far sometimes. ig it’s on me what i acknowledge though but that part of my brain is obviously drawn to encouragement and like the normalization of my shitty feelings/suicidal thoughts. idk though i don’t want to turn ask off entirely cuz i feel like we talk about so many interesting topics. for now i could just stop responding to the ones that explicitly and consistently bring up suicide, if i can. idk though, that stresses me out too bc i don’t want ppl in that place to feel ignored. i’ll give it some solid thought for a few days and see where i land. i know it seems dumb but i just feel like i have nobody else to talk to honestly. family and professional help are just not even on the table. ik ppl who message me are often in the same boat. it’s nice to be able to have a conversation ab these things. and they are right with what they’re saying so what if ignoring them is just like, denying reality. i’m conflicted even though i know that must seem weird. if it gets too much i’ll take a step back from it for sure though like im pretty certain of that, i’ve done it before. thank you love i really mean it!! <3 if i teared up reading ur follow-up ask it’s bc i didn’t. really appreciate you and your consideration for my well-being, you honestly have my whole heart <3 all my love 2 you x

[vagarius]

misukazu 21

(if you saw me fuck up the other one no you didnt)

EDIT I THINK THIS ONE GOT A LITTLE FUCKED UP TOO BUT IT’S... READABLE...

questions from this post, and answers originally written for this thread!!

If you had to change the pairing’s very first meeting, how would you change it?    their canon first meeting is already so good SHDGFLJASHG but if i had to choose a different one that's still within the context of mankai... meeting as kids and losing touch and coming back together completely different at mankai

What song fits your pairing the most?    uhhHHhhHHH i don't have a real answer but i do have a partial playlist for one of my misukazu aus and the only two songs in it are furaregai girl by sayuri and champagne's for celebrating by mayday parade and i feel like that says enough sldhgalsdhfalsh

What is your favorite AU/prompt idea/trope for your pairing?     ALL MISUKAZU AUS ARE GOOD but. i really love any au where their first meeting is in the future and both are still kind of lost but they're Older and it's hard to let themselves fall into the easy trust they find in canon. i just think that'd be neat.

Do you prefer canon ideas or do you have your own headcanons for them?     I'VE SAID THIS MANY TIMES BUT CANON MISUKAZU GIVES OFF MADE FOR EACH OTHER VIBES AND USUALLY I DON'T VIBE WITH THAT BUT THEY REALLY ARE WHAT THE OTHER NEEDS... AND I THINK EVEN IF THEY HAD TO PART THEY'D STILL BE ABLE TO BE BETTER PEOPLE BC THEY HAD MET

Favorite canon moment of them?     THERE ARE SO MANY but the one that immediately comes to mind is misumi carrying drunk kazu to bed (latest bday line) because drunk kazu is so soft and it implies that misumi wanted to wish happy birthday to kazu pretty late... what did he want to give him...

Least favorite canon moment of them?     hmm... there's not really one i can think of??? IM SORRY I DON'T KNOW WHAT TO SAY I LOVE ALL THEIR CANON MOMENTS

Favorite headcanon trope/idea? (Your own or someone else’s)    this is somehow both vague and very specific but i think misukazu gives off this vibe: He's beautiful. I can't tell him. or "Kazu is always beautiful~" Don't call me that, Kazu thinks. I'm not. so... insecurities i guess ????? AJSHAJJD

Favorite aspect of them/their relationship dynamics?     THIS IS GOING TO SOUND SO CHEESY but i love how /real/ they allow themselves to be around each other. misukazu at their best is when one thinks "you're you. and i love that you" and the other knows this. i just. THEY VALIDATE THE OTHER SO MUCH CRIES

Least favorite aspect of them/their relationship dynamics? (Can be headcannon)     this isn't a "least fav" so much as "it makes me sad" but if either of them showed any sign of not being interested anymore the other is more likely to give up then push anything. sort of like "it was bound to happen, so i'll enjoy now until they drop me" or EVEN WORSE they think the other would be better off without them and pushes them away. so yeah the fact i can see one of these happening makes me sad.

If they aren’t a canon pairing, how would you get them together?     they give off "everyone knows we're dating but us" energy but at the same time i feel like they'd acknowledge there's something and just not define it bc a) they don't need to (misumi) or b) they're too nervous to (kazu). in other words i think one day they are holding hands and misumi says "kazu? is this dating?" and kazu holds his breath before asking "do you want it to be?"

If you had to take them and plunk them into another fandom, what fandom would that be? Why?     i think theyd be hilarious in any sports animanga (kazu is manager tho bc noodle arms but maybe they bond when misumi walks him through some of his usual training menu one night - ahem. anyway) BUT ALSO horimiya au...

How hard is it write/draw your pairing? Scale of 1-10.     AJDHAJDHSF I REALLY LOVE THEM SO IT COMES PRETTY EASILY... but sometimes you try to put them in tropes and realize they would Just Not Work Like That. idk where i'm going with this. but yeah. anyway 3 for sankaku.

Is there a pairing that you think rivals them?     in terms of what i ship, i tend to ship kazu and misumi individually with a lot of dif charas AJDHAKD. but in terms of like... in-universe "rival" pairings: kazu side: tsuzukazu (maybe, lbr it would take them 273924 yrs to actually get together), kazu x someone from winter (i... have my reasons but they'd take longer than what this answer entails) misumi side: ... surprisingly none that i can think of ahdjahd

Which character of the pairing do you like more? (Would you ever pair yourself with them?)     you know that tweet that's like "sometimes a ship is just your two favs"? yeah that's misukazu for me. but if i had to choose... misumi AJDHAJHDSF I HONESTLY WASNT THAT INTO YUME UNTIL THESE TWO CAME AROUND (NOT COUNTING 707)... but yeah if they wanted to hold me in their arms i wouldn't oppose

Which character of your pairing would be the one to break up with the other? Why?     OOOOOH BOY well. i think it could be either of them. i don't think they'd break up for lack of love but too much love and wanting the other to be happy and thinking that the only way to give them that is to let them go. so i guess the question is which of them would be more likely to be selfish and hold on. thinking this way, i think misumi would be more likely to break-up, bc kazu has lots of friends who are better than him!! and misumi is more ready to leave if he thinks he needs to than kazu is. now im sad.

Are they relatable as characters or as a pairing?     THE NUMBER OF TIMES I'VE BEEN CALLED KAZU KIN... in all seriousness kazu's struggles with speaking out and (shinobi spoilers) his uncertainty over his future hit real close to home... while i don't relate as much as misumi, his struggles always manage to tear my heart into pieces... ((oversharing alert) i guess what really separates me from misumi is his struggle with his desire to connect with family who has treated him poorly... whereas im more "lol fuck you") tldr i relate to kazu slightly more LOL

Did you once/ever dislike one/both of them?     i never disliked them but i was NOT expecting either of them to shoot up so quickly into my favs list ahdjahdjf. also i started shipping them Immediately After reading summer main story so there's that

On an estimate, how many posts have you made about them?    as of september 28th 2020 i make up 11/78 fics on ao3 in the romantic misukazu tag and 2/12 in the platonic one. i may have brainrot.

What made you decide to ship them?     TBH I FINISHED THE MAIN STORY AND WENT "OH MY GOD... THAT'S MY SHIP" but now that i'm here i continue to ship them because they have the potential to bring out both the best and the worst in each other and i'm all about that

Favorite genre for them? (Angst, fluff, etc.)     angst. i just. angst hurt/comfort all the way. im so sorry babies.

lol you thought there would just be 21 ANYWAY EXTRA 1: how do they spend breaks/vacation?    they'd travel a lot when they're older!! kazunari loves to travel and misumi would follow kazunari anywhere (also, new triangles!!) so they go somewhere new whenever they have the time. however i think eventually one or both of their future careers will take them anywhere and everywhere anyway, so their "ideal vacation" might turn into an evening in, cuddling and catching up (as if they didn't already send play-by-play updates over the phone of whatever they did during the day)

EXTRA 2: first date?     i don't they ever have an explicit first date, but if asked they'll cite the time they had a picnic in the park turned triangle hunt turned accidental dip in the duck pond. at least, kazunari will. misumi just tilts his head and wonders what you mean.

EXTRA 3: gifts?     IM FEELING REALLY CHEESY SO I'M MAKING THIS ABOUT ANNIVERSARY GIFTS they both end up getting each other jewelry (although kazu was really really nervous bc he wasn't sure if misumi would wear it). kazu gets misumi a bracelet (with triangles, of course although misumi only wears it sometimes because he doesn't want to lose it) and misumi gets kazu a pair of triangle earrings "so we can match!" and kazunari combusts at the implications

EXTRA 4: sharing clothes     THEY'RE ACTUALLY AROUND THE SAME SIZE (and tend to wear baggier stuff barring kazu's skinny jeans)... but they have completely different Styles so it's still really obvious when steal each other's stuff ahdjajdkaf. as cute as kazu would look in sumi's sweatshirt i think the much more likely scenario is kazu wrapping misumi in his jackets because this boy nEVER BRINGS HIS ANYWHERE anyway just. accidental shared wardrobe misukazu.

EXTRA 5: lake house au    consider: kazunari living in a house on the shore of a lake for a summer for Art Purposes (and a little bit for Dealing With Life purposes but he's not gonna admit that) and meets his lake neighbor misumi who kazu thinks might be a ghost or spirit for a while but he actually just lives further down the lake and misumi unknowingly helps kazu with his Life Issues and maybe they fall in love

[katslitg]

how the open heart lis would react to you being pregnant. (obvs jackie’s pregnant in her scenario.)

Jackie Varma:

god she’d be pissed!!!!!!

“what do you mean positive??? check the other ten tests!!!!”

“jack, all of them say posi-“ “shut up!!!”

she’d be mad, mostly at herself for not being careful enough

pregnancy on top of money problems is rough

good thing you two already live together

wouldnt acknowledge it until she started showing

“dr varma, ure pregnant???” “yeah, just ignore it.”

shed ignore you at the beginning, not knowing what to do

“jackie, c’mon, you cant keep ignoring me! it takes to two to tango!” “i can and i will,”

when you finally force her to come shopping for baby clothes, supplies, furniture etc, she loves it

“omg look how adorable! can you believe our baby’s feet are this small!”

she’d become insecure further into the pregnancy

“what if im not going to be a good mom, hm?”

“don’t say that, jack, you’ll be a great mom,”

you two would move into the your room, since it had a better view and change her room into a nursery

the boys would help you put everything together.

“bryce, that’s not where its supposed to be- ykw forget it.”

“jesus, dr ramsey do you even know how to-“ bryce would shut up just seeing ethan give him a glare

“see i knew raf would come around to save the day” she’d flirt with him, making him blush

cutest mood swings ever!!!

“all im saying is he’s a fucking jerk and i- ohhh sienna are those donuts?”

jackie would get stressed at the weirdest moments, and you kiss her and cuddle with her to calm her down

“mc, you know i hate kids, why did this have to happen to us!!!!”

she’d slowly come to terms with the fact that she was going to become a parent

god giving birth would scare this woman, and trust me not a lot of things scare her

“mc, what if-“ “jack, breath, everything will be fine!”

when you two found out you’d have a daughter she smiled

“at least i wont have to deal with a little mc” she’d joke

when she got in labour she’d curse at everyone!!!

“AND YOU! YOU MC ARE THE WORST ONE HERE! GETTING ME PREGNANT AND THAN MAKING ME DO THE HARD PART I FUCKING HATE YOU!!!”

“uhhh....”

after a couple of years, the three of you would move into a bigger apartment, still close to the hospital

god, your daughter absolutely lovessssssssss aunt sienna and uncle elijah!!!! these two dorks would hang around with her all the time

“dad, can i stay at aunt sienna’s after school?”

“she’s working today sweetheart but mommy will be there to pick you up”

you two would have some sweet, annoying nicknames for her

love, sweetheart, sugar, honey etc

Bryce Lahela:

he’d be excited and scared

he would freeze when he found the positive pregnancy test in his trashcan

“i wanted to tell you but seems like you already found out,”

he’d shut you out and be less loud at work

“bryce, please talk to me” “uhh, cant have a long shift today”

but one day you’d show up to his apartment, keiki opened the door

“oh hey keiki, is bryce home?” “yeah come in”

youd try to get him to talk but man he was not feeling it

“i just need some space mc,”

wouldnt even take a week for him to come over and apologize to you

“im just not sure if i’d make a good dad, i mean i had two bad examples growing up, what if i-“

youd cut him off with a kiss

“no need to stress, bryce, im certain you will make a great dad!”

you two would have to look for a bigger place, and also someone to fill your spot at the apartment

sienna, elijah and jackie would help you decorate the nursery

“jackie those colours do not match with the blankets i bought” sienna would say while jackie just rolled her eyes

“well maybe you shouldn’ve bought so! many! blankets!” jackie said while holding up multiple blankets

“guys please its mc and bryce’s child we can’t fight over this” elijah was the only one who would think rationally

when you found out you were having a son bryce almost jumped into the air

“a little bryce,,,,” he’d say with heart eyes, making you roll your eyes

when you went into labour, he’d be the one freaking out

“can’t believe im saying this when im the one in labour, but good god bryce calm down!”

uncle raf!!!!! aunt kyra!!!!!

rafael and kyra would absolutely adore your son!!!! theyd fight over whose turn it was to babysit

“kyra, you had him last weekend!” “but mc said he always talks about how fun aunt kyra is!”

“why dont you two take him to the park together? he loves both aunt kyra and uncle rafael equally” bryce would say, making the two adults reluctantly agree

“finally a moment alone with the woman of my dreams” he said the second they left, making you chuckle

keiki would hang out with your son. occasionally.

“aunt keiki can you read me a bedtime story?” “right. im aunt keiki.”

she’d love it secretly

Rafael Averio: (pretending sora doesnt exist here lol)

this man would beam with joy!!!

he had always dreamt of having a big family of his own

“youre pregnant?” “yeah.... i-“ he’d kiss you before you could even say anything else

would brag to everyone about it

“do you guys know im goin-“ “going to be a dad? yes raf you told us like a million times” his paramedic friends would say

it was even funnier when you saw how some people avoided him because of it

would not leave ur side

“jesus ever heard of personal space?” “oops sorry”

he’d be at ur apartment all the time

“raf, not that we don’t enjoy you being here but don’t you idk have other friends?” jackie would try to get him out of the house

sienna’d be fine with it since he would help her cook n bake stuff

“i didnt know you cooked!” “not really just some stuff i picked up from my grandma”

he’d sleep over at your apartment

when you got insecure he’d talk to you and make u forgot about it in a certain way ;)

“what if im not a good mom? or what if your fanily doesn’t approve of me?? oh good god this is not going how i imagined-“ “relax, you know my family loves you, now get over here”

you’d move in with him, and get someone to fill ur spot in the apartment

the two of you going to the senior center together!!!

“now edith you better not get to comfortable” you’d joke, earning a laugh from rafael

kyra and bryce would come over and help with the nursery, of course it was after the boys’ gym day so bryce dragged ethan with them

“hey gu- oh hey dr ramsey!” you’d say with a bright smile when you opened the front door.

“kyra not that i dont love you but what even is this?” “yeah i tried to make a blanket but as you can see it backfired”

“uhm ethan you sure that this is the color we picked out?” bryce would panic, knowing damn well they didnt do the one you asked them to do right

“well good thing aunt kyra did got the good color” she’d go get it from the car while the two men started at her in confussion

when you found out you were having a girl he got super excited

“a little mc running around the house” he’d say, already coming up with names

when you’d go into labour he’d put up a calm gentle persona while in reality he wanted to screammmmm

uncle bryce n aunt jackie!!!

u cant tell me bryce n raf havent become close friends

“hey dad can uncle bryce and aunt jackie stay for dinner?” “sweetie youre ignoring the rest of our guests”

even tho they would admit it bryce and jackie loved babysitting her

“do you want to come with uncle bryce?” “bryce thats enough its MY day!”

his family would come around often, bringing gifts every single time

his grandma would try to get him to propose, earning glares from him

when your daughter heard juliana say something along the lines of “when is the wedding” she’d get super excited!!!

“are you two really getting married??!!”

Ethan Ramsey:

you two would already be in an awkward position bc of the gwyneth thing

what was worse was that he admitted to not wanting to get married and have children

god, that little fight on the way to leland and at house took a toll on you, so when june came to check on you back in the hospital you told her

“so, youre pregnant?” “yeah” you’d sob

she wouldnt force you to tell her who the dad is, but it was obvious

before the fight you’d always come to the diagnostics team’s meetings with a smile on your face but now it was a neutral face or sometimes even a frown

soooo ethan found out. not directly from you, but from june, resulting in another fight

“you told june but not me?” “you dont even want kids i cant just casually bring it up!”

the awkwardness would be there for a while, im talking 2-3 months

“enough already! you two talk this out! not only is this bad enough for the two of you but also for me and baz! think about us! and our patients!” june’d snap one day

you’d talk it out, still awkward around each other

“jesus, ethan we can’t keep doing this, i have an appointment to check on the little one, you want to join?” you would try to keep the awkwardness at a certain level, he’d nod with a smile on his face

so when he found out he was having a son, he’d be happy, still very scared but very happy

“im sorry, mc. i acted as a jerk and didnt listen to your needs. i want to be in your and our baby’s lives.”

he’d ask you to move in with him, which you reluctantly agreed to, i mean there wasnt even enough space for a nursery in your apartment

sienna would invite herself and elijah over to help you with the nursery , since they knew about you two since that time after the hearing

“thank you, trinh,” ethan would say as he accepted the cookies she had baked

“i helped too. just so you know” elijah chimed in, earning a chuckle from you

god labour was the worst, you had to do an emergency c section since it was a bit too early for the baby to be born

so when they send your son off to the nicu, ethan would be there the whole time, very worried

“dr ramsey, you should go we’ll take care of him” the nurses would try to get him out of there with no luck, “no its fine i just want to stay here”

when you two could finally go home he would make sure to never youre side

“mc do you need anything? want me to bring you something to drink? maybe an extra blanke-“ “ethan shut uppppppppppppppppp its 3 am”

of course your friends would come over but not as often since they had to take care of their interns and stuff

uncle baz and aunt june!!!!!

“AUNT JUNE!!!!” he’d yell when you, june and baz picked him up from the daycare at the hospital

“wow so youre just ignoring uncle baz?” baz would act hurt, making the boy laugh