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nabrizoya · 4 years

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RoW Theories and Things I Want to See

with RoW literally a few weeks away, here’s some theories your way.

this is Really long. like, really very long; mind you.

Nikolai might become a disabled character.

It’s just the vibes. If we can take reference from the Too Clever Fox story, there’s a line that says “...and his [Koja’s] fur never quite sat right the same...”, which might hint at it (mostly bc i don’t want him to die). Also if this is indeed possible, it can be used to address ableism if it exists in this universe, especially since Nikolai is someone in the highest position of power.

Zoya will experiment the shit out of powers.

Idk why the synopsis says that using her powers might be a great deal, which tbf will be because she is truly the most most powerful atm; but Zoya wouldn’t mind taking the step outside of the old norms and bend the orders until they serve their purpose. That’s the entire goal rly.

But all along, she will consciously keep herself mindful to not hunger or discharge her power in a way that may cause harm. She knows the tyranny of the Darkling and the ways he employed. She knows better.

More character depth to Zoya.

Given the excerpts, the book does seem to explore Zoya’s infinite grief. And of course her Suli heritage, which a great part of the fandom consistently wants to shadow what with the talk “white features/ part Ravkan” bs.

But there’s more. I hope RoW will show Zoya’s dilemma (that was alr hinted in KoS) she has with the power she holds, the responsibility she has with having that power + using it in the way that will not be detrimental to her and the country. It will be a great way to portray her self-awareness and doubt and insecurity. She is a good leader, that much is told in text but not shown. There’s character development from the end of R&R until KoS that makes her evolve from a what she was then to the capable and mature 22 year old she is in KoS.

Of course all of their capabilities will come to light in RoW but I think Zoya and the agency to her as a character will play an integral part. More so because Zoya is to be the conduit to reversing the current Grisha orders, which runs in parallel with the fact that she needs to go back, go back to the roots of her Grisha knowledge and roots of her i.e. her unending grief and trauma.

She will need to forgive herself while also dealing with the guilt and anger she may have caused due to her position and power. All of this while dealing with her own complex and contrasting emotions due to her own trauma.

Nikolai is held for treason.

The word of allying with The Darkling may be out and that is enough reason for the entire country to turn against him. The secret about the monster causes issues more than enough already, and this will plunge the country into deep political turmoil and threats to security. So RoW will be more politically driven. That said...

There’s no overt war.

By this I mean that there will not be war on the battlefield, both armies or more charging at each others’ enemies and such. Ravka cannot afford one either. The excerpts have already proved that. There will be skirmishes akin to a war scenario, but a complete battle like the last battle in R&R? Like a final battle? That’s not going to be there, I think… What I’m assuming might happen is that the Fjerda and Ravka will take a possible Cold War route, if it isn’t already the case they’re already dealing with atm.

Ravka’s monarchy will collapse.

It may become a democracy or any other form of public or majority vote. But the monarchy (as well a possible dictatorship, esp with the Darkling returned) will be eliminated. ...Or so I hope, since it has been alluded to in KoS.

But that poses many problems. With no one line for the throne, let alone with a crime so dark like a blot on Nikolai’s skill (of taking the Darkling’s help), it is possible that Ravka will shun it, right alongside being torn about it because Nikolai has been, for the best of his ability, a good King. All of this in line with the Resistance rising in West Ravka.

This ties in with the court matters, especially if I want to hold the further points I make true. The resolution to acquit Nikolai of his charges requires a testification forth a jury which will then make a decision about his motives and future.

Zoya as the Interim Head.

After all of this, Zoya’s point about Ravka not accepting a Grisha Queen will be true after all, because there will be no monarchy to welcome such an arrangement.

But Ravka will need a good and trustworthy leader despite Grisha powers and Zoya is the best person to take care of that. The comment “...becoming a steady leader...” and the “Welcome home, Commander,” were there in KoS for a reason (and this is what I think it will link to).

That being said, there’s more nuance to this than my summary. Zoya is a character of colour. That—in addition to the already existing threats, objections and possible question of capability in the position—ill play into how she will be able to discharge her responsibility. It’s not going to be convenient.

EDIT: taken from a reblog/addition to the og post:

A smoother/more structured transition

Once after the monarchy collapses and a leader must be chosen, it will not be Nikolai. Nor will it be Zoya, though she might serve as an interim head. What I assume might be possible is that someone older is chosen, someone older and loyal and with the proof of knowledge and service to the country. Possibly by majority vote or elected by a council.

Instead of the sudden change, this can be a smoother (if that can even be said about such a major political scenario change) or more structured. I also say this because a. if Nikolai is indeed charged (and later acquitted), firstly his political career will already hold a blot if the word about using the Darkling as a resource is out and secondly, he’s way too young to serve as the leader (by modern standards, sure, but like, the required age will be set while drafting the constitution? currently its 35+).

Instead, the current cast can become representatives (which Zoya would already be, (mostly the head of the) international committee that safeguards the Grisha all over the world) and the Triumvirate will be dissolved. (it should be, tbh)

And hey, b. after all of this, they can and kind of need to take a step back. Nikolai and Zoya will be able to truly explore their relationship, given how Nikolai mentions how he wouldn’t marry unless he’d have had the chance to court someone and marry someone he barely knows nor knows him. For Zoya’s part, she does know Nikolai but surely probably not the extent of openness that a healthy relationship has, and on Nikolai’s part, he admits he barely knows her beyond as a General except for just little things about her.

They could be able to realize and work on their feelings while alongside being involved with the workings of the country and the constitution.

“One day you will overstep and I will not be so forgiving.”

Need I say more? Something that Zoya does will cost her Nikolai’s goodwill and we know Zoya knows her practicality and the extent to which she will unapologetically move if there is threat to the country and its King. She will do what was right and required.

A major part of that line ties in with Magnus Opjer and I think with the confidence in the versatility of her powers, Zoya might as well move w/o any word to the Triumvirate to eliminate the most direct threat to the throne. This will bring splits in Nikolai and Zoya’s relationship.

How this tension between them will be resolved without compromising either of their values, without playing into fandom stereotypes and others must be carefully handled. All of this while showing the best of their dynamicity, practicality and priority as they carefully pull out just those weak sticks of the jenga without putting the whole country into trouble. And with a war in plain sight, they’d know better than pointlessly argue and would rather see how the two of them are wrong. This ordeal will bring out just how condensed power is in the current scenario, imo.

Importance on the way women have shaped history.

Something that KoS has already set precedence for. Zoya being a PoC, Nina taking into account of the sufferings of women she comes across and the consistent ‘Who will remember them?’ will be elaborated on further. As for how it is done and how well it is done, that remains to be seen.

Baghra is alive but maybe not thriving bc she’s stuck in the Ice Court.

They entered a chamber where an old woman sat with her hands chained, flanked by guards. Her eyes were vacant. As each prisoner approached, the woman gripped his or her wrist.

A human amplifier. [...] But the Fjerdans used them for a different purpose – to make sure no Grisha breached their walls without being identified.

Kaz watched Nina approach. He could see her trembling as she held out her arm. The woman clamped her fingers around Nina’s wrist. Her eyelids stuttered briefly. Then she dropped Nina’s hand and waved her along.

Had she known and not cared? Or had the paraffin they’d used to encase Nina’s forearms worked?

- Chapter 22. Kaz; Part 4: Trick to Falling, Six of Crows.

Nina will be the one to free her and together they might wage a war from Djerholm together.

This gets even more interesting because we know the anguish and scorn that Baghra feels for her son at the same time; she understands the wrongness that he used to seek and will continue to. Zoya does take Baghra’s name at the Fold when she mourns and rages over how people forget the destruction and most importantly, forget the women. Baghra could be the symbol of the stag as the art piece depicts, or will be shown with relation to the Darkling’s powers.

As for how she will play into the story, perhaps she will be the one to help reverse and find the roots of the orders, in the sense that changes the perception of the Grisha powers for the Grisha as well as the common folk of Ravka. She is the only other person other than Juris and the Darkling to have the age of eras together, knowing Ilya Morozova, and she will be instrumental in giving Ravka an advantage over Fjerda. Either that or she will help in scrubbing the prejudices of Fjerda slowly away with whatever powers she has left. Or both.

Alina will reappear, but will not contribute to the plot significantly.

Zoya understands that the truth she knows about the Darkling is very minimal not enough to end him for once and for all. It makes sense that she will probably consult Alina for it. So, Malina appearance, possibly at the orphanage. Alina will not directly contribute to this war, but she will play a critical role in defeating the Darkling.

Besides, Alina —and Baghra— are the only ones who know that there has only ever been two Darklings. Zoya did sense, multiple times during KoS, that the Darkling is damn old. Yuri mentions it. And while it is not outright specified, the fact that Zoya thinks that she realizes just how ancient Lizabetha is in context of meeting the Darkling is enough proof for her to seek more information about the age and the older skill of the Darkling.

And I think it goes without saying that I want to hope that the Darkling and Alina will not meet. Pls, she’s had enough.

Lada is the lost, other friend that Zoya refuses to bury.

“She saw her mentor die and her worst enemy resurrected, and she refuses to bury another friend.”

Liliyana is dead, we know. But there’s no other mention of Lada except for the “wondering what happened to the pug faced girl.” Lada is possibly a part of the group of women and a Grisha returning to Ravka from Fjerda, exploited by the parem. She might die being unable to withhold the sheer torment of the parem induction, which will devastate Zoya because Lada was also the closest she’s had to a family with Liliyana.

Either that or Lada is already dead or dies some other way, and Zoya cannot bring herself bear the grief of losing her.

Cameos: Inej and Jesper.

The most likely of the crows to appear in RoW are Inej and Jesper and they’ll play equally important roles in the plotline. Here’s a breakdown of why:

Inej

Inej has taken the responsibility of becoming a slave hunter, and it makes sense for Inej to make an appearance in the book, given that there’s going to be a ship taking the Grisha from Fjerda to Ravka.

The women aboard are vulnerable and require immediate attention, which Inej will immediately zero in on. She will have enough reason to suspect both Leoni and Adrik on the ship, especially when the jurda parem is still a secret. Leoni and Adrik cannot give that information away because they don’t trust Inej (and have no reason to either). Inej won’t trust them either, not until she understands that the reason why the women are being taken to Ravka and for what reasons.

Which gives her excellent reason to step in, try to analyze the situation and help the women accordingly.

Here’s an exciting thought though. Once after the entire misunderstanding is overcome and Inej understands (esp. if Nina is brought into the conversation and security and secrecy of the conversation is ensured), there may be discussion about how the Grisha might find a safer space in Ravka.

Inej’s appearance might also extend to playing a pivotal role in giving Zoya the confidence to seek her heritage and where she hails from, to embrace the part of her past and forgive herself and others for her mistakes.

ALSO,

Grisha finding a safer space in Ravka will mean that Inej can pitch Jesper’s case for him to Zoya. Being the highest authority who takes cares of the responsibilities of the Grisha, Zoya will be the best person to talk about this with.

And so, here comes Jesper.

Jesper

For one, I wish Jesper and Leoni interact, talk and just bond like the iconic siblings they would be. <3 But more than that, Jesper plays very integral to the plot for more reasons.

Jesper’s arc will parallel Zoya’s. Both of them are new to their powers in their own individual sense; Zoya is trying to use her new powers in a way that hasn’t been done before, thereby breaking the Grisha orders of powers and Jesper (assuming he has decided that he might want to learn and embrace his Grisha powers) is learning them afresh.

This journey of them trying to embrace, learn and relearn and reject older norms and experiment really work in tandem.

That will lead us to a further (plot) theories.

Ties with Novyi Zem

As of the KoS end, Ravka has no support from anyone atm. Sure the Kerch will provide funds but Ravka has no real allies. Here’s where Novyi Zem and Jesper come in.

We know Novyi Zem is a new country and also that it is the second safest country for the Grisha in the universe. As of KoS, their agreements are not renewed and they would be since between Kerch and Novyi Zem, Ravka was forced to pick Kerch. Yet Ravka needs their help in acquiring jurda for the antidote.

So here’s the deal: Ravka will get their jurda but at many conditions that the Novyi Zem will impose on Ravka to not let exploitation get in the way.

The conditions imposed could be (these are just some at the top of my head but I hope there are more to ensure the safety and security of the Zemeni, in Novyi Zem and in Ravka too) :

Naval support from Ravka

We know of the Zemeni ships and ofc Nikolai has been hard at work trying to develop plans to use the sea to its fullest advantage. While the news of the izmars’ya isn’t public, Zemeni can place a condition for technical aid from Ravka since Ravka does have the technical knowledge it can dispatch as a condition.

A Grisha School in Novyi Zem

Think about it. Ravka, despite being the safest place for the Grisha, still isn’t entirely safe. Not all Grisha become soldiers in Ravka, they have a choice to abstain but those who are training are still recruited a honed for purpose alike preparing for war, especially the teens and preteens from the time of the Civil War. The training does take a lot of time. Ravka intends to make a home first and then service, but at the moment, while the Grisha are provided safety, it’s not assured in the best sense. Both the facts about a home and service are in precarious positions atm.

TL;DR: Ravka isn’t entirely safe for Grisha therefore the Grisha themselves too are not + Ravka is war torn.

So what happens?

One of the conditions as the next best country that serves as home to the Grisha, Novyi Zem may put forth the prospect of building a Little Palace like institution for the Grisha in Novyi Zem. It sounds morally wrong in the sense that the Grisha there will also be trained for war, but the war will end and soon, the Grisha will not be subject to serve for something but engage in economic activities as anybody else with the progression of time.

All of this won’t happen immediately either; learning their powers, honing it in the way that is unocnventional from what it had been pre-RoW and that transition + the building of the establishment in Novyi Zem and laying foundation for the transnational panel or committee for Grisha that Zoya talks about will all take so much time.

A few Grisha representatives from Novyi Zem can learn at the Little Palace and by the time the construction of the institution is done in Novyi Zem, these Grisha, along with other willing Grisha who either want to return to the country they were born in (like Leoni) or are offered to teach in a different country can do so too.

There will be stricter terms so as to not ensure exploitation and possible colonization in these nations.

Zoya mentions in one of her chapters that eventually there will be a need for the a transnational panel or committee for Grisha. Jesper can Zoya can make it possible, adding in other countries to the panel slowly as the war recedes.

Kaz and Wylan?

Least likely to make an appearance, in my opinion. I think they’ll be mentioned plenty of times or brought up once and given great importance for how they can help in the side plot.

Shu Support:

This is more a hope than an actually theory dfbkdhjadfh but Makhi might have to step down from the throne because Ehri will take the place; either as a Queen (no...) or she might oversee the process of strengthening Shu Han and finding a leader (if she doesn’t want to become one herself).

Ehri is capable, more than capable despite the little we know of her from the last chapter in KoS. All I hope is for an understanding and friendship between Nikolai and Ehri (and the subsequent cancelling of the marriage duH) for this to happen. She has little interest in statecraft but with the time she might spend with Nikolai, she might change her views. Even if not then she still gets the happy ending she deserves with Mayu (which is canon at this point rly).

Emotional Development or Breakdowns

Okay but I really, really, really hope we get to see all the three protagonists lose their shit and deal with their trauma, seek help or trying to stop isolating themselves or anything else they do to cope? Nina, Zoya and Nikolai, all of them cry, all of them get to completely lose it, let themselves be human and healthily cope and learn to rely on the people they trust the most. Like the sheer power and potential to show the myriad of ways to deal with grief, sadness, stress and more and make use of the trio’s backgrounds to show healthy and diverse ways of helping themselves, by letting themselves and others help them is just *combusts* Incredible!

That being said, can I also ask for moments of fear and desolation from the side characters too? Impending war isn’t small business, it will take its toll on people, and all these reactions just cement their fears and what they value the most so. pls. Humanizing them rly.

The Saving Each Other

As much as I mostly kinda hate this trope, there are traces in the KoS that Zoya might be the one to end Nikolai’s affliction. On the other hand, there is talk of Nikolai helping Zoya control her powers which seems counterintuitive when you consider that Zoya knows that there is a line that she must never cross and that she is very, very careful about it and will continue to be.

They can instead be the ones who motivate each other in times of distress as they always do (as shown with how Nikolai tries to gain control over his monster during the burning thorn ritual in KoS, allowing himself the vulnerability but also knowing that giving up will be unforgivable to both himself and Zoya as well) but I seriously do not wish for each other to be the ones directly ending one another's misery. Or perhaps this is just a fear imo that Leigh wouldn’t even take the route of (in which case, thank fuck).

Stab Stab Stab

Zoya gets the chance to kill the Darkling with the rest of her friends. After all, Darkling does call them all his old friends. Just Julius Caeser him all the way and put a bow tie on the book. *chef’s kiss* Everybody deserves a second chance... at ending a tyrant when it fails the first time.

So far, this is it. Rule of Wolves is in less than a few weeks and im- asdfghjkl. not Ready. i’m more Worried than Ready.

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a-master-procrastinator · 3 years

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Long ass post about the Eternal family not being a copy-paste from ATLA (aka I like the memes but my god can you please stop)

Because some people truly think that Vaylin is off-brand Azula, Arcann is Zuko and so on.

It's. Called. A. Trope. (I mean how often do we come across abusive manipulative fathers in media? Mothers who couldn't much to change anything? Children, desperately looking for their parent's approval no matter what?)

Of course, you have to consider the fact that the writing of ATLA is simply better than of KotFE/ET, so this might have been one of the reasons why people say that.

Spoilers for Avatar: The Last Airbender, Knights of the Fallen Empire and Knights of the Eternal Throne expansions!

Okay, so here's my unprofessional, maybe biased, not super deep take.

(not going to mention that all of them are members of royal, ruling family, kinda obvious)

What roles do they play in their stories? Well, both Valkorion and Ozai are main antagonists, but their presence throughout the story is very different. Ozai is rarely shown in first two seasons, we don't even see his face until season 3. He doesn't have a direct connection to the protagonist, they only meet at the very end of the show, and Ozai's role is to pose a threat to the world, while Aang's is to save it. Valkorion, on the other hand, is constantly on the screen, interacting with the main character, challenging their viewpoint and influencing them directly. His end goal is similar to Ozai's (destroy everything and be the only ruler of the his nation), but with one major difference - he's trapped in Outlander's mind, so to achieve his goal Valkorion attempts to take control of the main character. Their interactions play important role in the story, and we spend a lot of time with Valkorion.

In addition to that, their relationship with children are also not exactly the same. It seems like Azula is Ozai's favorite and Zuko is a failure in his eyes until he meets his expectations, and the same goes with Vaylin, Arcann and Valkorion, right? Well, partially. Indeed, Valkorion and Ozai's treat their sons in similar ways (are disappointed in them until they meet their expectation by doing something that goes against their morals), but when it comes to Vaylin and Azula, it's not that easy. See, Valkorion claims that Vaylin was always his favorite creation (even though we know it's actually his empire), and he certainly seems to take pride in her potential in the Force. But her power is the very reason he's afraid of his own daughter, and in this fear Valkorion literally locks Vaylin away and allows to put her through physical and mental torture just to make sure she won't become a threat, won't overpower him. Maybe he thought of her better than of Arcann, but she wasn't his favored child for sure. I don't want to say that Azula hasn't experienced abuse from Ozai, but for the most part he clearly favored her over Zuko. He has never shown fear of Azula's power and abilities (or at least I haven't noticed), quite the opposite - allowed her to do a lot, as long as she brings results.

I could also mention their slightly different characterization (mostly that we get more characterization of Valkorion, get to learn his motivations, views, philosophy and all that, also he's portrayed as more nuanced, even if he not really is) and role in their respective governments (ozai is one of many Fire Lords and arguably not the greatest, while Valkorion is a god to citizens of Zakuul, their only Immortal Emperor), but those are details, and I think you get the point.

What's similar: role of the main antagonist, manipulative and abusive father, goal of destruction of everything that isn't their nation/empire, relationship with disgraced son.

What's different: presence in the overall narrative, relationship with the main character, relationship with daughter, role in their societies.

Senya and Ursa are even less similar. Yes, they both are mothers who love their children, but have to leave them, but these are probably the only things they have in common. Just as with Ozai and Valkorion's presence throughout the story, Ursa is only shown in flashbacks (for obvious reasons), and Senya is one of major characters in KotFE and (a bit less major) in KotET. Ursa leaves because she has to kill Azulon in order to save Zuko, and later isn't present in the story (I'm aware that her fate is told in comics, but we aren't talking about it). Senya leaves because when she tries to take children with her, they refuse, and she understands that she can't force them to, nor she can help them to break free from Valkorion's manipulations. For a long time she's absent from Arcann ad Vaylin's lives, but at the time of game events she attempts to save her children and stop the madness and destruction they've caused, and it isn't a small part of the story.

I also want to add that their relationship with Ozai and Valkorion are also different, but can't say much about Ursa. I heard that she didn't choose this marriage and suffered emotional (and maybe physical???) abuse from Ozai. I can say with confidence, though, that Senya genuinely loved Valkorion, and strangely enough, he seems to at very least respect her. But, of course, this wasn't the best marriage either.

Plus, we see more of Senya's relationship with Vaylin than Arcann or Thexan, but with Ursa we see her more with Zuko than Azula. Just a detail to remember.

(also Senya is simply a better character but that besides the point, moving on. in this house we stand Senya)

What's similar: role of loving and caring mother, abandoning their family at some point.

What's different: presence in the overall narrative, relationship with husband, characterization in general.

Boy, where do I even begin. Vaylin and Azula are similar in that they are both extremely powerful (one is firebending prodigy, the other is potentially stronger than Valkorion), both are cruel "craaaaazy" (i hate that cliché), both are younger sisters, have serious mother issues (seemingly more so than father issues), both go through betrayal of people they could always rely on, which eventually leads to their downfall. But when I took a look at their personal arcs, it became clear that they aren't the same (unfortunately, Vaylin's arc is very rushed and underdeveloped, but we'll have to go with what we have and my personal view, sorry).

There's a really good video about writing corruption and madness, and I'm going to base my thoughts on it. To summarise it: a good corruption arc should have 4 components:

- the character has a specific goal (or a goal and subgoals);

- in pursuit of said goal they become the cause of a significant event that brings serious consequences;

- as the result of these consequences, character abandons their morals, ideals or a code in pursuit of goal;

- character either will not achieve their goal or will succeed, but it won't be enough to satisfy them.

And then the author brings Azula's arc as one of the best examples of compelling story of corruption (so basically, she represents it perfectly). In short, Azula's main goals are perfection and control, and subgoals help achieve the main ones. In pursuit of these goals, Azula causes Mai and Ty Lee to betray her (by pushing them too far to do something they wouldn't do), which then causes her to become paranoid, which makes her to attempt controlling everything and everyone around her, *breathes* which makes her lose control over herself and ....

Now, I thought if Vaylin's arc could fit into a corruption one, and next part will be based a lot on my assumptions and personal view of her character (plus rushed writing doesn't help), but I think yes (or at least mostly). The difference is in goals, ideals and details.

While the story strongly makes us think that Vaylin's goal is freedom (or control over her life and everything around her) or power and destruction, I think it's actually self-determination (which was said by Tenebrae in 6.2) and feeling safe. Let me explain (and here I thought this would be a short comparison). Sure, when Valkorion caged Vaylin on Nathema, he took choices and control over her life from his daughter. But let's not forget whom Vaylin blames for this (even more than Valkorion): her own mother, and I think this details tell us that the most important thing that Vaylin lost on Nathema is feeling safe. Then, after Arcann brought her home, I assume Vaylin still didn't feel safe enough under Valkorion's rule, still too afraid that he'd simply send her back to that hellish place.

It's when Valkorion is struck down Vaylin finally has a feeling of personal safety, even if she isn't the one on the throne. Why? Because back on Nathema there were two people who haven't turned on her - Arcann and Thexan (yes, this is also a huge assumption, bc the game states that only Thexan visited her, but it doesn't make much sense).

I've always noticed (and I'm not alone in this) that her behavior in Fallen Empire is different from the way she acted in Eternal Throne. Most likely bc of rushed writing, but I see a character driven reason here. In first of these expansions, Vaylin is the second person in power on Zakuul, and with Arcann being in charge, person she can trust more than any other living being, she feels safe - she can test her power, and now Valkorion won't prevent it, she can do pretty much everything she wishes, and the most Arcann will do about this is mildly complain (without blaming her). Really would be nice if we got to see any normal hobbies of Vaylin (like wasn't there something about books or art?), but I digress. She might have some questions about Arcann's tactics, but they get along just fine. The important thing to note is Vaylin not seeking to hunt the Outlander personally, to rule or conquer the rest of the galaxy, or trying to achieve absolute freedom or power. She's kinda there.

This, however, changes when Arcann doesn't allow Vaylin to kill Senya. Their relationship was getting somewhat worse towards the end of KotFE, but this is a turning event Vaylin caused by attempting to strike her mother. By saving the person Vaylin blames for all the trauma from sending her to Nathema, Arcann threatened her feeling of safety. And now Vaylin starts to believing that to achieve safety she now needs to kill people who hurt her (that's why she's so determined to find Senya and Arcann), take the throne and hunt down Outlander (she was manipulated by SCORPIO to these subgoals).

(The following is the weakest, I'll admit, but I hope I can at least express what I see). So, in trying to achieve goals she didn't want before Vaylin loses in self-determination, being either driven by overwhelming anger or manipulated by others (SCORPIO or Commander on Odessen), desperately trying to accomplish anything, or even goes against her morals (like by erasing GEMINI's free will protocols, when earlier she agreed that freedom to choose is important; or breaking the deal on Odessen). All of these result in her downfall.

But even this isn't the end. The key difference between arcs of Azula Vaylin lies in it's resolution, or that Vaylin have a chance to overcome corruption in the main narrative (and Azula doesn't. again, not including comics here, sorry). After death, Vaylin is again controlled by Valkorion in Outlander's mind. First time physically (she can't resist it), second time mentally. This is where Vaylin has to choose - kill brother who betrayed her and Commander who killed her, or go against Valkorion, person responsible for almost all of her pain and trauma. She has t choose by herself, and I think it's a good start.

Now, before 6.2 we all thought Vaylin was dead for good, but that story update hinted at possibility of her coming back to life. What I like to think is that now that she dealt with people responsible for her trauma (helped defeat Valkorion and actually for once listened to Senya), Vaylin can now have a different life, finding herself with support of someone she doesn't hold a grudge against and who treats her well (Satele, I mean).

I'm so sorry for going into details, but I needed this long explanation to present the point (and I suck at explanations). As said before, this is my version of her arc, and most likely wrong interpretation, but even with personal freedom of choice, Vaylin character differs from Azula a lot.

Need I mention that Vaylin relationship with Arcann and Valkorion are drastically different from those between Azula, Zuko and Ozai?

(Also a little detail - with royal family of Fire Nation, Azula is the golden child, while with Tiralls it's actually Thexan, not Vaylin).

What's similar: role of extremely powerful, emotionally damaged daughter with little to no regard towards others, close people betraying them, resulting in their downfall.

What's different: characterization, role in the narrative, relationship with father and brother.

Arcann and Zuko is the most difficult part, but I still believe that calling Arcann just a cheap copy of Zuko is incorrect.

So, they fall into role of less successful son, always getting disapproval from father, being in shadow of more talented sibling, both obsessed with capturing the main character but ending up helping them end the war after going through a redemption arc with help of caring family member. Even both have scars on left side of face. Yeah, seems similar. I still think they are different characters.

Let's start with their relationships with family. In Valkorion section I said that his attitude towards Arcann is similar to that of Ozai towards Zuko, so not going to spend too much time here. However, there's slight difference - Zuko didn't kill his father even he had a perfect opportunity (bc it wasn't his goal), Arcann did (bc it was one of his goals), which says something about their characterizations.

Zuko and Ursa were shown to have a good mother-son relationship, and it played a role in Zuko's character. With Arcann and Senya, we don't really know (not much was shown in expansions). We know Arcann didn't hate his mother, but possibly didn't have warm memories of her either. The reason is most likely, like Senya said, her children wanted nothing to do with her (which is a bit untrue about Vaylin, but okay) and leaned more towards Valkorion. We need to remember that on Zakuul Valkorion isn't just one of many great leaders, he's the greatest, and seen as a god by most citizens, so safe to assume the same would apply to his children as well.

Zuko and Azula's siblingship (i'm out of words) is a bit similar to Arcann and Vaylin's in way of brother knowing that his sister isn't good, but still caring about them (even if not showing). At least it's what I saw. What's different is how Azula treats Zuko, compared to how Vaylin treats Arcann. I think Azula showed compassion or concern for Zuko maybe twice, but I'm not entirely convinced that it was 100% sincere. Vaylin, on the other hand, seems to trust and care about Arcann (with bits of sass and questioning his life choices), and switching to complete opposite after him saving Senya. Also, I don't she ever called Arcann a failure in their father's eyes.

Now I want to say that their roles in stories aren't the same either. Sure, both are introduced to us as antagonists, but in reality, Zuko was never a true antagonist (we get to learn this somewhere mid-season 1), when Arcann remains the main antagonist for whole of KotFE. Zuko didn't start a war and didn't participate in conquest of other nations too much, his main goal was to capture the Avatar so to restore his honor (and deserve his father's forgiveness). Honestly, I think it's safe to say the Zuko is one of two main protagonists of ATLA. Why does Arcann want to capture the Outlander? Solely because his father's spirit still lives inside this person's mind, and the best solution to keep Valkorion away from the galaxy is not letting the Outlander free (hence the carbonite freezing). And Arcann doesn't want or need Valkorion's forgiveness when he attempts to kill him (or kills him, depending on your choice. anyway, his action directly leads to Valkorion's "death"). And right after that he becomes a ruler of Zakuul and begins the conquest of Republic, Sith Empire and everything he can reach (the reasoning behind this is still unclear to me though; maybe because he was raised with ruling Zakuul in mind and he didn't anything else, idk). Point is, he's responsible for war and main's character imprisonment, which makes him the main antagonist of KotFE. They have it the opposite ways - Zuko starts as disgraced prince, supported by a little group of people, and in the end he's recognized and appreciated by his nation, and Arcann starts as respected by his empire, later becoming less and less loved, until some groups start rebelling his rule, and in the end he doesn't get to rule Zakuul again.

This leads me to their morals. See, Zuko didn't have the worst morals in Fire Nation, even more, he expressed care for loyals soldiers of his nation before getting punished by Ozai. During first season (and about a half of second one) his views on other nations are what he was taught before. However, these views are challenged by travelling in Earth Kingdom, witnessing people suffering from war Fire Nation started and hating its people (you already know all of this), and with this he comes through final stage of redemption when he's back home. Unfortunately, Arcann doesn't go through this, and he's shown to be more ruthless.

Alright, when it comes to their redemption arcs, well let's say they are different (both in quality and the way they go through it), I'm just a bit tired of long explanations at this point. Zuko's arc is one of the best ever put on television, and Arcann's... well, it definitely has potential, but is criminally underdeveloped (there are other people who will explain it better than I ever could).

What's similar: role of disgraced son, living in shadow of their sibling, serious injuries on the left side of face (though with different meanings), obsession with capturing the main character, having a redemption arc.

What's different: role in the narrative, role in their society, characterization, relationship with sister and mother, different end goals (before redemption), paths to redemption.

#ah. ofc it didn't show in the tag bc of the youtube link. ofc. gonna be down bc of this)#hey look at me rambling about something only maybe 2 people take seriously #also i noticed that parental characters are better in swtor and children characters are better in atla. do what you want with this #it's 3:30 am i should be sleeping but here instead writing this #(forgive if i have some spelling mistakes. brain shutting down but i won't be at peace if i don't post it right now)#okay so if you have thoughts on this... you really don't have to waste time on this #i really only wrote this because i was annoyed by some peeps on reddit claiming vaylin is off-brand with a straight face #(and then posted this on tumblr bc i don't want to suffer those people on reddit)#what am i doing with my time #(not gonna tag atla bc it's not really about it)#swtor #arcann #vaylin #valkorion #senya tirall #kotfe #kotet #pauletta's babbling #pls send help #(or oc aks to give me some free serotonin but no obligations ofc)

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shesawriter39049 · 4 years

Text

|FEVER| M|

Pairing: Namjoon X Reader

About- Namjoon just has a kink for letting you do whatever the hell you want with him...Whether that be putting him in a hot pink suit shirtless! Or, telling him he’s a good boy as he fucks you into oblivion!

OR- Namjoon and yourself hooked up 5 months ago when the boys were in London on Tour, and you were the creative director for there British GQ & Harper’s Bazzar Cover! Now, months later he’s prepping to release his second mixtape “RM vs Rap Monster”. Opting to go a complete 360 from his first release Mono in all realms. So, with that being said BigHit thinks he needs someone with a little more... “umph” Take a wild guess as to who they call...

WC:1.2k (Sneak peek)

WARNINGS: Switch OC (Top & Bottom...but there's no real dom/sub tones here) Service top/power bottom Namjoon, praise kink, Fingering, Unprotected sex(Back shot), come play, dirty talk, light choking, light overstimulation, (This is lowkey a little softer than it sounds) The OC kinda leads this, but Joon isin’t the cliché “sub” he just likes letting her take control.

NOTE- Just my take on the OG cliché Artist X Stylist AU (Though she’s more of a full package, Art Director/Stylist/Photographer ETC) I have tried to add some minor elements to make it a little more realistic. I will say I typically stray from “Idol-verse” just because if we’re being real, the cultural difference alone sometimes stunts my creativity...BUT I just had a little fun with this one...so I hope you all enjoy it. Also, I don’t go into much physical details but in my mind regardless of race, aesthetic wise the OC is a huge contrast to what he’s use to which is part of her appeal. I picture a tatted Barbie of some sorts...

SIDE NOTE: No shade, but shade, I was lowkey inspired to write this bc I have very strong opinions about the creative team at BH....

*** Let me know if you guys want the full thing or not...I kidna flaked on posting because it is such a cliché lol

SONG- FEVER DUA LIPA FT ANGELE

~~~~~~~

“Well, it’s a yes for me” Eyeing him in this Hot pink-fitted Burliti suit, which you paired with a very sheer black Arnar Mar turtle neck. The minute you saw the piece on the runway you’d been dying to get it on someone with melanated skin, and it just so happens, the boys are fresh off the US leg of their stadium tour! So, lucky for you, baby boy’s been in the sun a lot, and Namjoon’s currently a sinful shade of brown and you're totally here for it…

Then to top it off, the mesh material of the turtle neck creates the perfect silhouette around his offensively toned chest, outlining the muscles sinfully. Eternally snorting at the way the fans are gonna thank and curse you out all at the same damn time once they see the looks you’ve pulled for this man!

And yes, you had your crew bring extended shades of foundation and concealer, because his face and neck will match if your name is going to be attached to these damn photos!

Head tilted to the side as you silently observe the way he rakes over his reflection in the mirror, it’s a sixth sense you’ve acquired as a stylist at this point. Half of your job is essentially being a hype man/self love coach, real shit, a lot of these artist aren't always as...confident as one may think!

And just like clockwork Namjoon runs his palm down his thighs, smoothing out nonexistent wrinkles on his pants for the umpteenth time in the span of oh I don’t know 30 seconds? Which in turn prompts you to say….

“You look good Joonie...” Musing over your second glass of Don, the compliment was genuine, tone warm, soothing even, not a hint flirtation insight because that wasn’t your motive. You weren’t trying to get him flustered you’re just trying to gas him up a little, you wanted to see Namjoon get alittle cocky and feel himself!

Ears perking up like an overgrown puppy, head whipping in your direction “Yeah?” The way this man’s eyes just lit up like the soul skyline. I just-goddamn, an almost bashful smile toys on those plush lips of his, and you can’t help the way your chest flutters with nothing but fondness.

“So fuckin cute” Flutters off your lips, as you hide a smile of your own behind a half empty whine glass. The delivery was so faint it almost go lost in the background music floating through the air. However the slight flush hitting his cheeks let you know Namjoon heard you whether he wanted to admit it or not!

”Mmmhmm, the color looks fuckin insane against your skin, not to mention, the way everything's going to pop once we tone your hair a little! “ Eyes drinking him in from head to toe, though there was nothing suggestive playing within your iris. Very much aware of time and place and right now your genuinely looking respectfully! Seeing if any alterations are needed, making sure you like where everything sits along his frame. Making notes in your phone of places you want to pin and adjust later...snapping a couple shots here and there.

Licking his lips anxiously as he plays with the lapels on the blazer “But like-I mean-I- dont’-It doesn’t look like I’m... trying too hard or anything?” Brows furrowed in the center of his face, jaw tight, wincing slightly at his own words, almost as if he was afraid of your response. The vulnerability within his delivery was more than evident, and no matter how common this is with artist, it’s still just as devastating! Regardless of how much he tried to play it off as if he was just making casual conversation, you can see how blatantly uncomfortable he is . Gazing back at you wide eyed, and uncannily exposed, pointing at the outfit in question. Licking his lips anxiously as he plays with the the blazer, switching posses subtlety trying to get a better feel for the suit.

You stayed silent for a minute, taking the time to actually process before speaking which is rare, not gonna lie. Gaze piercing as you hop off the bed, wine, and accessories in hand, swaying closer. “It’s fashion”. The baited pause almost implied that’s all you had to say, as if one-word was self-sufficient, and in your mind it was...but you knew better than to just leave it at that.

“Art at its finest Mr. Kim” You smile something a little devious, and he flushes even deeper as you slowly start to invade his space eyes locked with him meaningfully. You can physically see the shift, the closer you get, Namjoon starts fidgeting slightly under your gaze but he doesn't back down.

“It gives you room to play, create...it’s something that let’s us connect to people without saying a damn thing.” Suddenly the hand that wasn’t holding your alcohol has become a prop, flailing around haphazardly as you spoke, pointing at the various pieces hanging on clothes racks in your suite! The penthouse has essentially been transformed into your own personal walk in closet for the next 5 or so days! “It’s a statement. A opportunity to tap into a side of yourself that maybe you can’t always verbally articulate to the world around you! More importantly, it’s supposed to be fun, it’s literally something that can be removed within seconds! I mean we all have to wear clothes so why not just enjoy it?” Head cocked to the side as you appraise him, brow quirked, eyes warm, yet there's a clear challenge playing within your gaze.

Namjoon’s watching you intently, almost as if he’s taking mental notes as you speak...the heaviness within those dangerously honed eyes of his could almost be unsettling to some, but you quite like it. Made you feel as though he actually gives a flying fuck about what you’re saying.

“In my opinion the only time it looks like someone’s “Trying too hard” Making little air bunnies with your spare hand “Is if they look uncomfortable in what they’re wearing, confidence is key, and I know you know that better than anyone RM!” You muse batting your lashes in Namjoon’s direction, and he dimples back at you, eyes sinking into tiny crescents, face rivaling the color of his suit, trying to hide said smile behind his own glass of champagne.

“I could put you in a damn clown suit...” Words trailing off your tongue lackadaisically as you grow distracted searching the bar for a specific chain from John Hardy. “Which” Focus snapping back in his direction making the later splutter a little “Would be fire as fuck if I did by the way, but-” Namjoon ended up cackling midsentence, almost choking on his drink in the process, fist pounding against his sternum.

Yeah..killing the leader of Bangtan wasn’t really high on your list tonight....

“Ayee, none of that shit...” Smacking him in the back a little more so just to be an ass because he wasn’t even choking anymore “Don’t die on me until we at least get this damn photoshoot done, I had to cancel my trip to Jamaica for this shit!”

Now he’s damn near choking and his laugh was contagious, it’s just.. loud, carefree so yes, your cackling, and there's nothing cute about it. But you honestly don’t care, you let yourself get lost in it! Finally able to feel the atmosphere in the room start to shift to something a little less scripted and a little more organic...

Throwing his hands in the air as If he’s waving a nonexistent white flag “I’m sorry, noona” There’s a pout playing in his lips, not exactly aegyo per say, but it’s fuckin adorable “Blame PD-nim, it’s his fault we had to do this so last minute” Wheezes from his throat, in the form of a slight whine, almost rivaling Jimin if I’m honest.

You already know he was laughing more so due to your delivery, specifically, your casual use of profanity over anything else. This is actually something you use to be self-conscious about, especially at your first shoot with the boys, at the shoot for GQ . Well aware it wasn’t as common in Asia for people especially women to use “fuck” like a comma. So you were hoping they wouldn’t be offended, or uncomfortable by your dialect, and, thankfully they didn’t seem to mind. Much like Joonie over here, they found it entertaining over anything.

“Yeah, a huh, sureee...” Eyes rolling to the back of your head playfully as you start lightly altering the suit in question with clips and pens. “Stay still babe” The pet name slipped off your tongue effortlessly, honestly, that's what you call most people in your life. However you were far too focused to notice how wide eyed and flustered the man before you became upon hearing it directed at him so casually.

A faint little “Sorry” muses off his lips as he gnaws on his inner cheek, trying to stay still as you ghetto-rig hems into place until you can get this under your sewing needle.

“ No, but real shit…” You sigh, taking on a slightly more serious tone “If you step in front of that camera like you own the bitch, regardless of what your wearing..., then they can’t tell you shit! If your comfortable there’s no such thing as trying too hard” You shrug nonchalantly like that was the simplest concept known to man, downing the rest of your drink “Alright, that’s all, thanks for coming to my Ted talk” Waving him off as if you’re about to leave the room and he pouted playfully, jokingly begging you not to leave him yet...it felt good to be able to banter like this. The shift continuous shift within the atmosphere was more than welcomed…

Hesitantly you watch his eyes find their way back to the full length mirror, which promptly smacks you back to reality!

Unfortunately you didn't fly all the way to Seoul just to drink, and shoot shit with Namjoon for hours on end, your actually here to work…

Sooo...

“Alright” Placing your arms on his shoulders, giving him a reassuring squeeze as you peer over his shoulder. Meeting his gaze through the glass, chin resting gently against the blade. “Back to the reason you came Mr. “I’m sooo anxiously” Shooting him a teasing little smirk in the process “The suit, yay or nay”

So, here’s the thing technically the official fitting is tomorrow, and as far as his team knows he’s in the studio with Yoongi and Hoseok finishing up a song!

Which of course raises the question as to why he’s here..alone..mind you..no staff or security in site.

Just Kim Namjoon and yourself.....

~~~~

Heyyyy, Lemme know if you guys want this or not, it will leave kinda open ended because it was supposed to kinda be a 3 part mini series initially. Part 1 ends the morning of the shoot, the full thing is set to be around 6/7k! Spoiler, the company is going to want to keep her around for more than just Namjoon’s solo project....

Also, YES...I did see that they actually put Tae in that Burliti suit (I wrote this long before that shoot was released)...I actually hated the way it was styled it though...I never thought I’d say this but MGK’s team did a better job than BH....

#Namjoon x reader #namjoon smut #namjoon x you #kim namjoon #kim namjoon x reader #kim namjoon smut #bts #bts smut #bts au #kpop #kpop smut #kim namjoon x you

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iamanartichoke · 3 years

Note

Why would Loki believe what Mobius tells or shows him? Frigga's death-film could be faked, Loki's responsibility for it might false, saying he always fails and causes death etc. ... where's the proof? Yes, the segments were selected to manipulate his emotions and align him with the TVA, and there's self-loathing, but he's also supposed to be smart and familiar with how lies work. Maybe he's playing along to escape and do what every Loki who ever existed and created a variant did: what he wants.

[please blacklist spoiler tags: #loki tv series spoilers, #loki series spoilers, #loki spoilers]

Well, here's the thing.

(under the cut for spoilers + length)

Objectively, I agree with you - that is, I fully recognize and agree with the characterization of Loki being intelligent and also manipulative (and therefore more than familiar with the art of lying), and I agree that it would be really, really hard to manipulate Loki without him realizing what you're doing and figuring out how to counter it and manipulate you in return (and you won't figure it out as quickly).

However. I don't think Loki is impossible to manipulate, or that his intelligence and innate capacity to lie (often and well) mean that he's immune to falling prey to someone else's schemes, when those schemes are rooted in/relying on all of the rawest vulnerabilities that Loki, as a person, possesses.

Loki's tragic flaw (or one of them, in my opinion) is that his emotions can and often do get the better of him because they are the result of how thoroughly and bone-deeply he hates himself. In Thor 2011, for example, Loki's initial plan evolves from trying to delay Thor's coronation into trying to simultaneously destroy Asgard's greatest enemy (and, presumably, destroy the monster within himself) and trying to prove his worth as a prince and a son to Odin. Were his plan to succeed, the only thing he would ultimately gain is validation that he has equal value to Thor. (Certainly he knows that Odin will wake up and Thor will eventually return; like, there are no long-term goals for keeping the throne here.)

Point being, everything he's orchestrating becomes motivated by emotion over logic and, ultimately, he doesn't really lose so much as he gives up because Odin rejects his plan - and, therefore, rejects Loki - and it hurts him so badly that he attempts to kill himself. He literally can't live with the pain it causes him.

So, I mean, we already know that Loki is deeply emotional and immensely insecure. We know that he's felt inferior and out of place his entire life, only to have those feelings validated by the revelation of his being Jotun and the rejection of his effort to prove himself as worthy as Thor.

We also know that a literally suicidal Loki ended up going through an extremely traumatic experience with Thanos and, furthermore, he has now failed pretty majorly in "taking over" Earth. Loki's in bad mental shape and, I mean, there's his proof right there that Mobius is right and that he always fails and causes death. He failed in Thor 2011 (and caused death). He failed in Avengers (and caused death). He believes himself to be worthless, deserving of rejection; he is emotionally unstable and has untapped reservoirs of pain under the surface.

He is, in other words, in an absolutely ideal place to be manipulated by Mobius. He doesn't seem to believe what Mobius tells or shows him at first - asking where Frigga is being kept, not believing the events that haven't happened to him yet, arguing back against every point Mobius makes, etc. But, as the scene wears on, you can tell he's becoming less and less sure that it's a falsity and more and more uncomfortable and upset because Mobius is unrelentingly digging at everything Loki's ever feared about himself.

That's the state Loki's in when Mobius selectively shows him the most painful scenes from his future.

Not to diagnose Loki, bc I am not qualified to do so, but to project a little bit - as an emotionally unstable person myself, who has struggled with mental health for as long as I can remember, I can very easily see how Loki would believe Mobius at that point.

It's like, imagine that you have all of these fears about yourself and they color the lens through which you view the world. I mean, Loki's experiences have definitely contributed to his poor self worth, and his family and culture have fucked him up - no imagined slights here - but when you hate yourself enough, it can alter how you perceive every little thing.

You may blame yourself a little harder for things that aren't your fault. You may too quickly assume that someone else thinks the worst of you when they may not think anything in particular about you at all. You may feel completely and utterly alone and hopeless about that ever changing because why would anyone want ever want to love someone as worthless as you?

Now imagine you've done some really bad things and, deep down, you feel guilty about them. You didn't enjoy doing them, but you did enjoy how powerful they made you feel, and that makes you a bad person, too. You weren't even wanted as a baby, for fuck's sake; you were literally abandoned for no discernable reason besides possibly being a runt, aka being born wrong.

These are all things you feel, and then here comes this person who is showing you events that have happened that he shouldn't know about, he's telling you information about yourself that he shouldn't have, he's showing you that he's got the resources to figure you and your life out and then he tells you to your face - while showing you even more failure and death in your future - oh hey, everything that you fear and everything that you feel? Yeah, that's all valid. You are irredeemable. You are responsible for death and destruction. You are unwanted, both by your family and by existence itself. You're only here so that others can have someone to stand on while they climb to the top. You killed your own mother because you're so selfish and vengeful! God, how do you even live with yourself, you destructive waste of space?

I mean, again, call me biased and paint me as projecting my mental illnesses on Loki but if it were me, no amount of intelligence or experience with lies would be enough to not believe every single word Mobius said about me (and about the situation).

It's certainly possible that Loki is playing along to escape; I mean, we know that he does eventually escape, though whether he gets captured again or not remains to be seen. But I think that, at the conclusion of the episode, Loki has just been broken down enough by everything he went through that day (it was a really rough day for Loki) that he's like, yknow what, just - okay, fine, tell me what I have to do bc I'm all outta options here.

(Actually, to be completely honest, I think there's both going on - Loki is resigned to being stuck with the TVA but also he probably recognizes that, at some point, he's going to get the opportunity to escape and might as well play nice until it comes along.)

So, yeah - I completely buy how that scene went down in regards to Loki believing Mobius.

#thank you for the ask!#asks #charlotte replies #loki tv series spoilers #loki series spoilers #loki spoilers #loki pokey artichokey #i will never be over loki #mobius dick #tw mental health #tw suicide attempt mention #tw suicidal ideation #tw depression #tw gaslighting #tw psychological abuse

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miraculouscontent · 4 years

Text

Askplosion #12 2/4:

.:New Miraculous Asks:.

Anonymous said:

Can people just STOP calling Marinette a "stalker"? Like, seriously? Especially TV Tropes. They have her listed under the trope for "Stalker With A Crush" and even have a video source of her(from Copycat) which was taken WAY out of context. They also listed her under "Stalking Is Funny If It Is Female After Male", which IS an existing double standard, but Marinette is still not an example and wouldn't be even if she WERE a stalker, because Wayhem's stalking actually WAS played for laughs!

Granted he was stalking another male and we don't know if he has a crush on him(but if he did it would be...unfortunate), but it's still an example. Plus, they claim that Volpina is about her learning her lesson regarding her stalker tendencies, but that no matter how many times she learns it, it never seems to stick. Yes, because everything is Marinette's fault and she's the stubborn shallow bitch who needs a kick in the ovaries, it's not, you know, the writers making her look bad/OOC!!!

THIS. ALL OF THIS.

Oh my god, I cannot tell you how infuriating it is to see “stalker” get thrown around like that. I would need two hands to count the amount of words that have lost meaning to me because people throw them out wildly and without any self-control. Stalkers engage in far more aggressive and obsessive behavior than Marinette, and usually also feature them harrassing whoever they’re stalking (such as calling them a lot), and they also never stop when they’re asked to. Marinette doesn’t fit the description of harrassment at all; Chat Noir does more than her and I don’t even call his behavior “harrassment” because that’s another word that’s lost all meaning by now and I wouldn’t use it in the first place.

Anyway, I think the Wayhem example is valid because Marinette’s crush on Adrien is written very much like a celebrity crush, so it’s similar territory.

On the note of “Volpina,” I do not understand it considering that Tikki was all on board with Marinette following Lila for the sake of getting the book back; that was one of the cases where there was an alternative motive out of just “follow Adrien” (which is not really something we see Marinette frequently doing; usually when we see her watching Adrien, it’s because she wants to approach but can’t bring herself to).

And yeah, most of the time, it’s just the narrative. The show basically puts it all on Marinette to solve all her personal problems (while constantly piling more stuff onto her) instead of getting active encouragement (no, eye rolls, verbal jabs, and groans do not count) from her friends and Tikki.

Like, what am I supposed to expect from Marinette when her friends still actively support Adrienette? By supporting Adrienette, regardless of the comments they make, they’re supporting Marinette’s behavior. Same with Tikki.

Anonymous said:

Have you noticed that with love interests of Marinette and Adrien, it's always the girls who like Adrien who are shallow, mean bitches and competition to Marinette(like Lila, Chloe, Kagami at first), while the boys who like Marinette are nice, friendly, and have no competition between each other whatsoever, sometimes not even knowing there IS competition(Adrien, Luka, Nathaniel). It's just really unfair and sexist because it's like girls can't be civil/friends and must fight over a guy.

That’s been a common topic of salt for a long while, yeah, I just don’t talk about it much.

It’s a difficult subject because I’m the type who can’t hold it against the guy characters (so I won’t dislike Kagami for “being similar to Chloe/Lila in terms of aggressiveness,” for example) because it feels wrong to, but I can hate the trend itself.

It’s also doubly unfair because Marinette’s crushes blip away quickly (like Nathaniel and Nino) while Adrien’s crushes stick around specifically to upset Marinette, so it’s like the show is saying, “if there’s a character who loves/supports Marinette, they gotta either stop or leave” (I’m pretty sure I got a “Didn’t Need Burrow” about the narrative sending Luka away and I don’t doubt it).

Anonymous said:

Personal Heacanon: Marinette and Chloé used to be friends until Marinette found out what Chloé (and Sabrina) has been using her commisions (mostly elaborate traps "to guard off thieves") for. This is why Chloé has it out for Marinette specifically. This is why everyone stood by as it happened. This is why she hates liars. This is why her "friends" are so casual at making jabs at her self-stem (they never believed she never knew what Chloé was truly up to). And also why Lila had it so easy at gaslighting everyone againts her (she's "relapsing" and it's easy to think she "deserves it").

Dang. That’s intense.

Yeah, Punch has given quite a few ideas about Marinette and Chloe previously being friends if I recall correctly. I like the idea even if I never use that kind of idea myself.

Anonymous said:

I feel like Adrien could be a really cool character if they focused less on romance? If that wasn’t his only motivation, and they developed his friendships more, and they didn’t have this entitlement. I also would like more actual friendship in regards to adrien & marinette? And him actually having interest in her but denying it bc he thinks he can only like ladybug. I feel like the sexism of the creators/writers are seeping into the character a lot and ruining it, too... It makes me really sad.

I’m hoping Adrigami will help adrien sort out a lot of his stuff bc Kagami doesn’t take any crap, and I actually really like their relationships, but I don’t have much hope. I would love for the show to use her and this relationship as a way to call out and develop adrien, but I doubt that will happen bc that would mean acknowledging his flaws. It’s just disappointing, really....

Yeah, Adrien could’ve been interesting, especially if they used Adrimi to its full potential, but they don’t. The show also has a history of letting Chat Noir get away with things and not punishing him so I wouldn’t be surprised.

Anonymous said:

Honestly, I don't even ship the love square anymore, but Fanon Adrienette is a thousand times better than canon Adrienette(the same goes for every other side of the love square, obvs). It's what the canon should be but we fans can only wish. Take, for example, the whole "she's just a friend" statement. In canon Adrien makes it because he genuinely sees Marinette as that and nothing more(which of course isn't bad, it's just sad when Marinette's always humiliated for the sake of getting his love).

In fanon, he makes it because he's actually in denial about his feelings for Marinette(which reminds me of a definition for "just a friend" on Urban Dictionary, which had Adrien drawing her name with hearts and flowers around it, and yet, when Nino asked if he had a crush, he STILL insists she's just a friend!), but realizes his mistake later.

In canon, Adrien thinks Marinette is Ladybug only because it's convenient for him since she's in love with him. In fanon, he actually does notice things about her that make her similar to Ladybug, and falls for her BEFORE knowing their identities because he sees the same qualities of bravery, strength, and femininity that he sees in Ladybug(I remember one fanfic where Marinette stood up to GABRIEL'S overprotectiveness, and Adrien could only admire how much she resembled Ladybug in that moment).

In canon, Chat is ignorant of Ladybug's feelings and agency and doesn't comfort Marinette when she's sad; instead, she has to comfort him. In fanon, Chat Noir cares about how Ladybug feels and values her agency, his jokes are genuinely funny(although canon Chat can be funny too, it's just the where and when), and he backs off when Ladybug is uncomfortable. In fanon, Chat Noir genuinely helps Marinette when she's sad and sometimes comes to see her just because, not out of plot convenience(and calls her "Purrincess" a lot more, why did the English dub just change it to "little lady"?).

It makes me think, maybe, just maybe, if these things were canon and the world was fair to Marinette, I might actually ship it; it might actually have a fighting chance against Lukanette and Adrimi. But while all these things are cute, it only makes canon more disappointing. Fanon is doing what canon should be doing. Fanon is supposed to build off of what canon gave us and expand on it. Fanon shouldn't create its own alternative because canon isn't giving us enough to chew on, it shouldn't have to.

Sadly, I think most of the fans, including the Adriennette-shipping ones, should be on some level in charge of the show; things would be SO MUCH better for the main ship(which isn't even progressing that far) and SO MUCH fairer to Marinette if that were so.

I feel this very much so. The show has been around for a long time and fandom can shape a lot of things. I think the love square wouldn’t be as beloved as it is if not for the fandom expanding on it and making it better (obviously, in some cases, they don’t make it better, but the love square is plentiful so there has to be some good takes out there).

Some shows do in fact let the fandom build off the foundation it makes and then you have things like Astruc outright lying and saying that Chat apologized in “Frozer” when he, in fact, did not, which makes everything more muddled.

maxwaspace said:

What is your opinion of the Scarlet Lady webcomic by Z.O.E?

I’m not into the love square no matter how better one might do it (it’s been soured too much for me in the show), but I do get happy seeing Zoe’s art and wondering how she’ll change/expand on the plotpoints in certain episodes.

Anonymous said:

Not sure it anyone's already said this but-

Canon Audrey: you're fired!

MC Audrey: you're hired!

Okay but hear me out.

Canon Audrey being put in charge of dealing with Miraculous’ writers, MC Audrey put in charge of hiring new ones.

Anonymous said:

Something the genuinely scares me is how close some people’s predictions where for miraculous I just saw predictions people made for season 3 and it’s worrying that the worst possible scenario for them ended up happening beat for beat.

The show can be very, very predictable that way. The way I’d describe it is that I do expect these bad things to happen in really convoluted and dumb ways, but it still surprises me by exactly how predictable it ends up being. I mean, I catch certain things really easily and the phrase, “the whole episode just flashed before my eyes,” is something I commonly say.

Predictability isn’t entirely bad, but when the prediction is unwanted? Yeah, there’s a problem.

Anonymous said:

You could basically summarize the difference between what Miraculous fans want and what the Miraculous writers want by using the John Mulaney "Delta Airlines" bit as a template.

I had to get said bit explained to me since I haven’t seen that one, but yes, now I can confirm.

Anonymous said:

How do you think Chat Blanc would play out if Marinette and/or Adrien were already dating other people? Like if Marinette had already moved on, do you think the narrative would punish her for it?

I imagine it would have Adrien still be crushing on Ladybug and he’d break it off with this other person when he realized that Ladybug is Marinette, which the narrative would then promote as “the correct decision” because they’re soulmates and such. If Marinette has moved on, she probably won’t care about his advances, which would lead to Adrien getting upset and maybe being convinced that an identity reveal would solve the problem and/or speeding up getting Hawk Moth defeated/arrested.

Marinette would probably be blaming herself for not being “sensitive enough” to Adrien/Chat’s feelings, which is what led to him being akumatized.

I could also see the girl squad forcing Marinette to give Adrien the present similar to canon, but maybe the beret doesn’t have a heart and Marinette isn’t actually interested, but rolls with it because the girl squad insists on it (probably convinced that she’s denying her own feelings).

Anonymous said:

What do you think constitutes as a "strong female character"? Do you think the girls and women in Miraculous Ladybug are "strong female characters"? Why or why not(I'm sorry if this sounded like a school assignment, by the way!)? Because to me I feel like a lot of them are given depth and focus, but they're often forced into stereotypes, and let's not forget how the show derail's Marinette's character for a joke. But lots of people think a strong girl has to be boyish or else she's weak somehow.

“I'm sorry if this sounded like a school assignment“ dfhgkfdgfg

I guess it depends on what you consider a strong female character. Like, can a shy female character be “strong” if maybe she holds firm to her morals or can fight people off?

I think Marinette has the potential to be a “strong female character” but the show nerfs her using her crush on Adrien (which raises so many red flags that I can’t cover here) and all it’s really done for her is get her laughed at and humiliated. If her life didn’t revolve and get ruined so badly due to her crush on Adrien, I think she’d be a strong female character (I know what the Season 3 finale did but I’m not buying any of it until we see proper results in Season 4).

That’s not to say that characters with crushes can’t be “strong” but it has to not control their life. I mean... okay...

Would Sabrina be considered a “strong female character” if she recognized Chloe’s treatment of her and worked hard to get out of it? Is the want and attempt to move on from something what constitutes “strength,” or do they have to succeed?

My conflict is always... I want to give Marinette credit for trying to move on from Adrien, but I know that it’s just the writing trying to make things seem tense/strained just to make it feel “better” when they actually get together. You see it all the time in anime/manga where a misunderstanding/self-doubt ends up hurting the relationship of the main ship; it’s to force conflict and separation, giving the ship something to overcome so they can get together.

I will say though that shy characters can be strong, physically strong characters can be weak, and so on. What defines a “strong” character may be vague to me, but I take it as I go. I would like to say that Marinette is a strong character on her own because she wants to improve even if she fails, but I also don’t want to give the writing credit for something that ultimately means nothing. I want to say that she’s strong but the narrative seems to do everything in its power to tell me that she’s weak.

Let me give a non-Miraculous example: say that you have a pacifist character, but there’s a villain who has done terrible things, cannot be redeemed (plz do not swarm my inbox with “anyone can be redeemed” comments, this is a hypothetical), and any method besides killing them right there and now would lead to more destruction/lives lost.

You might say that that the pacifist character would be “strong” in sticking by their morals and trying to find another way even if they ultimately would fail and the villain would get away, but an argument can also be made that the pacifist is being stubborn and letting people die because they are unwilling to rethink the morality they’ve chosen. Is a pacifist a pacifist if they’re letting the blood of other people spill because they themselves aren’t willing to have the blood be on their own hands? Are they “strong” because they stuck by what they believe in or are they “weak” because they refused to expand what they believed was “right”?

You could apply that to Aang from Avatar: The Last Airbender (I know he’s not female but stick with me here). He was faced with having to murder the Fire Lord to the point where a past reincarnation who was raised on the same values as him didn’t agree with him. I think it was acceptable for him to try and stick to his morals and find another way, but he came up empty and the show had to give him a way of taking away the Fire Lord’s power so Aang didn’t have to make that choice in the end (there’s also that thing with the rock to his back and having to give up Katara but we’re not getting into that).

People could argue that, “oh, he admitted to himself that he’d have to kill the Fire Lord and then he got the Deus Ex Machina so it’s okay!” but the problem there is that the narrative basically gave two options: Murder or Take Away the Guy’s Bending, but there was incredible risk involved in the latter option. Aang almost lost himself against the Fire Lord and risked everything so that he would not have to kill him.

I would argue it makes him weak. I would argue that needing the narrative to favor him makes him weak (which is one plus for Marinette I guess the narrative is usually against her???). The lack of ability to understand his past lives and see things from their perspective made him weak for me, as him holding so stiffly to his values made it appear that he felt his ways were “better” than everyone else’s (which had been a long-standing problem for me and I never forgave him for “The Southern Raiders”).

Anonymous said:

What do you think of adriens mom Emilie. Like what do you how do you feel she wound up using the peacock miraculous personally I’m leaning into her being a villain due to the fact that there aren’t any stories of a peacock hero (unless they retcon that) and that her husband is well freaking Gabriel who has no real form of morals. Also I can’t help but think of how they got the miraculous in the first place. Anyways overall what do you think they will do with her or think of her right now.

I see her like I see any dead mom in media (I know she’s comatose, not the point); a tool for angst. Her reasons for using the peacock could be anything (might even be that she was given it and simply wearing it was damaging to her, or she transformed once to try it out and that was that), but I just don’t feel strongly about her because I’m not invested in the Agreste plot.

Me personally, I headcanon that she’s kind of like Bustier where she appears good but is actually very damaging. Instead of the generic “good mom who tried to do good things for her son but folded to angry dad’s demands,” I would like to imagine that she’s selfish in her own right and was part of the reason for Adrien never going to public school; she’s possessive herself (a contributor to why the Agrestes are so wealthy) and wants her son to remain close to her even if she genuinely cares about him and should want him to be able to go and learn from the world.

But I imagine they’ll probably make her either “pure good mom” or “villain like Gabriel where she’s ‘sympathetic’ but also evil.” The show has never been good at doing gray morality (see my MC Audrey for example) and usually messes things up if they try.

Anonymous said:

Honestly, I don't like Mme. Bustier, but if they DARE pull the pregnancy jokes with her--and I don't mean "pregnancy puns", like those would be ACTUALLY funny without offending anybody, but "ooh, she's pregnant so now she's moody and has wacky cravings and screams at everybody and is a nightmare to be around" and other things that just scream "male writer who mocks female biology and doesn't understand women", I'm going to cry. We already don't like Bridezilla, and this isn't any better.

Ugh. I don’t even like pregnancy plots in general or anything related to pregnancy (my followers who have been around forever and know of my hatred towards babies: wow what a shock!!), so adding on “jokes” like that?

Hard pass. I already don’t like Bustier so the mere idea of her potentially getting any focus there--

Anonymous said:

What do you think of the Alyanette ship? Personally, I'm ambivalent to it, but I can sorta see Alya being bi and having a crush on Marinette but Marinette doesn't like her back. Or she could have a crush on Ladybug. But I don't like the idea of it being mutual, considering how pushy and invasive Alya is. It also doesn't make sense for her to so insistently push the love square if she likes Marinette. But perhaps that's where some of her sarcastic quips come from: jealousy(cliche I know).

I’m always here for bi representation (no one can take my bi disaster headcanon’d Nino and Kagami away from me), but I actively dislike the Alyanette ship. I was okay with it back in Season 1 but it started to fall off in Season 2 and officially die in Season 3.

I don’t judge people by what they ship (...much; there’s obviously that little part of me that can’t help giving the side eye) but yeah, not for me.

Anonymous said:

As a different flavor of angst: Can you imagine Marinette’s class going to Riverside park in NYC and Tikki spotting the Jeanne D’Arc statue? I always wondered what it would have been like for Tikki to see Jeanne burned alive by the people she swore to protect. I think Nobody briefly touched on this for Witch Hunter, but not many people I have seen (probably missed something) talk about it. What do you think?

I’m indifferent to past holders getting mentioned and acknowledged; not sure how I feel about them given specific names and such (I kinda like seeing their designs and such but making them actual people from the real world? mmmm not here for that as much).

I like the idea though of addressing those real world things and having the kwami reacting to them. Like, it did make me genuinely sad in the New York special to see Liiri come out and call out Gilbert’s name, only to see this other guy standing there and we know that this Gilbert guy is very much dead by now.

On a related note, I’d be all for a special getting into a kwami’s problem and not making everything Marinette’s fault, so having Marinette maybe helping a kwami through theri issues and it leads into getting more lore on the kwami.

Anonymous said:

I just had an epiphany today: People who hate on Marinette for being "mean" to Lila/teachers telling Marinette to ignore Chloe and Lila and treat them nicely are the equivalent of real adults telling girls who are being bullied by boys that "he does it because he likes you." Ladies, raise your hands if something like this has ever happened: "Jamal tried to cut my cheek open with a razor!" "Oh, Aaliyah, he's only doing it because he likes you." Now that I've seen it I can't unsee it. Disgusting.

“Marinette, they’re just jealous of you, that’s all! Can you really get angry at them for that??”

us: yes

Anonymous said:

Thinking about Puppeteer 2 and how Marinette's identity could have been blown if she had talked to Tikki because of Plagg's incompetence angers me beyond belief because I know, just KNOW, if that had actually happened, Marinette would take ALL THE BLAME for it like there's no tomorrow. It would never occur to anyone that she normally talks to Tikki while she's alone and had no idea that the "statue" in front of her was a real boy AND her partner, or that Plagg should have said something. Ugh.

I KNOW, RIGHT????

That was such a big annoyance to me in that episode. They literally neglected the actual reality of what would happen (”Oh, Tikki! No one’s here, I could practice on this Adrien statue!”) for the sake of humiliating Marinette... again.

Anonymous said:

Your comment about how Ladybug always says she's "in love with someone else", as if that should matter diddly squat when the problem is with Chat not respecting her feelings on their own without another guy in the picture reminds me of a #YesAllWomen post I saw on Twitter. It read: "'I have a boyfriend' is the easiest way to get a man to leave you alone. Because he respects another man more than you." It's just like this except without the dating and the fact that Chat DOESN'T leave her alone.

And then you remember that the “someone else” she’s in love with is the exact person who’s disrespecting her feelings and you proceed to hate everything.

Anonymous said:

The statue scene in Puppeteer 2 could've easily kept its humor by having Adrien fall over when Marinette puts her weight on him and almost kisses him, then Marinette goes "Gasp! You're not a statue!" Marinette is always being forced to humiliate herself in the name of "love", even when she doesn't deserve it, so for once, let Adrien be the one utterly humiliated of his own doing. Then they could have a sad scene where Adrien ACTUALLY comforts her and...wait for it...LEARNS A LESSON.

Alternatively, someone who works on the statues comes in and, also mistaking Adrien for a statue, tries to do some sort of work on him.

Anonymous said:

Since we can all agree that this show is sadly not very good at girl power/inclusivity, how would you tweak the show to make it more genuinely female-empowering/inclusive(can include racial/sexual inclusivity)? Besides the obvious(including more female and/or POC writers on board).

Orientation-related inclusivity isn’t even that hard. Have a character get a call from someone and just be like, “oh, it’s my boyfriend/girlfriend,” and then other companies can just dub it if they’re so afraid of characters who like the same gender.

Firstly, I’d have Marinette learn and become more of a mentor character to other characters (male and female), lean more into more “females in power” (like Mylene showing genuine interest in being the next mayor), either less focus on the “girl antagonists are evil/unredeemable” plots or at least make them legitimate threats that don’t need the narrative to cater to them to make them threatening.

Secondly, Adrien needs to STOP being the one to keep telling Marinette/Ladybug what’s right or the way to do things. I can’t stress this one enough.

Thirdly, maybe not having a season dedicated to three guys getting miraculouses while all the girls are either questioned, self-reveal, or get their miraculous revoked. That might help. :P

Anonymous said:

The saddest thing is that I can see ML going through a "Fate: The Winx Saga" in the future and having an awful, edgy reboot to appeal more to adults.

Different writers probably but at what cost.

+ more sexualization obviously since that’s usually what “more adult” means; Audrey gets the cleavage that her design clearly calls for at least, but again, at what cost

Anonymous said:

I hate what TheOnesWhoMustNotBeNamed have done to the Love Square but I also don't like Lukanette and Adrigami (nothing against the characters themselves). This is going to be one of those shows that regardless what ship wins is going to disappoint around 90% of the fans.

No hate for not liking Lukanette/Adrimi, I understand that.

And yeah, there’s a <1% chance that they can pull out anything satisfying.

Anonymous said:

Off topic, but I realized why I don’t like Clara Nightingale’s design, there’s no light to her eyes, makes her look kinda dead, kinda evil.

DQ tend to do that when they’re the ones animating. I remember “Christmaster” doing particularly well with the eye highlights.

Anonymous said:

What do you think about the future Miraculous specials (Africa, Japan, Rio, Shanghai, London)?

Will be happy to see a new setting because it shows different cultures (though there’s always the chance that the culture is poorly-represented) but that’s basically it. Specials are usually just a cash grab that are just there and any expansion on lore and such is shunted to the side for the sake of love square drama, judging by the New York special.

Anonymous said:

I haven't watched the New York Special yet, don't think I can bring myself to tbh, but this whole time I thought Aeon was the name of the superhero persona, and that the fandom was collectively calling her civilian identity Uncanny Valley bc her model was that bad.

I was genuinely shocked to find out that her civilian identity is named Aeon and that her hero name is Uncanny Valley bc that is not only a stupid name, but kind of insulting since she's an android character of color. (Well, she's a character of color except for when shes running around as a pale naked superhero. Majestia, give your kid some pants!)

oof

Yeah, the Uncanny Valley thing threw me off too. “Aeon” really does sound like a superhero name.

I can’t believe they made her a robot and were like, “mannequin robot design.” I question so many things about the decisions made around Aeon fdkjgjfdg.

Anonymous said:

Do you think they’ll ever leave DuPont college, since it’s a middle school (essentially) and go to a lycee (high school)? I think they’re in their second year of four at DuPont, judging by the previous class picture.

I doubt it, unless we get more seasons? It would mean having to model a whole new school.

Anonymous said:

So I was reading again tikki brand boyfriend and this come to my mind and I have to share it with you.... Tikki is the mother in law of marinette in the future lol (sorry if this isn't the right blog to ask this) (I love yours au, you are amazing!)

(this is the wrong blog, yes, you’re looking for mc-lukanette, not miraculouscontent)

Thank you though! i agree, that’s cute, ahaha~

Anonymous said:

Did you know that there's a TV Tropes page for LadyBugOut?! And someone even left a review there saying they liked it and that they were sick of the Marinette embarrassing and wanted some Lukanette. They say your au is their favorite au in the fandom! Isn't that just swell?

Yes! And the TV Tropes page is fantastic! Thank you!

Anonymous said:

OMG IVE FIGURED OUT WHY MARINETTE IS UNABLE TO GET OVER ADRIEN!!! She’s under the influence of a love potion called Amortentia, which causes a powerful obsession from the drinker (it’s from Harry Potter). That’s why she’s so obsessed, and that’s why she can’t get over Adrien! She literally can’t while under the influence of the potion! She just needs to drink the antidote, and then she can finally be free!

Oh no!! Someone get this poor girl an antidote, STAT!

Anonymous said:

I was just reading your review of Silencer(which I totally agree with by the way), and when I got to the part about how Ladybug lost her voice and her powers are voice-activated, it got me thinking about how annoying Chat was being(as another anon noted, which I also agree with), and then it hit me. While it may just come off as his usual flirtatious banter that's innocent, the fact that he doesn't even seem to mind Ladybug not being able to detransform because then he gets to "be with her" forever and ever and ever amen just proves your point about Chat Blanc. He cares more about being with Ladybug than Ladybug herself, so long as she gets to keep being Ladybug "for him", that's what matters. Remember that the girl he fell in love with was the superhero persona and not the girl under the mask. He couldn't care less about who that actual girl is so long as she's his "lady" and loves him back. He just wants her to uphold the image of his strong and powerful "lady" that he admires.

(Glad you enjoyed the “Silencer” review! Thanks!)

Full agreement here! Chat isn’t really in love with Ladybug; he’s in love with the image he’s made of her and wants to keep it that way, no matter how much he may suggest otherwise.

Anonymous said:

Luka is soooo much more interesting with Marinette like, why isn't he the love interest? Same with Kagami for Adrien. To be honest it would be cool if the show set up the love square at first but then slowly started to change to Lukanette and Adrimi once Marinette and Adrien realized their crushes were just not working out. They can still have an identity reveal, but they'll refreshingly stay friends. But the writers don't have the ovaries to do that, I get it. -_- Such wasted potential.

They could’ve done a really interesting bait-and-switch but they decided not to. The love square is full of holes and flaws that they’re very likely never going to address (outside of anything used for that “gAsP maybe they won’t get together???” drama), so having it actually be addressed and be like, “okay, we’re better as friends,” would’ve gone over so much better.

Anonymous said:

I hear people complain all the time that Lukanette is toxic because Luka is merely the "second choice" for Marinette, and that she just uses him as a rebound when she fails to get Adrien's attention. But the truth is, that's not how it is at all. Luka's not anywhere near her "second choice". He gives her tranquility and stability, and she helps him loosen up and have someone to express his creativity towards. Plus, it's totally normal for teens to have two crushes whom they can't choose between.

THIS

ALL OF THIS

I am so tired of people saying that Marinette is “using” Luka in someway as if it’s a conscious decision on her part to take advantage him.

Luka makes her happy. That’s it. Luka is aware of how she feels and respects her space, but I guess that makes him a “pushover” and “he lets Marinette walk all over him” because he didn’t get upset with her and embarrass her in “Desperada” by calling her out over her Adrien blindness.

Anonymous said:

People who say "I like Marinette but she's getting to be pretty embarrassing sometimes" really don't get that the show constantly forces her into situations where she's embarrassed and made out to be incompetent. Like, it's not her that's embarrassing, it's the show that's always embarrassing her. Kind of like Serena/Usagi in the (shitty)DiC English dub of Sailor Moon. It's getting irritating to hear people continually rag on Marinette as if SHE'S the clueless idiot, rather than the writers.

There are some things that happen to her that she literally could not have predicted. Like, just saying, if I had someone claiming to be my friend, I would expect them to know I’m anxiety-prone and not pretend to be a statue just

Anonymous said:

Remarried Empress Anon: I can see Felix as the Duke and maybe Jagged Stone as Kosair (but an uncle and not her brother).

I agree with both of those! Jagged Stone as Kosair/Koshar, omg.

Plus, the idea of Luka and Felix being “friends” amuses me.

Anonymous said:

You know, I find Felix/Marinette content to be really funny. Because, Felix in fanfiction is a completely different character than his canon self- with a different personality, background, and maybe even last name. So, the entire Marinette/Felix fandom is literally just Marinette/oc except it's always the same oc

I struggle to get fully behind Felinette because so much of it does rely on fandom interpretation and playing with fanon in general (plus, having to clarify “I ship fanon Felinette” is weird).

I do however agree that it’s interesting that it ultimately comes to a character built on fanon grounds, and how much more acceptance characters get when they’re based on “canon”/originally canon characters.

Anonymous said:

How would you write the Miraculous PV version? Just wondering.

I don’t think I could without drastically changing characters and at that point it’s not really the PV anymore. “Bridgette“ and Felix’s relationship is the exact opposite of what I like to watch/read about so yeah, changing both of them to what I like would either be too severe of a rewrite or me working too far within the restrictions set out for me.

Anonymous said:

There's a YouTube video claiming that someone will figure out that Marinette is Ladybug and that she will suffer...I mean, yeah? Isn't that what we've already been getting? I mean, not the first part, obviously(and when we have, it's been undone), but the second? Have we been watching the same show? No, have we? Because Marinette suffering, sadly, is not anything new.

lol “Marinette will suffer!” and us like “did you seriously use future tense as if Marinette isn’t already suffering??”

Anonymous said:

Am I the only one who feels like Miraculous Ladybug is feeling less like a magical girl show and more like just another superhero show? This isn't even because of "girl power" or anything like that, or the fact that there are male Miraculous wielders like Chat and Carapace and(long dreamy sigh) Viperion. This is because the outfits don't really resemble magical girl outfits at all and, after watching various magical girl shows both in and out of Japan, Miraculous is starting to feel like its genre is shifting from magical girl to that of "superhero" in its broadest term. And I know I said I wouldn't bring up "girl power", but the fact that so many of the girls aren't treated respectfully by the narrative and are pitted against each other, to the point where they're more likely to lose their Miraculouses or reveal their identities(which often culminates in losing their Miraculouses), only adds to this because the Magical Girl genre is about female empowerment and solidarity.

It's sad because I really don't want this show to become one of those shows where "there might be one or two girls, and she might even be the lead, but it's still mostly guys who are front and center doing the heavy lifting" that we get all the time. Things are starting to change for the better and I want Miraculous to capitalize on that emergence of female empowerment as much as possible. Plus, with the New York Special, the magical girl aspects of the show have been toned down if not obliterated entirely: the transformations for the superheroes only last one minute, and they feel more like the Avengers than Sailor Senshi(which I don't mean in the most literal sense, of course, I am in no way saying that none of them can be male.). Plus they pulled the whole "Samus is a Girl" thing TWICE! TWICE! Come on, if you're show is really about girl power, it shouldn't come as a surprise when girls are, well...powerful! And especially not in Magical Girl for obvious reasons.

So while I'm not saying it's bad for a show to shift from the original genre it was meant to be in(although it must be done carefully, otherwise it looks like you don't know what you're doing), and there is of course no wrong way to do Magical Girl(except for Madoka Magica and Yuki Yuna, do NOT go there!), it does make me wonder. And it's kind of disappointing, because I really love Magical Girl and I feel like shows like these could introduce the genre to a wider audience and could renovate it as well. But unfortunately they're going a different direction, and that makes me sad. If not for the transformation phrases/sequences and the fact that they have animal companions, I imagine most people would be totally clueless as to how on Earth this show counts as Magical Girl. It still counts as such for me, but it's deviating farther and farther away from the genre to the point where it becomes nigh unrecognizable, or like even the show writers forgot what genre it's supposed to be. Sadly.

Yikes.

Yeah, I can’t imagine how seeing this show must be like for people that are more savvy with magical girl shows. Me personally, I had to be told that it was a magical girl show because it honestly just gave off the “superhero show” vibes even with the magical girl-esque transformations.

Plus, with magical girls, you usually expect a group of girls? Here, we have Ladybug and Chat Noir, who the writers keep being like “they’re equals” which... yeah, that’s fine but it doesn’t really work with the idea that this is a magical girl show? I mean, “Party Crasher” was basically Ladybug and her reverse harem of superhero guys who just got out of a “males-only” party.

I dunno, coming from someone who doesn’t have a lot of experience with magical girl shows, it just doesn’t have what I would expect when I think “magical girl show featuring a healthy dose of girl power.”

Anonymous said:

I was once reading this review of Miraculous Ladybug called "Miraculous Ladybug is a Hot Mess: A Rant", and while it's a good video and you should watch it and I totally agree with everything she said(plus, it made me laugh a few times!), I had a huge issue with the way she made Marinette's stammering around Adrien to be ALL HER FAULT since he's never mean to her and is always patient with her(yeah, more like oblivious), but that "she's incompetent" and "cockblocks herself", which annoys me because Marinette on her own is not the incompetent one here(I also don't like the term "cockblock", like, can we not? But anyway...), rather, it's the writers who make her incompetent for cheap laughs and don't allow her to improve or let anyone(but Luka, bless his kind soul!) truly be on her side. She then had the nerve to say "Marinette needs to learn to define herself outside of who she's crushing on", when, NO, once again, the WRITERS are the ones who define her by her crush on Adrien.

It's one thing to blame a character for something even when she's clearly written by a writer, because characters are supposed to be consistent yet flexible and have free will in-universe. But when she's written this inconsistently/it's obvious the writers have it out for her(to the point where they even say it) it is nigh impossible to pretend it's an aspect of the character herself and not the writers at fault. THAT'S where you draw the line between blaming the character vs the writer.

In fact, speaking of Luka, she also said that she wants the show to get rid of Luka because he's just a "plot device" and has no reason to like her beyond the fact that she's a "funny girl". She also said that Luka is a stereotype of the "cute bad boys who are emo", when that's blatantly untrue. She's allowed to not like Lukanette but all the things she's saying really ignore the point of his character and that his life DOESN'T revolve around Marinette; the writers simply don't respect him.

Even worse, she contradicted herself by saying that Lukanette is pointless because "we all know that Marinette is going to get with Adrien; it's endgame so why does the show even bother with Luka?" Then right after that says that Kagami's okay and that it's okay for Adrien to move onto Kagami because Ladybug has rejected him as Chat so many times(which is apparently not the case for Adriennette because "MaRiNeTtE's JuSt InCoMpEtEnT" right?). So teenage girls aren't allowed to like other boys or date more than one boy, yet teenage boys can date as many chicks as they like. Nice.

And apparently, any problem in a relationship or potential relationship is the girl's fault no matter what. She can't approach him because Goddess forbid girls not always be perfect and capable? She's incompetent and it's all her fault she can't properly talk to a perfectly nice, cute, FAMOUS boy. She rejects him every time he confesses despite him knowing it will fail. Her fault for being mean and not giving him a chance. She gets tired of chasing him and decides to look at someone else since it's not like she's legally married to Boy #1? She should stick with the original boy since they're gonna get together anyway. He gets tired of chasing her and decides to look at someone else since it's not like he's legally married to Girl #1? She should've realized his feelings for her and returned them since they're gonna be endgame anyway. Has this lady ever even been a teenage girl?

Plenty of teenage girls get tongue-tied around the one they love even if he or she is a perfectly nice, sweet person, it doesn't mean they're incompetent(especially when the girls are fictional characters in a world set out to punish them for not making progress and for trying to make progress at the same time, and the fact that the boy is a celebrity who is always made oblivious and kept distant enough from the girl so she can keep putting him on a pedestal and never truly get to know him). Plenty of teenage girls lose interest in one boy and so fall for another. Yet it's somehow only okay for boys to do it? Seriously?

And then for the episode "Ladybug", the reviewer continues to rag on Marinette, blaming her for the fact that her reaction to getting expelled was "I can't let that nasty Hawkmoth win", claiming she wasn't reacting like a normal teen or human in general would react in that scenario, completely ignoring the fact that it's TIKKI who doesn't comfort Marinette and forces her to focus on her duties as Ladybug and almost getting akumatized. She's right about the plot moving too fast, but she doesn't take into account WHY it's moving too fast, because the show doesn't focus on Marinette's inner struggle and what she has to go through. Instead of giving her time to process her thoughts after all that goes on and providing Tikki as a source of comfort and support(which she's, you know, SUPPOSED to be), they make Tikki berate her and force Marinette to push it to the side.

She's never allowed to feel. And that's why it hurts all the more when this woman insults Marinette for her perceived ineptitude, and she's fully allowed to dislike Marinette, critique her behaviors, dislike Luka, critique his role in the story etc., just don't reinforce a double standard as you do so and look closer: ultimately most of Marinette's problems are due to her not being permitted to FEEL. She's not allowed to be nervously in love, or be calm, or be offended, or be just not ready.

The writers keep pushing her in one direction, to be emotionless, to be selfless, to be nice, to be honest, to be "the mature/responsible one" to be a perfect little "Purrincess", to not push for or want anything for herself, even though the show is supposed to be about girl power! She does somewhat touch on that by saying that Ladybug never gets to "take a hit" and that the Marichat scene in Glaciator was too short, but she never goes into why everything is too-fast paced. And if she did, she wouldn't be saying everything she does about Marinette and Luka. Because Luka is more than just the "plot device" she dismisses him as.

He's like a calm oasis, the apple of the hurricane who keeps Marinette calm and just lets. her. breathe. He's possibly the only person who doesn't berate her, who doesn't mimic her, who doesn't insult her, who doesn't ignore her. And the one time he does, he apologizes RIGHT AWAY when he sees how sad she looks. And the funny thing is, I used to hate that scene, because when I first saw it, I thought "Oh man! Luka did the same thing as everyone else did once!" But now I see that it serves as a contrast, whether intentionally or unintentionally, to the other characters in the show. Whereas they never apologize for how they treat Marinette(and often she somehow ends up apologizing instead, sadly) and in fact seem oblivious to it at times or just don't care, Luka notices, Luka cares, and Luka apologizes. That shows that he cares about her and her feelings, unlike the rest of the characters in the show.

And while they do care about her, they're never held accountable for how they treat her. Anarka and Plagg are probably the only exceptions that I can think of(who contribute to the plot of course), but they're obviously not love interests, and the video doesn't talk about them, so I won't talk about them either. But my point is that this review, while good in other ways, is still problematic in this regard, for how it completely ignores Marinette's struggles and how they affect her, as well as the value of Luka's character(even if the show doesn't recognize it at times) and the POSITIVE effect they have on each other(especially since he actually, genuinely, wholeheartedly loves her and is patient with her, since Adrien is barely even her friend and Chat is pushy and entitled. And he has a life outside of her too, which this video chooses to ignore.)! So yeah, I'm sorry this took so long, but I just had to protect my favorite characters because that video did them so dirty. Thank you for coming to my Lukanette Ted Talk! Have a miraculous day! ;3

...Wow????

Can I just say wow??

Firstly, kudos to you for having the patience to not only write all of that, but simultaneous deal within Tumblr’s limitations while doing so? I almost wish I had a video detailing all of these topics (not exactly a video response to that person, but just detailing all of this without explicitly calling people out).

Secondly, I absolutely, 100% feel you on the double standards. I have seen so much hypocrisy in my experiences and it’s insane how people will bash Marinette relentlessly and then let Adrien off with a bunch of excuses, or hate Luka for essentially existing and then accept Kagami.

I also hate the idea of disliking Luka because he’s there to make Marinette feel better, and then liking Kagami because she causes conflict, like the implication is that conflict equals good and things that make Marinette feel loved and cared for are bad because love square endgame, I guess.

It’s exhausting, especially when Marinette is fourteen, clearly tries, but is getting no support. Like, have you ever thought how weird it was that Tom and Sabine seemingly knew back in “Gamer” that Marinette was crushing on Adrien, but in “Weredad,” they don’t worry about the fact that Marinette is into someone else or wonder what might’ve happened with Adrien, like if he might’ve hurt her in some way? If the assumption is, “oh, they just think that’s a teenage thing, flip-flopping between love interests,” well... Tom clearly takes what he thinks to be her current crush very seriously, and even if it was true that they presume she’s just flip-flopping, that really doesn’t show them to see Marinette as more than just a clumsy teenager-in-love stereotype.

So yeah, the characters who are meant to be there to support her ask no questions, but here’s Luka with his sweet “you can tell me everything or nothing, you can be yourself around me,” line, and yet... Luka is the problem???

Sure, how dare this sweet boy NOT cause Marinette more stress. He makes Marinette feel better about herself and therefore he’s “pointless” (which, really, is the true mark of someone who doesn’t care about Marinette).

Ugh.

But yeah, in conclusion, people can have insane double standards when it comes to Luka and Marinette, and thank you for the Lukanette Ted Talk, this was a really good piece! You have a nice day too! ;3

(note: the below ask seems to cut short at the end and I didn’t get a message back about it but I at least wanted to have it here so the anon has (most of?) their story heard even if I can’t properly comment on it:)

Anonymous said:

Relating to the ask about Marinette imagining the events of the series. For me it would be realistic as I sort of see myself in her position for some parts, especially how her friends are represent (mainly Alya) and I can see myself picturing the events of the story (surrounding them) to some extent.

I'm continuing on to explain and rant about how I relate to Marinette. So about Alya's pushiness with Marinette's crush and how she won't let her move on. I used to be sort of friends with this person and one day we hanging out at school and she started badgering me to tell her who my crush was, even though I told her I didn't have one (I didn't have one but even if I did it wasn't her business, especially because we hadn't really interacted for a couple years).

She pressured me enough that I felt the need to make up a person, then she called me out just after I did it because she knew I was lying but didn't realise how uncomfortable I was lucky we were by ourselves so no one could hear how embarrassing it was. It still is but I sort have gotten over it (that's why I'm hear complaining). For her being made to sit by herself because everyone else paired of, I can relate.

I have never been the person who is really close with the friend group (probably because I'm quiet and struggle to interact with others), but I still I hang out during class time, but there have been times when two of the friends sat together and the other friend chose not to sit with me but just in front of me (the tables can fit two people at them) until one friend I went to primary school asked "what about [me]", so them she sat next to me.

The person I went to primary school with also has chosen to sit with the person who was not to sit with me so she could sit closer to the other two friends diagonally across from me on the table next to mine. I can understand Marinette in The Chameleon for how she would of felt when her friends turned in because I am left wondering if my friends even like me, although primary school friend sometimes tried to get to wait with them when we were waiting for the teacher to show up.

As I mentioned earlier I anxious when trying to interact with people who are even considered my friends so I wait for them to invite me to hangout with them. And for the ending of The Chameleon when everything went back to normal, in primary school we had this task we were told research a person and write a biography on them so as the teacher told us we were writing a good copy and the work in our books was a rough draft.

I wrote the information down as I would the good copy to make sure I was happy with it. When we were writing the good copy, I started to worry I had done something wrong as I had seen my friends work and they bith had just written down the facts. So as my friends and I kept having arguments and fights so I told them that I hoped I remembered to spell all the names correctly because they were not names I was knew how to spell which was true so they didn't question it as I could tell they did

#category: salt #character: Marinette Dupain Cheng #relationship: love square #character: Adrien Agreste #category: fandom #MC: Audrey Bourgeois #episode: Chat Blanc #character: Emilie Agreste #character: Caline Bustier #relationship: Alya Cesaire & Marinette Dupain Cheng #episode: The Puppeteer 2 #MC's Adjustments #adjustment: romance #category: staff #character: Clara Nightingale #episode: Silencer #relationship: Luka Couffaine & Marinette Dupain Cheng #relationship: Felix Graham de Vanily & Marinette Dupain Cheng #other: askplosion

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dwellordream · 3 years

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“...Today, most – though by no means all – free countries (along with a number of rather unfree ones) have shifted from mass conscription based militaries to professional, all-volunteer militaries. The United States, of course, made that shift in 1973 (along lines proposed by the 1969 Gates Commission). The shift to a professional military has always been understood to have involved risks – the classic(al) example of those risks being the Roman one: the creation of a semi-professional Roman army misaligned the interests of the volunteer soldiers with the voting citizens, resulting in the end (though a complicated process) in the collapse of the Republic and the formation of the Empire in what might well be termed a shift to ‘military rule’ as the chief commander of the republic (first Julius Caesar, then Octavian) seized power from the apparatus of civilian government (the senate and citizen assemblies).

It is in that context that ‘warrior’ – despite its recent, frustrating use by the United States Army – is an unfortunate way for soldiers (regardless of branch or country) to think of themselves. Encouraging soldiers to see themselves as ‘warriors’ means encouraging them to see their role as combatants as the foundational core of their identity. A Mongol warrior was a warrior because as an adult male Mongol, being a warrior was central to his gender-identity and place in society (the Mongols being a society, as common with Steppe nomads, where all adult males were warriors); such a Mongol remained a warrior for his whole adult life.

Likewise, a medieval knight – who I’d class as a warrior (remember, the distinction is on identity more than unit fighting) – had warrior as a core part of their identity. It is striking that, apart from taking religious orders to become a monk (and thus shift to an equally totalizing vocation), knights – especially as we progress through the High Middle Ages as the knighthood becomes a more rigid and recognized institution – do not generally seem to retire. They do not lay down their arms and become civilians (and just one look at the attitude of knightly writers towards civilians quickly answers the question as to why). Being a warrior was the foundation of their identity and so could not be disposed of. We could do the same exercise with any number of ‘warrior classes’ within various societies. Those individuals were, in effect born warriors and they would die warriors. In societies with meaningful degrees of labor specialization, to be a warrior was to be, permanently, a class apart.

Creating such a class apart (especially one with lots of weapons) presents a tremendous danger to civilian government and consequently to a free society (though it is also a danger to civilian government in an unfree society). As the interests of this ‘warrior class’ diverge from the interests of the rest of society, even with the best of intentions the tendency is going to be for the warriors to seek to preserve their interests and status with the tools they have, which is to say all of the weapons (what in technical terms we’d call a ‘failure of civil-military relations,’ civ-mil being the term for the relationship between civil society and its military).

The end result of that process is generally the replacement of civilian self-government with ‘warrior rule.’ In pre-modern societies, such ‘warrior rule’ took the form of governments composed of military aristocrats (often with the chiefest military aristocrat, the king, at the pinnacle of the system); the modern variant, rule by officer corps (often with a general as the king-in-all-but-name) is of course quite common. Because of that concern, it is generally well understood that keeping the cultural gap between the civilian and military worlds as small as possible is important to a free society.

Instead, what a modern free society wants are effectively civilians, who put on the soldier’s uniform for a few years, acquire the soldier’s skills and arts, and then when their time is done take that uniform off and rejoin civil society as seamlessly as possible (the phrase ‘citizen-soldier’ is often used represent this ideal). It is clear that, at least for the United States, the current realization of this is less than ideal. The endless pressure to ‘re-up‘ (or for folks to be stop-lossed) hardly help.

But encouraging soldiers (or people in everyday civilian life; we’ll come back to that in the last post in this series) to identify as warriors – individual, self-motivated combatants whose entire identity is bound up in the practice of war – does real harm to the actual goal of keeping the cultural divide between soldiers and civilians as small as possible. Observers both within the military and without have been shouting the alarm on this point for some time now, but the heroic allure of the warrior remains strong.

...But as I noted above, we’ve discussed on this blog already a lot of different military social structures (mounted aristocrats in France and Arabia, the theme and fyrd systems, the Spartans themselves, and so on). And they are very different and produce armies – because societies cannot help but replicate their own peacetime social order on the battlefield – that are organized differently, value different things and as a consequence fight differently. But focusing on (fictitious) ‘universal warriors’ also obscures another complex set of relationships to war and warfare: all of the civilians.

When we talk about the impact of war on civilians, the mind quite naturally turns to the civilian victims of war – sacked cities, enslaved captives, murdered non-combatants – and of course their experience is part of war too. But even in a war somehow fought entirely in an empty field between two communities (which, to be clear, no actual war even slightly resembles this ‘Platonic’ ideal war; there is a tendency to romanticize certain periods of military history, particularly European military history, this way, but it wasn’t so), it would still shape the lives of all of the non-combatants in that society (this is the key insight of the ‘war and society’ school of military history).

To take just my own specialty, warfare in the Middle Roman Republic wasn’t simply a matter for the soldiery, even when the wars were fought outside of Italy (which they weren’t always kept outside!). The demand for conscripts to fill the legions bent and molded Roman family patterns, influencing marriage and child-bearing patterns for both men and women. With so many of the males of society processed through the military, the values of the army became the values of society not only for the men but also for women as well. Women in these societies did not consider themselves uninterested bystanders in these conflicts: by and large they had a side and were on that side, supporting the war effort by whatever means.

And even in late-third and early-second century (BC) Rome, with its absolutely vast military deployments, the majority of men (and all of the women) were still on the ‘homefront’ at any given time, farming the food, paying the taxes, making the armor and weapons and generally doing the tasks that allowed the war machine to function, often in situations of considerable hardship. And in the end – though the exact mechanisms remain the subject of debate – it is clear that the results of Rome’s victory induced significant economic instability, which was also a part of the experience of war.

In short, warriors were not the only people who mattered in war. The wartime social role of a warrior was not only different from that of a soldier, it was different than that of the working peasant forced to pay heavy taxes, or to provide Corvée labor to the army. It was different from the woman whose husband went off to war, or whose son did, or who had to keep up her farm and pay the taxes while they did so. It was different for the aristocrat than for the peasant, for the artisan than for the farmer. Different for the child than for the adult.

And yet for a complex society (one with significant specialization of labor) to wage war efficiently, all of these roles were necessary. To focus on only the warrior (or the soldier) as the sole interesting relationship in warfare is to erase the indispensable contributions made by all of these folks, without which the combatant could not combat.

It would be worse yet, of course, to suggest that the role of the warrior is somehow morally superior to these other roles (something Pressfield does explicitly, I might add, comparing ‘decadent’ modern society to supposedly superior ‘warrior societies’ in his opening videos). To do so with reference to our modern professional militaries is to invite disastrous civil-military failure. To suggest, more deeply, that everyone ought to be in some sense a ‘warrior’ in their own occupation sounds better, but – as we’ll see in the last essay of this series – leads to equally dark places.

A modern, free society has no need for warriors; the warrior is almost wholly inimical to a free society if that society has a significant degree of labor specialization (and thus full-time civilian specialists). It needs citizens, some of whom must be, at any time, soldiers but who must never stop being citizens both when in uniform and afterwards.”

- Bret Devereaux, “The Universal Warrior, Part I: Soldiers, Warriors, and…”

#writing #warfare #bret devereaux #ancient #roman #medieval #history #the universal warrior

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aresrl · 3 years

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I hihi I am!!! A little nervous w/ doing this bc I've never done this b4 so please bear🐻 w// me💦 May I request a match up? A vision, a romantic partner and maybe a friend and/or enemy? If that's too much feel free to just assign me a vision + partner, ehe/// Preferably male for a romantic match-up, but either gender is fine with a friend and enemy match-up^^ I tried to be as detailed as possible but I think I ended up just ranting, so im v v sorry if it's long! I sort of fluctuate when it comes to being an introvert/extroverted. W// strangers and irl, I'm very introverted and shy!! Rarely speak and if I do it's just the usual "Hi how are you? That's good. I'm good too, thank you for asking:)" yeayea I'm not too. Keen on social interaction irl. But I always do my best to be very nice!! I never wanna come off as mean bc wow what a bad first impression that would be. But with friends / ppl ik online?? Whew I am very very friendly n chatty ^^ Either very high energy or very chill, there's rarely any inbetween. Sometimes I like to jokingly tease my friends but I'd never go too far / make them uncomfortable!! And if I do I always apologize right away!! I like to say that I'm affectionate?? My strongest love language is def physical affection, if not quality time. Idk man there's just something about vibing with someone or hugging them that just aaaaa/// Although I usually display affection w// words of affection bc. Literally most of my friends are online friends so I can't actually hug them, sad times. Idk if this is needed/important info but I just remembered: I'm 5'6 around??? Need glasses bc. Whew i am blind (near sighted), I'm poc (specifically black) anndd, hm. Actually I think thats it for this section, aha. As you can see I'm, not really all that organized. Also I don't have the best attention span - while writing this I'm circling between 4 different apps - and I'm a bit of a mess. And also a little stupid. Just a smidge dumb. But I have my moments - I solved like. 2 puzzles in Inazuma by myself so I think that counts for something. I also find that I tend to talk a whole lot when I have an idea or smthn to say abt a thing I'm super interested in!! That's info-dumping. I info dump. Yes. I also really like to listen to other people talk abt things they like!!!! Its so nice :) I'm protective over people I care about!! I've never done it but 100% would bark at someone who messed with someone close to be. Arf arf yaknow. I tend to he impulsive. I'll do something, and be all "YEAH>:D" and then regret it later. And then I'll do it all over again in a fun little cycle :) I consider myself an optimist, but quickly turn into a pessimist whenever it concerns myself. Fun funfun. Should probably mention that I am. A very insecure person w/ dangerously low self esteem, which is super fun esp when you mix that with the fact that I'm rarely ever motivated to improve. Yayayay Also sort of a pushover?? Like most often than not I'll be convinced to do something, even if I'm not too keen on doing it. Also afraid of confrontation when it comes to my friends and strangers (that is, if it's concerning me!! I'll order smthn for my friend but if I need to order for myself?? uhh stutter time aha). I'm also a mega simp ahah! Srsly though if I fall for someone/get infatuated with someone I. Will be so obvious abt it even though I try very hard not to be. Would gush over that person probably. I don't really like mean people tbh. Like yes I'll be nice and civil with them but!!! I cannot stand!!! Rude people!!! Esp when they're mean for no reason like sir??? maam??? homie??? chill pls ty<3 People who aren't necessarily mean, but moreso have bastard energy and are just really "hehe>:D" but playfully are p poggers tho!!! I think I get along with kids!! I have a little sister,, around like. Nine? And we get along really well!! I also try and match a kid's energy whenever I'm tasked with looking after them. I take pride in the fact that kids like me >:].... even if they sometimes scare me-- Ok, interest time!!

I like art!! Quite a bit!! Less of a realistic artist and more of a cartoonist!! Idk there's just something fun abt drawing cartoons, hehe. I also like self ships - I have quite a bit of them, actually ! Idk its comforting drawings your fictional crushes loving you idkidk. I like writing too! Both original stories, and one-shots or personal fics that are associated with already created media!! Writing character backstories and personalities and stuff is also fun too! I've even made my own fictional world with a full fledged backstory n everything! It's very fun to think about. I'm a day dreamer!!! Yea remember when I said I write stories? I day dream abt potential stories even more. Mmm daydream world so nice so warm so fun I read aswell!! Mostly fantasy books, or stories where animals are the protagonists. Think Warrior Cats. But my favorite book series has got to be Guardians of Ga'Hoole. Fantasy owl books, anyway! X Readers are also things I enjoy reading :) Again, s I m p Also gaming!!! Is something fun I do sometimes!!! Although it's usually Genshin Impact, or Wii Sports/Resort w// my little sister. Oh, also pokemon! I rlly like Primarina, Vaporeon, Sylveon and Vulpix/Ninetails! I absolutely adore sweet foods, and baking is smthn I'm def interested in! Don't like foods w// weird textures though, like beans or mashed potatoes. Also I. Love spice so much. Mmm love it when my mouth burns so bad. Don't have a favorite animal but I've had three cats in my lifetime (btw not important but my current cat is named Sylvester and. He's my baby boy) so I am. A very big cat fan. Probably not needed but I really like sword and claymore characters. Literally all of the characters I main are either sword or claymore users. Although I did get Diona, so I miiight start forcing myself to learn how to aimmm. I see that I tend to like people/characters that are a little more extroverted than me. Upbeat, happy type beat!!! Nice sunshine babies, :) I think thats it! I hope this was good enough? Again, first time doing this (at 2am nonetheless) so forgive me if I got too rambly or did anything wrong ^^ Thank you for taking the time out of your day to read this! And I hope your day is good / you had a good day, depending on when you read this, ehe!

Hey! Sorry if the wait has been long! I also love Warrior Cats (I promise myself, one day I'll finish it.)

You received... A Pyro vision! Optimistic, enthusiastic, impulsive, reckless, and a lot of energy are the general characteristics held by the Pyro vision. • I hesitated between the Pyro and Hydro vision, but your energy distinguishes you from the Hydro vision. • You said you were impulsive, always doing something you might regret later but still doing it. • You react quickly: as you said, if somebody hurt someone you love, you won't think twice before barking. Your partner would be... Xingqiu! “This feeling was unexpected.” • At first, you were just friends, and Xingqiu really loved to tease you. Actually, you both teased each other. But eventually, a feeling of love towards you grew into Xingqiu. And that was reciprocated. • Your relationship is filled with teases, jokes, and good/funny moments where you mostly share what you commonly appreciate. • He also knows when to get serious: for example, he does everything to support you during your moments of struggle concerning your self-esteem. Your friend would be... Childe! “Luckily, I'm here!” • You two also share funny moments, especially during situations where your “stupidity” is overtaken by his insight. • Sometimes, he finds you cute. • He likes the fact that you get along well with kids. It leads you to great moments with him and his siblings. • You're quite the opposite in terms of self-esteem. I think it's a good thing because it makes you complementary. Your enemy would be... Albedo! A misunderstanding. • You wouldn't hate each other, but I think Albedo wouldn't like the way you use your energy, and when you're more in a chill mood (meaning you're more available for him to talk), he could get pissed at how much times he'd have to repeat himself for you to understand something. • He's very patient, but he understood quickly that his interests would maybe not be within your reach. • You would just be too different. Worth to mention • You and Venti are like drama queens in Mondstadt. You are good friends. But you both know that you can't be more, as it would eventually both drag you down (because of similar problems). • Klee is also your best friend: both of you share decisions that you definitely will regret later. Or maybe not. • Hu tao and you are kinds of silently competing over who's the best tease, and she beats you. My goal is definitely not achieved. I hope I can catch up tomorrow. And don't worry, it was surprisingly good for a first description!

#genshin request #genshin matchups #genshin #genshin impact

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national-nobody-writes · 4 years

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2020 Creator Wrap

2020 Creator Wrap: Favorite Works

I was tagged by the oh so talented @irolltwenties!

Rules: it’s time to love yourselves! choose your 5 (or so) favorite works you created in the past year (fics, art, edits, etc.) and link them below to reflect on the amazing things you brought to the world in 2020. tag as many writers/artists/etc. as you want (fan or original) so we can spread the love and link each other to awesome works!

I’m not a particularly prolific writer (WIPs for days, but completed projects? Not so much). Somehow in this hell year though, I did manage to complete more fics than in any previous year for a total of seven new works (~49k words, all on ao3), plus a chunky chap of a long running WIP (~20k words) so I’m actually pretty damn proud of myself! I also made some new fandom friends in 2020 which has easily been one of the biggest delights of the year & has definitely helped my creative momentum, so ty all for that. <3

Counting down from 5, here are my favs:

5. Downtime

I have endless love for JayRoy and it felt so good to finally finish something for them for once this year! All of my past WIPs primarily focused on them ended up firmly in my graveyard folder, including the fic that this one shot was originally meant to be connected to. I liked the way this turned out well enough to clean it up and post it on its own though, so at least now I can say that I have something published for them at last.

(Also it got me back into the JayRoy headspace enough to outline a whole YJ/Earth16 JayRoy fic that I’m excited to start drafting in 2021, so we’ll see where that goes...)

2.3k NSFW; A mix of playful sweet and roughness, just like them.

4. Mirror Image

Bluepulse Week really saved me this year in terms of forcing me to just write, damn it! Did I finish all the prompts this year? Nope. Did it get me to complete a handful of fics that I ended up really loving? Yes. This was one of them.

This fic zoomed into existence entirely out of necessity as an alt idea to a prompt that I had a much longer idea for, but didn’t have time to complete. It then got a positive enough reception that I decided to turn it from a crack-adjacent, passable one-shot to a slightly more developed two-shot by request of one of my commenters. Really, it was writing that second chapter that ended up endearing the fic to me.

6.3k Humor, time travel shenanigans & accidental dating. This fic is the sweetness of teenage crushes, the confusing mess of discovering your sexuality, & laughter with your best friend.

3. Soft Wesper One Shots

Would you look at that, another nsfw piece. Could it be that I’m starting to get to the point where I can look back at completed nsfw fics without cringing terribly? Love that for me.

This fic took me by surprise, tbh. I wouldn’t consider myself a part of the grisaverse fandom (I’m utterly ambivalent toward the OG trilogy & have no plans to read them), but I did fall deeply in love with the whole Six of Crows gang earlier this year to the point of having quite the book hangover afterward, unable to pick up anything else except related fanfic for a couple weeks straight. These fluffy, nsfw scenes were born out of that, and I was pleasantly surprised to see such a positive response to them in the comments. The whole SoC gang has my heart, but the dynamic between Jesper and Wylan in particular got my writing fingers itching.

3.7k Domestic, post-canon fluff & tender sex with flirty Jesper & blushing Wylan abound.

2. Stick With Me

Ohh, I still get warm fuzzies thinking about this fic! If I’m only low-key proud of the first three on this list, this is one I’m legitimately very proud of. I had this idea on the docket already from a convo with @ivyxwrites early this year (or maybe last year? who knows, time means nothing anymore) but used Bluepulse Week as the excuse to finally get started, and I ended up adoring the process of writing it far more than I anticipated.

As much as I love planning out meticulously crafted, plotty stories, sometimes all you want to do is pick some well-loved tropes out of a hat instead and run with them (in this case: stuck in a cabin, only one bed, & heated argument leading to confession). It was freeing to just mess around and have fun with this fic, knowing pretty much right from the get-go how I wanted it to unfold and seeing it so vividly in my mind. It also probably helped that I was writing it for Ivy; it’s much easier for me to stay motivated when creating directly for my friends.

Finishing this was also such a serotonin-filled burst of pure victory for me since, as previously stated, I’m terrible at finishing projects--particularly multi-chap fics, particularly within a decent timeframe.

25.5k A showcase of the essence of what I love about the best friends-to-lovers dynamic. Part character study, part wires getting crossed & uncrossed, and whole idiots to lovers. This fic is the warmth in the pit of your stomach from a yearning made real & the sudden clarity of realizing what you were looking for had already been there all along.

1. The Rest Pt 1: Delicate (Remember Me Chap 4)

Oh, Remember Me. Of everything I’ve ever written, this story remains the one I’m most proud of and certainly the closest to my heart (not to mention the longest running, whoops). The first iteration of the beginning of this story was actually drafted back in 2017, but I walked away from it for a couple of years before deciding to dust it off and try again. It has spiraled into something far bigger in scope than I originally planned for, but I’ve come to love the path it’s led me down so far, and finishing this whopping 20k chunkster of a chapter was like breathing a huge (if temporary) sigh of relief.

This chap was particularly cathartic to write because it allowed for a number of convos between the boys that had really needed to happen, and was finally the ‘getting together’ moment the fic had been building toward for a while. It’s also so sappy I could die, but I will not be apologizing for that, lol. I was really hoping to get Chap 5 up this year as well, but y’know. Sometimes things just don’t work out like you plan for and that’s okay.

Chap 5 does have 17k done already (with prob another 5-8k still to go) & I’m itching to share it, but no sense in rushing if the end result would suffer for it. Luckily, everyone in comments has been kind enough to beat me over the head with ‘take your time, we don’t mind/we’ll still be here!!!’ which I’m immensely grateful for. So, at least the pressure to hurry up and get it done is purely self-inflicted.

Of all my works, this fic has not only gotten the most passionate responses, but has also been the main gateway for me to interact with other bluepulse creators, which has been a real joy. Nothing brightens my day like the essays people leave me over there from time to time after discovering the fic. That kind of engagement is the highest praise, & responding is very self indulgent fun for me (bc, clearly, I could go on and on about this fic & YJ in general forever).

54.8k total so far (WIP). Bart & Jaime’s relationship journey from beginning to ‘current day’ (aka the moment the fic begins), using amnesia/memory restoration as a framing device. The high highs and low lows of first love, navigating a 3 yr age difference, and the long, winding road from best friends to lovers as the years roll on. Slow-burn-adjacent (in terms of both the boys’ relationship to each other and reader’s relationship to the fic bc of how long I take between goddamn updates).

Tagging @ivyxwrites, @incorrectbatfam, @paintingwithdarkness, @bluepulsebluepulse

#writing #fanfic #dc #young justice #bluepulse #jayroy #wesper

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sendmyresignation · 4 years

Text

alright. writing this “little” piece to exorcise the demon inside of me that wants to expand my teenagers meta further than it needs to go (if you weren't aware I'm writing a post, well an essay, wellll a short paper, about why teenagers fits on the black parade- stay tuned) BUT i cannot stop thinking about the multiple little "rockstar to kill" moments within the song/music video/live performances so... I'm self-indulgently going to write about it :)

anyway, at its most simplified, teenagers is a song about the violence within adolescents and being an adult whose afraid of that capability. that is the basic, surface-level understanding of the song. inherently, with mcr specifically, that sets up a conflict between the narrator of the song and the song’s audience. that means conflict is generational- it duplicates itself over and and over which allows for several different understandings of the narrator’s perspective. the cyclical nature means they could be speaking to a representation of what they view as the fundamental corruption of the youth, both by outside focuses and their very human nature, as the narrator become more cynical in their old age. it could be representative of them talking to their past self, reminiscing on the revenge fantasies they had in high school or the ways they were made to feel like an outcast when they were young. and they also could be speaking directly to the very literal future about their concerns as a mentoring figure (teenagers, to me, functions in layers, its interpretation can shift and change depending on the context) right now we’re preoccupied with that last perspective both within the song and the video’s contextualization, and into this wider idea of what the band’s purpose was (or how they saw their purpose).

putting the rest under a read more out of respect <333

moving into the actual text with that in mind, what becomes significant is the tonal contrast between being the seemly scathing, sarcastic indictment of Dangerous Teenagers on the surface to the actual understanding (if we’re talking about the single on its own) which is moreso criticizing the Authority figures who create and mold this violence either purposely (cog in the murder machine) or with indifference (you’ll never fit in much/they’ll leave you alone/as well as the implication of having to take matters into your own hands because the adults are absent). As a result, the song, on its own, isn’t actually blaming teenagers for the violence they perpetuate, but the narrator attempts to extend their understanding and offer advice. here is a figure looking to bring catharsis without patronizing. like this is most clearly expressed in the use of “maybe they’ll leave you alone, but not me” at the end of the chorus, which in this reading means the other adults may leave you alone, the but I am stepping in to tell you that both self-directed and outward expressions of violence are bullshit and useless and that’s what everyone else is expecting of you so fucking stop it! (this can obviously be re-figured within the context of the album- because, interestingly, the pronouns are purposely confusing with the multiple uses of they in this section) the violence is never explicitly vilified by the speaker,- its exaggerated- what you have under your shirt won’t solve anything isn’t that obvious how ridiculous it sounds, how ridiculous I sound saying it out loud? but also, the violence is implicit. the conflict is still there. the teenagers still scare the shit out of the narrator. so what gives?

well. the song is still about the gulf between generations. the speaker is still afraid and out of touch, regardless of the leadership role they’ve assumed or the perspective of the past they can offer. there is ultimately a limit to how much they can give.

which leads us right into the music video.

So first things first, Black Parade as a whole is heavily inspired by Pink Floyd’s The Wall musically, but the actual aesthetics of the wall are kind of divorced from the ww1 cabaret weimar thing that parade is drenched in (bc britian circa the 1950s is boring and the wall is purposely very ugly and grey and removed from emotion which isn’t dramatic enough for what mcr had in mind). However, teenagers exists as a sort of connecting point between the two- the music video of Another Brick in the Wall Part 2 (which you can watch here if you’ve never seen it) is clearly an influence on the subject matter and the setting and the “plot” of teenagers video- it serves as a sort of a parallel to it. more specifically, there are the “running shots” of kids making their way through unlit hallways into the auditorium that evoke the children in the pink floyd video marching through the school. there’s also the line “cog in the murder machine”, which seem particularly inspired from the depiction of children as going through machines and coming out the other side stiff, wooden, and obedient. then the backdrop of the large bomb centered in my chem’s stage show mimics the shot of the headmaster standing behind the large, lit up clock- especially since that where the teenagers in the crowd of mcr’s video all begin acting in unison, similar to the children in the wall all falling into line (but, like, just the use of ww2 era bomb imagery and gas masks in general is very reminiscent of the early wartime parts of the wall anyway). so in a vague sense, there is a huge connection between teenagers and that emulation and replication of the wall.

however, the most striking similarity is that, in the same way the students destroy their school in a moment of violent inspiration after sequences of disconcerting compliance, the group of high schoolers in teenagers do the same against the band. the difference is that in the case of the teenagers, the explosion is directed at the source of their outburst (they switch from the on-beat fist-punching to wild moshing as the song devolves and ray’s solo starts) instead of in opposition to a more institutional suppressive force. they are not motivated to action because of something done to them, instead it is the actual music itself that serves as both the impetus of conformity and the fuse that destroys that same unison action and then the band. and what’s significant is the particularity of the actions the crowd takes: they steal the band’s instruments from them and they bodily remove gerard from the microphone. like contrast this violence against the band vs the desolation row video where the whole band is physically incapacitated- there, its about knocking them around and getting them to stop (ray is beat down by police, bobs drums are destroyed, etc etc). but here, its about taking their places- the act of destruction is calculated but not purposely cruel. so, in teenagers being a parallel to Another Brick, that moment of turning on the band is the moment of violence but is also the moment of freedom. the difference in the two becomes the ways in which the band is responsible for reawakening the fire within the audience and giving them a purpose. which here is “killing the rockstar” by taking over, taking their places. and that is the nature of music and the nature of the conflict implicit to becoming the “rockstars”

it brings us right back around to that generational conflict: except when your talking about mcr’s realationship with their audience, that becomes the fostering of a group of outcasts and weirdos and freaks and giving them the tools to save themselves, yes. but also giving them the opportunity to do exactly what they did. to pick instruments and take their places. its the cyclical nature of creation and destruction “because when we get old and lazy some of you guys are gonna have to eat us alive by starting your own fucking band (x), that idea of needing a “rockstar to kill” has been refigured to mean something newer, positive. we are the ones killing them, but not in the way of typical martyring where a crowd of detractors and nonbelievers burns you at the stake- but instead by continuing the natural cycle of art, true genuine art. just as mcr is built off of so many influences- creating an entirely new project out of that existing landscape of sound that reaches people and gives them an outlet, we are doing the same things. by besmirching metal and punk by mixing them together, by “selling out” so they could put together a rock opera, by adding theater into a hyper masculine culture of nu-metal and post-hardcore, by making deeply emotional music that was still violent or angry, by writing the way they did they killed the bands they loved and made something better. its the the way in which the creative cycle is a rebirth, of scavenging the good things from the people who came before you and moving forward and taking the world by storm. here, in the video, the audience redirects their violence at the band, yes. but that is the point. teenagers still scare the shit out of the narrator, but that’s not going to stop them from reaching out, from speaking to them directly, from performing until their very last moments

until they take over. until they kill the rockstar. until we eat them alive.

in the end, that is the mission of my chemical romance, isn’t it- to inspire that level of passion, to turn the music into a life-raft and then gasoline and fire in your gut and then a sense of purpose and then into freedom and endless joy? and isn’t it the greatest act of love, the truest expression of admiration to tear them apart, build ourselves creations out of the wreckage to fill the space they leave behind, and then lay them to rest when the time has come?

#my brain. is crazy :) enjoy :)#mcr assigned reading #my posts

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cherryonigiri · 4 years

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Kuroo w/a confident + active S/O

@onedayiwillcreatecoolernickname asked: im a confident person, whats visible both in my looks and personality. i love standing out of the crowd, so wearing extravagant clothes and crazy hair colors is something that im well known of. but i dont have a particular aesthetic, so my clothing style is various (grunge, pastel, boho, sexy, vintage, tomboy; basically everything). even though im 170 cm tall, i like wearing high heels a lot and tbh, it doesn't make me feel awkward or insecure when i'm being taller than some boys. i often end up as a leader of the group and i think im a good one, because i have almost all the required qualities (creative patient helpful observant talkative), and every project that i take a part in is successful, so. but talking sbout ppl; i love taking care of them so much, seriously. youre cold? here, take my jacket. its getting dark already? dont worry, ill take you home. youre feeling anxious? lets talk and ill try my best to make u feel at ease. you need a hug? come here bby. as much as i enjoy discussing with other ppl, learning about their beliefs and exchanging my opinions with them, i also appreciate it a lot when we can be silent with each other, doing totally different things. but still, im happy the most when i have someone with whom i can have a deep conversation, because im not really into small talk. i need stimulation, the feeling that im constantly learning something new about everything. im just so fascinated and in love with the world haha. and maybe some facts about me. im cuddly and affectionate af with people that i like (and bcs of that other ppl that i must be in relationship with my friends, but its all platonic gay i swear). im ticlish and in general, touch-sensetive af. i identify as pansexual. i have 0 male friends, mostly because of my past bad experience with boys (bullying etc), but also because in my environment theres a lot more girls, so yeah. at home i often wear shorts and tshirts, because im quite hot ; ) im really into personal development and psychology, because people and their minds fascinate me and id want to know them better. i love learning new languages (im fluent in polish & english, less advanced in spanish and russian, but im still learning), writing both my own stories and letters, i also draw a little and i think im quite good at it. volleyball is definitely my favourite sport, but i enjoy running, cycling and matrial arts too.

A/N: Last of my matchup requests! Hope you enjoy 💖

Your matchup is

Kuroo Tetsurou

Loves that you are super confident + self-reassured. You know what you’re capable of and not afraid to assert that you’re good at what you do (he finds your confidence super attractive)

Another thing Kuroo loves about you is your undending curiousity - he loves that you always want to learn something new

Would totally flirt with you by texting/telling you fun facts about science or anything else - would pay attention to whatever you are interested at the moment and then go home and research fun facts to share with you

Enjoys studying together with you - he likes that you try to find meaning in what you’re learning + apply it outside of how to score well on exams

Studying together is something you look forward to because the two of you just being with each other - you don’t necessarily have to go out on a “formal” date to spend time with him.

You just enjoy having his presence around - since you appreciate + value silence I feel like a lot of times you would just lounge around in the house and not really do much

That being said - you are both people who like to have things to do most of the time - so he makes the effort to take you out on regular dates

You guys probably love going to museums + different exhibitions/galleries around the city since you both enjoy learning more about the world

Aquarium dates??? YES.

I feel like Kuroo loves your sense of fashion/style and would love to try to coordinate outfits to match or pair well with each other. If you want he would be down to have you style him for the day

Would understand if you were uncomfortable around his friends/team at first - but hopes that you will eventually be able to get along with them

If you are open to hanging out with/socializing with the boys’ volleyballl team he’ll be really aware of the situation/atmosphere and make sure that you aren’t uncomfortable

If you get close with the team,yYou two probably co-parent his volleyball team - you’re probably the unofficial manager/mom of the team (sorry yaku)

Will often hold study/review sessions for his team and you always seem to have plenty of their favorite snacks/foods

Vice versa I think Kuroo would put forth a genuine effort to get to know your friends - he is big on reciprocation and really appreciates how much time you spend getting to know his friends

Wouldn’t mind sitting with your group of friends during lunch and chatting with them - if your group of friends doesn’t mind + he isn’t intruding he’d be happy to hang out with you all on the weeekends

If you’re interested in learning Japanese he’d be more than happy to help whenever you need it.

You’re good at getting a grasp on the basics but helps with the more complex stuff + stuff that is related to culture/history + idioms or sayings that don’t make sense when translated literally

Probably asks you to teach him English/Polish or you two decide to learn a new language together.

Kuroo definitely is very physically affectionate (aka. Look at my cuddling hcs for him) but isn’t the biggest on PDA

He prefers just having some kind of physical contact with you - like holding your hand, arm around your waist/shoulder - occasional kisses on the cheek/pecks on the lips but nothing over the top

Would love it if you play volleyball casually with him - maybe a group of your friends + his friends together could spend a day on the beach playing volleyball together

I feel like the two of you would be a couple that likes to work out together/try new things together

Morning runs together are fun - it gives you the extra motivation + it’s a nice way to spend some time with Kuroo

#kuroo x reader #Kuroo Tetsurou #kuroo tetsurou x reader #haikyuu x reader #haikyuu matchups #haikyuu!!#haikyuu imagines #kuroo tetsuro #kuroo tetsuro x reader #nekoma

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grimmori · 4 years

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Hello I just wanted to ask what made you start shipping Kingsmith? Could u also talk about some headcannons u have for Quentin? Love your art!

hey! thank you so much, I'm glad that you like my art! ;u; honestly, that means a lot. gives me motivation to keep posting!

as for when I first started shipping kingsmith.... I don't really know honestly! it my eyes it's kind of a crack ship xD but they're both my favorite characters, and they turned out fitting really well together (in my opinion of course). I like that they challenge each other, both in play and in seriousness, instead of one just being a push over, y'know? I like relationships most where the characters gain from each other and learn to better themselves with the help of an unlikely friend/lover. and I think that's them perfectly. David learning to give people the benefit of the doubt and giving him a reason to give a shit; Quentin learning to lean on others and trust his friends.

as for my hcs on Quentin, here's some!

-he's incredibly forgiving, even to those who don't necessarily deserve it. believes in innocence until proven guilty and all that (inspired by him mistaking Freddy as innocent after his dip in the pool in the movie)

-he had to train himself very hard to be able to lucid dream/find the cracks in Freddy's dream realm. (personally, I dream EVERY single time I fall asleep, and they're very vivid and intense, but I've never once lucid dreamed, haha. it's hard to stand back and question your dreams when crazy shit is happening every second.)

-stupidly self sacrificial, and holds every one he meets at arm's length. after everything with Freddy and Nancy, he feels akin to a walking time bomb.

-he doesn't enjoy it in the realm, but as long as Freddy is trapped there, too, he's willing to stay forever. given the option to escape the entity, he probably wouldn't take it, as much as that devastates the ones who love him. his hero complex annoys the fuck out of everyone around him, and at times they feel hopeless to help him. it takes him a long time to realize that what he does does in fact affect the people around him, whether he meant to do it intentionally or not. he has the best intentions but he gets so caught up in his own head he forgets the world around him.

-on a lighter note, he seems more like someone to be into indie/alternative music. I like to think that Nancy introduced him to a lot of his favorite music/artists.

-speaking of Nancy, they would draw together. Nancy was always a way better artist than him, but it was still fun. (his art sucks lol)

-he's impulsive as hell. no think me risking my life bc I'm a self imposed martyr.

-total pill junkie. that much is canon. probably drinks red bull and NyQuil at the same time to fast travel. very unhealthy LOL.

-he LOATHES being told what to do. his dad was overprotective enough to drive him insane; he doesn't need it from his friends, people he considers his equals, NOT secondary parental figures. (especially not from David)

#dead by daylight #quentin smith #ahsks

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mikeshanlon · 4 years

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do you like astrology and if you do what signs do you think the losers are

Okay so shoutout @denbrough (mo) for helping me with this, also @stenbranlons (claudia) for nodding alongin our gc, I’m sorry we talked about this for like a week RGLKNRG. To preface,we are in no way astrology experts lmao, we pulled from several differentsources and picked which ones we felt fit best. Which, that being said, we didnot consider any of the canon birthdays for this, just vibes. Ik some peopleare very particular about astrology headcanons LGRNG so these are just our ownopinions, any differing ones are not less valid or whatever. Also, charts arevery complex and have many different factors, like Mercury for communicationand Venus for love, etc, we just decided to do the main three placements. Incase some of y’all don’t know, someone’s Sun sign is essentially their basicidentity and personality, it’s how we act in the world, and our conscious mind.Our moon sign is our emotional self, our unconscious, how we react tothings, our deepest needs. Some astrologists say this is more like our “trueself”. One’s rising or ascendant sign is our social personality, it is howpeople perceive us, and often how we perceive the world and new experiences—it representsthe “outward”. Some refer to it as the mask we wear around others, though thatdoes not mean our rising/ascendant is fake, but rather how we act and thinkwhen interacting with our environment. Anyways because this is me, theseexplanations became super fucking long so I’m sorry about that! This was superfun though, thank you for asking!

Bill:

Leo Sun: Leos are leaders, theyare very charming and pull people in with their loyalty, humor, and confidence.All of the losers love Bill and are very enraptured by him, Leos tend to be inthe spotlight and adored, so I think this is very fitting. They always want tohelp people but sometimes they can also get fixated and arrogant and end up neglectingwhat others need—for instance Bill being so fixated on finding Georgie that hedoesn’t totally realize the other losers are really scared and getting hurt. Still,Leos are very inspiring and fearless and want their people to be happy. Leosare also quite romantic and generous, which I think are traits that can beattributed to Bill.

Cancer Moon: Okay so I have alwayssaid Bill has Big Cancer Energy, but I think it makes most sense as hisemotional self. Cancers are caretaker types; they want the best for theirfriends and do whatever they can to help them. They are persuasive—sometimes tothe point of manipulation. Many Cancers are afraid of rejection/abandonment(hello Bill’s shitty parents and him holding onto the idea of his brother foras long as possible!) Because they are so caring and sensitive towards theirfriends, they can be quite moody—both anger and sadness. (Bill be Crying andpunching his friends sometimes doe!) Cancers like art and are very imaginative(Bill’s art and writing). When I think of Cancers, I think of tender h*rniness.They fall in love very easily and crave a deep love and can be v thirsty attimes lmao, to me that really encapsulates Bill. Cancer Moons are also verydomestic and love comfort, and while I think Bill likes to go on adventures, Ithink he is someone who enjoys a sort of domestic routine with the people heloves from time to time. Cancer also rules the moon so he’s Extra EmotionalLNRGRG.

Aries Rising: Those with Ariesrising are often leaders, lively, generous, warm, and have a reputation ofbeing a troublemaker. They are rash and jump into situations (HELLO BILL KINGOF DUMB IMPULSE DECISIONS). But, they are very engaging and can be greatmotivational speakers (Neibolt speech teas). They want to help friends to thepoint that if they refuse, an Aries rising individual will refuse to acceptthat rejection. Furthermore, sometimes they can come off a bit like arrogantassholes, but they really do care about their friends and just want to helperklgneg. Aries rising people are very emotional and their impulsiveness cansometimes translate into rushing serious relationships.

Mike:

Libra Sun: Libras are very diplomatic;they bring harmony and balance and can see multiple sides. I think this fitsMike very well, for instance during the scene where the losers are by the PaulBunyan statue, Mike understands why Stan is looking at this logically but healso understands Bill’s emotional reaction. He also understands why Bill andBeverly think they should stay together and help, but he also understands whyRichie/Ben/Stan don’t want to keep going. He tries to get everyone to calm thefuck down and cooperate. Libras hate conflict, aside from Mike’s nonviolence(not wanting to kill the sheep and hesitating to hurt Henry until he knew itwas life or death), he also avoided telling all the losers about why he askedthem to return, showing sometimes his aversion to conflict can be a negative. Librasoften get fixated on one thing—the crazy conspiracist Mike of it all… Iunderstand why people think he could be a Taurus because of his commitment tothe losers and staying in Derry for 27 years, but I think that is super tied tothe idea of bringing justice for those who P*nnywise killed and will try to kill,Libras are super into fighting against injustice. Also, Libras are ruled byVenus and love love and are very charming, I think Mike has a certain pull andmagnetism about him.

Taurus Moon: Individuals withtheir moon in Taurus are very warm, affectionate, and sentimental. They like togather all the facts but can be somewhat impressionable, again I think thismakes sense with how he decides that he believes pennywise exists and hisresearch as he stays in Derry. Speaking of, this line from Mo’s book killed me:“when you’re confronted with a problem you look for the most effective way todeal with it, and even if it’s personally painful for you, you get it handled”.Like. Oh my god. They also like creature comforts—often Taurus is linked withluxury but I think in this sense his ‘luxury’ is his kitschy clutter of thingsthat hold sentimental value—supernatural items, knick knacks from his childhood,his favorite books, etc. He holds these dear and this is probably why his homeis a big ol mess but he likes it and finds it cozy. Speaking of, they are veryromantic and want a life of domesticity, which feels very Mike to me! Theyinvest a lot in their friendships, I think this is true of Mike as well seeingas you know.. he sacrifices years of his life so they can be happy.

Capricorn Rising: Those withCapricorn rising can be quite shy with strangers, but once they get to knowpeople, they are very friendly and warm. They are very dedicated to theirgoals, these goals are often to strive for a better life (Mike wanting to savethe people of Derry, Mike wanting to travel, etc). But sometimes this strivingcan make Cap risings feel unfulfilled and they continue to search for somethingmissing. Capricorn rising individuals are smart and concentrated, they are ableto parse through information and plan ahead, though sometimes they go overevery detail too much—Mike is very into research and understanding things andsearches every possibility. They love deeply and are very loyal and protectiveof those they love. They can worry a lot. Mo also added that cap risings are dependent,reliable, and stable. which can be attributed to mike staying in derry allthose years and keeping that promise to call them. Overall he’s very groundedand down to earth with his rising/moon!

Stan:

Virgo Sun: Virgos are veryanalytical and pay attention to the little details. Often times, this leads tothem being very critical of themselves and others, and they are prone toworrying. I think Stan is someone who tries to navigate through life logically,but he can get caught up in the anxieties of everything going wrong and getoverwhelmed. They often like animals and nature (not to be like Stan likesbirds and plants and shit but he does GLKNRG), and value cleanliness, sometimesthis leads to germaphobia or hypochondria especially because Virgos tend toworry (and we know Stan is a germophobe and deals with OCD, he has to clean thebloody bathroom in a certain way, the painting needs to be perfectly straight,etc.). In friendships, Virgos usually play a role of an advisor—they are veryloyal and want to solve problems but sometimes that means they find problems ineverything (I think Stan tries to advise the group but also Bill is like okaylet’s do it like this

Pisces Moon: Some people view Stanas very emotionless or even angry, but I think he’s quite emotional, he justtries to operate with logic first. Pisces moons are often described as ‘dreamy’and want to escape reality (Stan being like it’s summer let’s just forget what’sgoing on and… other stuff lmao). They are very emotional, but those emotionscan be hard for others to read because they are very mysterious, and even hardfor the individual to express. They have a strange sense of humor (kookiekookie lend me your bonessssss). Those with Pisces moon are very sweet andsensitive to others suffering and are drawn to those in crisis often (like.Literally all of the losers LKGNRKRG) and can be overly trusting (I swear Bill!!!).They are also very afraid of the past coming back to haunt them… :(. Mo the ultimate Stan stan also had this to say: ever since claudia tagged one ofmy posts about stan being one of the most emotional losers but no one evertalking about it, i'm constantly thinking about how stan reacts to things. myinitial reaction was scorpio moon, but scorpio moons are really good at hidingtheir emotions. think about stan's reactions to big events in his life: gettingleft alone in the sewers, his bar mitzvah getting mike's call. he has distinctemotional reactions. pisces is also the sign of sorrow and self-undoing, sothinking back to some canon events it just makes a lot of sense to me. piscesmoons are also really selfless when it comes to their friends, but very strictand disciplined when it comes to themselves.

Aquarius Rising: There’s thissection in Mo’s astrology book that just like. So completely encapsulates Stanand how he interacts with the losers imo: “You are often intolerant of otherpeople’s shortcomings and can be wickedly sarcastic and very funny at the sametime. Your razor-sharp powers of observation help you uncover flaws that youcan poke fun at. You are a system of paradoxes. You enjoy being with people butare perfectly content to be alone. You like to travel but love relaxing athome. You are friendly and outgoing but, at other times, moody and reserved.” Like!!!!!!!!!!!!!!!!!!!!!!!!!!!Also, those with their rising in Aquarius are very idealistic and want theworld to be happy and harmonious (Stan being like its summer can we chill andnot wanting to be part of any conflict). They can also feel impatient towardsthose who don’t share the same vision.

Beverly: (imma be honest Bev was the hardest toplace so don’t judge lerngerg)

AquariusSun: To me, Aquarians are the epitome of like… chill/friendly stonerthat likes to talk about conspiracy theories and injustices of the world whiley’all are seshing but they are also kinda mysterious bc you never really knowwhats going on in their head …. which is v Bev to me RLGKNNKRG. Aquarians lovehanging out with friends and are really good listeners, which I think is trueof Beverly—they also have odd senses of humor. They are humanitarians that liketo fight for justice, I think Bev is someone who wants to fight for those whoare being hurt bc it’s something she has experienced and wants to provide thehelp that she didn’t get. For instance, she’s the one who’s like we need to gosave Mike, and she also wants to help save Derry and agrees with Bill that theyshould keep fighting Pennywise during the big fight after Neibolt. Aquarians canbe quite paradoxical—at times they are shy, other times loud and eccentric, Ithink this makes sense for Bev, another quality is that those with their sun inAquarius like to have some time alone, both of these things make me think ofthe moments she enjoys on her own and the other times she seeks out fun withthe losers and does crazy shit like jump off a cliff LKGNKNRG. They can bekinda bad at emotional expression and are very guarded with their emotions,sometimes coming of cold/bitchy until they know they can trust someone (Bev toBen at first on the stairs elrkgnerg).

Aquarius Moon: okay Mo wrote this explanation and I thot it was perfect so: Moon in Aquarius brings upthe qualities of sensitivity and perception. Since aqua is the sign of rationalthinking and humanitarianism, moon in Aquarius gives a person a clear mindsetand kinder outlook on life. Moon in Aqauarius are rational, intuitive, andimaginative, which i think can speak for a lot of beverly's character traitsand actions like her monologue in it 2017 where she tries to rationally explainwhy pennywise is going after them and how they have to defeat it, whereaseveryone else is struck by fear and emotional, or at the end of it 2019 whereshe tells richie that eddie is dead, and being intuitive enough to know thatshe has to tell him and tell him in a specific way, the imagination quality isa clear call to her artistic vision as a designer. aqua moons have greatvitality, they're witty conversationalists, and all around great friends. ithink that the friendliness and sociability of her aqua moon can be offset byher sag rising so there's more balance and nuance to her characteristics there.they're interested in the unusual, specifically in people, which could link herto vibing so well with the losers club. they can't stand possessive or jealouslovers, but they unconsciously choose people who aren't available to them (herfirst husband). they need a fine line between commitment and independence,which i think speaks to her behavior as a kid. she needs the stability and thespace to grow she didn't have from her dad. they deeply value platonic love. overall,aqua moons are independent, they have stimulating minds, persuasive charms, anda side of their personality that will always gear towards the unusual

SagittariusRising: Sagittarians love hanging out with their friends, but they alsohave the desire to be free and have adventures (I want to run towardssomething, not away! Queen). They are wise but optimistic, again I think thisties with things like her understanding that they all have to stick together tobeat pennywise, but also believing that they have the ability to kill It aswell. They are humorous and can be quite outgoing and confident, there aretimes when Bev is v confident and wild (teasing Ben, jumping off the cliff,initiating the rock war, etc). Sag risings are also v brave—like every single timeshe fights It or the Bowers or her dad or her husband. They’re good at tellingstories. They are also people who fight for the oppressed and want to createideas that help the world.

Ben:

Pisces Sun: Pisces are super friendlyand will do anything to help others even if they don’t get anything back(Ben!!!!!!!! Ben!!!!!!). They are very compassionate and gentle with others, I thinkthis is very true for Ben as he is p much always super sweet and understanding withthe losers. Their compassion can sometimes lead to being way too trusting—this canbe a problem bc they could fall in with bad company and hate being criticizedand sometimes views themselves as a victim. I don’t think Ben ever tries to like…capitalize on being a victim or anything but I think he does feel that waysometimes especially in regards to Bill/Bev, but he understands that’s her owndecision, again being very compassionate and not expecting anything out of hisactions. Sometimes their strong emotions can manifest in negative ways, likebeing scared, sad, and feeling misunderstood—they also can cry p easily (Ben criesquite a bit for his friends like in the sewers and his own romantic feelingsand stuff). They are super romantic and love unconditionally. They are also quiteintuitive, I think this makes sense (in tandem with the romanticism) withthings like kissing Bev to save her, understanding where to look into stuff inregard to the pennywise bullshit, etc.

Taurus Moon: We’ve talked aboutthis a bit with Mike, but I think Ben is also a Taurus Moon! LunarTaureans are very sentimental and have deep, strong emotions. They are vromantic and hang on to their relationships, both platonic and romantic, (thepostcard…….) they want a devoted and committed relationship that providessecurity. Those with their moon in Taurus really invest a lot in their friendships,I think friendship is one of if not the most important thing to Ben so thismakes a lot of sense to me. There’s a line in one of the sites I looked at thatfeels SO Ben to me: “Taurus moon sign energy has two speeds: relaxed andcontented […] or hyped-up and ready to charge”. That totally reminds me of howBen is usually p chill and easy going but when the people he loves arethreatened he goes crazy to protect them (the rock war scream and him going crazyduring that LGKNNRG and fighting pennywise, etc). While Mike’s affinity for luxuryis more like…. Kitschy clutter trash GLNRG, I think Ben’s interest in architecturefeels v luxurious and the importance of a home base makes sense for him. TaurusMoons also like to gather all the facts first—this makes sense in how heapproaches his friendships/relationships but also other things like investigatingDerry.

Libra Rising: Let’s go diplomatic romanticslet’s goooooooooo!!! Libras want harmony and are therefore good mediators, theywant everyone to have a good time and are good at teamwork. I think this makessense for Ben and can especially be seen in scenes like the reunion dinnerwhere he tries to calm everyone down and let Mike be heard. They are persuasivebut often do so with a ‘nice guy’ approach rather than like Charm andConfidence like Leo/Aries. Again, Libra Risings are SUPER romantic and havegood intuition, they usually know when they have a chance with someone and willcreate an ideal vibe for their relationships to bloom. They like to plan aheadfor the future with their loved ones (hello argument scene where he’s like imgonna be 30 and far away from here). They also feel like they need anotherhalf, which i think is true for romance but also just like. He needs hisfriends and really loves/cares about them. Those with their rising in Libraalso really care about home aesthetics and having a balanced space, again I thinkaiding in his architecture career.

Eddie

Sagittarius Sun: Tbh, I was v tornbetween sag and scorpio for Eddie’s sun, but I think Sagittarius best describeshis sun and Scorpio for his emotional self. Sagittarians are curious and fullof energy, and they value freedom (hello let Eddie be free!!!!!!). They can besuper impatient and tactless with some of the things they say, which is a veryEddie thing to me lernrgge. Furthermore, they can get angry pretty quickly aswell, and often talk quickly too (Eddie speaks so fucking fast and snaps easilyat everyone erglknegr). They also have good senses of humor; they like to teaseothers. Those with sun in Sagittarius are dedicated to their friends and arewilling to do anything… like defy their awful mother and crawl through a sewerwith a broken arm to fight a murderous clown. Sometimes they have blind faithin others, which I think could be translated to his relationship with Bill andto a more intense and negative respect, his mother. Sags want to find knowledgeand understand other people’s beliefs, and they are very vocal about their own,even to the point of exaggeration (like every single rant Eddie goes on LMAO).They also like sports which like LET EDDIE RUNNNN. Also, not to be a reddie butin looking at compatibility with the signs Gemini/Sag fit so much better forthem and made a lot of sense to me.

Scorpio Moon: Those with theirmoon in Scorpio are very emotionally intense and can be quite dramatic. Thiscan allow them to be quite perceptive of the emotions of others. However, theyare very good at hiding their own emotions because they often disprove of themand deny that they are motivated by their strong emotions. (hello repressedEddie). This helps Scorpio moons feel in control, but it can be detrimental. Ireally love this line from Mo’s book: “you must learn to let go emotionally andfeel your pain, and through the experience expand your phenomenalability to love”. Yup lover!!!! Scorpio moons are also very determined andpersistent…. fighter eddie!! Lover and fighter eddie!!! This made me kinda sad,but it says that there’s usually sorrow/trouble in the lives of Moon-Scorpiosand those are often tied to family and health… :/ and that they think ofescapist fantasies to cope with that. Scorpio moons are sensual but thestereotype of ~super sexy scorpio~ is kind of misleading. They have huge trustissues and don’t want to be controlled (oop… also they usually get married multipletimes lmao), it takes a lot for them to be trusting in love but when they do it’sa very deep love.

Virgo Rising: Those with theirrising in Virgo are BIG worriers and are super analytical, they often noticetiny details. (Maybe a dumb thing but Eddie is always the first to notice whenone of their friends is gone in the sewers, also in more funny and little wayslike him sniffing Ben’s perfume—that also ties in with his Sag curiosity imo).However, even though they notice details and can be intuitive, they miss out onemotional nuances. Sometimes they can be a little too forward and matter offact with people—I think Eddie speaks before he thinks a lot LKRG and can saysome rude shit sometimes without realizing it. (Ik this is kinda like my own stuffbleeding through but in general I think Eddie can be oblivious to other’semotions LRNGKNLG). They are very critical—often towards themselves, they areinsecure and beat themselves up over just about every little thing they do (SUCHan Eddie thing to me). Furthermore, they are guarded with their emotions untilthey have analyzed the situation and feel comfortable (again. Very Eddie tome). This often means they come off as timid and at times cold/stand-offish,which I think in new situations or times when Eddie’s unsure (aka has not analyzedeverything and feels unsafe whether physically or with his emotions), he tendsto draw in on himself and stay quiet. (But, then, his fire Sag side comes burstingout when he just can’t take it anymore and goes bonkers LKGRNG). Virgo risingsare organized and care about hygiene and cleanliness and are very in tune withtheir body (of course, Eddie’s obsession with cleanliness and hygiene/healthhas a lot to do with his mother’s abuse, but I also think there are some parts withinhim inherently who care about those things, it just got exacerbated in anextremely negative way bc of his mother). Interestingly, Virgo risings are veryenergetic, often with nervous energy, and have a hard time staying still—this feelsvery Eddie to me, his pacing and emphatic hand gestures, etc.

Richie:

Gemini Sun: Geminis are superwitty and funny and love to have a grand ol’ chaotic time with their friends,but then can turn serious suddenly. Oftentimes they feel restless and feel likethey are missing their other half so to speak (the yearning… the emo moments…).They’re very sociable and hate being alone, they love to entertain others, theyare strong communicators. Their love for communication often means they feelthe need to talk A LOT, even to strangers. (Trashmouth Tozier always talking!—Mopointed out that Richie’s talking is so bad that they had to create a separate phase,beep beep, just to be like We Seriously Want You To Shut Up, which I thinkmakes sense for all his placements bc they’re all like. One’s where the person talksso fucking much GRLNRG my annoying king

Gemini Moon: Yup double geminilove this obnoxious legend!!! (jk I like geminis but. It’s true. I am also sayingthis as a gemini moon). A lot of the stuff about his sun can be applicable herebut I’ll add on bc I am incapable of shutting up (the gemini moon of it all…) Thisis from Mo’s book again, I’ll just add some commentary/examples as to why Ithink it fits with Richie: Gemini moons are mutable and erratic. they have anactive mind, and imaginative and creative personality, and are inclined to intellectualpursuits. they have extraordinary quick sensory impressions of the outsideworld and they rapidly sift through info in their minds to make judgements.fast learners, high iqs probably , good critics and have the ability to bothanalyze and verbalize (despite some fanon interpretations, Richie is actually reallysmart, he’s good at math/science, I believe he’s also into politics later in college?).they have great charm. conversations with gemini moons tend to go off onunexpected tangents and take sudden turns and reverse (This feels SO Richie tome lekrnglenr). at heart, a lunar gemini is essentially restless and needsconstant stim (Makes sense for Richie for me, also with his ADHD, he needs tobe playing video games or reading a comic or doing this and that, he hatedhaving to be look out and do nothing for like an hour ergklnerg). lunargemini's are always mentally assessing their feelings. they tend to dissecttheir feelings and emotions to analyze why they think or behave in a certainway. they're quick witted and vibrant and can change their minds often. inemotional relationships they display a free spirit, going on the whims of theother person's emotions. at times their talent can be isolated because theylose interest in this quickly and drop their projects. they perform well whenin a relationship with someone practical and hardheaded (inch resting……..)

Pisces Rising: Taking some morestuff from Mo’s book, these lines I think really resonate with Richie’s outwardself and how he deals with the world: “You want life to be perfect and since itisn’t, you choose not to see what you don’t want to see”. That is SUCH a Richiething to me. “At parties Rising-Pisceans are vivacious and verbal (sometimesyou talk too much); you enjoy performing in front of a group. A talent formimicry makes many Pisces Ascendants turn to theater”. Literally Richie… the Voices,the talking too much and wanting to entertain the losers…. Those with Piscesrising are also very romantic and want to live a fantasy life, but they can bevery sad and moody especially because they feel like they are destined to bealone. (Richie yearning gay….) They are also quite disorganized but work wellin groups (let’s go loserssss clubbbbbb!!!).

#it #the losers club #literally im so sorry this is so long LKRGKLRNGR #anon #ask

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