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#because I do adore it so much
emilykaldwen · 1 year
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Asking about writing - do you have a current favourite writing project right now? What is it about?
Oh! Thank you so much for this! I was popping in to look up something I saved and saw this!!!
So I really just have the one main project I'm working on right now and that's The Maiden and the Drowning Boy, which is a canon divergent AU for House of the Dragon/Fire and Blood.
Basically, I aged down one of Lyonel Strong's daughters to be the same age as the kids, and it's Arranged Marriage, Childhood Friends/Sorta Sweethearts to Lovers to Oh shit we have a war to get through because cycles of generational trauma and terrible coping skills and do we keep going down the paths our parents set for us or do we make a better world.
Abrogail Strong and Aegon Targaryen own me body, heart, and soul and I wouldn't give them up for anything in the world. It's been a really exciting challenge of creating a character that can exist in the world on their own - I don't want Abby's existence to simply be because she's in a romance, you know? I want her to exist as her own being.
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Additionally, I'm really using this as an opportunity to work on my own perfectionism issues, practice the craft of writing, and challenge myself (god, am I fucking challenging myself) in terms of themes, through plot, and basically just... IDK. I'm writing this for me, but I want people who read it and stick with it to experience pay off in the little things I put in that come full circle. It's romance, yes, but I also like a ton of plot in my romance, and so I want to try see how I can give a lil bit of everything in terms of 'here's a story, and here's some yummy romance' and balance those out.
I've been working on this since last October! But then I had bariatric surgery, scrapped the initial 35k, and now I'm on four chapters in caught up with that previous word count. I'm HOPING to start posting soon, I'm just slow AF and I sorta want a consistent posting schedule while I'm also trying to pack my house up and move. So.
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egophiliac · 4 months
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What do you think of Rook's savanaclaw card? <333
I didn't get him (and I need to save my keys for Silver's birthday, sob) so I looked up his groovy, and I'm not over how incredibly dramatic and epic and cool it looks in direct contrast to the absolutely ridiculous context. just look at that dynamic action and his majestic sparkling tears and keep in mind that this is pretty much right after a bunch of characters have been dance battling for his soul.
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and then even the actual moment of the groovy is just like
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this is NOT a negative in the slightest, I love it all, this truly was an incredible update in so many ways
#art#twisted wonderland#twisted wonderland spoilers#twisted wonderland episode 7 spoilers#twisted wonderland book 7 spoilers#twisted wonderland episode 7 part 8 spoilers#twisted wonderland book 7 part 8 spoilers#to be fair it's not COMPLETELY wacky there is actual drama going on#but that's inbetween rook's dream-vil and neige being totally hilarious at each other#'i shan't let you hurt this beautiful child!' 'vil no! if they were to harm your beauty i would be crushed by sorrow!' <- actual dialogue#also neige seeing vil as a mother figure. it's WONDERFUL and i hope real-vil never finds out because this would kill him#just like he killed neige multiple times in his own dream! :)#there was so much wild stuff in this update and not in the least was that the second time vil realized he was in a dream#his reaction was to KILL EVERYONE and cackle maniacally about it#god forbid a queen do anything i guess#anyway i also love the contrast between what i assumed savanarook would be like and what he was actually like#'he looks so wild...what kind of dangerous dream will this mighty hunter have...'#oh no he's actually just an adorable movie geek who is SO EXCITED to share his hyperfixation with us#somehow less intimidating than regular rook#and yet still a delightful little freak. his BEDROOM#the background artist went SO ham on it. truly the magnum opus of twst backgrounds#there are a bunch of little details it is SO worth zooming in on#(including a tiny little picture of che'nya! which...actually i think that implies rook may have stolen an rsa yearbook or something)#(that's our rook! /sitcom laugh track)
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poorly-drawn-mdzs · 1 year
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Get Their Ass.
[First] Prev <–-> Next
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spielzeugkaiser · 1 year
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I have been grabbed by nostalgia for a certain show I started to watch the first few live-action episodes of..
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royalarchivist · 7 days
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Pac: Why is she sad? My god, she's devastated! Guaxinim?
Guaxinim: I think she wanted...
Gris: I want 100 reais.
Pac: She wants 100– [Laughs] She's sad because she wants 100 reais?
Guaxinim: [Innocently] You don't have 100 reais, do you?
Pac: [Laughs] I have negative 100 reais, Guaxinim. Gris, I'm just like you! I'm sad too.
Guaxinim: [Whispering to Gris] Cancel the plan, cancel the plan, go back to normal.
Pac: What do you mean? Wait, wait, wait– [Laughs] No no no–
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First rule of passa tudo: make sure your target has money before trying to scam them! 😅 (Thank you to sebbs12 and disfrutalakia for double-checking my translations and transcript! The help is really appreciated!)
[Full Subtitle Transcript ↓ ]
Pac: [Gasps in delight] Oi, Guaxinim!
Guaxinim: Oi!
Pac: How cool it is to see you here! Oi Gris!
Guaxinim: Look, how cute.
Pac: How cute you and Gris are here!
Gris: oi :( I'm so sad.
Pac: Why is she sad?
Guaxinim: I don't know, man.
Pac: My god, she's devastated! Guaxinim?
Guaxinim: I think she wanted...
Gris: I want 100 reais.
Pac: She wants 100– [Laughs] She's sad because she wants 100 reais?
Guaxinim: [Innocently] You don't have 100 reais, do you?
Pac: [Laughs] I have negative 100 reais, Guaxinim. Gris, I'm just like you! I'm sad too.
Guaxinim: [Whispering to Gris] Cancel the plan, cancel the plan, go back to normal.
Pac: What do you mean? Wait, wait, wait– [Laughs] No no no–
Guaxinim: [Laughing]
Gris: kkkkkk
Pac: I can't believe what you're doing with poor Gris to get money!
Gris: bom dia tio Pac [Good morning Tio Pac]
Pac: Bom dia, bom dia. [Laughs] Seriously, how is a crazy plan like this going to work, huh? Insanity!
Guaxinim: [Dancing with Gris] Muahaha! Muahahaha! We're the most badass evil duo, got it?
Pac: How incredible, man. You guys are great, you're even in sync! Did you guys already get 100 reais?
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@shingansoul, Both. Both is Good :> Que an image of Wolfwood squinting because of the amount of bright wholesome energy the these two would let off SDFLKSAJDFLKDSJGLSDGSD I loved this idea so much blease Livio feels like the kinda guy who gives out hugs easily but also is a nervous rabbit about the safety of his friends ;;v;; He would adopt Vash as a second brother following Nico nii’s example of course :> They seem like they’d make such sweet friends toooooooo ;;v;; -NO ROMANCE INCLUDED-
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kaurwreck · 3 months
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y'all have eventually got to realize that kunikida's temper and attentiveness to his schedule aren't callousness, they're coping mechanisms. right. y'all have to eventually figure out that much over seasons + tens of chapters of him being so tender it would snap him in two if not for the order he's constructed around himself. y'all will inevitably pick up on that with how he approaches dazai and kyouka, especially, right? surely.
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Immensely lacking in sleep and accidentally called Tim Tintin instead. So immediately the brainworms set in
Also bonus Miku WIP I'm working on!
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drawnfamiliarfaces · 6 months
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hot man hot birdman im so sorry hot fire bird man?!?!
aka glorious gijinka!Tengu Jin design by @hirumi25 has made me 👀💦?!?! because wowie thats some hecking fire design!
and of course i couldnt just not draw Hirumi's Nomi-kun with him too
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orangerosebush · 7 months
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Artemis will disassemble and clean a fountain pen with the same level of intensity as Butler disassembling and cleaning one of his guns.
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chiangyorange · 9 months
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i will not mianitepost in 2023. therefore i am allowed to mianitepost in 2024.
i would leave design notes but im not that person anymore and no one reads them also fuck you
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some hasty Laughingstock ft. butterfly!Howdy for your mild enjoyment...
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lichilly · 2 months
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cw—pwp (porn without plot) we are hopping right into it folks, reader is referred to as cute and pretty, reader has a vagina, Jill is a pussy eating fiend, one small moment of Jill speaking inside your head
wc— 1,199 words
(Forgive me if this is not up to par, I haven’t written smut in a long time so I’m still finding my footing!! I hope you guys enjoy <33)
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“Jill…” Her name slipped from your lips in a desperate whisper, your voice trembling with embarrassment. Your fingers clung to her shoulders, seeking support in any way you could. She lifted your thighs higher, pressing them up towards your chest, her thumbs caressing the sensitive skin at the back of your knees. Each touch sent shivers cascading through your body. You were completely bare, all except your underwear.
Her smile brushed against your inner thighs, her lips trailing slow kisses along the tender skin. Each kiss inched closer to your core, your hips rising instinctively, seeking more.
“You’re very eager today, Sunflower,” she murmured, her breath hot against your skin. Her nose brushed teasingly against the damp fabric of your panties. “Don’t worry, I’ll take good care of you.”
She flattened her tongue against you, licking slowly up the wet patch staining the fabric of your panties. Your fingers trailed down her biceps, nails grazing her hot skin. She moaned at the faint taste of you, the sound vibrating against you. Plump lips closed around your swollen clit, sucking at the fabric with a fervent hunger that made your hips buck in short, desperate jerks.
“Jill—!” you shrieked, eyes rolling back, a fog of pleasure clouding your mind as you panted heavily.
Her lips released your clit, pressing a soft, lingering kiss against the now spit-soaked fabric. The sudden loss of contact made you whimper down at her through the haze of need.
“I’m sorry for teasing you, Sunflower… It’s just,” she trailed kisses up your clothed mound, her teeth grazing the hem of your panties, “you make such cute sounds when I do.”
Her fingers bunched the laced hem, gripping your hips as she tugged the material down your legs. A gust of cool air hit your exposed cunt, sending another shiver through your already trembling body. The curtains swayed gently in the breeze from the open window, the room dimly lit by the setting sun.
“Could you hold your legs up for me, Sweetheart?” she asked, her voice sweet, as if she was asking you for a more innocent favor.
You blinked at her, breathing heavily, before the request registered in your foggy mind. Nodding, you tucked your hands under your calves, holding your legs up to your chest once more.
“Thank you…” she murmured, a soft smile playing on her lips as she tucked her face back between your thighs, now unhindered by any flimsy cotton.
Your body tensed at the closeness, every nerve ending alight with anticipation. Her eyes were locked onto you, studying every twitch, every shiver. Your hands shook as you held your legs, body aching for more. Her hands cupped over your ass, thumbs tracing the sensitive skin where your thighs met, mere millimeters away from where you needed her most. She pulled at the skin, spreading you open wider, her gaze never leaving you.
“Gosh, Sunflower, you’re making such a mess!” she laughed sweetly, watching your face scrunch up in a bashful pout.
“Let me clean you up,” she reassured, her voice trailing off as her tongue traced up a trail of wetness.
Your mind fogged over, body relaxing as your head fell back against the pillows. Her tongue continued its slow, deliberate journey, licking at your fluttering entrance with heavy flicks. She moaned, savoring your taste, her eyes closing in focused bliss as she drank you in. Panting moans filled the room, punctuated by gasps and the repeated plea of her name. She couldn’t get enough, her hands pawing at your hips to pull you closer. A mix of drool and slick dripped down her chin, your wetness foaming against her lips.
With each flick of her tongue, she brought you closer to the edge, the hot knot inside your tummy tightening. Words became babbles, thoughts melting into incoherent sentences. All you could think of was Jill, how she had woven herself into the most intimate parts of your being.
She smiled against you, her eyes opening to meet yours. “Open your eyes, Sunflower. Let me see your pretty eyes,” she pleaded against you, the words muffled but clear. You obeyed instantly, tearful eyes meeting hers.
You tried to focus, the knot inside you burning, aching to be cut loose. She hummed in satisfaction, her eyes locked with yours as she sped up her licking. She was everywhere, her hands kneading your skin, her nose brushing against your clit as her tongue filled you.
“Jill—I’m gonna—” you pleaded, feeling the fire inside you start to consume you. All your senses were heightened, a dewy fog clouding over your eyes as your ears hummed. It felt as if your bedroom was breathing with you, the curtains brushing against the window pane with each inhale and flowing away with each exhale.
Jill’s lips wrapped around your clit once more, her eyes dripping with primal need. She sucked, the tip of her tongue flicking against the overly sensitive bundle.
Let go.
Her voice whispered within your consciousness, wrapping you in honeyed words.
Cum for me.
Your lips trembled, eyes flickering shut as you let yourself crash into pleasure. Your vision went black, ears ringing as waves of ecstasy raked over your body. You jerked, letting go of your legs and weaving them into her soft hair. You mumbled her name between gasps and pleas, not even recognizing your own voice anymore. She released your clit with a pop, her tongue finding its place against your gushing entrance, beckoning more release with each slow lick. She wrapped a heavy arm across your lower stomach, keeping your twitching hips pinned against the bed. A thumb pressed against your clit, swirling in tight circles.
Her tongue stroked lazily, licking up the last of your release before she slowly parted from you. Her breath puffed against you, strings of sticky cum connecting her lips to you before they broke off. She pressed wet, gentle kisses to your trembling thighs, bringing your mind back to the present.
Your nose scrunched at the stickiness coating your lower half, now far too aware of the mess coating your inner thighs.
“You did so good, Sunflower,” she praised, licking her lips and scooping a thumb across her chin to catch what was left. She reached up, trailing her wet thumb across your bottom lip, gently opening your slack mouth. You closed your lips around the digit, obediently sucking the essence of yourself off. She smiled warmly, her hips tucking against yours as she pulled her thumb from your mouth.
“I’m going to run us a bath, okay? Can you wait here for me?” Her voice was soft, reassuring as she cupped your hot cheek.
You nodded, blinking sleepily at her as she slipped off the bed. She flitted out of the bedroom, her energy high and unwavering, as if she hadn’t made you cum with just her mouth not even mere seconds ago.
The sound of the bath faucet turning on sent a calming shiver through your exhausted body. Your eyes fluttered closed, too worn out to stay awake. As you sank deeper into the throes of sleep, the last thing you felt was a gentle kiss on your forehead.
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tyttetardis · 8 months
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Macbeth Q&A 18th Jan 2024 Part 1
Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️
The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.
The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.
Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if you haven't seen it yet but are going to!
To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).
David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".
First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!
Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.
David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.
He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.
Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.
When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!
Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.
Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.
Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".
It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.
David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.
He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.
Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.
David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.
Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.
David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".
Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.
The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.
Part 2
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royalarchivist · 6 months
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Pac: Oh, Nenê... How cute... 🥺💕
After dying to an atomic creeper in a cave and stressing over potentially losing all his items, Pac returns home to set his spawn and receives a sweet surprise:
His cat falls asleep on top of him and purrs when he goes to bed :')
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astralhope · 2 months
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Okay but this
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I love this page so much
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I'm crying
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