#because I don't draw

[calicorobin]

beanbag chair psychology

[artkaninchenbau]

A h-heartfelt reunion..?

Bonus

[chiptrillino-art]

(ID in ALT Text) Happy very, very late Mother's Day!

I am not saying that zuko is sokkas substitute for kya. or they look in any way similar! The whole concept here is that something was happening at the moment, be it how they were laying in bed, how the hair pooled over the pillow, or how sokka was able to hold onto it. It just brought sokka back. It triggered a memory, and suddenly he relived a brief memory. Making him suddenly miss his mother again. hope you enjoy!

[technically-human]

I delivered

[bixels]

I'll be participating in a charity livestream with other storyboard artists to raise money for careforgaza and e-sims! @tulliok and I will be live on the 4th, 5PM PST (8PM EST). Check the list above; artists such as @kianamaiart and @mak-to-the-future will be participating as well on either the 3rd or 4th.

Now's your chance to make me sketch a 1920s AU design of an MLP character I would have otherwise never designed!

Like this guy.

🇵🇸🕊️

[clownowo]

been replaying the Portal series I think this is where its heading

[linterteatime]

Slugcat distribution system gave them an explosive rabid raccoon and a overpowered sewer rat ❤️

[dravikso]

cotl fandom do we fw long fur narinder or should I kill him immediately

redraw here

[barghest-land]

drawings from paleo expedition to dagestan, done right on the trip. sometimes messy when it was cold and rainy, but i won't correct it. i think it's cool to leave it just the way it was done, and not retouch it after. there will be more drawings later, but those will be done from home

[notherpuppet]

Someone asked if I was adding more to "Buckshot"

...and then I accidentally posted it before I was done answering LOL. Anyway, here was the answer:

I have some ideas that I just haven't fleshed out yet. But I really like that AU and I want to return to it.

As for the Buckshot specific "chapter"...I do have some 'deleted scenes' that I just didn't feel like drawing (laziness) but hmm maybe i'll get the motivation to sketch them out eventually.

Some deleted scenes:

Scene 1.5 [Lucifer looks at Alastor's wounds as he's changing his bandages and clothes. Alastor's covered in severe scars exhibiting many different kinds of injuries.] Lucifer: "So many scars...I wonder what he's been through..." [Lucifer glances at Alastor's face, which somehow still has a faint, but visible smile.] Lucifer (incredulous and annoyed): "Yet he always keeps that smile on his face..." CUT TO FLASHBACK MONTAGE: Lucifer, Alastor, and Charlie playing in the park, eating dinner altogether, and singing backup for Charlie while Alastor plays the piano. [Lucifer smiles softly and turns up the corners of Alastor's sleeping smile.] Charlie: "I thought Al needed to sleep!" >:-0 [Lucifer draws his hands back suddenly, embarrassed.] Lucifer: "Where did you--" [Charlie climbs onto Alastor's rest bed. She haphazardly reaches for Alastor's face.] Charlie: "My turn or it's not fair!" >:-D Lucifer: "Charlie, no!" --- Scene 4.5 (happens at the dinner party, in Lucifer's room, after Alastor bleeds through his shirt) [Lucifer quickly changed into a red tuxedo. Alastor is lagging, due to his pain and need to clean his wound with a soft cloth.] Lucifer: "Let me help you--" Alastor: "I can handle this." Lucifer: "Would you stop being so stubborn? You're drugged up, drunk, and moving slow as hell. You want to arouse more suspicion or do you wanna get this over with?" [Alastor rolls his eyes and rudely tosses the cloth at Lucifer's face. Lucifer's quick reflexes catch the cloth effortlessly.] Lucifer: "That's what I thought." [Lucifer begins to clean Al's wound. Alastor has a pained expression. He winces and grabs Lucifer's wrist forcefully.] Alastor: "You're being a brute." [Alastor guides Lucifer's hand gently and drops his hand once Lucifer adapts. Lucifer helps bandage Alastor back up and get dressed. They're now both in new tuxedos, sans bow ties. Before Lucifer can grab his bowtie, Alastor snatches it.] Alastor: "Allow me." Lucifer: "I can tie my own bow tie." Alastor: "Did you not say we were in a hurry? I think we both know it will go faster if I just tie it." [Lucifer rolls his eyes but resigns. Alastor ties the bowtie swiftly and perfectly.] Lucifer: "Ugh, how do you do this so easily? Aren't you high?" Alastor: "As a kite." [There is a beat and they both share a laugh. Suddenly they hear a distant voice yelling:] Adam (distant): "So much for a quickie!" Alastor: "We should go."

[permo2003]

I heard a theory that macaque disguised himself as wukong and this wukong was the one who met xianglu, I don't really believe in this theory but... imagining this happening is funny to me.

[arttsuka]

Werewolf Wendy 💢💥💥💯💥💥💣

Also the twins

The lineart that I also colored digitally (mainly to decide on the final colors)

[squeezebox0]

After:

Before:

It's been a while since I posted anything but I couldn't let THAT DRAWING go by any longer and not do anything about it. Honestly, I'm surprised at how confident I was when I posted it, so I redrew it.

[deathricedrawn]

i'm ready to try

[causeimanartist]

Happy Batman Day

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.